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December 2021

Fiction publisher

Denver shooting suspect Lyndon McLeod’s books go missing from Amazon

The books written by the suspected shooter in Monday’s Denver and Lakewood shooting have been removed from Amazon, after remaining on the e-commerce giant’s platform for at least two days after the attacks.

Sanction was a science fiction trilogy written by Lyndon James McLeod under the pseudonym Roman McClay. McLeod, 47, is believed to have killed five people in Monday afternoon’s rampage and was later killed by a police officer whom he shot dead.

It was not immediately clear who was responsible for the purge.

Amazon did not respond News weekrequest for comment from, and McLeod’s author profile on Amazon is still live.

In Sanction II, the protagonist “Lyndon MacLeod” commits a mass shootout, killing six people. In this sequence, MacLeod the character was wearing tactical gear and murdered two tattoo artists.

This revealed parallels to McLeod’s murder spree on Monday, in which he was dressed in tactical gear and targeted two tattoo shops.

Denver shooting suspect Lyndon McLeod, who used the pseudonym Roman McClay, wrote a trilogy of sci-fi books which he sold on Amazon. McLeod’s books have since disappeared from the platform.
Amazon / Roman McClay

The shooter’s first stop was at Sol Tribe Tattoo and Piercing in Denver, where he killed tattoo artists Alicia Cardenas, 44, and Alyssa Gunn-Maldonado, 35. Sol Tribe piercer Jimmy Maldonado, who is Gunn-Maldonado’s husband, is in critical condition after sustaining injuries from the shooting.

At one point during his rampage, the gunman entered the Lucky 13 tattoo parlor, where he killed 38-year-old tattoo artist Danny Scofield.

McLeod also broke into a building on the block which he described in the murder sequence of the second book. He fired shots, but no one was injured in this incident.

McLeod’s other victims are Sarah Steck, 28, who was killed while working at the reception desk at Hyatt House in Lakewood, and builder Michael Swinyard, 67, who was shot dead in his Denver apartment.

Authorities believe that each of the victims targeted by McLeod, with the exception of Steck, was “known to him”.

According to Denver Post, McLeod’s books named both Cardenas and Swinyard as murder victims. In I sanction, Lyndon “MacLeod” the character kills a Michael Swinyard in his apartment.

The self-published series, released between 2018 and 2020, also contained shameless racist and misogynistic language, and was widely praised by Amazon critics overall.

the Denver Post reported that McLeod co-owned a tattoo shop in 2013 called All Hearts Enterprise, which was also called Flat Black Ink Corp. Flat Black Ink was listed as the publisher of his novels.

The store was located in the block where McLeod had his fictional self-murdering tattoo artists in the second book.

At least two people targeted by McLeod on Monday, including Danny Scofield, worked with him there. A former All Hearts Enterprise employee told the Denver Post the business failed because of McLeod’s aggressive attitude towards employees.

The address of All Heart Industry was finally taken over by Sol Tribe, owned by Alicia Cardenas, in 2016.

Denver Police said the books were included in authorities’ investigation into the shootings.

Police work after shooting at tattoo shop in Denver
Police work on the scene outside the Sol Tribe tattoo store on Broadway where two women were shot and killed and one man injured on December 27, 2021 in Denver, Colorado.
Michael Ciaglo / Getty Images


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Book creator

28 Row, a new app for female academics and influencers

Tumi Adeyoju, 20, graduated in public health from the University of Houston. But when she’s not in class or studying, she runs a fashion, lifestyle and beauty blog – a business that she hopes to turn into a business.

Like many of her generation, Adeyoju dreams of becoming an influencer: a catch-all for anyone who makes money posting about products on social media. There are still some obstacles. First: Ms. Adeyoju has just over 700 Instagram followers. Many influencer marketing platforms, where content creators connect with brands, require a minimum number of thousands of followers to be admitted.

In November, a mutual friend told him about 28 Row, a new app that didn’t have this requirement. All she needed was a .edu email address.

The app is meant to be a place for female students to connect around common interests, and for many of them, the influence of social media is significant. Ms. Adeyoju said in a phone interview that 28 Row “really introduced me to a lot of new faces, a lot of diversity when it comes to influencers and content creators.”

Nowadays, all kinds of resources are devoted to influencing activities – not only sites where creators and brands can negotiate relationships, but also life coaching services and networks focused on pay equity in the industry. ‘industry. What sets 28 Row apart is its user base: the network is specifically aimed at female students.

Cindy Krupp and Janie Karas, the founders of 28 Row, knew from the start that they wanted to focus on the students. In 2018, they recruited 20 college influencers and put them in touch with several brands popular with young women: Elf Cosmetics, H&M and Monday Haircare. The company’s influencer marketing platform has gone live one year later.

“Brands are dying to reach this demographic,” said Ms. Krupp, a public relations veteran, in a Zoom interview. (Ms. Karas started as an assistant at Krupp Group, the communications agency Ms. Krupp founded in 2005.) “It is very laborious to look at them, find them and build the network. And I think a lot of brands want access but don’t have the infrastructure to put together a team to find that network.

Ms Krupp, 48, and Ms Karas, 28, were inspired to create a social app after members of the influencer network requested to be logged in in a group chat.

They talked about everything from ‘The Bachelor’ to ‘What do you wear for the most formal? “” Ms. Krupp said. “We really had this “aha!” Moment it was built to be something different from where we were then.

The app, which became widely available in September, has around 1,500 members. Not all are budding influencers, although many are. Members who are part of the 28 Row influencer network are called “social butterflies”; on the app, each of them has a star next to their username.

Megan Parmelee, 25, who joined the 28 Row influencer network, said what makes it different from other influencer platforms is the opportunity to meet like-minded people.

“It’s a lot of people coming together for a common purpose and with a common goal, and it’s just to bask in this social media arena that is the world of content creation,” Ms. Parmelee said, a graduate student. in the Medical Assistant program at Clarkson University in Potsdam, NY

I joined because I want to grow my network, ”she added,“ and it’s just nice to be able to share what I’ve learned along the way.. “

Christian Hughes, a professor of marketing at the University of Notre Dame who focuses on digital media, said new apps like 28 Row could help users cope with the “trials and tribulations” of life online.

“Influencers are really the subject of constant speculation and observation, of trolls and a lot of negativity,” she said. “And there are a lot of things that indicate social media can harm mental health.” Dr Hughes was referring to documents published by the Wall Street Journal it revealed how well Facebook was aware of Instagram’s negative effects on teenage girls. “I think it will give these women a bit more support,” she said. “At least I hope he can give her a lot more support.”

Ms Karas and Ms Krupp said they are working to ensure that 28 Row fosters an inclusive and positive community.

Female students as a whole, Ms. Karas said, need a safe space away from mainstream social platforms. “They need a safe place to support and uplift each other,” she said.


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Reading and writing

AUTHORS ALIVE! : Writers Murata and Asai listen to each other to read their own novels

Editor’s Note: This article concludes a series on “Living Authors! »Book reading and other events to mark the opening of the Waseda International House of Literature known as the Haruki Murakami Library.

* * *

Although they had mutual interactions, Sayaka Murata and Ryo Asai never heard each other read their respective novels aloud.

Thus, the authors seemed to take pleasure in analyzing mutual fluency in speech in front of an audience on December 18 at the Waseda International House of Literature in Tokyo.

“You spoke in a softer voice than usual,” Murata said after Asai recited the first part of her “Seiyoku” (righteous / sexual desire). “Your voice was beautiful, like a gentle drizzle. “

Murata read passages she chose from “Convenience Store Woman” and “Earthlings”.

“You spoke louder than usual,” Asai said. “Maybe our voices come together with the works we read aloud. “

The logo of “Living Authors!” events (Provided by Waseda University)

The event was the sixth in a series of public sessions titled “Living Authors!” to mark the October 1 opening of the institution, better known as the Haruki Murakami Library, which is located on the main campus of Waseda University in the capital’s Shinjuku district.

Robert Campbell, a specially appointed professor of Japanese literature at Waseda University, read aloud passages from the English editions of Murata’s novels translated by Ginny Takemori. Campbell served as the interviewer during the session.

“I think a distinguishing feature of your novels is that the emotions of the main characters are not explained,” Asai said of Murata.s works. “I had the impression that the English editions convey more emotions.

Muratas “Convenience Store Woman” and “Earthlings” have been translated and published abroad.

Asai said he tends to go overboard in expressing emotions in his novels.

“I don’t believe in my own point of view, so I’m captive of the worldview of my main characters,” Murata said.

“People have different worldviews depending on the information they have. I’m interested in how “lenses” like this work. “

Asai read a scene from “Seiyoku” where a man and woman who are not involved in a romantic relationship mimic a sexual act with their clothes on.

“The two were blaming each other for not doing what everyone can,” Asai said. “The scene represents a time when they have the idea that they can keep thinking about the matter exactly because they can’t.

“I have reached this turning point after writing about 300 pages in the book, but your work begins precisely from there. “

“This scene was awesome,” Murata replied. “The characters claim to be performing a sexual act, but that hasn’t offered readers a single drop of sexuality. To get to that point, I think you needed language like that that falls and builds up on readers. “

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“Convenience Store Woman” and “Earthlings” by Sayaka Murata are published in different languages, including English, Hebrew and Lithuanian, and with different covers. (Mariko Nakamura)

Murata and Asai both write about how individuals feel at odds with society, but their mutual dialogue has shown their different approaches to this end.

It was a luxurious session attended by less than 20 people, including students from Waseda University and others who had applied for the event.

“The pleasure of listening to a public reading helped spur conversations and much more,” said Campbell.

Although the event is the last of the scheduled sessions, Campbell said in a closing remark that the series of events will continue until 2022.


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Writer market

Real Estate Crypto unveils its charity program a few weeks ago

AL, Italy, December 29, 2021 (GLOBE NEWSWIRE) – As crypto investors remain skeptical about the current state of the market, NerveFlux, a crypto project backed by a registered company, unveiled its charity program within weeks before its public presale. NerveFlux had oversubscribed the private sale and the successful public sale (white list).

NerveFlux is confident that it can bridge the divide between crypto and real estate by allowing crypto holders to invest in real estate without having to convert cryptocurrency to fiat. NerveFlux aims to make it possible to invest in real estate properties seamlessly with crypto.

Mario Ljubicic is the CEO of NerveFlux, speaking with the CEO of Croatian origin, he said “understanding the fact that the NerveFlux solution is 5 years ahead in the crypto space, we bring the necessary innovative solution to a practical problem faced by the crypto industry for over a decade. Invest and participate in our public pre-sale on January 14the, 2022 on PinkSale LaunchPad, should be seen as an opportunity to be an early bird. NerveFlux is not a payment gateway or an investment platform. NerveFlux Marketplace will provide the technological mechanism needed to improve the fast and seamless buying or selling of properties directly with crypto.

With the genesis of Bitcoin, Satoshi Nakamoto hopes that blockchain technology will solve real-life problems, creating value for the crypto industry. As crypto becomes more palatable, making new millionaires all over the world, the gap between crypto and real estate is widening, leaving crypto holders at the mercy of banks. As the crypto market grows, the gap has become so obvious with most of the broken investors. NerveFlux is here to fill this gap, enabling direct investments in crypto real estate while protecting regulations and legal requirements by working with local authorities in any location.

In a world facing climate emergencies and environmental crises, crypto projects can add value to their project by going green. Charity plays an important role in all industries that care about planet Earth.

Juergen Hildebrandt, German-born Marketing Director of NerveFlux, said “Unlike Bitcoin and other major cryptocurrencies, Nerve is not a mineable cryptocurrency. Nerve is a green token. The Nerve Charity program will do its part to fight climate change and help reduce greenhouse gas emissions.

Speaking further, Juergen Hildebrandt said: “Our charity program is a use case that gives value to its holders. For each wallet address that holds Nerve for more than 120 days, a tree will be planted with the wallet address labeled on it. We are going to plant trees in different countries of the world. Anyone can contribute to our charity program by holding a Nerve Token. Our long term goal is to plant a million trees.

The Nerve public presale is scheduled for January 14e, 2022. For more information, visit the official NerveFlux website https://nerveflux.io.

For more details see our website: – nerfflux.io

Twitter: https://twitter.com/Nerve_flux

Telegram: http://t.me/nerveflux

Official Email: [email protected]

For the partnership: [email protected]

Contact the writer, Toritseju edema:

[email protected]

The information provided in this press release is not investment advice, financial advice or business advice. It is recommended that you exercise due diligence (including consulting a professional financial advisor before investing or trading in securities and cryptocurrencies).



