February 2022

Fiction publisher

Recommended reading for computer science: non-fiction, fiction and philosophy

You can learn a lot about coding just by trying it. But for expert advice and insight into the past and future of the computer science field, you’ll want to open a computer science book.

Computer science textbooks build useful skills, while computer science fiction can be fascinating, fun, and informative all at the same time. Computer science books on philosophy provide insight into the relationship between computers, logic, and human experience.

Here are our recommended computer science reads to get you started.

Craftsmanship: the best books for teaching computer science

Computer textbooks and non-fiction provide insight into computer systems, processes, and technologies. They also provide advanced information to enhance your knowledge as you explore the latest ideas in computing.

Computer books range from comprehensive to extremely specialized. From training manuals to textbooks, works like these take up space on the shelves of computer science students, professionals and hobbyists.

Gödel, Escher, Bach: An Eternal Golden Mat

By Douglas R. Hofstadter

This book explores maps and the links between formal systems. Hofstadter identifies formal systems as the foundation of all mental activity. He uses Kurt Gödel, MC Escher and Johann Sebastian Bach to illustrate the nature of human intelligence and mind. Short stories, puns and riddles flavor the work.

Introduction to the Theory of Computation

By Michael Sipser

The book facilitates a clear understanding of simple and complex computer theory topics and concepts. Practical exercises and exercises accompany the practical and philosophical exploration of theorems, proofs and comparable mathematical treatments.

land of lisp

By Conrad Barsky

This book is an accessible guide to one of the oldest and most influential coding languages, LISP. Barski’s comics, games, and pictures introduce LISP syntax and semantics. Readers learn how to program games, use advanced features like macros, and build a web server with LISP.

The design of everyday things

By Don Norman

Norman’s book presents simple rules for functional design. The work incorporates ideas from ecological psychology, ergonomics, behavioral psychology and communication. Computer scientists might appreciate his advice on user-centered design.

The little schemer

By Daniel P. Friedman and Matthias Felleisen

This book presents computer science as an outgrowth of mathematics via the Scheme programming language. It uses illustrations to explain complicated ideas. The book’s conversational tone helps make a difficult topic accessible to computer novices and advanced programmers alike.

Types and programming languages

By Benjamin C. Pierce

Pierce presents a comprehensive guide to type systems and programming languages ​​from a theoretical and practical point of view. Programming examples and exercises accompany each section. Topics include simple type systems, universal and existential polymorphism, and type operators.

Fiction: the most entertaining books on computer science

Computer literacy isn’t just in textbooks. The novels explain the history of computing, its role in today’s society, and how it could influence our future.

Computer science fiction books can give you insight into a new aspect of the field or explain something you couldn’t quite grasp in textbook form. They can also bend your mind, give you a sense of escape, and make you think about the relationship between humans and computers in a completely different way.


By DF Jones

The first book in the trilogy of the same name, the book explores the creation and power of a supercomputer called Colossus. The speed, artificial intelligence and authority acquired by Colossus propel the creation of a rival, Guardian. Struggles of man against machine, of machine against machine, of man against man run through the work.

The divine machine

By Martin Caidin

Published in 1968, Caldin’s novel follows Steve Rand, a cyber technician working on an artificial intelligence project for the government. Dubbed Project 79, the creation quickly spirals out of control, prompting Rand to take action.


By Neal Stephenson

Stephenson intertwines the lives of Lawrence Pritchard Waterhouse and his grandson, Randy. This quick and seemingly prophetic work explores technological developments and the aftermath of World War II, the rise of the Internet, and the importance of data encryption.


By Mikhail Voloshin

Voloshin’s main character, Danny, lived as an obscure computer scientist until tech investor Jason Tuttle brought down his employer. Danny offers Tuttle his IT services. The new job goes awry when Danny gets mixed up in the Russian mafia.

The moon is a harsh mistress

By Robert Heinlein

Heinlein’s classic sci-fi novel is set on the moon, where a self-aware supercomputer rules a penal colony. The book sheds light on the complex relationships between humanity, technology, morality and freedom.

When Harlie was a

By David Gerold

Harlie (short for Human Analog Replication Lethetic Intelligence Engine) works like an artificial intelligence machine. Harlie is tasked with understanding human behavior. Its creator, David Auberson, panics when he realizes that Harlie knows a lot more than he could have imagined.

Philosophy: Required Reading for Computer Scientists

Why combine philosophy and computer science? Philosophy uses logic and reason to answer humanity’s biggest questions and examine the human experience – goals shared by some computer scientists.

Philosophy and computer science have their foundations in logical reasoning. The former is concerned with words, while the latter applies numbers and symbolic forms.

Books on computer science and philosophy explore how the two disciplines relate and inform each other and how they can progress together.

Checklist manifesto

By Atul Gawande

This book encourages the use of checklists for large and small tasks. Using stories from around the world, Gawande highlights the effectiveness of checklists and how they can promote change. Computer scientists will appreciate the book’s focus on getting it right.

Ethics in the Information Age

By Michael Quinn

This book advocates careful consideration of the long-term and short-term consequences of technology by examining its social and ethical advantages and disadvantages. Quinn uses ethical theories to discuss and analyze issues facing IT professionals and contemporary computer users.

how the mind works

By Steven Pinker

This work asks fundamental questions about the human mind. Pinker combines cognitive science, evolutionary biology, information technology and art to explain how humans think and behave. Combined, these disciplines can provide insight into the future of the human mind and artificial intelligence.

Buyer beware – and enjoy

The computer science books on this list give you different perspectives on the discipline. Some are more technical, while others are aimed at a general audience. Reviews can help you decide if each book belongs on your reading list.

Old computer manuals can be hard to find, so be sure to use a reputable seller or publisher. Some sellers may offer scanned and printed or digitally produced editions at a lower cost. Always check reviews (and make sure they match the product being sold) before buying a book from a third-party seller.

Most importantly, enjoy diving deeper into computing.

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Book creator

Indie Comic The Unearthians is developing a live-action adaptation

Moras Productions and the Kaczmarek Digital Media Group announced earlier this month that they had reached an agreement for KCMG to portray the acclaimed 2019 comic book series. The Unearthians. Omar Mora, owner of Moras Productions, is the creator and writer of the original 2019 comic, which launched at Comic Con International in San Diego in 2019. The 12-issue maxi-series drew positive reviews, including on Comic Book Resources. ‘ list of the top 10 independent titles of this year. KDMG represents original concepts for TV series and movies, working with decision makers from major digital retail platforms including Amazon, Netflix, Hulu, Hallmark Channel, BET Network, Starz Network, and more.

Moras Productions is an independent Los Angeles-based production company focused on movies, TV series, and comics. The announcement was unclear, but it seems likely Mora will write the script for the adaptation they’re buying.

“I’m thrilled to have KDMG in our corner. They can open great doors for our story. I can’t wait to start pitching our series to studios and big streamers. I already have plans for three seasons and But I don’t want to get ahead of the curve, I just want to secure Season 1. It’s always good to be prepared,” Mora said. “I really like our story. It’s a new take on vampirism, where they come from and what happens when they interact with extraterrestrial beings. I can’t wait to see it in action and share it with the world.”

You can see the official synopsis of The Unearthians below.

The Unearthians is an original sci-fi story where good versus evil clash for a greater cause and an unconventional team comes together to fight fascism and the powerful. An action-packed sci-fi tale, two best friends are abducted and transported to an underground base somewhere on earth. During the abduction, Mateo and Carter set out to uncover the truth when they discover the dark agenda the aliens have in store for not just Earth, but the entire galaxy. With the help of other beings – Naurax, Ecraptor and Flex – they decide to fight this injustice. But Mateo and Carter also have a secret of their own, which they will use to their advantage; a secret the aliens never saw coming – they are vampires.

Things are still in their infancy, with no clear indication of how close a deal is, or even if they’re aiming for a feature film or TV adaptation.

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Reading and writing

Why Kyrie Irving still won’t play in Brooklyn if some Covid restrictions end next week

Nets star guard Kyrie Irving still won’t be eligible to play at home at Barclays Center in Brooklyn if New York lifts its ban. vaccine mandate for restaurants, gymnasiums and most indoor spaces, as Mayor Eric Adams said Sunday he intended to do so by March 7 if Covid-19 cases remain low.

Irving, who is not vaccinated against the coronavirus, will always be the subject of another private sector vaccination mandate.

Fabien Levy, a publicist for Adamsconfirmed this on Sunday, writing on Twitter, “The fastest way for all New Yorkers to get back to normal life is for ALL of us to get vaccinated.”

It is unclear whether the private sector mandate will be lifted, although Adams has suggested in recent weeks that many vaccine requirements would be removed. The city’s press office did not respond to a request for comment, nor did the Nets.

“In the next few weeks you’re going to see a lot of those mandates dissipate,” Adams said last week. Earlier this month, Adams called the rule banning Irving from playing home games ‘unfair’, given that unvaccinated athletes from opposing teams can play at both Barclays Center and Madison Square. Garden, home of the Knicks.

Irving has played in just 15 of the Nets’ 61 games, in part because of his refusal to get vaccinated, and will not be able to play Monday night’s game at home against Toronto. Irving’s erratic availability and injuries to other players are among the factors that have contributed to the Nets’ descent from one of the best teams in the NBA to a team now fighting just to make the playoffs. The Nets (32-29) are the eighth seed in the Eastern Conference with about a quarter of the season remaining. To avoid the league play-in tournament for the playoffs, the Nets would have to finish as the sixth seed or better.

“I am as much as you guys are,” Irving told reporters after the Nets’ win over the Milwaukee Bucks on Saturday. “So staying patient and seeing where things end up next week or two weeks, I’m not too sure.”

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Writer market

No, CBDCs will not end American freedom

In this clip from “The Future of Fintech” on Motley Fool live, recorded on February 10Motley Fool contributor Jason Hall discusses an opinion piece on cryptocurrency and authoritarianism.

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Jason Hall: Foolish Phoenix dropped a link to a Newsweek article. Here is the title. The headline is that CBDCs, essentially government digital currencies, will be the end of American freedom. This is an opinion piece. I won’t even go into the details of the article. Besides, basically saying that if the Fed adopts a digital currency, it’s the government on a safe path to authoritarianism. Always follow the money with this stuff. Aubrey Strobel, the author of this article, is Lolli’s communications manager. Do you know what Lolli does? They operate a Bitcoin (CRYPTO: BTC) rewards platform. Digital currency, as Will said and I think Matt, you also implied, will be a big competitor to Bitcoin and other cryptocurrencies. This is a very strong message for someone whose business would be very disrupted if the federal government did this. I’m not going to touch politics. Always follow the money with opinion pieces. Who wrote it and why would they have that opinion? In this case, it’s the story of Lolli’s business. I think it is important.

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Fiction publisher

Manoj Das – Odia Marxist writer who became Aurobindo’s disciple and hated “modernity”

MAnoj Das was widely admired by his readers for his powerful portrayal of people’s lives in traditional Indian society. His works were particularly known for their fusion of realism and fantasy. This made him the most popular writer of Odia origin.

“Manoj Das was an interpreter of ancient traditions, who, in his works, brought together not only eras but also literary currents, from Antiquity to modernity” Professor Rudra Thulasidoss alias Ilambharathi, nonagenarian multilingual writer-translator who was in translate Das’ novel Amruta Phala (The Divine Fruit) in Tamil for Sahitya Akademi, ThePrint said.

The bilingual writer

In the words of historian Ramachandra Guha, “there are those who are functionally bilingual; and others who are intellectually and emotionally bilingual. Manoj Das belonged to the latter.

A few decades ago, when Das was writing in Odia, his mother tongue, he felt that the Indo-Anglian fiction that claimed to depict Indian life was not doing him justice. In his own words, “It was an anxiety to project Indian life that motivated me to write in English.” His attachment to rural life was more natural, and childhood memories of the villages of Odisha made him “present an authentic atmosphere of rural life in India”. This appears much more prominently in his memoirs Chasing the Rainbow: Growing up in an Indian Villagepublished in 2004.

Das made his debut as an English writer in 1967 with his collection of short stories titled A Song for Sunday and Other Stories. As an Indo-Anglian writer, he had won praise from his peers such as Mulk Raj Anand and Ruskin Bond among others. He is famous for his works which include The Escaped, Concepts and Literary Antiquities of India, The Submerged Valley and Other Tales, The Bridge in the Moonlit Night, Cyclones, Mystery of the Missing Cap, Myths, The Lady with the Crocodile, Farewell to the Ghost, A Tiger at dusk and Legends among others.

In fact, Das did not translate his works into another language. If he found the particular theme exciting, he would “attempt a new performance” in another language. In an interview he said: “If I translate, I cannot be called a bilingual writer. By its very definition, a bilingual writer is one who writes in two languages. They basically stay the same, but since I’m the writer, I can take the liberty of changing them or reconstructing or elaborating on a certain situation while rewriting it in the second language.

Das has also written extensively for children. In an interesting encounter, he said he had no idea Harry Potter series and its popularity among Indian children. It was in 2001, when the children of English-speaking Indian homes had become “Potterheads”.

Das was prolific. In addition to these literary works, his columns appeared regularly in almost all the newspapers…The Times of India, The Hindustan Times, The Hindu and The statesman. Between the 1970s and 1980s, he also contributed his stories to India’s Illustrated Weekly and The footprint. He was editor-in-chief of The patrimonya cultural magazine published by Chandamama from 1985 to 1989.

“.. Written by Creative Inspiration; some are written for joy; some are out of a commitment to society. The columns I wrote for newspapers were driven by the latest,” he said in an interview with Mother India in 1998.

The western world had identified Manoj Das in the early 1970s. His works of literary fiction were published in Ascension, Le Carleton Miscellaneous, and an avant-garde newspaper The New York Blacksmith among others. Editor Alan Maclean chose Manoj Das to edit an anthology for Macmillan in 1971.

Das was the first writer from Odia to win the Sahitya Akademi Prize for his short stories Manoj Dasanka Katha or Kahani in 1972, alongside Jayakanthan for Tamil. He was the only writer to have received the Odisha Sahitya Akademi Award twice in 1965 and 1989 for his works. Aranyak and Kete Diganta (Part-I & II) respectively. He was the second writer to be awarded the Sarala Puraskar in 1980 after Surendra Mohanty. His novel Odia Amrita Phala won him the Saraswathi Samman Prize in 2000.

His major works in Odia include Sesa Basantara Chithi, Dhumabha Diganta O Anyana Kahani, Manoj Panchabinsatiand Tuma Gaan O Anyanya Kavita among others. Today, his works are available in several languages. Das had also served as a member of the General Council of Sahitya Akademi between 1998 and 2002. The Government of India honored him with the Padma Shri in 2001. He was also awarded one of the highest literary honors – the Sahitya Akademi Scholarship, reserved for ‘ the immortals of literature’ in 2006.


Born in the coastal village of Sankhari in Balasore district of Odisha in 1934, Manoj Das witnessed the cyclonic devastations, famines and lootings of the century. He spent his childhood in the villages, “allowing himself to be charmed by myths and folklore”. His pen articulated his encounters, and so his first anthology of poems, Satavdira Artanada, came out when he was just 14 years old. The following year his short stories were published. Das is said to have had an early influence from the works of Fakir Mohan Senapathy, the father of modern Odia literature. He also said in an interview that he was inspired by the work of Somadeva Kathasaritsagara and Vishnu Sharma Panchatantra.

Read also : India’s oldest yoga teacher was 99-year-old YouTube celebrity V. Nanammal

Stalin’s Disciple to Aurobindo’s Disciple

In school and college, Manoj Das was inclined towards the idea of ​​Marxism. As a student leader, he led protests and was imprisoned for provocative speeches in 1955. Following this, he was sent to Bandung, Indonesia to attend an Afro-Asian student conference in 1956, where he escaped an attack by an anti-communist group. . When he returned he wrote Indonesia Anubhuti, an account of this trip. Das was devastated when he learned of Joseph Stalin’s ruthless actions in the Soviet Union. Much later, when he remembered it, Das had apparently wondered, “What if a believer in Stalin had died before the report (Kruschev’s de-Stalinization report)?” He would have died without knowing the truth, with the conviction that Stalin was the embodiment of all that was good.

He taught English at Christ College, Cuttack, for four years. It was at this time that he wrote A trip to the jungle (later made into the movie Aranyaka in 1994 by AK Bir) at a time of transition when he had lost his beliefs about all political and philosophical beliefs. He married Pratijna Devi from royal offspring of Kujang. It was recorded that a child was born to them who did not survive even a few weeks. Das had mentioned that it was then that his search for the meaning of life led him to Sri Aurobindo. Following this, he and his wife arrived in Pondicherry in 1963. They taught English and Psychology respectively at the Sri Aurobindo International Center for Education here.

Manoj Das criticized modernism and observed that the “pleasure-seeking” attitude defeated the true purpose of life. In an interview published in 2001, he deplored “human conscience is blunted today by popularization, consumerism, the brutalization of politics and values”. He also, on one occasion, mentioned that he disliked Arundhati Roy’s film. The God of Little Things. “Forty percent is eroticism, it commits violence against the English language and is calculated to sell,” he said.

Manoj Das has lived and written from Pondicherry for over five decades. The ailing writer died in Union territory in April 2021.

(Edited by Sukriti Vats)

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Book creator

Bleach Creator Shows Off Ichigo’s New Art

Ichigo Kurosaki is one of the most notable protagonists introduced to the pages of Weekly Shonen Jump, along with Bleach set to make a return to the anime realm later this year via the Thousand Year Blood War Arc adaptation. As Studio Pierrot returns to animation duties for the upcoming season, creator Tite Kubo has shared the new art he’s created for Ichigo while giving the member of Soul Society a significant makeover that sees him sporting very different colors.

Kubo himself recently blew his mind not only with the Thousand Year Blood War arc receiving a new anime adaptation, but with the mangaka creating a new story in the Soul Society world that dropped last year. , giving Weekly Shonen Jump readers an idea of ​​what Ichigo is. and his friends have been up to it ever since Bleach original finale. Showing members of the Shinigami years after the end of the Blood War, a new generation has been born, with a number of Soul Society members becoming parents, including Ichigo and Orihime who now have offspring of their own. Of course, things are not so peaceful that a new problem has arisen from the depths of hell.

Tite Kubo himself has shared new artwork by Ichigo Kurosaki, taking the opportunity to portray the Bleach protagonist while showing support for the Ukrainian people, draping the Shonen hero in the colors of the Ukrainian flag as fans await the long-awaited return of the Shonen anime series:

The Bloody Thousand Year War arc was originally the series finale for Bleach, with many fans believing that the Shonen would not return for new stories in the world of Soul Society, with many also expecting that said war would never be adapted to the world of anime. With this arc seeing Soul Society’s battle against the Quincy Clan, expect the upcoming anime adaptation to have some major moments for all of the main players in the game. Bleach.

What do you think of this new art by Tite Kubo? Are you hyped for the return of Bleach anime this fall? Feel free to let us know in the comments or hit me up directly on Twitter @EVComedy to talk all things comics, anime, and the world of Soul Society.

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Reading and writing

Russia’s war with Ukraine is already costing the Russian economy

MOSCOW — President Vladimir V. Putin has ushered in a crisis for his country — in its economy and its identity.

The Kremlin hides the reality of the country’s attack on Ukraine from its own people, even cracking down on the media who call it a “war”.

But the economic carnage and societal upheaval wrought by Mr. Putin’s invasion is becoming increasingly difficult to hide.

Airlines have canceled once-ubiquitous flights to Europe. The Central Bank rushed to deliver ruble notes as demand for cash soared 58 times. Economists warned of higher inflation, greater capital flight and slower growth; and rating agency S&P downgraded Russia to junk status.

The emphasis on concealing the true scale of the war was a sign that the Kremlin feared the Russians would frown on a large-scale, violent invasion of Ukraine, a country where many millions of Russians have relatives and friends. .

Even so, more state-connected public figures have spoken out against the war, including a Russian parliament lawmaker. Business owners tried to assess the consequences of an economic crisis that seemed to be already starting, even before the sanctions were fully in place.

Facing the greatest test yet of its reality-distorting prowess, the Kremlin’s propaganda machine seemed for the moment to contain widespread opposition to the war. There was no indication that the war could undermine Mr Putin’s grip on power and, if won quickly, analysts noted, could end up strengthening it.

But the enormous risks of war, along with the economic strain the country is suddenly under, have created a new and more treacherous reality for the Kremlin and Russia’s 145 million people.

The Russians were amazed at how quickly the economic impact of the war was felt. The ruble hit an all-time low against the dollar, which traded at around 84 rubles on Saturday from 74 a few weeks ago. This has pushed up import prices, while sanctions on Russia’s biggest banks have wreaked havoc on financial markets and new export restrictions promised to scramble supply chains.

“Those who shout that Putin is awesome and well done don’t shout so loud anymore,” said Lalya Sadykova, owner of a chain of beauty salons in St. Petersburg. “They are in shock at what is happening, how quickly prices are changing and how suppliers are stopping deliveries.”

The chief executive of one of Russia’s biggest electronics retailers, DNS, said on Thursday that a supply shortage had forced his chain to raise prices by around 30%. A few days earlier, the director general, Dmitry Alekseyev, had posted on Facebook: “For my life, I don’t understand why Russia needs a war.”

“I understand that prices in stores cause frustration,” Mr. Alekseyev wrote. “But that’s the reality.”

S7, Russia’s second largest airline, has suspended all flights to Europe due to the closure of airspace to Russian companies, an early sign that the cheap and easy trips to the West that Russians in the middle class had become accustomed could become a thing of the past. Photos of retailers changing or removing their price tags have gone viral on social media.

“We are all waiting for the sequel,” Anastasia Baranova said, describing a flurry of cancellations Friday at the hotel she runs in St. Petersburg. “It’s like the whole country is on hiatus.”

The Kremlin has been quick to stick with its narrative, signaling the start of a new, more brutal phase in its longstanding crackdown on dissent. The government’s communications regulator has slowed access to Facebook and warned 10 Russian media that their websites could be blocked. The offense declared by the media was to publish articles “in which the current operation is characterized as an attack, an invasion or a declaration of war”.

Even as a fierce battle for Kiev unfolded on Saturday morning, a Russian Defense Ministry statement on the situation in Ukraine made no mention of the Ukrainian capital or Russian casualties. The ministry, which typically releases sleek and copious footage of the Russian military in action daily, has not released any video of its combat operations in Ukraine.

And Russia’s public news channel aired footage of a peaceful day in Kiev on Saturday in an attempt to counter videos of violence being broadcast on the Telegram social network.

“As you can see, the situation in the cities is calm,” the presenter said. “No explosions, no bombings, contrary to what some Telegram channels write.”

A hint of potential opposition emerged on Saturday when Mikhail Matveyev, a communist lawmaker who had voted in favor of Mr Putin’s recognition of Russian-backed separatist territories, wrote on Twitter that he had been cheated.

“I was voting for peace, not for war,” he wrote, “and not for Kyiv to be bombed.”

It was a rare crack in the firmament of parliament, where dissent over Mr Putin’s major foreign policy decisions has been virtually non-existent in recent years. Tatyana Yumasheva, the daughter of former President Boris N. Yeltsin who helped bring Mr Putin to power, posted an anti-war message on Facebook.

Moscow’s Garage Museum of Contemporary Art, a stylish showcase of a western-looking Russia founded by Kremlin-friendly oligarch Roman Abramovich, said it would stop working on new exhibits until the “human and political tragedy” ceases in Ukraine.

“We cannot maintain the illusion of normalcy,” the museum said. “We see ourselves as part of a larger world that is not broken by war.”

Still, it emerged on Saturday that the Kremlin’s forced blinders were doing their job, as were the obvious dangers of voicing dissent. The spontaneous anti-war rallies that took several thousand people to the streets of cities across the country on Thursday, with more than 1,500 arrests, were not repeated on this scale on Friday.

While many members of Russia’s intellectual elite expressed their horror and the fence in front of the Ukrainian Embassy in Moscow was filled with flowers, there was little evidence of an outpouring of opposition. wider.

“The propaganda works very well,” said Anastasia Nikolskaya, a sociologist from Moscow. “Not that anyone welcomes war, but it is seen as a measure of last resort that is necessary.”

The main determining factor for what happens next, of course, will be what happens on the battlefield in Ukraine – the longer the war lasts and the greater the loss of life and destruction, the more difficult it will be for the Kremlin to start the war. as a limited operation not directed against the Ukrainian people.

Andrei Kortunov, director general of the Russian Council for International Affairs, a research organization close to the Russian government, said he believed the Kremlin expected the fighting to last no more than two weeks.

If Russia has forced a surrender of the Ukrainian military within that timeframe, with limited destruction and limited Russian and civilian casualties, Mr. Kortunov said, Mr. Putin should be able to count on continued national support.

But if the war does not go as planned, Mr Kortunov warned, the country could see “serious political consequences and consequences for the popularity of the leadership”.

“Victory will undo a lot – not everything, but a lot,” Mr Kortunov said. “If there is no victory, there may be complications because, of course, many doubt that there are no other political alternatives.”

There were indications that the past few days were just the start of a new chapter in Mr Putin’s clash with the West and his crackdown on freedoms at home. Dmitry A. Medvedev, the deputy chairman of Mr. Putin’s security council, speculated in a social media post on Saturday that Russia could reintroduce the death penalty or seize the assets of foreigners in Russia by response to Western sanctions.

“The interesting part has only just begun…”, he wrote.

Despite the economic difficulties, the sanctions are unlikely to change the course of Russia in the short term, analysts say. Russia has the reserves to support the ruble and the Kremlin has struggled to insulate the economy from external shocks since being hit with sanctions following the annexation of Crimea in 2014.

The real cost of sanctions will be Russia’s long-term development, said Yevgeny Nadorshin, chief economist at Moscow-based consultancy PF Capital. Incomes will continue to stagnate and the country’s middle class will continue to shrink. Many of the country’s manufacturers who have launched production of modern trains, cars and other products over the past decade will face serious problems if the West bans technology exports to Russia, he said. he declares.

The country will be stable, Nadorshin said. However, he added, this stability “will be like a swamp where nothing happens and changes even if the forests burn around it”.

“Some reeds will bloom in this swamp, but there will only be scorched land around it,” Mr Nadorshin said. “You can enter this swamp, but you will get stuck there and you could possibly drown.”

And beyond the economic impact of the war, many Russians could not yet imagine accepting living in a country that had launched an unprovoked assault on its neighbor. On Friday, a steady stream of people came to the Ukrainian Embassy in Moscow, bringing flowers. A police officer stopped a woman from also leaving a small sign saying, “Yes to peace”.

“I’m afraid to meet Ukrainians and look them in the eye,” said cartoonist Aleksei, 28, refusing to give his last name for fear of repercussions from the security services. “It’s the scariest thing of all.”

Alina Lobzina and Oleg Matsnev contributed reporting from Moscow.

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Writer market

Blue Lake Christian Writers’ Retreat to be held April 6-9 – The Andalusia Star-News

Whether you’re a new or experienced writer, interested in fiction or non-fiction, you’ll be inspired as you discover the art of writing at the Blue Lake Christian Writers’ Retreat being held April 6-9.

In courses taught by seasoned professionals, you’ll learn how to improve your writing, market your manuscripts, and get published. Topics include writing children’s picture books, poetry, devotional messages, magazine articles, novels, as well as writing Bible stories and other subjects.

The retreat is led by Marilyn Turk, who is a published Christian author. His work has been published in Guideposts magazine, Chicken Soup for the Soul, Lighthouse Digest, The Upper Room and several other magazines.

The Blue Lake Christian Writers Retreat is three nights and three days at the beautiful Blue Lake Methodist Camp, surrounded by the Conecuh National Forest. The camp is located on Highway 137, approximately 22 miles south of Andalucia, Alabama.

It will include praise and worship as well as an opening speech. Participants can choose from three different continuous courses in the morning and 12 workshops in the afternoon, which offer a range of information on various aspects of writing, both fiction and non-fiction. Areas also include articles, devotionals, self-publishing, marketing and more.

“The faculty is exceptional,” according to Turk. Among them are Cheryl Wray (a prolific freelance writer who has published seven books on writing), John Herring (CEO of Iron Stream Media), Susan King (former editor of The Upper Room) and James Watkins (author of 20 books and 2500 articles). ), as well as other authors and publishers.

“Everyone will be able to take something away from this conference,” Turk said. “Good writing is good writing. This lecture will teach you how to format a story, articles or devotional. The retreat is also open to all ages.

“This retreat is very motivating. This should help you, as a writer, to clarify your goals. It can help you decide what you want to do, what you need to work on, and show you your strengths and weaknesses.

Another good reason to attend the retreat is to open up opportunities. This stuff opens doors to posting. Individual review sessions can be scheduled. “There are a lot of social networks. It’s a very good platform for writers,” says Turk.

Reserve your place now at Blue Lake Christian Writers Retreat as space is limited. To learn more about accommodations and meals, as well as registration fees for the entire conference or specific days, visit Commuters within daily driving distance of Blue Lake Methodist Camp are also welcome.

