April 2022

Book creator

Neal Adams: Comics artist Neal Adams dies at 80

Adams worked with DC and Marvel comics in the 1960s and 1970s, drawing characters like Batman, Superman, the Avengers, and the X-Men. He was one of the creative forces behind the Green Lantern/Green Arrow series of the early 1970s, tackling social issues such as drug addiction and racism.

His son Josh Adams said in a Facebook post that his father died at 2 a.m. Thursday morning.

“His career has been defined by unparalleled artistry and an unwavering character that has driven him to constantly fight for his peers and those in need. rights,” Josh Adams said in the post.

His daughter Zeea Adams Moss told CNN her father’s death was unexpected.

In a statement, DC Comics called Neal Adams “one of the most acclaimed artists to have contributed to the comics industry.”

Adams was born on June 5, 1941, and received his artistic training at the School of Industrial Arts in New York, according to the release.

At the age of 21 he began drawing the Ben Casey newspaper comic strip and in 1967 he went to DC Comics, where he drew covers for war comics and contributed stories for The Adventures of Jerry Lewis and The Adventures of Bob Hope.

“His big breakthrough came a year later when he began drawing Batman. The artist showed a natural affinity for the Dark Knight, and in 1970 DC publisher Julius Schwartz assigned the Batman comics to Neal and writer Dennis O’Neil,” the statement read. .

Jim Lee, DC’s publisher and chief creative officer, praised Adams’ illustrations of The Dark Knight.

“Neal Adams was an amazing illustrator, he changed the comics. I loved his take on Batman. It was flexible, acrobatic and dynamic. Neal’s work continues to inspire me. It’s a huge loss for the whole industry,” Lee said in a statement.

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Reading and writing

Q&A with Marvel’s Daughters and Nieces: Take Your Kids to Work Edition

What is your favorite song?

Lois: “Driver’s license” by Olivia Rodrigo

Lyre: “She is in love” with The little Mermaid (Broadway musical) and “Better Together” by Descendants 2.

Kaiya: I like pop music. Do you know Justin Bieber? He is a famous singer and I really like his songs.

Which Spider-Person is taking you on a NYC tour?

Kaiya: Peter Parker because I really like him and his way of acting.

Lois: Peter Parker.

Lyre: Silk.

Who makes you laugh?

Lois: Dad and my brother Harry! Dad tickles me and Harry is funny.

Kaiya: My brother. A lot. Especially when I’m with my friends, he makes the best jokes.

Lyre: My brother. I’m a very easy laugh. And it’s also because he can point at me and say “laugh” and then I start laughing all the time.

The best thing about being part of Marvel?

Kaiya: I like that there is action and adventure because I like this kind of films. Some movies, every time I watch them, it puts me to sleep but not Marvel, that’s why I really like it.

Lois: Comic books.

Lyre: That my mom and dad work on it, and it helps to show kids what imagination can do.

I can’t get enough of Women of Marvel or the next generation of Marvel women?

Well, you’re in luck, the Spring Season of the Women of Marvel Podcast just kicked off today! The all-new season focuses on the theme of Our Characters: Then and Now, with the first episode taking on Peggy Carter. You can listen to new episodes of Women of Marvel every Thursday on the SXM app, Apple podcast, embroiderer, or wherever you listen to podcasts. For more information on Women of Marvel, visit Check out the trailer below!

MacKenzie Cadenhead (she) is a children’s book author and a former (Read: former) editor at Marvel — not very old, but let’s just say she knew Gwen Stacy when she was dead. She is a co-author of the “Marvel Super-Hero Adventures” series of chapters for young readers and is a proud Marvel Woman. You can see what she’s up to on Instagram @mackenziecadenhead.

Want to stay up to date with everything in the Marvel Universe? Follow Marvel on social media—Twitter, Facebookand instagram— and keep watching for more!

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Writer market

GM’s $2.94 billion first-quarter profit tops street views, but revenue misses | Economic news

By ALEX VEIGA, AP Business Writer

LOS ANGELES (AP) — General Motors’ net profit fell in the first quarter as the automaker sold fewer cars and trucks globally, although higher prices helped boost revenue, particularly in America. North.

GM on Tuesday evening reported net income of $2.94 billion, or $1.35 per share, compared with earnings of $3.02 billion, or $2.03 per share, in the same quarter last year .

Excluding one-time items, such as costs related to its self-driving vehicle subsidiary Cruise, GM’s earnings were $2.09 per share. The analyst consensus estimate was $1.65 per share, according to FactSet.

Revenue jumped nearly 11% to $35.98 billion, but fell below the $36.89 billion forecast by analysts.

political cartoons

GM’s sales in the United States, its most profitable market, jumped 13.5% in the first quarter from a year earlier to $29.46 billion. GM sold 1.43 million vehicles in the quarter, compared to 1.75 million in the same period last year.

The company’s global market share increased from 8.1% to 7.3%.

CEO Mary Barra said in a conference call with reporters that demand for the company’s vehicles remains strong.

“What we see from GM’s perspective gives us confidence that we have the pricing power and that we have the customer demand for our products,” she said.

Global supply chain disruptions continue to make access to computer chips needed for auto manufacturing volatile, but GM saw improvement on that front in the first quarter, Barra said.

“We believe we will continue to see a larger supply of chips in the second half compared to the first half,” she said, adding, “We still believe we can gain 25% to 30% more vehicles this year than last year, even with what we see in the market today.

GM is betting on strong demand for electric vehicles. The company has several models in the works, including electric variants of the Chevy Blazer, Equinox, Silverado pickup and Corvette.

Earlier this month, GM announced it would co-develop “affordable” electric vehicles with Honda. One of the vehicles that will stem from that venture is a crossover that GM plans to sell below the Equinox electric variant, Barra said Tuesday.

GM’s stock rose 1.2% after the close after closing down 4.5%.

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Fiction publisher

Editor-in-Chief, Weldon Owen Children’s Books – London

Weldon Owen Children’s Books is looking for an experienced editor and wordsmith to work on an exciting new list of illustrated children’s titles.

The list is mostly non-fiction and covers every topic imaginable, from animals and art to science, space, the environment, personal well-being, and escape puzzles. We also have a list of chapters in the works. Our effort is to present topics in a new and contemporary way with fabulous art, design and typography. We are child-centered in our approach and extremely enthusiastic about illustration and design, quirkiness and storytelling.

Working closely with the publisher, you will be involved in all aspects of book creation, from the early stages of ordering through to print-ready files for production. This will include writing, editing and research, managing budgets and schedules, compiling copy and sales data, and leading external packaging teams, writers and editors. You will also work closely with the design and production teams.

We are a small, passionate team, currently working remotely with regular meetings in London. Our parent company is based in the United States.

You must have superb editing skills, with a meticulous eye for detail and a drive for attractive, age-appropriate copy. You need strong book management experience in illustrated book publishing, including budget management and InDesign skills. It is also important that you are a highly organized self-starter, unfazed under pressure and a good team player.

This is a full time position. Final job title and salary depends on experience.

Please send an up-to-date resume and cover letter, including your current salary, to [email protected]

Deadline: May 27, 2022

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Book creator

Black Clover confirms manga hiatus in new statement

black clover just wrapped up one of its most ambitious arcs yet, and the manga still has more to do before it ends. Last week, reports surfaced that the series would be taking a hiatus before the launch from creator Yuki Tabata. black cloverThe final arc of, and fans held their breath waiting for an update. And now it looks like those rumors have been confirmed by the creator himself.

The update came courtesy of Shounen jump while the magazine has just released its last issue in Japan. Viz Media then translated a letter included in Tabata’s issue, so you can read the artist’s pledge below:

“I personally wanted to continue without taking a break, but after discussing it with the editorial staff, we decided to take a long break to give me more time to create the final arc. I apologize to those who have looking forward to reading new chapters every week. But I plan to do my best to make black clover as good as possible and give it an appropriate conclusion. So I would appreciate if you could just wait a little longer.”

READ MORE: Black Clover: Everything We Know About His Break, Final Arc | Black Clover reportedly set for extended hiatus

As you can see, Tabata doesn’t take the break of her own accord. The artist would be fine to continue with his usual publishing schedule, but the editors of Shounen jump convinced Tabata to give himself a break. After all, black clover just wrapped up one of its most intensive arcs yet, and expectations for the manga’s final act are high. Tabata could use some time to refocus before Asta’s final journey begins, and he’s going to get it.

According to the editorial staff, this break will last about three months if all goes as planned. black clover will return to Shounen jump early August, and when it does, its final arc will begin. So if you need to catch up on the manga before then, well, you have a few weeks to read it all!

What would you like to see from black cloverthe final arc? How do you find Tabata’s work so far? Share your thoughts with us in the comments section below or hit me up on Twitter @MeganPetersCB.

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Reading and writing

An eco-friendly reading list for oenophiles

Do you want to perfect your biodynamics? Get dirt on your dirt? Here’s a short Earth Month playlist, with a focus on carefully grown wines. Some are old, some new, but all are timeless in their themes of environmental stewardship.

Biodynamic champion and winemaker from the South of France Gerard Bertrand launching a new book this month, Nature at heart: for a better world. Named “Green Personality of the Year” in 2020 by the British professional magazine “Drinks Business”, the Languedoc winemaker has been an evangelist of biodynamic agricultural practices since 2002. In his previous book, Wine, moon and stars: an experience from the south of France (2015), a memoir from growing up in the south of France, he presented his idea that working in balance with nature to cultivate and produce wine is a meditation and a spiritual journey. Frequently called upon for both his expertise and his passion, Bertrand’s book tour of the United States will include masterclasses in wine.

Another recent participant of a French author, is Biodynamic viticulture: understanding the vine and its rhythms (Floris Books, 2021). Translated from French and edited by Jean-Michel Florin, leader of the French biodynamic movement (Mouvement d’Agriculture Bio-Dynamique), the book is a guide for biodynamic winegrowers and potential converts. Florin is an instructor in Goethean Science, a natural philosophy derived from German writer Johann Wolfgang von Goethe that takes a 360 degree approach to science and nature, emphasizes the intimate and intuitive experience between the observer and observed it. It’s a philosophy that plays well with biodynamics and which, according to Florin, sets an essential course for the future.

Just before the pandemic flattened the earth, the BELIEVED wine fairs take off. Created by Frances first female Master of Wine Isabelle Legeron and held in Berlin, London, Los Angeles, Montreal and New York, the events have attracted a young, hip crowd of natural wine lovers and a growing migration from the old school. The year of the closure, Légeron publishes the third edition of its popular Natural Wine: An Introduction to Naturally Made Organic and Biodynamic Wines (Cico Books, 2020). Although now is not a time for drinking in person, the book came out at a time when people were rethinking much of their lives, including their drinking habits. Legeron’s book is a simple primer on natural wines, with explanations, introductions and recommendations for exploring the growing category.

Now that natural wine is less of an outlier, Alice Feiring Natural wine for people: what is it, where to find it, how to like it (Ten Speed ​​Press, 2019) comes as a logical sequel to his pioneering 2011 book, Naked wine: letting the grapes do what comes naturally. Called the “original high priestess of natural wine”, Feiring is known not only for her James Beard award-winning writings, but also for her work demystifying esoteric wines and practices (read her love letter to Georgian wines, For the Love of Wine: My Odyssey through the World’s Oldest Wine Culture). In this book, she offers authoritative definitions, a roadmap for finding natural wines and their producers, and the best places to drink with other fanatics. The original illustrations would not be out of place in “The New Yorker” and would keep this book light and accessible.

As a former wine columnist for The Oregonian, Catherine Colewas well placed to write Voodoo Vintners: Oregon’s Amazing Biodynamic Winemakers (Oregon State University Press, 2011). Oregon is ground zero for Burgundian-style wines in the United States, and Cole’s column on biodynamic history and practices naturally leans towards Burgundy. She explains the markers and mysteries of biodynamics, the theories and skepticism and ultimately allows the reader to form their own opinion on the effectiveness of the movement. But by building the bridge from Burgundy to Oregon and connecting the movement to Oregon’s leading winemakers, it creates a comprehensive story about terroir, spiritualism, and practical business. Cole has moved largely from print to podcast as executive producer and host of The Four Top, a James Beard Award-winning food and drink podcast on NPR One.

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Writer market

Two High Dividend Stocks Over 8% I’d Take

Image source: Getty Images

Owning dividend stocks is a way to increase my passive income. High-dividend stocks can give me an attractive source of income without working for them.

However, dividends are never guaranteed and stock prices can fall. So I’ve always spread my investment across a variety of stocks. Here are two high-dividend stocks I would happily buy for my portfolio today.

5 actions to try to create wealth after 50

Markets around the world are reeling from the current situation in Ukraine… and with so many big companies trading at what appear to be “discounted” prices, now may be the time for savvy investors to grab some good potential business.

But whether you’re a newbie investor or a seasoned pro, deciding which stocks to add to your shopping list can be a daunting prospect in these unprecedented times.

Fortunately, The Motley Fool UK analyst team has shortlisted five companies that they believe STILL offer significant long-term growth prospects despite the global upheaval…

We’re sharing the names in a FREE special investment report that you can download today. We think these stocks could be a great fit for any well-diversified portfolio with the goal of building wealth in your 50s.

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Imperial Marks

The tobacco industry is controversial. Many investors avoid it because of the damage its products inflict on millions of customers. For those willing to invest, however, the industry has an attractive economy. Strong cash flow can help support big dividends.

There are a number of tobacco companies that I would consider buying for my portfolio, including those based in the United States Altria and Philip Morris International alongside British peers British American Tobacco and Imperial Marks.

Among these, the most productive are the imperial marks. Its dividend yield is 8.3%. This means that if I invested £1,000 in M&G shares today, I would expect to receive £83 in dividends per year.

High Dividend Stocks

Why is Imperial’s performance superior to that of major competitors? It has pushed less aggressively than them toward non-cigarette formats like vaping, so falling cigarette sales could pose a bigger threat to its future revenue and profits. Additionally, Imperial’s brands like Rizla and John special player are strong but not as iconic as names belonging to competitors like Marlboro and Stroke of luck.

But I think that’s already factored into the stock’s price and performance.

Although Imperial’s portfolio of brands may not be the best in the industry, I believe it is sufficient to help the company achieve substantial profits. Profit after tax last year was £2.9bn. I also like Imperial’s wide geographic reach. It may have to work harder to develop a post-cigarette future at some point, but waiting for competitors to establish the market first could actually save it substantial up-front marketing expenses. Imperial is among the high dividend stocks I would consider for my portfolio today.


Another stock I would buy for my portfolio is investment manager M&G (LSE: MNG).

M&G’s yield is 8.4%, which means it offers me a similar level of payout as Imperial. I don’t see the same risk of decline in end markets as in tobacco. On the contrary, I expect customer demand for financial services to increase over time. But this can bring its own challenges, such as increased competition. This could squeeze profit margins.

I view M&G’s well-established brand and long history as a competitive advantage when it comes to attracting and retaining customers. He deals with such large sums of money that even small commissions could help him turn a handy profit.

Management said it plans to maintain or increase the dividend going forward. This is never guaranteed, but hopefully the business economics will allow the company to realize this plan. That’s why I’d be happy to buy more M&G stocks to add to my ISA’s high-dividend stocks.

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Fiction publisher

The Bookseller – Rights – Steve Backshall and Helen Glover’s guide to raising children in the wild by Two Roads

Two Roads signed wildlife and adventure broadcaster Steve Backshall’s “ultimate handbook for raising wilder, happier, muddier, more resilient kids,” written with his wife, two-time Olympic rowing champion Helen Glover.

Publishing director Kate Hewson has bought the worldwide rights, excluding the United States and Canada, from Julian Alexander of the Soho agency and Hugo Jafari of Ignite Sport.

Taking you through different environments and activities to explore, says the editor Let’s Wild: How to Raise Your Family in the Wild offers a collection of ideas big and small for kids of all ages that will inspire them and their parents to become more involved with nature and wildlife.

With contributions from Bear Grylls, Ed Stafford, Sir Chris Hoy, Judy Murray, Michaela Strachan, Gordon Buchanan, Caroline Lucas, Wayne Bridge and many more, the publisher describes the book as a map to a more adventurous and wild.

Hewson said: “While locking three people in an apartment with a toddler, I had basically started stalking Steve and Helen’s Instagrams for ideas on what to do outside with a child. Steve and Helen’s family life is exceptionally wild, but what’s so wonderful about the book they’ve written is how open, accessible and fun it is – whether examining a beetle in the garden or to take a child on a kayak. It’s going to open up a whole new world for people who might not otherwise consider themselves Wildlings.

Backshall, best known for presenting ‘Deadly 60’ on CBBC, said: “During the first lockdown, when our time outdoors was rationed, nature became more precious. People were thirsty for the outdoors, beaten to make the most of nature, half-remembered things they did as kids and now wanted to do with their own little ones I’m a new parent, but I been creating wildlife programs for kids for 20 years; it’s a pleasure to share some of these ideas, tips and life hacks with a new generation of families.

Backshall is an explorer, naturalist, presenter and writer who has wrote a YA series for Orion Children’s and Deadly 60 books (Bloomsbury Wildlife), plus an adult non-fiction title, dispatch (BBC Books). glover is Britain’s former number one rower who won Olympic gold twice, as well as being a World, World Cup and European record holder. She was also the first mother to return to the Olympic rowing team – a year after having twins and training alone at home during lockdown.

She says: “It’s a book for everyone – from weary parents looking for ideas to inspired families looking for adventure – and I love the idea of ​​this well-worn book sitting on your shelf as your family is getting bigger. I’ll send you out the door and set off on your next outdoor adventure.

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Reading and writing

6 Cool College Essay Writing Guides

We have often seen schools and colleges take a one-size-fits-all approach to education in the past. Educators focused on finding one way to teach all students. But now we all know that approach no longer works. And, in fact, it never worked.

It’s no secret that all people are different and unique in their own way. Students are too. They all have different character traits, abilities and needs. So by putting them all in the same settings, we limit them, not allowing each of them to discover their true potential.

Universal Design for Learning (or simply UDL) is the opposite of that. This approach is gaining momentum in the modern world. If you want to follow the trends and understand what UDL is and how you can get started with it, read on because we asked an expert EssayService writer to give us an introduction to UDL.

What is UDL?

UDL is a very different approach to teaching and learning that focuses on creating equal opportunities for all students to achieve. This teaching model is much more flexible in terms of presenting material to students and measuring their progress. UDL is about finding unique and personalized approaches for all students to help them stay motivated and perform at the peak of their abilities.

Ok, but why should you care? To understand the real value of UDL for education, we need to answer another question: what happens when teachers teach all students the same way? Typically, learners get bored and lose motivation. As a result, they start to underperform. And, when that happens, even though they can use a professional hard copy writing service to write an essay for me and raise their grades, their desire to study is difficult to restore.

By leveraging the UDL, on the contrary, teachers can keep their students more engaged and motivated. As a result, it will positively affect their academic performance. And that’s the main reason why embracing universal design for learning is so important these days.

4 Steps to Adopting UDL in a Classroom

Now that you know what Universal Design for Learning is, the next obvious question is how to get started with it.

If you’re an educator yourself, the good news is that adopting UDL doesn’t have to mean changing your entire teaching model from the ground up. There is no need for radical transformation. Instead, you can use the following steps to create new opportunities and bring more flexibility to your class.

  1. Understand the strengths and weaknesses of your students

Since UDL embraces difference and keeps students’ unique needs at heart, the first thing you should do to adopt this model is recognize how unique each of your students is. Take the time to individualize them.

By saying this, we mean that teachers need to focus on understanding the core strengths and weaknesses of their students. Doing this is quite easy. To get started, you can just use a few polls to see what each of your students struggles with and what they find easy. Later, you can also ask them what kind of instruction and homework each of them prefers.

Such surveys will give you a basic understanding of your students’ needs. Later, you can use this information to provide them with more personalized learning experiences.

  1. Take advantage of digital materials

As mentioned earlier, UDL involves ensuring greater flexibility in terms of how students receive knowledge. So if you only used traditional materials in the past, another thing you can do is start leveraging digital materials. A variety of digital mediums can give you much-needed flexibility.