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Fiction publisher

Islamic comic book content finds growing audience

(RNS) – During a panel in November at the famous San Diego Comic-Con, Sohaib Awan described “Beyond the Forest”, an upcoming series of graphic novels, as “a Muslim Narnia”, referring to fantasy novels written by British author CS Lewis (a series which itself includes a handful of references to Islamic culture).

“Beyond the Forest”, by Noor Yusuf, Tati Nuari and Anny Maulina, focuses on a group of children guided by a supposed “wise woman” who helps the group travel to a mystical land in a magical mihrab – or a prayer niche that points to Mecca. The fantasy series is part of Fictional Frontiers, a new initiative announced at Comic-Con, which aims to support Muslim voices with key roles in the development of creative storytelling.

Fictional Frontiers will launch in early 2022 as a fully digital subscription platform for telling stories that often, but not exclusively, have an Islamic frame of reference. While comics will be a key part of the content offered, Fictional Frontiers also hopes to develop prose, poetry and video.

“Graphic novels are often a way to test new stories and new ideas that are ultimately developed into TV shows or movies; everyone is hungry for great content right now, ”said Awan, CEO of Jabal Entertainment, which is behind this new effort.

The initiative’s first two comics were announced at Fall Comic-Con, including “Beyond the Forest,” which draws on fantasy themes. The other, “MODAL”, a sci-fi series written by Ink and Hack and drawn by Dedy Koerniawan, takes place in the near future, where data is used to micromanage the lives of ordinary people.

As July Comic-Con draws 130,000 attendees to San Diego, the smaller fall event focuses on industry insiders for next year’s developments.


RELATED: UFOs and Science Fiction in Muslim Culture Go Far Beyond “Dune”


Awan, who is both of Czech and Pakistani descent, had no intention of getting into the comic book industry when he came up with the idea for a comic book series. But its unique story of battles between jinn and aliens has caught the attention of one of the major publishers in the comic book industry. When the publisher offered to buy it, the Philadelphia-area lawyer found himself refocusing on his creative endeavors.

Sohaib Awan. Photo courtesy of Fictional Frontiers

“I just knew there would be interests in dynamic storytelling outside of superheroes, wizards and dragons,” Awan told Religion News Service. Awan started the Fictional Frontiers radio show, initially focusing on the Philadelphia area. It has become, as Awan said, “the only weekly radio show in the country devoted to serious discussion of popular culture.”

Awan’s partner in the new Fictional Frontiers initiative also has a background outside of the comic book industry. Sarah Mughal is a literary fiction writer who practices kung fu in her spare time and has experience in creating more inclusive spaces for creative content. Mughal founded #APIpit, a Twitter pitch event in May 2021 designed to draw attention to self-identifying writers and illustrators in Asia and the Pacific Islands. A second event is planned for 2022.

“The entertainment industry has often limited representations of Islam to certain archetypes acceptable to Muslim characters and an overuse of the desert aesthetic as well. Yet most Muslims are not from the MENA region, ”Mughal told RNS, referring to the Middle East and North Africa.

The Pakistani-Canadian writer is based in the suburbs of Toronto. His writings are inspired by the Koranic tradition and are also devoted to exposing the violent history of colonialism.

The duo believe the initiative comes at the right time as the consumer base of comic book stories has diversified. The November panel was reportedly the first since the event’s inception in 1970 to feature Islamic content developed and written by Muslims.

But while Muslim heroes are not yet visible on the big screen, fans of Muslim comics are increasingly finding themselves at comic book conventions, such as the attention-grabbing Muslim women group that appeared at Comic Con. from New York dressed as different Avenger characters.


RELATED: The “Dune” novels are inspired by Islamic motifs and have in turn inspired Muslim artists.


The San Diego Comic-Con 2019 event included a panel titled “SuperSalaam: Muslim Nerds, Geeks and Fandom”. Equally of note was Blair Imani, a Muslim woman who attended the cosplay panel as the character of “Star Trek” Geordi LaForge – with the addition of a hijab.

His costume garnered international media coverage and praise from LeVar Burton, the actor who played LaForge in the “Star Trek: The Next Generation” television series. Imani reported Comic-Con attendees opposite her inclusion of a hijab, but she pointed out that LaForge may have been of Muslim descent, given that the fictional character was born in Somalia.

While Fictional Frontiers and Muslim cosplay may be popular reflections of the growing engagement of Muslims in comics, a number of new initiatives are underway by major studios to bring Muslim actors and heroes to the screen. . Egyptian-American actor Abubakr Ali was chosen this year to play the hero of Netflix’s upcoming “Grendel” series. He is the first Arab Muslim to be cast as a superhero in a major franchise.

Meanwhile, Disney is working on the new “Blade” and “Ms. Marvel” streaming series. Both projects will include significant Muslim talent. “Blade,” which begins filming next year, will feature two Muslim Americans in leading roles – actor Mahershala Ali in the title role and Bassam Tariq as the film’s director. “Ms. Marvel,” slated for release in early 2022, will be the first comic-book-based streaming series to feature a Muslim character in her lead role.



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Book creator

Is Yellowstone Season 4 streaming on Peacock?

Time spent on the ranch is time well spent.

It’s hard to think of a television series in recent memory that has such a devoted fan base as Yellowstone.

Taylor Sheridan and John Linson’s American neo-western premiered in 2018 and quickly gained an following. This is hardly surprising, especially since its cast includes Kevin Costner, Luke Grimes, Kelly Reilly, Wes Bentley and many more.

Following the Dutton family has been an exciting journey, to say the least. However, this is far from over, especially if you haven’t dived into season four yet.

It is perhaps the most celebrated to date, so it’s important to know where you can stream it. Is Yellowstone Season 4 on Peacock?

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Is Yellowstone Season 4 on Peacock?

No, the fourth season does not air on Peacock but you can stream the episodes available elsewhere.

Episodes are streamed through the Paramount Network app if you have a valid cable ID. Alternatively, you can access Paramount Network through Hulu + Live TV, Sling TV, and YouTube TV.

The episodes air weekly on Paramount Network at 8 p.m. ET / PT; the final is scheduled to air on Sunday, January 2, 2022.

Now, let’s tackle the next inevitable question …

Is it showing on Paramount Plus?

No, the fourth season of Yellowstone is not broadcast on the Paramount + platform. It is due to licensing issues.

Ultimately, Paramount Network is home to Yellowstone Season 4. On the other hand, the recently unveiled prequel series 1883 airs on Paramount + and new episodes air weekly.

In fact, the first two episodes aired on the service on the same day so customers had access to a new episode a week earlier than Paramount Network audiences.

It only costs $ 4.99 (with ads) per month or you can pay for the Premium plan for $ 9.99 per month. To save money, however, an annual subscription costs $ 49.99 with ads or $ 99.99 for Premium without ads.

Yellowstone | Season 4 Official Trailer | Primordial network

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Yellowstone | Season 4 Official Trailer | Primordial network

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Is Yellowstone Season 5 Confirmed?

Neither the creators nor the network have made an official announcement regarding the renewal of the series.

While it may seem daunting, Cole Hauser (who plays Rip Wheeler) has appeared on the Virtual Happy Hour of Wines HALL and basically communicated to fans that Taylor is working hard on new installments:

“[Yellowstone creator] Taylor [Sheridan] working on it right now, and I think we’ll be back in July. Can’t wait to get back to Montana and have season 5 after. “

He added, “Season 5 is going to be wonderful.”

Yellowstone Season 4 airs on the Paramount Network app.

In other news, is the BBC’s Around the World in 80 Days based on a book?


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Reading and writing

The new version of Clegg Genesis 11 is available | News, Sports, Jobs

Author Chuck Clegg

Chuck Clegg stopped by the office the other day with a beaming smile and his normal greeting from ” how are you today ? “ It didn’t take long for me to realize he had something special on his mind. Then he handed me a book and with a glint in his eyes he said: “Hope you like it, read it and let me know what you think.” I didn’t know at the time that he was the author, it didn’t take long for me to congratulate him, and start to hover over him.

What a pleasant surprise to open the new version and see that one of our regular writers had written a book that immediately caught my attention. I knew from the title it would be a good read. The subject was the first thing to catch my attention, and that alone made me wonder what was inside. My Bible experience with the first book of the Bible was a fascinating experience that moved me through the entire book of scriptures and allowed me to go back to the beginning in search of more answers.

Having read the Bible several times over the years, I have never questioned it, but have turned to it several times for advice and direction. I now have this book that I have finished reading and I am still waiting for the answers to the questions that came to my mind at the beginning of the first chapter. With a bit of fiction, mixed with science, law and mainstream Christianity, it is written with the intention of continuing to seek the reader while offering possible senerios that will resolve age-old questions once and for all.

Charlie Morgan had decided that the only place he could find peace was as far from society as possible. A few times a year, he finds this isolation in the high mountains of West Virginia.

With his fishing skills, he searches for an old adversary who is hiding in the dark and cold waters of Smoke Hole Canyon. But on this trip, her loneliness is interrupted when a colleague from her past calls for help. Charlie couldn’t have imagined where this request would take him. For the first time in his life in the service of the law, he must try to find the answers to the questions that science, religion and the law must also answer. In the course of his research, he discovers truths about his own life and his faith.

Genesis II takes its readers into the world of religion, science, and law to answer a question humanity has been asking since science first challenged the teachings of the Bible. Almost a hundred years ago, in a Tennessee courtroom, the question of creation was first challenged by science. But today there is a new player in the creation game, man. In the pages of Genesis II, the law once again tries to find answers to an old question.

Clegg, a renowned columnist, wrote his first adventure novel, Return of the Gunboat in 2012. With his success, he followed with two others, Lincolns Gold and Ghost of the River. In his fourth novel, he seeks answers to a modern day question that dates back to the creation of mankind in the Bible. Taken from today’s headlines, his story seeks the answers through the eyes of its main character, Charlie Morgan, a retired federal prosecutor. Chuck took a bit of inspiration from the Scopes Monkey Trial almost a century ago. Perhaps this time the jury will find answers that have eluded mankind since the days of Genesis, when Adam and Eve left the Walled Garden.

Chuck and his wife Mary have resided in the Ohio Valley for most of their lives. He’s retired and has found writing and retreat to work well together. Considering himself more a storyteller than a writer, he used his computer to merge the two skills by becoming an author. For fifteen years he also wrote a weekly column for his hometown newspaper. His stories are often inspired by his growing life near a slow-flowing stream, deep woods, and dark hollows near his childhood home.

The book can be purchased from Amazon, the Wetzel County Museum on Main Street in New Martinsville, and The Book Store at 161 North Street in New Martinsville. Telephone 304-455-5080


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Writer market

Asian Stocks Mix as Omicron Concerns Market Optimism | Economic news

By YURI KAGEYAMA, AP Business Writer

TOKYO (AP) – Asian stocks were mixed on Tuesday, as optimism sparked by a Wall Street rally was dampened by concerns about the potential impact of the omicron variant of the coronavirus.

Japan’s benchmark Nikkei 225 jumped nearly 1.0% to 28,960.31 in morning trading. South Korea’s Kospi gained 0.1% to 3,002.72. The Hong Kong Hang Seng fell 0.1% to 23,201.42, while the Shanghai Composite was down 0.2% to 3,610.32. The business was closed in Australia for Boxing Day.

Much of Asia has yet to see an increase in omicron variant infections already occurring in other parts of the world, but experts warn the region is unlikely to be spared.

Japan has yet to see such a wave of new cases. Many areas are teeming with year-end shoppers, and many events are held with spectators, although most people wear masks.

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New daily cases in Japan have totaled around 200 as of late. So far, there have been relatively few COVID-related deaths, with some past days having none. Still, analysts have warned that uncertainties lie ahead.

“The record rallies are a little too optimistic,” said Vishnu Varathan of Mizuho Bank, pointing to a large number of omicron cases in Europe and the United States.

Tech companies led US stocks higher on Monday, extending the recent market rally and pushing the S&P 500 to yet another all-time high.

Wall Street kicked off the last week of a record year for the stock market with mostly muted trading as investors returned from the Christmas holidays and several foreign markets remained closed.

The S&P 500 rose 1.4% to 4,791.19, its fourth consecutive gain. The benchmark index, which capped a week shortened by the holidays with a record Thursday, is on the way to end the year with a gain of 27.6%. It has reached 69 all-time highs so far this year.

The Dow Jones Industrial Average rose 1% to 36,302.38 and the tech-savvy Nasdaq rose 1.4% to 15,871.26.