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Book creator

Bleach pulls back the curtain on the origins of its Soul Reapers

Bleach is set to make a giant return later this year, on the heels of Tite Kubo’s return to the world of Soul Society via a special new one-shot printed in the pages of Weekly Shonen Jump. With Studio Pierrot, the original animation studio responsible for the original Bleach series, returning to adapt the Thousand Year Bloody War arc story later this year, Kubo has continued to answer fan questions and recently revealed new details about the creation of Soul Society. and their initial objectives.

Bleach the anime return is coming later this year, giving us our first anime adaptation of the Thousand Year Bloody War arc that was considered the series’ original manga finale. Pitting Ichigo and the Soul Society against the forces of the Quincy family, the manga would eventually return with a new one-shot released last year that introduced a whole new problem for the Shinigami, aka the fact that they sent their dead captains in hell. With some captains seeking revenge, the story took us years into the future and introduced some of the next generation members of this Shonen franchise, like the offspring of Ichigo and Orihime.

(Photo: Pierrot)

During a recent Q&A session, creator Tite Kubo shared some details regarding the origin of Soul Society, with the question delving into the fact that Shinigami were first created to destroy Hollows and wash away their sins. in the process, along with Kubo himself. stating in response that “the role of the Shinigami was not clearly defined before the creation of the Gotei 13”,

For those who may not be aware, the Gotei 13 is the main military branch of Soul Society and it seems that the organization was somewhat aimless until this institution was created and established. Although Kubo has still kept many details regarding the origin of Soul Society secret, if the mangaka returns to create more chapters of the manga, perhaps some Hell Arc will dig deeper into how this group of supernatural swordsmen originally formed.

What questions do you want answered regarding the formation of Soul Society? Feel free to let us know in the comments or hit me up directly on Twitter @EVComedy to talk all things comics, anime, and the world of Bleach.

Via Reddit

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Reading and writing

Claudia Rankine tries to answer the impossible

RANKINE: In my latest book, Just Us: An American Conversation, I intentionally moved my life and myself forward in order to say, “No matter what it looks like.” If I have the same education as you, it does not mean that we had the same educational experience, it does not mean that the road traveled has been less difficult for me, because the problems we are talking about are institutional. I don’t claim to have felt the worst, but in Only U.S and my game To help I wanted to say, “Let’s take the economy off the table. Let’s take capitalism off the table and look at racism for what it is. It’s your understanding of who you are and who I am, and my understanding of who you are and what I want.

SALOMON: Do you experience the world as a hostile place?

RANKINE: I experience the world as a complicated place and that takes management. I’m going to tell you a great story. I was at the airport, and I walked over to the first class counter, and a woman came running out from behind the counter and said, “Miss, miss, you’re in the wrong place. There is a long line of people. And she says, “The economy is there.” And I said, “No, I can read.” And she said, “Let me see your ticket.” So she takes my ticket, and people are laughing in line, and she’s embarrassed. I was heading to the end of the line, but now she’s like, “Go ahead.” Go see that lady over there behind the…” So now she put me in front of the queue. She sent me to the next woman at the counter. So, the woman saw all this, suddenly is incredibly nice and says, “There’s a salon you can go to. She takes my ticket, but I’m pissed. I get on the plane and there are three white women on the other side of the plane. They talk, look at me, and they point. So I think they must have heard what happened. And then, finally, one of them comes up to me and says, “You’re the poet, aren’t you?

SALOMON: Oh, it’s a great story at the end.

RANKINE: Exactly. All of a sudden, the world is spinning.

SOLOMON: I get, even for me, the feeling that other people may react to me in a particular way because I’m gay. For example, my husband had surgery last week that didn’t go entirely as planned. We went to see a doctor yesterday and I thought, how much am I going to have to explain who I am and why we’re coming together? And I thought, we’re just gonna get rid of it. And so, I said, “It’s so nice to meet you. I am John’s husband. He had some tough times. My main assumption is that the doctor doesn’t care and everything is fine, and I didn’t even think we would get a lower level of care. But I thought, is he going to be one of those people who kind of dreads dealing with people like us? I feel like that possibility is still there.

RANKINE: Yeah, one of the privileges of my life has been living in New York and California, where you take certain things for granted and people’s ability to take the difference is something you rely on. But there is always someone. And I often wonder what the defense is, what people fight in themselves when they’re homophobic, when they’re racist. What are you afraid of? What do you think should happen now?

SOLOMON: I’m always shocked by the stories I hear, and at an earlier stage in my life my instinctive response was, “That’s not what they really meant, you must have misunderstood.” It seemed unlikely that people would be so outspoken and outright homophobic or racist. Once a beloved friend sat me down and said, “You have to stop telling me when I tell you that I was a victim of racism, that it wasn’t really racism or that it wasn’t that bad or that serious. And she is right. One of the things your piece does so powerfully is recount that experience to the point where it becomes absorbable and complete. Because I think for well-meaning liberals who are raised to be color blind, it’s often hard to come to terms with the black experience. I don’t think just because white people understand the black experience doesn’t mean the black experience will improve as a direct and immediate result. But it seems like a step in that direction. In your play, are you writing for the typical white male to undergo a transformation? Are you writing for people who will identify with the narrator?

RANKINE: I am often asked this question: who is the target audience? I’m being honest when I say I don’t have a target audience. When I started working on Citizen, it was like doing a math problem. Can you put something on paper that lasts a second or ten seconds? Can you capture it in language so it’s visible? This was the mission. And it took me years to listen to stories, to understand what word can fall historically. I didn’t think an Asian girl could read this and think, “This is how I’m treated.” Or a black woman might read this and think, “This happened to me,” or a white person might read this and think, “I did that.” I thought, “How are you? Can you do this?”

SOLOMON: You can.

RANKINE: Turns out the language can. The tongue can contain it.

SOLOMON: I have close friends who are an interracial couple. And I went to interview them about their experience for the book I’m working on, knowing them for years. They really wanted to talk about it. Stephanie said: “I said to Doug, when he said he wanted to marry me, ‘You’re going to give away social capital if you do that.’ And Doug didn’t seem to really understand what I was talking about, and I said, “Just make sure you’re ready for what you give up doing this.” Doug seems to have a lot of social capital and Stephanie is fabulous and the two have a great marriage and beautiful kids and everything. Did you have any idea of ​​that when you got married?

RANKINE: I did, because when I was in college, I dated a guy whose parents very aggressively disapproved of the union. We had gotten to the point where we were engaged and the mom did an interesting thing where she threw an engagement party and then locked herself in the bedroom after fixing everything.


RANKINE: And then another moment she said to me, “If you really loved my son, you wouldn’t marry him and you’re going to devastate your children’s lives.” I mean, she was engaged. I didn’t marry him, but not for those reasons. It just wasn’t the right time. But by the time I married John, I had obviously encountered resistance to this kind of union and his family helped in their own way to make the marriage possible because of their ability to treat people as people.

SALOMON: What are you writing now?

RANKINE: I’m working on a movie. But honestly, it was hard to write anything after January 6 of last year.

SOLOMON: I think for many of us, January 6 was the moment when we realized that things weren’t necessarily going to get better. They could only get worse. I remember a telling moment in Afghanistan when I was reporting in Kabul, someone showed me a photo album from the 1960s of women wearing miniskirts. We tend to think of the burqa as a primitive garment. But it was introduced there after the transition to liberalism. And I still feel like something similar could happen here.

RANKINE: Yes, it is possible. But on the writing side, I expect something. I do not know what it is. It can be good or bad. It could create an avenue of possibility in terms of a line of inquiry, in terms of my own thinking and writing – or it could be a cry for help. I do not know.

SOLOMON: To help, the title of your piece, is it a must? A description? Advocacy ?

RANKINE: It’s all of those things.


Hair by Arima skin using Oribe at host agency

Makeup by Tracy Alfajora

Manufactured by Perris Rider at The Morrison Group

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Writer market

Wall Street losses rise amid simmering Ukraine crisis

In this photo provided by the New York Stock Exchange, pundit Stephen Naughton works at his post on the trading floor, Tuesday, Feb. 22, 2022. Stocks swung between small gains and losses in morning trading on Wall Street on Tuesday as that tensions escalated in Ukraine during Russia's decision to send forces to the eastern regions of that country.  (Allie Joseph/NYSE via AP)

In this photo provided by the New York Stock Exchange, pundit Stephen Naughton works at his post on the trading floor, Tuesday, Feb. 22, 2022. Stocks swung between small gains and losses in morning trading on Wall Street on Tuesday as that tensions escalated in Ukraine during Russia’s decision to send forces to the eastern regions of that country. (Allie Joseph/NYSE via AP)


Wall Street losses rose on Wednesday as world leaders waited to see if Russian President Vladimir Putin ordered troops deeper into Ukraine.

The S&P 500 fell 1.8% to an 8-month low, deepening the benchmark’s “correction” to a 10% loss from its recent high. More than 85% of S&P 500 stocks fell as technology companies weighed on the market. index the most.

The tech-heavy Nasdaq fell 2.6%, dragged down by steep losses from Apple and Microsoft. The Dow Jones Industrial Average fell 1.4%.

US Treasury yields rose slightly, as did gold prices.

Wall Street has been watching developments in Ukraine closely, where Russia has been amassing troops for a potential new invasion. Russia has started to evacuate its embassy in Kyiv. He has already sent soldiers to the eastern regions of Ukraine after recognizing the independence of some rebel-held areas.

The United States and Western countries responded with sanctions, and Germany withdrew a document needed to certify Russia’s Nord Stream 2 gas pipeline.

Energy prices have been volatile – Russia is the world’s largest natural gas producer and the third largest oil producer and a military conflict could threaten supplies.

Geopolitical tensions added to investor concerns about rising interest rates. The Federal Reserve is expected to raise interest rates at its next policy meeting in March. In anticipation of higher rates, investors had pulled money out of growth sectors such as technology stocks. The Russian-Ukrainian crisis has exacerbated this tendency to abandon riskier assets.

The latest losses added to Tuesday’s slump and the S&P 500’s slide toward a correction. The index saw its last correction in the spring of 2020, as the pandemic upended the global economy. That correction deepened into a bear market — a decline of 20% or more — as the S&P 500 fell nearly 34% in about a month.

“We are clearly, solidly in corrective territory at this point,” said Randy Frederick, vice president of trading and derivatives at Charles Schwab. “We need some kind of positive news, and there really isn’t much right now.”

The S&P 500 fell 79.26 points to 4,225.50. It is now 11.9% lower than the record level reached on January 3. Shares of some of the largest companies in the index have been hammered by the market slump since the start of the year. Meta, the parent company of Facebook, is down 41.4%, Tesla is down 36.3% and Microsoft is down 16.3%, while Alphabet, the parent company of Apple and Google, is down 12.9%.

Tech stocks led Wednesday’s wide losses. Microsoft and Apple fell 2.6%. The sector has an outsized influence on the S&P 500 due to high valuations of Big Tech companies.

The Dow Jones lost 464.85 points to 33,131.76, while the Nasdaq slipped 344.03 points to 13,037.49. The index is now 18.8% below its peak in November 2021.

Small company stocks also lost ground. The Russell 2000 Index fell 36.08 points, or 1.8%, to 1,944.09.

Retailers and other businesses that rely on direct consumer spending also weighed on the market. Amazon fell 3.6% and Starbucks 3.7%.

US crude oil prices remained volatile, slipping 0.3%, although energy stocks gained ground. Chevron rose 2.4%.

Bond yields rose slightly. The 10-year Treasury yield rose from 1.95% to 1.98% on Tuesday evening.

Wall Street also looks at how companies are handling supply chain issues and higher costs in their latest series of corporate bulletins.

Lowe’s rose 0.2% after raising its profit forecast for the year following a strong financial report in the fourth quarter. Security software maker Palo Alto Networks rose 0.4% after raising its profit forecast on strong cybersecurity demand.

TJX, the parent company of TJ Maxx and Marshalls, fell 4.2% after reporting disappointing fourth-quarter financial results.


Veiga reported from Los Angeles.

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Fiction publisher

Reviews | Sheila Heti: “Not enough brains to distribute among us humans”

A newspaper in
Alphabetical order

A little over 10 years ago, I started looking back at the journals I had kept over the previous decade. I wondered if I had changed. So I loaded the 500,000 words from my journals into Excel to sort the sentences alphabetically. Maybe that would help me identify patterns and repetitions. How many times had I written “I hate him”, for example? With the sentences detached from the narrative, I began to see the self in a new way: as something quite solid, anchored by surprisingly few characteristic concerns. As I came back to the project over the years, it became something more romantic. I blurred the characters and cut thousands of sentences, to introduce rhythm and beauty. When the Times asked me for a work of fiction that could be serialized, I thought of these newspapers: Surely the relationship of self to self is great fiction, and what more fundamental mode of serialization than the alphabet? After some editing, here is the result.
This is part 6 of a 10 part series. Sign up to receive it in your inbox.

Naturally, it looks and feels like all the cards have been tossed, but I’m better now than I was a week ago. Ness lay down on her bed and fell asleep. Ness was gorgeous – her skin was so incredibly clear. Ness pointed out that my shirt was still a bit unbuttoned. Ness said she wasn’t thinking about boobs. Ness said she would only read a St. Petersburg story if I killed myself at the end. Ness thinks my desire for beauty is like someone else’s desire for money. Ness was caressing me and I had my white tank top on. New sheets for the bed. New York, I think, made me depressed. Next week I will get a gym membership. Next year is going to be great, I hope. Long after we were done lying there, holding him, but at some point it became too much, and that’s when I had to leave. Nine years later, almost the exact same thing. No email checking on Sundays. No cigarettes this year. It is useless to fantasize, to delude yourself that he wants you when he does not. There is no point in knowing anything in advance. No grandmother. Person. No matter how nice or interesting these people are, it’s not worth it. No money. More mysticism — or not as much. No more publishing in textbooks. No more doubt. No more stupid homework. Do not worry anymore. No one at this point in history knows how to live, so we read biographies and memoirs, hoping for clues. Nobody sees, nobody applauds. No phone, no internet. No union is without its empty spaces. None of his work required him. None of this provokes the slightest wave of emotion in me. None of this is very interesting to read, and I know it won’t be interesting for me to read it later.

Nora gave me a piece of pink jewelry to remind me of the pink shoes I didn’t buy. Not a very literary editor. Not boys, ideas, writing or being super cute. Don’t buy expensive gifts for people. Not casual, pose. Not decadent, narcissistic, meaningless, worthless. Do not drink alcohol or coffee or even black tea. Not enough brains to distribute among us humans. Not enough girls in my week. Not enough time to walk, be alone and think. Not everyone needs a home with other people. Not everyone needs a spouse and children. Not everyone does it, but that’s part of the reason for its success. Do not smoke cigarettes. Don’t spend money. Do not keep in touch by phone – only by postcards or letters. Neither filmmakers, nor fashion designers, nor chefs. Not physicists. Don’t waste a life. Do not be afraid to marry or marry. Do not live according to images but according to time. Do not live according to history but according to feelings. Not reaching out to her out of love when I want to be reassured is not the same thing. That’s not to say you should live a life as a monk without a partner or other humans, but remember what you’re actually married to and marry like in your girlish fantasies you imagined you’d marry a man. No more talking to Rosa about my romances – she’s too influential, the things she tells me. Stop using the book as an excuse for anything, because there will always be a book. No more worrying about sentences or numbers. Don’t worry about opportunity. Don’t worry too much about things. Not wanting painful feelings. Not wanting to fill that void with him. Dumb boys aren’t fun to be around. Note for the future. Nothing can damage the writing. Nothing other people do is because of you. Nothing really happened this month. Now, all of a sudden, I want Pavel. Now all the men I loved the most are lost to me, and all the lesser men too. Now he’s gone and I feel better. Now he sees someone else now. Now I drink tea. Now I feel bad. Now that I’m tired, I’ll write another story and go to bed. Now I don’t live honestly anymore. Now I am reading fiction again. Now I’m reading “Lady Chatterley’s Lover.” Now I think about my book and how everything was on track until Pavel said the other night, “Maybe if it contained some emotion, your 700-page book could makes it worth reading.” Now I come to the part of the night I don’t want to write about, because I started getting drunk and woke up this morning with shame and regret. Now I want to cry. Now I feel pretty calm; if only i could put a system in place to not waste money. Now I have Dave Hickey’s agent. I now know what to do with my book. Now I think I finally understand trust: you can’t have real trust with a person if you show them a mask. Now I want to cry even more. Now I’m back to this? Now I am crying and feeling very hurt, angry, upset and neglected. Now it’s later in the summer. It is now 1am. Now it’s climbing, and later it will be grazing. Now is a story of a girl who searches for herself, gives up art in the meantime, tries to find ways to live that look like art but aren’t art, can’t find the answer for how to make art that isn’t art while at home, so goes and travels the world trying to figure it out, but nothing happens there either; her mother calls her home to help her clean up her childhood things from the basement, the daughter comes back, is broke, starts working in a hair salon when she meets a hairdresser who is so awesome for she — is a model of professionalism and mastery — and she realizes that’s what she wants to be, a master of her craft, so she leaves the salon and returns to the art knowing where, how and in which direction to go. Now my feet are going numb and my legs are weak. Now my whole body is cold, very cold. Now that the book is finished, I can engage with it, I think. Now that the book is finished, I don’t need to panic anymore. Now the next 12 years begin. Now the sky is the color of computers.

Sheila Heti is the author of 10 books, including the novels “Motherhood”, “How Should a Person Be?” and the next “Pure Colour”. This is part 6 of a 10 part series. Sign up to receive it in your inbox.

Photographs by Yaël Malka.

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Book creator

Marc Brown on Arthur’s Ending and His Favorite Fan Theories

From the minute Marc Brown meets you, he’s sizing you up. Just maybe not in the usual way.

“People remind me of animals,” said Brown, the 75-year-old creator of the illustrated character Arthur Read, the 8-year-old spectacled aardvark who, since the release of the book ‘Arthur’s Nose’ in 1976, has been helping children navigate in the world around them. “When the kid I’m talking to is reading a book and all the characters are animals, they don’t care what color their skin is. They’re immediately drawn to the character they identify with and feel an affinity .

For more than 25 years, Brown and a team at WGBH, Boston’s PBS affiliate, have produced the animated adaptation series “Arthur,” in which the aardvark, his friends, and a lineup of animal guest stars tackle tough subjects. such as bullying, divorce and disability. . The series, which has won praise from children and parents for its candor in portraying difficult situations – as well as seven Emmy Awards and the distinction of the longest-running animated children’s series on American television – will air its last new episodes this week. (All four will air Monday afternoon and stream for free on PBS Kids.)

“One of the reasons I love ‘Arthur’ is because of the imperfections in our characters,” said Carol Greenwald, who created the series with Brown and is now an executive producer. “It’s important to show the kids that you can really mess up and that it’s not the end of the world. You can learn from your mistakes and become a better person again.

Both Brown and Greenwald said the idea from the start was for the series to not only reflect issues relevant to children, but also present a world in which they could see themselves. When they started, Greenwald said, the WGBH team sent people with cameras to capture neighborhoods around Boston to help the animators diversify the homes in Arthur’s world.

“Arthur lived in a nice little house with a picket fence,” she said, “but we wanted to diversify the world enough that kids who lived in apartment buildings or in smaller, low-income neighborhoods would have feel part of this story.

And Elwood City, Arthur’s fictional home, felt like home to many viewers, not just in Boston but around the world. So when one of the show’s writers revealed in July that the show had wrapped production – and when PBS later announced that the show’s final episodes would air this winter, the backlash, at least on the networks social, was a collective fist (a riff on a popular Arthur meme).

But for fans who’ve been with Arthur through more than 250 episodes, there’s some consolation: the characters will live on in a new Arthur podcast, games and digital shorts, (reruns of “Arthur” will continue to to air on PBS Kids for the foreseeable future.) And the series’ final episode will unfold to give viewers a taste of what Arthur and his friends are up to.

“There are definitely surprises,” Greenwald said.

On a recent video call from his sunny West Village living room, Brown was outspoken, playful and mischievous. His clothes and furniture were neatly arranged, his white hair neatly combed – it wasn’t hard to see where Arthur, a fan of polo shirts and v-neck sweaters, was getting his sartorial cues. Brown, who is still an executive producer on the show, reflected on his longevity and why now was a good time to end it, and he talked about some of his new projects, including the long-gestating film Arthur which has recently gained new momentum. . (He also set the record straight on a few fan theories.) These are edited excerpts from the conversation.

Congratulations on 25 years! Did you ever think you would have this conversation when the first episode premiered in October 1996?

Not in my wildest dreams. I thought it would last two years – if I was lucky.

Many writers help create a show and then step back. Why are you still so intensely involved after 25 years?

I still have the same feeling as when PBS came to me and wanted to put Arthur on TV. I had invested 15 years before in the characters, and I received a lot of letters from children. It was like a small family and I wanted the characters to be true to my vision. And so I was a guard in the corner that way.

So many stories are inspired by real-life experiences you had when your kids — Tolon, Tucker, and Eliza — were little. Now that they are adults, is it more difficult to come up with new ideas?

So many episodes stem from the experiences of our editorial staff – and they turn out to be always useful and relevant for kids! There are episodes, like the one on head lice, that every time we air them, because it’s still a recurring problem for a lot of kids, it gets a lot of positive feedback.

Why end it now, then?

Technology has changed over the past 25 years, and kids are now watching stories on their iPhones, listening to podcasts, playing games on their devices — they get information in so many other ways. We look for ways to try new things.

Were you surprised by the reaction?

It was wonderful to see the response. I still get many messages on my Instagram page: “Is Arthur really finished?” I love seeing the reactions of these young adults who grew up with Arthur, the fact that these characters are still fresh in their minds. It’s great that it touched so many people so deeply that they want it to continue.

In the first book,Arthur’s nose“, Arthur looked like an aardvark with a long snout, not a mouse with glasses. What happened?

The second book, “Arthur’s Eyes”, came from when my son Tolon was getting glasses. He came home and said, “Dad, I thought all my friends were prettier.” You can’t make this up! So of course Arthur also had glasses. As the series progressed, I got to know him better, and he became kinder and more human – and his nose got shorter. It was not intentional!

Have you ever met an aardvark?

[Laughs.] I’ve never encountered any aardvarks, although I think there may be one living in an apartment across the street.

The series is notable for its diverse characters, including those with blindness, dyslexia, autism, and dementia. How did you ensure that these representations were accurate?

We work with a series of experts for each episode, like the one we did on Arthur’s grandfather, Dave, who was battling Alzheimer’s disease and can’t remember Arthur’s name. Things like this are so important, and so many families struggle with this. We heard of a father who watched the autism show and found out through the show that his son had autism and wrote to thank us. The show has helped parents understand their children. Matt Damon’s mother happens to be one of our wonderful experts who has helped us with many episodes. That’s how we got Matt Damon as a guest star. The poor guy didn’t know what hit him!

The show hit the headlines in 2019 when he revealed that Mr. Ratburn, Arthur’s teacher, is gay. The episode also showed her marriage to a man. Did you have any concerns about how people would react?

We want to represent the world around us. ‘t about his sexual orientation. It was about the fact that their teacher, whom they love, found a partner he loved, and they were happy for him.

When the New York Times spoke to you in 1996 – shortly after the first episodes aired – you received 100,000 letters a year from children. How much fan mail do you get these days?

I get letters asking for Francine’s phone number – well, Francine [a monkey character on the show] doesn’t have a phone number! Years ago I was really stupid: in the book “Arthur’s Thanksgiving” I put our home phone number in a little illustration of a bulletin board that said “Call Arthur at 749-7978” . Every Thanksgiving, the phone started ringing and ringing and ringing. My wife, Laurie, had the best response. You would hear a small voice say, “Hello? Is Arthur there? And she said, “No, he’s in the library.” This was when we lived outside of Boston; it lasted a few years!

What’s next for you?

For three years now, I’ve been working on a new preschool animated show called “Hop.” It is a small frog, and one of its legs is a little shorter than the other. It’s a show about the power of friendship, solving problems together, and kindness.

And my dream of an Arthur feature film, which I decided would never come true, might actually come true in a way that I could be proud of. When this idea was born 15 years ago, I spent way too much time in Los Angeles talking to people that didn’t make much sense – in my mind. But now I think I’ve found the right people.

Can we take a quick tour? There are several fan theories that I would like you to confirm or deny.


Let’s start with the most plausible: Arthur lives in Pennsylvania.

Well, I grew up in Erie, Pennsylvania. Lakewood Elementary School was where I went to elementary school. I can still see my third grade class and all my friends, many of whom have become characters in Arthur’s world. But I also lived in Massachusetts for many years, and used a lot of elements from there – the movie theater in “Arthur’s Valentine” was the theater down the street from where we lived. When Carol and I were trying to come up with a name for Arthur’s hometown, she suggested Elwood City, which is also in Pennsylvania, near where she lived as a child. That’s how it went, guys!

Arthur is getting married.

I’m not telling you! You will have to log in and find out.

arthur takes place in a multiverse.

No? [Laughs.]

Arthur is a reality television series directed by Matt Damon.

I hadn’t heard that one. It’s interesting.

The whole show is played by aliens.

Well, we did something similar a few years ago with Buster and his fascination with aliens, so…

It’s not a no?

I couldn’t be happier to inspire people’s imaginations. This is a good thing!

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Reading and writing

Bettendorf’s mother writes a children’s book encouraging peaceful dreams for children

BETTENDORF, Iowa (KWQC) — What started as a lullaby to comfort a little boy before bedtime is now a published book and a learning experience for children everywhere.

Nyilah Sulaimana of Bettendorf has written several manuscripts over the years.

But that was four years ago when her son, Mason, inspired her to write “Mason and Milo: A Journey Through the Stars.” It was a mother and son team effort, for a good cause.

“Sweet Dreams” is a lullaby Sulaimana wrote for her then five-year-old son, Mason, when he wasn’t having sweet dreams.

“After I wrote this lullaby, I would sing it to him and he liked it, I liked it, and I thought maybe I could develop those ideas into a lullaby and write a book,” Sulaimana said.

That’s when ‘Mason and Milo: A Journey Through the Stars’ was born, all with the aim of encouraging peaceful dreams and helping to build children’s confidence.

In the book, Mason ends his day by reading a story about the planets.

After reading, he says a prayer with his mother, asking for better dreams.

With a magic mask, Mason and his favorite teddy bear, Milo, travel through the solar system discovering all the planets.

“They ride a train on Mercury, blow bubbles on Saturn, and learn fun facts about each planet.”

The audiobook is narrated by the main character himself, Sulaimana’s 8-year-old son, Mason.

He is also the voice of his favorite teddy bear, Milo.

“It’s my voice Milo.” “I’m glad my mom thought of me like that, and like she did all of this for me,” Mason Gabel said.

Sulaimana has a Startup program in progress, where you can pre-order a box set that includes a hardcover book, a “magic” eye mask, an audiobook with sound effects, and the “sweet dreams” lullaby.

After writing the book, Sulaimana wondered who needed this book the most?

“Immediately, I thought it was the kids in the hospital who are battling different illnesses and having trouble sleeping. They’re not in the comfort of their own home, so I really wanted to see if there was anything I could do to make their visit a little better,” Sulaimana said.

Nyilah and Mason will donate 50 sets of “Mason and Milo” to patients at the University of Iowa Stead Family Children’s Hospital in Iowa City.

“I hope it helps them to have good dreams and I hope, for example, that the children in the hospital will recover,” Gabel said.

Sulaimana dreams of getting the book to every hospitalized child in the world.

“It’s my mission, it’s what I really want but I know it’s a lot (laughs). So I start here at home. I’m thrilled about that, Iowa,” Sulaimana said.

Click here to pre-order Mason and Milo: A Journey Through the Stars

Copyright 2022 KWQC. All rights reserved.

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Writer market

Tarantino’s Pulp Fiction NFTs Need A Syringe Full Of Adrenaline

For over a week, I’ve been trying to find Guy Zyskind, the Israeli founder and CEO of SCRT Labs. It’s the developer of the Secret Network, the NFT exchange behind the much-discussed pulp Fiction scenario tokens that Quentin Tarantino expected to sell for millions of dollars. I have many questions for Zyskind now that the whole company seems to be as dead as Vincent Vega in the black suit.

As I wrote in November, Miramax has hired a team of six litigants to sue Tarantino over the NFT plan, claiming the studio, not the film’s writer-director, has “broad rights” to offer tokens. story-based collectibles. In response, Tarantino’s team argued that his original deal maintained his right to “publish” his script, which now allows him to “publish” NFTs on the blockchain. If this subject freezes your eyes, it shouldn’t be; just about every studio in Hollywood is trying to figure out their NFT strategy, and ownership of the rights is key. A lot of money is at stake.

Either way, Secret Network made the first of seven planned Tarantino NFT sales in January, winning what it trumpeted as a $1.1 million prize from an anonymous buyer for the famous Samuel L. JacksonJohn Travolta “Cheese Royale”. Zyskind released a triumphant press release saying the sale “represents a monumental moment for our community, Quentin and the Secret Network.” And then… everything was abruptly abandoned.