Such materials can empower some of your students, especially those with special needs. Respectively, by taking advantage of them, you will create a more equal chance of success.

  1. Find new ways to share content

Is your entire lesson plan built around textbooks? If so, adopting the UDL should also mean change.

The next step to take is to find new ways to impart knowledge to your class. To give you some examples here, you can start taking advantage of videos, games, websites, presentations, movies, and just about any other format that suits you.

How will this help your students? By finding new ways to share educational content, you create an equal chance of success. After all, it’s no secret that some people learn best by reading, others through visual perception, and still others by hearing the material. Ideally, you should give all learners a chance to succeed.

  1. Provide different choices to demonstrate knowledge

Finally, another thing you can do to get started with UDL is to give your students more choice in how they can demonstrate what they’ve learned.

Here’s one thing – while learners all perceive information differently, they also share it differently. Some may feel comfortable giving an oral response, while others prefer to write an essay or take a quiz. If you want everyone to have an equal chance of succeeding, you can give them a choice of how they want to demonstrate their knowledge.


That is just about everything. Now you know the basics of Universal Design for Learning and have a step-by-step guide on how to incorporate it into your own classroom. Follow these steps to help your students succeed!

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Writer market

The latest apps promise fast service, but can they deliver? | Economic news

By TALI ARBEL, AP Technology Writer

NEW YORK (AP) — When Mahlet Berhanemeskel returns home to New York from her 90-minute commute, she doesn’t feel like cooking. Instead, she orders food like BLTs, Cheez-Its, and cookies from an app called Gorillas. It’s affordable and takes 10 minutes.

“It’s instant gratification,” she said.

Gorillas is one of many companies venture capitalists have poured billions into in the latest pandemic delivery craze: companies that promise to get you a bottle of Tylenol, an iced coffee, hummus, a cucumber or a roll of paper towels in 30 minutes – or even 15 minutes – or less. They usually deliver from mini-warehouses located in residential and commercial areas.

Experts say they are unprofitable. Big companies are getting into it, though. And officials in European cities and New York, which has become the launch pad for the United States, have already started complaining about how they operate, saying it’s bad for employees and residents.

political cartoons

“The problem I see is that fast trade players, despite the huge valuations they enjoy and the seemingly unstoppable flow of money they get to grow, at some point they will have to find a path to profitability. said Bain associate Marc-André Kamel, the co-author of a recent report on the online grocery market.

Services are already closed. One, 1520, closed in late December, and two others, Buyk and Fridge No More, closed in March, apparently running out of money. Buyk’s Russian founders were reportedly unable to provide money due to restrictions put in place during the Ukrainian War; he did not answer questions. Fridge No More, in a tweet, said it was closing after two years “due to increasing competition and other industry issues.” Its founder did not respond to questions.

Other delivery companies are experiencing growing pains. Gorillas has dropped its “10 minute” delivery promise from its US marketing – now it’s just “in minutes”. Gopuff recently laid off 3% of its workforce, or more than 400 people.

It’s not a sustainable business model, says Len Sherman, adjunct professor at Columbia University’s business school. “There is going to be a lot of consolidation on very painful terms.”

Getir, a Turkish company that operates in Europe as well as Boston, Chicago and New York, said the key to profitability is adding more mini-warehouses in the cities it delivers to.

“We are here for the long haul,” said Langston Dugger, head of US operations at Getir.

The company recently raised $768 million, valuing it at nearly $12 billion, and plans to expand into the United States. in between,” he said.

Lee Hnetinka, the founder of FastAF, a delivery company with a two-hour delivery model in New York, San Francisco and Los Angeles, said profitability is “just not a priority” right now because it invests in customer experience, saying their strategy is a long-term one and pointing to Amazon’s early days when it was also not profitable.

There are new competitive threats from well-established restaurant delivery companies DoorDash, Grubhub and Uber and grocery delivery service Instacart who have noticed the appeal of fast delivery apps.

DoorDash has three “DashMarts” in New York that promise delivery of groceries and convenience store items in 15 minutes, and advertises that more locations are coming; it also aims to deliver from Albertsons Cos grocery stores. in more than 20 cities in half an hour. But its chairman, Christopher Payne, told a recent conference that making 15-minute delivery might not be profitable.

Grubhub delivers items from 7-Eleven and other convenience stores, usually in less than 30 minutes. Uber is partnering with Gopuff and FastAF, allowing people to choose items from these companies in the Uber app. Uber also delivers from local grocers, though delivery times are often over 30 minutes. And Instacart expects 15-minute delivery, starting with customers at grocery chain Publix in Atlanta and Miami.

It’s unclear how quickly services could be out of the densest US cities, like New York, or neighborhoods where they cluster in more sprawling cities.

“For this kind of model to work — 15 minutes, 10 minutes, 20 minutes, you name it — you need density, right?” said Stanley Lim, a professor at Michigan State University, specializing in supply chains. “In a rural area, you can serve those customers but not profitably. That’s going to be a limit to the spread that those businesses can achieve.”

But in the bustling city, regulatory pressure may be looming. New York City Council members have spoken out against fast delivery apps, saying they could violate zoning laws. The New York City Department of Buildings is working with other government agencies to “explore appropriate zoning districts” for mini-warehouses. The centers are not listed in existing city zoning regulations because they are a new type of business, said Andrew Rudansky, spokesman for the agency.

There are also concerns about delivery apps offering discounts that will squeeze local businesses such as bodegas and convenience stores, as well as worries about the safety of delivery people. Manny Ramirez, who works for DoorDash and a service called Relay and is an organizer for Los Deliveristas Unidos, which advocates for better terms for app deliverers, says he was seriously injured by a car while he was cycled twice in the past year, and is still in physiotherapy. And the larger the order, the more dangerous it is for the pilot.

“We don’t have laws to protect bikers,” he said.

The citywide lack of bike lanes, time constraints and fear for their safety are pushing delivery people to the sidewalks, advocates say. This worries the townspeople.

Deborah Koncius, who lives on Manhattan’s Upper West Side, said she felt her neighborhood had become more dangerous with delivery people riding electric bikes on the sidewalk. Although neither she nor any of her family members were affected, “I feel like it’s only a matter of time.”

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Fiction publisher

A little more practice would definitely help

April 19, 2022 | 05:31 IST

A little more practice would definitely help

Is it important to have an English translation for writers in Goa who work in Konkani and Marathi to gain national recognition? The writers as well as the translators have expressed their opinion


he literary world was very excited after the English translation of a Hindi novel was shortlisted for the International Booker Prize. To be more specific, Geetanjali Shree’s Hindi novel Ret Samadhi has been translated into English as Tomb of Sand by Daisy Rockwell. Great news no doubt, but it begs the question of how important these awards are and what effect they have on a writer. If we needed an English translation to ensure that regional writers find their place in the sun? all other languages. She said: “One of the important aspects here is the translation of regional language literature into languages ​​such as English, which has a wider reach. These translations do not occur in a frenzied manner and therefore the beauty of the language remains centered on the particular region. That said, honors and awards do not really reflect the greatness of a language, but efforts should certainly be made to ensure that the richness of languages ​​and regions reaches wider audiences and readers, as these thoughts reflect the heart of a particular region. Savia Veigas, an English-language writer, felt that good literature in any language was always rewarding. She said, “I would prefer to read a well-translated book, which is good if I can’t read that language. Some of the best books I’ve read have been translated because I don’t read Russian, Japanese, German, Spanish, and Urdu. Good literature uses the power to create atmosphere, to describe cultural specificities and characters. No doubt it is better to read it in the original language. But if such a possibility is not available, one should read the translations. I remember Gabriel Garcia Marquez saying that the English translation of his book One Hundred Years of Solitude (which won him the Nobel Prize) was even better than the original”. She pointed out that Speaking about the translator who translated the Hindi literary work into English, Savia said that Daisy Rockwell is a very accomplished translator. She said: ‘It’s good to have a translation shortlisted for the Booker and it would mean that Hindi fiction showcases the best in writing. Translation is a serious literary genre. English teachers teach translation and that may be the only way to gain access to world cultures. Konkani is a great language, but only when it has a vocabulary that includes scientific terms does it break the ceiling. Only then would every Goan be proud to write and be educated in Konkani. So, learning from this new trend, we should strengthen the culture of translation by translating other languages ​​into Konkani so that we can grow the language and move forward.” Dean in the world of Konkani literature, Damodar Mauzo had a lot to say on the subject. He said: ‘I don’t think you need English, but I think nominations should come from the right quarters. I strongly believe that publishers should strive to promote their authors. I think it’s natural for people to know you when you win an award. After winning the Jnanpith award, people all over the country heard about me and my work. Internationally, you have to look at writers like Kazuo Ishiguro who rose to international fame after winning the Man Booker Prize. Previously, no one knew him or the others, but the opportunity arose and they became famous. When it comes to Konkani writers, it’s important to get recognition in your state, and then, when the opportunity arises, make the most of it. When I won the prize, I never believed that I was the best writer. I knew there were hundreds of other writers in different languages ​​who were just as good or even better. To hit the big time, you need the right time. Glenis Mendoca has a doctorate in translation and is an assistant professor at a college. She said the only way for a writer to gain recognition is through a good translation. Glenis said, “Some of the best works have not been translated. All the Goans who have won nationally have done so through good translations. Mauzo won the Jnanpith for translated work. Half of the credit should go to the translators. Look at books that weren’t in English that won the Nobel Prize for Literature thanks to excellent translations. Mauzo was very aggressive in his efforts to obtain translations and it paid off. The writers of Goa must do the same”. Heta Pandit, another writer, lamented the lack of awareness of writers and literature in the state. She cited the example of a play called Dhukhor Dynesh Moghe which she said was world class and didn’t get much reaction in the state. Heta said, “There are things happening but it is only known to a very small group of writers and translators. It’s very depressing.” Jose Lourenco, who writes in Konkani, said Konkani’s readership was so much smaller. He said, “Our market is spread all over thanks to our colonial history. And yes, we are divided by scripts, we don’t get the numbers. We’re getting there slowly. Look at Mauzo, his work is translated and I think others should also push for the same. Then they’ll have a chance to win prizes and they’ll be recognized.” Agusto Pinto, reviewer and translator smiled and said it was an extremely complex issue. He said “Goa is a small place. If they want to be recognized, they have to be signed by a national publisher like Penguin, Harpers , but they’re very hard to get into. They’re all companies that all want to make a profit. Unless you’re a Damodar Mauzo, they’re not willing to look at new writers. I’m working on translations. I have three excellent writers, plays by Pundalik Naik, Gajanand Jog and poems by Late Vishnu Wagh. They are lying on my laptop. I find it difficult to interest national publishers. I can get them published in Goa and sell five hundred copies. But that won’t get you national publishers. He said it was important for writers in Goa to be warned in order to be recognized. Pundalik, Agusto said, was in that position to gain national recognition, but he couldn’t do his job, but now, at 71, no one was looking at him. He said, “If you have a name like Manohar Shetty, you can get a Goa writers anthology because he has a certain reputation. But for me, it’s a problem because no one in the publishing industry knows me. Translators need these contacts”. Perhaps in time, as the market matures, there will be a more organized system that will ensure that interesting works will be translated and brought to the attention of the bigger publishers who might shoot them and touch them.

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Book creator

‘Now Is the Time for Trees’ Book Encourages Public to Plant Trees – Nebraska City News Press

Aimed at educating readers about the power trees have on people and the planet, a new book, “Now is the Time for Trees,” inspires readers to join the tree-planting movement while offering ways to get involved.

The book, released today, is co-authored by Dan Lambe, CEO of the Arbor Day Foundation, and Lorene Edwards Forkner. He shares stories of iconic trees from around the world, planting tips and personal tree stories from well-known people, including award-winning journalist and news anchor, Soledad O’Brien; YouTube creator, Jimmy Donaldson – better known as MrBeast; Salesforce President and CEO Marc Benioff; and much more.

“There has never been more urgency to plant trees than there is today and that is what this book is about – being part of the tree planting movement,” said Lambe. “This is the perfect book for someone who wants to do more and be part of a positive change.” The book is released as the Arbor Day Foundation celebrates its 50th anniversary. Since its inception, the organization has helped plant nearly 500 million trees and has become the largest nonprofit tree planting organization.

The book is available wherever books are sold. Lambe will travel across the country throughout the year to share her book with current and future tree planters while announcing the Arbor Day Foundation’s next tree planting initiative.

To learn more about the book, visit

Founded in 1972, the Arbor Day Foundation has grown to become the largest nonprofit organization dedicated to planting trees, with more than one million members, supporters and valued partners. Since 1972, nearly 500 million Arbor Day Foundation trees have been planted in neighborhoods, communities, cities and forests around the world. Our vision is to lead to a world where trees are used to solve problems essential to survival.

As one of the world’s largest operating conservation foundations, the Arbor Day Foundation, through its members, partners, and programs, educates and engages stakeholders and communities around the world to get involved. in its mission of planting, caring for and celebrating trees. More information is available at

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Reading and writing

AI masters language. Should we trust what he says?

“I think it allows us to be more thoughtful and deliberate about security issues,” Altman says. “Part of our strategy is this: gradual change in the world is better than sudden change. Or, as OpenAI VP Mira Murati put it when I asked her about the security team’s work restricting open access to software, “If we’re going to learn how to deploy these powerful technologies, let’s start when the stakes are very low.

While GPT-3 itself runs on those 285,000 processor cores in the Iowa supercomputer cluster, OpenAI operates out of San Francisco’s Mission District, in a refurbished baggage factory. In November of last year, I met Ilya Sutskever there, trying to get a layman’s explanation of how GPT-3 actually works.

“Here’s the idea behind GPT-3,” Sutskever said intently, leaning forward in his chair. He has an intriguing way of answering questions: a few false starts—”I can give you a description that almost matches the one you asked for”—interrupted by long contemplative pauses, as if he’s plotting the whole answer in advance.

“The idea behind GPT-3 is a way to tie an intuitive notion of understanding to something that can be measured and understood mechanically,” he finally said, “and that’s the task predict the next word in the text. “Other forms of artificial intelligence attempt to hard-code information about the world: grandmaster chess strategies, principles of climatology. But GPT-3’s intelligence, if intelligence is the right word, comes from the bottom up: through the basic act of predicting the next word. To train GPT-3, the model is given a “prompt” – a few sentences or paragraphs of text from, say, a newspaper article, or a novel or scientific paper – and then asked to suggest a list of potential words that could complete the sequence, ranked by probability. In the early stages of training, the suggested words are nonsense. Prompt the algorithm with a phrase like “The writer omitted the very last word of the first . . . ” and guesses will be kind of a stream of nonsense: ” satellite ” ” puppy ” ” Seattle ” ” so ”. But somewhere in the list – maybe thousands of words in the list – the correct missing word appears: ”paragraph”. The software then strengthens any random neural connections that generated that particular suggestion and weakens any connections that generated incorrect guesses. And then it goes to the next prompt. Over time, with enough iterations, the software learns.

Last January, OpenAI added a feature that allowed users to give GPT-3 direct instructions as a prompt, rather than just asking it to develop an example text passage. For example, using ”instruct” mode, I once gave GPT-3 the prompt: ”Write an essay on the role of metafiction in the work of Italo Calvino.” back, the software provided five specific paragraphs beginning as follows:

Italian author Italo Calvino is considered a master of metafiction, a genre of writing in which the author breaks down the fourth wall to discuss the act of writing itself. For Calvino, metafiction is a way of exploring the nature of reality and how stories can shape our perceptions of the world. His novels often incorporate playful and labyrinthine structures that play with the boundaries between reality and fiction. In If on a winter’s night a traveler, for example, the reader is constantly interrupted by meta-level discussions about the act of reading and the nature of storytelling. . . .

You can give GPT-3 the exact same prompt over and over again, and each time it will generate a unique response, some of them more persuasive than others, but almost all of them remarkably articulate. Instructional prompts can take all kinds of forms: “Give me a list of all the ingredients for Bolognese sauce,” “Write a poem about a French coastal village in the style of John Ashbery,” ‘Explain the Big Bang in a language an 8-year-old will understand.’ The first few times I fed GPT-3 prompts of this ilk, I felt a real chill run up my spine. It seemed almost impossible that a machine could generate such lucid, responsive text entirely based on elementary next-word prediction training.

But AI has a long history of creating the illusion of intelligence or understanding without actually delivering the goods. In a much discussed paper published last year, University of Washington linguistics professor Emily M. Bender, ex-Google researcher Timnit Gebru and a group of co-authors said the big language models are just “stochastic parrots”: that is, the software used randomization to simply remix sentences written by humans. “What has changed is not a step above a threshold towards ‘AI,'” Bender told me recently via email. Rather, she says, what has changed is “the hardware, software and economic innovations that enable the accumulation and processing of huge datasets” – as well as a technological culture in which “the people who build and sell such things can get away with building them on non-curated databases.”

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Writer market

LUNA establishes a temporary beach but could it slide lower

Warning: The conclusions of the following analysis are the sole opinions of the author and should not be taken as investment advice.

LUNA dipped from its all-time high at $119.55 on Binance, and it fell below the $84 area where the price saw a strong bullish impulse in mid-March. However, the bulls would have a rope to hold as long as LUNA can stay above $70.7.

It was unclear if the native Terra token was in a retracement, or if the selling pressure is intense enough to force a further decline. Bitcoin was just above the $40,000 mark, and if BTC drops below $39.2,000, the fear in the market could intensify and force LUNA to register more losses.

LUNA – 12 hour chart

Source: LUNA/USDT on TradingView

Last week, LUNA established a (white) range of $80.8 to $89.2. However, it retested the $87-$89 zone as resistance over the past few days. This was a bearish move. This hinted that LUNA might return further south.

The Fibonacci retracement levels were drawn based on LUNA’s move from $47.29 to $104.83 in the previous month. It showed the 50% and 61.8% retracement levels at $76.06 and $69.27, which has some confluence with horizontal levels of longer-term significance.

Trading volume has been dropping for the past few days, even as the price has been consolidating. This suggested that market participants were waiting for momentum in a certain direction before entering the fray.


LUNA establishes a temporary beach but could it slide further south?

Source: LUNA/USDT on TradingView

Both the RSI and the Awesome Oscillator showed strong bearish momentum. The RSI on the 12-hour chart was unable to break above the 40 mark, while the Awesome Oscillator also slipped below the zero line.

The DMI has also shown a strong downward trend underway over the past week, with the ADX and -DI (yellow and red respectively) above the 20 mark.

These developments took place in response to LUNA’s sharp drop from $116. The OBV also experienced a setback. Yet this southward move could be just that – a setback. The OBV continued to stay in an uptrend on a longer horizon.


Was LUNA pulling back towards the $70 mark in search of demand? Was this bearish move more than just a retracement? When in doubt, zoom out, the saying goes. As long as $70.6 holds, the bullish bias has some credence. Bitcoin could also influence the direction of Terra’s token.

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Fiction publisher

Roxane Gay, Emily St. John Mandel, Richard Powers, Ocean Vuong, More: 23 Oregon Literary Events

Events are free and virtual unless otherwise stated.

“Broadsides: A Collection of Poetry and Other writings”, an exhibit of the Multnomah County Library’s John Wilson Special Collections, opened April 12. It is on display 10 a.m. to 6 p.m. Monday and Wednesday through Saturday, 12 p.m. to 8 p.m. Tuesday, and 10 a.m. to 5 p.m. Sunday (hours may differ on holidays) through July 12, Collins Gallery , Central Library, 801 SW 10th Ave., Portland.

the Oregon Book Prize Finalists for children’s literature — Waka T. Brown, Cathy Camper, Jennie Englund, Gabi Snyder and Tracy Subisak — read excerpts from their books. 10 a.m. April 16, via Green Bean Books and Literary Arts. Register here.

the Oregon Book Prize Finalists for children’s literature — JC Geiger, Courtney Gould, April Henry and Deborah Hopkinson — read excerpts from their books. 11 a.m. April 16, via Literary Arts. Register here.