Major indices posted weekly gains last week as fears faded over the potential impact of the omicron COVID-19 variant. However, much is still unclear about omicron, which is spreading rapidly and causing a return to pandemic restrictions in some locations.

Small business shares also rose. The Russell 2000 Index gained 0.9% to 2,261.46.

Trading is expected to be calm but potentially volatile this week, as the omicron coronavirus variant continues to spread rapidly in the United States and abroad. However, most of the major investors have closed their positions for 2021 and are expected to hold on until next week.

Airlines shares closed lower following the announcement of the pandemic-related cancellations. Delta Air Lines fell 0.8% and United Airlines slipped 0.6%.

Shares of cruise lines also fell. Norwegian Cruise Line slipped 2.6% for one of the S&P 500’s biggest drops. Carnival fell 1.2% and Royal Caribbean fell 1.3%.

Authorities in many countries have doubled their vaccination efforts as omicron outbreaks complicate efforts to avoid further closures while hospitals remain under pressure from delta-variant infections.

In energy trading, benchmark US crude rose 27 cents to $ 75.84 from $ 75.57 a barrel in electronic trading on the New York Mercantile Exchange. He earned $ 1.78 Monday to $ 75.57.

Brent crude, the international standard, rose 27 cents to $ 78.87 a barrel.

In currency trading, the US dollar slipped to $ 114.86 from $ 114.87. The euro cost $ 1.1325, compared to $ 1.1327.

AP business writer Alex Veiga contributed.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Fiction publisher

New Zealand novelist Keri Hulme, winner of the Booker Prize, dies

Accomplished New Zealand writer Keri Hulme has died aged 74 due to chronic medical conditions.

Award-winning New Zealand writer Keri Hulme: March 9, 1947 – December 27, 2021.
Photo: Bernard Weil / Toronto Star via Getty Images

His nephew Matthew Salmons told RNZ that Hulme had suffered from dementia for years.

Salmons said Hulme was an icon for the family.

“For us, it is her efforts and a kind of reconnection of our whānau with our whakapapa Māori, with our Kāi Tahu roots, with our whenua, this has been the most beautiful gift she has given us and it is a legacy. long lasting that we are all intensely proud of. “

The family would organize a private funeral for Hulme, Salmons said.

Hulme became a full-time writer at 25, but it wasn’t until her critically acclaimed novel The people of bones won the Booker Prize that she began to make a serious living from her art.

Who was Keri Hulme?

Born in Otautahi Christchurch on March 9, 1947, Hulme had tribal affiliations with Ngāi Tahu and Ngāti Māmoe.

Māoritanga was very important to her and was a theme of her writing.

Other than The people of bones, Hulme wrote Reception venues, Strand, Te Kaihau / The windbreaker, and The silences between (Moeraki conversations).

She was also an accomplished painter and exhibited in group exhibitions in the early 1980s.

The story of how The people of bones – Hulme’s first novel – became almost as well-known as the book itself: 12 years of writing, then spent several years locked in resin and used as a doorstop because no one wanted to publish it.

It was finally published in 1983 by the small Spiral Collective – a publisher focused on artists and female voices.

The novel explores the relationships between three characters: the lonely painter Kerewin Holmes, the alcoholic widower Joe Gillayley and his mute adopted young son, Simon.

He won the 1984 New Zealand Book Prize for Fiction, the Pegasus Prize for Maori Literature and in 1985 the ultimate honor – the Booker Prize in Britain.

Booker’s website describes the book as focusing on the “mysterious relationship between three unorthodox foreigners of mixed Maori and European heritage.”

In addition to The Booker, various works by Hulme received the Katherine Mansfield Memorial Prize, for a short story in 1975, the Māori Trust Fund Prize in 1978, the New Zealand Writing Fellowship in 1984, and the Chianti Ruffino Antico Fattor Prize in 1987.

Hulme led a solitary life in the small township of Ōkārito on the west coast, where she was adept at baiting and smoking a pipe.

More soon …


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Book creator

The book “Invasions” will be serially distributed in local newspapers

Don Diehl’s historical fictional novel is slated to appear in several Muscogee (Creek) Nation newspapers as early as next week. It’s the anniversary of the Wounded Knee massacre. A caption on the cover reveals the link: “Tomachichi’s Journey to Wounded Knee Creek in 1890”.

Wounded Knee doesn’t have much to do with the history of the Muscogee Nation in Oklahoma, spanning throughout the book, but it was the unintended destination of book hero Tommy Jon Harjo. Discreetly known as the “Tomahawk” by his classmates at the Eufaula Indian Mission School, the 15-year-old Indian Creek from Oktaha, Indian Territory, takes up his grandfather’s challenge to “go see the world” instead of further studies in the fall of 1890 The school attended by the Harjo children and their neighbors was destroyed by fire and is not expected to reopen anytime soon.

The cover of “INVASIONS:” Killing of the Indian “features artwork by local artist Russel Crosby.

Tomachichi and Little Rosa are being raised by their grandparents Jon and Rose McSchmidt after two separate tragedies took the lives of their mother and father. McSchmidt, known as “Uncle Jon” in Oktaha Settlement, had been a cattle driver on the Chisholm Trail. He helps to trace the adventure and the young man sets out. His dog Bramble Boy is discovered following him on that first day and is part of the interesting entourage – an Indian teenager, his horse and his dog. Along the way, they encounter characters true to the story, including members of Chief Sapulpa’s family, outlaw Cherokee Bill, Pawnee Bill, and Cheyenne-Arapaho Chief Left Hand. On Kingfisher’s train to the Northern Plains, Tomahawk befriends writers and photographers covering the turmoil on the reservations and the Ghost Dance phenomenon.

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In the introduction to the book, Diehl also explains its title: “INVASIONS: ‘Murder of the Indian’. This is not what you might think. As for the Wounded Knee massacre of nearly three hundred Lakota by US Army soldiers on December 29, 1890 in the Pine Ridge Reservation, Diehl offers the bare results of an invasion in which neither side wins but ends by getting along. “INVASIONS: ‘Killing of the Indian’” examines the history of America’s early occupants – the American Indians while focusing on the Muscogee (Creek) tribe. The setting of the story is the Muscogee Nation as it developed after the Indians moved to Oklahoma.

Unlike much that has been written as history and commented on by secular writers, Diehl approaches the subject with a Christian worldview. The young adventurer, on a journey through Indian country on horseback and by train, becomes a defender of the faith but in Wounded Knee Creek where he becomes an eyewitness to a historic massacre, his faith is called into question. There are surprises about who won Tommy’s faith and why.

Available via Barnes and Noble and Amazon the book is 400 pages long and features color illustrations by Sapulpa artist Russell Crosby. At $ 19.95 on B&N and $ 25.42 on Amazon, the paperback is quite pricey, but given all the color and background material, it’s still a steal.

Following initial comments, future plans call for the publication of an abridged edition early next year that will only contain the story of the adventure and less bibliography. This is essentially what is offered to readers of the newspaper series. The short edition will be cheaper and possibly more widely distributed. “Of course we would like to sell the manuscript and the rights to the film,” Diehl said, citing the current film about the Osage murders in “Killers of the Flower Moon”. But history buffs and those interested in the Christian worldview will also see the value of the original edition, as its protagonist stands for “the faith” and (somehow by the way) advances the truth about ” a race, a blood, a creator God and a family made up of tribes, clans, languages ​​and nations.


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Reading and writing

Love of literature inspires disabled Afghan writer

An Afghan vendor sells dried fruit along a street in a market in Kabul on October 29, 2021. Photo: VCG

An Afghan vendor sells dried fruit on a street in a Kabul market on October 29, 2021. Right: A man rides a motorbike with a boy and three girls on a street in Kabul o

A man rides a motorbike with a boy and three girls on a street in Kabul on October 29, 2021. Photo: VCG

The love of literature inspired Ashraf Frough, a disabled Afghan writer, to continue writing and publishing books at a time when Afghanistan is plagued by serious economic problems.

With both legs paralyzed, Frough continues to write books to promote literature and art.

Since the Taliban take control of Afghanistan in mid-August and the formation of the Taliban-led interim government on September 7, the war-torn country has suffered economic hardship with tens of thousands forced to flee Afghanistan.

When Frough was only 10 years old, he was seriously injured in the spine by shrapnel from a rocket, leaving him paralyzed.

“The 20-year war and conflict has had a very negative impact on all aspects of Afghan life, especially writers and book publishers. I published three books, two of which were after the takeover of the Afghan people. Taliban, “Frough, who lives with his family of eight, told Xinhua News Agency.

“Publishing and writing books was the only way to heal my pain after my disability,” he said.

The two-decade-long war and bloodshed deprived authors and publishers of opportunities to promote reading and literature in Afghanistan.

“Peace has returned after decades of conflict but war and poverty still have a huge negative impact on literature and culture. As you know, following the regime change this summer, hundreds of historians, Afghan writers and cultural figures have left Afghanistan, ”he said. noted.

“All of this made me decide to continue writing and publishing works,” said the wheelchair-bound author, adding that there were still many unfinished works in literature and language.

A language and literature student at Kabul University, Frough chose to stay in Kabul after the abrupt withdrawal of US and NATO forces from Afghanistan in late August. He stayed at home, continuing to write and publish books.

Interested in writing love stories, the disabled writer published three stories – two of them Letters from Malila and Khar-i-Isa (The Donkey of Jesus) after the Taliban took power .

Since being seriously injured when his home was hit by a rocket, Frough has been immersed in reading and writing books.

The young man calls on Afghan artists and writers to unite to bring the country’s culture and literature to life.

“I do my best to keep our culture and literature alive as I have done for the past 20 years,” he said.

The unexpected withdrawal of American troops left only chaos, hunger and poverty in the impoverished nation, forcing everyone here to fight for a loaf of bread to survive, Frough said. “But I want to keep the spirit of culture and literature alive in my country.”

Nasir Maqsoudi, owner of Maqsoudi Publishing House, which published Khar-i-Isa, said war, conflict, the COVID-19 pandemic and droughts have worsened the economic situation of Afghans.

“War and conflict have discouraged the publishing business in Afghanistan for so long,” Maqsoudi said.

Darwaz Publishing Center editor-in-chief Tareq told Xinhua that it will take time for the publishing industry to return to normal in Afghanistan.

“People can’t afford daily necessities and basic necessities now, so how can they afford books? Explained the editor.


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The vegetable protein revolution is shaking up agriculture – Writer’s Bloc

Global Plant Protein Market Could Double By 2026, Reducing Meat Requirements

While there are those who demand greater access to agricultural land for city dwellers, especially since COVID-19 has caused many to seek space away from large cities, others want to protect our lands from speculators real estate.

It is a real point of tension and an important debate. But beyond that, our approach to protecting farmland may have to change forever.

Two reasons often motivate governments to protect farmland.

First, many loudly proclaim the impossibility of creating agricultural land. While to some extent true, technologies allow us to reallocate land and make our acreage more efficient. And there are vertical farms. The greenhouse industry increases the efficiency of our spaces and is growing rapidly in Canada and elsewhere.

In addition, our debate on protecting farmland is based on the premise that consumers will continue to consume the same way for years to come. But consumer habits are changing – slowly, but they are changing. With our collective craze for plant-based proteins and the eventual arrival of emerging technologies like precision fermentation and cultured meat that will shake up our plates, protein will have an entirely different meaning in a few decades.

A real transition to vegetable proteins is announced. Most Canadians will continue to consume meat, but in smaller amounts for a variety of reasons. According to a report by the Market Data Forecast group, the global vegetable protein market could double by 2026. This market is estimated today at around 23 billion dollars, so it could exceed 46 billion dollars in a few years.

This huge progression is just the start of a new trend. And don’t let the current Beyond Meat slide fool you. The younger generations are interested in more sustainable, simpler and cheaper proteins. With rising meat prices, the retail price differences between vegetable and animal protein are much smaller than they were a few years ago.

In Canada and around the world, agricultural land devoted to the production of animal feed is significant.

Major field crops include all varieties of wheat, barley, corn, oats, rye, canola, flax, soybeans, dry peas, lentils, dry beans, chickpeas , mustard seeds, canary seed and sunflower. Our grain production is massive.

According to the Animal Nutrition Association of Canada, 80 percent of barley, 60 percent of corn and 30 percent of wheat grown in Canada is used to feed livestock. And according to Statistics Canada, about 15 million acres are used to produce these three crops for livestock in Canada – and 15 million acres is almost the size of New Brunswick.

Some of the land will obviously be reallocated and devoted to other crops, as the pressure to grow crops for livestock could decrease dramatically over time.