Yes, four days after his monumental moment, Secret Labs postponed future Tarantino sales indefinitely, citing “extreme market volatility,” which felt like a total BS, even though the crypto market at been on a roller coaster for the past few weeks. Then on Friday, the @TarantinoNFTs Twitter account announced that it would be “changing direction” to a new NFT plan, and that “this channel’s business will now be 100% dedicated to this new venture.” So, do pulp Fiction plan definitely dead? Or is he revived with a shot of adrenaline like Marcellus Wallace’s wife?

Tarantino’s rep tells me the plan is to continue NFT sales when the time is right, but neither Zyskind nor his company responded to my request for an explanation of when. And it all sounds fishy. Demand may have been low, despite all that media attention. Or maybe a technical problem has occurred. Some of the art used to promote this first NFT turned out to be copyrighted by an illustrator, which forced Secret Network to take it down, but I doubt that derailed the whole business. So what’s going on?

Miramax CEO invoice block, while stopping short of declaring victory, certainly believes his legal request created a cloud of uncertainty that negatively impacted the auction. After all, who wants an NFT whose ownership is disputed by a movie studio backed by Paramount Global (formerly ViacomCBS) and a Qatari media company? Secret Network isn’t a night theft operation, but it’s also not one of the major NFT exchanges, and that’s probably saying something that neither OpenSea nor Rarible, both of which require sellers to meet certain terms and conditions, ended up hosting the pulp Fiction to sell.

Then there’s the veracity of that $1.1 million award for “Royale with Cheese.” The winning bidder, “AnonsNFT”, defines itself as the “1st @SecretNetwork PFP Collection”, leading some members of this community to suggest that it is either related to Secret Network or a front for Zyskind to generate a stunning initial price to establish a lucrative market. This is apparently a common pattern in the NFT world. I don’t know if that’s the case, but Miramax, at least, thinks it could have happened.

A source close to Tarantino said the QT team believes the plan is to relaunch NFTs as a lower priced effort. I’m certainly no NFT expert, but apparently there’s a raging debate in this world about whether these tokens should be the province of the very rich, who can afford to shell out $1 million each for trophies like their own Quentin Tarantino scene, or more populist collectibles sold in groups of, say, 5,000 or 10,000 copies, like an artist’s limited-edition prints. the pulp Fiction NFTs can pivot to this latter path, whether out of purpose or necessity, which may explain why the @TarantinoNFTs account tweeted on Friday: “…we have decided to change direction so that every member of the community has the opportunity to be part of this journey.

Given the media brouhaha and the still pending Miramax litigation, it would be amusing if the pulp Fiction the auction ends up looking like just a virtual fan convention, with Zyskind allowing thousands of QT followers to line up for what is essentially their own digital autograph. The account said the new plan will be announced tomorrow.

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Fiction publisher

The Bookseller – Rights – Serpent’s Tail Goes to War for Lish’s ‘Exquisite’ Novel

The snake’s tail leapt out The War for Gloriathe “exquisite” work of literary fiction by award-winning novelist and former U.S. Marine Atticus Lish.

Editor Luke Brown has bought the UK and Commonwealth rights to Karolina Sutton at Curtis Brown and US agent Amanda Urban at ICM Partners. Serpent’s Tail will release the novel in hardback, e-book, and paperback for export trade on May 26, 2022.

Lish described the novel in the Paris review as “autobiographical, albeit in disguise”. It follows Corey Goltz, a teenager growing up in working-class Boston and the only child of Gloria, whose ambitions were derailed early on but who always gave her son everything she could. A restless Corey dreams of leaving home for a big adventure.

“Instead, when he was 15, the world collapsed on him, when Gloria was diagnosed with amyotrophic lateral sclerosis (ALS) and, too late, her estranged father, Leonard – a man of great charisma but questionable moral character – re-enters the picture,” the synopsis explains. “Determined to be his mother’s hero at all costs, Corey begins to take responsibility for her expensive medical care, pushing her physical and emotional limits as her illness cruelly progresses. And as Leonard’s influence on Corey grows up, Corey must dismantle the myth of his my father’s genius and confront the evil that lurks beneath.”

The editor said: “Gritty, visceral and deeply moving, The War for Gloria tells the story of a young man, straddling childhood and adulthood, whose desire to protect his mother forces him to risk destroying his father. An indelible work of astonishingly original voice in American fiction.”

Lish’s first novel, Preparation for the next life (Oneworld), won the PEN/Faulkner Award for Fiction, the New York City Book Award and the Grand Prize for American Literature. The War for Gloriahis second novel, is inspired by the author’s own experience caring for his mother when she was diagnosed with ALS, a progressive disease of the nervous system that causes loss of muscle control, when he was 15 years old.

Brown said: “It is exquisite, propulsive and heartbreaking American literary fiction about a boy’s relationship with his dying mother and embittered father. It is about the pain of love and the difficulty of finding a different shape for our life than the one we inherited from our parents. [This] confirms Atticus Lish as one of the greatest novelists in the English language.”

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Book creator

Webtoon Readers Beg The Cartoonist To Tell Them Another Scary Story

″Tell me a scary story!″ [NAVER WEBTOON]

In Korea, before webtoons started dominating smartphone screens, kids were obsessed with comics. Some of the most popular comic series have also served educational purposes, such as teaching Hanja (Chinese characters), or even survival tips for the outdoors.

Children would pile entire series on their shelves, for example the series of children’s comic books on Greek and Roman mythology, which were bestsellers in the early 2000s. Readers found the stories so entertaining when they were children that they were inspired to take mythology-related classes later in college.

A caricature of cartoonist Lee Dong-kyu, the creator of 12 of the books

A cartoon by cartoonist Lee Dong-kyu, the creator of 12 of the “Tell Me a Creepy Story!” books. [LEE DONG-KYU]

The program “Tell me a scary story!” series was particularly popular. The series consisted of 16 books, featuring spooky ghost-centric short stories. Twelve of the books were written and illustrated by 59-year-old cartoonist Lee Dong-kyu, under the pen name Lee Ku-seong, from 2002 to 2003.

At the time, they filled the majority of the best-selling shelves in the children’s book section of Kyobo Bookstore branches, and at school, the stories were talked about.

The series is no longer available for purchase as it went out of print years ago. However, in August last year, “Tell me a scary story!” returned to Naver Webtoon. Fans of the series, who were in grade school at the height of comics, are once again in favor of its revival, now in adulthood.

Lee sat down for an interview with Korea JoongAng Daily at his studio in central Seoul’s Jung District on Feb. 14.

Lee debuted in 1987 after winning a local competition for beginner cartoonists, but he said even to this day he has to tell everyone that he is the creator of “Tell Me a Creepy Story!” for people to recognize it.

“If I introduce myself as cartoonist Lee Dong-kyu, no one knows who I am,” Lee joked.

Lee drew over a hundred scary short stories that kept kids up at night. With a new book of about 200 pages coming out almost every month, one wonders where he got his inspiration.

Two female spirits haunt the mountains in the episode

Two female spirits haunt the mountains in the episode “Beauty in the Mountains”, where some merchants get into trouble after encountering them. [NAVER WEBTOON]

“[In the early 2000s] there were a lot of horror specials on TV, where celebrities would light candles and tell each other scary stories,” Lee explained. “At the time, copyright issues weren’t really taken seriously, so I got a lot of ideas from those shows, as well as online blog posts. If I thought a specific pattern would work, I’d create something out of it, and maybe even mix a few together.

After Lee finished writing the 12th book in the series, he took a long break from creating new comics and mainly taught at universities. Lee says it was thanks to his fans that he was able to bring the show back.

“I updated some stuff on my blog [on Naver] for at least 10 years,” Lee said. “More than 90,000 people visited my blog, then the JoongAng Ilbo published an article [on its Naver channel] titled “5 Comics That Bring Back Memories to Those Born in the 90s”. “Tell me a scary story!” was ranked #1.”

After JoongAng Ilbo’s article was published in March 2019, fans began flooding Lee’s blog and contacted him asking him to bring the series back as a webtoon, as the books were no longer in print. Lee was amazed at how, even after all these years, people still remembered his comics.

Lee’s blog has had nearly 220,000 hits as of February 21.

In this photo taken in 2002, children flocked to bookstores to read their favorite comics -

In this photo taken in 2002, children flocked to bookstores to read their favorite comic books – ‘Tell me a scary story!’ was part of it. [JOONGANG PHOTO]

“A fan told me he couldn’t read my comics when he was little because his mom wouldn’t buy them,” Lee said. “So they begged me to serialize it in a webtoon so they could finally read it since they’re adults now.”

The original plan was to upload just five episodes chosen “to see how readers would react”, but the comic-turned-webtoon blew up instantly.

After unveiling its first episode on August 24 last year, the series has risen to number one on Naver Webtoon’s trending webtoon list. All current episodes have ratings in the range of nine points.

One of the top comments on the first episode, with over 62,000 likes, reads “Wow, I feel like I just saw my best friend at a meeting.” Another, with over 15,000 likes, said “I’m 28 and still so scared [to read this] which I had to scroll slowly.

With the webtoon gaining attention, Naver Webtoon announced in the third episode that another 10 episodes would be released.

In each episode, fans are eager to point out in the comments what’s changed in the new version, with some comparing differences in artwork or plot.

“I had a really busy schedule when I was writing the books, and there were limits to what I could fit on the pages. So I always thought the books could have been better if I had more time,” Lee said. “The webtoon versions got a lot longer because I added more detail into the stories.”

For example, the protagonists in the original comics were children, but in the webtoon, recurring characters Kyung-hee and Seong-hye are portrayed as adults. They were named after two of Lee’s close friends in college.

In the episode

In the episode “Elevator”, two doctors ride a haunted elevator filled with vindictive spirits after working night shifts at a hospital. [NAVER WEBTOON]

One episode, titled “Elevator”, is about two doctors who work night shifts at a hospital and end up riding in a haunted elevator filled with vindictive spirits. In the original story, that was pretty much all there was to the story, but Lee added more details to the webtoon, such as a conversation between doctors about the difficulties of working in the medical field. The webtoon story is also set on Ghost Day, the 15th day of the seventh month of the lunar calendar, which according to Chinese culture is when ghosts visit the living.

Lee said he mostly received positive feedback from fans for his longer, more descriptive stories. However, in some parts that Lee edited, such as changing the illustrations from flip phones to smartphones to fit the current context, some fans expressed disapproval.

“I never thought it would become a problem, but some readers apparently want flip phones to stay exactly as they were in the early 2000s,” Lee said. “Since the books are a memento from their primary school years, I guess they don’t want the story to ‘grow up’ too, but just stay as it is. So now I try to maintain the setting in 2005,” laughed Lee.

The beauty of “Tell me a scary story!” was the way the illustrations and plot suited children, while still creating a weirdness, as intended. The designs are not as graphic as one would expect for the horror genre and deemed appropriate for children.

“The problem with these stories is that there are no explicit scenes,” Lee explained. “It’s all about the atmosphere and the fear that a ghost might appear. There are no scenes where someone gets attacked by a ghost and dies after being shredded.

The famous episode

The famous episode “The Red Mask” tells the story of a slit-mouthed woman who covers her face with a red mask. She walks around asking everyone if she’s pretty, but kills you despite your answer. In this scene, the woman asks, “Everyone says I’m pretty” and “Am I really that pretty?” [NAVER WEBTOON]

The character of the woman with the slit mouth who asks:

The character of the woman with the slit mouth who asks: “Am I still pretty?” after removing his red mask. [NAVER WEBTOON]

One of the most famous stories from Lee’s books “The Red Mask” is an adaptation of the Japanese urban legend “Kuchisake-onna,” which translates to “slit-mouthed woman.” It tells the story of a woman who covers her face with a red mask to hide her mouth, which is split from ear to ear. When meeting the woman, she will ask you if she is pretty but will kill you no matter what you answer. Some of the ways to get rid of her are to give her cinnamon candy or write the hanja for “dog” on the palm of your hand.

“In my stories, the ghosts are pretty much everywhere, including the bathroom and the elevator. That’s what made the kids afraid to go to those places alone,” Lee said. ‘The Red Mask’, the main character meets the ghost [the slit-mouthed woman] at a fork in a road, so the kids were actually scared to cross those places on their own. »

“I was afraid to walk through the alleys at night when I was little,” said Choi Min-seong, 24, who lives in Songpa district, south of Seoul. Choi was an avid reader of the series when he was younger. “I remember often writing the hanja for ‘dog’ on my hand.”

“I’ve heard many cases of kids being terrified of moving on to the next page, or even having to sleep next to their parents at night, causing their parents to throw away the comics,” said said Lee.

Lee plans to release more episodes of the original comics, in addition to new, never-before-seen episodes.

“I thought about my plans after ‘Tell me a scary story! “and I want to try to release new episodes,” Lee said. “But I’m going to have to get it through Naver first. Nothing is decided yet. »

The two recurring characters from the webtoon version are Kyung-hee, above, and Seong-hye, below. [LEE DONG-KYU]

The two recurring characters from the webtoon version are Kyung-hee, above, and Seong-hye, below. [LEE DONG-KYU]

Throughout the interview, Lee’s eyes shone with a certain thrill and anticipation. His once-completed series is now enjoying a new breath of life.

“I didn’t expect it to suddenly come back to such recognition after all these years,” Lee said. “I was satisfied that it remains a treasured memory among my readers. Now it’s an example for budding cartoonists that something like this is possible and can happen.

BY SHIN MIN-HEE [[email protected]]

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Reading and writing

Rory McIlroy blasts Phil Mickelson for using Saudi League as leverage against PGA Tour

Rory McIlroy took issue with Phil Mickelson’s comments and tactics against the PGA Tour on Sunday after his final round of the Genesis Invitational.

Rory McIlroy did not hold Phil Mickelson on Sunday, criticizing the Hall of Fame golfer for his scathing comments about the PGA Tour that were reported last week and how he admitted to using the proposed new league backed by Greg Norman to create a leverage effect against the Visitor.

Speaking after the final round of the Genesis Invitational, McIlroy – who at the start of 2020 declared his intention to stay with the PGA Tour – said he was happy to see that Dustin Johnson and Bryson DeChambeau will continue to play on the PGA. Tower.

Next, he was asked what Mickelson said in a phone conversation with writer Alan Shipnuck.

“I don’t want to kick somebody while they’re down, obviously, but I thought they were naive, selfish, selfish, ignorant,” McIlroy told reporters. “A lot of words to describe this interaction he had with (writer Alan) Shipnuck. It was just very surprising and disappointing, sad. I’m sure he’s sitting at home rethinking his position and where it goes from here.


Mickelson was quoted by Shipnuck in a story that was published on the Fire Pit Collective website in which he acknowledged problems with the Saudi-backed league, but thought aligning himself with the Saudis was worth the risk if such an allegiance required the PGA Tour to make financial changes beneficial to him and others. The interview was conducted in November and was about a book Shipnuck is writing about Mickelson that will be published later this year.

“They managed to get by with manipulative, coercive and heavy-handed tactics, even though we players had no recourse,” Mickelson said. you have influence, he will not do what is right. And Saudi money finally gave us that leverage. I’m not even sure I want (the new league) to succeed, but the very idea allows us to get things done with the (PGA) Tour. ”

According to the story, Mickelson admitted that he and three other PGA Tour players would not identify paid attorneys to craft the new league’s operating plan.

McIlroy, a four-time major winner with 20 PGA Tour wins, said he thinks the Norman-led league is “dead in the water” because “that remains”.

Johnson and DeChambeau joined McIlroy and other top players such as Tiger Woods, Justin Thomas, Brooks Koepka, Jon Rahm and Jordan Spieth in saying they would support the PGA Tour.

“I would say don’t try to fix something that isn’t broken,” McIlroy said. “I don’t think the Tour and the system are broken. Are there things that could evolve and improve and maybe create better fan experiences for people watching at home or coming tournaments, different formats, stuff like that? Yeah, sure. There’s definitely room for all of that.”

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Writer market

Writer offers WR Brandin Cooks as business option for Cardinals

Getty Images

Brandin Cooks in action against the Bengals in 2020.

With all the angst surrounding Arizona Cardinals quarterback Kyler Murray, general manager Steve Keim should be thinking of ways to help the 24-year-old feel comfortable.

In the wide receiver department, the Cardinals will see Christian Kirk and AJ Green enter free agency on March 16. That leaves Murray with DeAndre Hopkins, Rondale Moore, Antoine Wesley and Andy Isabella as his top four wides for 2022.

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It’s not enough. The Cardinals will surely be looking at markets for Kirk and Green as well as other free agent receivers and even the NFL Draft.

But in the meantime, a writer has suggested a wide receiver in the commercial market that might be available.

The writer offers a “realistic business option”

There has been speculation that wide receivers could be trade targets for the Cardinals this offseason by Cards media.

USA Today Card Feed writer Alexander Sutton called Atlanta Falcons WR Calvin Ridley a “perfect and realistic option” for the Cardinals. PHNX Cardinals journalist Venerable Johnny think the The cards must be exchanged for Baltimore Ravens WR Hollywood Brown, who recently deleted Instagram from his team social media and was Murray’s teammate at Oklahoma.

NFL Network Insider Mike Garafolo said on January 15 that “a fresh start could be in the cards” for Ridley, and that “league teams believe he will be available at some point”. But Ridley will have suitors with more draft ammunition, and the Cardinals surpass the $813,300 cap heading into the 2022 offseason according to As for Brown, the Ravens have shown no sign of wanting to trade the former first-round pick.

Writer USA Today’s Cards Wire chuck harris responded to a tweet from PHNX Cardinals asking if the Cardinals should reunite Murray and Brown by saying:

“A more realistic trade option, esp. if the Texans continue their rebuild, that would be WR Brandin Cooks. There were rumors last season about Cooks just before the trade deadline. The Cooks are 1 year on the current contract (+ 2 years cancellable) and would not cost a 1st (prob. a 2nd and late).

There was interest in the cooks ahead of the 2021 trade deadline. But ESPN’s Dan Graziano said in October he didn’t “get it” the Texans were willing to trade cooks. Cooks finished the year catching a career-high 90 passes for 1,037 yards and six touchdowns.

Still, the former Saints’ first-round pick is aware of the move as he’s been traded three times in his career. Although Cooks didn’t reach a Pro Bowl in his eight-year career, he eclipsed 1,000 yards in six of them. He also appeared twice in the Super Bowl, once with the New England Patriots and once with the Los Angeles Rams.

Cooks was traded from the Rams to the Texans and was the attempted solution, not the problem for a team that has been 8-25 the past two seasons. According to Pro Football Focus, Cooks’ 77.4 offensive rating in 2021 placed him 25th among all receivers.

The veteran receiver is entering the final year of his contract, which is worth $12.5 million in base salary. It would make sense for the Texans to trade cooks in 2022 for a capital project knowing they are in a rebuilding situation.

A question that remains

Cooks would be a great choice for the Cardinals as the team will be looking for an outside threat in 2022. While Green was productive, the team could try to find a younger answer on the outside.

The 28-year-old had an average target depth of 11.8 and 10.5 in his two seasons with the Texans and would create havoc for teams to guard Hopkins, Moore and the veteran receiver.

Harris noted that it likely takes a second-round pick to land Cooks. The Cardinals could see how the season goes for the Cooks and then the veteran enters free agency in 2023. It’s not a question of whether the Cardinals should trade for the Cooks. The question is, “Would the Texans deal with the Cardinals again?”

The Cardinals traded running back David Johnson, a second-round pick and a fourth-round pick to the Texans for Hopkins in 2020. Then-Texans head coach and general manager Bill O’Brien said been heavily crucified for the blunder of an exchange. Johnson had just 919 rushing yards the past two seasons and O’Brien’s two draft picks didn’t work out. O’Brien was fired after an 0-4 start in the 2020 season.

While the Texans have new head coach Lovie Smith and general manager Nick Casserio, owner Janice McNair is still in command of the ship. Jack Easterby has also served as executive vice president of football operations since 2020 and may have a bad taste of the Hopkins deal’s mouth.

Yes, we tend to think that organizations don’t care about public perception. But it’s safe to say that the Texans are unlikely to provide two outstanding wide receivers for the Cardinals since 2020.

But hey, crazier things have happened.

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Book creator

Why ‘Bad Fat Black Girl’ Creator Sesali Bowen Won’t Shut Up About Fatphobia

How Sesali Bowen flipped the script on fatphobia. (Photo: Toni Smalls; designed by Quinn Lemmers)

He figures is Yahoo Life’s body image series, delving into the journeys of influential and inspiring people as they explore what body confidence, body neutrality and self-love mean to them.

As a fat queer black girl growing up in South Chicago and establishing a career in New York, Sesali Bowen no longer afraid of the stigma that people may have against her.

The author of Bad Fat Black Girl: Notes from a Trapped Feminist is known to talk about her body when she started addressing a culture of fatphobia and her own experiences on Facebook, using the platform to expose the misconceptions people have about tall women .

“I think people who suffer from grossophobia are supposed to be quiet about it. Like we’re expected to have nothing to say back,” she told Yahoo Life. “It was literally just me screaming into the void – or actually screaming at very specific people – about the things that were being said about how I understand my body was seen by other people. And people never heard that before because people really feel entitled to be fatphobic.”

For Bowen, being fat and understanding her fatness has been a constant, as she grew up “in a house full of fat women” in Chicago. However, what has evolved for her throughout her life is how she understands fatphobia in others and how she engages with it. The first step to this was realizing that she didn’t have to subscribe to the negative thoughts other family members had about living in a larger body.

“It wasn’t a body-positive home. A lot of them had a lot of negative thoughts about their bodies. Thoughts that for a long time I thought I needed to internalize, especially around a relationship with the body. ‘body image and food,’ she says. “But I wasn’t the fat girl who hesitated or even held herself back from having certain experiences.”

She describes herself as having an inherent confidence that she’s always possessed — although society only talks about confidence “in regards to how you look,” she says. “I think I’m generally a more confident person.”

Still, she faced instances of fatphobia, judgment, and bullying as a fat person that would cause her to examine the nuances of it. Some of her earliest memories of understanding the impact of fatphobia on society and her role within it came in middle school, when people started exploring romantic relationships.

“As people go through puberty and develop their crushes and all those things, I started to get a sense of the value of what it meant to be wanted or not wanted, the kind of social capital that came with it” , she explains. “I understood that there is a certain social capital attached to desirability and the way fatphobia works is that it inherently tries to view fat people as less valuable. And that’s why we have so many stereotypes about fat people being lazy or delusional, all these negative tropes that come up when we start talking about fat people, and I think that all of that contributes to this idea that because they’re fat, they’re less desirable.

Bowen’s book explores the ways this thought alone contributes to the discrimination fat people face when it comes to accessing relationships, careers, wealth and joy, noting that it becomes even more complex when it is also associated with racial and sexual identities. “We expect them to have a less enlightened life,” she says of people with larger bodies. She decided to use her understanding of fatphobia to determine ways to circumvent this perception. Above all, she chose to assert her identity as a fat person.

“I really walked through that era of personal storytelling and was able to get my foot in the door that way. So the kind of writing that I do requires a certain level of visibility and exposure that I don’t think I could have participated in if I wasn’t ready to say, ‘Okay, let’s go, no pun intended, the elephant in the room,” Bowen says. “‘I’m fat'”

Her relationship with her fatness in the public sphere would always be complicated, even with her “Bad Fat Black Girl” nickname, as she found herself mollifying critics by distancing herself from certain assumptions about fat people. She reflects on a time when she felt that her ability to live publicly as a plus-size woman could be justified by the fact that she had good health.

“When I was younger, in my early twenties, it was like, Well, I don’t have any of those problems. I’ve never had high blood pressure, my blood sugar is fine. I can show that I have this good state of health and therefore I have the right to exist here. But I think now that has changed, why do we only require obese people to be healthy?” she recalled. “I think there is this requirement that obese people be healthy that we don’t impose to no one else. And that’s why I really had to admit that I was ableist. And also that fat people who aren’t healthy shouldn’t be called whales and elephants in their pictures either.”

She continued to challenge the stigma surrounding obesity by opening up about her experience with a eating disorder, changing the conversation about fat and the perception that many have of fat bodies. Ultimately, it encouraged her to address the damage people everywhere face when they’re not allowed to “live comfortably in their bodies” – something she says may have even become more difficult with the perceived control we have over our appearance.

“We live in a culture that teaches us that your body is this thing that’s like Play-Doh, and you can sit there every day and tweak this and tweak that, and make it the thing you want. be, the thing it should be,” she explains. “And that’s not really how our bodies work.”

And despite societal decline and how insidious fatphobia has become among close family, friends and internet trolls, Bowen’s acceptance and authenticity about his body allows him to live without the repercussions of self-hatred.

“I’ve been talking about my body on the internet for over a decade at this point. And in the best possible way, I now have a strong sense of the lack of control I have over my body,” she says. “While we have lots of options in terms of things we can do to our bodies, we don’t have as much control over them as we like to think we have. ‘getting wrinkles or preventing us from having gray hair. There are just things that are going to happen with our bodies over time that are going to happen and I really reveled in that and felt a lot of acceptance around of that.

More importantly, Bowen’s approach to understanding his body and talking about it with others allowed him to take control of the narrative surrounding his figure, making it the context of his story and not the story itself.

“People have to make a lot of very difficult decisions every day about their bodies just to exist. And that includes me, that includes you, that includes everyone,” she says. “I’m here. I’m fat. I’m okay with that. Let me tell you how I feel about this and how I expect you to discuss it. And then let’s move on.”

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Reading and writing

Museum opens exhibition in tribute to community service | Pictures

The spirit of community service is alive and well in Porterville.

The Porterville Historical Museum wants to make sure that point was delivered and that was judging by the strong turnout for the museum’s new special exhibit on Friday as the museum hosted a gala for the exhibit, Salute To Service. The exhibit will be on display at the museum for approximately six weeks. The museum is open every Saturday from 10 a.m. to 4 p.m.

“It’s a great turnout,” said museum treasurer Susan Uptain. “I’m really happy about it.”

Over 100 years of community service in Porterville are featured in the exhibit. The exhibit not only honors service clubs in the community, but also all who serve, including military, police, fire and lifeguards and volunteers.

Among the highlights is a more than 100-year-old bald eagle that was displayed at Eagles Lodge on Main Street. The bald eagle is accompanied by a photo from the 1923 Porterville Armistice Day Parade of an Eagles Lodge tank rolling down Main Street.

The float has a banner that reads: “Eagles shoot for old age pensions.” Also on the back of the tank is the bald eagle which is now on display in the museum.

Porterville Library Junctions, which has established “little libraries” in and around Porterville, was also prominent at the exhibit. The organization aims to establish 100 library junctions in honor of Porterville Fire Captain Raymond Figueroa and Firefighter Patrick Jones who were killed in the February 18, 2020 fire that destroyed the Porterville Public Library . Friday was of course the second anniversary of the fire.

PLJ also featured one of its flagship bookcase junctions designed by Jeanette Brewer which is now on sale. More information is available by emailing [email protected]

PLJ also had a video that, in addition to showcasing their organization, also featured a “book bike” from another community. While the Porterville Public Library has a bookmobile for tasks such as providing resources to local schools, PLJ’s Tim Baker also said it would be nice if Porterville had a large tricycle that could transport books all over the city. town. “I would love to have one here,” Baker said.

The Porterville Public Library also had a showcase for its adult literacy program, which includes the Adult Learning Center located in the City Hall Annex building adjacent to Centennial Park. The case sits below the model that was used to raise money for the band’s mural at Centennial Park.

The Adult Literacy Program—Reading to Succeed—provides adults with basic reading, writing and math lessons. The program is funded by the California State Library. Volunteer tutors work with adults in the program.

“The only requirement is a heart to help an adult read and write,” said library assistant/literacy assistant Annamarie Olson of anyone who wants to become a tutor. Those who want to become a tutor can call the library, 784-0177.

Other clubs highlighted in the exhibit are the Porterville Lions Club, Porterville Zonta Club, Porterville Breakfast Rotary Club, Rotary Club of Poterville, Elks Lodge, Porterville Garden Club, and VFW Post 9499 of Springville. This exhibit features Vietnam Veteran Steve D. Schultz’s book “We Marched Through Hell,” which chronicles the experiences of many local veterans.

The permanent exhibit that honors firefighters is also part of the exhibit and the plaque saved from the library fire that was dedicated during the library’s renovation in 1975 is part of this exhibit.

Among those in attendance at the gala was Porterville College President Dr. Claudia Habib, a member of the Breakfast Rotary Club, who was heavily involved in the development of the Breakfast Rotary exhibit.

Breakfast Rotary President and Stafford’s Chocolates owner Rob Taylor also donated a Stafford’s gift basket for the event. Raffle tickets were sold for the gala gift basket.

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Writer market

Why Carnival Corporation shares fell 4.5% on Thursday

What happened

Shares of carnival society (NYSE: CCL) fell 4.5% on Thursday and closed the day down 3.8%. There was no big news about the stock or the cruise industry, but there were heavy clouds on the horizon.