Old Oregon Governor Barbara Roberts launches her new book, ‘A Voice for Equity,’ a collection of 22 of her speeches during her career in public service, at an event hosted by the Center for Women’s Leadership at the University of Portland State. 1 p.m. April 16, Oregon Historical Society, 1200 SW Park Ave., Portland.

Two of Oregon Book Prize Finalists in creative non-fiction — Alison Cobb and Aaron Gilbreath – appear as part of the Springfield Celebrates Authors series. 1 p.m. April 16, Springfield Public Library, 225 Fifth St., Springfield. Click here to attend via Zoom.

Beaverton author Andres Mendoza and author from Portland Emilie Prado celebrate their limited-edition chapbook, “American, Us!”, a collaboration between artists inside and outside of youth corrections published by Portland’s Morpheus Youth Project, with a launch party including readings, music and merchandise. 2 p.m. April 16, Barrio at Portland Mercado, 7238 SE Foster Road, Portland. (Read more about “American, Us!”)

Portland author Omar El Akkad discusses his novels, “American War,” about a second American Civil War, and “What Strange Paradise,” about the global refugee crisis. 2 p.m. April 16, via Cannon Beach Library’s NW Author Series. View it on the library’s Facebook page.

poet and novelist Ocean Vuong discusses his new collection of poetry, “Time is a Mother”, with the author Jia Tolentino. 5 p.m. April 18, via Powell’s Books. Register here.

Author Alexandre Varela discusses his first novel about queer, racial and class identity, “The Town of Babylon”, with the author Justin Taylor. 7 p.m. April 18, Powell’s City of Books, 1005 W. Burnside St., Portland.

Jeff Deutschdirector of Chicago Seminary’s Cooperative Bookstores, discusses his new book, “In Praise of Good Bookstores,” with the author Ada Calhoun. 5 p.m. April 19, via Powell’s Books. Register here.

Portland author, cognitive psychologist and educator Jay Klusky talks about his book “Reverse Integration: Helping White America Join the Village”. 6 p.m. April 19, Third Eye Books, 2518 SE 33rd Ave., Portland.

Author Emily St. John Mandel discusses her new novel, ‘Sea of ​​Tranquility,’ with the Portland author Omar El Akkad. 7 p.m. April 19, Powell’s City of Books, 1005 W. Burnside St., Portland.

Author Clyde W. Ford presents his new book, “Of Blood and Sweat: Black Lives and the Making of White Power and Wealth”. 5:00 p.m. April 20, via Powell’s Books. Register here.

Bill Silverly and Michael McDowellthe editors of Windfall: A Poetry Journal of Place, will host a final reading for the journal. 6:30 p.m. April 20, Broadway Books, 1714 NE Broadway, Portland.

Critic and director Isaac Butler discusses his new book, “The Method: How the Twentieth Century Learned to Act,” with the author Justin Taylor. 7:20 p.m., Powell’s City of Books, 1005 W. Burnside St., Portland.

Many Oregon Book Prize Finalists in fiction and poetry read from their work. 7:20 p.m., Literary Arts, 925 SW Washington St., Portland.

Author Chloe Caldwell discusses her new health memoir, ‘The Red Zone: A Love Story,’ with the author Claire Dederer. 5 p.m. April 21, via Powell’s Books. Register here.

Author Nicholas Griffith discusses her fantasy novel, ‘Spear,’ with the author Nissi Shawl. 6:30 p.m. April 21, via Books in Common NW. Register here.

Portland Editor Laura Stanfill launches her first novel, “Singing Lessons for the Stylish Canary,” at 7 p.m. April 21 at Powell’s City of Books, 1005 W. Burnside St. (Review: “Singing Lessons for the Stylish Canary” is a charming story of family, friendships and choices)

Pulitzer Prize-winning author Richard Powers appears as part of Literary Arts’ Portland Arts & Lectures series. 7:30 p.m. April 21, Arlene Schnitzer Concert Hall, 1037 SW Broadway, Portland. $29 (includes remote livestream option),

Author and podcaster Kate Kelly discusses her new book, “Ordinary Equality: The Fearless Women and Queer People Who Shaped the US Constitution and the Equal Rights Amendment,” with U.S. Representative Jamie Raskin, D-Maryland. 5 p.m. April 22, via Powell’s Books. Register here.

Oregon Author Lauren Kesler discusses his new book about life after incarceration, “Free: Two Years, Six Lives, and the Long Journey Home”, with the writer Sterling Cunionwhose life sentence for aggravated murder was commuted in 2021. 7 p.m. April 22, Powell’s City of Books, 1005 W. Burnside St., Portland.

Author and cultural critic Roxane Gay gives a lecture entitled “Roxane Gay: With One N” as part of the Voices lecture series. 7:30 p.m. April 22, Tiffany Center, 1410 SW Morrison St., Portland. $49,

[email protected]; Twitter: @ORAmyW

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Book creator

Grant Morrison announces the release of his first novel this fall

Legendary Batman and Final Crisis Comic book creator Grant Morrison officially publishes his first novel. The news was announced earlier this week in a report of io9, which revealed the first details surrounding the upcoming book. Title Luda, Morrison’s novel is described as a fantasy story, which involves the worlds of drag queens and black magic. This will be Morrison’s second book, after the best-selling non-fiction title Supergods: Our World in the Age of Superheroes in 2011. Ludathe cover of which you can check out below, is slated for release on September 6 wherever the books are sold.

(Photo: Del Rey Books)

In Luda, Luci LaBang is a star: for decades, this flamboyant drag artist has bewitched the screen and the stage. She is now the star of a hit musical. But as the weather takes its toll, Luci worries her star is starting to dim. When Luci’s co-star encounters a mysterious accident, a new ingenue enters the scene: Luda, whose fantastical beauty and sinister charm immediately appeal to Luci…and who looks strikingly similar at a much younger age. Luda begs Luci to share the secrets of her fame and reveal the hidden tricks of her trade. Because Luci LaBang is a master of Glamour, a mysterious discipline that draws on sex, drugs and the occult for its trance-transforming effects.

But as Luci tutors her young protege in the art, their fellow cast and crew members begin to meet with untimely ends. Now Luci wonders if Luda has mastered The Glamor all too well…and exploited it to achieve her dark ambitions. What follows is a heady descent into the demi-monde of Gasglow, a fantasy city of dreams, and into the nightmarish heart of Luda herself: a femme fatale, a freak, a monster, and perhaps the most brilliant of all.

“Basically, I was exploring and questioning my personal past experience as young, working class, genderqueer, and obsessed with performance.…” Morrison tells io9. “As I got older, the day came when makeup made me look like my grandmother in an open coffin and I was struck by a poignant nostalgia for old clothes and me and the possibilities that no longer fit so well! As anyone in these circumstances could do, I’ve found a way to unpack my feelings in a twisty psychological thriller!”

“I hope readers enjoy the vulgar flamboyant language, the glitz and glamor of showbiz, the delicate puzzle box narrative, the bare humanity and a lifetime’s journey inside the mind of an extraordinary individual. and irreplaceable!” Morrison has talked about the possibility of a sequel. “Luda is its own complete story, but the “world” in which it is set – the half-Brooklyn, half-Glasgow town of Gasglow – could host countless interconnected tales!”

As mentioned above, Luda will be available on September 6 wherever the books are sold.

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Reading and writing

Poet Billy Collins to Participate in Midwest Literary Walk »WDET 101.9 FM

detroit today

For anyone who has tried, writing poetry can be difficult. It can be hard to tell if you’re actually writing something compelling — or if you’re even telling a cohesive story. Billy Collins is one of America’s most popular poets, according to Bruce Weber of The New York Times. It will appear at Midwest Literary Walk at 4 p.m. on April 23 at the Washington Street Education Center Auditorium in Chelsea. The event is organized by the Chelsea District Library.

“I learned to write poetry by reading it, and I think that’s how you learn. Not by sitting at a seminar table, listening to a well-established poet, talking about his poetry, but by reading English poetry and becoming accustomed to the iambic meters of poetry”, – Billy Collins, former poet laureate and speaker at the Midwest Literary Walk.

Listen: How to write good poetry, according to an acclaimed poet.


Billy Collins is a former Guggenheim Fellow, Professor Emeritus at Lehman College, and served as Poet Laureate of the United States from 2001-2003.

Collins’ last three books of poetry broke poetry sales records. His latest book is “Day of the Whale: And Other Poems.”

“I learned to write poetry by reading it, and I think that’s how you learn. Not by sitting at a seminar table, listening to a well-established poet, talking about his poetry, but by reading English poetry and getting used to the iambic meters of poetry.

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Writer market

US stocks fell slightly; Investors Eye Musk, drama on Twitter | Economic news

By DAMIAN J. TROISE, AP Business Writer

NEW YORK (AP) — Stocks fell slightly in afternoon trading on Wall Street on Thursday as investors scrutinized the latest economic data and corporate earnings amid lingering concerns about inflation and the rise in interest rates.

The S&P 500 fell 0.7% at 12:30 p.m. EST. The Dow Jones Industrial Average rose 3 points, or less than 0.1%, to 34,568 and the Nasdaq fell 1.6%.

Industrials and companies that manufacture household and personal goods gained ground. Caterpillar rose 4% and Delta Air Lines 1.8%.

Tech stocks fell and reversed gains elsewhere in the market. The expensive valuations of many of the biggest tech companies give them more leverage to steer the broader market up or down. Microsoft slipped 1.9%.

political cartoons

Investors once again turned their attention to the drama surrounding Tesla founder and CEO Elon Musk and Twitter. Musk offered to buy the social media company for $54.20 per share, two weeks after revealing he had accrued a 9% stake.

Musk criticized Twitter for failing to uphold free speech principles and said in a regulatory filing that it should be turned into a private company. Twitter’s stock rose 1% to $46.30, well below Musk’s offer price.

Wall Street had mixed economic data to review after several hot inflation reports earlier in the week. The Commerce Department said retail sales rose 0.5% in March, boosted by higher gasoline prices as consumers continued to spend despite high inflation.

Inflation remains at its highest level in 40 years in the United States and that forces economists and analysts to closely monitor the reaction of consumers to the rising prices of everything from food to clothing to essence. Inflation concerns escalated with Russia’s invasion of Ukraine, which made energy prices more volatile and contributed to rising oil and wheat prices globally.

U.S. crude oil prices were relatively flat on Thursday, but rose about 40% for the year.

The head of the International Monetary Fund warned on Thursday that Russia’s war on Ukraine is weakening economic prospects for most countries in the world and reiterated the danger that high inflation poses to the global economy.

Rising prices are prompting the Federal Reserve and many other central banks to tighten monetary policy by raising interest rates, among other measures, to help calm the growing demand that is contributing to the problem.

Bond yields have mostly risen as Wall Street braces for higher interest rates. The 10-year Treasury yield rose to 2.80% from 2.72% on Wednesday night.

Investors received another update on the job market recovery. The number of people applying for unemployment benefits rose last week, according to the Labor Department, but remained at a historic low. The data reflects a robust US labor market with near-record job openings and few layoffs.

Earnings season is underway and Thursday featured reports from insurer UnitedHealth Group and several banks.

UnitedHealth gave up an early gain and remained essentially unchanged after reporting strong first-quarter results and raising its 2022 guidance.

Investors had mixed reactions to the results of four of the country’s biggest banks, which all reported notable declines in first quarter profits as market volatility and the war in Ukraine led to a drying up of transactions, while that a slowdown in the real estate market meant fewer people were looking for mortgages.

Citigroup rose 1.1% while Wells Fargo fell 4.5%. Morgan Stanley rose 0.9% and Goldman Sachs fell 0.5%.

Investors are watching the latest round of corporate earnings closely to see how companies have handled rising costs and whether consumers have cut spending.

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Fiction publisher

Libby Reading App Offers Online Opportunities | Blue Mountains Gazette

Blue Mountains Library has partnered with libraries nationwide to provide members with new opportunities to connect with authors, fellow readers, and a variety of fascinating guests at monthly online events.

The next event will be on Wednesday, April 20 at 7 p.m. when author Maya Linnell speaks with bestselling rural fiction author Fleur McDonald, editor Chiara Priorelli, and head of library and guest services. of Blue Mountains, Vicki Edmunds.

During this discussion, attendees will have the opportunity to ask questions, interact with guests, and enjoy a fun and engaging conversation with industry leaders about books, gardening, and cooking.

On Tuesday, April 26, join Ben’s Book Club at 7 p.m., when bestselling author Ben Hobson will be joined by Jane Caro, author of The mother.

Library Lovers with Maya Linnell and Ben’s Book Club is brought to you by OverDrive and participating libraries through the Libby Reading App. Libby is compatible on all devices with iOS 10+ and Android 5.0+. If you have a Windows computer, Mac computer, or Chromebook, you can use Libby in your web browser at We suggest using the latest version of Chrome, Safari, Firefox or Edge.

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Book creator

Mind MGMT’s Matt Kindt Launches Experimental “Flux House” Imprint at Dark Horse Comics

Mind MGMT creator Matt Kindt is bringing the critically acclaimed series back to Dark Horse Comics, but that’s just the tip of the iceberg. Kindt is spearheading a whole new imprint called Flux House. This new line of comics will be written and occasionally drawn by Kindt, with each book seeking to push the boundaries of storytelling and presentation.

Flux House kicks off in July with the debut of Mind MGMT: Bootleg, a four-issue limited series written by Kindt and featuring art by Farel Dalrymple, Jill Thompson, David Rubín and Matt Lesniewski. Bootleg will be the first Mind MGMT book not drawn by Kindt, though it builds directly on the conclusion of the original series and features the return of the titular psychic spy agency.

Check out the slideshow gallery below for a taste of what to expect from Mind MGMT: Bootleg and some of the extras included in each issue:

Mind MGMT: Bootleg Preview Gallery

“I promise Mind MGMT: Bootleg is not a prequel, studio-led sequel, or corporate reimagining of that comic you love,” Kindt said in a press release. “It’s still weird, paranoid storytelling and was the perfect title to launch Flux House with.”

Part of Kindt’s goal with Flux House is to restore a collectible item to the comics. The line will vary in format and physical size, and the books will often include extras like collectible playing cards or die-cut items. With Flux House focusing on a number of different genres and styles, experimentation is really the unifying theme here.

“Flux House is inspired by Fluxus – an avant-garde art movement of the 1950s that was an extension of the Surrealists and Dadaists,” Kindt added. “The Fluxus movement focused on the creative process and experimental art forms. Their hallmarks include accessibility, absurdism, and a sense of humor. If you’ve seen me burn or carve one of my books at a signing, you already have an idea of ​​what I mean. Flux House aims to embody all of these elements. It will not be limited by traditional book and print forms, and the format of history will be, as its name suggests, always on the move.

“Matt Kindt is a smart, innovative artist who wants to push the boundaries of the comic book medium,” said Dark Horse President/Founder Mike Richardson. “Dark Horse first published his work in March 2010, when a Super Spy short story appeared on Dark Horse’s Dark Horse Presents MySpace webcomic. When Matt pitched the idea to me for an imprint pop-up with books that would be unique collectible artifacts, I had no hesitation in saying yes.

This announcement comes just over a year after Kindt’s previous Mind MGMT revival. Mind MGMT: The Artifact was among the first comics to be released as NFT after the technology broke into the mainstream last year. Kindt has been adamant that The Artifact will not be reprinted in a more traditional form, although the winning bidder chose to publish the story online.

Kindt is also the co-writer of BRZRKR with Keanu Reeves. Be sure to read IGN’s interview with the BRZRKR team to learn more about this series and its upcoming Netflix adaptation.

Jesse is a mild-mannered writer for IGN. Allow him to lend a machete to your intellectual thicket by follow @jschedeen on Twitter.

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Reading and writing

Alaska Senate Unanimously Passes Full Reading, Pre-K Bill

JUNEAU, Alaska (KTUU) – The Alaska Senate unanimously passed a full reading and pre-kindergarten invoice Tuesday, but he faces an uncertain future in the House of Representatives.

The bill, estimated to cost about $128 million over the next decade, would help implement universal, voluntary pre-kindergarten across Alaska over several years. Existing programs could be improved and school districts could compete for grants to create new ones.

There would be a new “read by 9” curriculum, adapted from initiatives in Florida and Mississippi, which tries to ensure that all students can read before leaving third grade. If students cannot read enough by then, their parents will be asked not to promote them or that they undergo 20 hours of intensive reading instruction.

The 40-page bill, known as the Alaska Reads Act, also contains provisions to hire six reading specialists to train teachers in Alaska’s 53 school districts. It would also establish a virtual education consortium to establish online learning programs for students and teachers.

All programs and provisions of the bill would end after 10 years, unless extended by the Legislative Assembly.

Sen. Tom Begich, D-Anchorage, helped carry the Alaska Reads Act for more than two years after unveiling an earlier version with Gov. Mike Dunleavy in 2020. He urged its passage on Tuesday.

“We are in a position to potentially change the game in education today,” he told the Senate.

Begich attempted to clarify what he called “misinformation” about the Alaska Reads Act. He said pre-K programs would be voluntary for districts and there would be no “high-stakes” tests for children. He said it was about establishing a proven “philosophy” for improving reading scores.

“He’s doing things that we need to do if we’re going to start changing the curve of how we raise our kids,” Begich said.

Another key figure in drafting and moving the bill forward was Senator Shelley Hughes, R-Palmer. She called it a “game changer” and believes it is “landmark legislation” to improve reading scores. But, she expressed her disappointment that the rules for promotion to fourth year were not stricter.

Alaska has long marked the bottom of the states for reading assessment scores. In 2019, less than 40% of students in Alaska got the grade in English.

Last week, the House passed an operating budget with a $57 million increase to the student funding formula and a plan to fund K-12 education a year up front. But that planned increase could be vetoed if it lands on Dunleavy’s desk.

“Governor Dunleavy has consistently said, in his veto messages on additional education funding over the past few years, that until a Reading With Accountability Bill is passed, he will not support any new funding increases,” Jeff Turner, spokesman for the governor’s office, said Tuesday.

The House has its own reading bill, which has not moved from the House Education Committee. Current plans would see it spend more on reading intervention initiatives, but there is no updated cost estimate for this bill.

There has been some skepticism in the House about the Senate bill, particularly about whether it will benefit rural Alaska and whether enough funds have been set aside to achieve its Goals.

Democratic Representative Grier Hopkins of Fairbanks, a member of the House Education Committee, raised those concerns on Tuesday.

“Our schools need these supports,” he said of the House’s plans to increase funding for schools. “We can’t just throw a whole new political agenda at them without the endorsements and the funding, or we’re just going to rob Peter to pay Paul.”

Rep. Andi Story, D-Juneau, is co-chair of the House Education Committee. She echoed some of Hopkins’ concerns and said a reading bill could “complement” the House-approved school funding increase.

Copyright 2022 KTUU. All rights reserved.

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Writer market

Japanese Honda presents its strategy for moving forward with electric vehicles | Tech News

By YURI KAGEYAMA, AP Business Writer

TOKYO (AP) — Honda is investing 5 trillion yen ($40 billion) over the next decade in research, particularly to achieve a major shift toward eco-friendly electric vehicles, the Japanese automaker said Tuesday.

The products and services under development will account for more than half of its 8 trillion yen ($64 billion) research and development budget at that time and will be tailored to each major market, the United States, China and Japan.

Efforts in North America will focus on the collaboration with General Motors Co., in which Honda Motor Co. is jointly developing two mid- to large-size electric vehicle models, slated for sale in 2024.

By 2027, also as part of its alliance with GM, Honda plans to offer an affordable electric vehicle that rivals petrol models in terms of performance and price.

political cartoons

Major automakers are accelerating electric car deals amid pressing concerns about climate change, while using new types of fuel, such as biofuels and hydrogen fuel cells.

Honda will launch 30 electric vehicle models globally by 2030, targeting production of more than 2 million vehicles a year, according to the maker of the Accord sedan, Asimo robot and Gold Wing motorcycles.

They will cover the entire model range, from tiny minivans to muscle sports cars.