Cultivated meat is also on the horizon, along with other technologies that require fewer resources. For example, aquaculture production of fish and seafood could double in the next few years, providing more protein options to consumers.

You can understand where this is all going. A greater plurality of proteins will require more modest agricultural production.

As for milk, the darling of eastern Canadian agriculture, precision fermentation could wipe out the Canadian dairy industry within 15 to 20 years, according to reports.

Protecting farmland is therefore not the only issue we need to be concerned about. We must also think about land use in rural communities.

Despite this, the threat of running out of farmland to feed the planet by 2050 continues to be expressed. Some groups worry about the possibility of running out of food to feed our 10 or 11 billion people by 2050.

But according to the United Nations, 40 million km², or 77% of agricultural land in the world, is devoted to animal production. It’s a safe bet that we will not run out of farmland, the opposite could happen. Experts even say climate change may give Canada new land in the North to grow crops.

We will have to find new ways to occupy our rural land, not just protect it. The management of our agricultural heritage and the support offered to rural economies will experience a major upheaval. The management of farmland in Canada will and must change for the benefit of our rural communities.

Sylvain Charlebois is Senior Director of the Agri-Food Analysis Laboratory and Professor of Food Distribution and Policy at Dalhousie University.


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Space Ghost’s awakening in the 1980s predicted the future

Welcome to the 149th installment of Adventure (s) Time, a look at the animated heroes of the past. This week, a hero of the Baby Boom generation who received a nostalgic ’80s tribute comic book that was strangely ahead of its time. And if you have any suggestions for the future, let me hear them. Just contact me on Twitter.

Debut in September 1966 in the Saturday morning cartoon series Space Ghost and Dino Boy, Space Ghost has joined the superhero trend of television as an intergalactic crime fighter, originally from the mysterious ghost planet. Space Ghost isn’t literally a ghost, as far as we know, but he does have a belt that makes him invisible, which is apparently close enough to earn him the name. (As for Dino Boy, it’s an independent creation of Alex Toth – a modern day kid who lands in a South American valley where dinosaurs still roam.)


Space Ghost is helped by teenage sidekicks Jan and Jayce, and their pet monkey, Blip; it’s hard to imagine a self-respecting Hanna-Barbera hero without an animal sidekick. And while Space Ghost has the ability to fly through space unscathed, he navigates the cosmos in his sleek Phantom Cruiser ship.

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THE SURPRISING INFLUENCE OF SPACE GHOST


Space Ghost and Dino Boy

The series wasn’t too concerned with providing origin for the hero, or even much of a personality, but the character design of legendary comic book artist Alex Toth captured the imaginations of young viewers. Toth’s precise line drawing has also inspired a new generation of artists. Steve Rude’s design for a more adult intergalactic hero, Nexus, was inspired by Toth’s Space Ghost work. Bruce Timm also cited Space Ghost as an influence on his Batman: The Animated Series drawings.


The simple plots and limited animation of Space Ghost and Dino Boy Probably wouldn’t withstand the scrutiny of today’s audiences, but the imaginative lineup of villains and charming voice of Gary Owens (famous as a baritone announcer for Rowan and Martin’s laughter) was enough for Space Ghost to gain a cult following. The series remained in syndication through the 1970s, and following the success of Star wars, Hanna-Barbera was motivated to revive the hero in the early 1980s.

NBC Space stars The anthology series harnessed the revived sci-fi fashion, allowing Space Ghost to star in 22 new episodes. Owens returned to the voice of Space Ghost, new villains were introduced, and the Phantom Cruiser was redesigned to make it look similar to the spaceship seen in Star wars. The rebirth episodes didn’t have the impact of the originals, but it wouldn’t be Space Ghost’s last appearance in the 1980s.


RENEWED FOR THE 80’S, WITH A PRESTIGE COMIC


December 1987 Space ghost was a special one-shot from independent publisher Comico, run by Link artist Steve Rude, a die-hard Toth fan. He co-wrote the story with writer Mark Evanier, while animation historian (and lead layout artist for the 80s Space Ghost cartoon) Darrell McNeil received credit for the help with the plot. Rude drew the comic, Willie Blyberg providing inks. The impressive creative team was completed by Ken Steacy, whose painted colors mimic the look of animated cels.

It’s clear Comico Space ghost was intended as a love letter to the original show. The comic opens with a text by Rude, praising his lifelong admiration for the hero. The first page of the art shows Rude duplicating the title screens from the original cartoon (and Steacy showing off some of his skills with an airbrush), as Space Ghost poses dramatically alongside the title of the story, ” The Sinister Specter “.


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Bring in the bad guys


On the prison planet of Gaolworld, we are reintroduced into the evil space mantis Zorak, who dreams of revenge on Space Ghost. A mysterious masked figure appears, providing Zorak with one of Space Ghost’s power bands and causing a massive prison break. It’s no surprise that Zorak’s fellow inmates are also creations of Toth who faced off against Space Ghost in the 1960s.

Meanwhile, Jan and Jayce (spelled “Jace” throughout the comic) enjoy a beach vacation, lamenting that the overworked Space Ghost can’t join them. The hero abruptly calls them back to the ghost planet (his loosely defined homeworld that probably doesn’t house a single ghost) to watch for emergency broadcasts while he’s away facing villainous Rob-Corp. Fans of the series recognize this as a reference to the episode “Attack of the Saucer Crab”.


It’s all part of the mysterious villain’s ploy, who soon mocks Space Ghost via a holographic projection, boasting that he knows all of the hero’s thoughts and possesses all of his powers. As Space Ghost wonders why this villain – the titular Sinister Specter – looks so familiar, his sidekicks are ambushed by another resurrected foe with a memorable design, Metallus. Blip the Monkey does his best to help, in a fun sequence that shows every classic character is going to have their moment, even the pet sidekick.


In fact, it’s Blip who uses his invisibility belt and, as a “ghost”, pits the gallery of thugs against each other, distracting their attention from the gauntlet of every villain who receives his hit, Space Ghost is supposed to cross. Another clever element is Zorak’s inflexibility which he can kill Space Ghost, so he pleasures his fellow villains with all that gauntlet stuff… and sometimes gets into trouble himself when you’re too close to killing the hero.


RELATED: WarnerMedia Resurrects Studio Name Hanna-Barbera

WHO IS THE LOSS SPECTRUM?


Having completed the gauntlet, a tired Space Ghost faces the evil Specter, who turns out to be, in fact, Space Ghost! Was that previous line about Space Ghost overworking himself a devious foreshadowing, a clue that the stoic hero finally broke down? Did the creators trick audiences into buying a cynical reimagining of Space Ghost, messing it up for the dark, grainy ’80s? Well, no, actually. It turns out that the “evil” Space Ghost is just Rob-Corp’s double android.

With the help of his sidekicks, Space Ghost blasts the android off a cliff, where it lands conveniently next to Zorak. The villain believes his greatest wish has been granted, as he detonates “Space Ghost” into nothingness.


Zorak’s joy is soon deflated, when he is rounded up with the rest of the villains Toth by the heroes and returns to his space prison. We end not only with Rude’s version of the show’s “The End” card, but also with a lean joke worthy of the show’s shameless silliness.


COMICO’S SPACE GHOST FORECASTS FUTURE TRENDS

The story is slightly more sophisticated than what viewers would have experienced on the ’60s show, but it still feels like it’s part of this world. Evanier and Rude craft the comic with affection for the material, avoiding any fashionable attempt to rearrange a classic concept. It is clearly not a “mature” or “realistic” version of Space Ghost. More like a lost episode, filled with all the villains fans would want to see rendered by Steve Rude.


In recent years, pitting a hero against his rogue gallery has become a sales-boosting ploy, perhaps most famously used in Jeph Loeb and Jim Lee’s “Hush” screenplay for Batman. While these arcs often seem artificial, “The Sinister Specter” offers fan service while striving to tell a clear story. There is a bit of bad leadership, fun at Zorak’s expense, and situations that allow each protagonist to have their hero moment.

Another element that hints at the future is the comics’ use of animation-inspired coloring techniques. The production values ​​for this comic are fantastic, and predate Dreamwave and Udon’s attempts to mimic the color design of anime in the comics by more than a decade. Considering the advancements in digital coloring and printing techniques since the 1980s, it’s a shame that the comics produced by major publishers today don’t look as good as Space ghost.



phantom-space-side-by-side-adult-swimming

For generations of readers who only really know Space Ghost from its parody talk show in the ’90s (a precursor to Cartoon Network’s irreverent Adult Swim lineup), it’s hard to see why so many pros have taken on the hero. seriously. Yet the same impetus continued into the next generation, as 1980s properties like Masters of the Universe and Transformers received their own serious redesigns from creators who maintained their childhood affection for heroes.

While Space ghost possibly previously a licensed book crafted by an indifferent creative team, Comico’s one-shot was an early indicator that previously rejected properties may hold real value. Evanier, an accomplished television writer, and Rude, considered one of the best comic book artists, probably could have worked on any property they wanted. But what they wanted was Space Ghost. Years later, creators like Alex Ross would dedicate their energy to reviving long-abandoned properties like Battle of the planets. Nostalgia was previously a niche market within comics, but Comico Space ghost became oddly prescient in the years since its release.


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Hawkeye Confirmed The MCU's New Black Widow Has A Dirty Red Guardian Trait

Hawkeye Confirmed The MCU’s New Black Widow Has A Dirty Red Guardian Trait


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6 darkest film and tv adaptations of a Christmas carol

There is a reason why Charles Dickens A Christmas Carol has been said so many times over the years. It’s a classic story about redemption and the power of the Christmas season, but many people forget that the book wasn’t written like the merry, festive Christmas tale that they now associate it with.

RELATED: 10 Scariest Moments From A Christmas Carol

When Dickens wrote the novel, he had no intention of writing a wellness vacation classic. He wrote it like a supernatural horror story, and the book has some really creepy prose that hasn’t translated to screen as well as often as it should. There have been several movie adaptations and reinterpretations of Dickens’ story over the years, but which ones manage to capture the darkness of Christmas and the haunting imagery he initially sought to scare people off?

6 Scrooged (1987)


While not a direct adaptation of the original story, Richard Donner’s dark comedy, Shaved, deserves a mention for its refreshing and alternative interpretation of Dickens’ book. Starring Bill Murray as the chairman of the television network, Frank Cross, the film captures much of the same story as the original tale, while also giving it a more comedic twist and making it unique enough to stand out.

Bill Murray is funny as always with his typical Murrayisms, and he uses them effectively to instill a more modern sense of cynicism than the typical Ebenezer Scrooge portrayal. Despite all of its comedy, the film counterbalances it with rather grim imagery: a rotting corpse, a man on fire, another man frozen to death, Murray’s vision of being cremated in his lifetime, and more. This is one of the best movies directed by Richard Donner and a perfect film for anyone looking for a different take on a classic vacation story.

5 A Christmas Carol / Scrooge (1951)


In one of Scrooge’s most recognizable and best performances of all time, Alastair Sim headlines this 1951 adaptation in the role he was born to play. From the start, with the initial musical cue in the opening credits, it looks a lot more like an old-fashioned horror movie of the time than any other typical type. Christmas song movie. With the film also being shot in black and white, the cinematography also helps to keep the scary vibe on screen.

RELATED: 10 Almost Perfect Versions Of Ebenezer Scrooge In A Christmas Carol, Ranked

While it might not be exactly one of the most faithful adaptations, its music, cinematography, and Sim’s acting (along with the rest of the cast), manage to capture the wit and menacing tone of the news better than any other live action movie. or a television special has never attempted to do so.


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4 A Christmas Carol by Chuck Jones (1971)


With Alastair Sim reprising his role as Scrooge, produced by Chuck Jones and directed by Who wants Roger Rabbit skinAnimation director Richard Williams, this half-hour short film lasts just long enough to provide its viewers with enough nightmare fuel for the entire Christmas season. Its animation is impressive, but it also creates an extremely uncomfortable sense of dread and dread.

Surprisingly, however, the animation and detail in its images aren’t the only two scariest elements. The sound effects, especially during the Jacob Marley stage, and the absence of a musical score for the majority of the performance time are very effective in creating a really tense atmosphere. The fact that this type of animation was even allowed to air on television in the early 1970s is nothing short of surprising.


3 A Christmas Carol (1984)


While Alastair Sim set the gold standard for an actor portraying Ebenezer Scrooge, when it comes to the ideal casting in the 1980s, there’s no better than George C. Scott. Fans of the story will certainly be in awe of Scott’s precise performance (despite his poor attempt at an English accent), but fans of the horror genre will also have their own reasons for investing heavily in this particular version.