So what

The market reacted harshly when Russia appeared to increase its presence in Ukraine. US officials have even accused the country of preparing a pretext for an invasion. Regardless of the reality of the situation, the market does not like uncertainty in Eastern Europe at the moment.

Image source: Getty Images.

Two factors are harming the Carnival today. The first is that the fall in the market has hurt equities overall, with the S&P500 down 2.1% and the Nasdaq Composite down 2.9%. But if a conflict breaks out, it could reduce demand for cruises to parts of the world that are less safe than they used to be.

Now what

Carnival shares have fallen sharply, but if you put it in the context of the broader market, I don’t think there’s much to worry about. Shares of a volatile stock like this often amplify the move in the market, and that’s what we’re seeing today.

As for the potential conflict with Russia, there are a lot of unknowns the market is grappling with, and it’s an uncertainty that investors don’t like. Until we get clarity on what is happening in Russia and Ukraine, expect volatility to continue.

This article represents the opinion of the author, who may disagree with the “official” recommendation position of a high-end consulting service Motley Fool. We are heterogeneous! Challenging an investing thesis — even one of our own — helps us all think critically about investing and make decisions that help us become smarter, happier, and wealthier.

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Book creator

RIP Miguel Ángel Sanjurjo, creator of JIBARO SAMURAI and Puerto Rican giant of independent comics

It is difficult to determine the exact moment when I met Miguel Angel Sanjurjo, ‘Guelo’ to his friends. It’s hard because he was so ingrained in Puerto Rico’s indie comic scene, so present, that he feels like he’s always been there. Like I always knew he was there. That’s perhaps the best way to describe Sanjurjo’s place in our comic community: a constant supporting presence that’s impossible to separate from the very idea of ​​comics on the island.

Simply put, Sanjurjo was a loud creative force, in your face, and he wanted you to make comics.

News of Sanjurjo’s passing reached his fans and friends on February 15.and2022. His domestic partner Carmen A. Gagot Velez posted the announcement on social media, briefly commenting on Sanjurjo’s recent health issues.

Sanjurjo cemented his comic book legacy with the hugely popular Jibaro Samuraia series he released under his own imprint titled Algaro Comics. The comic’s first issue came out in 2007 and ran for over 10 years in a sort of interconnected anthology format that featured stand-alone stories about Goyo Gotay, a Puerto Rican samurai who fought evil in feudal Japan. The character wore classic samurai robes, but he wielded a machete as a katana, and his headgear was uniquely Puerto Rican: a wide straw hat known as a “pava” (which can also be described as an inverted Chinese coolie or a bamboo hat). ).

Miguel Sanjurjo
Jíbaro Samurai, by Miguel Sanjurjo

Sanjurjo liked to inject Puerto Rican phrases and words into his story, which made his version of feudal Japan very Creole (Puerto Rican only). Every time Goyo unleashed one of his signature attacks, for example, he shouted “Yuca Slash!”, referencing a type of food readers would immediately recognize as their own.

Goyo was accompanied by a martial arts-trained goat called Mofinga (a play on the word “mofongo”, another staple of Puerto Rican cuisine made from green plantains). Together they would fight characters like Dracula or aid in the misadventures of Don Quixote and other pop culture figures. Sanjurjo often turned to literature to find characters that would test Goyo’s skills while enriching the world he was sworn to protect.

Each Jibaro Samurai The story attempted to top the previous one, with alien invasions and literary icons coming to Goyo from all sides. Being a particularly self-aware type of story, not a single page was without a comedic element adding to the flavor. In fact, it’s what kept the action fast, kinetic and explosive. It was obvious that Sanjurjo’s artistic style in Jibaro Samurai was inspired by the classic cartoon samurai jack and it captured the spirit of this show in terms of action. The story, its humor and its heart, however, were all Sanjurjo’s.

Goyo Gotay from Jíbaro Samurai

In addition to this comic, Sanjurjo has also worked on individual artworks featuring experimental geometric form similar to that seen in stained glass art. Well-known fictional characters and popular Puerto Rican figures and symbols were among his most impressive, though his abstract sci-fi/fantasy pieces had a sense of eerie wonder that made them a delight to dissect.

I had the opportunity to interview Sanjurjo as part of my Puerto Rico Comic Con ’19 cover for cartoon beat, an event he has never missed (having one of the most eclectic stands on the floor each year). He offered one of the smartest and most practical advice I’ve heard for new comic book creators: publish your work but never forget to socialize and make sure you produce as many one-shots as possible. in the beginning.

Sanjurjo was adamant about the importance of showing up to conventions, the necessary task of talking to people and offering help in the community building process. On top of that, in terms of self-publishing, he’s always said it’s better to come up with stand-alone stories that showcase your ability to tell a story from start to finish rather than starting a series that you don’t may not be able to continue later, for whatever reason.

It’s advice I’ve given repeatedly whenever I’ve spoken to creators at indie conventions, always quoting the man who invented it. This desire to create comics and build a community of creators has always been at the forefront of Sanjurjo, and he has conducted himself in accordance with this vision.

By Miguel Sanjurjo

Sanjurjo was a towering figure who embodied the kind of knowledge and authority we should all aspire to project, the welcoming and collaborative kind who is as invested in creating culture as it is in building strong, lasting bonds. The Puerto Rican comic community is losing one of its strongest and most supportive voices for Sanjurjo, and that loss will be felt, but the work he did and the advice he gave will remain. . That’s the thing with giants, they leave quite a footprint behind.

Descansa en paz, Guelo.

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Reading and writing

What Min Jin Lee wants us to see

Author Min Jin Lee lives in a four-story townhouse in Harlem that she and her husband bought in 2012. A creaky wooden staircase climbs up her spine, leading to Lee’s research library, on the top floor. floor, where she works. It’s a compact, sunny room, with a sofa, a pair of desks, and a wall of floor-to-ceiling bookshelves. Prior to my visit on a recent Monday morning, she had made sure to tidy the room, but had forgotten a stack of books – research material for her third novel, “American Hagwon.” (The Korean word hagwon refers to a type of private enrichment school that is ubiquitous in Korean communities around the world.) These were primarily academic works on education and its centrality in Korean communities; some titles included”Koreatowns,” “education fever,” and “The paradox of Asian-American success.”

Lee is a prodigious and inveterate researcher, who takes a journalistic approach to writing her novels. She is halfway through a draft of “American Hagwon” and has so far interviewed over seventy-five Korean students. For his two previous novels,Free food for millionaires”, from 2007, and “Pachinko”, a 2017 finalist for the National Book Award for fiction, she has filled more than ten Bankers Boxes with interview notes and other reference material.

Yet Lee’s writing doesn’t seem overloaded with facts. A defining quality of his novels is their propulsiveness. When I revisited them recently, I found myself immediately drawn in, much like the first time I read them, drawn in by its intricately drawn characters and tightly crafted storylines. Lee’s gift is his ability to write masterful, far-reaching books that tackle heavy political themes – the experience of the Korean diaspora, the invisibility of marginalized groups in history, the limits of assimilation – and to making their calm, quiet plots read like thrillers.

Lee describes herself as a late bloomer. She immigrated to the United States from Seoul when she was seven years old. Her family settled in Elmhurst, Queens, and her parents ran a wholesale jewelry store in Manhattan’s Koreatown, where they worked six days a week until their retirement. She attended Bronx High School of Science, studied history at Yale, then went to Georgetown Law. After working for two years as a corporate lawyer, she quit her job in 1995 and decided to become a novelist.

In 2001, Lee began writing “Free Food for Millionaires,” about a brooding Korean immigrant girl struggling to navigate the sleazy world of high finance in Manhattan. When it was finally published, six years later, it became a national bestseller. Lee worked for two decades on “Pachinko,” an epic saga that follows four generations of a Korean family through poverty, humiliation and tragedy in Japan. In 2018, Apple announced that it would turn “Pachinko” into a TV drama and that Lee would serve as executive producer. The eight-episode series will premiere on March 25. But, for reasons Lee refused to reveal to me, she is no longer involved in the production of the show. Among Lee’s latest projects is an introduction to the new edition of “Gatsby the magnificent– a novel that, she writes, “called me, a girl who lived in the valley of ashes”.

Lee has a warm, motherly demeanor—she texted before my visit to warn me it was freezing outside—but also an unflinching candor. She has become increasingly vocal, during the pandemic and amid rising violence against people of Asian descent, as an advocate for Asian Americans. During our conversation, which lasted over two hours and continued via email, we talked about her experiences as an immigrant, her books, and her desire to be “extra Asian” these these days. Our conversation has been condensed and edited.

Your books deal with the experience of the Korean diaspora. What do you remember from your first arrival in the United States?

I think when I first came here, I was really disappointed, because I thought in my mind that America would be like “Cinderella.” I thought I would get off the plane and the airport would look like a 17th century fairy tale. I thought people would wear prom dresses. I thought there would be stagecoaches. That’s how stupid I was. And then I realized it looked like Seoul, except with non-Koreans. I remember thinking it was so ugly. I was living in such a nasty little dump. It’s funny not having money: people think if you don’t have money you’re okay with ugliness, but I remember how bad the apartment we lived in was ugly. There was an orange shag carpet, which was dirty. We came from a perfectly decent middle-class home in Korea. My mother was a piano teacher; my father was a white-collar executive in a cosmetics company. I remember thinking, Oh, we went down into the world. Even as a little girl, I knew there was something wrong.

I remember I had to share the bed with my younger sister. My older sister was on top [bunk]. And there were mice and cockroaches. It was so scary for me to see all this. I remember we were on a free lunch program, and I knew there was something different about you getting a free lunch compared to other people. Things got better for us gradually. I think my family is embarrassed when I talk about it, but I talk about it because people talk about it regularly, and I think if they know I’ve been there, then they’re like, Oh, that’s not it. isn’t the worst thing in the world.

How did it improve?

My father first ran a newsstand. As a child, I thought it was rather glamorous, because of all that candy. He did it for a year. He really embellished it. My mom had to spend fourteen bottles of Windex to clean it. And then, after getting rid of that, he owned a little wholesale jewelry store – again, not at all pretty, nice, or stylish. But they just saved and saved, and eventually they moved to New Jersey, in 1985. They bought a house and they moved to the promised land of Bergen County.

There’s a line in “Free Food for Millionaires” where you write that the protagonist, Casey Han, thinks that although she went to Princeton, she was “not of Princeton. Did you feel that about your college experience?

Yes. My peers were so much better trained for Yale than me. I went to Bronx Science, and I did very well for the Bronx Science rubric, which is exams, short answers. And then I went to college and there were these kids who went to private schools, who wrote such beautiful articles, and they were so elegant in the way they talked about things, and they went everywhere. I felt like a ruby. I wasn’t mad at them, because they’re perfectly nice kids. They just had more sophistication, balance and ease than me. I remember thinking, OK, well, I’m a tough kid from New York, and I’m fine. But I definitely felt outclassed.

You majored in history, but I read that you had a little trouble writing.

I didn’t do well in college. I took too many lessons. I didn’t approach it like, Oh, you’re supposed to have a good GPA to get into a good graduate school. I thought I was supposed to acquire as much knowledge as humanly possible. Anyway, I took a lot of classes that I shouldn’t have taken. But then – this is the weirdest part – the English department had these awards, and I ended up winning first prize for non-fiction and first prize for fiction in my junior and senior year , respectively. So even though my grades weren’t that good, I ended up getting those awards, which meant that whatever readers in the English department thought I had something, and I remember thinking, Oh, I’m not a writer, but maybe I know how to say something.

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Writer market

Roy Collins obituary | The Guardian

My friend and colleague Roy Collins, who died at the age of 73, was one of the most gifted, and probably the most underrated, of the happy band of Fleet Street sportswriters who traveled the world during of the last decades of the 20and century.

Roy was the sports editor of the mid-market start-up tabloid Today throughout its almost decade of existence (1986 to 1995). Today was a pioneer of new production methods but struggled to make a name for himself in a crowded market so that too few people appreciated his sharp eye, his fluid and witty style and his vast sporting knowledge.

Among his peers, however, Roy was considered very special: even in a profession full of character, he stood out as an instinctive and glorious crackpot. In his looks, build and character he had more than a touch of Basil Fawlty and his bar anecdotes about the last outrage he suffered tended to be detailed but always gripping.

He was born in London, the son of Charles, a typographer, and Lilian, who died aged 14. Roy’s school days were short but he turned to journalism and came naturally. He trained on the Southend Evening Echo and left for a job that never materialized. Roy’s former position having been filled, the editor contacted a companion on The People, a Sunday paper with a massive sale in 1975, and recommended it.

Starting with a footnote report of “an appalling game” between Fulham and Blackpool, he quickly worked his way up the pecking order before landing the starring role in Today. And although football was always his No. 1 sport, he was a good judge of all. Matthew Engel, as the Guardian man, sat next to Roy in the Mike Tyson-Buster Douglas fight in Tokyo in 1990, boxing’s biggest shock. Matthew recalled: “It was about the second round and Roy said, ‘I think Douglas is winning. He figured that out much faster than me and I guess faster than almost anyone.

When Today folded, he returned to freelance work, which included seven years as the Guardian’s football feature editor. He brought with him the best skills of popular journalism, including a well-filled contact book (he ghosted George Best’s autobiography) and a reluctance to take no for an answer. But he fitted in perfectly with the newspaper’s more detached and elegant approach and could have made an excellent successor to David Lacey as No. 1 correspondent. Instead, he left in 2003 just as PR men were becoming ubiquitous, making candid interviews with footballers nearly impossible.

Roy married Sheila Love in 1987 and she survives him, along with their daughter Lucy and granddaughter Eva. In 2010 Roy and Sheila moved to Spain. By then he had been diagnosed with leukemia, which plagued his later years, but he remained in good shape and still very much himself: Surrounded by expats who were mostly Remainers, Roy voted Leave. Typical.

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Fiction publisher

Rosemary Jenkinson hits out at publisher who dumped her after controversial article

Author Rosemary Jenkinson has denounced her former publisher, Doire Press, for withdrawing its offer to publish her first novel. The Galway-based small independent press made the decision after the Belfast writer penned a controversial article in Fortnight magazine last October wondering why his fellow writers in the North were ‘reeking more than ever on the corpse of the Troubles’ and advocated that they “modernize [their] concerns”.

Jenkinson suggested that the success of Anna Burns’ Booker-winning Milkman and Lisa McGee’s Channel 4 comedy series Derry Girls had encouraged imitators to “peddle that narrow-minded Belfast Noir”. The article drew an outpouring of criticism on social media, although Jenkinson says she also received plenty of support, including from writers Mike McCormack and Anne Devlin. Crime writer Sharon Dempsey responded with an article in The Irish Times, titled Don’t Mention the War: Why Writers Shouldn’t Tackle The Troubles?

“Whatever you say, say nothing – the old refrain by which we lived and were silenced,” Dempsey wrote, “is still brandished, except this time it’s by a writer [Jenkinson].” Dempsey argued that Northern writers had in fact had to overcome enormous resistance to have their stories of the Troubles published and continued: “In the absence of a truth and reconciliation process, fiction offers a space to determine how we navigate the past in order to move forward.”

Within days, Jenkinson said, Doire Press emailed him advising of their decision to rescind their offer to publish his novel. “There was no prior conversation; no phone calls to discuss their concerns; no right of reply was granted to me. They had agreed to publish my novel and scheduled it, but wrote that after reading my article in Quinzaine, they were “not ready to take the risk of publication”. You seem to have chosen to upset the majority of your Belfast peers. They added: “You are entitled to have your opinions and express them as you see fit, but with all the work that a book is and how difficult it is to sell them, we need writers who will try to expand their audience, not shrink it.

Jenkinson, whose Doire Press Lifestyle Choice 10mg short story collection was shortlisted for the 2021 Edge Hill Prize, said it was “ludicrous” to suggest her readership had dwindled or that she had upset the majority of writers north. -Irish. “If, as my (former) editor said, I have the right to express my opinions, they should have continued to support and promote my work when I did. They have every right to disagree, or even get angry under the collar of what I write, but their action was disproportionate.

“This email shook me and I wonder: what exactly is the function of writers these days? Is it just about writing congratulatory tweets and keeping quiet about the relevant issues of the day? I have always admired fearless explorers of society and politics like Milan Kundera who refused to limit himself.

John Walsh and Lisa Frank, editors at Doire Press, replied: “The decision not to go ahead with Rosemary’s novel was not a matter of censorship but was financial. From the start, we knew that Rosemary was controversial in her opinions and in her writing, which we never hesitated and, in fact, encouraged.

“With the exception of a novel published in 2011, we only publish collections of poetry and short stories, so publishing Rosemary’s novel had to be a very big step and a very big risk for us financially, because we are anyway such a small operation, and especially after the growing difficulties that the Covid is causing us.

“That said, we’ve always made it very clear to our writers the importance of expanding a writer’s audience and viewed it as a partnership. That’s why we used all-expenses-paid reading tours and paid workshops, which Rosemary benefited from.

“So we were extremely concerned about Rosemary’s article in Quinzaine. We felt the piece was misguided. We also felt it was likely to alienate a significant number of people who would be the core readership of Rosemary’s novel. Rosemary of course has every right to express her opinions publicly. However, in our opinion, the effect of the play was likely to reduce his readership rather than expand his readership, and so we decided that we could no longer afford to take the already significant financial risk of publishing his novel.

“We also felt that we could no longer afford to devote the necessary resources to the full publishing of Rosemary’s novel due to the now very questionable financial return. Unfortunately, under these circumstances, we thought Rosemary would be better off with another editor. (We knew that Rosemary had published a collection of short stories with a different press and we had already wished her success with this publication).

“Rosemary agreed in November that it was best for us to part ways, we did so without acrimony. We are very proud of the two Doire Press books published by Rosemary, and wish her well in her future career.

Jenkinson is currently writing a play for the Abbey Theater called Manichea, which she says contrasts today’s ‘cancellation culture’ with our 1960s past. “What people don’t realize, it’s that being censored for holding certain ideas is very much alive in Irish literature.”

“Imagine if Colm Tóibín was dropped by Viking for his commentary on genre fiction; whether John Banville was shown the door by Faber & Faber for saying he despised the revival movement; if John Boyne was released by Penguin for expressing his trans views,” Jenkinson said. “If that were the case, publisher slander and free speech petitions would no doubt ensue. The majority of people assume that the suppression and punishment of free speech is a rare thing and belongs to the least tolerant nations of the world. Surely, they think, this could not happen in contemporary Ireland, north or south.

“Irish publishers have great power due to weak competition, but they should refrain from abusing it. Ultimately, if an editor lets an article trump an author’s passion for writing, it strikes at the heart of what writers do. This clearly demonstrates how power can be misused. In contrast, Alan Hayes of Arlen House has fully supported me in writing what I believe to be true, as he was a strong advocate of free speech for many decades. I’m lucky to have future plans with Arlen House, but the danger is that for some writers, being fired for expressing opinions can spell the end of their publishing careers.

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Writer market

Should you write a book? Travel space experts offer advice

Whether you have a story that burns inside you or just want to build your brand, a well-written and promoted book can be the gateway to career development, more gigs and presentations, and increased credibility in your domain. Writing a book is an opportunity to reach a specific audience, leverage a content marketing strategy, build a community of subscribers who resonate with your message, and create a platform for thought leadership. From travel podcast hosts and book publishing professionals to travel writers and editors, the following travel experts offer their most sound advice.

Getting into a saturated market

For potential writers working on a travel guide, memoir or otherwise, Marika Flatt, founder and chief advertising strategist of PR by the Book, says that to get started, writers need to create a social media strategy and deploy it on a consistent schedule. Additionally, authors should define their target reader. “Create an avatar of who this person is,” says Flatt. “What do they like to do? Where do they buy and read books? Specify who you are writing for before you start.

Founding editor of Unearth Women and co-author of the new book, wanderer, Nikki Vargas says that to get books into the hands of readers, new authors will spend time developing a book proposal, approaching literary agents — a voucher is key, and introducing publishers. “Because getting a book published can be tricky, I’ve seen a myriad of stellar women I admire self-publishing books and leveraging their individual platforms to raise awareness, which I think is a great option for newbie authors who may be wary of navigating the world of publishing, but want to see their work come to fruition,” says Vargas.

“We were approached by an editor at Clarkson Potter who had discovered the work we were doing with Unearth Women and thought it might lend itself well to a book,” says Vargas. “Although we were extremely fortunate to be approached by a major brand like Clarkson Potter and a publisher like Penguin Random House, I recognize that my experience with Wanderess is rare.”

Wanderess, as Vargas puts it, is a women’s travel resource that uses the diverse experiences of leading women in the industry, women like Oneika Raymond, Brooke Saward, Kelly Lewis, Dani Heinrich, Esme Benjamin and Annika Ziehen. “Co-authored by myself and Unearth Women co-founder Elise Fitzsimmons, Wanderess aims to show travelers the best way to support and connect with women around the world while delving into the nuances of life. travel experience. Wanderess’s pages cover everything from solo travel, travel planning, LGBTQ+ travel, travel as a woman of color, as a new mom, and more.

Choose a path and find resources

When it comes to the pros and cons of traditional, freelance, and self-published publishing modalities, Flatt says, “Most people need a delivery person to steer them in the right direction. In traditional publishing, they do most of the work for you once you’ve sold your book – they’ll take care of everything, including editing, layout, design, sales, marketing and distribution. When you self-publish, it all falls on your shoulders.

And, in a saturated market, writers, says Flatt, have to be unique or different to stand out. “Create a list (an article in list form) that covers your expertise and make sure it’s advice you don’t hear everywhere – start there and build on it with your message.”

Build a loyal community

Building a community of wanderers has long been Jason Moore’s modus operandi of the popular Zero to Travel Podcast. Initially, in 2013, the show started as a way to inspire others to journey through storytelling, strategic planning, and expert advice.

“It was the show I wish I had when I started out with $20,000 in debt and a dream to see the world,” Moore said. “When I started getting messages from listeners telling me how the show had helped them overcome adversity and get on the road, I knew I was on to something. What I didn’t know was that. That’s how much the show would impact my life as well. Outside of traveling, getting married, and having kids, starting a podcast is the best thing I’ve ever done, both personally and professional.

For authors, being a featured guest on a podcast has its perks. “Podcast listeners have a strong connection to their favorite shows,” Moore says. “An invitation means the host vouches for you – you’ll have the audience’s trust from the start, so don’t spoil it! Provide as much value as possible to the audience, do your best to entertain them along the way and be sure to leave plenty of reasons for listeners to buy your book – invite them to get in touch or give a freebie to jump on your mailing list. content, sales are sure to follow.

To promote a book, being on a podcast as a guest can help show readers your expertise in a field. You’ve done the research; you took time. “I’ve had a lot of guest writers on my podcasts,” says Shelby Stanger, host of Vitamin Joy, a new health and wellness podcast, and Wild Ideas Worth Living, a podcast from REI Co. -op Studios. “Many have told me that book sales have increased after my show or other shows and many listeners have written to me thanking me for recommending a book on the show.”

Learn to be a storyteller, on the page and on the air

Stanger, who has a background in journalism as well as outdoor and health and fitness marketing, says, “As a writer and storyteller, I’ve always loved the stories of people who have took the road less traveled and went the craziest. ideas into reality. This was the impetus for Wild Ideas. There were many times when I felt stuck and listening to other people who were able to “go there” always encouraged me to unblock myself and make a positive change to “go there” as well. »

Turns out podcasts have been a great way to tell the truth. “I love that in podcasting the interviews are live in a more comprehensive format, and it still feels like such an intimate conversation. As a listener, some podcast hosts start to feel like friends, and I hope I also feel like a friend to some people listening,” Stanger says.

“For REI Co-Op Studios’ Wild Ideas Worth Living Podcast, we’re interviewing anyone with a wild idea you’ve heard of like author Cheryl Strayed who wrote Savage and the mountaineer Alex Honnold whom many know from the film Free Solo to those you may not know as much, like Corina Newsome, a graduate birdwatching student who started a movement for birdwatchers and Chris Fagan who, with her husband Marty, became America’s fastest married couple to ski to the South Pole,” says Stanger. . “On the show, we talk about where people get their crazy ideas, how they deal with fear, failure, and obstacles along the way, and the beauty of the journey.”

“We’re sharing tips to hopefully encourage others to pursue their own crazy ideas,” Stanger says. “I truly believe that a little adventure is the antidote to life. Over the past five years, we’ve received dozens of letters from listeners saying that a show they listened to encouraged them to continue learning to surf, bike across the county, and even commute through the country.

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Fiction publisher

Choose a Path to Romance: Forgotten 1980s D&D Romance Novels

I’ve spent a lot of time this pandemic being deeply obsessed with Dungeons & Dragons. I started watching a ton of D&D shows like critical role, Oxventureand Rating 20, and I joined a D&D group to play the game myself. We meet every Tuesday, my terrible wizard is only 30 hit points, and it’s the highlight of my week. D&D lets you live out some of your most deeply desired fantasies; having a group of friends to hang out with, earning an appropriate amount of money for whatever work you do, and taking a long rest from time to time. And, in the 80s, you could add romance to that wish list.

Dungeons & Dragons is enjoying a resurgence in popularity right now and it’s easy to forget the true age of the game. Created in 1974 by Gary Gygax, the game has gone through many different iterations in pop culture. It’s been misunderstood, reviled as satanic, despised as the haven of basement goons, and caricatured for cheap comedic points in sitcoms and movies. At various points in its history, D&D has attempted to shed these stereotypes to show that tabletop RPGs can be for everyone. This resulted in a focus on publishing fantasy fiction from the 1980s, leading to the launch of the Dragonlance novels and the creation of other memorable settings and characters like the drow ranger Drizzt Do’Urden and the wizard/adventurer Volothamp Geddarm.

Looking for a way to involve more young women in the role play (despite the fact that girls have been playing from the start, but that’s a whole different story), Dungeons & Dragons also branched out and commissioned a series of Choose Your Own Adventure-style romance novels. Since you probably haven’t heard of them, you can fairly assume that they didn’t set the publishing world on fire, but they are fascinating relics, especially for D&D fans and/or fans. or romance novels from the 80s. Personally, I had never heard of these books either, until I came across an amazing Twitter thread from 2019 in which Rebecca B (@arkhamlibrarian) shared the details of the first four novels, which completely blew my mind…

The first thing that came to mind was that in taking this approach to reaching a new audience, D&D clearly recognized a reality that many others tend to overlook: romance novels are widely read, widely shared and often very lucrative for the publisher. For too long, the romance genre has been denigrated or dismissed as silly or worthless for reasons firmly rooted in sexism and misogyny, despite the fact that the genre is (and has long been) hugely popular and commercially successful. It’s perhaps no surprise that the folks behind D&D, very used to being fired for similar short-sighted reasons, were willing to give it a shot.

Called “HeartQuest Books,” the first set of six novels were written by novelists under pseudonyms. Each book took a character class from D&D (druid, wizard, rogue, etc.) and cast a young female protagonist in that role, discovering her magic and worth in a dangerous fantasy world while facing trials and tribulations. tribulations of falling into loving. Each book was illustrated by Larry Elmore, well known for his fantastic illustrations, including his illustrations and concept art for other D&D projects and materials. His paintings gave the books a more classic fantasy lineage and gave them a signature style similar to D&D gamebooks of the time.

The stories in the books themselves feel slightly overworked, like all the best classic 80s romance novels, and yet genuinely fun and exciting. The first novel in the series, Ruby Dragon Ring by Jeannie Black, is the story of Chandelle, a young woman who must save her kidnapped jeweler father from a great evil with a bag of magical gems. The book is written in the second person, with the reader assuming the role of Chandelle as she faces various choices. At your side are the handsome knight Coren and the mischievous fighter Sir Torbeck, who compete for your affection while helping you pull off this most daring rescue. Call me crazy, but I want to read this right now. Chandelle’s Adventures looks action-packed and dramatic in the best way, suitable for a lazy afternoon of reading (or as a jumping-off point for a hilarious D&D session with friends).

The other books are apparently just as fantastic, presenting you as a druid priestess falling in love with a charismatic and secretive bard, or as a lady knight torn between a noble thief and a cunning mage. Since they’re written in the Choose Your Own Adventure style, the books offer readers the feeling of participating in a D&D campaign and determining your own destiny (no dice necessary!), with the added benefit of a immediate replay as you try to find the best ending for these characters. Honestly, it’s such a great idea that I almost want D&D to try again. The books kind of evoke the same fantastic female-centric vibes that Garth Nix did. Sabriel or Tamora Pierce’s Tortall books – and even now we can always use more of them in the fantasy genre.