“We will continue to deliver the driving pleasure our customers have come to expect from Honda,” said general manager Toshihiro Mibe.

In China, where the shift to electric vehicles is particularly bullish, Honda will launch 10 new electric vehicle models by 2027.

In Japan, a market dominated by gas-electric hybrids, Honda will start with small utility vehicles, such as delivery vans.

Companies are likely to be more open to such investments due to the Japanese government’s sustainable development goals, officials said.

A mini-EV model for commercial use in the 1 million yen ($8,000) price range will go on sale in Japan in 2024, while other EVs, including sport utility models, for consumers regulars will follow, they said.

By the end of the 2020s, Honda hopes to have a breakthrough on next-generation batteries.

It will also develop related software, as electric vehicles need charging infrastructure and could add features such as robotics and avatars.

Like other automakers, Honda has lost business during the coronavirus pandemic. But it forecast operating profit of 800 billion yen ($6.4 billion) for the fiscal year ending in March.

Yuri Kageyama is on Twitter

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Fiction publisher

Exclusive: The Storkening arrives SKYBOUND PRESENTS AFTERSCHOOL #2 cover art and release details

Announced in Februarythe teen horror anthology comic series Skybound Presents After School will feature a new cautionary tale brought to life by a different creative team in each intriguing issue, and we’re thrilled to exclusively announce that Skybound Presents After School #2 will feature an urban legend story about an ominous stork written by Kate Herron (Marvel Studios’ Loki, sex education) & Briony Redman (BAFTA Rocliffe recipient Brec bridge) and illustrated by artist Leila Leiz (MOM: Mother of Madness, Horde)!

Skybound Presents After School #2 will bring The Storkening to comic book stores on July 20!

Below, you can check out Veronica Fish’s weirdly awesome cover. (Archie, Sabrina the Teenage Witch), and we also have the official press release with additional details:

Press release: LOS ANGELES 04/11/2022 – Today Image/Skybound announced the superstar’s creative team and the story behind Skybound Presents Afterschool #2, the latest issue in the new teen horror anthology miniseries that takes the familiar cautionary tales we all learned in our youth and turns them on their (cut) heads. After school #2 will hit comic stores on July 20, 2022.

In this issue, the acclaimed writing duo of Kate Herron (Marvel Studios’ Loki, sex education) & Briony Redman (BAFTA Rocliffe recipient Brec bridge) teamed up with artist Leila Leiz (MOM: Mother of Madness, Horde) to present a self-contained horror story drenched in blood and feathers. After school #2 will be colored by Giovanna Niro (Two Moons, Summoner’s War: Legacy) and lettered by Pat Brosseau (Birthright, Manifest Destiny), and features a stunning cover by Veronica Fish (Archie, Sabrina the Teenage Witch).

“Scratches to mark you, a feather to warn you, then it comes…” According to urban legend, if you try to get rid of your baby, a monstrous stork will force you to keep it. But surely that can’t be true, can it? For Leah and her friends, they’re about to find out just how true that is in…The Storkening!

“As two people who love monsters and anthologies, we’re thrilled to be working with both Skybound and kickass artist Leila Leiz to bring a monster to life like you’ve never seen before,” said Herron and Redman.

“It’s always been a dream of mine to draw an amazing bird horror story, thanks to Sir Alfred Hitchcock,” Leiz said. “Working alongside the brilliant imagination and storytelling brought by Kate and Briony, that dream has now come true.”

The team behind this After school special joins the impressive list of acclaimed writers and star artists from comics, TV and beyond working on the miniseries, including Justin Benson and Aaron Moorhead (Marvel Studios’ Moon Knight) and Greg Hinkle (The Rattler, Airboy), as well as Jill Blotevogel (Scream: The TV Series) and Marley Zarcone (Shade, the changing girl; Effigy). Each autonomous After school special features a unique creative team to give each issue a distinct horrifying feel, with its own relatable characters and truly chilling lessons. The series opens June 8 with the story of an emotional support dog with a killer secret by Benson, Moorhead, Hinkle, Niro and Brosseau.

Skybound Presents After School#2will be available at comic book stores and digital platforms like Amazon Kindle, Apple Books, comiXology and Google Play on Wednesday, July 20, 2022.

Founded in 2010, Skybound is a cross-platform content company that works closely with creators and their intellectual properties, extending their stories to other platforms including comics, TV, film, tabletop and video games. , books, digital content, events and beyond. The company is home to critically acclaimed global franchises including The Walking Dead, Invincible, and Super fight.

Skybound’s capabilities include services as a global publisher, producer and distributor of tabletop and video games across all genres, including multi-million unit sales The Walking Dead series of video games. Skybound Games is also a strategic global marketing and distribution partner of Striking Distance Studios for the highly anticipated survival horror game. The Callisto Protocol.

The company also maintains key partnerships in the entertainment industry, including Universal Pictures and Image Comics, holds a first development agreement with Audible and has entered into an ongoing strategic commercial partnership with the publisher and developer of mobile games 5and Planet Games (OAX: FIVEPG). Skybound’s digital and creative intellectual property includes unique creators such as Kristian Harloff and the Schmoedown Entertainment Network, as well as Peter Santa-Maria and his Stone Attack brand. For the most up-to-date Skybound information, please visit the company on Twitter (@Skybound)YouTube (Skybound), Facebook (@Skybound Entertainment), Instagram (@skyboundent) and at

Image Comics is a comic book and graphic novel publisher founded in 1992 by a collective of successful artists. Image has since become one of the largest comic book publishers in the United States. Image currently has six people on the board: Robert Kirkman, Erik Larsen, Todd McFarlane, Marc Silvestri, Jim Valentino and Eric Stephenson. It consists of five major houses: Todd McFarlane Productions, Top Cow Productions, Shadowline Comics, Skybound Entertainment and Image Central. Image publishes comics and graphic novels in nearly every genre, subgenre, and style imaginable. It features sci-fi, fantasy, romance, horror, crime fiction, historical fiction, humor and more from the best artists and writers working in the medium today. today. For more information visit

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Book creator

“I felt ignored by queer literature because it’s so middle class”

Douglas Stuart’s confinement has to be ranked among the most surreal; just as the pandemic hit, her first novel, Shuggie Bain, was published and, like every other writer with a new book at the time, all plans for launch parties, literary festivals and events bookstores were immediately cancelled.

But in that first Covid autumn he found himself in the limelight, as Shuggie, the story of a young boy from Glasgow and his intense, painful and loving relationship with his alcoholic mother, Agnes, has won the Booker Prize for fiction. Stuart accepted the award from his Manhattan home in a virtual ceremony, and was then dragged into the usual round of interviews.

But it was not until several months later that he was able to really meet his readers; when the time finally came, one of his first ports of call was Ireland, which saw him travel from Drogheda to Thurles to Ennis, a whirlwind tour arranged, he recalls, by toasts to the cheese in the back of a Nissan Micra.

“I think I might have visited about 16 countries last fall when it all opened up,” he explains. “And Ireland was the greatest, and that’s not empty piety. Because the truth is, I could talk about my work and didn’t have to explain the themes. We understand how much women working class people are hard pressed, we understand poverty, we understand bigotry, we understand what it means to be a queer young man in a religious place, addiction, alcohol abuse And so we could just talking about books. And for me, I found touring Ireland to be really liberating.

At one event he met two women who had been driving for hours from Donegal – where Stuart’s mother’s family is from, although he has not yet visited each other – and they ended up go for a drink together.

Now he’s gearing up to hit the road again with his second novel, Young Mungo – a book he started in 2016 and finished before he even won the Booker. It shares common ground with Shuggie Bain, again focusing on issues of addiction and filial love, but there are also significant differences, perhaps primarily that Mungo is approaching adulthood and, between navigating in the frequent absences of his mother, Mo-Maw, and pressure from his brother Hamish, a local Protestant gang leader wanting Mungo to join him in the turf wars with rival Catholic gangs, he begins a relationship with another teenager , James.

I was thinking about what it means to be a man and when people constantly ask you as a working class young man to be a man

“I wanted to write a romance,” he told me. “I’ve always felt both very neglected by queer literature, because it’s so bourgeois that it very rarely intersects with working class. But I also felt like my own history, my own people, had been erased in a way, where we never really heard about queer people in working-class communities, because you couldn’t be visible, you couldn’t be vocal, you couldn’t get out. And becoming a man, I thought of God, there must be other young men like me, right next to me, or a few blocks away.

The result, he laughs, is a bit like Romeo and Juliet meets Deliverance; When we first meet Mungo, a few months after meeting James, he is taken on a rough fishing trip by two chaotic men his mother seems to know from AA meetings. Their purpose in keeping him away from his housing project in Glasgow is mysterious, but there is an air of threat, of impending doom. As the novel unfolds, we begin to realize that Mungo is coming of age in a medium where masculinity is synonymous with a capacity for violence and opting out is incredibly dangerous.

‘Standing man’

“I was thinking about what it means to be a man and when people are constantly asking you, as a working class young man, to become a man, to become a man, to become a man, your masculinity has to become incredibly performative. And mine too – and that means being tough and tough, accomplishing your masculinity, being incredibly sexualized with women at a young age. You also have to be violent before violence; always be on offense and never on defence. This is how men should present themselves. And I was just thinking how terrible and terrified I was about it as a young man.

Young Mungo is set in the early 1990s, just after the end of Margaret Thatcher’s term as Prime Minister, in a city that has been devastated. Mungo’s downstairs neighbor in their four-story apartment building is a redundant shipbuilder who is “now rotting in an armchair in front of a burning television”, and who tells Mungo that “Glasgow is finished.” No coal, no steel, no railroad work and no fucking shipbuilding.

For Stuart, this period was also one of personal cataclysm. When he was 16, his mother died of alcoholism; for much of her young life, he had been her caregiver. His father, whom he did not know, had died years before, and his brother and sister were much older than him. He was, indeed, alone – although he pays homage to his brother Alexandre, to whom Young Mungo is dedicated and who was, he says, “for many years my father, my mother, my best friend, my big brother, my guide”. . He was a good, good man.” Alexander was killed in a motorcycle accident when Stuart was 20. “He took care of me,” Stuart says simply. “I fell, but I would never be fell completely.”

I sometimes wonder if I’m a bad candidate for literary culture

By this time he had become the first person in his family to complete high school, living in a studio apartment and going to school at the Scottish College of Textiles and then the Royal College of Art. He moved to New York when he was 24, and at the time Shuggie Bain was released, he was a senior manager at Banana Republic, helping run a $4 billion business. For years, however, he had written privately, trying to capture something of the life that shaped him.

According to him, one of the central themes of his work is that his characters are always trying to find their place – a feeling that haunted him throughout his life. even after more than two decades in New York, it feels like a soufflé, and the transition from fashion to publishing has “felt like two tectonic plates, and I just slipped between them. But it comes back to that first thing about belonging. I just wish that once in my life, I felt like I was in the center of something, didn’t I? Just like, that’s exactly who I am. You defined me perfectly. I am in this room. And I can never have that feeling.

When he tells me this, I notice – having interviewed him virtually twice – that he has a surprisingly calm and cheerful presence. “You know, he replies, I sometimes wonder if I’m not a good candidate for literary culture. Because I really try to be a rather affable, accessible, frank and kind person. And I worry sometimes if it comes across as a profound lack of seriousness. But when I think of the books, I think of how these deeply serious writers have excluded me and my community all my life. They always spoke above us, or beyond us, or around us, or in front of us. And so I just decided that when I was going to talk about books, I was going to be as accessible as possible.

I am also keenly aware that although Shuggie and Mungo are fictional creations – their lives diverge from Stuart’s in many ways – they are inspired by their creator’s deeply painful and traumatic experiences; that the questions Stuart asks about his work involve him talking about unusually personal and intimate events and emotions. He still has, he says, dark times; he’s an anxious person who can find it difficult to enjoy the moment (although he expresses absolute delight that Dua Lipa and Drake have praised his work, not to mention the Duchess of Cornwall and Nicola Sturgeon). But it could get a little easier.

“I’m not attracted to misfortune as an adult,” he concludes, telling me. “I’m not looking for him. I don’t try to destroy things. I don’t try to hurt people. I’m not trying to make drama. I try to move towards happiness because I really want it, I really, really want it, and I want it for others.

Young Mungo is published by Picador on April 14.

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Reading and writing

NYT Crossword Answers: Anastasia’s Love in 1997’s “Anastasia”

PUZZLE MONDAY – Congratulations to Rachel Simon, who makes her construction debut in the New York Times Crossword today. When I saw her signature I immediately went to check how many other Rachels had published crossword puzzles in The Times, and I am happy to welcome Ms Simon to the elite club which until today , only included me and Rachel Maddow.

I loved reading in Ms. Simon’s notes that her early days were helped, in part, by the mentorship of beloved veteran builder Robyn Weintraub. The support that the established builder community shows to aspiring new crossword puzzlers is a thing of beauty that has helped broaden and diversify the build base. So, to all the crossword builders who have ever helped a newcomer polish a theme, fill in a tricky corner, or hone their clue writing skills: in the words of 49D, I am I will never abandon you.

57A. The index “Bees: Prefix” refers to API, which is the prefix of words such as APIculture (the raising of bees), APIary (a place where bees are kept) and APItherapy (the use of bee products as alternative medicine – Today I learned!).

61A. “Young Australian Woman” is the clue for SHEILA. There is some debate about the origins of this piece of Australian slang, and it seems that it can be seen as a pejorative term. Today I learned two things!

64A. Clues that have ellipses in the middle, as we see in the “Something to shoot…or shoot at” clue give you not one but of them clues for entry. In this case, a GOAL is both something to aim for for and something to shoot to.

69A. There is a slight misdirection here on the “record holder” index, which seems to indicate a person who holds a statistical record. Instead, we’re looking for the case that holds a record you might play on a turntable, which is a SLEEVE.

26D. I think the clue “The yellow is not on them, but in them” is supposed to play on the phrase “the joke is on them!”, but because I pronounce the “l” in “yellow”, this rhyming pun didn’t totally click for me. Anyway, the index notes that the yolks are not on EGGS maize in them.

This puzzle features a simple theme type we’ve come to know and love as a Monday staple: “words that may follow or precede X.” In this case, X is given to us in the revealing PICKUP (“Learning, like a new skill…or what may precede the endings of 20-, 36-, 42-, and 59-Across”). The four topic entries are two-word phrases, the second word of which could follow PICKUP in another common phrase.

The first of these, at 20A, is FAULT LINES (“Earthquakes happen around them”). As the developer indicates, PICKUP may precede LINES in the common phrase PICKUP LINES. This same mechanism also works for the other three theme entries. My favorite of the set is VIDEO GAMES at 36A (“Fortnite and The Legend of Zelda, for two”), which gives the expression PICKUP GAMES when the theme is applied (PICKUP GAMES are informal, spontaneous sports competitions).

This is a tidy thematic set of four fun and easily recognizable phrases that generate another four great phrases with the revealer, which is also included. What more could you ask for on a Monday? Congratulations to Ms. Simon on this debut — we look forward to your next puzzle!

I’m Rachel, a writer, editor, and writing teacher based in Raleigh, NC. I’ve always loved solving crossword puzzles, but only started building them in the spring of 2020 when I decided to teach myself to do it as a new hobby during the early days of the pandemic. At first I was just focused on creating custom crossword puzzles for family and friends (which I do now as a business!), but later I started experimenting with themed puzzles under the guidance useful from my native neighbor (and frequents New York). Time puzzle builder) Robyn Weintraub.

This puzzle not only marks my debut for The Times, but also my first puzzle published anywhere! I had been thinking about themes involving two-part words, and “PICKUP” just felt like it had so much potential. I found the four topic answers fairly quickly, editing them slightly with Robyn’s help to make sure they were all clear, commonly used phrases that solvers would recognize. Once the time said yes, it’s had a few rounds of tweaks to fix some tricky corners of the grille, and I’m so thrilled with the result! I hope you all enjoy solving them and this is the first of many puzzles I’m building for the Times.

The New York Times Crossword has an open submission system, and you can submit your puzzles online.

For tips on how to get started, read our series, “How to Make a Crossword Puzzle.”

Resolution almost done but need a bit more help? We have what you need.

Warning: there are spoilers ahead, but subscribers can take a look at the answer key.

Trying to return to the puzzle page? Right here.

Your thoughts?

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Writer market

We need a housing policy that supports workforce diversity

On “Eviction Inequalities Worse in Pandemic, Report Says” (Business, March 23): As someone who works closely with business leaders in Massachusetts, I have seen firsthand how our state’s expensive housing market has hurt our communities, driving recent college graduates and out-of-state families in search of more affordable living opportunities, and has been hampering our economy for years.

Now, a slew of recent reports released after two years of the pandemic — from the Home for All Massachusetts analysis of eviction rates in Boston neighborhoods, to the Future of Work Commission’s warning about labor shortages— labor, to data showing population losses in Boston and other major cities – underscores the large and disproportionate burden that the rising cost of living in our state has placed on communities of color, and the gaps our labor -work will be faced accordingly.

For our economy and businesses to thrive, we must support a diverse workforce that can afford to live and access emerging employment opportunities, including those that will come from our growing industry. clean energy. It is essential that we address our affordable housing crisis to invest in housing policies and workforce training strategies that will create a more equitable and prosperous Commonwealth.

Jennifer Benson


The author is president of the Alliance for Business Leadership and a former Massachusetts State Representative.

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Fiction publisher

April 30 is Independent Bookstore Day – Duluth News Tribune

Joe Bailey will be in conversation with Dr. Nancy Sudak about her book, “Thriving in the Eye of the Hurricane,” which is about how people can be more resilient in difficult times, 6:30-8 p.m. Monday, April 11, The Bookstore at Fitger’s, 600 E. Superior St.

Story Hours, Wednesdays at 10:15 a.m. at the Duluth Main Library and West Duluth Branch and Thursdays at 10:15 a.m. at the Mount Royal Branch. Go to

Virtual Poetry Book Club, 5:30 p.m. Wednesday, April 13. Book: “Postcolonial Love Poem” by Natalie Diaz. » Email Sheila Packa at [email protected] to register.

Independent Bookstore Day, April 30, Zenith Bookstore, 318 N. Central Ave., offers freebies and meets Emily Vikre, author of “The Family Camp Cookbook,” from 11 a.m. to 1 p.m., and Linda LeGarde Grover, author of “Gichigami Hearts” from 1 p.m. at 15h

the Friends of the Saint-Paul Public Library, as Minnesota Center for the Book, announces the seventh chapter of A book, a Minnesota, a statewide book club that invites Minnesotans of all ages to read a common title and come together virtually to enjoy, reflect and discuss.

The seventh title on the program is “The Secret of Dreadwillow Carse” by Minnesota author Brian Farrey. Presented in partnership with State Library Services, a division of the Minnesota Department of Education, the program aims to bring Minnesotans together during a time of distance and adversity and highlight the role of libraries as community connectors.

Through May 15, Minnesotans will be invited to read the featured book selection and will have access to reading guides and virtual book club discussions. Readers can access the eBook and audiobook for free on Ebooks Minnesota for eight weeks. All Minnesotans are invited to participate in a free, statewide discussion with author Brian Farrey, at 1 p.m. May 11. Registration required. Links to resources and more information can be found at

The Arrowhead Library System Bookmobile is scheduled for the following stops:

  • Hermantown at the Marcus Lakes Cinema on Mondays, April 11, May 2, May 23, June 13, from 10 a.m. to 11:30 a.m.
  • Fredenberg at the Community Center on Mondays April 11, May 2, May 23, June 13, from 12:30 p.m. to 1:30 p.m.
  • Pequaywan at Inn Resort Mondays April 11, May 2, May 23, June 13, 2:15-3 p.m.
  • North Shore at Clearwater Grille (November-April) and McQuade Small Craft Harbor (May-October) Mondays, April 11, May 2, May 23, June 13, 4:15-5:30 p.m.
  • Proctor at St. Rose Church on Thursdays, April 14, May 5, May 26, June 16, from 12:15 p.m. to 1:15 p.m.
  • Supervisor at the Community Center on Thursdays April 14, May 5 and 26, June 16, from 2 p.m. to 2:45 p.m.
  • Solway Town Hall at Munger Shaw Road on Thursdays April 14, May 5, May 26, June 16, 3:15-4:15 p.m.
  • Hermantown at the YMCA on Thursdays, April 14, May 5, May 26, June 16, from 5:15 p.m. to 7 p.m.