RELATED: Ranking The Best Versions Of The Spirits In A Christmas Carol

From its music to its lighting and cinematography, it practically turns into a horror movie during the climax with Ghost of Christmas Future, and even more so with the reveal of Ignorance and Want. It also contains perhaps one of the spookiest live performances of Jacob Marley that has never been brought to the screen. Being a made-for-television film, it is obvious that the production was set on a lower budget, but if they had received more money and were not stuck with the limits of network television. Who knows how darker and spookier it could have been?


2 A Disney Christmas Carol (2009)


While it is not widely regarded as one of the best films directed by Robert Zemeckis, A Disney Christmas Carol is widely regarded as one of the most faithful adaptations of the original work. Much of the 19th century dialogue and language is taken directly from the pages of Dickens’ novel and captures the same sense of supernatural strangeness and ominous foreboding.

Of course, Zemeckis polishes the story up a bit, adding light and comedic elements to some of the darker scenes so as not to alienate any of the younger viewers. Fortunately, however, that doesn’t take too much away from the overall obscurity of its version, with the ghosts of Christmas past and present being just as intimidating as they are inviting, and the Ghost of Christmas Future is one of the most nightmarish interpretations ever. There is also a certain poetry in the fact that Jim Carrey plays not only Scrooge, but also the Three Ghosts. It certainly makes him one of the best actors he’s ever played.


1 A Christmas Carol by FX (2019)


Guy Pearce in A Christmas Carol FX

One of the more recent adaptations of the tale, Peaky blinders creator Steven Knight probably creates the darkest, most intense version A Christmas Carol in this 2019 miniseries. Steven Knight may seem like an unusual choice to tackle such a classic and beloved tale, especially given the content and structure of a show like Peaky blinders. While he understands the gist of the story and the characters well, he takes some notable creative liberties.

Scrooge has always been a despicable character, but Knight’s two writings, combined with Guy Pearce’s acting, make him so much more villainous and evil Scrooge than the rest. What make its viewers wonder if this version of the character even deserves a redemption. With added story elements that include extremely dark and mature themes, there’s no real Christmas spirit to be found in this adaptation. Even with the ending, he didn’t capture the same warm, redemptive feeling of the holiday season as the others.

NEXT: Ranking of the 15 versions of a Christmas carol from the most to the least precise to the book

Split image of Alastor Mad-Eye Moody cursing a spider and Barty Crouch Jr. talking to Dumbledore in Harry Potter and the Goblet of Fire


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What could have been the silly IndyCar driver market season

Some people predicted that the silly IndyCar driver market season of 2022 wouldn’t be exciting, but it wasn’t.

An influx of young European juniors, two respective Indy 500 winners and IndyCar champions, seats at Andretti, Penske and Rahal were all in the market and of course Romain Grosjean’s future was a long saga.

Looking back – and trying to be realistic about the options available – The Race went back and rephrased the silly 2022 season.

Let us know your queues in the comments and where our writer went right or wrong.

Penske’s fourth car

Our driver: Rinus VeeKay

In this alternate reality, Penske is the first domino to fall because they’re a team any driver would be foolish for not wanting to drive for and their track record speaks for itself.

Scott McLaughlin was a revelation in 2021 given his lack of single-seater experience, but preseason predictions that he would win a race were wrong. McLaughlin will get there, but in the second season – 2022 – Penske lost an Indy 500 champion and winner to Simon Pagenaud and didn’t replace him as he shrank to three cars.

McLaughlin may be a long term gain, but Pagenaud is a short term loss.

It could refocus a team that never really wants to expand to four cars, but it could also be a huge mistake in terms of IndyCar results.

The Penske / Pagenaud relationship had run its course, so arguing for his re-signing is unrealistic.

Given the options in the market, it’s tempting to go part-time and get Takuma Sato into the squad, as Penske’s Indianapolis 500 form has been dismal since the aeroscreen was introduced in 2020, a year ago. during which Sato won the race.

However, a part-time car isn’t ideal for Penske, and Sato is married to Honda, so the next best option for Chevrolet-powered Penske is to sign the best young driver around and it could well have been the winner of the 2021 race. Rinus VeeKay.

OK he was extremely inconsistent, but he unlocked an Ed Carpenter car that was difficult to drive like no one else and would surely be a regular threat in Penske’s battle against Ganassi.

The last time Penske made the bet by signing a young driver from Ed Carpenter, it worked out pretty well with Josef Newgarden. VeeKay isn’t the same package he was at this point in his career, but he’s young and full of potential.

Arrow McLaren SP’s third car

Our driver: Simon Pagenaud

Simon Pagenaud Honda Indy 200 in Mid Ohio M44287

That’s a tricky question because for the basis of this feature we are giving Arrow McLaren SP its third car for 2022, which it has failed to do in the real world.

However, he could have done it if he had found the right pilot.

And who better to drive than Pagenaud? He has known some of the team’s staff since he was on the team before, and with a new car coming in 2023, who better to help develop things than Pagenaud? He has an engineering mind and has so much experience.

He might not be the long term option that AMSP is looking for, but he has it in Pato O’Ward. Felix Rosenqvist still has time to make it a sustainable home, too.

Take Pagenaud while it’s in the market and you add someone who won a championship and a 500. That’s what this team is currently lacking with two light drivers on the IndyCar experience. Signing someone like Stoffel Vandoorne would only add to that.

Andretti Autosport’s third and fourth cars

Our drivers: Romain Grosjean, Kyle Kirkwood

9, 2021 Kodak Colorplus 200 Canon Ae 1 Nikon F100

No need to change Grosjean’s signature, it’s an excellent signing. If he increases his performance with the modest resources of Dale Coyne, then he is a championship-caliber prospect. If he’s struggling to adjust for whatever reason, he still brings a wealth of experience that would at the very least help this Andretti squad become a respected contender again. Not just with Colton Herta.

The deal to sign Devlin DeFrancesco has been in the works for some time and, having covered DeFrancesco for a long time, I know there is potential there.

However, in this alternate universe, Andretti made the right decision that Kirkwood is a once in a lifetime chance for a future American hero. The Floridian is well presented and has the best junior open wheel CV America has ever seen.

If he’s not an IndyCar-ready prospect, I don’t know what it is, and no team should have ignored him.

Rahal Letterman Lanigan second and third cars

Our drivers: Christian Lundgaard, Santino Ferrucci

08/15/2021

Christian Lundgaard’s performance at Indianapolis this year made him an obvious choice for Rahal and his potential means there is no need to change that decision. It is good.

In this scenario, Rahal went in a slightly different direction and signed Santino Ferrucci for his new third car.

His record in the team car this year speaks for itself with the fifth-best series average for drivers who have completed more than one race.

Granted, one of the team’s flaws has been their qualifying performance and that’s probably Ferrucci’s weakest attribute, but Rahal isn’t suddenly going to qualify the miles better after signing Jack Harvey in real life. .

That doesn’t take anything away from Harvey, but it’s clear that qualifying is an area the whole team needs to focus on.

With Sato gone, the team has no Indy 500 winners, one driver who has yet to do so and another with a better ninth finish.

Ferrucci is an upgrade there. Give it a year to deliver on the promise posted in 2021, and if that doesn’t work, go for one of the big names in a silly season in the pilots market stacked in 2023 instead. It’s the perfect stopgap.

Meyer Shank Racing two cars

Our drivers: Helio Castroneves, Jack Harvey

Jack Harvey Meyer Shank IndyCar

No change from 2021 in our alternate universe, although obviously in real life, Harvey’s departure paved the way for Pagenaud’s membership.

The team loved Harvey, they had an adjacent sports car program with big ambitions to return to Le Mans, and he had just started working with this generation’s top Indy 500 driver in Helio Castroneves.

Rahal may be moving forward, building a new factory, and leading BMW’s sports car effort in the United States, but he didn’t win a race in 2021. , and neither does Harvey. There are definitely some bright spots in staying with MSR.

Ed Carpenter Racing two cars

Our drivers: Ryan Hunter-Reay, Oscar Piastri / Jack Aitken / Ed Carpenter

Oscar Piastri Alpine F1 junior F2

Okay admittedly readers if you want to get angry in the comments this might be the place to start. It’s kinda bonkers, but with her VeeKay talisman heading to Penske at the top of this post, we had to get creative.

Hunter-Reay may have had a dismal year at Andretti, but it’s not entirely his fault. Obviously the team has a very irregular car on the road / street courses. Someone with more experience than VeeKay and Conor Daly may be able to help the team get over this and Hunter-Reay is a champion and an Indy 500 winner to boot.

There is a lot of frustration that Oscar Piastri is not on the Formula 1 grid in 2022 despite his prodigious talent. So who better to bring to IndyCar?

With what VeeKay may have done with the car on occasion, you might persuade Piastri to participate in a partial program, although of course he will be busy with his F1 reserve duties.

Piastri could do five races without missing any in F1, and given that Alpine was happy to let Lundgaard pass – but not as a reserve driver – there could be more potential.

In this scenario, it would be great for Sébastien Bourdais to replace and do the other races – I still can’t believe a top-level team didn’t choose him – but he makes full-time sports cars with it. Ganassi. So let’s move on to the real-world option of Jack Aitken who is currently discussing a part-time or full-time deal with the team.

If Piastri is not available, entrust the work to Aitken. He’s known for his developing skills and would surely help the team’s performance on the road, although he doesn’t necessarily meet the team’s criteria to be a threat of victory for the Indy 500.

Either way, he pulls out a third car for Indy – so Aitken can get up and learn – and is still a contender there, so he could persuade a heavy hitter to come in and do a job. Bourdais is the guy for that too.

The two cars of Dale Coyne

Our drivers: David Malukas, Takuma Sato

2020 Takuma Sato Indy 500

No need to change either decision here. Coyne just isn’t going to compete for an IndyCar title with such a stacked field, so why not try the next best thing and go for the 500?

Sato was the best driver in the market for this, strengthening the team’s bond with Honda and giving him a fighting chance in a car that had the potential to be very good in the 500.

Along with Malukas he has strong support and brings some really exciting American talent with a lot of potential. This is another opportunity for Coyne to continue his record of training young talent.

AJ Foyt Enterprises two cars

Our drivers: Devlin DeFrancesco, Linus Lundqvist

Devlin Defrancesco evaluation test with Andretti Steinbrenner Autosport at Barber Motorsports Park M50024

We already have Kirkwood at Andretti and feel Dalton Kellett is not the quality to help push this Foyt team onto the grid, as nice as Dalton is.

With DeFrancesco tapping into some potential and good support, we’ve squeezed him into this more low-key debut at Foyt than he’ll get in real life at Andretti.

In the real world, if he finds it difficult to adapt immediately, he will be criticized, as will Andretti for not signing Kirkwood. Here DeFrancesco gets an IndyCar start under the radar and may win this stage in the future.

Lundqvist could be a season too early for promotion after finishing third in the Indy Lights Championship. However, the underlying potential is there.

If Foyt is really interested in having young drivers instead of his recent form of going for most of the veterans, then this training would be high risk – which is necessary due to the poor results of the team – but potentially very rewarding.

Juncos Hollinger Racing a car

Our driver: Callum Ilott

Ilott Juncos

The IndyCar grid teams clearly weren’t aware that Ilott was available for 2022 and hadn’t considered it, which is why he fell to a team making their IndyCar comeback and their first full season.

However, it’s a good game for both sides. Ilott is fortunate enough to use the skills he learned from developing Ferrari F1 cars to take Juncos forward and give himself two options. Be part of the Juncos by becoming a competitor or impress one of the great teams for a practice.

Juncos knows what he’s got at Ilott and even though he’s only had it for a year or two, it’s only positive. The only question is whether he can put the right people around him to make him a quick hit.


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The Riverdale gang once fought Santa over pollution

Today we look at the time Archie and the gang had to convince Santa Claus not to give up because of the pollution of the world.

This is a feature called “A Political World”, where we shine a light on 20th century comic book stories that came out when the comics weren’t political at all, unlike the comics today. ‘hui.

This time around, we take a look at 1971 Pep Comics # 261’s “Christmas Past”, by (apparently) George Gladir, Gus LeMoine and Joe Edwards, where Archie and the teens from Riverdale have to convince Jingles the Elf to convince Santa Claus not to. not give up on Earth because of pollution.

RELATED: Captain America gave Avengers’ Rage a talk on racism – it didn’t go well


WHAT WAS PEP COMICS?