Alas, the early HeartQuest books did not sell as well as the publisher had expected, and the series was canceled after six volumes. Paperbacks are hard to come by now and considered expensive rarities if you manage to nab one. It’s a shame, it looks like they were really onto something here. Branching out into the romance genre was a new strategy for D&D in the 80s and it didn’t seem to fit as well as they would have hoped back then – it’s not like today, where popular D&D romances like critical roleCaleb Widogast and Essek Thelyss rack up thousands and thousands of hits on Twitter and Archive of Our Own. There are tons of guides online on how to introduce romance into your D&D campaigns and it’s become an interesting game mechanic to try out. Romance is no longer just for bards seducing dragons!

So maybe it’s time to give it another shot. What do you say, Wizards of the Coast? It’s time to give D&D romance novels a second chance and make it work this time… I’ll be the first to pre-order a set! My terrible wizard with 30 hit points could really use some help.

Originally published November 2021.

Meghan Ball is a writer, editor and goth disaster. She enjoys playing guitar, cross-stitching, and spending too much time on Twitter. You can find it there at @EldritchGirl. His work has been published in Uncanny Magazine, Tor Nightfire and the 3,2,1…Action! series of role-playing games. She currently lives in a weird part of New Jersey.

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Book creator

Stan Lee’s incredible love affair with his wife allowed Spider-Man

Like the other characters he drew, she did not exist. Or at least he didn’t think so.

The story that followed was told by Father Willy Raymond, president of Holy Cross Family Ministries, who heard Lee tell the story at a Hollywood luncheon about seven years ago. (Over the years, the comic book king has told versions of this story to dozens of journalists, with small variations.) The Catholic priest was then national director of Family Theater Productions, a faith-based film studio established in 1947 by Father Patrick Peyton. , which is now considered for sainthood.

Father Willy was there as a guest of his friend Adam Jablonski, whose wife had placed the winning bid for lunch with Lee at a charity auction. Jablonski, a big Lee fan, was there with his son Kevin. While eating salads at a posh Los Angeles bistro on Sunset Boulevard, Lee mentioned his wife, Joan, prompting a question about how long his marriage lasted.

“Oh,” replied Lee, “I’ve been married for 65 years to the most beautiful woman in the world.”

The comic book storyteller then told the unlikely story of how the two met. He described his post-war habit of drawing the woman of his dreams, with vibrant red hair, sparkling eyes and plump lips. He worked on the drawing every day, doing minutes improvements to his face.

Then, one day in 1947, his best friend saw the drawing. “I know her,” he told Lee, who replied that the sketch was not of a real person. “No,” insists his friend. “I know where she lives. It’s a hat pattern.

So Lee got her address and went to meet the girl of his dreams the next day. “Before me was the most beautiful creature on God’s earth,” he told the three men at lunch. “Then when she opened her mouth and spoke in a singsong British accent, which I loved, the first words that came out of my mouth were, ‘I’m going to marry you.'” (In other versions of the story, it was a cousin and not a friend who connected them, and it was Lee himself who decided that she looked like his drawings. It wouldn’t be out of place for a master storyteller to move a few details here and there to make an impact.)

Of course, since this was real life and not a fantasy sketch, there were some complications. For one, Joan was married to someone else at the time. She later admitted in an interview that her first marriage was a “big mistake” and that she was ready for a divorce when Lee proposed.

The other snag was that Lee wasn’t the only suitor. Other men had made clear their intention to marry a soon-to-be single Joan. When she flew to Reno for the divorce, Lee said he needed to maximize his chances by being there with her. An hour after Joan was released from her first marriage, she said “yes” to Lee in a ceremony presided over by the same judge who granted the divorce.

While it may not be your typical romance, theirs was enduring: The pair were married for 69 years – until Joan’s death at 93 in 2017. (Lee died a year later at age 95.)

And for superhero fans everywhere, that was crucial. Joanie inspired Mary Jane Watson, Peter Parker’s first love in the Spider-Man saga. More importantly, she persuaded Lee to hold his own in the comic book business.

In 1961, Lee was ready to quit in frustration. He didn’t feel the love of his editor, Martin Goodman, who insisted on “lots of action, lots of fight scenes, not too much dialogue,” he recalled in a 2017 video interview with Marvel Creative Director Joe Quesada. Lee preferred witty jokes and compelling characters in his comics.

“Why don’t you make a book the way you want to make it?” he remembered Joanie telling him. “The worst that can happen is that he fires you, but you still want to quit. At least you will have him removed from your system.

So Lee did just that. He worked with freelance artist Jack Kirby to create the Fantastic Four comic book, which sold like boxes of chocolates before Valentine’s Day. With that, the Marvel Universe was booming. Lee and Kirby created new titles almost at will. Iron Man. The Incredible Hulk. Thor. Daredevil. The list goes on and on.

“[Joan] gave me the best advice in the world,” recalls Lee, then adds with admiration: “She is responsible for my universe.

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Reading and writing

Eileen Gu tackles Slopestyle qualifying after snow delay

The Eileen Gu show shifted to the mountains, as China’s new favorite Olympian – an 18-year-old freestyle skier from California – began competing in the second of her three events.

Gu, who grew up in California but competes for China, has become a favorite in women’s slopestyle, the event where competitors traverse a mountainous course of rails and obstacles before landing a series of three big jumps.

On a sunny but bitterly cold Monday morning at Genting Snow Park, a day after snow and wind postponed the event, Gu struggled on his first run but scored a 79.38 on his second, a performance that would not fail to make it to the rank of 12 women. final, scheduled for Tuesday morning (Monday evening in the United States).

She said afterward that qualifying “is always scary” and headed to the halfpipe for a practice session. She must compete there on Thursday.

There were lots of spills on the slopestyle course, which snowboarders had previously called one of the trickiest and most technical courses they’d seen.

The 27 competitors each had two points, noted by a jury. Only the best score counted. Estonia’s Kelly Sildaru, considered Gu’s biggest rival in the event, started with an 80.96 that virtually guaranteed her a place in the final.

Gu already has a gold medal, in big air, won in spectacular and unexpected fashion last Tuesday in an industrial park in western Beijing. Her win catapulted her to another level of fame and scrutiny. Afterward, she deftly fielded questions from reporters for more than an hour while brushing off probing questions about her citizenship status.

The Olympics has a policy that athletes must be citizens of the country they are competing for, and China does not allow dual citizenship.

Gu, whose mother was born and raised in China and has ties to Beijing, is a ubiquitous figure here. His face adorns advertisements of all kinds and his exploits receive constant attention on public news channels.

His portrait, made up of 500 drones, lit up the sky in southern China after his great aerial victory.

But Gu has also intervened in a controversy over internet freedom in China, as some question her use of social media sites banned in China, describing Gu as privileged and unable to understand the plight of millions of Chinese living under censorship.

The question for the second week of the Olympics is whether Gu can keep winning, keeping his popularity and marketing opportunities intact while avoiding geopolitics and questions about his citizenship.

Slopestyle is a fitting event for Gu, who showed technical prowess on rails from a young age, working with the US national team (she moved to China in 2019). She is a daring jumper, as demonstrated by her big win in the air.

In a handful of international competitions over the past year, Gu has won or finished second in every slopestyle event. His biggest threat at the Olympics would likely come from France’s Sildaru and Tess Ledeux. It was Ledeux who led the big air event until Gu’s last jump lost him the silver medal.

Gu’s third and final competition is Friday in the halfpipe, another event she has dominated for the past year. Her popularity has already skyrocketed and it’s hard to imagine how big she will be if she manages to leave Beijing – on her way back to San Francisco – with multiple gold medals.

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Writer market

Sophie Turner and Dane DeHaan team up for crime thriller ‘Warddriver’ – The Hollywood Reporter

Dane DeHaan, recently chosen for the next Christopher Nolan film Oppenheimerand game of thrones and X-Men: Dark Phoenix star Sophie Turner to direct upcoming crime thriller war pilota sensational new addition to Berlin’s Virtual European Film Market (EFM).

Written and directed by Daniel Casey – best known for writing F9: the fast saga but whose credits also include Liongate’s Close – the film is due to begin principal photography this summer in Los Angeles.

Tim White, Trevor White and Allan Mandelbaum of Star Thrower Entertainment, who produced the critically acclaimed Oscar-nominated Will Smith King Richardalongside political thriller Tom Hanks and Meryl Streep The post officewill produce war pilot alongside David M. Wulf (Call Jane, The card counter). The film is co-financed by Highland Film Group, which represents the film’s international rights and is initiating sales at the EFM. CAA Media Finance represents national rights.

war pilot follows a brilliant, tech-savvy thief named Cole (DeHaan) who has highly specialized skills and uses them to carry out thefts from his laptop. When Oscar, a criminal with a dangerous past, discovers Cole’s unique talents, he forces him to hack into the bank account of young and seemingly wealthy Sarah (Turner) and drain it of nearly a million dollars. Cole soon discovers that a powerful mob-linked lawyer is using Sarah to hide his money. Seeking to save her from danger, Cole initiates a plan to replace the stolen money and begins to fall in love with Sarah. Ignoring the warning signs that something bigger is wrong, Cole soon finds himself drawn into an elaborate web of lies, deception and betrayal.

“I’m beyond thrilled to be working with Dane DeHaan and Sophie Turner on Wardriver,” Casey said. “Both are incredible performers and gifted and talented artists in the truest sense of the word. I know I speak not only for myself but also for the amazing teams at Star Thrower Entertainment and Highland Film Group in saying that I have can’t wait to see them bring the roles of Cole and Sarah to life.

Next to Oppenheimerin which he will join a cast including Cillian Murphy, Florence Pugh, Matt Damon, Emily Blunt, Robert Downey Jr. and Rami Malek, DeHaan also stars in McCarthy, the biopic of Senator Joseph McCarthy, in which he will play Roy Cohn. Turner, meanwhile, has the Netflix feature foreigners alongside upcoming Maya Hawke and Austin Abrams. Before war pilotDeHaan and Turner appear together in the HBO Max miniseries The staircasebased on the 2004 French true crime docu-series.

“We couldn’t be more excited to have Dane and Sophie team up for this hacking thriller from the superb writer behind the box office giant. F9: the fast sagasaid Highland Film Group CEO Arianne Fraser.

“Daniel Casey has crafted a brilliant story full of suspense and intrigue. We are thrilled to be working with this talented filmmaker and can’t wait to see the cameras rolling next spring,” added Delphine Perrier, COO of Highland.

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Book creator

Boba Fett Actor Luke Skywalker’s Book About Replacing Mark Hamill

The following article contains spoilers for Boba Fett’s Book.

Boba Fett’s Book may struggle to honor its namesake character, but the show still contains plenty of star wars hype, including a very special appearance by a certain Luke Skywalker that has the actor playing him swooning over the opportunity to step into the iconic role of Mark Hamill.

That’s because since Luke Skywalker returned for his special appearance in The Mandalorian season 2 finale, Hamill didn’t play the Jedi legend, who was played first by Max Lloyd-Jones in this case and now by Graham Hamilton. Although Lloyd-Jones played Lieutenant Reed in Boba Fett’s BookHamilton’s face remains unseen, though that won’t stop him from sharing his excitement about being part of the franchise.


RELATED: Predicting Boba Fett’s Book Ending

Hamilton expressed his feelings in a lengthy Instagram post from his personal account, where he described his experience co-creating this rejuvenated version of Hamill alongside the actor. “Co-creating #LukeSkywalker for @thebookofbobafett with master @hamillhimself has been one of the most magical and rewarding creative experiences of my life,” he wrote. The moment made Hamilton reminisce about his days as a 5-year-old watching star warsand he also thanked episode director Dave Filoni and show creator Jon Favreau for the opportunity of a lifetime.

Reading through the list of Hamilton’s favorite moments is proof enough of the actors’ pure enjoyment Boba Fett’s Book together, naming Rosario Dawson, Hamill, and the entire show crew as part of it, but not forgetting his pal Grogu. The episode “From the Desert Comes a Stranger” is another example where Boba Fett was mostly absent from his own series. However, with Luke Skywalker, Ahsoka Tano, and Cad Bane all making appearances, it’s easy to pass that up.

Although Hamill continues to work or collaborate on star wars projects, many fans will be surprised to find that the voice used in Boba Fett’s Book is actually not new dialogue recorded by the actor, but rather the product of state-of-the-art voice processing technology. Hamill may be one of the most prolific and iconic voice actors out there, but his Boba Fett book appearance, just like his mandalorian cameo, presents only his likeness.

The quality of Disney Deepfakes has increased dramatically since The Mandalorian season two finale, possibly due to the special effects studio hiring one of the artists who outclassed Lucasfilm’s experts. Still, this trick could get old really fast, so it might be time to hire someone like Hamilton or another new actor to wield Luke Skywalker’s lightsaber permanently.

Boba Fett’s Book is now available on Disney Plus.

MORE: Star Wars: 4 Best Legends Novels You Need To Read

Source: @hamigraham | instagram

Star Wars: 5 Sequel Trilogy Characters Who Deserve Their Own Series

Sequels can be a major source of controversy, but they still have plenty of characters who would be perfect for a spinoff show.

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About the Author

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Reading and writing

How to Reverse Deep Learning Loss

The skill of reading is necessary for nourishment and ensuring a good quality of life. Therefore, for children to develop skills in any subject, reading is a non-negotiable skill.

Reading does not come easily to anyone. We are born with all the neurons (brain cells) that we will have throughout our lives. However, the number of synapses or connections formed later between brain cells determines the growth of abilities such as communication, reading, writing, painting and singing. Between the ages of 0 and 5/6, children develop almost a million new neural connections every second. These develop through a child’s everyday experiences. Therefore, it is crucial that children are exposed to the right stimulation and interactions during this time.

The science of developing language in a child through constant exposure to spoken sounds and words is perhaps as old as the Indian art of storytelling (katha). Although katha was originally intended to transmit ideas and beliefs to future generations and to preserve the culture of a community, it was also considered necessary for the holistic growth and development of a child. It is well established that a child’s first attempt to develop their language skills, and therefore their reading skills, begins when they begin to respond to noise, words and cooing by crying or gurgling. The later sounds a child encounters, such as the sound of conversations and music, lay the foundation for the child to learn reading and writing skills.

Knowing how to read means being able to imagine, to be curious, to think critically, to develop better interpersonal skills, to appreciate diversity and to be able to realize one’s full potential and productivity. So the question is what is the best way to acquire this skill.

We are not born with brains ready to read. The brain has to work hard to coordinate its areas of visual processing, sound-symbol connection, language understanding, and speech production in order to be able to decode words and sentences. To further hone reading skills, it is important to focus on repetitive reading practices, read beyond textbooks, and listen to nursery rhymes, stories, and songs.

Cognitive neuroscientist Stanislas Dehaene said: “Existing neural networks in the brain are retrained for reading. Due to what is called brain plasticity, during brain development a range of brain circuits can adapt to new uses. When we learn a new skill, like reading, we recycle some of our old brain circuitry.

Research-based evidence indicates the following: if parents or family start reading or storytelling early with their children, there is a much greater chance of developing better reading skills (James Hutton, MD, 2015) ; for most elementary school children, systematic instruction and repeated classroom exercises are more than enough to “wire” their brains for reading. There will be dyslexic children. However, the good news is that by focusing all teaching efforts specifically on phonological awareness and decoding skills, the brains of children with dyslexia can be “trained” to read.

Although the pandemic has affected students’ reading skills. But lost ground can be regained through “deliberate practice” of reading and listening to a diverse set of texts, and “intensive instruction” by the teacher in phonetics, phonemic awareness, vocabulary, communication fluency and comprehension. This, according to Cunningham & Rose; Eden; Hudson et al, (2016), will strengthen students’ brain circuits and make them strong and successful readers.

The government has embarked on a nationwide 100-day elementary school reading campaign from January 1. The idea is to take full advantage of brain plasticity and reverse reading skill losses by retraining brain circuits wherever needed through consistent, repeated and diverse actions. reading practices. The campaign has been designed so that each week a learner is exposed to a new activity that is joyful and engaging, and can be undertaken at home or at school. If you join us in reading to children, reading with them, or helping them learn to read or become better readers, you are contributing to the larger cause of nation building.

Anita Karwal is Secretary, Department of School Education and Literacy, Ministry of Education Opinions expressed are personal

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Writer market

Stocks and yields fall as swings rattle Wall Street again

A currency trader watches monitors in the <a class=foreign exchange trading room at the KEB Hana Bank headquarters in Seoul, South Korea, Friday, Feb. 11, 2022. Shares were mostly down on Friday in Asia after selling off at Wall Street boosted by news that US inflation jumped 7.5% in January, raising expectations that the Federal Reserve will need to act forcefully to cool the economy by raising interest rates ‘interest. (AP Photo/Ahn Young-joon)” title=”A currency trader watches monitors in the foreign exchange trading room at the KEB Hana Bank headquarters in Seoul, South Korea, Friday, Feb. 11, 2022. Shares were mostly down on Friday in Asia after selling off at Wall Street boosted by news that US inflation jumped 7.5% in January, raising expectations that the Federal Reserve will need to act forcefully to cool the economy by raising interest rates ‘interest. (AP Photo/Ahn Young-joon)” loading=”lazy”/>

A currency trader watches monitors in the foreign exchange trading room at the KEB Hana Bank headquarters in Seoul, South Korea, Friday, Feb. 11, 2022. Shares were mostly down on Friday in Asia after selling off at Wall Street boosted by news that US inflation jumped 7.5% in January, raising expectations that the Federal Reserve will need to act forcefully to cool the economy by raising interest rates ‘interest. (AP Photo/Ahn Young-joon)


Treasury stocks and yields are down sharply on Wall Street on Friday, as growing worries about an impending Russian invasion of Ukraine add to already elevated market worries about inflation and interest rates.

The S&P 500 was down 1.6% in afternoon trading after the White House encouraged all US citizens to leave Ukraine in the next 24-48 hours ahead of a possible invasion by the Russia.

The shares suddenly fell around 1:30 p.m. Eastern Time, with losses nearly tripling in about half an hour.

At the same time, Treasury yields fell as investors shifted money into bonds in search of safe havens. The 10-year Treasury yield fell to 1.97% from around 2.03% earlier in the afternoon.

Crude oil prices also rose suddenly on fears that the violence could eventually lead to supply disruptions. Brent crude, the international standard, rose 3.4% to $94.55 a barrel, while U.S. crude rose 3.5% to $93.07 a barrel.

For stocks, this is just the latest decline in what has been a tumultuous run. They have fallen since peaking at the start of this year amid fears the Federal Reserve will need to become more aggressive in raising interest rates to contain inflation.

But it’s a sharp turnaround for bonds, which have been steadily rising on expectations that the Fed will raise rates more often and more sharply this year than expected. Just a day earlier, the 10-year Treasury yield topped 2% for the first time since 2019.

In other stock trading, the Dow Jones Industrial Average fell 294 points, or 0.8%, to 34,947 as of 2:18 p.m. Eastern. The Nasdaq fell 2%.

Inflation has been steadily rising over the past year as the economy recovers from the virus pandemic and demand for goods far exceeds supply. The Labor Department said consumer-level prices rose 7.5% last month from a year earlier, which is the highest inflation reading since 1982.

The broader market had gained ground earlier in the week, but the latest inflation report sparked a wave of selling that erased most of the week’s gains. Investors are worried about the impact of the Federal Reserve’s plan to raise interest rates to fight rising inflation. Such moves to raise interest rates could curb inflation, but they would also put downward pressure on all kinds of investments.

Markets will likely remain volatile as the Fed nears a rate hike and investors gauge the impact.

“What we’re going through is likely to continue in the near term,” said Chris Zaccarelli, chief investment officer at Independent Advisor Alliance.

Other economies are also feeling the heat from sharp price increases, with some central banks having already decided to raise interest rates. Others abstain. The central banks of Thailand, Indonesia and India chose this week to keep their key rates unchanged.

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Fiction publisher

Best-selling author Kelly Irvin’s latest thriller is set in La Villita

HELOTES — Author Kelly Irvin is sorry for killing so many people in San Antonio. Look at this. She’s sorry for putting so many murders in her novels in San Antonio.

“I almost feel like I should apologize because San Antonio really is a pretty safe place,” Irvin said with a laugh.

In his latest book “Trust Me” ($16.99 HarperCollins/Thomas Nelson), Irvin takes on two fellow San Antonio residents, while providing his usual colorful travel diary of some of the city’s most popular sights. city.

“Trust Me” revolves around the murder of Delaney Broward’s best friend, Ellie, whom she finds stabbed to death in Ellie’s candle shop in La Villita. To compound the tragedy, Broward’s brother, Corey, was similarly murdered 10 years earlier.

Shortly after discovering Ellie’s body, Delaney is attacked by the killer, who warns her, “Stay out of this or you’re next.”

Of course, she doesn’t.

Meanwhile, Delaney’s boyfriend Hunter, who was convicted of Corey’s murder, has just been released from prison and asks for Delaney’s help in investigating both murders.

“So the story is basically about trust,” Irvin said recently, sitting in the cozy living room of her Helotes home, a jet with images of shelves full of books on the chair behind her. “Delaney still has feelings for Hunter, but can she trust him when he says he’s not a murderer?”

In addition to La Villita, Irvin staged his grisly tales of murder and mayhem at such San Antonio locations as the Alamo, Haven for Hope, the downtown courthouse, and the Market Square.

Although she didn’t live here, she said San Antonio was an ideal setting for her novels.

“There are so many iconic and historic places here,” she said. “I was being interviewed about this book by a woman who said, ‘We came to San Antonio when I was a kid and I remember visiting La Villita.’ So many readers can imagine these places when they read my books.”

Originally from Kansas, Irvin worked for 10 years as a journalist in El Paso and Laredo before moving to San Antonio in 1989 when her husband, Tim, a videographer, got a job at a television station here.

Now 64, Irvin has been writing fiction for nearly 20 years and has a total of around 30 romantic thrillers and Amish novels to her credit. But even with such a track record, changing attitudes toward cultural appropriation and representation are forcing her to rethink who she writes about and how she writes about them.

“It’s definitely on everyone’s mind, and everyone approaches their books with a very keen eye towards, ‘Is this my story to tell?'” she said. . “It’s something I’m hypersensitive to and maybe wasn’t before.”

But as a genre writer, she’s also aware that following the “write what you know” advice often given to authors would severely limit the number of novels she could write and the kinds of people she could portray. .

“So how do I balance that?” she asked. “Especially in a place like San Antonio which is so diverse, so multicultural. I struggled with that because even though I think I know someone’s story, I didn’t walk in those shoes.

One possible answer, she said, is to have a so-called beta reader, someone who is a member of the group she is writing about – whether ethnic, racial or religious – read her manuscripts before the publication and reviews them for missteps and inauthenticities. When she told her agent that she was planning to write a character with muscular dystrophy, for example, the agent mentioned that she had a client with the disease who could review the story to check it out. ‘exactness.

Irvin recently submitted a proposal to her publisher for three books in what would be a new genre for her: women’s fiction.

“It’s more of a family drama, like what Jodi Picoult writes,” she said. “Books that address issues such as domestic violence and postpartum depression.”

Although she touched on such topics in her Amish romance novels, these new books would be set in the secular world and feature women in their 50s facing real-world challenges such as empty nest syndrome, relationship problems and divorce.

“I also want to write about people with health issues, which is pretty important to me,” she said. “How the disease can affect the families of the characters, their spouses and their work. I think these issues can create stories that people can relate to.

In this case, she would write what she knows.

Six years ago, Irvin was diagnosed with primary lateral sclerosis, a motor neuron disease that, although usually non-fatal, slowly destroys nerve cells in the brain that control movement.

But Irvin’s health has not deteriorated, and since she is also battling ovarian cancer, her doctors have since changed her diagnosis to paraneoplastic syndrome.

“Put simply, my immune system tried to fight off the cancer and attacked my central nervous system instead,” said Irvin, who walks on a wheeled walker. “The good news is that as long as we keep the cancer under control, my condition will not get worse.”

[email protected] | Twitter: @RichardMarini

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Book creator

“It has to scare people, the size is important”. ‘Reacher’ Creator Praises Tom Cruise’s Change in Amazon Series

For Lee Child, his character’s new actor Jack Reacher is satisfying. The author of the books on which the “Reacher” series is based, 67, has spoken about his opinion on the redesign of the main character in the new Amazon Prime Video adaptation based on his books and essentially he’s glad they cast a different actor to play the ex-military man after Tom Cruise He embodies it in two films.

Reacher is also physical

Fans were concerned about Cruise’s height, as Reacher is described in one book as “extremely tall, extremely broad, with long arms and legs, with hands the size of dinner plates“. Alan Ritchson, who is almost 1’90, stars in the new series as the main character.while Cruise, 59, is 1’7. Child is an executive producer on the new project and spoke with Metre about the cast:

“There was criticism from fans of the books because they created a very clear picture of what Reacher should look like. It just became a different proposition and I guess it’s an opportunity to thinking ‘Okay, we can find a much bigger guy to make fans of the books happy.’ But we’re also focusing on the non-book audience. What do you need? They just need a good entertainment, they don’t have the reference yet, so they also had to be satisfied.

Child added that he understood what viewers wanted; even if also appreciates Cruise’s work.

“I think size is important for certain parts of the story. Reacher needs to scare people, and you can do that a lot easier with the gaze of this huge animal instead of a full-sized actor.

Too much Ritchson, 37, spoke recently with The post office about her new role and how her height was a great asset.

“I gained 30 pounds for the role and I feel great. It’s my life-size, and it feels good to be able to be me. Of course, there’s the physical aspect. We’re both from the same size. It gives you a certain confidence when you walk and I think we share that. I love Tom Cruise. I’ve seen all his other movies. He’s an icon, a living legend. There’s no There’s no one like him. But it was a project where I wanted to try and make Reacher my own, out of respect for the fans who love the books and want to see a real Jack, and this was my chance.


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Reading and writing

9 new books we recommend this week

THE PARIS POST OFFICE, by Meg Waite Clayton. (Harper/HarperCollins, $27.99.) The heroine of this suspenseful historical novel was inspired by a real-life Chicago heiress who used her money and influence to smuggle thousands of refugees to safety during World War II, showing that loyalty and love can flourish even in tragic circumstances. In Clayton’s version, the main character, Nanée, tries to reunite a French widower with his young daughter and take them to America – but how? “Waiting for the answer to that question,” writes Alida Becker in her latest Historical Fiction column, “and wondering about its impact on Nanée’s future, adds to Clayton’s already suspenseful plot.”

SEVEN GAMES: A Human Story, by Olivier Roder. (Norton, $26.95.) Roeder, a student of games and game theory, is keenly aware of the tension between what games are and what people project into them. In his “group biography” on checkers, chess, Go, backgammon, poker, Scrabble and bridge, Roeder not only explores the history of how we play, but why. It also shows, in a poignant way, how computers are changing our relationship to these games. “Each of the main sections of this book reads like a tragedy, a repeated myth of pride,” writes Peter Sagal in his review. “Every game has its story, its champions, its quirks and its community, and then comes the programmer who believes he can teach a computer to play it. inescapable human creativity, then, as programs improve, players are stripped of their illusions.

JOAN IS WELL, by Weike Wang. (Random house, $27.) Joan is a 36-year-old attending physician in an intensive care unit on New York’s Upper West Side who just wants people to leave her alone so she can work. But the pressures from her family, HR, and her neighbor leave her with a rage that Wang still lets bubble beneath the surface. “In the hands of Weike Wang,” writes Deesha Philyaw in her review, “Joan’s dry wit is downright hilarious, sometimes unintentionally, sometimes as a coping mechanism. …Wang gave us such an unusual and shameless character that we can’t help but want to spend time with her, knowing full well that she wants nothing more than to be left alone.

BLACK CAKE, by Charmaine Wilkerson. (Ballantine, $28.) In Wilkerson’s vibrant debut novel, celebrating second chances (and family food), a brother and sister only learn the truth about their mother when it’s too late to ask questions. Together, they must learn how – and when – to make her last wish come true. “Wilkerson approaches his plot like a mad chef, grabbing ingredients from around the world, slicing and dicing with abandon, tossing figures and palm fronds and a few drops of rum into a pot and letting it all simmer,” Elisabeth Egan writes in its last column Group Text. “You are immersed in a bubbling soup of family secrets, big lies, great loves, bright colors and strong smells.”

A DANGEROUS PLACE, by Chelsea B. DesAutels. (Sarabande, paper, $15.95.) The poems of the first collection of DesAutels meander between interior and exterior landscapes. The past interrupts the present, then life interrupts again – we cannot leave the present for long. In many poems, the speaker deals with cancer, as in “Broken Portrait”, with his brutal inversions of expectations: “I married a good man. He loves me and irons his shirts. I’m spoiled. / I means I rot. Our poetry columnist, Elisa Gabbert, writes: “I feel abused by this poem, in a good way. Sometimes I feel like a poem will mistreat me a little, abuse my confidence and shocks, that it is silent and then suddenly loud.In a poem, as DesAutels writes, there is “no threshold between threat and tranquillity”.

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Writer market

Yotuel Romero, writer, singer and two-time Grammy winner of ‘Patria y Vida’, named King of Carnival Miami 2022

The Kiwanis Club of Little Havana has named Yotuel Romero as the Official King of Carnival Miami 2022. As part of the 2022 festivities, the Cuban-born, Grammy-winning urban artist will perform on stage at the Kiwanis Club of Little Havana. (located at SW 8 St. and SW 22 Ave.) during the Calle Ocho Music Festival (El Festival de la Calle Ocho) on Sunday, March 13.