The Bookmobile offers print books, cookbooks, large print books, DVDs, audio books and video games. Go to

Lake Superior Writers present Superior Actions, a free virtual open mic for writers to read their work, and anyone else who wants to listen, from 6-7 p.m. Wednesday, April 13. The event is free; membership is not compulsory. Graphic content is prohibited. There will be 10 five-minute slots available on a first-come, first-served basis. Entrants will be notified in advance if they have been selected to read. To register, email [email protected] before April 11 and indicate if you wish to read. A Zoom link will be sent on the day of the event.

the Arrowhead Library System provides Take & Write Poetry Exercise Kits to your local library for distribution until April 20. Celebrate National Poetry Month with the Poet’s Workbook designed by COMPAS, Minnesota teaching artist and poet, May Lee-Yang. Features poetry writing exercises designed specifically for new poets.

This program, sponsored by Arrowhead Library System, was supported in part or in whole with funds from the Minnesota Arts and Cultural Heritage Fund. For more on Arrowhead Legacy events, visit

2022 Lake Superior Writers Writing Contest is open. This year’s theme is “Full Circle”. The categories are Poetry, Short Fiction, Short-Short Fiction, and Creative Non-Fiction.

For more information: Deadline: Monday, April 11.

Join a Northeast Minnesota Book Award Reading team and help choose a winning book that captures the spirit of northeast Minnesota.

The NEMBA recognizes books that substantially represent the history, culture, heritage, or way of life of northeast Minnesota, including the following counties: Aitkin, Carlton, Cook, Itasca, Kanabec, Koochiching, Lake , Pine and St. Louis. This is the first year that Lake Superior Writers will present the awards, previously coordinated by the University of Minnesota’s Kathryn A. Martin Library. The final awards were announced in 2020. This year, reading teams will look at books published in 2020-21, with winners announced in the fall.

Reading teams need volunteers to help select the winning book in each of the six categories: Nonfiction, Fiction, Art/Photography, Children’s Literature, Poetry and Memory. NEMBA is not looking for professional literary critics, but rather an open-minded group of readers who represent Northland’s different backgrounds and ways of life.

Each of the six reading teams will consist of a maximum of four members with a designated leader. Applicants should state their preferences as to which team they would like to be on. After receiving their book bundles, teams will meet several times (a Zoom meeting may be an option) between June and September to discuss the nominated books, with winners being notified on October 1.

To apply, fill out the form at Applications will be accepted until May 1, and team assignments will be announced from mid-May to the end of May. Any questions, email [email protected]

Did you or someone you know publish a book in 2020 or 2021? Lake Superior Writers invites applications for the 2022 Northeast Minnesota Book Award. Books can be nominated in one of six categories: Non-Fiction, Fiction, Art/Photography, Children’s Literature, Poetry and Memoir. A non-refundable entry fee of $40 is required for each nominated title. The awards recognize books that substantially represent the history, culture, heritage, or way of life of northeast Minnesota, including the following counties: Aitkin, Carlton, Cook, Itasca, Kanabec, Koochiching, Lake , Pine and St. Louis. Authors are not required to live in Minnesota for their work to be considered.

As in the past, independent reading teams for each category will review and determine pricing, with pricing announced in the fall.

Nominated books must have been originally published between 2020 and 2021. The winning book in each category will receive a cash prize of $200. The winning book and honorable mention in each category will receive a glass plate and 100 book seals.

For complete guidelines on nominating a book, including a link to the required nomination form, visit Send the completed form, four (non-returnable) copies of the book and the $40 entry fee to NEMBA, 1626 London Road #895, Duluth, MN 55812. Applications must be mailed by May 31.

For questions, email [email protected]

“The Ursuline” by Brian Freeman

Title: “The Ursuline”
Author: Brian Freeman
Synopsis: The mythical beast has many names. Bigfoot. Sasquatch. Yeti. In Black Wolf County, it’s called… the Ursuline. But for deputy Rebecca Colder, the beast is no myth. A serial killer has taken on the identity of the monster – and with every body left behind there is a chilling message written in blood: “I am the Ursuline”. Although it is a prequel to “The Deep Deep Snow”, you can read this novel on its own. Set in a fictional mining town in northern Minnesota, this thriller will keep you guessing until the very end.
Cost: $28.99 for hardcover, $18.99 for paperback, and $9.99 for Nook Book.
Editor: Blackstone Editions

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Book creator

Ken Penders threatens to sue Knuckles’ father

Ken Penders, best known in the Sonic community for his comic book series and Sega lawsuit, is threatening further legal action following the release of Sonic the Hedgehog 2. The comic book artist and writer took to Twitter after the premiere of the film, claiming that it uses two of its characters from the Archie Comics Sonic series. As a result, he says he wants his lawyers to “discuss” the matter with Paramount producers, and has not ruled out another lawsuit.

Penders, who admits he hasn’t seen the film, takes issue with Knuckles having a father in the film version of his backstory. He remains anonymous and all we learn about him is that he was the leader of the Echidna tribe and died trying to retrieve the Master Emerald. Penders says this character is actually his – referencing Knuckles’ father in the comics, Locke. He also says that the producers used his character Enerjak as inspiration for the Master Emerald’s ability to grant powers to the user, even though the film never mentions the emerald containing the spirit of a living being. .


Related: Sega, Stop Making Sonic Games And Stick To The Sonic Movies

Penders says fans have told him the movie uses his characters and he’s using them as the basis of his complaint to his attorneys. His first claim was that the film’s producers used his comic character Enerjak, a demigod who possesses an echidna, to act as their evil alter ego. It doesn’t actually appear in the movie, but anyone who uses the emerald mistress can be granted the power to defeat armies, which Penders thinks is pretty close.

On top of that, he takes issue with the portrayal of Knuckles’ father. He doesn’t appear to have explained why he thinks Locke and the unnamed father in the film are similar enough to warrant legal action. He said he would have been okay with that content in the movie, as long as he “[saw] salary”.

While Paramount would be a much bigger opponent than its previous targets Sega and Archie Comics, Penders remains confident. “If you think I’m worried about Paramount’s lawyers, you’re kidding yourself,” he said in a Answer. “They have to go before the same judge as me and they have to go through the discovery process like me. I bet I know where a lot more bodies are buried.”

Penders worked on the Archie Sonic comic book series until 2006. Famously, in 2010 he was sued by Archie for copyrighting characters he created for the series, in a case that was eventually settled and dismissed by the judge. As a result, many characters had to be removed from the story. He then sued EA and Sega, but not for the characters he actually created. He claimed that an echidna-like race created by BioWare for Sonic Chronicles: The Dark Brotherhood, resembled his own Knuckles lookalike characters. The case was dismissed.

Next: 2D Pokemon Games Had The Most 3D Towns

Tifa Lockhart

Italian Senate accidentally releases 30 seconds of inappropriate Tifa Lockhart video

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Reading and writing

Too many emails? Let your bot answer it

What will it be like when you have your own bot and it is as good or better than you at many daily tasks?

The answer may come sooner than you think. Google’s new Pathway Languages ​​Model, which is not yet open for public testing, is the latest advancement in artificial intelligence. The technical explanation is that the neural networks have been scaled to 540 billion parameters for “breakthrough performance”. The practical effect is that the AI ​​is now more adept at engaging in natural conversation, explaining new jokes, and writing code.

I expect that most written communications will eventually be done by robots. I could train my bot by letting it read all my previous emails and other writing. Eventually, my bot responded directly to most of my emails, though it might hold some aside to ask if they deserved a personal response.

It sounds convenient, and in many ways it will be. I will have more time to take walks and read books. But think about the larger balance. If more emails are read by bots, then more emails will be written by bots. Of course it already is, but in this new world emails composed by bots will be at least as good as human emails, and at least as good at passing through filters as I have put in place to protect my time and attention.

A kind of arms race will ensue. Overall, I expect the number of quality messages and emails to increase. Woe to those who don’t have a very good filtering bot.

Imagine negotiating or discussing terms in such a world. I might receive a proposal from your bot. Is this a real and legally binding offer? Or is it just a ruse to trick me into revealing information about my trading strategy? In some cases, bots can handle these issues smoothly and present both parties with a final settlement. In other cases, negotiators might insist on a face-to-face meeting, both to know they’re getting “the real deal” and to limit the potential back-and-forth. For some real interactions, online written communications will no longer suffice.

Think of the college admissions essay, for example. These days it is important. But if the bots get good at writing, candidates may have to go for a personal interview instead. Countermeasures could then evolve. Maybe there aren’t enough admissions officers to conduct all of these interviews. So why not let the candidates spend two days together, record all the procedures and let the bots issue notes? They could even measure who told the most original jokes.

In this new world, writing skills will matter a lot less, and personal charisma a lot more. This is not necessarily a positive development. It will be more difficult to use handwriting as a measure of a broader skill or intelligence.

If you are single, bots can change your use of dating services. It seems tedious to have to swipe left or right all the time – and besides, do you really trust your own judgement? Instead, you can let your bot choose for you. If you told him you were interested in a potential mate, he might even send you pictures of what your kids might look like.

As with email, however, there are some potential complications. The good news is that your bot can quickly sort through the set of available candidates. Maybe your soulmate was 3,472 hits – and maybe now, thanks to your bot, you find that person instead of giving up. The bad news is that the most datable and marriageable candidates could be removed from the eligible pool. Liquidity in the dating market could dry up for less desirable candidates. Tinder hides from you the reality that a candidate might only be a 4 on a scale of 1 to 10, but not your bot.

Artificial intelligence brings great benefits to a wide variety of tasks, such as detecting payment fraud, improving medical diagnostics, and sending rockets into space. The potential problems arise when AI systems interact directly with human attention – and the activity involved involves a lot of matching and filtering. In these cases, advances in AI may exceed our human abilities to participate in the process. And maybe there isn’t a final stage, at least not anytime soon, where we can fully rely on AI.

In the meantime: If you have any questions about this column, you’ll have to count on me for the answers. But maybe not for very long.

Related to Bloomberg Opinion:

• The high ideals of Google AI Unit are tainted with secrecy: Parmy Olson

• Confronting the potential of AI to create new chemical weapons: Lisa Jarvis

• Go ahead: ignore this email: Stephen L. Carter

This column does not necessarily reflect the opinion of the Editorial Board or of Bloomberg LP and its owners.

Tyler Cowen is a Bloomberg Opinion columnist. He is a professor of economics at George Mason University and writes for the Marginal Revolution blog. His books include “Big Business: A Love Letter to an American Anti-Hero”.

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Writer market

Stocks tumble on Wall Street, head for weekly losses | Economic news

By DAMIAN J. TROIS, AP Business Writer

Shares fell slightly in morning trading on Wall Street on Friday, weighed down by further declines from chipmakers and other tech companies.

The S&P 500 fell 0.4% at 10:20 a.m. EST. The benchmark is in the red for the week after three consecutive weekly gains.

The Dow Jones Industrial Average rose 23 points, or 0.1%, to 34,607 and the Nasdaq fell 1.2%.

Tech stocks were the biggest drag on the market. The high valuations of the sector often exert outsized upward or downward pressure on the market as a whole. Apple fell 1.1% and Microsoft 1%.

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Big tech stocks have been particularly sensitive to rising interest rates, which can make expensive growth stocks less attractive relative to their earnings.

Treasury yields have continued to rise as traders become accustomed to the Federal Reserve’s current policy pivot of fighting inflation instead of stimulating the economy. The 10-year Treasury yield rose to 2.69% from 2.65% on Thursday night, its highest level in three years.

The Fed has already announced a quarter-percentage-point hike in its benchmark interest rate and stands ready to take aggressive action to help temper the impact of inflation on the economy.

Minutes from the Fed’s meeting last month showed policymakers agreed to start reducing the stockpile of central bank Treasuries and mortgage-backed securities by about $95 billion a month. , from May. That’s more than some investors expected and nearly double the pace the last time the Fed shrunk its balance sheet.

Traders now expect a greater than 80% chance that the Fed will raise its overnight rate by half a percentage point at its next meeting in May. That’s double the usual amount and something the Fed hasn’t done since 2000.

Investors weighed the impact of the Fed’s monetary policy change as they also closely monitor the conflict in Ukraine. Energy prices have been volatile and food prices have risen since Russia invaded Ukraine. This adds to the lingering uncertainty about the duration of inflation and its depth.

Crude oil prices were relatively flat on Friday, but are still up about 30% for the year. Wheat prices have increased by about 35% and maize prices by 30%.

The conflict in Ukraine has prompted sanctions from the United States and much of Europe that have hurt the Russian economy. Yet Russia’s central bank has managed to stabilize key aspects of its economy with tight controls. It cuts a key interest rate and says more cuts could be on the way.

Wall Street is also monitoring China’s latest response to a surge in COVID-19 cases. People in Shanghai are facing severe restrictions on movement and activities due to the outbreak, which has some businesses worried.

ACM Research, which makes equipment used in the production of computer chips, warned investors of a drop in revenue due to limits on its operations. The stock fell 7.9%.

A rise in COVID-19 cases is also behind airline disruptions in Europe. Two major airlines, British Airways and easyJet, canceled around 100 flights on Wednesday. The industry is suffering from a staff shortage due to the virus.

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Fiction publisher

The Bookseller – Rights – S&S signs ‘ingenious’ crime thriller starring Rubin in two-book deal

Simon & Schuster has signed a detective novel The glass turner by journalist and author Gareth Rubin in a two-book deal.

Deputy Publishing Director for Fiction, Katherine Armstrong, has acquired the UK and Commonwealth rights from Jon Wood at RCW. S&S will publish in September 2023.

The glass turner is a head to tail novel, a book featuring two intertwined stories printed back to back. Open the book and the first novella begins, ending in the middle of the volume. Flip the book upside down, and people can read the second story in the opposite direction. Set half in 1880s Essex and half in 1930s California, The glass turner contains two stories that explore dark mysteries that separate worlds and eras, but are linked in “ingenious” ways, the publisher said.

“I especially love clever, confusing crime novels that make you think while entertaining,” Armstrong said. “When I first read The glass turner, I was completely engrossed in the plot as well as the execution of it. The reader can choose how to read, either alternating chapters in each half or reading a short story throughout. The stories are complete on their own but also have connections between them that readers can find that will enhance their reading experience. Gareth has written a fun, approachable and intelligent crime novel that keeps readers guessing.”

Rubin writes about social affairs for the Observer. His thrillers include Liberation Square (Michael Joseph), located in Soviet-occupied London, and The Winter Agent (Penguin), based on a true story of British agents in Paris on the eve of D-Day.

He said: “To make a thriller work you need a good team behind it and I know I have the right people behind this one. The idea of The glass turner came to see me after spending an afternoon stuck in a maze in an old country house that had once burned down. This gave me the idea for a maze-like book – something where you physically move around while following the story. Because we have this kind of stuff in theater all the time – immersive shows or plays that change depending on where you sit – and I thought it would be interesting to put it into a book. the head to tail model gave me the perfect vehicle to explore that.”

Wood added: “The glass turner is breathtakingly intelligent but also – and this is the hardest part – human, touching and captivating from start to finish. Gareth is an immense talent and writes surprisingly original novels. I can’t think of a better editor for him than Katherine and S&S.”

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Reading and writing

Generations Community Writing Project | Las Cruces Newsletter


Generations Community Writing Project is a program to bring literary artists together and provide them with a platform to create, share and discover the vast literary talent of the community. For the program, eight writers will be selected and paired. Each pair of writers will be at least twenty years apart.

As a duo, the screenwriters will determine the depth of their collaboration. Paired writers can write independently or together. In pairs, the writers will introduce themselves and share a 15-minute reading time, including introductions.


Writers will be given the theme of “unity” as a starting point for their compositions. Strict adherence to the theme is not necessary.


Writers writing in all genres are encouraged to apply, including but not limited to prose, poetry, drama, and creative nonfiction.

Entry requirements:

For this project, authors must:

• Be 18 or older

• Reside in the county of Doña Ana

• Attend two mandatory in-person events (orientation and reading)

To apply, writers must submit the application no later than April 8


Selection process:

As part of the application process, authors will be asked to provide a short biography and artist statements. The jury will use this information to select and match authors.

Organic :

Written in the third person, your biography provides insight into your professional and personal experiences with a focus on your work as a writer (200 words or less)

Artist Statement:

Written in the first person, your artist statement provides insight into who you are, the “what”, the “why” and the “how” of your writing. This statement should be clear and concise while conveying the essence of you as a writer. (300 words or less)

Judgement :

The selection and judging of writers for the project will be done by a panel of local writers and experts in the field. Decisions made by the panel are final.

Price :

Outstanding Submission by Elder of the Writer Pairings – Plaque

Outstanding Submission by Junior of Paired Writers – Plaque

Authors will also have their work published on the DLCP webpage

All participating writers will receive an event t-shirt

Community writing guidelines for broadcast and publication:

Since this project is a community writing project, language and content standards apply. Submitted works must not contain obscenity, both in language and/or in explicit sexual or violent content.

In order to create a diverse and respectful community space, we ask that openly partisan pieces that advocate a political party for or against any current or former elected official be left for another forum.

Submission deadline:

Friday April 8 at midnight

Notice of Program Acceptance:

friday april 22

Orientation meeting (mandatory):

Saturday, April 29 11-1 @ Amador Bar and Grill, 302 S Main St Suite B

Deadline for submission of work:

tuesday 24 may


Saturday June 4 at 6 p.m. at the Auditorium of the Rio Grande Theater

Post-Reading Reception and Awards Ceremony:

Immediately after reading


For more information, please email Susan Greenwald Cabello at [email protected]

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Writer market

JetBlue’s Bid for Spirit Focuses on Adding Aircraft to the Fleet | Economic news

By DAVID KOENIG, AP Airlines Editor

JetBlue Airways executives explained to Wall Street on Wednesday why they were offering to pay $3.6 billion for Spirit Airlines, a combination proposal that received a chilling reception from investors.

JetBlue doesn’t want Spirit’s ultra-low-cost business model, and certainly not Spirit’s bottom spot in government-compiled customer complaints. But he wants Spirit’s Airbus fleet, and especially his big pile of orders for more planes.

New York-based JetBlue needs more planes to compete more fairly with the four biggest US airlines – American, Delta, United and Southwest. But planemakers Airbus and rival Boeing have long backlogs that make it difficult to grow as fast as JetBlue would like.

“When I think about the main benefits of this transaction…first of all, between Spirit and JetBlue, we have a really compelling backlog,” JetBlue CEO Robin Hayes said in a call with analysts. “The supply of new aircraft over the next few years is very difficult.”

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Buying Spirit “accelerates what would take us years to do” alone, Hayes said.

JetBlue has over 280 aircraft. Spirit had 173 at the start of 2022 and has received orders to receive another 120 from Airbus through 2027, according to regulatory documents.

JetBlue said late Tuesday that it would seek to overturn a $2.9 billion bid from Frontier Airlines that was backed by Spirit’s CEO when that deal was announced in February. There could be a bidding war — Frontier declined to say Wednesday whether it would sweeten its offer now that JetBlue has stepped in.

Spirit said its board of directors was considering JetBlue’s unsolicited bid.

So far, investors are disappointed with JetBlue’s move. They have sent shares of JetBlue down nearly 9% on Wednesday and more than 15% since the bid was announced.

JPMorgan analyst Jamie Baker said the merits of a JetBlue-Spirit merger are not as clear as other possible US airline combinations, even though it would allow JetBlue to grow faster than it couldn’t do it any other way in growing markets like South Florida and Los Angeles.

Raymond James analyst Savanthi Syth lowered his rating on JetBlue shares to “market performance”. She said ‘airline mergers are never easy’, combining headcount will be difficult, JetBlue will add debt and the whole exercise could distract from JetBlue’s budding partnership with American Airlines in the Northeast. .