Pep Comics is one of those rare comic book titles where, when it underwent a drastic change in the function of the comic book itself, the title still fit. Encouragement Comics, you see, was introduced by the MLJ comic book company, which was named after the first names of the three guys who owned the company – Maurice Coyne, Louis Silberkleit, and John L. Goldwater. Like every other pulp fiction publisher who got into the comic book game, MLJ was all about superheroes and Encouragement Comics debuted with the company’s most famous superhero, The Shield, who was America’s first great patriotic superhero (debuting a full year before Timely’s Captain What’s-His-Name). The series also featured The Comet, who was a revolutionary superhero in his own right (for some not-so-happy reason). However, a few years later, the series introduced a save feature on a teenager and his life. Archie Andrews quickly became so popular that he became the main actor in Encouragement Comics (One of the strangest times in company history was when Archie and the Shield shared the comic book cover. So you’d make them interact in such a bizarre way, that obviously a super- hero and a goofy teenager don’t really do it too well together).



Eventually, Archie took over the magazine ENTIRELY and the company was renamed Archie Comics. However, unlike, say, Action comics, Police comics, Tales to amaze, Tales of Suspense, Journey into the mystery Where Adventure comics, the name of the series, Encouragement Comics, worked pretty well for Archie Comics’ new comic-centric humorous approach. So it remained in use until its demise in 1987 (although Archie continued to use the name for some of their giant comics in the early 1990s).

WHO IS JINGLES L’ELF?

At the start of legendary artist Archie Dan DeCarlo’s time in the business, he (along with writer Frank Doyle and inker Rudy Lapick) introduced Jingles, a working brownie / elf for Santa that only kids could see. . He would visit Archie and the gang every year (which, of course, doesn’t really make sense since the gang never seems to get old and yet Jingles would visit him year after year) and engage in all kinds of nonsense ( different artists would draw it differently every year. It was kind of funny).


WHO WERE THE CREATORS OF THIS STORY?

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George Gladir was one of the most prolific Archie writers of all time. If Gladir hadn’t worked at Archie’s with Frank Doyle, who wrote arguably the most comical stories of any 20th century American comic book writer, then Gladir might have the honor himself! Still, Gladir was a remarkably prolific writer, and after starting with Archie Comics in 1959, he still delivered scripts until his death in 2013. Besides a keen sense of humor, Gladir was particularly good at keeping his stories up to date. day. The Archie comics are generally unusual in that they try to maintain a fairly timeless quality, on the whole, so that their digestive system can work. You see, Archie Comics is the company that came up with the idea of ​​selling summarized versions of their comics in supermarkets (a young Tom DeFalco specifically came up with the idea). Archie was able to make these summaries work due to the fact that Archie’s stories from different eras can very well coexist with each other. However, even with that in mind, Gladir has tried to keep his Archie stories between timeless and always “up to date,” which is no easy task, but it is a task that Gladir has been successful for over 50 years.


The artist of the story, Gus LeMoine, is a mysterious figure in comic book history. I only saw two comic book creators who even said they’ve met the guy in person. This led people to believe he might be a pseudonym, but LeMoine later made the famous Quick willie jackson, an Archie style African American comic series (VERY Archie style) and he had some issues with the publisher of that comic, and the comic book publisher interacted with LeMoine a lot and then talked a lot of him, so I tend to believe he wasn’t a pseudonym, and it’s possible he was the first prominent African American comic book artist for Archie Comics. Again, I don’t know the guy well enough. I wish I did.


Finally, the inker was Joe Edwards, another prolific artist who worked at Archie for decades, most famous on the recurring character he created called Lil ‘Jinx, a precocious little girl who was born on Halloween (all as Edwards’ son, Ken), hence the nickname.

SO WHAT THE MATTER, FATHER NOL?

The story begins with Jingles visiting and disgusted that he arrived right in the middle of the smog. He explains to teens that their pollution is ruining the planet …


He then drops the bomb. He thinks things are going so badly that he will recommend that Santa Claus suspend his operations this Christmas!


The teens are shocked, they have to convince Jingles to change their mind. They explain that the world NEEDS the Christmas season to give them something to break into the cynicism of the world …



Jingles is unmoved, as he feels like they are actively allowing this pollution to happen …


Teens, however, insist that they will do their best to fight to change the world’s habits …


Jingles agrees to give them a year to make a difference ….


And, of course, the pollution luckily ended in 1972. Phew.

Okay friends I’m sure you have any suggestions for some interesting political stories from the ‘good old days when comics weren’t political’, so send me any suggestions at [email protected]!

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How the death of the Mightiest Avenger almost sparked Marvel’s darkest Civil War


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Reading and writing

The artists we lost in 2021, in their words

This year, as pandemic deaths ebbed and flowed, a distinctive and eternal rhythm – that of artist deaths – continued as usual, bringing its own waves of collective mourning. Some, like Cicely Tyson and Stephen Sondheim, have held the limelight for generations. Others, like Michael K. Williams and Nai-Ni Chen, have left us with curtailed careers with mourning. Here is a tribute to a small number of them, in their own words.


Cicely Tyson, actress, born 1924 (Read the obituary.)


– Melvin Van Peebles, filmmaker, born in 1932 (Read the obituary.)


– Liam Scarlett, choreographer, born in 1986 (Read the obituary.)


– Nelson Freire, pianist, born in 1944 (Read the obituary.)


Bob Avian, choreographer, born in 1937 (Read the obituary.)


– Carla Fracci, dancer, born in 1936 (Read the obituary.)


– Emi Wada, costume designer, born in 1937


– Joan Didion, writer, born in 1934 (Read the obituary.)


– Larry McMurtry, novelist, born in 1936 (Read the obituary.)


Ed Asner, actor, born 1929 (Read the obituary.)


Olympia Dukakis, actress, born in 1931 (Read the obituary.)


Charlie Watts, drummer, born 1941 (Read the obituary.)


Jacques D’Amboise, dancer, born in 1934 (Read the obituary.)


Robert Downey Sr., filmmaker, born 1936 (Read the obituary.)


– Joe Allen, theater district restaurateur, born in 1933 (Read the obituary.)


Charles Grodin, actor, born in 1935 (Read the obituary.)


Jerry Pinkney, children’s book illustrator, born 1939 (Read the obituary.)


– Larry King, TV host, born 1933 (Read the obituary.)


Anna Halprin, choreographer, born in 1920 (Read the obituary.)


– Dave Hickey, art critic, born in 1938 (Read the obituary.)


Nai-Ni Chen, choreographer and dancer, born in 1959 (Read the obituary.)


– Virgil Abloh, designer, born in 1980 (Read the obituary.)


Yolanda López, artist, born in 1942 (Read the obituary.)


– Helen McCrory, actress, born 1968 (Read the obituary.)


– Michael K. Williams, actor, born in 1966 (Read the obituary.)


– bell hooks, writer and scholar, born 1952 (Read the obituary.)


– Norm Macdonald, actor, born in 1959 (Read the obituary.)


– Elizabeth McCann, theater producer, born in 1931 (Read the obituary.)


Eric Carle, author and artist, born in 1929 (Read the obituary.)


– Beverly Cleary, author, born in 1916 (Read the obituary.)


– Young Dolph, rapper, born in 1985 (Read the obituary.)


– Carlisle Floyd, composer, born in 1926 (Read the obituary.)


Louis Andriessen, composer, born in 1939 (Read the obituary.)


– Cloris Leachman, actress, born in 1926 (Read the obituary.)


Hung Liu, artist, born 1948 (Read the obituary.)


– Art Gensler, architect, born in 1935 (Read the obituary.)


Christopher Plummer, actor, born 1929 (Read the obituary.)


Lisa Banes, actress, born 1955 (Read the obituary.)


– Kaari Upson, artist, born 1970 (Read obituary.)


– Sophie, producer and pop performer, born in 1986 (Read the obituary.)


– Etel Adnan, author and artist, born in 1925 (Read the obituary.)


Michael Nesmith, musician, born 1942 (Read the obituary.)


Dottie Dodgion, drummer, born in 1929 (Read the obituary.)


– Jessica Walter, actress, born in 1941 (Read the obituary.)


Edita Gruberova, soprano, born in 1946 (Read the obituary.)


– DMX, rapper, born in 1970 (Read the obituary.)


Stephen Sondheim, composer and lyricist, born 1930 (Read the obituary.)


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Stocks soar on Wall Street ahead of Christmas break

A forex trader watches screens showing the Composite Korean Stock Price Index (KOSPI) and the exchange rate between the US dollar and the South Korean won, in the <a class=foreign exchange trading room at KEB Hana headquarters Bank in Seoul, South Korea, Wednesday, December 22, 2021. Asian stock markets followed Wall Street higher on Wednesday after President Joe Biden reassured investors by calling for vaccinations and tests, but no travel restrictions in response to the variant of the omicron coronavirus. (AP Photo / Ahn Young-joon)” title=”A forex trader watches screens showing the Composite Korean Stock Price Index (KOSPI) and the exchange rate between the US dollar and the South Korean won, in the foreign exchange trading room at KEB Hana headquarters Bank in Seoul, South Korea, Wednesday, December 22, 2021. Asian stock markets followed Wall Street higher on Wednesday after President Joe Biden reassured investors by calling for vaccinations and tests, but no travel restrictions in response to the variant of the omicron coronavirus. (AP Photo / Ahn Young-joon)” loading=”lazy”/>

A forex trader watches screens showing the Composite Korean Stock Price Index (KOSPI) and the exchange rate between the US dollar and the South Korean won, in the foreign exchange trading room at KEB Hana headquarters Bank in Seoul, South Korea, Wednesday, December 22, 2021. Asian stock markets followed Wall Street higher on Wednesday after President Joe Biden reassured investors by calling for vaccinations and tests, but no travel restrictions in response to the variant of the omicron coronavirus. (AP Photo / Ahn Young-joon)

PA

Stocks closed higher on Wall Street on Wednesday, adding to the gains for the week before the Christmas break. The S&P 500 rose 1%, the Nasdaq rose 1.2%, and the Dow Jones Industrial Average rose 0.7%. The Russell 2000, a measure of small business stocks, rose 0.9%. Tech companies and a mix of retailers led the gains. The major indices are still on track for weekly gains after a rally on Tuesday. European and Asian markets also closed higher. The yield on the 10-year Treasury bill fell to 1.46%. US markets will be closed on Friday for Christmas.

THIS IS A CURRENT UPDATE. AP’s previous story follows below.

Stocks rose broadly in afternoon trading on Wall Street on Wednesday, adding to gains in the week before the Christmas holidays.

The S&P 500 was up 0.6% at 2:38 p.m. EST. The Dow Jones Industrial Average rose 176 points, or 0.5%, to 35,670 and the Nasdaq rose 0.6%.

The Russell 2000, a measure of small business stocks, rose 0.4%. The indices were mainly higher in Europe and Asia.

All major US indices are still on track for weekly gains after several turbulent days where stocks rebounded between big losses and solid gains. It’s a shortened week for traders, with US markets closed on Friday for Christmas.

Retailers and other businesses that rely on consumer spending accounted for a significant portion of the gains. They rose following an encouraging report on consumer confidence.

Tesla jumped 6.4% for the biggest gain in the S&P 500 after CEO Elon Musk reportedly said he sold enough shares to meet his goal of selling 10% of his stake in the electric vehicle maker.

Technology and healthcare stocks have also helped lift the market. Microsoft rose 1.1% and Abbott Laboratories rose 2.2%.

Traders increased their shares in cruise lines, hotel operators and other travel-related stocks. Carnival rose 3.6%, Marriott rose 2.7% and Expedia Group rose 2.4%.

Utility and industrial companies have lagged behind the market.

Energy futures rose as the price of US crude oil rose 2.5%.

Bond yields have mostly fallen. The 10-year Treasury yield fell to 1.46% from 1.48% on Tuesday night.

The latest increase in coronavirus cases due to the omicron variant has weighed on markets, along with concerns about rising inflation and its impact on economic growth.

The Commerce Department said on Wednesday that the US economy grew at a rate of 2.3% in the third quarter, slightly better than previously thought. But the prospects of a strong rebound going forward are clouded by the rapid spread of the latest variant of the coronavirus.

“The market is a little uncertain about this (omicron), but seems somewhat convinced it’s not going to turn into another foreclosure,” said Scott Wren, senior global markets strategist at Wells Fargo Investment Institute.

Governments in Asia and Europe have tightened travel controls or pushed back plans to ease restrictions already in place. In the United States, President Joe Biden announced on Tuesday that the government would provide rapid test kits and increase vaccination efforts, but gave no indication of plans for restrictions that could disrupt the economy.