This press release is multimedia. View the full press release here:


“We are thrilled to announce Yotuel as the King of Carnival Miami 2022 and are honored to have him on stage at the Calle Ocho Music Festival,” said Alexander Perez, president of the Kiwanis Club of Little Havana. “‘Patria y Vida’ has become an anthem that has fueled a movement of expression through music and art for the Cuban people and there is no better place than Calle Ocho Music Festival to continue to elevate the message.”

The singer, artist and model of Cuban origin is a pioneer of his art. Composer and record producer, the trendsetter, known for mixing Afro-Cuban genres like rumba with hip hop, is not new to the music scene, although his hit song, “Patria y Vida” ( Spanish for “Fatherland and Life”), released in February 2021, propelled his career and served as a battle cry for the #SOSCubaMovement. The instantly iconic song won Best Urban Song and Song of the Year at the 2021 Latin Grammy Awards.

“I am honored to have been chosen as the king of Carnival Miami 2022,” said Yotuel Romero. “This festival has a long tradition of recognizing pillars of South Florida’s Latin community and being named among other Cuban musical icons like Celia Cruz (1984), Gloria Estefan (1988) and Willy Chirino (1993) is truly humiliating. I look forward to celebrating the return of Calle Ocho and appreciate the opportunity to further amplify the voice of the Cuban people and their plight for a free Cuba.

Little Havana’s Carnival Miami Kiwanis Club and signature events return in person with Carnival on the Mile taking place March 5-6 and culminating in the Calle Ocho Music Festival, taking place March 13.

“Carnival Miami brings together the Latin community of South Florida and beyond, celebrating our cultural heritage through music, food and family. I hope this year’s return to in-person events will mark a true celebration for our community.

Sponsors of the 2022 Carnival Miami festivities include Bacardi, Official Spirits of Carnival on the Mile, Lowe’s, Official Festival Home Improvement Store Calle Ocho, Amerant Bank, Presenting Sponsor of the Miami Carnival Golf Tournament, Telemundo, Univision, Palma, and more. .

For more information on Carnival Miami and upcoming events, please visit

About the Kiwanis Club of Little Havana

Kiwanis of Little Havana, an affiliate of Kiwanis International, is a global nonprofit organization of volunteers dedicated to serving children and families in their community. Founded in 1975 and armed with powerful vision and perseverance, the Little Havana Chapter is known for its advanced fundraising initiatives aimed at cultivating and amplifying the region’s rich cultural heritage, Latin flavors and traditions. families through Carnival Miami and its flagship events, Carnival on the Mile Music Festival and Calle Ocho. Through its charitable arm, the Kiwanis Foundation of Little Havana, the organization impacts thousands of families each year with youth and community development programs including vacations, hunger, university scholarships, summer camps for young people, back to school, sports for young people and many more.

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Fiction publisher

Donald Goines, Detroit’s crime writer par excellence

Some towns survive on reputation alone. Detroit has the Big Three automakers, including Ford Motor Company, and, of course, the Motown sound. Today, in an age where news stories are equidistant from the positive “returning city” narrative, Detroit’s checkered past as one of America’s most dangerous cities doesn’t seem to stand still. in the rearview mirror: it will not recoil, there is residual material, such as an unloaded gun.

While screenwriters, filmmakers and novelists created LA-tinted black, alongside visions of New York and Chicago in the 1970s, Detroit’s grit didn’t fit, at least not perfectly. Those jagged edges continued to get in the way, but Detroit managed to inspire a black writer named Donald Goines, who stroked those edges and shaped them into something unexpected, fresh, and inevitably raw. The former Korean War veteran, pimp, failed moonshiner and ex-con, turned to writing, using prose as a wide lens to accurately capture the widescreen disparity of black life in the 1960s. 70.

Goines’ work, for all its influence exploring, as a description on the back cover of one of his novels puts it, “the bloody and brutal world of crime in the black ghetto” has been mostly relegated to the trash. urban fiction. It is difficult to argue against this designation, since many of his seminal works, Drug, Partners in crime, fresh dad, Whore, Kenyatta’s last shot, and others, depicted black people in the ghetto trying to survive by the only means available (or known) to them – usually via drugs, sex, theft, or prostitution. Other writers (such as Sister Souljah, K’wan Foye and Omar Tyree) before, during and after Goines’s time (he produced novels from around 1971-1975) covered similar topics variably and , in some cases less convincing. – but what separated Goines from the pack was his addiction to heroin.

Holloway House Publishing House

He couldn’t escape this reality, so invariably it cropped up in his fiction time and time again. He wrote about the ghetto like no one else had (or would). Goines deployed the worn tropes of detective fiction for his own creative ends: the underdog looking for a break, the police detectives with sleazy – often nefarious – backgrounds, many of these stories set in his hometown. For Goines, crime has always been an “inside job”, so he wrote from the inside, from experience and observation. Goines was not simply a purveyor of ghetto life, he explored and examined the plight of pimps, prostitutes and broken families, writing mystery novels who happened to be black people, living black lives.

“Because the ghettos of Goines are like zero-sum societies in which one man’s gain must be another’s loss, its characters cannot even survive without breaking the law,” writes spiritual philosopher Greg Goode. :

His books are automatically detective novels similar to the way Caleb Williams is a detective novel. The law broken is sometimes the white man’s legal code, and sometimes the golden rule of the ghetto, “what happens comes back.” Often, therefore, the sadistic pimp loses his best wife, the murderer dies, the hustler is sent to jail, and some sort of automatic downtown justice is upheld. In other books, all the main characters die. In these books, Goines seems to express the despair of life in the ghetto.

Moreover, and this really touches on the essence of Goines’ influence and place in black literature, “[s]then there were imitators, almost all better writers than Goines. But no writer, before or since, can compare to Goines in the breadth of his criminal experience and in the prolific intensity with which he put his experience to paper.

Born in 1936 in Detroit, Goines’ biography does not seem to indicate a literary life. He dropped out of school at 15, served in the Korean War, and ended up serving time for attempted robbery. In prison, he discovers the works of Iceberg Slim (Robert Beck), a pimp turned novelist, who transforms his personal stories into ghetto realism. After a year, Goines was released from prison and eventually found a publisher, Los Angeles-based Holloway House Publishing Company, which also published Iceberg Slim’s work, including the provocative autobiography, Pimp: the story of my life (1967). (Biographies Donald no longer writes (1974) by Eddie Stone and Low Road: The Life and Legacy of Donald Goines (2004) by Eddie B. Allen, Jr., are excellent sources if you want to learn more about Goines’ personal and literary journey, as well as the influence of Iceberg Slim on his work and on the impact of Holloway House Publishing Company. )

Holloway House Publishing House

Cultural historian H. Bruce Franklin—writing for PMLA– provides valuable commentary on the influence of prison literature, not only on Goines’ early work, but perhaps more importantly, through a broader narrative linking literacy and the writers (like Goines) who have learned their trade while incarcerated. As Franklin writes:

In all of American prison literature, nothing has quite the same effect as these novels. [Goines’ 16 published works]who have converted countless non-readers into addicts searching for their next book while transforming their view of themselves and their world.

Goines’ first novel, Drugpublished in 1971, was followed by a deluge of others, including Whore (1972); black gangster (1972); street players (1972); White man’s justice, black man’s sorrow (1973); lost black girl (1973); Eldorado Red (1974); and his Kenyatta series of novels, written under the pseudonym of Al C. Clark – featuring the titular hitman – beginning with Partners in crime (1974) and ending with Kenyatta’s last shot (1975), show a writer at the height of his creative and descriptive power.

When critics write about the early 70s, Blaxploitation inevitably comes up, but few make the connection to Goines and his contribution to that time, a kind of call and response, a boiling shared cultural soup. The Blaxploitation films were in many ways an exaggeration, an ambitious attempt to celebrate blackness and black empowerment. In contrast, a novel by Goines was neither glitzy nor joyous, it played the B-side of the A-side of Blaxploitation. It was, indelibly, the drop of the needle inside the furrow.

Of all his novels, Drug would be the most personal and successful because it was the needle. He wrote in a typed note that he was trying to “reveal the sickening, madness, horror of drug addiction in the ghettos”, which he accomplished in Drug. The novel follows Porky, a pusher and drug addict, living as Stevie Wonder might have said, “for the city”. Goines’ depiction of life inside drug houses, as well as his ability to write exciting sex scenes, were impressive for the verisimilitude he brought to the page.

Holloway House Publishing House

“In addition to providing a literary foundation for contemporary authors of street fiction, Goines’ work has been a formative force in contemporary mainstream hip-hop culture,” according to literary scholars Marc Lamont Hill, Biany Pérez and Decoteau J Irby. These authors continue:

In particular, as critics (e.g., Watkins) have noted, Goines’ stories have shaped the lyrical content of rap artists, many of whom directly credit Goines’ books for artistic inspiration and creative direction. The relationship between Goines and hip-hop culture is key, as the latter has also been a major contributor to the resurgence of contemporary street fiction.

Goines’ portrayal of “contemporary street fiction” had Detroit at its center, reflecting the growing racial tensions whose circuitous routes—and demands for equality—reverberated around the world.

Historically, Goines was writing at a time of great social and political upheaval, several years after the Detroit Riots (rightly now Detroit Rebellion) from 1967, and on the cusp of the first term of Detroit’s first black mayor, Coleman Young, who, with his tough talk and equally colorful background, could have been a character written by Goines.

Unfortunately, Goines won’t live to see Young take office. His end, you might say, was intended to be as mysterious as the end of one of his novels. In 1974, gunmen entered his apartment in Highland Park, a town outside of Detroit, and shot him, aged 37. But his works have been kept alive – and in print – ever since, selling millions of copies. This is an incredible feat considering a volatile publishing market that is often apathetic or unsupportive of black popular fiction, let alone black crime fiction disguised as ghetto realism.

Goines’ vision (from a certain point of view) was captured in never die alone, performed and produced by rapper DMX (best known for his song “Party Up (Up in Here)”, with the infectious chorus of “Y’all gon’ make me lose my mind / Up in here, up in here”) . Alas, the 2004 film did little to elevate DMX’s transition from rapper to serious actor, or launch the proposed series of Goines films that such an endeavor might have launched. Yet perhaps it’s for the best: Goines’ meager prose, his ability to describe the ecstasy of the needle, the intimacy of sexual contact, or the rocky – sometimes violent – path to manhood, would be lost. on the big screen. At just over 200 pages, most of Goines’ novels owe more to the pulp fiction of the 1940s and 50s, unlike Walter Mosley’s sprawling crime novels. Where Mosley has distinct literary ambitions (or literary ambitions of another kind), Goines, by contrast, was a beat reporter, an eyewitness to the decadence of his community and struggles against the flood of socio-economic forces. economic.

If you want to know what it was like to be black in the early 70s, throw on Stax records, Marvin Gaye or Curtis Mayfield, and open a Donald Goines novel. It will open your eyes.

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Decades before Motown dominated radio, labels like Black Swan and Black Patti released records that didn’t stereotype African-American music.

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Book creator

BookTok could change the way Filipinos read

After the pandemic cut short my academic life in person, I have since studied at Trinity College Dublin, Warren University in New England and the University of Exeter in the UK – by which I mean that I lived vicariously through college lives of Marianne and Connell from “Normal People”, Samantha from “Bunny” and Dolly Alderton from “All I Know About Love”.

Books have always taken us somewhere else, but this carrying capability has gained unprecedented relevance with home orders. Frankly, reading was a welcome coping mechanism. So it’s perhaps fitting that I discovered these titles — and my love for reading — from another coping mechanism: TikTok.

Appropriately named BookTok, this corner of the application dubbed the last sane place on the internet is responsible for the fact that thousands of people around the world – including Filipinos – have become accustomed to reading, that they have been interested in books before the conception of the community. Thanks to BookTok, Vianchi, 25, started reading again after seven years. Chia, 18, has never read as much as she reads now. Aya, 18, didn’t read at all until she found BookTok. At the time of writing, the hashtag #BooktokPH has generated 139.9 million views on TikTok.

The ever-growing community is increasingly making its presence felt outside of the app. When Bryan, who creates BookTok content as Books by Bryan Hoards, made a viral video about the young adult mystery thriller “A Good Girl’s Guide to Murder”, a local bookstore saw an influx of orders. He adds: “Local bookstores now have their own ‘BookTok Favorites’ section in their physical and online stores. I’ve also seen new local book businesses emerge along the way; most of them even respond to pre-orders from international bookstores. (For context, bookstore sections dedicated to YouTube or Instagram rarely exist, perhaps proving BookTok’s unprecedented impact.)

Screenshots of Fully Booked and National Book Store “BookTok” online shelves. PHOTO BY NATIONALBOOKSTORE.COM

No one is quite sure how videos about books that make us cry or romantic feel-good novels found their way onto our For You pages. True to TikTok’s mystical, hyper-personalized algorithm, the book-related videos just popped up, and soon users found themselves overcoming year-long reading dips. Such is the story of Julienne, known to her TikTok followers as Love, Juliennewhich rekindled her love for reading after she sold out on BookTube, BookTok’s former YouTube counterpart.

“Factor yung short videos [sa TikTok]”, she said, “On BookTube kasi, watching 10-minute videos of a book language, so at noon, usually very interested in the language of the book in this book.” Due to TikTok’s three-minute limit , the creators cut to the chase, often featuring multiple titles and using tropes and themes as shorthand for what makes them appealing. sapphic protagonists, beautifully crafted enemies for loverseven books with female characters who can kill you in a second — all before a 30-second snippet of a viral song plays off.

Julienne also observes that BookTok is more laid back. Bryan, who has been posting about books on Instagram since 2018, agrees: “Bookstagram thrives on a perfectly polished aesthetic, [while] BookTok embraces everyone. On TikTok, creators have carte blanche: some play scenesCraft book-inspired moodboardsor save them (usually weepy) natural reaction at the end of a book. “I’ve seen TikToks where people show up after reading ‘A Little Life’ [by Hanya Yanagihara] and I got so curious why everyone was crying so I got it myself,” says Hannah, 19.

“A lot of people see that side of reading, that it can be fun,” says Jam, a 27-year-old content creator who started including books in her videos during her quarantine. “It may be for pure entertainment and not all books are intimidating.”

The laid-back nature of BookTok lends a sense of authenticity that readers now find crucial for finding book recommendations, to the point that they trust the creators of BookTok more than best-seller lists or promotions supported by editors. “Strangers don’t feel like strangers, and the reviews aren’t intimidating or overwhelming for the beginning reader. It’s not something you get from other platforms,” says Vianchi. Bianca finds the reviews on BookTok are fueled by a creator’s pure passion for a book, and as such feels more personal than publishers telling her to buy something.She adds that BookTok has made book criticism – often seen as nerd or overly academic – feels new and accessible.

And thanks to TikTok’s random algorithm, more and more users are discovering these short, accessible reviews, opening them up not just to the immersive world of reading, but to the plethora of genres they otherwise wouldn’t be able to check out. Thérèse, a college student, who creates videos as notthesereads, has always been a voracious reader, but joining BookTok pushed her to venture out. “Over the many years na nagbabasa ako ng libro, hindi ako napapaisip dati na, bakit parang all white yung binabasa ko,” she says. “BookTok has diversified my reading.”

This debunks the common misconception about BookTok: that it recommends the same titles over and over again. While many books have gone massively viral in the app – many of which are indeed straight and white – the community is rapidly growing globally, and given its local and self-made nature, creators of marginalized identities can celebrate books that may be overlooked in book charts or other platforms.

Homosexual books often take center stage. Some creators make Rick Riordan and Colleen Hoover videos one day, and then Bob Ong and Jonaxx the following. Each August, BookTok joins Wikithonan annual read-a-thon featuring Filipino authors, where readers are introduced to Jessica Zafra and Nick Joaquin.

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I was bitten by the BookTok bug in mid-2021, and when a video I made on “Sexuality and the Philippines” from the University of the Philippines gained attention, it reinforced my belief that local readers are receptive to Filipino titles; they just don’t know where to find them. The book has since been out of print, with the online press store’s top review thanking BookTok for the recommendation.

This is not an isolated case. Filipino author SJ Wolf says TikTok was instrumental in promoting his self-published novel ‘Under the City Lights’: “TikTok reaches billions of people around the world. It’s also free marketing, and it’s very useful for little authors.” This contrasts with other platforms like Facebook, which require her to pay for ads before showing her book to an audience she can access for free on TikTok.

As a reader, SJ finds BookTok “a very comforting community”, noting that for many people, books have become their friends during long periods of isolation. Entrepreneur and content creator Cleo, who started reading and creating book content during quarantine, feels the same way. “People needed escape, and books did that for us,” she says. “It gives us a sense of connection with other humans, a feeling we’ve longed for since the start of this pandemic.”

Books have always had this power – I remember Joan Didion’s oft-quoted statement, “We tell stories for a living” – and BookTok is an extension of that. “A comforting na umiyak ako sa part na ‘to ng book, and siya on the other side of the world, umiyak din. It creates a kind of bond,” says Therese. Many readers also express that BookTok makes them feel seen , understood and that they belong; feelings that they have a hard time finding elsewhere, especially now.

Many readers also express that BookTok makes them feel seen, understood and belong; feelings they struggle to find elsewhere, especially now.

That said, since TikTok is designed to incentivize quick content consumption, creators feel compelled to read more. There’s also the pressure to buy as many physical books as possible – a problem endemic to BookTube and Bookstagram as well – which makes reading accessible only to those who can afford tall, full shelves.

Bryan assures readers that everyone is welcome in the Booktok community, “even if you read e-books.” Julienne shares that she takes reading breaks to combat burnout, although they never last too long: “Nae-encourage talaga ‘ko magbasa [dahil sa BookTok], kasi marami akong nakikilalang bagong authors, bagong books. Thérèse reminds readers to “don’t let anyone force you to read books you don’t want”.

I remember my first few weeks on BookTok, watching ten-second book unboxing videos and seeing dozens of comments with variations of “I hope you enjoy the book.” I soften at the sheer purity of the act, and find myself posting the same good wishes. In a way, the title of the books doesn’t even matter – it’s enough that we both find refuge in reading, that we both know something that not everyone else knows. I press twice, comment “good reading!” and, for the first time in a long time, scroll without a gnawing sense of dread.

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Reading and writing

Heather Haverlisky’s ‘Foreverland’ is an honest and hilarious take on marital bliss

Heather Havrilesky reading | Endleaf Books, Chapel Hill | Thursday February 17 | Signing begins at 5:30 p.m.; limited seating

eternal country | Eco; Tuesday February 8

“Can I make myself smaller?” Heather Havrilesky asks, squinting and playing with her zoom settings. This may be the only time you will hear him make a request like this.

Havrilesky is the author of popular advice column “Ask Polly”, which, since she began writing it in 2012, has taken the genre to new heights with sprawling existential answers that are, in turn, nurturing, tender, brutally honest and laced with profanity. As Polly, Havrilesky encourages readers to embrace life’s mess and be honest about the limits of perfectionism. However, she never asks them to take up less space.

Amid the pandemic, Havrilesky, long based in Los Angeles, moved to Bull City, where she grew up. This is where she zooms in with me now, having adjusted her camera settings to her satisfaction and has just started interviews for her new book Foreverland: On the Divine Boredom of Marriage. The book, a reflection on her marriage, was released this week.

“Even though I visited a lot, I forgot about the insects,” Havrilesky says with a laugh about his return to the South. “I forgot the weeds. But I knew I’d like to be surrounded by smart, interesting people in a place that’s hugely community-based and creative.

Havrilesky grew up in Durham in the 1970s and 80s, her father an economics professor at Duke University, where Havrilesky later studied. After college came the move to California and jobs that resemble the CliffsNotes version of a certain foundational era of internet writing: work at, long as a TV reviewer for Salon .com, birth of “Ask Polly” at The puncha move to New York magazine, and now, a new era at Substack. Also on the way: Marriage to Bill, to whom you’ll end up feeling quite close, in eternal country-and the children. Last year the family moved to Durham.

“I was surprised at how un-haunted I felt growing up here,” says Havrilesky. “All the things that I feared would be difficult about this move turned out to be easy. Being with my family is amazing – there’s something about being in the same city with your family where you are. understand better.

eternal country Part of it is about family and mutual understanding, but it’s also very much about marriage flaws and warts. This is the “divine boredom” part: the phlegmatic partner and the suburban team at Little League games, the marital doubt and the self-doubt.

“I knew I wanted to talk about the kind of delights and perils of commitment, boredom and repetitiveness, but also the inherent gifts of companionship,” says Havrilesky, married for 15 years. “As I delved deeper into the book, I was increasingly confronted with the arbitrary, strange, and moralistic aspects of attaching oneself to someone for the rest of their life.”

I came to eternal country as a long-time reader of Havrilesky’s work. In my early twenties and swimming in confusing feelings, I used to trade his columns on Gchat with my friend Molly like baseball cards. Polly’s emotional swagger was ambitious, and regardless of the question posed, her answers landed in a pleasantly disruptive way. (“YOU ARE PRAYING ON THE ALTAR OF THE MOST BORING RELIGION IN THE UNIVERSE RIGHT NOW,” she wrote in a column to a woman embittered by rejection from men.)

As my twenties fell behind, I continued to read his writings, realizing that Havrilesky’s advice would continue to resonate because life, ultimately, continued to have its own complications. This is one of the fundamental aspects of “Ask Polly”: a recognition that life is a bit of an open wound and that the trick is to try to get through it with love and vulnerability, anyway, to try to to be kind to yourself and other people. Also: an acknowledgment that there really is no trick.

Early January, The New York Times published an excerpt from eternal country. The title of the play was tongue-in-cheek – “Marriage Requires Amnesia” – with a catchy subtitle: “Do I Hate My Husband? Oh sure, yes, definitely.

Maybe the essay landed on a slow internet day, or maybe just at the perfect point of Omicron’s fatigue, but it sparked a day of outrage online, even leading Mindy Kaling to weigh in: “Wait, this is crazy,” Kaling tweeted. “Does her husband not care that she says she hates him in the New York Times?”

“The Time chose this chapter,” says Havrilesky. “I was surprised they chose it, but also kind of open to it – it comes two-thirds through the book.”

Thanks to Time piece, however, opinions on the book rolled around a few weeks before its release: Marriage should be sacred, private. If you don’t like your partner, leave them. One person, says Havrilesky, said the book failed to ‘read the room’: that is, during a pandemic, people don’t want to think about the dark, dusty corners of a relationship. . Havrilesky does not buy this idea.

“It’s not my job as a writer to read the play,” says Havrilesky. “I understand there’s a culture of influencers and that kind of stuff where you’re part of the culture — like, ‘I give you things and you’re my buddy, and you can talk to me in the comments.’ I’m not against it, I feel like it’s a matter of human connection But when you create an artifact that you want to sing about that feels alive, you can’t argue whether or not it puts readers comfortable and safe. The point of art isn’t to make you feel comfortable in whatever you already feel. That’s a politician’s job.

Nevertheless, readers of eternal country will find themselves loved by Bill, who comes across as smart, good-natured, and caring. The book begins with the story of how they met – Bill, a college professor and fan of her writings, sent her a cold email when he found out she was single – and fell in love, before traversing a tundra of pregnancy, suburbia, aging, extramarital crushes, haywire vacations and health issues.

It’s an engaging, self-effacing read that, despite all the rhetoric surrounding it – a recent dismissive New York Times the book review was titled “Heather Havrilesky compares her husband to a pile of laundry” stimulating a slew of angry male commentators – it’s really not even that dark. (Who isn’t a pile of laundry sometimes?) Craving marital obscurity? Try Norman Mailer.

Although Havrilesky is perhaps more honest than most about how annoying she sometimes finds her partner, the book shines with affection and it’s clear she doesn’t hate him. Exaggeration is part of his coping toolkit; some readers will appreciate it. Others don’t.

As we chat, Bill enters the frame, back from a walk with the dog, who is vigorously shaking off the rain. Hearing an interview unfold, Bill affably ducks out the door. “Hi, baby,” Havrilesky calls, before turning back to the camera.

“I decided to write this book, partly because I didn’t like any of the marriage books,” she says. “I just hated the way people wrote about their marriage. I felt like it was always a bit of a jerk or sugar coated or just miserably negative because they had already divorced. I didn’t want to write, like, a tragedy or a light, heartwarming comedy. I wanted to write something that had elements of both because that’s how life feels.

We are sold so many ideas about sex, love and marriage. Writing, here, from the perspective of a single Southerner, the selling of surround sound seems to be that marriage is the ultimate act of self-realization, that it will complete you and work out all the loose ends; that your parents and your tax accountants will finally accept you. I mention this to say that I was wondering how I would feel reading eternal country: What version of marriage was he going to try to sell?

Thankfully, I found the book to be much more nuanced than a sales pitch and a refreshing counterpoint to the pervasive idea that marriage is a secret institution that you have no right to complicate your life about. This is the thing that Havrilesky often comes back to, in his writings: the idea that we should make room for our feelings, no matter how tender or ugly, because that’s the only way to get through them. – and perhaps the only way to be truly known and loved.

“There’s an idea that relationships should be easy for us or they should end, and I think that’s bad for us,” she says. “If you’re really showing up and being honest and real with another person, there will be times when it’s not going to be easy because you’re not mirroring each other.”

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Writer market

Map Reader-Writer Market Size 2022 and Forecast to 2029

New Jersey, United States,-This report is an in-depth research study of the global Card Reader Market taking into account growth factors, recent trends, developments, opportunities and competitive environment. Market analysts and researchers have carried out an in-depth analysis of the global card reader-writer market using research methodologies such as Pestle and Porter’s five forces analysis. They provide accurate and reliable market data and useful recommendations aimed at helping players better understand current and future market scenarios. The Card Reader-Writer report includes comprehensive studies of potential segments including product types, applications, and end users and their contributions to the overall market size.

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The report includes a detailed segmentation study of the global Card Reader Writer market, in which all the segments are analyzed in terms of market growth, share, growth rate, and other significant factors. It also provides the segment attractiveness index, allowing players to inform about profitable revenue pockets in the global Card Reader-Writer Market. A broad assessment of the segments provided in the report enables investments, strategy, and teams to focus in the right areas of the global Card Reader-Writer Market.

Key Players Covered in Card Reader-Writer Markets:

  • Global HID Company
  • Gemalto
  • Athena
  • Apple
  • HP
  • Dell
  • IDtech
  • Alcor Microphone
  • ARX
  • Cherry Corp
  • manhattan
  • Vasco
  • Stanley Global Tech
  • Advanced card systems

Map Reader-Writer Market Split By Type:

Card Reader-Writer Market Split By Application:

  • Bank
  • Store
  • Restaurant
  • Other

The Card Reader Writer Market report has been segregated into distinct categories such as product type, application, end-user, and region. Each segment is valued based on CAGR, share, and growth potential. In the regional analysis, the report highlights the prospective region, which is expected to generate opportunities in the Global Card Reader-Writer Market in the coming years. This segmental analysis will surely prove to be a helpful tool for readers, stakeholders, and market players to get a complete picture of the global Card Readers market and its growth potential in the coming years.

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Scope of the Card Reader-Writer Market Report

Report attribute Details
Market size available for years 2021 – 2028
Base year considered 2021
Historical data 2015 – 2019
Forecast period 2021 – 2028
Quantitative units Revenue in USD Million and CAGR from 2021 to 2027
Segments Covered Types, applications, end users, and more.
Report cover Revenue Forecast, Business Ranking, Competitive Landscape, Growth Factors and Trends
Regional scope North America, Europe, Asia-Pacific, Latin America, Middle East and Africa
Scope of customization Free report customization (equivalent to up to 8 analyst business days) with purchase. Added or changed country, region and segment scope.
Pricing and purchase options Take advantage of personalized purchasing options to meet your exact research needs. Explore purchase options

Regional Card Reader-Writer Market Analysis can be represented as follows:

Each regional Card Reader-Writer industry is carefully researched to understand its current and future growth scenarios. This helps players strengthen their position. Use market research to get a better perspective and understanding of the market and target audience and ensure you stay ahead of the competition.

Based on geography, the global card reader-writer market has been segmented as follows:

    • North America includes the United States, Canada and Mexico
    • Europe includes Germany, France, UK, Italy, Spain
    • South America includes Colombia, Argentina, Nigeria and Chile
    • Asia Pacific includes Japan, China, Korea, India, Saudi Arabia and Southeast Asia

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Market Research Intellect provides syndicated and customized research reports to clients from various industries and organizations, in addition to the goal of providing customized and in-depth research studies. range of industries including energy, technology, manufacturing and construction, chemicals and materials, food and beverage. etc Our research studies help our clients to make decisions based on higher data, to admit deep forecasts, to grossly capitalize with opportunities and to optimize efficiency by activating as their belt in crime to adopt a mention precise and essential without compromise. clients, we have provided expert behavior assertion research facilities to more than 100 Global Fortune 500 companies such as Amazon, Dell, IBM, Shell, Exxon Mobil, General Electric, Siemens, Microsoft, Sony and Hitachi.