The Justice Department has filed a lawsuit to block that deal with American — a trial is expected this fall — and antitrust regulators may object to the overlap between JetBlue and Spirit on the East Coast, particularly in Florida.

Hayes said JetBlue was confident regulators would let his airline buy Spirit, but acknowledged “it’s going to be quite a lengthy regulatory process.”

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Fiction publisher

Stone Village to Adapt Scorched Grace from Gillian Flynn Publishing Acquisition – The Hollywood Reporter

Gillian Flynn’s first editorial acquisition is heading to the small screen. Stone Village Television is set to adapt the next novel by author Margot Douaihy, Burnt Grace, like a premium TV series.

Scott Steindorff, Dylan Russell and Zhara Astra will serve as executive producers for the series. Stone Village head of development Shannon Kobler will co-produce.

Jennifer Thomas of United Agents brokered the deal.

The novel will be published next February by independent publisher Zando under Flynn’s Gillian Flynn Books imprint. The publisher, founded by Molly Stern in 2020, partners with influential creators, organizations and institutions to publish a selection of titles under their own imprints. In addition to Gillian Flynn Books, Flynn will also publish books under the Hillman Grad Books and Get Lifted Books imprints. Other publisher partners include Lena Waithe’s Hillman Grad Productions, John Legend’s Get Lifted and Sarah Jessica Parker’s SJP Lit.

“In five pages, I was in love with this novel. It’s so much more than a mystery (which is my favorite kind of mystery), it’s an exploration of faith, love, and the worthy struggle to be a better human. I just loved it,” Flynn said of the novel.

Burnt Grace tells the story of Sister Holiday, a “queer, heavily tattooed, chain-smoking nun,” who joins a convent in New Orleans. After Sister’s convent becomes the target of arson, Sister becomes determined to put her detective skills to the test and work as an amateur investigator, trying to identify the culprit before it’s too late.

Burnt Grace marks the first book in a series described as “tough, weird and mysterious thrillers”.

Steindorff said in a statement: “She (Margot) crafted an interesting and elevated story to highlight how life goes on after trauma and – I didn’t know I could relate to a nun so much! Holiday is so wonderfully flawed, and I think we can all see ourselves in her a bit. This book was made for television, and I’m thrilled to be working with Margot on this thriller.

Burnt Grace is my love letter to the mysteries, to homosexuality and to the crucible of faith. Stone Village TV produces transcendent art – work that haunts and redeems. It’s the perfect team to bring Sister Holiday’s flamboyant ride to the screen,” said Douaihy.

In addition to Burnt GraceDouaihy is the author of the collections of poetry Bandit/Queen: The Runaway Story of Belle Starr, Scranton laceand girls like you. A recipient of the Mass Cultural Council Artist Fellowship, a finalist for the Lambda Literary Award, Aesthetica Magazine’s Creative Writing Award, and the Ernest Hemingway Foundation’s Hemingway Shorts, Douaihy’s work has also been featured in Queer Life, Queer Love, Colorado Review, PBS NewsTime, and more.

The author teaches creative writing at Franklin Pierce University in Rindge, NH, where she is also the editor of the Northern New England Review, as well as co-editor of the Elements in Crime Narrative series with Cambridge University Press.

Burnt Grace marks the latest novel to receive Stone Village adaptation treatment. More recently, Stone Village co-produced, alongside Jessica Rhoades and Nate Matteson, the HBO Max series station eleven, an adaptation of Emily St. John Mandel’s 2014 bestseller. Last month, the series won the Critics Choice Super Award for Best Sci-Fi/Fantasy Series.

Other adaptation works under development at Stone Village include: Young ladiesbased on the novel by Alex Michaelides to be released with Miramax Television; The last day, based on the novel by Andrew Hunter Murray, picked up by Paramount Television; an adaptation of Mary Shelley Frankensteinin partnership with Black Box Media and Under the wave in Waimeabased on the novel by Paul Thereoux, in partnership with Chicken Soup for the Soul Ent./ Crackle.

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Book creator

Sir Knight? Moon Knight’s Best Alter Ego Reveals a Disconnect Between the Comics and the MCU

Perfect for a show about a protagonist with dissociative identity disorder, this week’s second episode of moon knight features the second Moon Knight in the series… sort of. Less than a decade after his comic book debut, Mr. Knight gets his live-action introduction… but for fans familiar with the character from his comic book appearances, things aren’t exactly what you might expect. expect.

Who is Mr. Knight?

In the comics, Mr. Knight is a separate character from the traditional cloak and skin-tight incarnation of Moon Knight. Created by writer Warren Ellis and artist Declan Shalvey, Mr. Knight debuted in the first issue of the 2014 revival of the moon knight comedic as a recreation of Marc Spector’s traditional identity – sometimes he even uses the name “Mr. Spector” to emphasize this fact.

Mr. Knight in the comics.wonder

As Mr. Knight, Moon Knight rejects the traditional superhero tropes he’s used in previous appearances. His costume is an all-white costume with a matching white mask, and while he’s certainly skilled in hand-to-hand combat, his greatest weapon is arguably his mind. He speaks through the mysteries, to the Sherlock Holmes, and also maintains a tenuous connection with the authorities which allows him access to crime scenes, much like Sir Arthur’s famous detective Conan Doyle.

Simply put, Mr. Knight is a hyper-confident, hyper-smart version of Moon Knight. He’s the best possible version of Marc Spector… Spector already being the most capable version of all the Moon Knight characters. In other words, the guy in the suit is the most Moon Knight of all the Moon Knights.

Things are quite different at Marvel Studios moon knight.

The transformation of Mr. Knight

Mr. Knight on Disney+.wonder

The MCU version of Mr. Knight is, if nothing else, the complete opposite of his comic book incarnation, being what happens when Steven Grant – the incompetent and anxious employee of a London museum gift shop confusingly called the National Art Gallery, according to signage – assumes power and abilities gifted by Khonshu instead of Marc Spector. In the show, Mr. Knight is the less effective version of Moon Knight, and of which Marc Spector does not seem too convinced.

If you think about it, that probably makes more sense than the original division of labor between the costumed identities of Moon Knight. After all, it would surely take the advanced experience and badassery of Marc Spector to deal with the cape and cowl that Moon Knight wears when not in his Mr. Knight guise, just like someone who isn’t quite comfortable being a seemingly overpowered killer would. wear a regular costume instead of the more over-the-top, eye-catching traditional superhero outfit of the Moon Knight character. By rethinking how Mr. Knight as a visual fits into the character as a whole – especially in his current on-screen incarnation – the show’s creative team might have helped things take a turn. little more sense.

In a decision that says something about the moon knight series and Marvel Studios as a whole, it’s really just the visual of Mr. Knight that survives translation between media. (Designer and co-creator Shalvey was even invited to the premiere of the showin a rare but welcome moment from Marvel Studios acknowledging the contribution of comic book creators.)

It’s no surprise that Warren Ellis’ contributions are downplayed by Marvel, considering what has has happened in recent years, but it’s not just about trying to sweep an inconvenient truth out of sight. (In fact, much of what Ellis established for the character had already been dropped in the comics, years before he was cast as an abuser.)

Mr. Knight: A Wider Marvel Trend

It’s no surprise that Warren Ellis’ contributions are downplayed by Marvel.wonder

moon knight the show follows what has become Marvel Studios’ model of being a synthesis of intellectual property created for the comic, rather than a direct translation. While promoting the series, producer Grant Curtis spoke about how the filmmakers considered “years and decades of storytelling” in the comics, rather than the work of a creative team or execution on the character. .

It’s an approach that shows in the series itself, which tells a story featuring elements from different comic book stories without actually following an individual comic book itself – just like, say, Captain America: Civil War draws inspiration from several comics in addition to the 2006 original Civil war comic or Avengers: Infinity War is so much more than (and so different from) any 1990s adaptation Infinity Gauntlet comic strip from which it is based.

In doing so, it highlights the flexibility of the base material (as well as, potentially, the company’s disinterest in maintaining author’s voice on brand consistency, but let’s forget about that for now). With over 40 years of comic book continuity and reboots to juggle, it makes sense that the show will pick and choose what it brings to the screen…and, honestly, when it comes to memorable elements of Moon Knight, the Mr. Knight’s look was, hands down, the best thing the character did in decades.

moon knight is streaming now on Disney+.

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Reading and writing

The best way to read Jane Austen? Out loud!

Dr Ruth Wilson and her husband, Dr David Wilson, whom she met in the quadrangle, aged 16.

Dr Wilson first entered the University of Sydney at the age of 16 when she began studying for a Bachelor of Arts (English and Education) in 1949. She loved her studies in literature and was founding member of the University of Sydney Players theatrical society. She played Lady Macbeth in a Sydney University Dramatic Society production in the Great Hall and other roles at the Footbridge and Wallace Theatres.

She met her husband David in the quadrangle. He was studying for a doctorate in dentistry and was a year older. He graduated from the University of Sydney in 1970. They recently celebrated 67 years together. “We both reveled in our time at the University,” said Dr. Wilson.

In 1979, Dr. Wilson earned a Master of Arts (Hons) from Tel Aviv University. In 1981 she returned to the University of Sydney to pursue a degree in education.

In March 2021, she obtained her doctorate. “It’s an honor to receive this degree from my ‘alma mater’, and the subject matter is relevant,” she said. “Reading gave me great pleasure and helped me through some difficult life experiences – not just in terms of escapism, although that sometimes helps, but in providing insights and perceptions that have been internalized into the over the years.

“Not all readers tune into Austen’s fiction, but student-readers who are inclined or who can be induced by qualified teachers to read his novels in a way that embraces the personal and the creative as well as criticism are offered the opportunity to experience fun and learn something useful to prepare them for adult life.

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Fiction publisher

Top 10 most frequently banned books in 2021 – NBC Los Angeles

The growing number of school districts voting to remove certain books from school libraries has been making headlines for months, as works by authors ranging from Toni Morrison to Art Spiegelman are challenged and banned across the country.

According to the American Library Association, these titles are not just hyperbole. In 2021, they tracked a total of “729 challenges for materials and services for libraries, schools and universities in 2021”, targeting a total of 1,597 books.

The ALA Office for Intellectual Freedom, established in 1967, implements ALA policies related to intellectual freedom – in other words, freedom of expression and free access to libraries and works and ideas they contain.

The OIF tracks challenges to that freedom each year, based on information found in the media and voluntary censorship reports that people send to the organization, from “communities across the United States,” explain- they on their website.

The reports and reports don’t capture all of the challenges or book bans happening in the United States, they say.

Challenges are defined as “documented requests to remove materials from schools or libraries,” according to the ALA, and “surveys indicate that 82-97% of book-related challenges…go unreported and do not receive no media”.

Using reported incidents, each year the OIF then creates a list of the 10 most frequently disputed books in the United States.

Here’s the list for 2021, along with the reasons given for the challenges. Half of this year’s most frequently challenged books were challenged for featuring LGBTQ+ content.

1. Gender Queer by Maia Kobabe

“Gender Queer: A Memoir” is an autobiography written by non-binary and aesexual Maia Kobabe, who uses the pronouns e/em/eir. It was released in 2019.

The book began as a comic strip, written to explain to family members what their gender identity and sexuality entailed, according to distributor Simon and Schuster. It quickly became an account of their “journey of self-identity”, as well as a guide to what gender identity means and how to think about it.

“Gender Queer” won the 2020 ALA Alex Award and was a 2020 Stonewall – Israel Fishman Non-fiction Award Book of Honor.

In 2021, the book was the no. 1 most frequently challenged book, “banned, challenged, and restricted for LGBTQIA+ content, and because it was deemed to contain sexually explicit imagery,” the ALA said.

2. Lawn Boy by Jonathan Evison

“Lawn Boy: A Novel” by Jonathan Evison is a fictional novel about Mike Muñoz, a Mexican-American in his twenties who loses his job as a lawn boy on a landscaping crew in the state of Washington, forcing him to reevaluate his life.

The book, published in 2018 by Algonquin Books, won the 2019 Alex Prize.

In 2021, it was frequently “banned and challenged for LGBTQIA+ content and because it was considered sexually explicit,” according to the ALA.

3. Not All Boys Are Blue by George M. Johnson

“All Boys Aren’t Blue” by George M. Johnson is a series of personal essays by the journalist, writer and non-binary activist.

The book, published in 2020, explores Johnson’s experience as a gay black man in New Jersey and Virginia, addressing “gender identity, toxic masculinity, brotherhood, family, structural marginalization, consent and black joy,” according to the publisher. Macmillan.

The non-profit Gender Nation has a simple mission: to donate books to public schools that teach children to accept different people. Now the group is donating books to LAUSD. Gordon Tokumatsu reports for NBC4 on Monday, June 21, 2021.

It has won numerous awards, including Best Book of the Year lists from Amazon and recommendations from Teen Vogue, Buzzfeed, and People Magazine. It was also a New York Times bestseller.

In 2021, it was frequently “banned and challenged for LGBTQIA+ content, profanity, and because it was considered sexually explicit,” according to the ALA.

4. Out of Darkness by Ashley Hope Pérez

“Out of Darkness” by Ashley Hope Pérez is a fictional novel that follows the Romeo and Juliet romance between Naomi Vargas, who is Mexican, and Wash Fuller, who is black, in segregated 1930s Texas.

The book, published in 2015, was a Printz Book of Honor, a selection of the 50 Best YA Books of All Time, a Kirkus Reviews Best Book of the Year, and the winner of the Tomás Rivera Mexican American Children’s Book Award, according to the holiday editor. Accommodation.

In 2021, it was frequently “banned, challenged, and restricted for depictions of abuse and because it was considered sexually explicit,” according to the ALA.

5. The Hate You Give by Angie Thomas

“The Hate U Give” by Angie Thomas is a fictional novel that follows 16-year-old Starr Carter, a poor student at a wealthy prep school, after her childhood best friend Khalil is shot dead by police while ‘she looked.

The book, published in 2017, has received an impressive number of awards and accolades listed on the publisher’s HarperCollins website. Among them are a William C. Morris Award, a Coretta Scott King Honor, an Edgar Allan Poe Award nomination, and the no. 1 place on the New York Times bestseller list.

It was also made into a movie by 20th Century Fox in 2018, starring Amandla Stenberg, Anthony Mackie, KJ Apa and Sabrina Carpenter.

In 2021, it was frequently “banned and challenged for profanity, violence, and for purporting to promote an anti-police message and the indoctrination of a social agenda,” according to the ALA.

6. The Absolutely True Diary of a Part-Time Indian by Sherman Alexie

“The Absolutely True Diary of a Part-Time Indian” by Sherman Alexie is a fictional novel that follows Native American teenager Arnold Spirit Jr., known as “Junior”, throughout his life on the Indian reservation of Spokane, and as he decides to attend a majority white public high school off the reservation.

The book, published in 2007 by Little, Brown and Company, was challenged and banned for more than a decade. It topped the ALA’s “100 Most Banned and Disputed Books” list for 2010-2019.

It is also the winner of the National Book Award, the Boston Globe-Horn Book Award and is a New York Times bestseller, with over one million copies sold.

As of 2021, it was frequently “banned and challenged for profanity, sexual references and use of a pejorative term”.

7. Me and Earl and Jesse Andrews’ Dying Daughter

“Me and Earl and the Dying Girl” by Jesse Andrews is a fictional novel that follows high school Greg Gaines as he attempts to slip under the radar with his friend Earl – a mission that fails when he bonds with friendship with Rachel Kushner, who is dying. of cancer.

The book, published in 2012, is a New York Times bestseller, according to publisher Abrams Books. It was also made into a movie in 2015, starring Thomas Mann, Olivia Cooke, RJ Cyler and Jon Bernthal.

In 2021, the book was frequently “banned and challenged because it was considered sexually explicit and demeaning to women”, according to the ALA.

8. Toni Morrison’s bluest eye

Toni Morrison’s “The Bluest Eye” follows 11-year-old Pecola Breedlove, a black girl growing up in Ohio in 1941. The title comes from Pecola’s wish to have blue eyes, to escape the phrase “ugly.” for her dark skin; the novel itself focuses on the racism and tragedy that fuel Pecola’s desire to appear different.

The book, first published in 1970 by Holt, Reinhardt and Winston, is considered a classic. It won the Nobel Prize for Literature in 1993 and is a national bestseller.

The book was contested and banned for several decades, and was the 10th most banned book on the ALA’s “100 Most Banned and Contested Books” list for 2010-2019. He was 15th on the list for 2000-2009 and 34th on the list for 1990-1999.

As of 2021, the book has been frequently “banned and challenged because it depicts child sexual abuse and was considered sexually explicit,” according to the ALA.

9. This Book Is Gay by Juno Dawson

“This Book is Gay” by Juno Dawson is a non-fiction book on sexuality and gender, “for anyone who has ever dared to ask questions” about the topics, regardless of their own sexuality and background. genre, according to the book’s publisher Sourcebooks.

The book, published in 2014, was voted best book of the year by the Guardian in 2018.

In 2021, the book has been frequently “banned, challenged, moved, and restricted for providing sex education and LGBTQIA+ content,” according to ALA.

10. Beyond Magenta by Susan Kuklin

“Beyond Magenta” by Susan Kuklin is a non-fiction book featuring interviews with six transgender or neutral teenagers, describing their lives before, during and after their transitions.

The book, published in 2014, received star-studded reviews from Booklist and Kirkus Reviews.

In 2021, the book was frequently “banned and challenged for LGBTQIA+ content and because it was considered sexually explicit,” according to the ALA.

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Book creator

ICA at VCU Presents Free Virtual Lecture and Live Performance – VCU News

Upcoming events at Virginia Commonwealth University’s Institute of Contemporary Art include a virtual podcasting conference and a live performance as part of its “Test Pattern” series.

The VPM + ICA Community Media Center will present a free virtual talk from the creator and host of the podcast “Death, sex and money», Anna Sale, Thursday, April 7, from 6 p.m. to 7 p.m. Registration is mandatory.

In “Death, sex and money“, the WNYC Studios podcast, Dirty tackles “the things we think about a lot and need to talk about more”. by New York magazine in 2015. Sale won a Gracie Award for Best Podcast Host in 2016, and the show won the 2018 Webby Award and 2021 Ambie Award for Best Interview Show.

Sale will give a masterclass in podcast production and the art of the interview, and talk about his recent book, “Let’s talk about difficult things.”

On Friday, April 15, ICA at VCU continues its “Test Pattern” series with a live performance at the Markel Center. Artist Shawne Michaelain Holloway presents “DEWCLAW,” a multimedia composition that uses sadomasochistic bondage play choreography and narrative vocalization styles fueled by the fake rage of 1980s and 90s wrestling promotions to consider the forgotten memories, habits, and desires that are stored in our bodies and our identities.

The performance will be followed by a conversation with artist and VCU professor Julian Kevon Glover, Ph.D.

Curated by ICA Assistant Curator and Producer David Riley, “Testing modelis a hybrid performance series that invites guest artists to use the ICA Auditorium as an experimental production studio, inspired by the legacy of public-access television and the alternative video movements in the United States.

During each week-long residency, artists will collaborate with members of the community, transforming the ICA auditorium into a space for music, movement, activism and deep conversations. Each week will end with a live performance and broadcast.

“Test Pattern” offers audiences a unique window into the creative process to watch rehearsals, participate in live recordings and online streams of performances, and later access each episode in its final form.

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Reading and writing

Journalist killed for his reporting found his life’s work through reading

Credit: Thomas Peele / EdSource

In March, Oakland renamed the part of 14th Street where Chauncey Bailey was murdered.

The Hayward Daily Review subscriber used a racial slur to complain about the black child delivering his newspaper. The circulation manager told the man that if he wanted to continue receiving the newspaper, he had to get used to his new medium.

Later, the manager brushed off the tall, skinny paperboy and told him that the caller didn’t like him or anyone like him. He told her the vile word the man used. It was in the early 1960s and no one was still substituting “the n-word” for it.