Investors have also been busy moving money between sectors as the end of the year nears, and they are bracing for higher interest rates in 2022. The Federal Reserve has said it will step up. the process of reducing its bond purchases that have helped keep interest rates low and that opens the door to central bank rate hikes in 2022.


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Prince Charles’ “substantial personal donation” to a vital cause

Prince Charles is said to have donated a “substantial” sum to support a vital crisis appeal as he opens up about the “catastrophic” situation in Afghanistan as winter approaches.


As the oldest of the Queen’s children and the first in the royal line of succession, the Prince of Wales is a dedicated royal patron of many important charities and organizations. One of those sponsorships is the humanitarian organization International Rescue Committee (IRC), which Prince Charles has supported as Britain’s first patron since 2020. Now that winter has officially arrived and temperatures are dropping, he would personally have donates to help a vital crisis appeal to help Afghanistan.

According to Express.co.uk, a senior royal source claimed that Prince Charles had made a “substantial personal donation” to the Disaster Emergency Committee (DEC) Afghanistan crisis appeal. Patronage of the Prince of Wales, IRC is a DEC member charity and in addition to this reported major donation, he also highlighted the devastating situation for those living in Afghanistan and how many lives could be lost this winter without support.

In a heartfelt message, he said: “The situation in Afghanistan is truly catastrophic. More than half of the population will face acute hunger and freezing temperatures this winter, including 1 million children under five who could die if they do not receive immediate treatment for malnutrition. “

Prince Charles then reflected on the lifesaving “collective effort” of so many of the world’s greatest charities to support the people there.

“This is why I am so grateful that some of the greatest charities in the world have come together to launch an emergency appeal to support the people in Afghanistan,” he continued. “I am proud to support this collective effort to provide the Afghan people with emergency food, nutritional support for children and winter kits to help them stay warm.

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He also apparently referred to the recent turbulent times for the country, with so many around the world wondering how to help Afghanistan in the aftermath of the takeover, with the IRC “stepping up its efforts” to help the people. in need.

“The International Rescue Committee has been on the ground in Afghanistan for thirty years and despite everything, it is increasing its efforts to come to the aid of the most deprived”, concluded with force Prince Charles.

People can continue to donate to the Afghanistan Crisis Appeal through the ICR and DEC websites and since its launch the IRC reports that they have raised over £ 17.5million (23 , $ 2 million).

Prince Charles, Prince of Wales and Camilla, Duchess of Cornwall chat with IRC European Chief Sanj Srikanthan (R), Nele Kapretz (L), Impact Hub Managing Director Leon Reiner (2L) and the director of jobs4refugees, Robert Barre (3-L)

Prince Charles and Camilla, Duchess of Cornwall chat with IRC European Chief Sanj Srikanthan (R), Nele Kapretz (L), Impact Hub Managing Director Leon Reiner (2L) and Managing Director de jobs4refugees, Robert Barr (3- L)

(Image credit: Photo by Felipe Trueba – Pool / Getty Images)

This was achieved in just five days, with aid already distributed on the ground in Afghanistan. Members have provided winter clothing to help keep families warm, with mobile care teams deployed and firewood and stoves have also been purchased to help those in need.

The UK government has also announced that it will match the first £ 10million donated by the public pound for pound to the call. Although reports of a ‘substantial personal donation’ from Prince Charles have yet to be confirmed by the Prince herself, her support for this vital appeal at such a difficult time is extremely important.



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Naruto Creator Honors Series 20th Anniversary With New Art

Naruto’s twentieth anniversary proves that the story of the Hidden Leaf Village has resonated with Shonen fans for quite some time, and creator Masashi Kishimoto has shared new art to help ring the occasion. With the manga and anime playing a major role in this year’s Jump Festa, the franchise clearly shows no signs of stopping anytime soon as the next generation of ninjas have taken the reins as the threat from the Kara organization keep on going.

The stories of the anime and manga for Boruto: The Next Generations Of Naruto diverged, with the TV series exploring Chunin’s exams and set to tell the story of the newest member of the Uzumaki clan becoming an official ninja in the ranks of Konoha. In the manga, the battle against the Kara organization continues as the young villainous Code attempts to exact revenge for the loss of his master Jigen. With the final chapter revealing that Boruto and Kawaki have a lot of tricks tucked up their sleeves, it looks like Kishimoto is about to continue revealing some heartbreaking moments as the manga continues.

Twitter user Abdul_S17 shared Masashi Kishimoto’s new sketch, as well as a sketch by his assistant turned serial artist Mikio Ikemoto to help celebrate the twentieth anniversary of the popular Shonen franchise that shows no signs of stopping. so early :

The next generation of ninjas in the Kishimoto series may not have had to deal with people like the Akatsuki, but the Kara organization has proven to be a terrifying new threat to the ninja world as she seeks to accomplish what her wicked predecessors could not. One of the major events that Masashi did when he became a writer was the elimination of the Nine-Tailed Fox following the battle with Jigen, with the Seventh Hokage no longer able to rely on the power of the known being. under the name of Kurama.

What do you think of these new sketches to celebrate the twentieth anniversary of the popular Shonen franchise? Please let us know in the comments or hit me up directly on Twitter @EVComedy to talk all things comics, cartoons, and the world of Hidden Leaf Village.



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Lawmakers Urge Big Tech to ‘Mitigate the Damage’ of Suicide Site, Call for Court Inquiry

The families of those who have spent time on the website and learned ways to die have long held accountable the tech companies that direct people to the site, including search engines. The site attracts six million pageviews per month, and nearly half of all traffic is generated through online searches, according to data from Similarweb, a web analytics company.

A Microsoft representative said that in response to The Times’ investigation, the company had “taken action in accordance with our policies” and “corrected the ranking associated with this website in our results,” which reduced the ranking of the site for most related research.

Quoting the Times information, Blumenthal wrote in his letter to Google CEO Sundar Pichai that the suicide site’s content “makes the world a dark place for too many”, and that Google had the capacity and legal authority to keep “the people who are struggling away from this dangerous website”.

“Google’s hands are not tied and it has a responsibility to act,” he wrote.

In an email to The Times, Google spokesperson Lara Levin declined to comment on the investigation or the senator’s letter.

Mr Blumenthal did the same in his letter to Microsoft, writing to the company’s chief executive, Satya Nadella, and its chairman, Brad Smith. The Microsoft representative declined to comment further.

The operators of the suicide site have long used Cloudflare, an American company that provides cyber protection, to hide the names of its host, making it difficult, if not impossible, to know which company provides these services.

In 2019, Cloudflare was briefed on the dangers of the suicide website by Australian government officials. The following year, parents whose children had died while participating in the site asked Matthew Prince, CEO of Cloudflare, to stop providing services to the site, but he did not respond. Cloudflare declined to respond to a request for comment for this article.


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Global stocks drop amid virus concerns and tighter Fed policy

A woman walks past the electronic board of a securities firm in Tokyo on Monday, December 20, 2021. Asian stock markets followed Wall Street lower on Monday amid concerns over the latest variant of the coronavirus and the stricter Federal Reserve policy.  (AP Photo / Koji Sasahara)

A woman walks past the electronic board of a securities firm in Tokyo on Monday, December 20, 2021. Asian stock markets followed Wall Street lower on Monday amid concerns over the latest variant of the coronavirus and the stricter Federal Reserve policy. (AP Photo / Koji Sasahara)

PA

Global stock markets and Wall Street futures fell on Monday amid concerns over the latest variant of the coronavirus and tighter Federal Reserve policy.

London and Frankfurt opened sharply lower. Shanghai, Tokyo and Hong Kong also fell at the start of a stock market week that will be cut short by Christmas. US benchmark oil fell more than $ 3 a barrel.

The spread of the omicron variant has fueled fears that new restrictions on business and travel could worsen supply chain disruptions and spur inflation.

“Omicron threatens to be the Grinch to steal Christmas,” Mizuho Bank’s Vishnu Varathan said in a report. The market “prefers security to unpleasant surprises”.

In early trading, the FTSE 100 in London fell 1.7% to 7,143.60 and the DAX in Frankfurt fell 2.4% to 15,155.71. The CAC 40 in Paris collapsed 2% to 6,787.68.

On Wall Street, futures on the benchmark S&P 500 and the Dow Jones Industrial Average fell 1.5%.

The S&P fell 1% on Friday as traders pulled money from the table after the Fed said it would fight inflation by speeding up the withdrawal of economic stimulus. The index is 2% below its all-time high and up 23% for the year.

The Dow Jones lost 1.5% and the Nasdaq composite, dominated by technology stocks, slipped 0.1%.

In Asia, the Shanghai Composite Index slipped 1.1% to 3,593.60 after China’s central bank cut a key interest rate. The bank lowered its one-year prime rate to 0.05%, but left the five-year rate and its main policy rate unchanged.

The reduction is a “small step towards easing” monetary policy without changing efforts to reduce real estate debt, Macquarie’s Larry Hu and Xinyu Ji said in a report. Beijing’s use of multiple interest rates “is confusing, drastically reducing the signal” if only one is cut, they said.

The Nikkei 225 in Tokyo lost 2.1% to 27,937.81 and the Hang Seng in Hong Kong lost 1.9% to 22,744.86.

Seoul’s Kospi was down 1.8% to 2,963.00 and Sydney’s S & P-ASX 200 was down 0.2% to 7,292.20

India’s Sensex index opened down 2.3% to 55,811.05. New Zealand won as Southeast Asian markets retreated.

Traders had made an offer to airlines, cruise lines and other travel-related actions in hopes that the spread of omicron would not trigger more travel checks.

Sentiment has turned as the United States and other governments warn omicron is more prevalent than expected, leading to travel restrictions in some areas and the cancellation of public events.

The US government on Sunday warned of a possible wave of “revolutionary infections” as Americans travel for the Christmas and New Year holidays.

Stocks rallied briefly last week, then fell after Fed officials said on Wednesday they may accelerate cuts in bond purchases that inject money into financial markets. This sets the stage for the Fed to start raising interest rates next year.

Also potentially weighing on sentiment, a US senator said on Sunday that he would not support President Joe Biden’s $ 2 trillion infrastructure, social spending and climate plan. Joe Manchin’s announcement may doom the plan’s chances in the equally divided Senate.

Inflation has been a growing concern throughout 2021. Higher raw material costs and supply chain issues have increased overall costs for businesses, which have raised commodity prices to offset the impact. .

Consumers have so far absorbed these price increases, but they face continued pressure from price increases and this could lead to lower spending.

In energy markets, benchmark US crude plunged from $ 3.57 to $ 67.15 a barrel in electronic trading on the New York Mercantile Exchange. The contract fell from $ 1.52 on Friday to $ 70.86. Brent crude, the basis of international oil prices, sank from $ 3.41 to $ 70.11 a barrel in London. It lost $ 1.50 the previous session to $ 73.52 a barrel.

The dollar fell to 113.41 yen from 113.70 yen on Friday. The euro gained $ 1.1261 against $ 1.1251.


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Business leaders land leading roles in celebrity business ventures

Anakwenze of Abacus Financial said managers sometimes need to steer clients away from risky companies.

Stimulated by peers who sometimes win jackpots, Hollywood talent has branched out into parallel ventures in which, in a new twist, their business leaders and lawyers take on frontline roles. These side activities outside of mainstream entertainment careers may involve drinks, food, cosmetics, fashion, personal fitness, cannabis products, and a range of online media offerings they own or co-own. – own.

“We are living in a unique time where innovation is abundant and capital is readily available,” said Belva Anakwenze, director at Abacus Financial Business Management at Palms.


A prime example of the celebrity gold rush is the Casamigos tequila brand that George Clooney co-created in 2013 and sold for $ 1 billion in 2017 to spirits giant Diageo. Clooney’s co-creator was Rande Gerber, an entertainment entrepreneur married to model Cindy Crawford. This high price has rocked Hollywood.
“Even 10 or 15 years ago, these examples of celebrities taking stakes in business start-ups were rare,” said Shaun Clark, attorney for Century City.


Clark, a partner at Sheppard Mullin Richter & Hampton law firm, sees social media as a real change.


“I attribute a lot of the change to the technology that gives influencers and sophisticated talents a voice and direct connectivity with their fans and demographics,” he said. “You don’t just tap into their name, voice and recognition, you speak to an entire audience that sees and loves what celebrities are saying.”