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Fiction publisher

Barnes & Noble Completely Flubs Showing #OwnVoices

The discourse around #OwnVoices has changed a lot over the past six or seven years. To put it simply (for now), #OwnVoices generally refers to fictional novels featuring places and characters from a specific background written by authors of similar experience. The idea is to uplift people who are marginalized because of their race, ethnicity, sexuality, ability, nationality, religion, etc., because the publishing industry and Booksellers often donate resources to those outside of these communities to tell their stories. (Or “flood” in the case of Jeanine Cummins American dirt.)

At no time has this term ever been used to describe non-fiction autobiographies and memoirs in general, especially those unrelated to marginalization. Unfortunately, a Barnes & Noble tasked with setting up a #OwnVoices table didn’t get the memo.

How did it happen

In addition to the issue of fiction versus non-fiction, we know there is a big gap in understanding. Even the books of the full (cropped) image, shared by author Ivelisse Housman (which shows about half of the painting), are not very diverse.

A commenter (not from the exact location) said that Barnes & Noble head office no longer sends employees a list of books to include for their table boards. This decentralization allows individual stores to choose books based on the needs of their communities, which is likely a net benefit because they know their community better. This is why those at BookTok also see different Barnes & Nobles accounts based on location.

Unfortunately, those already underpaid employees (most earn minimum wage or a dollar above in their states) at the largest chain of brick-and-mortar bookstores probably don’t have time at work to figure out what that means. term. .

They won’t experience #OwnVoices unless they’re in a community with other bookish people online. That’s why, even if the company puts the work on the employees, I’m not going to sit here and be completely upset about this particular store location.

Barnes & Noble (if they continue to use #OwnVoices) should pivot a sub-theme for stores based on identity and use their vast resources (not that) to provide advice to stores. Additionally, ongoing DEI training for more diverse and better paid staff would help mitigate such mistakes, if only to drive sales by appealing to an increasingly diverse audience that will choose alternatives.

Why do people completely drop the term

This diversion is emblematic of the fact that the expression has become more and more diluted over time, after publishers and chain stores have taken it over. On June 6, 2021, advocacy group We Need Diverse Books released a statement explaining why they also decided to drop using the term. They wrote:

#OwnVoices was created as a hashtag by author Corinne Duyvis in September 2015. It was originally designed as a short-form book recommendation tool in a Twitter feed, allowing readers to recommend books by authors who openly shared the diverse identities of their lead characters. The hashtag was never intended to be used in a broader capacity, but has since widened in usage to become a “catch-all” marketing term by the publishing industry. The use of #OwnVoices in this capacity raises issues due to the vagueness of the term, which has subsequently been used to place various creators in uncomfortable and potentially dangerous situations. It’s important to use the language that the writers want to celebrate about themselves and their characters.

These “uncomfortable and potentially dangerous situations” include circumstances such as authors who are not publicly “excluded” in some capacity, for security reasons, being excluded from the positive elevation provided by #OwnVoices. Another example I’ve seen is feuds within diasporas as the disconnect grows between author intent and marketing motivation (by the publisher) to appear inclusive.

There continue to be many more conversations about whether #OwnVoices is doing more harm than good. Either way, in all of these situations, people tend to be at least on the same page that we’re talking about fictional narratives and marginalization, not Hunter Biden’s memoir.

(via Twitter, photo: Alyssa Shotwell)

—The Mary Sue has a strict commenting policy that prohibits, but is not limited to, personal insults towards anybodyhate speech and trolling.—

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Book creator

High-Maintenance Creator Ben Sinclair Set To Adapt Lauren Oyler’s New Fake Accounts For TV

Lauren Oyler’s Iconic Conspiracy Theory Novel Fake accounts is set to get a TV series adaptation at the hands of High maintenance creator Ben Sinclair and famous playwright Jen Silverman, famous writer of the Netflix drama series City Tales. The duo are currently developing the project, which will be produced by ozark star Julia Garner through her new production banner, with Anonymous Content’s AC Studios developing the series.

Anonymous Content Creative Director David Levine has shared his two cents on this upcoming TV series based on perhaps one of the most popular novels dealing with conspiracy theories and theorists right now.


We inhaled Lauren Oyler’s debut novel and found it full of searing, hilarious, and ultimately brilliant observations of the devil’s market we’ve all made while living our online lives…

She [Oyler] has captured the zeitgeist of our recent past in the pages of this book, deploying his unparalleled critical eye and talent for putting into words what we all feel but cannot name. We are thrilled to bring his incisive book to television with such a talented creative team.

“All Star” seems like an apt description for the creative minds handling Oyler’s spectacular book. Ben Sinclair is well known for starring, directing and creating the HBO comedy High maintenance which lasted almost a decade (from 2012 to 2020). He also appeared in the 2020 sci-fi/comedy film Save yourself!, a hilarious film about a couple who decide to put their phones away for a week and travel to a remote cabin, only to be unaware of an alien invasion on Earth.

Jen Silverman wrote for Netflix’s 2019 limited series City Talesand is currently developing the feature film Sybil exposed for the Annapurnas. Silverman’s credits also include pieces such as Witch and The room mate. She will handle writing and executive production Fake accounts with Sinclair.

Julia “Ruth Langmore” Garner, the famous ozark actress, will produce this upcoming project under her banner, Alma Margo.

Lauren Oyler’s Fake Accounts Take Readers On A Gripping Journey From A Shocking Revelation

Lauren Oyler

Published by Catapult in February 2021, Fake accounts follows a young woman who, on the eve of Donald Trump’s inauguration, snoops into her boyfriend’s phone and makes a startling discovery: he’s a rather popular conspiracy theorist on the internet. Familiar with internet fraud, irony and outrage, the anonymous protagonist isn’t exactly shocked by the revelation but rather relieved. Her boyfriend has always been a little unknowable, and she plots to end their floundering relationship during a self-congratulatory stay at the Women’s March in DC. However, discovering his double life is just the first in a series of bizarre twists that expose a world where truths are shaped by lies online.

Looks like a lot is about to happen on screen with the Fake accounts TV shows. But fans will have to hold their breath a bit longer as no official release date has yet been revealed.

Andy Serkis will likely follow Venom 2 with an Animal Farm adaptation for Netflix
Andy Serkis will likely follow Venom 2 with an Animal Farm adaptation for Netflix

Venom: Let There Be Carnage director Andy Serkis has revealed that he will finally bring his motion capture animal farm to life.

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About the Author

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Reading and writing

Primary schools in Yorkshire face biggest national challenge to meet pupil leveling target

The government’s white paper on leveling up set the target of nine out of 10 pupils across the country achieving this standard by 2030 – but the current figure is 65%.

Yorkshire has the lowest percentage with the East Midlands at just 63%, with Rotherham the worst performer in the region at 59%.

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Even the best performing locations – York and Hull – only achieved 68%.

The Government has set itself the target of 90% of children leaving primary school with the expected level of reading, writing and arithmetic by 2030.

The Institute for Fiscal Studies has warned that “the scale of the challenge is enormous” if the government is to achieve its goal. The research institute’s analysis said: “Overall, in 2019, 65% of pupils leaving primary school met expectations in reading, writing and mathematics.

“On a regional basis, pupils in London have achieved the best results, while those in Yorkshire and the East Midlands have the most ground to catch up.”

He added: “But the gaps between most local areas are overshadowed by the gap between current student performance and government ambition. In 2019, only 21 of England’s 151 local authorities had more than 70% of their primary school leavers meeting expectations.

“Only two – Richmond upon Thames and the City of London – have exceeded 80%. Unfortunately, it is not at all clear that the Leveling Up white paper has plans and funding up to this challenge.

“Without a significant injection of new funds, the fact remains that school spending per pupil will remain below its peak in 2009-2010 until 2024-25.”

The white paper outlines plans to ‘eradicate illiteracy and incalculability’ and plans to create 55 education investment areas, including seven in Yorkshire. Plans include retention payments for top teachers and the creation of “elite” sixth graders.

Rotherham is among the locations, along with Bradford, Doncaster, Kirklees, Leeds, North Yorkshire and Wakefield.

Rotherham councilor Victoria Cusworth, cabinet member for children and young people, said it was difficult to assess how achievable the white paper’s aims were.

She said: “The education upgrade targets are certainly challenging, but we are still awaiting full details on the resources, support and policies that will be in place, so it is difficult to judge how well they are achievable. While we are still awaiting this detail and have time to assess what it will mean in practice, we welcome the added focus on improving the educational attainment of Rotherham’s children.

“It must be recognized that the barriers we face in making meaningful and lasting improvements in education go beyond the classroom and are linked to the broader issues facing communities like ours, which have a legacy of industrial decline and neglect, compounded more recently by austerity and the pandemic.

Make work experience part of the upgrade ride

Student work experience should be included in the government’s upgrade campaign, a social mobility charity has urged.

Stakeholders for schools said increasing the number of work experience placements offered virtually can meet the government’s goal of distributing opportunities more evenly.

Employers have been urged to offer more placements ‘virtually’ amid evidence this would allow young people from all parts of the UK to access them.

Speakers for Schools said it has resources to engage with one million young people a year by 2023, but is calling on 1,500 businesses to get involved.

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Writer market

The best second-half NHL scenarios to watch

What second-half NHL scenario will you be watching closely?

Sean Leahy, NHL Writer: The goalie market will be interesting as there are teams that seem destined for the playoffs but are currently dealing with inconsistent goaltending. Are the Capitals happy with Vitek Vanecek and Ilya Samsonov? Will Tuukka Rask end up hurting the Bruins? Marc-Andre Fleury would be a nice addition if he’s willing to waive his no-move clause. Could Joonas Korpisalo or Alexandar Georgiev be the solution somewhere?

Jake Abrahams, Editor, NHL Content: The trade deadline, especially when it comes to Eastern Conference sellers. So many Eastern teams are already out of the mix, which means there could be more teams trying to offload assets than normal. How will this surplus of available players affect the market? It will be fascinating to watch.

Adam Gretz, NHL Writer: The Pacific Division playoff race. Everyone there has been pretty much even this season and it’s created a situation where pretty much everyone outside of Seattle and probably Vancouver still has reason to believe they can make the playoffs. playoffs. Anaheim and Los Angeles were great surprises, San Jose is trying to hang around, Edmonton is still chaotic and Calgary is really starting to roll. Then you have Vegas at the top of the division always picking up Jack Eichel at some point.

James O’Brien, NHL Writer: Could this be the year a trade deadline finally changes the balance of the playoffs? The world could use that extra touch of spice.

Michael Finewax, NBC Sports Edge Senior Hockey Writer/Editor: Can Ovechkin win the Rocket Richard or will Auston Matthews pass everyone?

Michael Martin/NHLI via Getty Images

Michael Finewax, NBC Sports Edge Senior Hockey Writer/Editor

The biggest surprise (team): Anaheim

Biggest disappointment (team): New York Islanders

Current non-playoff team that will make the playoffs?: Edmonton

The current playoff team who will eventually miss out?: Los Angeles

Jake Abrahams, Editor, NHL Content

Biggest surprise (player): Troy Terry, Ducks
Biggest disappointment (player): Philipp Grubauer, Kraken
The biggest surprise (team): Nashville Predators
Biggest disappointment (team): Montreal Canadiens
Returning Player of the Season So Far: Jonathan Quick, Kings
Current non-playoff team that will make the playoffs?: Nothing
The current playoff team who will eventually miss out?: Nothing

James O’Brien, NHL writer

The biggest surprise (team): Anaheim Ducks

Biggest disappointment (team): Philadelphia Flyers

Returning Player of the Season So Far: Matt Duchene, Predators

Current non-playoff team that will make the playoffs?: Greasers

The current playoff team who will eventually miss out?: Ducks

Adam Gretz, NHL writer

Biggest surprise (player): Sergei Bobrovsky, Panthers

Biggest disappointment (player): Cole Caufield, Canadian

The biggest surprise (team): Anaheim Ducks

Biggest disappointment (team): Montreal Canadiens

Current non-playoff team that will make the playoffs?: Stars

The current playoff team who will eventually miss out?: Ducks

Sean Leahy, NHL writer

Biggest surprise (player): Sergei Bobrovsky, Panthers
Biggest disappointment (player): Cole Caufield, Canadian
The biggest surprise (team): Nashville Predators
Biggest disappointment (team): New York Islanders
Returning Player of the Season So Far: Matt Duchene, Predators
Current non-playoff team that will make the playoffs?: Nothing
The current playoff team who will eventually miss out?: Nothing

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Fiction publisher

New book on Sheikh Mohammed released at Emirates LitFest in Dubai

Dubai: A new book on His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President and Prime Minister of the United Arab Emirates and Ruler of Dubai, was launched at the Emirates Airline Literature Festival in Dubai on Sunday.

“Dare to Dream: How Mohammed bin Rashid Achieved His Dream” by Raed Barqawi, Executive Editor of Al Khaleej Newspaper, was unveiled in the presence of Sheikh Ahmed bin Saeed Al Maktoum, Chairman and CEO of Emirates Airline and Group.

Published by Motivate Media Group, the book highlights how Sheikh Mohammed’s vision and leadership have made Dubai a success story, a global hub for talent and a place where they can find resources and opportunities to achieve their dreams.

Address key questions

Barqawi has been a renowned journalist for over three decades and has had a front row seat to seeing Sheikh Mohammed’s dream come true. He said: “I tried to answer two key questions in my book: first, how did Mohammed bin Rashid achieve the impossible and make Dubai a unique global role model? And second, how did His Highness manage to reinforce a culture of dreaming in the Arab world, a world that had stopped dreaming decades ago?

He added: “It is fascinating to be surrounded by a personality like His Highness, who has raced against time to improve the present and the future not only of the Emiratis but of all Arabs. His perseverance and his ambition have driven me to dig deeper into the history of the United Arab Emirates over the past 50 years and shed light on how dreams can be realized in the race to be counted among the top 10 nations in the world. With confidence and determination, His Highness decided to dream for his country and his people, and today we are reaping the fruits of these dreams.

“A Miracle Every Day”

Barqawi told Gulf News that Dubai’s history under Sheikh Mohammed’s leadership is nothing short of a “miracle”. He said: “We have to tell the world what we have done here in Dubai and the UAE is a miracle – a place that was once a desert, with a hard life, has turned into a paradise. It is a miracle that you can see every day.

He added that due to his extensive coverage of business stories during much of his journalism career, he had the privilege of reporting on major projects in Dubai, which deepened his understanding of the strategic path. that the emirate was undertaking in its transformation.

Barqawi said an English version of the book is due out in late March.

From past to present

In this book, Barqawi delves into the history of the United Arab Emirates and takes the reader on a journey through Sheikh Mohammed’s past, childhood and youth to analyze the factors that helped shape his personality. It then transports the reader to the present to demonstrate the impact of those very factors of Dubai’s success that have made it the focus of the world. Drawing on his privileged position as a journalist closely following the rise of Dubai, Barqawi also offers his vision of the future of the emirate and its unprecedented rate of growth.

“I don’t know when I wake up what this nation would have accomplished,” he said.

The book examines Sheikh Mohammed bin Rashid as a philosopher who turned fiction into reality, whether economically, socially, administratively and as a leader. The book is divided into three chapters: Working Wonders, A Man Destined to Lead and The Oasis of Imagination, and includes an introduction (The Wind Beneath His Wings) and an epilogue (Life is a Story of Our Dreams).

Barwaqi’s royalties from sales of the book are donated to the Dubai-based Al Noor Training Center for People with Disabilities.


On Sunday, Barqawi held a book signing at the festival, which was attended by several officials and media personalities. He said, “I would like to express my gratitude and appreciation to my publisher and everyone who helped bring this book to life.”

Ian Fairservice, Managing Partner and Group Editor of Motivate Media Group, said: “We are proud to have published this phenomenal book about His Highness. This book is about the wisdom and foresight of His Highness Sheikh Mohammed bin Rashid and the impressive development of the United Arab Emirates. Raed is one of the most distinguished voices in journalism and it will be a fascinating read for anyone who has marveled at the incredible growth story of the Emirate of Dubai and the United Arab Emirates.

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Book creator

Red Producer Reveals Series Creator’s Requests For New Movie

The producer behind One piece: red revealed the requests series creator Eiichiro Oda had for the new film before it fully began production. It was officially announced last year that the next film in the franchise was officially in the works, and while Oda hasn’t written the film’s story like he may have in the past, the creator has been involved in new production. a little. As the executive producer of the new film, Oda has been involved in the production from the start and even received requests for the new film before it was launched.

Toei Animation Shinji Shimizu spoke about One Piece: Red at Toei’s 2022 film lineup press conference (as detailed by Anime News Network) and explained that Oda had two major requests for the new film. The first was to bring in a director who isn’t involved with the TV anime (which ended up happening with Code Geass franchise director Goro Taniguchi signing on to direct the movie), and the second ensured that a female character had a significant role in the new film. Fortunately, both requests were fulfilled.

(Photo: Toei Animation)

As Shimizu explained, Toei Animation was able to fulfill both of Oda’s requests for the new film by signing Taniguchi as director following his relationship with Oda in the past as one of the first animators to have never brought Luffy to the screens. As for the second, Shimizu admitted there was a bit of a struggle in ensuring a female character had a significant role. Although he noted that it was difficult at first, screenwriter Tsutomu Kuroiwa (who also wrote the script for One Piece Film: Gold) managed to make it work.

At the same time, it looks like Oda will be more heavily involved in the production of this new movie and while there’s still a lot we don’t know what to expect, it won’t be long before it won’t be released in theaters. An international release date has yet to be set as of this writing, but One piece: red is currently slated for release in Japan on August 6th. What do you think? What are you hoping to see in the next One Piece movie? Let us know all your thoughts on this in the comments! You can even contact me directly about all things anime and other cool stuff @Valdezology on Twitter!

by ANN

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Reading and writing

Louise Welsh: “It was like driving with the headlights off” | Detective novels

Lthe intensely atmospheric debut novel by ouise Welsh, The cutting room, won awards and plaudits when it was published in 2002. Its protagonist is Rilke, a gay auctioneer and accidental detective who stumbles upon a disturbing cache of photographs. Now, 20 years later, comes an equally compelling sequel, The second cut, in which Rilke must navigate Grindr, queerwashing and Covid restrictions, as well as murky events at a crumbling mansion and the sudden death of an old friend. Welsh, born in 1965, is a creative writing teacher and former old bookseller. Like Rilke, she lives in Glasgow with her partner, writer Zoë Strachan.

Why did you wait so long to write a sequel?
You have to have the right story, and I guess I didn’t really feel like I had anything to add. The cutting room changed my life, so I didn’t want to do anything lame.

What made you feel differently?
I think that’s changed enough now. I wrote that first book with hysterical laughter and a lot of anger during the campaign to defeat Term 28. Now we’ve had equal marriage for a long time, hate laws… A lot has changed in the auction world too. Plus, Something Good Happened: The Saltire First Book Prize Awarded Best 30-Year-Old Winner [the Most Inspiring Saltire First Book award]and the public voted for The cutting room. It was just another little scramble.

What was it like finding Rilke?
It was really great fun. I haven’t gone back to read the previous book – you don’t want to ventriloquize something you did earlier – but we share some memories, Rilke and I, about the history of this town. Another treat was that I got permission to think about the fabric of things, because Rilke is an auctioneer [both novels involve him being called to do a house clearance]. When he picks up something, he knows where it came from, and there’s some detective work in there.

Do you and Rilke share any characteristics?
He’s tall, he’s thin, he’s a man – my physical opposite. And I think he’s better than me: he sees something wrong and goes to fix it. We share a sense of humor.

Did you plot a lot before you started writing?
It was like driving with the lights off – you have scenes in your head but there’s a lot of instinct. I knew I wanted to start with the wedding of the two Bobbys [Rilke’s friends have the same name]. People still have ideas that queer lives are a bit transitory; they confuse this with simply being completely sexual – chance would be a beautiful thing! And so I wanted this image of a lasting relationship, because Rilke won’t have that. To some extent, the genre demands this; if he settles, it’s a different book.

To doDoes being described as a mystery writer make you feel locked away?
It’s an extremely large church so I’m happy. Along with love stories and ghost stories, detective writing is an essential part of life. Love, fear, justice – it’s always been there. I guess the fact that it has sometimes been kind of denigrated means the person on the street is empowered to pick it up, and that makes it a great political tool. Each writer also decides their own ethics, so my books don’t contain a lot of murder, and they tend not to have the naked, tortured female body.

Do you worry about the impact of such images?
It’s not my favorite image. At the same time, we know that women are murdered, so how do we represent the world if we don’t represent this torture, which we know some people enjoy and find energizing for some reason? I think Denise Mina is really good at addressing the misogynistic aspects of society. You can feel the political commitment and yet she expresses it in a story that people will want to read. This is good advocacy work.

How integral is Scottishness to your writing?
Identity is funny because you don’t go to your office thinking Here I am, a Scottish lesbian novelist, writing at the beginning of the 21st century… But I inhabit this landscape and it is the language on which I draw .

You have a wall of books behind you (we are on Zoom). How do you organize them?
It’s very willy-nilly, like a reflection of my brain. You can’t find anything. We’re moving into the downstairs apartment and maybe we’ll crack this time.

As a former bookseller, are you good at wrapping books?
The thing is, you get distracted, because you think, I remember reading that. Fortunately, I have a very strong friend who will help me. I won’t be able to watch because he’s running with the boxes and I’m catastrophizing – I see accidents everywhere.

What’s the last really great book you read?
I really liked Pat Barker The Women of Troy. The things he tells you about war and the consistency of how women in particular are treated – she’s an amazing writer. I also thought of Ai Weiwei 1000 years of joys and sorrows was great.

Did any of your childhood readings stand out to you?
All of Robert Louis Stevenson – I think because it was read to me. I used to pull a bunch of Alfred Hitchcock ghost stories out of the library with very spooky covers, and I still remember some of them. Maybe that’s why I write the kind of stuff I do. What do I associate reading with? Adventure, being afraid or being sad – an emotional response, anything that makes the blood flow faster.

What’s the last book you put down without finishing?
I’m not finished Thousand and one Night again. I started it because I was interested in the story of the Three Apples, which is about a woman whose body is dismembered, so it’s a very early iteration of that image we were talking about.

Do you have a favorite literary hero?
I love Sarah Waters’ books and her female characters – there’s always someone heroic, admirable, and flawed enough for you to love her. I also thought of Rebecca recently – which in my opinion isn’t the best book in the world, but who wouldn’t want a friend like Mrs. Danvers? She is so loyal and passionate.

The second cut by Louise Welsh is published by Canongate (£14.99). To support the Guardian and Observer order your copy at Delivery charges may apply

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Writer market

Stocks mixed, yields soar as jobs data boosts rate outlook

A currency trader looks at monitors in front of screens showing the Korea Composite Stock Price Index (KOSPI), left, and the exchange rate between the US dollar and South Korean won in the <a class=foreign exchange trading room of the headquarters of KEB Hana Bank in Seoul, South Korea, Friday, Feb. 4, 2022. Asian stocks were mixed on Friday after a historic drop in the share price of parent Facebook’s stock helped lower d other tech stocks on Wall Street. (AP Photo/Ahn Young-joon)” title=”A currency trader looks at monitors in front of screens showing the Korea Composite Stock Price Index (KOSPI), left, and the exchange rate between the US dollar and South Korean won in the foreign exchange trading room of the headquarters of KEB Hana Bank in Seoul, South Korea, Friday, Feb. 4, 2022. Asian stocks were mixed on Friday after a historic drop in the share price of parent Facebook’s stock helped lower d other tech stocks on Wall Street. (AP Photo/Ahn Young-joon)” loading=”lazy”/>

A currency trader looks at monitors in front of screens showing the Korea Composite Stock Price Index (KOSPI), left, and the exchange rate between the US dollar and South Korean won in the foreign exchange trading room of the headquarters of KEB Hana Bank in Seoul, South Korea, Friday, Feb. 4, 2022. Asian stocks were mixed on Friday after a historic drop in the share price of parent Facebook’s stock helped lower d other tech stocks on Wall Street. (AP Photo/Ahn Young-joon)


Wall Street ended a rather bullish week for stocks on Friday with a mixed end to major indexes and a surge in Treasury yields after a U.S. jobs report raised investor expectations that the Federal Reserve could soon start raising interest rates sharply.

The S&P 500 settled for a 0.5% gain after swinging between a 0.6% decline and a 1.4% gain. The Dow Jones Industrial Average slipped 0.1% after a last-minute selloff. The Nasdaq composite rose 1.6%. All three indexes posted a weekly gain for the second week in a row.

The latest monthly jobs data was the focus of investors’ concerns. The Labor Department said employers added 467,000 jobs last month, tripling economists’ forecasts. Some economists even expected a loss of jobs amid the spike in coronavirus infections in January due to the omicron variant.

The stronger-than-expected data appears to lock in the Fed’s pivot to fighting inflation by raising rates and taking other actions that would ultimately dampen markets. A 13.5% gain for online retail giant Amazon after the company released a strong earnings report helped lift the S&P 500, although more shares fell than rose in the benchmark index.

“Until you get a clearer picture of what the Fed tightening will be like, you should expect volatility to be similar to what we’ve seen over the past two weeks,” said Matt Stucky, senior portfolio manager at Northwestern Mutual. Richness.

The S&P 500 rose 23.09 points to 4,500.53, while the Dow slipped 21.42 points to 35,089.74. The Nasdaq gained 219.19 points to 14,098.01, while smaller shares of the Russell 2000 rose 11.33 points, or 0.6%, to 2,002.36.

Treasury yields jumped immediately after the release of the jobs report on expectations that the Fed will raise short-term interest rates more aggressively than expected. The two-year yield, which tends to move with expectations for Fed stocks, jumped to its highest level since the start of the pandemic and is more than double what it was two months ago. .

Most people expect the Fed to raise short-term rates next month from their all-time low of near zero, with the only question being how much. Friday’s jobs report now gives investors a nearly 32.7% chance of a 0.50 percentage point increase, instead of the traditional 0.25 point. That’s more than double the probability Wall Street predicted a day earlier, according to CME Group.

Any increase would mark a sharp turnaround from much of the past two years, when ultra-low rates drove up prices for everything from stocks to cryptocurrencies. Bonds paying more interest would mean that investors feel less need to chase such risky returns.

That’s why Wall Street has been so shaky over the past month as investors rush to take action to get ahead of the Fed. On the one hand, higher rates will likely mean that equity investors pay lower prices for every dollar of profit a company produces. On the other hand, stock prices could still remain resilient if these corporate earnings continue to rise.

Stocks considered the most expensive have been hardest hit by the Wall Street reorganization. Much of the focus has been on tech and internet stocks that have soared during the pandemic on expectations that they can continue to grow regardless of the economy.

Even there, uncertainty still reigns as some tech-focused companies reported earnings that continued to beat analysts’ expectations, while others, like Facebook’s parent company, stumbled.

Amazon joined the list of early adopters after announcing stronger results for its latest quarter than analysts expected. Because it’s one of the biggest stocks on Wall Street by market value, its movements have an outsized effect on the S&P 500 and other indexes. The company also set a record for the largest single-day market value gain by a U.S. company, adding $191 billion to its market value, according to FactSet.

Amazon’s big jump in market value came a day after a historic tumble in shares of Facebook’s parent company wiped out more than $230 billion in market value, which was the biggest loss in value ever. day for an American company. Meta fell another 0.3% on Friday.

Facebook’s parent company fell another 0.3% a day after wiping more than $230 billion from its market value, by far the biggest one-day loss in history for a US company.

Snapchat’s parent Snap soared 58.8% and Pinterest gained 11.2% following its own revenue reports.

Ford fell 9.7% and was another of the heaviest weights in the S&P 500 after reporting weaker-than-expected revenue and earnings for the last quarter.

Shortages of computer chips continue to hurt its auto production. These supply chain issues have been at the heart of the high inflation that is tearing the world apart, and price increases at the US consumer level are at an all-time high in nearly 40 years.

This increases the pressure on the Fed to act decisively to bring inflation under control. Wage data in Friday’s jobs report may have ratcheted up the pressure.

The average hourly wage of workers jumped 5.7% in January from a year earlier. This is a faster acceleration from December’s 4.9% rise than economists had expected. While such increases are attractive to workers, higher wages can also fuel longer-lasting inflation than if gasoline or other commodity prices were to rise alone.

With rising expectations for Fed action, the two-year Treasury yield jumped to 1.31% from 1.19% on Thursday night. The 10-year yield jumped to 1.92% from 1.82%.


AP Business Writer Elaine Kurtenbach contributed. Veiga reported from Los Angeles.