The paperboy, who went by the name Chauncey Bailey, said nothing, his younger half-brother, Mark Cooley, who witnessed the scene, told me in 2010. But as they drove home , Bailey told Cooley that if the subscriber “don’t like a little (n-word) delivering his paper, wait for us to write for him.

Credit: Chauncey Bailey Project

Chauncey Bailey

Bailey was 12 or 13 years old. He had found his life’s path: journalism. He would literally stay there until his last step. On August 2, 2007, while on his way to work as editor of the Oakland Post, a masked assassin lunged at Bailey and shot him three times at close range with a shotgun. Bailey was 58 years old. The killer later admitted that the leader of a black-Muslim cult to which he belonged ordered the hit after learning that Bailey was working on a story about him.

Within days, reporters in Northern California formed the Chauncey Bailey Project, a collaborative effort to complete Bailey’s work. We modeled it on a similar effort in 1976 after an Arizona Republic investigative reporter Don Bolles died in a car bomb attack. Reporters from across the country flocked to Phoenix to send a simple message: you can’t kill a story by killing a reporter.

We carried the same banner in Oakland. I worked as the Bailey Project’s senior investigative reporter for four years, through the trial and sentencing of his killers, and wrote a book about the case, “Killing the Messenger”.

Last month, Oakland renamed the portion of 14and Street, ironically the location of EdSource’s office, where Bailey walked that fateful morning, Chauncey Bailey Way in his honor after years of pressure from family and reporters. In a tearful yet joyous ceremony, much was said about the First Amendment, Bailey’s heinous murder and his lifelong commitment to public service.

Credit: Thomas Peele / EdSource

In March, Oakland renamed the part of 14th Street where Chauncey Bailey was murdered.

Bailey’s story, however, is that of a young black man who trained for a place of prominence in his profession and then used that profession to educate and inform others.

It all started at Hayward High School Library in South Alameda County. Bailey had a bad childhood stutter and the library soon became his place of solace, a place where he lost himself in books and developed an obsession with reading. In 2011, a mural with two images of Bailey was painted on the exterior wall of the library by then-student Jamil Holmes, where it remains.

As he read and lived simply as a black teenager, Bailey became acutely aware of the struggles of his people. Her parents had bought a house in Hayward that was not subject to covenants that kept California neighborhoods separate in the 1950s. But soon after they moved in, racists burned a cross on their lawn. Bailey and her siblings weren’t allowed to play outside when their parents weren’t home.

Television brought him images of the carnage of the civil rights struggle in the South, water cannons and German shepherds from Bull Connor, walkers on the Edmund Pettus Bridge in Selma, dead little girls in a Birmingham church .

What Bailey could bring to the fight were words. He enrolled at Merritt College in Oakland after graduating from high school in 1966. This was five years after Merritt Community College students Huey Newton and Bobby Seale formed the Black Panthers. Bailey nearly joined the Panthers himself, but instead transferred to the San Jose State journalism program. He graduated in 1972.

The Black Power movement still appealed to Bailey. He almost became a reporter for the Panthers newspaper. But one of his teachers urged him to think bigger. Go and join a big-city newspaper, the professor suggested.

If Bailey wanted to take on the professor’s challenge, he’d have to prove himself in a smaller publication first. He landed a job as a reporter for the Sun Reporter, the San Francisco black weekly. There, in the late 60s and early 70s, Bailey cut his teeth.

From there he enrolled in a Columbia University summer program for minority journalists. He stand out and was hired at the Hartford Courant (cq), then a feeder newspaper for the major metropolitan dailies where he aspired to work.

Hartford couldn’t hold off Bailey for long. But Detroit could. Hired by the Detroit News to cover City Hall and African-American affairs, he achieved what he dreamed of in his youth. No longer bothered by a stutter, he became known as a relentless and prodigious reporter. He saw stories everywhere, especially those about black entrepreneurs, teachers and students.

Literacy meant a lot to Bailey. His ex-wife, Robin Hardin, told me their apartment was full of magazines and books. Bailey often traveled to Detroit by bus. Hardin said it distressed him to see people sitting in their seats, not reading anything. He knew that only by being informed could black people overcome poverty and systemic racism.

So he started dropping a quarter in newspaper boxes at bus stops and grabbing a stack of papers. He then walked across the bus handing them out to passengers. “Here, keep a diary,” he would say. “Here, read the newspaper.” The words, Hardin said, “meant so much to Chauncey.”

Hardin had two young nieces who came to live with the couple. When the children were in elementary school, Bailey went to their principal and offered to start a school newspaper. He told Hardin that children who didn’t like to read, or who had nothing to read at home, at least read stories written by their friends. He enforced deadlines, arranged paper and printed copies. The publication met with great success.

Eventually, Bailey grew weary of the long Detroit winters and yearned for the California sun. He moved to the Oakland Tribune in 1993, where he continued to write several stories a day on all aspects of black life.

He frequently wrote about a business called Your Black Muslim Bakery run by a former hairdresser named Joseph Stephens who had reinvented himself as a religious prophet, calling himself Dr Yusef Bey. Outwardly, Bey promoted black self-determination through the business. Internally, his organization was a cult and a criminal organization. He fathered over 40 children, some with daughters as young as 13. Children were kept out of school, forced to work and attend classes where they were taught that whites and Jews were demons, that blacks were superior beings and would soon conquer the earth in an Armageddon-like war started by a giant spaceship called “the mother plane” which circled the planet.

Bey even ran unsuccessfully for mayor of Oakland in 1994, a race covered by Bailey. He died in 2004 while facing multiple child rape charges. Bailey covered the legal proceedings, which led to clashes with Bey’s supporters, who saw Bey as divine and religiously justified in impregnating children.

Bey’s son, Yusef Bey IV (Bey named five sons after himself) eventually took over the bakery.

Bailey was fired by the Tribune in 2007 for multiple ethical lapses. He threatened to write negative stories about the state Department of Motor Vehicles after he refused to intervene in a dispute between Bailey and a man who bought him a car. He also wrote a story about a woman-owned business he was dating without consulting editors first.

He was soon named editor of the Oakland Post, the city’s black weekly. He had been at the post For just a few weeks when he started working on a story about Yusuf Bey IV leading the bakery into bankruptcy. A source for this story came to the newspaper to see Bailey. A woman who worked there had once also worked for the beys. She made a call and word got back to Bey IV, who thought he could kill the story by killing the reporter.

Instead, ultimately found guilty of ordering the hit on Bailey and ordering his followers to kill two other men unrelated to Bailey’s murder, he put himself in prison for life without the possibility of release. conditional.

But it also robbed the world of light that was Chauncey Bailey, the reporter who showed up at school events, school board meetings, who understood the importance of high school, community college and university libraries. of State because he himself had navigated in these places. The reporter who started an elementary school newspaper. The kid who, when insulted by a racist, made a plan and found his way in life.

Fifteen years later, hardly anyone knows Bey’s name.

In Oakland, you can now see Bailey’s on street signs.

For more reports like this, click here to sign up for EdSource’s free daily email about the latest developments in education.

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Writer market

Leonard Cohen and Marianne Ihlen Drama Coming From “Marcella” Producer – Deadline

EXCLUSIVE: Leonard Cohen’s relationship with muse Marianne Ihlen comes under the microscope in a 1960s drama co-production for Norwegian TV station NRK.

UK’s Buccaneer Media (marcella, criminality) and day and Lilyhammer Oslo-based writer Øystein Karlsen’s Redpoint Productions co-produced See you soon, Marianne with Connect3 Media of Canada.

The 8×45 minute series is billed by the producers as an “intimate” story of “two equally lonely people falling in love at a time in their lives when they are still trying to figure out who they are”.

Buccanneer is going to Mip TV in Cannes this week to attract distributors and broadcasters.

The majority of the series will be set on the Greek island of Hydra, where the pair met before beginning a rocky relationship that inspired the late singer-songwriter to write songs such as “So Long, Marianne”, “That’s No Way To Say Goodbye”. and “Bird on the Wire”.

Scenes will also take place in Ihlen’s hometown of Oslo, as well as London, New York and Montreal. Connect3, backed by Cineflix Media, is handling the Canadian elements of the production, which is set to begin in February 2023. Buccaneer, founded by prolific UK producer Tony Wood, is also backed by Canadian-UK producer-distributor Cineflix.

Developed wood See you soon, Marianne with Ingebord Klyvé. Karlsen, who also wrote on the TV drama Acorn Pearl Whitsandwrites the scripts.

Distribution of the show in English and Norwegian will be announced “in the very near future”, according to Wood and Richard Tulk-Hart, whose independent Buccaneer is currently developing a pair of Welsh Irvine dramas for television, The sex life of conjoined twins and The Blade Artist.

Executive producers are Marianne Furevold-Boland of NRK, Wood and Tulk-Hart, co-CEOs of Buccaneer, Klyve and Karlsen of Redpoint and Pablo Salzman of Connect3. NRK retains sales rights in Scandinavia.

NRK’s ​​Furevold-Boland and Head of Commissioning and Content Sales Petter Wallace said writer Karlsen had “shown in his previous projects that he can create original drama that is both thrilling and moving. .. We believe this project has the potential to become a timeless drama with a universal appeal – it’s about life and the pursuit of happiness.

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Fiction publisher

Enter the contest to win copies of Dani Atkins’ Six Days and Elly Griffiths’ The Locked Room

Janet Gordon, who lives in Takeley, reviews bestsellers and early fiction for Indie

It can sometimes be very difficult to get an enjoyable and captivating novel out of your head. The characters and plot stick in your mind long after you’ve turned the last page.

And so it was with Six days by Dani Atkins (Head of Zeus £16.99).

In 2013, my assistant at London Bridge Hospital where I ran the London Liver Center and who lived in Bishop’s Stortford, told me about a good friend of her mother’s (who both worked at Herts and Essex High School) who had just to have her first novel published. As a voracious tube reader, I kind of registered the name but, due to work pressure, never had time to buy it.

Fast forward to 2022 when I was reading Six daysauthored by local lady Dani Atkins – the same lady my PA told me about. Six days is his ninth novel – and what an idiot I am not to have read it already.

To make up for that, I invited Dani for coffee at Pearce’s, the lovely farm shop and cafe on the A10, and, with the blazing hot sun on our faces, we sat outside and talked about books .

Dani Atkins (55648038)

I’m sure we all know writers who have a whole bulletin board full of their characters’ weaknesses and exactly how the story is going to evolve, so I asked Dani if ​​she’s a planner or a plotter.

“I’m definitely not a plotter,” she replied. “But I guess I’m what I call a tidy writer, in that I edit my draft the day after I write it so that it’s hopefully the only draft I do.

“My characters live in my head and so, although I vaguely know where I want my story to go, I’m just carried away by how the characters develop, but yes I take notes on highlights. For example, I don’t want to give my heroine blue eyes in one chapter and green in the next, but they actually live in me.”

And I can confirm that the Six days the characters really live with you in this truly romantic weepie. Told as a week in Gemma’s life, and with interspersed flashbacks, it’s the wedding day for Gemma and Finn who are meant to be together. Where are they? Finn doesn’t show up for church and although Gemma is convinced that her beloved Finn wouldn’t do this to her, no one else is really really convinced. But Gemma knows – feeling it deep in her psyche – that something terrible has happened.

When Gemma, rather than leaving for her honeymoon, walks around Finn’s apartment to find it totally empty, even the wardrobe hangers missing, it’s so hard to keep believing and, almost in despair , she talks to the police who, while friendly, aren’t exactly that helpful.

Dani, who wears 63 very lightly, has two adult children and lives with her husband Ralph, a soppy border collie and a very vocal Siamese cat in a small village just outside Stortford.

“I always wrote,” she recalls. “I have at least half a dozen kind of written novels in a drawer at home that are really not suitable for publication.

Six Days by Dani Atkins (55648040)
Six Days by Dani Atkins (55648040)

“But when I’m done Fracture, my first novel, my daughter Kimberley was determined not to put it in a drawer. Since she worked in publishing and was curious to see how self-publishing worked for authors, she volunteered to help me list Fracture with KDP (Kindle Direct Publishing) on ​​a snowy weekend in January 2013.

“To my surprise, when we put the book in a five-day free promotion a few months later, it achieved over 10,000 downloads. I must admit I thought that when the promotion ended, the downloads would probably decrease, but at this time word of mouth was winning.

“And when I was contacted by an agent who offered to represent me and send my book to a traditional publisher, I agreed, expecting to hear nothing for a while. But, in One week I was offered a two-book deal with Head of Zeus, who are still my publishers, and it was a dream time come true.

“It was then – after 20 years of working at the school – that I made the decision to go part-time so I could fulfill my two-pound deal.” Now, with several bestselling books under her belt, Dani writes full time.

“Does my husband Ralph read your novels?” I asked. “Well, no,” she admitted. “He’s a Lee Child fan, but I write every day and I don’t even let him in until I ask him if I can read him what I wrote that day. He demands a cup of tea first, and it’s a bit like tea time with jackanory in our house.”

Fracture has now been translated into 18 different languages ​​and has sold over half a million copies since it was first published in 2013. And Dani has been so successful that in 2018 she won the prestigious romantic novel of the year for This loveand just two weeks ago she learned that she had won the award for contemporary romantic novel of the year for A sky full of stars.

Dani also has a date with Waterstones in Stortford on Wednesday April 13 at 7pm and tickets can be booked online now. She will read a passage from Six days and also signing his glitter cover hardback book which is published the following day. I would say this is an event not to be missed.


Especially for independent readers, Head of Zeus has kindly donated three copies of Dani’s Six days to earn. To try your luck, answer this question: When is Six Days released? Is it a) April 14, b) April 24 or c) May 14. See below for registration details.

The closed room by Elly Griffiths (Quercus £20.00)

Another prolific author is Elly Griffiths, and The closed room is the 14th installment in her Dr Ruth Galloway series.

Set at the start of lockdown in its beloved Norfolk, all of its characters and pets are back, this time grappling with the ins and outs of a complicated lockdown storyline.

The Closed Room by Elly Griffiths (55648042)
The Closed Room by Elly Griffiths (55648042)

Ruth is now settled in her secluded cabin in the wilderness, but this time she has a neighbor, an oddly familiar friendly face next door.

So atmospheric, so familiar – I loved it.


lucky three India readers can also win a copy of The closed room thanks to Quercus. All you have to do is answer this question: What county is Norwich in? Is it a) Suffolk, b) Norfolk or c) Essex.

For Six Days and The Locked Room competitions, send applications to Book Competition, Bishop’s Stortford Independent, 12 North Street, Bishop’s Stortford CM23 2LQ or email [email protected] with ‘Book Competition’ in the subject line. Registration closes at 5 p.m. on Tuesday, April 12. Winners will be invited to pick up their book at the Indie office.

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Book creator

One Piece Creator Shares New Sketches For Upcoming Game, Odyssey

Eiichiro Oda is a busy man, not just with the regularly released manga chapters of his Shonen creation, A play, but with the mangaka also acting as an executive producer on the upcoming live-action adaptation of his series which is set to hit Netflix. However, Oda’s tireless timing is something of a legend, with the artist recently sharing a look at the sketches he provided for the next video game in the long-running series due to arrive later this year, telling an original story for the Straw Hat Pirates in One Piece: Odyssey.

A play has released countless video games over the decades, with the Shonen series first appearing on the original Playstation console. For the most part, the Straw Hat Pirates have usually appeared in fighting games or games that adapt the events of the anime, so diving into a completely original story is certainly water they haven’t tread too much. often in the field of video games. As this year’s One Piece continues the War For Wano arc and is set to release a new movie that will bring the red-haired Shanks back, it’s definitely a good time to be a fan of the Grand Line world.

Twitter Outlet New World Artur has compiled Eiichiro Oda’s new sketches for some of the new characters set to arrive in One Piece: Odysseywhich will place Luffy and the Straw Hat crew on an all-new adventure not seen in either the anime or manga series:

The official description of the next chapter of One Piece long line of video games, for those who may not be familiar, reads as such from Bandai Namco:

“A Broken Thousand Sunny… Scattered Crew Members… Luffy’s Missing Straw Hat…

During their journey, the Straw Hats, led by Monkey D. Luffy are swallowed by a huge storm at sea. They find themselves on a mysterious island full of nature in the middle of the storm and become separated from each other. The crew embarks on an adventurous new journey filled with the wonders of a raging nature, powerful enemies and strange encounters with the inhabitants of the island. Work with Luffy and his crew to make it back!”

What do you think of Eiichiro Oda’s new artwork? Feel free to let us know in the comments or hit me up directly on Twitter @EVComedy to talk all things comics, anime, and the world of Straw Hat Pirates.

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Reading and writing

Manistee-linked author publishes first book

MANISTEE — Nothing is more exhilarating for a young author than to see the fruit of his work published for the first time and appear in print on the shelves of a bookstore.

Author and attorney Logan Tomaszewski, who writes under the pseudonym TC Pendragon and has strong ties to the Manistee area, recently released his magical/fantasy thriller “Martin Blackbriar and the Necronomicon.”

Tomaszewski is the son of Randy and Kellie Tomaszewski, of Onekama. He grew up primarily in the Grand Rapids area, but also lived in several other locations where his parents worked in their careers. However, he came to love Manistee as a second home following his frequent trips to this area to visit his grandparents, uncles, aunts and cousins ​​over the years.

“My dad’s side of the family has roots in Manistee and that’s where he grew up, so we’ve always had a connection to it as our ancestral home,” Tomaszewski said. “We would always vacation in Manistee to visit family.”

The 27-year-old author’s book “Martin Blackbriar and the Necronomicon” is in the spirit of the “Harry Potter” and “Lord of the Rings” type books that were favorites of his youth.

“This book was really born out of a mix of two different things,” Tomaszewski said. “I grew up loving reading ‘The Lord of the Rings’ and all the fantastic stuff that came out of it. I also loved Stephen King’s work with ‘It’ and ‘The Dark Tower’ and every time those books came out, I realized that it was possible to break with conventions to write your story.

Tomaszewski said the book is about a brother and sister who discover magic and discover a new world together.

He said what also influenced this book was the close relationship he has with his sister, Olivia, whom he considers his hero. It mirrors what comes out of that first novel with the interaction between main characters Martin Blackbriar and his sister Ali, but he said other characters were also based on people and even pets that have been part of his life.

“Olivia has always been the stronger one between the two of us and I admire her tenacity, her courage and her ability to stand up for people when they need it, so I kind of based the characters on us,” he said. -he declares. “The book is about Martin and Ali and their place in the larger world of magic.”

Tomaszewski said both careers in law — he recently graduated from Cooley Law School — and writing have been an interesting journey in his life. He enjoys practicing law, but has always had a passion for becoming an author since a young age.

“I work on the writing process and the act of publishing that comes out of law school,” he said. “It was a very interesting process to learn the law and to understand how to help people in a legal context, but what I was really passionate about since I was a child was writing.”

He said what helped his personal journey was finding a publisher – Long Overdue Publishing in Chicago.

“When I started looking for a publisher, it was very difficult,” Tomaszewski said. “I was very lucky to have one of my dear professors from when I was in college who said she knew someone who had graduated there and was publishing books in Chicago. They helped establish the connection for me and it worked perfectly.

Tomaszewski also explained the reason and origin of his pseudonym.

“…My name Logan Tomaszewski never felt right for the author of this book,” he said. “So I was writing a character name for a mystery book I’m working on and I wrote the letters TC and stopped. I thought that was a good start for a name. Looking around I saw a book on the Arthurian legend and Pendragon came to me.

He said the TC Pendragon name felt right when it hit the pages and he knew it would work with this story.

Tomaszewski also credits both of his parents with instilling in him a true love of literature from an early age by reading to him. It’s something that he says helped him become an author.

“Some of my earliest memories are of my mother reading to me,” Tomaszewski said. “It doesn’t matter what book it was. I just remember the pages turning, her smiling, and me falling in love with literature. That’s when the spark started for me, because I saw that there was a lot of power in the way people told stories.”

He said this concept of how stories can bring things to life really struck him because his late grandfather, Jerome Tomaszewski, died before he knew him.