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Book creator

Raising Dion Season 2 Locks Down Black Struggles

Raising Dion Season 2 spoilers follow

An evil Crooked Man stalking a superpowered 10-year-old doesn’t seem like the most natural breeding ground for exploring the Black experience, but that’s what Raising Dion is. Amidst the chaotic world of a propelled boy and a single mother’s journey to raise him, there’s a lot to unpack.

Creator Carol Barbee does a brilliant job of barely veiling heavy background with three-dimensional heroes and villains, cool powers (who didn’t want to teleport or set things on fire?), friendship goals and just a little romance.

Yet if you lift, just a little, beneath all the glare, you get real black struggles portrayed through the lives of powerful people and the dynamic between the haves and have-nots.

“Thinly” is a pretty apt way to describe his approach. Right off the bat, season two draws parallels between casual racism and instinctive comments and reactions to powerful people in the most unexpected ways.


Alisha Wainwright’s Nicole Warren has spent the past two years learning to adjust to life with a motorized child. Learning to embrace it and protect it doesn’t stop it from making a classic though. faux pas when she meets her son’s motorized trainer, Tevin (How to Get Away With Murders Roma Flynn).

His dislike of his powers is evident despite the fact that he uses them to protect her – albeit milk spray from a broken cappuccino maker, but still. The smell of stale milk is not exactly eau de parfum.

The blunt tone she uses and the deadpan look she gives Tevin while saying, “You’re energized,” leads Tevin to ask, “Did it just get cold in here?” then, “[Have] do you have something against powerful people? »

Nicole tries to tone down her response by saying, “I like powerful people” (Oh boy, here we go), prompting Tevin to say, “Yeah, some of your best friends are powerful.”

Sound familiar? If you’re unlucky enough to have had a similar interaction, your insides probably just recoiled. Flashbacks of someone doing something mildly to overtly offensive and covering up their actions with “It’s okay, my best friend is black.” (Warning: this is never acceptable and this phrase should be banned.)

Fortunately, Nicole manages to make amends for her transgression so that we can forgive her and start loving her again.

However, the similarities do not end there. Barbee uses evil Biona employee David Marsh (Josh Ventura) in a subtle way to illustrate a huge problem facing the black community.

ja'siah young as dion, sammi haney as esperanza, raising dion season 2


Right from the start, there was something uncertain about David. His dishonest smile didn’t help, but his eagerness to exploit powerful people by finding a way to exploit their gifts didn’t make the best first impression.

He tries to pass it off as a humanitarian act with cliched lines of “ending hunger”. His true intentions were further revealed towards the end of the season when he wanted to monetize them for his own financial gain.

Harnessing the gifts and talents of the black community without fair compensation has long been a source of contention. You only need to lift the lid to find wage disparities piled atop a list of grievances stretching back to the plantations.

However, he gets his reward. Rebuffed by Biona and staring unemployment in the face felt like satisfying justice. However, his new partnership with Crooked-Man Pat could see him rise once again. Only season three will tell.

Closer to home is the conversation between Nicole and her sister Kat (Jazmyn Simon). Kat – the doctor – starts the season fresh after a trip to Ghana, quoting phrases like: “Sankofa. It means to go back and get it.

It’s a beautiful reflection of the conversations and accomplishments that are happening right now in the black community. The desire to explore one’s roots for a deeper, more meaningful connection can sometimes seem distant, especially if you grew up or reside in the western world. We see what you’re doing here, Kat.

Kat also brings up the pressures of parental expectations when she reveals that she only became a doctor because her parents wanted her to. Nicole replies, “You were always the good girl.”

This seemingly innocent exchange is layered. This reflects the pressure to succeed and excel academically and to use this education to gain professional employment, as well as the need to please and be obedient and the competitiveness this creates between siblings.

Barbee brings it all together near the end when Nicole suggests that a powerful person take her place as the speaker representative on Biona’s advisory board.

“Decisions are made and it doesn’t matter who’s in the room,” Nicole says, asking teenage Janelle Carr (Aubriana Davis) to step into her shoes.

The importance of controlling your own narrative and being present so that changes can be made to benefit your community is so integral to the fight for equality. Barbee is demonstrating that beautifully right now.

In fact, his approach to the show as a whole was a natural way to infuse mainstream media with heavy but necessary context, finding a way to entertain and educate all in one.

alisha wainwright as nicole warren, ja'siah young as dion warren, raising dion, season 2


This isn’t the first time she’s used the show to talk about the hardships facing black people. In season one, Nicole has a heart-to-heart with Dion (Ja’Siah Young) where she discusses racism.

“Sometimes other people are going to be scared of you,” Nicole tells Dion.

“Because I have powers?” he asks.

“No, it’s not about powers. It’s about people treating you differently because of the color of your skin.”

It’s a huge concept for the then eight-year-old to grasp, but a necessary discussion that needs to take place. We saw this evolve in season two where Nicole became fiercely protective of Dion, worried about real-world threats as well as the supernatural.

Barbee’s desire to post various issues echoes the intent of comic book creator Dennis Liu, who wrote the original content from which the show is adapted. In an interview with Deadline, Liu said, “I started this project many years ago because I wanted to see more diverse representation in film and television.

“More than ever, we need more stories told from different perspectives and my hope with Raising Dion is to create a cinematic experience for all families that will lift your spirits and make you laugh and cry.”

Raising Dion season two is available to stream on Netflix now.

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Reading and writing

Required reading

When social media influencers showed up at the Azimuth music festival in the middle of the Saudi desert, they were promised a festival of musical and gastronomic excess, all subsidized by a branch of the Saudi government.

What attendees didn’t know was that the expensive music festival was secretly organized by youth media company Vice, as part of the media company’s ongoing effort to raise money in the state of Middle East despite the country’s poor human rights record.

Just three years after Vice publicly announced that he was to make a break all are working in Saudi Arabia due to fallout from the state-ordered murder of dissident Jamal Khashoggi, Vice insiders told the Guardian that the company is once again aggressively pursuing business opportunities in Saudi Arabia.

“For years, Vice employees have raised concerns about the company’s involvement with Saudi Arabia – and we’ve been palmed off with empty statements and pathetic apologies,” said a Vice employee. .

If you pay attention to both the Hollywood trades and the crypto press, and smoke enough weed, you can begin to spot the outlines of an expanding, interconnected, knowledge-based web3 financial and cultural complex. celebrities: did you know, for example, that Jimmy Fallon is represented by CAA, which is an investor in the OpenSea NFT marketplaceand who recently signed an agreement to represent the NFT collector 0xb1who owns NFTs of Bored Ape Yacht Club and women’s world? Did you know that another CAA client, Ashton Kutcher1, is also an investor in OpenSea, through his company Sound Ventures? Or that Kutcher will be starring in a Netflix romantic comedy called Your place or mine with Reese Witherspoon, the most important owner of World of Women NFTs, who also happens to be married to a CAA agent? Where the people behind World of Womenand Bored Ape Yacht Club are both represented by Kutcher’s partner in Sound Ventures, music director Guy Oseary? Did you know that Oseary’s other major business these days is pearpop, a platform for connecting Tiktok influencers to celebrities for collaborations – a platform used by none other than Paris Hilton?

During the interview, I asked [President Whipps] to describe to me someone who could benefit from being a digital Palauan, and he explained that residents of states like Hawaii cannot buy and sell Hawaiian cryptocurrencies with their Hawaiian ID (note : they could, but I understand that’s a pain in the ass because of how restricted trading is.) With a digital ID the idea is that they could participate in those markets more freely and essentially transcend their location and their nationality… with an assist from Palau. And yes, there will be background checks similar to the ones banks use to make sure they’re not doing business with money launderers (all of whom seem to still have bank accounts, but OK.)

For individuals, this is a nice service to have; for Palau, it’s the first step in a bigger bid to become a place with the kind of regulations that entice cryptocurrency companies to register there, thereby earning the country money through fees, licenses, taxes and so on.

Moore’s descent into the far right was gradual and initially unintentional. When she heard about a post-election MAGA rally planned for November 2020 at DC’s Freedom Plaza near the Capitol, she immediately decided to attend. “I’ve always made time for something like that. I grew up here, so I think it twists your brain in a weird way,” she explained to me in November 2021, at a bar in DC. She had just surrendered right after a spinning class, just like she had before going to the rally a year before.

As she spoke quickly and intensely, she was warm and inviting, despite this being our first face-to-face meeting. I imagined how that—along with her ruthless persistence, sense of purpose, and status as a white woman in a space that explicitly values ​​them but lacks them—helped her to ingratiate herself with the far-right.

Moore, who is 33, did not initially build a cover. But she realized that if she didn’t wear a mask, held her tongue and acted friendly, protesters simply assumed she was on their side, warming up and speaking freely with little prompting. After the November 2020 rally and several other events, Moore realized she was noticing things — sightings that kept her from being as surprised as many people were by the storming. of the Capitol on January 6.

“December was incredibly unsettling,” she explained, describing a threatening tone a la next big rally MAGA in DC that followed Biden’s victory. “It was tense all day and people were telling me how the Proud Boys had protected and saved them at the last rally, and how the police can’t do anything” – all of which, she says, means committing violence against the counter-protesters. “I remember this guy walking by me and saying, ‘When it’s dark…'”

  • Oscar Schwartz considers the Ted Talk and what is it actually for The Drift, although I think his suggestion that Ted Talks never changed anything isn’t true, as many people have been “discovered” or at least became very popular after their important discussions, including Ashraf Ghani in 2005, who would become the president of Afghanistan until the withdrawal of American forces last year:

In ancient Athens, public speaking was understood primarily as a means of persuasion; learning to convince others was the duty of a democratic citizen. For Confucius, refined speech was the embodiment of refined ethics. In 19th century America, popular lectures given in East Coast high schools were seen as a form of moral upliftment, raising the nation’s cultural standards and satisfying the middle class’s hungry appetite for useful knowledge. The main function of TED, on the other hand, is to predict the future.

The inaugural TED Conference, held in Monterey, California, in 1984, was organized by Richard Saul Wurman, an architect, and Harry Marks, a television program designer, who shared the belief that the distinct domains of technology (T), entertainment (E), and design (D) were converging, and that their convergence would change the world. Elevated futurism was nothing new to the Silicon Valley cohort who attended the first TED talk. Since the dawn of digital computing, the engineers and mathematicians building the new machines had talked about how their inventions would spark revolutions, disrupt institutions, disrupt industries, and transform what it means to be human. John von Neumann, sometimes considered the father of modern computing, is said to have confessed to his wife: “What we are creating now is a monster whose influence will change history, provided history remains “. The world was about to enter a new historical epoch. The change would be exponential and irrevocable in all spheres of human activity. Wurman and Marks packaged this futuristic fantasy and sold it as a live event.

  • Billionaire Leon Cooperman talks to Eli Saslow from Washington Post about how much money is enough. I can’t say that Cooperman doesn’t seem oblivious here (the super rich always like to play the victim, woe to me, it’s not enough to be rich, you have to worship them):

The past year has been the best time in history to be one of 745 American billionaires, whose cumulative wealth has increased by around 70% since the start of the pandemic, even as tens of millions of workers low-wage workers have lost their jobs or their homes. Together, those 745 billionaires are now worth more than the poorest 60% of U.S. households combined, and every day Cooperman could see that gap widen on its balance sheet — up an average of $4,788 per minute on the stock market, 1.9 million a day and $700 million in total in 2021. As a record amount of wealth continued to shift to a tiny fraction of people at the top of the economy, Cooperman could also sense something else changing. .

“Billionaires shouldn’t even exist in America,” read a memo he received after going on TV recommending stock picks.

“One day we will chase you all with pitchforks,” another message read.

“Wake up, moron. YOU and your insatiable greed are the root of our greatest societal problems.

He answered most personal emails, logged the occasional death threat, and wrote letters to politicians such as Sen. Elizabeth Warren (D-Mass.), Sen. Bernie Sanders (I-Vt.) and Rep. Alexandria Ocasio-Cortez (DN.Y.) every time they criticized the billionaires in their speeches, because he couldn’t understand: what exactly had he done wrong? What rule had he broken? He was born to poor immigrant parents on the losing side of a capitalist economy. He had attended public schools, had gone into debt to become the first in his family to attend college, worked 80 hours a week, made wise decisions, benefited from a little luck, amassed a fortune for himself and for its customers and paid hundreds of millions in taxes to the government. He had a 57-year-old wife, two successful children and three grandchildren who helped him decide how to give most of his money to a long list of charities. “My life is the story of the American dream,” he said as he accepted an award at a charity gala, and he’d always imagined himself as the rags-to-riches hero, only to now find himself in the role of the greedy villain in a tale of economic inequality gone mad.

Required reading is published every Thursday afternoon and includes a short list of art-related links to long-form articles, videos, blog posts or photo essays worth a second look.

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Writer market

Asian stocks mixed as profits fuel gains on Wall Street | Economic news


BANGKOK (AP) — Stocks were mixed in Asia on Thursday as the latest batch of corporate earnings reports kept investors in a buying mood and pushed benchmarks on Wall Street higher.

Markets in China remained closed for the Lunar New Year holiday. Tokyo’s Nikkei 225 lost 1.1% to 27,241.31 while the S&P/ASX 200 fell 0.1% to 7,078.00. Seoul’s Kospi climbed 1.7% to 2,707.82, catching up with earlier gains elsewhere after South Korean markets reopened after the holidays.

US futures fell, with the contract for the S&P 500 down 1%. That of the Dow Jones industrialists fell by 0.1%.

Investors look at the latest round of corporate earnings to gauge the damage rising costs have had on different industries and how companies will weather inflation going forward.

political cartoons

Most of the companies that reported results for the last three months of 2021 achieved better-than-expected profits and revenues, despite the higher costs they face due to rising inflation.

But investors in Asia were shaken when Facebook’s parent Meta Platforms plunged 22.9% in after-hours trading after its latest quarterly earnings fell short of Wall Street estimates. .

Oil prices fell after major oil-producing countries decided on Wednesday to stick to their plan for a little more oil in the global economy. This will likely keep prices near seven-year highs. The 23-member OPEC+ alliance opted to add 400,000 barrels per day in March.

Benchmark U.S. crude oil fell 55 cents to $87.71 a barrel in electronic trading on the New York Mercantile Exchange. It had gained 6 cents to $88.26 a barrel on Wednesday.

Brent crude, the basis for international oil pricing, fell 43 cents to $89.04 a barrel.

On Wednesday on Wall Street, the S&P 500 rose 0.9% to 4,589.38. The Dow Jones Industrial Average rose 0.6% to 35,629.33 and the Nasdaq added 0.5% to 14,417.55. The indices are on pace for strong gains this week.

Smaller company stocks held up against the broader market rally. The Russell 2000 Index fell 1% to 2,029.52.

Traders pushed up shares of several companies that posted strong quarterly results, which helped boost the market overall. Alphabet, Google’s parent company, jumped 7.5% for the biggest gain in the S&P 500 after saying its digital advertising business propelled a 36% rise in earnings last quarter. Chipmaker Advanced Micro Devices rose 5.1% after reporting surprisingly strong fourth-quarter financial results and giving investors encouraging sales forecasts.

About three-quarters of companies in the benchmark S&P 500 rose, led by communications services and technology stocks. Healthcare companies also accounted for a large share of the gains. Large retailers and other businesses that depend directly on consumer spending have fallen. Amazon slipped 0.4% and Gap fell 3.3%.

Bond yields fell. The 10-year Treasury yield fell to 1.77% from 1.80% on Tuesday evening.

Markets face a variety of threats, including rising inflation, the prospect of higher interest rates, potential conflict in Ukraine, and the continued slowdown of COVID-19 on economic recovery.

With inflation at its highest level in 40 years, rising costs are threatening profit margins and putting pressure on consumer spending. The Federal Reserve intends to raise interest rates in an attempt to rein in price increases. Investors expect the first rate hike in March and at least three more in 2022.

With about 40% of S&P companies having released quarterly results so far this earnings season, about 64% have reported earnings and revenue that beat analyst estimates, according to S&P Global Market Intelligence.

Some failed to meet Wall Street’s expectations.

PayPal fell 24.6%, its worst trading day since splitting from eBay in 2015, after reporting a weak quarter and subdued guidance.

In other trading, the US dollar remained unchanged at 114.43 Japanese yen. The euro was stable at $1.1306.

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Book creator

Best Samsung Laptops | Digital trends

Samsung has gotten much more serious about its laptops lately. They deliver machines with more power, better designs, and great displays using technologies like QLED and OLED to appeal to the media creator and consumer in everyone. The company even cracked our best Chromebooks and best laptops under $500.

Here we highlight a handful of the best laptops from Samsung. We expect this list to continue to grow as Samsung introduces new machines with even better performance and designs.

Samsung Galaxy Book Flex2 Alpha

Why should you buy this: It offers a stellar 2-in-1 convertible design with an exceptional QLED display and S-Pen support.

Who it is for: Anyone who wants a first 2-in-1 with one of the best screens on the market.

Why we chose the Samsung Galaxy Book Flex2 Alpha:

The Galaxy Book Flex2 Alpha stands out with its stunning design and stunning QLED display. The latter in particular is the calling card of this 2-in-1 convertible, offering incredible brightness, dynamic and accurate colors, and deep blacks thanks to extremely high contrast. You will find a few laptops with better screens.

Samsung’s S-Pen is on board, providing a host of useful inking tools. Powered by 11th Gen Intel Core i5 and i7 processors with up to 16GB of RAM and a 512GB solid state drive, the Galaxy Book Flex2 Alpha delivers solid productivity performance to go with its incredible display.

If you’re looking for a convertible 2-in-1 with one of the best displays money can buy, the Galaxy Book Flex2 Alpha should be on your shortlist. It ranks among Samsung’s best laptops, and for good reason.

Samsung Galaxy Chromebook 2

A red Samsung Galaxy Chromebook open on a table.

Why should you buy this: It’s a high-powered Chromebook with a QLED display at an affordable price.

Who it is for: Anyone who wants a fast, well-built Chromebook with a fantastic display but is on a tight budget.

Why we chose the Samsung Galaxy Chromebook 2:

It’s pretty remarkable what you can get for $400, at least in the world of Chrome OS laptops. The Galaxy Chromebook 2 is a good example, offering a stunning QLED display in a laptop that’s solidly designed and well-equipped enough for solid Chrome OS performance.

Inside, you’ll find a 1st Gen Intel Core i3-10110U processor, 8GB of RAM, and a 128GB SSD, making this a seriously fast Chromebook. You’ll be able to easily multitask, by opening multiple Chrome tabs and running a few Android apps in the background.

You’ll also appreciate the solid build quality and quiet, responsive keyboard, although the touchpad might not be your favourite. For just $400, it’s one of the best-equipped Chromebooks around.

Read our in-depth review of the Samsung Galaxy Chromebook 2

Samsung Galaxy Book Pro 360

Using the Samsung Galaxy Pro 360.

Why should you buy this: You want a thin and light convertible 2-in-1 with a nice OLED display.

Who it is for: Anyone who wants the best screen available in an incredibly thin and light 2-in-1.

Why we chose the:

Also available as a traditional clamshell laptop, the Samsung Galaxy Book Pro 360 is Samsung’s other high-end convertible 2-in-1. It comes in two sizes, 13.3-inch and 15.6-inch, both of which offer a spectacular OLED display.

We reviewed the 15.6-inch model and found it to offer good performance, great battery life, and great S-Pen integration. It’s incredibly thin and light at 0.45 inches and just 3.06 pounds (2.29 pounds for the 13.3-inch model), even packing 11th Gen Intel Core i5 or i7 processors, up to 16 GB of RAM and up to 1 TB SSD. It’s fast enough for productive use, with creative inking to the side.

The real star of the show is the OLED display with its vibrant colors and inky blacks. It gives the Galaxy Book Flex2 Alpha a run for its money when it comes to showing off productivity content and streaming media.

Read our in-depth review of the Samsung Galaxy Book Pro 360

Samsung Galaxy Book S

Side view of the Samsung Galaxy Book S.

Why should you buy this: It’s a thin and light laptop with an always-on internet connection and long battery life.

Who it is for: Anyone who doesn’t want to carry a heavy laptop and needs to stay connected to the internet anywhere.

Why we chose the Samsung Galaxy Book S:

The Galaxy Book S is built around the Qualcomm Snapdragon 8cx ARM processor, giving it always-on internet connection and long battery life. It’s fast enough for productive use while remaining fanless and completely silent, even under load.

It’s also thin at 0.5 inches and light at just 2.12 pounds, making it easy to carry around. That, plus time without a charger and always-on internet connection, makes it the ultimate portable workstation.

The 13.3-inch Full HD display is good enough for productivity work and media consumption, and the 8GB of RAM and 256GB SSD are enough to get the job done. If you need something to carry around that won’t miss you or keep you disconnected, the Galaxy Book S is a great choice.

Samsung Chromebook 4+

The Samsung Chromebook 4+ on an outdoor table.

Why should you buy this: You want a full-size laptop running Chrome OS, but you have minimal cash to spend.

Who it is for: Anyone who needs a great laptop but doesn’t have the money for a high-end machine.

Why we chose the Samsung Chromebook 4+:

You can get the Chromebook 4+ for under $500, which is why it made this best laptops list. And yet you still get an aluminum unibody design with a sleek look and feel and a large 15.6-inch display. There are few laptops in this class that can match it dollar for dollar.

The display is a Full HD panel with sufficient brightness and color for productivity and multimedia uses, although it may not live up to designer standards. The Intel Celeron N3450 processor is fast enough for Chrome OS, especially when paired with 4GB of RAM and a 32GB SSD. It’s not the fastest Chromebook around, but it’ll get the job done .

The Chromebook 4+ makes this list because it’s one of the best values ​​around. If you don’t have much money but want a big laptop then this is the one for you.

Editors’ Recommendations

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Reading and writing

1st year down | Farm progress

When I graduated from college and got my job as a farm broadcaster, I had no idea of ​​the connections and friendships I would make covering news in the tri-state area. As passionate as I am about the work done by Extension, I have always missed the agricultural aspect of my job as a county 4-H officer. Being able to join the team here at Farm Progress as the managing editor of Dakota Farmer seemed like a dream come true, and the past year has been full of learning, writing, driving and planning magazine pages .

Back to media

When I joined Farm Progress last February, I was exhausted and exhausted from quitting my job with Extension. As much as I loved my job there, spending long hours, nights and weekends playing the role of three people took its toll, especially during a pandemic. Coming back to farm media has been a breath of fresh air.

You probably know by now that I am extremely passionate about agriculture and the people who work in it. The ability to get paid to attend agricultural shows and research summits, and of course, to visit your farms and ranches always seems too good to be true. The connections I’ve had the privilege of making with some of the best in agriculture are irreplaceable.

One such person, a woman I met on Twitter a long time ago when I was in college writing a series of interviews about women in agriculture, forwarded to me the job posting for my current role here at Farm Progress. She remains someone I and many others look up to and respect within AG. I always make sure to stop by his Bison tailgate cooler.

Many lessons

From finding enough stories to fill the many pages of Dakota Farmer to writing about new gear found at Husker Harvest Days, I’m happy to learn quickly. Stepping out of my comfort zone has always been something I’ve enjoyed — whether it’s my first time reading Farmers Markets Live as a broadcaster or driving myself across the state of Nebraska at 11 p.m. .

Although I spend much of my time in my home office, changing webinars or agricultural shows, or furiously writing and rewriting the next cover, the times I travel and am on the road to cover stories are some of my favorites – minus the blizzards and wintry weather that we in the Dakotas are blessed with every year.

I am forever grateful to everyone here who has guided me through my freshman year and beyond. Mindy Ward, my boss who’s been on numerous video calls with me, while I’m reorganizing 64 pages of a magazine, trying to hire a new freelancer, or choosing the best photo for the story. Kevin Schulz, our personal writer whom I am so grateful for, brings his years of experience and his network of South Dakota farmers to our pages. It is always a pleasure to work with Diane Barry, our editor; Shelly Jarka, our artistic director; Curt Arens, editor of Nebraska Farmer; and the countless others who have provided advice or assistance over the past year.

I must also thank our readers. You may not have really had a choice of the next editor of your (hopefully favorite) farm magazine, but meeting up at farm events and hearing your comments on stories or ideas is still the one of my favorite parts of the job. I hope to continue filling these pages with stories of resilience from fellow farmers, helpful production tips and advice, and all things Dakota farming.

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Writer market

Stocks fall on Wall Street as big tech companies slide

A man looks at an electronic bulletin board of a securities firm in Tokyo, Tuesday, Feb. 1, 2022. Asian stocks gained on Tuesday, reflecting broad overnight gains on Wall Street, while trading in China and most other regional markets were closed for Lunar New Vacations year-round.  (AP Photo/Koji Sasahara)

A man looks at an electronic bulletin board of a securities firm in Tokyo, Tuesday, Feb. 1, 2022. Asian stocks gained on Tuesday, reflecting broad overnight gains on Wall Street, while trading in China and most other regional markets were closed for Lunar New Vacations year-round. (AP Photo/Koji Sasahara)


Stocks fell slightly in morning trading on Wall Street on Tuesday as the market emerges from its worst month since the pandemic began nearly two years ago.

The S&P 500 fell 0.3% at 10:16 a.m. EST. The Dow Jones Industrial Average fell 31 points, or 0.1%, to 35,100 and the Nasdaq fell 0.7%.

Technology stocks occupied the most important place in the market. Apple fell 1.1% and Microsoft 1.3%. The sector has been particularly sensitive to concerns about rising interest rates this year. Higher interest rates tend to make expensive growth stocks, like big tech companies, less attractive to investors.

Industrial stocks made strong gains, led by a 12.3% rise in UPS after the parcel delivery service reported results much better than analysts had expected. Rival FedEx rose 4%.

Banks also gained ground as bond yields rose. The yield on the 10-year Treasury, which is used to set rates on mortgages and many other types of loans, rose to 1.81% from 1.77% on Monday evening. Bank of America rose 1%.

Stocks have fallen so far this year as investors face a long list of threats to economic growth and markets.

The economic recovery is threatened by a persistent rise in inflation which has increased costs for businesses and consumers. The big fear is that higher prices passed on to consumers will eventually cut spending and dampen economic growth.

The Federal Reserve changes its monetary policy and plans to raise interest rates to combat rising inflation, which will affect investments and stock prices. Ultra-low rates and other stimulus helped markets recover from the initial shock of the coronavirus pandemic and then underpinned stunning gains. Investors expect the Fed to start raising interest rates in March, but there is a lot of uncertainty about how far and how quickly the Fed will act throughout the year. .

The virus pandemic is still a lingering threat and each new variant could lead to a surge of cases that threatens businesses and consumer activity.

Investors are looking at the latest set of results, in part to see how inflation, the virus pandemic and other factors affect companies and their operations going forward.

Exxon Mobil rose 5.2% after reporting surprisingly strong fourth-quarter earnings as oil demand continued to improve.

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Fiction publisher

After writing books about Hitler and Sherlock Holmes, the Kashmiri teenager is back with a spy thriller

Srinagar: Did you meet a Kashmiri teenager with a passion for Nazism or the fictional 19th century British detective Sherlock Holmes?

In the current age of the Internet, where reading habits are declining, the young writer Muhammad Hussain Khan is not only interested in Nazism and English literature, but also wrote a book about the German dictator Adolf Hitler and tried to recreate Sherlock Holmes in another collection of short stories.

Hussain, who recently took the Class XII exams, was just 16 when he published his first book ‘Man of the Reich’ which describes how Hitler spent his last days in a bunker during the Berlin War. from 1945. Later he published another book called “Consulting Detective” which he said was a tribute to Sherlock Holmes and now at the age of 19 he is back with a spy thriller “Guerrilla -8XV – Espionage, Black Ops, New World Order”. .

Even though the Kashmir Valley has recently seen a surge of amateur writers eager to get published and tell their stories to the world, Hussain’s choice of subjects has amazed readers.

“I was nine years old when I wrote a comic and later my passion for writing grew when I read ‘The Time Machine’ written by the father of science fiction HG Wells. In the meantime, I developed a lot of interest in history and international relations in addition to fiction. At that time, I didn’t know much about publishing, but an editor once heard my speech about Adolf Hitler at a reception. He encouraged me to write and that’s how I published my first book which describes how Hitler spent his last days in a bunker,” said Hussain, originally from Rambagh district of the city, at the Kashmir Monitor.

He said his second book was a collection of short stories where he attempted to recreate Sherlock Holmes and now his current book had a Kashmir connection as well.

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“People were surprised by the choice of my subjects. My first book wasn’t widely read because I felt people here weren’t interested in Adolf Hitler or Nazism. My second book that I published when I was 17 was a tribute to Sherlock Holmes and it’s a collection of short stories. Now my third book is a spy novel whose story will begin in Tehran, Iran. Although the events will take place in Kashmir, the whole story will revolve around different countries. The protagonist of the story must carry out missions that will pave the way for the new world order. The book is ready for publication by a New Delhi-based publisher,” he said.

“From Moscow to the Royal Opera House in London, the story unfolds in a dramatic tone. The novel provides insight into the gritty world of espionage where a new world order is being set up. The story is action packed with lots of historical references which can be educational,” he added.

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