“I really got to know him, meet him and love him through the stories my family always shared about him,” Tomaszewski said.

Her father, Randy, also opened her eyes to books like “Lord of the Rings” and “Harry Potter” and what they have to offer in the world of fantasy.

“My dad used to read me ‘The Hobbit’, ‘Lord of the Rings’ and ‘Harry Potter’ which I loved to hear,” he said.

Tomaszewski has written several other books and hopes this will be the first of many to follow in his writing career.

“I work with my editor by browsing others,” Tomaszewski said. “We got on really well and realized that writing is more than just writing a single book. I’ve always been interested in writing and improving my skills.

He said that suddenly a lot of things are now possible for him in the writing world and that the other stories he has written are no longer just a pile of dreams that may or may not be published. Now there is a chance that one day each of them could be printed.

“We have more work to come that will hopefully be published this year and next,” he said. “There is a spin-off of Martin Blackbrier’s book, but some of those books are very different. I also have one that is science fiction and looks at a future world much like the ‘1984’ or ‘Brave New World’ books.

The young author says he tries to write something every day. Sometimes it will be more than other days, but the key is to write continuously to keep the creative juices flowing.

“My dad always says some days I get peanuts and other days I get shells,” he said. “There’s nothing wrong with that.”

However, for now, the writing career he’s dreamed of since he was a kid is on the way, and the road ahead looks bright for more TC Pendragon works to come.

“You only go this far in the process with people behind you who love you, trust you and want to see your stories told,” he said. “If you have a story that you really want to tell, it’s extremely rare that it happens without someone’s help. It’s something to enjoy and appreciate. »

People can find the book locally at Happy Owl Book Store in Manistee and Studio 231 in Elberta. It can also be purchased online from Long Overdue Books at and on Amazon.

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Writer market

Stocks rise, Treasury yields soar after jobs data | USA News®

By STAN CHOE and ALEX VEIGA, AP Business Writers

NEW YORK (AP) — Stocks posted modest gains and Treasury yields soared Friday on Wall Street after a healthy U.S. labor market report bolstered expectations for upcoming government rate hikes. interest.

The S&P 500 rose 0.3% after bouncing between small gains and losses. The benchmark index made a small gain for the week, the third in a row amid lingering concerns over high inflation, higher Federal Reserve interest rates and economic effects of the war in Ukraine.

The Dow Jones Industrial Average rose 0.4% and the Nasdaq composite rose 0.3%. Small company stocks outperformed the broader market, pushing the Russell 2000 up 1%.

The sharpest action was again seen in the bond market, where the yield on two-year Treasury bills approached its highest level in more than three years.

political cartoons

Yields jumped after a US government report showed employers added 431,000 jobs last month. That was slightly below economists’ expectations for 477,500, but the report also revised data from previous months to reflect more strength. It showed increases for workers accelerated last month, but at a slower pace than headline inflation, while the jobless rate improved to 3.6% from 3.7%.

“It was a strong report,” said Brian Jacobsen, senior investment strategist at Allspring Global Investments.

“You can see the concerns about COVID fading away. Fewer people are working remotely. Fewer people say they can’t work due to the pandemic.

A separate report showed that US manufacturing continues to grow, albeit at a slower pace than in February.

A strong job market and economy gives the Federal Reserve more leeway to raise interest rates sharply to combat the high inflation that is sweeping the country. The Fed has already raised its overnight rate once, the first such increase since 2018. Following Friday’s jobs report, traders increased bets that the Fed will raise rates when of its next meeting double the usual amount.

These expectations are boosting short-term Treasury yields in particular, and the two-year yield jumped to 2.45% from 2.28% on Thursday evening.

The two-year yield again exceeded the 10-year yield, which was also climbing, but less rapidly. The 10-year yield fell from 2.33% to 2.38%. On Tuesday, the two-year yield briefly topped the 10-year yield for the first time since 2019, a potentially worrying sign.

Such a reversal of the usual relationship between two- and 10-year yields has preceded many recessions in the past, although it has not been a perfect predictor. Some market watchers warn that the signal could be less accurate this time around, due to yield distortions caused by extraordinary moves by the Federal Reserve and other central banks to keep interest rates low.

Shares of more than 65% of companies in the benchmark S&P 500 rose, with healthcare and communications stocks accounting for much of the gains. A fall in industrial, technology and financial stocks limited the index’s gains.

In total, the S&P 500 rose 15.45 points to 4,545.86. The Dow Jones added 139.92 points to 34,818.27, while the Nasdaq rose 40.98 points to 14,261.50. The Russell 2000 gained 20.99 points at 2,091.11.

GameStop shares initially rose sharply after announcing plans to split its shares, pending shareholder approval for an increase in its authorized share count. Such splits can depress the price of a stock, potentially putting it within reach of smaller investors. The stock lost its gains, however, and closed down 0.9%.

GameStop’s stock has more than doubled since it was at $78.11 in mid-March. But it is still well below the peak of $483 reached in early 2021 amid the “meme stocks” craze. Then, groups of investors with smaller pockets came together to drive prices up to levels considered irrational by many professional investors.

Other meme stocks have also shown renewed strength in recent weeks, though AMC Entertainment fell 5.4% on Friday.

In overseas markets, European stocks edged higher despite a report showing that consumer prices in the 19 countries that use the euro rose 7.5% in March, the fifth consecutive monthly record.

The French CAC 40 rose 0.4%, the German DAX gained 0.2% and the FTSE 100 in London gained 0.3%.

Oil and gas prices had already risen due to growing demand from economies recovering from the depths of the COVID-19 pandemic. They surged after Russia, a major oil and gas producer, invaded Ukraine over fears that sanctions and export restrictions could jeopardize supplies.

Crude prices fell slightly on Friday, with a barrel of U.S. oil plunging 1% to settle at $99.27. Early last month, when crude supply disruptions were at their worst, it briefly touched $130.

Brent crude, the international standard, slipped 0.3% to settle at $104.39 a barrel.

AP Business Writer Yuri Kageyama contributed. Veiga reported from Los Angeles.

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Fiction publisher

17th Annual Clarksville Writers Conference scheduled for May 19-20

Clarksville, TN – The Clarksville Arts and Heritage Development Council is partnering with the Center of Excellence for Creative Arts at Austin Peay State University (APSU) and the Tennessee Arts Commission to bring new acclaimed authors in town for the 17th Annual Clarksville Writers Conference.

The event will take place Thursday, May 19 and Friday, May 20 at the APSU Art + Design Building on the campus of Austin Peay State University.

JT Ellison

JT Ellison, best-selling author of more than 25 New York Times and USA Today novels and co-host of the EMMY-winning Nashville literary television series A Word on Words, will deliver the keynote address at the conference banquet on the evening of Thursday, May 19, at F&M Bank’s The Franklin Room, overlooking the Cumberland River and offering incredible views of historic downtown Clarksville.

Ellison is this year’s recipient of the Patricia Winn Prize for Southern Literature, named after the conference’s founder. With millions of books in print, JT’s work has received critical acclaim, prestigious awards, been chosen for television and has been published in 28 countries and 16 languages. His novel The cold room won the ITW Thriller Award for Best Original Paperback, while his novels field of graves and Where all the dead lie were each nominated by RITA for Best Romantic Thriller.

This year’s conference features fifteen presentations and workshops for writers and avid readers.

The authors scheduled to speak are:

Sharon Cameron

Sharon Cameron is the New York Times #1 Bestselling Author for The Dark Unwinding (2012), A Spark Unseen (2013), Rook (2015), The Forgetting (2016), The Knowing (2017), The Light in Hidden Places (2020) and Blue Bird (2021), all from Scholastic Press.

His books have won the Parents’ Choice Gold Award, the Westchester Fiction Award, garnered star-studded reviews from Booklist, SLJ, and Kirkus, and been chosen for numerous lists, including Indie Next Top Ten, YALSA’s Best Fiction for Young Adults, Junior Library Guild Gold Best Standard and Audible Books. Light in hidden places was a Reese Witherspoon Book Club Pick of 2020 and has sold in 18 foreign countries.

Dana Chamblee Carpenter

Dana Chamblee Carpenter is the author of the award-winning bohemian trilogy. The first book in the series, Bohemian Gospel, won the 2014 Killer Nashville Claymore Award and was shortlisted for YALSA’s 2016 Alex Prize, with The Editor’s Weekly calling it “a deliciously creepy start”.

His second book, The Devil’s Biblewon the 2017 Silver Falchion Award for Best Novel, while the latest book in the series, Book of the Justwas a finalist for this year’s Silver Falchion in Sci Fi/Fantasy and was called a “wickedly good read” by Chapter 16.

Annette Saunooke Clapselle

Annette Saunooke Clapsaddle, a citizen of the Eastern Band of Cherokee Indians, resides in Qualla, North Carolina. She graduated from Yale University and the College of William and Mary. His first novel, Even How we breathe (UPK 2020), was a Weatherford Award finalist, named one of NPR’s Best Books of 2020, and received the Thomas Wolfe Memorial Literary Award (2021).

Clapsaddle’s work appears in Yes! Magazine, Illuminated Hub and Atlantic. She teaches high school English and Cherokee studies, serves as editor of the Appalachian Futures (UPK) series, and serves on the board of the North Carolina Writers Network.

Tammy Room

Tammy Hall inherited her fondness and love for storytelling from her late father. Using call and response, percussion instruments, costumes and other props, and sometimes just her voice, Ms. Hall is known to hypnotize her audience. Her savvy and advocacy of literature has taken her around the world, where she has collected folklore from diverse cultures in the United States, Africa, Asia, Europe, Central America and of the Caribbean.

Mrs. Hall’s First Tales CD, Tales of black heritage from around the worldwas released in 2015. In 2017, she was sought out for her storytelling skills to be featured in the United States Postal Service Commemoration Ceremony that launched The snow day Forever stamp.

Bren McClain

Bren McClain’s critically acclaimed debut novel One Good Mama Bone won the 2017 Willie Morris Award for Southern Fiction and was named Pulpwood Queen 2017 Book of the Year, a 2017 Great Group Reads by the Women’s National Book Association and a Southeastern Independent Booksellers Association ( SIBA) Okra Pic.

More recently, the French translation (renamed Red Mom) was shortlisted for the 2021 Maya Prize, an award given to the novel that best honors animals. Bren is also an essayist who has contributed to Our Prince of Scribes: Writers Remember Pat Conroy. His next novel has already won acclaim, the Gold Medal of the William Faulkner Novel-in-Progress.

Michael Shoulders

Michael Shoulders has published 23 children’s books, including V is for Volunteer: A Tennessee Alphabet, now in its 16th edition, and his novel Crossing the Deadline, which follows a boy’s journey through the Civil War. His latest release The legend of the Christmas picklehas proven popular with kids of all ages, answering the question “Why does Santa Claus hide pickles in Christmas trees?”

Mike has spoken at International Literacy Association conferences in Chicago, Orlando, Atlanta and Boston and presented at six of that organization’s state meetings. In the non-Covid years, he visits nearly 80 schools and conferences across America and Europe, spreading the message that Reading IS Magic!

Shana Thorton

Shana Thornton is the author of four works of fiction, Ripe for the Pickin’ (2022), The Adventures to Pawnassus (2019), Poke Sallet Queen and the Family Medicine Wheel (2015) and Multiple Exposure (2012), and co- author of Seasons of Balance: On Creativity and Mindfulness (2016).

Shana has written a landmark play, countless magazine and newspaper articles, blogs and interviews with artists, musicians, authors and activists, and is the founder of Clarksville Montgomery County African American Heritage Trail (2019), a free community publication in print and online.

In 2012, she opened Thorncraft Publishing, an independent publisher of creative literature, novels and non-fiction by individual authors, as well as the BreatheYourOMBalance® series of yoga books.

SM Williams

SM Williams is the author of the All Would Be Kings trilogy of historical novels, which includes The Winter Prophecy, High Treason and Rosemary. Sarah is also the author of Chinquapin: The Last Greto hopea historical fiction novel set during the Siege of Atlanta.

Currently, she has two works in progress: Kelidairea romantic fantasy, and On the other side of the rivera historical fiction novel that follows the post-war life of a Confederate spy and the lost Confederate Treasury.

Born and raised in southeast Alabama, she wrote her first short story manuscript at the age of fourteen and since then her creative writings have generated over 800,000 words, not including articles and columns for various magazines and community newsletters.

In addition to scheduled presentations and workshops, free Criticism Circles with Cardinal Rule Press Acquisitions Editor Adam Blackman are available to conference attendees, where up to five attendees per session will offer and receive advice. on how to improve their manuscripts. As Acquisitions Editor at Cardinal Rule Press, Adam acquires realistic fictional picture books that help children grow into kind, caring adults. As a mid-level and picture book author, he strives for the intersection of heart and humor.

The closing of this year’s conference is HANDS OF TOBACCO: Habits of Mutuality, a 24-page installation of creative non-fiction telling the stories of four multi-generational black-tobacco families living in Montgomery County. Immediately following the final session, from 4:30-5:30 p.m. on Friday, May 20, attendees are invited to join collaborators Cynthia Marsh and Marnie Powers-Torrey in the lobby of the Art + Design Building to celebrate these stories with homemade pies and sweets. tea. This event is free and open to all.

A complete package including all conference activities is offered, as well as “à la carte” options. Reduced rates are available for early bird registrations, which must be posted by May 5. Late registrations must be posted between May 6 and May 12. Visit the conference website at for author bios, conference schedule, registration information, and more.

About the Clarksville Writers Conference

The 2022 Clarksville Writers’ Conference is made possible in part by the generous support of the Clarksville Arts and Heritage Development Council, Austin Peay State University, Tennessee Arts Commission, City of Clarksville, the APSU Center of Excellence for the Creative Arts, and the Customs House Museum and Cultural Center.

Additional sponsors include Drs. Dave and Jennie Beth Johnston, Jacqueline and Ned Crouch, Dee Boaz, Sarah H. Darnell, Joan R. Harris and Laurina Isabella Lyle. The conference was developed in 2005 by Patricia Winn.

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Book creator

Top 10 comics that have risen in value over the past week include Nova, Ghost Rider and more

Like last week, this week’s Top 10 features a mix of new and repeat entries. Repeat entries include Silver Sable’s first appearance, prompted by speculation of his appearance in Sony Picture’s KRAVEN and George Perez’s classic JLA/AVENGERS Heroes Initiative trade paperback reprint (a reminder to donate to this fantastic charity that gives back to the creators we love in the comics industry). The rest of the list contains all the books that made it to our Top 10 over the past year. Many of them are directly related to content speculation. For example, the first appearance of Marvel’s Ghost Rider led Midnight Sons and Emilia Clarke to rumors of the role of Veranke the Skrull Queen. Obi-Wans’ first appearance reappears with excitement for his May Disney+ series. Favorite ’80s animated series Voltron is in development for a feature, helping its first comic appearance land on this list for the first time. Finally, confirmation that Moon Knight writer Sabir Pirzada is writing a NOVA project for Marvel helped the first appearances of young Nova corp member Sam Alexander and veteran corp member/Marvel Icon Richard Rider top the Top 10 of this week.

Want to know which comics are trending each week and why? COVRPRICE.COM uses live sales analytics to identify and compile the market’s most robust price guide, highlighting the hottest trending comics each week. No opinion. Just data. Each week they feature a newly updated list of TOP 10 COMICS. These trends are driven by rumors, fan-favorite covers, story-based content, and content-related news.

#ten: INCREDIBLE SPIDER-MAN #265 | WONDER | 1985 | Actor Christopher Abbott is said to be playing The Foreigner in Sony’s KRAVEN movie. In the comics, The Foreigner was once married to Silver Sable, and this connection led speculators to believe that Silver Sable might appear in the film as well. Its first appearance in this issue had a high sale of $690 for a CGC 9.8 with raw copies at an FMV of $93.

#9: STAR WARS #2 | WONDER | 1977 | The May release of Obi-Wan’s Disney+ series isn’t far off. While we wait, his first comic book appearance continues to garner more attention. Last week we tracked a high sell of $810 for a CGC 9.6, with a gross FMV of $82.

#8: POINT ONE #1 VARIANT NICK BRADSHAW | WONDER | 2011 | Speculation persists that the Sam Alexander version of Nova will appear in the recently announced MCU Nova project with Moon Knight writer Sabir Pirzada. The current rumor is that the show/movie will star both Richard Rider and Sam Alexander. With Sam’s first appearance in this issue of Marvel Point One #1 (2011), collectors are split between the regular cover and this variant. Since Sam doesn’t appear on any of the covers (Richard Rider appears in the background of the standard cover), it’s just a matter of which one you prefer. This Bradshaw variant had a high sale of $350 for a CGC 9.8 and a gross FMV of $88.

#7: JLA/AVENGERS HERO TPB INITIATIVE | MARVEL/DC | 2022 | Recent health issues around George Perez have highlighted the need for us as a community to contribute to vital organizations like the Hero Initiative. The Hero Initiative was created as a charity dedicated to helping comic book creators in medical or financial need. George Perez, himself a founding board member, is an example of a comic book creator that this charity would directly benefit from. Marvel & DC have come together to reprint this classic crossover in a paperback limited to 7,000 copies. It lands on this week’s list in the same spot as last week, with 49 copies sold at a 7-day trend of 91% and a high sale of $380 for a raw copy. However, the fair market value is currently trending at $247. Again, we ask those reselling their copy to consider donating a portion of those profits to the Initiative of heroes. Lots of sellers do this, with many contributing all of their income, which is fantastic. Initially costing $30, this book was intended to benefit the charity rather than create a rare exclusive with secondary market value. Suppose we can work together to share these spare parts sales. If so, this limited TPB will be an even bigger success by increasing the initial funds raised and giving back directly to the creators we love.

#6: GHOST RIDER #31 | WONDER | 1992 | Over the past few years, there have been constant rumors and speculation that a Danny Ketch-directed Midnight Sons is in development for Disney+. When another online source mentions the Midnight Sons, this and issue #28, the first appearance of The Midnight Sons (via a future premonition), both start moving into the secondary market. For the past few years, the market has favored number 28. However, this week is their first full appearance in Ghost Rider #31, which saw a high sale of $400 for a CGC 9.8 with materials raw at a FMV of $28.

#5: VOLTRON #1 | WONDER | 1985 | According to Hollywood Reporter, a ‘Voltron’ live-action film, starring Rawson Marshall Thurber to direct, sparks bidding warThis news immediately ignited a fire under Voltron’s first appearance in the comics. We followed a high sale of $665 for a CGC 9.8 with commodities at a FMV of $110.

#4: SECRET WARS II #3 | WONDER | 1985 | This issue features the first cover appearance and first full appearance of the Beyonder (in human form). This week, in anticipation of his appearance (played by Lawernce Fishburne) in the MOON GIRL AND DEVIL DINOSAUR series, he hit a high sale of $149 for a CGC 9.8 with commodities at a FMV of $21.

#3: FIRST POINT #1 | WONDER | 2011 | As noted, there are rumors that the Richard Rider and Sam Alexandar versions of Nova could appear together in the NOVA MCU project. Like the Bradshaw variant, this standard cover of Sam’s first appearance is trending. However, it topped the variant with a higher sale of $400 for a CGC 9.8 and raws at a FMV of $46.

#2: NEWS #1 | WONDER | 1976 | Also, while Sam Alexander is unconfirmed, Richard Rider’s Nova is almost a sure thing in the next NOVA project. His first appearance in this issue has been trending since Kevin Feige first mentioned him several years ago. This issue is now on fire with official confirmation of a sell high of $3000 for a CGC 9.8 and trending raw at $169.

#1: NEW AVENGERS #40 | WONDER | 2008 | Several sources online claim that Emilia Clarke is definitely playing Veranke the Skrull Queen. While still unconfirmed, these renewed rumors lit a fire when Veranke first appeared in this issue, selling high at $392 for a CGC 9.8 and trending at $43. Note: If you are looking for copies at your LCS or at conventions, there is a second printing of this issue which sells for nearly $200 gross. Good hunt!

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