In the hard liquor industry, where gaining market share is normally a frosty process, celebrity associations are increasing sales of tequila, a category that appears to be overrun by Hollywood and other talent. Besides Casamigos de Clooney, actress / producer Eva Longoria supports Casa Del Sol, basketball player Michael Jordan co-founded Cincoro, LeBron James leads 1707 Lobos, influencer Kendall Jenner pushes 818 Tequila and Nick Jonas of pop music launched Villa One. Jenner’s brand 818 generated mixed reviews from aficionados, but sold out at launch.


The latest sensation is Dwayne “The Rock” Johnson’s Teremana, which ranked 6th among mid-priced tequila brands in 2020, the newest brand in that mid-priced category, according to the Shanken Daily News drinks. Armed with Johnson’s celebrity firepower, the Mast-Jägermeister brand distributor became an instant force in tequila.


“It’s very rare for a high-end brand to achieve this kind of volume in its very first year on the market,” according to researcher Shanken.


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In some cases, celebrities develop their own ideas, but more often than not, celebrities become attached to the embryonic businesses presented to them. These two entrepreneurial options are different from traditional sponsorship deals with big brands that pay a large sum of money to famous talent to essentially be hired presenters for a limited period of time.
When it comes to situations where talent has this idea, business leaders play a leading role in creating a business plan.


“The sales manager can be the quarterback tasked with putting together the financial information that will take the customer’s idea or product to the next level and eventually market,” said Mickey Segal, the founding partner and director of the Westwood-based NKSFB business manager. “They are bigger clients” with significant funds to finance the development.


Segal oversees Hollywood’s largest business management specialist, with 600 employees in five offices, and is a division of Focus Financial Partners.


Talent CEOs can serve as de facto CFOs of companies, oversee product / supplier relationships, point the way to third-party financing, and advise clients on insurance and overhead costs. To a certain extent, business leaders incubate startups born by their clients. This incubation can be indirect by helping others to take over functions which are not in the wheelhouse of the entrepreneur or which are too important to be managed directly.


Business manager Mike Merriman advises a music client who has launched a successful beer-drinking contraption, the Chugbud. Merriman, president of downtown-based Parr3, is the startup’s de facto CFO for his client, known professionally as Mike, a hip-hop / pop singer with 4.5 million monthly listeners. on the Spotify music streamer.


The singer has many followers on the varsity music concert circuit where the party chugbud is a natural fit to the lifestyle. Merriman said his customer “has gone from assembling the product in a garage to outsourcing high volume manufacturing and selling tens of thousands of units.”


Active and passive income

The other model involves many instances where existing embryonic businesses seek to connect with celebrities. Well-known talents are courted to serve as a brand ambassador – often with a share of ownership as payment and long-term involvement – and startups may even seek a celebrity cash investment.
Century City Commercial Director John Blakeman, Partner at Macias Gini & O’Connell, noted that “Early stage investment firms and emerging brands are looking for capital to take them to the next level. Through VCs and other investment avenues, proposals cross the offices of business leaders.


Another role of business leaders and legal advisers is to be upfront when clients want to invest in clearly high-risk businesses that appear to be bad bets and that would force the client to fund themselves personally. Then the business owner’s job is to “talk to them from the ledge and save them from themselves,” Anakwenze said.
In the past, business leaders and lawyers weren’t on the front lines – the personal managers who guide global careers and the agents who book gigs were traditionally the initial catalysts. All are part of a celebrity advisor team.


But with the boom in celebrity monetization avenues, startups and digital media have become blurring the lines. Of course, business leaders remain the mainstays of traditional services in accounting, banking, financial planning and also in the alignment of passive investments such as the purchase of income-producing real estate or small holdings. in startups. Lawyers have also recently become hubs, through their involvement in increasingly complex celebrity sponsorship deals and industry contacts.


These celebrity associations provide instant visibility to business ventures, but there is a risk if the talent gets involved in the controversy down the road. For example, earlier this month brewer Anheuser-Busch Cos. abruptly stopped his drink Cacti Agave Spiked Seltzer, which is branded by rapper Travis Scott, after 10 people died in a crowd surge as Scott performed at the Astroworld festival.


For business owners and lawyers, side businesses, however, help clients achieve their wealth building goals and can establish good faith in business outside of Hollywood, which can be a stepping stone to a second career. .


Plus, unlike traditional Hollywood work, which often requires lengthy concert tours or reporting on Hollywood soundstages at dawn, clients’ creative talents engage in side gigs that have the potential to become self-propelled afterward. to have elbow grease for the launch. Business leaders constantly advise their clients to pursue activities that allow them to “make money while you sleep.”

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Games postponed and testing increased as Covid continues to impact athletes and teams

Faced with an alarming increase in the number of professional athletes testing positive for the coronavirus, along with the rest of the country, the NBA announced on Sunday it would postpone five games, bringing the total number of postponements related to the coronavirus in the NBA to seven this season. .

Also on Sunday, the NHL announced that “due to concerns over cross-border travel and given the fluid nature of federal travel restrictions,” it would postpone 21 games scheduled for Monday through December 23 that pitted Canadian teams against American teams. . These matches are scheduled to resume on December 27.

And on Saturday, the NFL and NFL Players Association changed their testing protocols, the fourth such adjustment in a week.

These were the latest changes to schedules and health rules that professional leagues made instead of stopping their seasons. With high vaccination rates among players and staff, the NFL and NBA have generally cut back on Covid-19 testing, which is in line with guidance from the Centers for Disease Control and Prevention. People who have been vaccinated do not need to be tested unless they are exposed or showing symptoms, according to the CDC, advice that professional leagues appear to be adopting after previously testing more frequently.

In a note to the 32 teams sent out on Saturday, Commissioner Roger Goodell said players would receive test kits they could use at home to help them “identify and self-report a possible infection before entering the tournament. ‘establishment”.

Vaccinated NFL players who are asymptomatic will be subjected to “strategic and targeted” testing, while players who report symptoms of a coronavirus infection will be tested “promptly.”

The NFL’s testing strategy mirrors that of other professional leagues, although the N.BA. and the NHL has temporarily instituted daily testing measures for players, regardless of their vaccination status, amid the current wave fueled by the Omicron variant: NBA players will be tested daily for two weeks starting December 26. , and NHL players began testing on Saturday and will continue until at least January 1.

“I wouldn’t describe it as we’re stopping testing” for vaccinated players, NFL chief medical officer Dr. Allen Sills said on a call with reporters on Saturday. “We’re trying to test smarter and more strategically. “

These decisions to rely on self-reporting symptoms have raised new questions about whether players will and risk missing a start if they are positive. It has worked in other areas of society, said Dr Amesh Adalja, senior researcher at the Johns Hopkins Center for Health Security at the Bloomberg School of Public Health. Hospitals, for example, have relied on the honor code and most do not test vaccinated employees every week, according to guidelines from the Centers for Disease Control and Prevention. Adalja said sports leagues may also introduce other measures, such as one-time testing or symptom screening, to increase other tests.

“I think NFL players and coaches need to be professional and know that they don’t want to put other people in danger,” Adalja said. “They shouldn’t be playing sick, but that will obviously be as good as the honesty of the people there.”

The players union lobbied for daily testing for all players, as the league demanded in 2020, with the NFLPA president, JC Tretter, writing in a September 2021 article on the union’s website that simple weekly testing of vaccinated players could allow transmission of the virus within team facilities for a dangerously long period of time.

Goodell’s memo on Saturday follows a slew of Covid-19 protocol changes the NFL made in a week in which it was forced to postpone three of this weekend’s games, the first of those delays this season.

Facing a one-day record in positive player tests last Monday, the league imposed booster shots on team staff members who work most closely with players. On Thursday, after more than 100 players tested positive during the week, the league reinstated mandatory masks inside team facilities and restrictions on in-person gatherings. More than 130 players were placed on NFL teams’ Covid-19 reserve rosters last week, including at least 10 from the Los Angeles Rams, Cleveland Browns and Washington football team.

With the spike in positive cases threatening the weekend’s game roster, the NFL has also changed its policies to allow fully vaccinated players who have tested positive to become active faster, provided they are asymptomatic for at least 24 hours. Now, these players can return from quarantine the day after their first positive test.

On Saturday, the NHL announced strengthened protocols that include daily testing for all members of a club’s traveling team. Players and coaches are prohibited from eating inside restaurants and bars, and are encouraged to wear masks indoors.

A joint league-NHLPA statement released on Sunday said that after meetings with medical experts, the season will continue amid postponements; until now 39 NHL games will be reprogrammed. The need to temporarily close individual teams would continue to be made on a case-by-case basis.

The statement also said the league and players’ union “were actively discussing the issue” of the NHL’s participation in the upcoming Beijing Olympics and expected to “announce a final decision in the coming days.”

In England, the Premier League canceled almost all of its football games this weekend as teams were overwhelmed with positive cases.

Coronavirus cases have increased despite high vaccination rates among professional sports players. About 95% of NFL players are vaccinated, according to the league. This far exceeds the rest of the country, where 72% of people aged 18 and over have been vaccinated. But it trails other sports leagues slightly – only one NHL player is unvaccinated and 97% of NBA players have been vaccinated. Due to the high vaccination rates, Adalja said, there is no need to test the vaccinated daily. This type of surveillance detects cases that are “not very clinically significant” because most infected people are asymptomatic or have mild symptoms.

“We’re going to have cases of Covid in the NFL in 20 years – they will continue to happen,” Adalja said. “I think we need to think about what we’re trying to achieve. “

Adalja expects the virus to become endemic and recommends that health officials across the board put their efforts into navigating a reality in which the virus is a part of everyday life. He added that in this situation daily testing would not be helpful.

The NFL has not required its players to be vaccinated, but has relaxed its Covid-19 protocols and restrictions ahead of this season for those who have been vaccinated, lifting mitigation guidelines like wearing masks and decreasing frequency of testing .

But with positive cases on the rise, professional football has reinstated many of the 2020 policies that have helped the league complete its entire regular season and playoffs on schedule, with only daily testing making a difference.

The relaxation of protocols highlights the choice that sports leagues and other businesses must make at this stage of the pandemic. Dr Vin Gupta, a pulmonologist and professor at the University of Washington who has advised the Seattle Seahawks on Covid-19 issues, said he felt a desire among organizations to cut mitigation measures to return to a certain sense of normalcy. Gupta said each entity should assess their tolerance to positive tests at a time when vaccines offer strong protection against serious illness.

“We’re coming to a pivotal point, and I think Omicron is going to accelerate that, where we have to accept a new normal and a new paradigm of risk,” Gupta said in an interview last week.

“In the past 22 months this has been a positive test, test, trace, isolate,” Gupta added. “I think we’re going to start to normalize towards what we can actually evolve in terms of solutions that will keep people from going to the hospital. I bet that’s what the NFL is going to aim for.


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Jazz’s Achilles heel strikes again, as they can’t defend goalkeepers who score. What can they do about it?

Three thoughts on the Utah Jazz 109-103 loss to the Washington Wizards to Salt Lake Tribune Jazz writer Andy Larsen.

1. I’m sorry, Royce O’Neale can’t keep the little scorekeepers

Royce O’Neale is a very valuable addition to his squad: he’s bouncing as well as any fin in the league, moving the ball, attacking the rim better than ever this season, and rightfully making an effort on the defensive end. He’s definitely playing bigger than his height, with a relatively short 6-4.

But hey, playing bigger than your height isn’t always positive. And in particular, O’Neale struggles to protect the league’s quick goaltenders, a trend we’ve seen time and time again, including in critical playoff games. It is simply not enough for the Jazz to have a realistic chance of winning a title against the other contending teams in the league who have scoring guards.

It is a straight line. Line. To drive. There is simply no excuse for it.

But usually it’s not that simple: sometimes he’s just simply unable to navigate the screens and stay attached at an acceptable level. Here he tries to trick the screen – and gets beaten with a three wide open wedge.

Here is the same game, but in the second half. This time, O’Neale isn’t cheating, but Beal still has the option for a three. He doesn’t choose to take it and O’Neale somehow recovers, but ultimately poor communication between him and Gobert leaves a Beal wide open for another time.

Finally, here he just gets beat up on the backdoor game.

Look, Beal is tough – although a lot less tough than last year, it’s been a bad season for him. But I don’t think O’Neale has the quick-twitch agility to stay with these guards. In his defense, it’s hard to find players who do. Conley’s guard defense is good (remember how he defended Darius Garland in the last possession against Cleveland?), But with him the job fell on O’Neale, and he just wasn’t strong enough.

Jazz desperately needs another option here. More on that later.

2. The execution of the fast-scoring game is not good enough

It’s been a trend this season: When the Jazz need a bucket fast, they go to Donovan Mitchell – who barely gets a prayer all of a sudden. Here is the lousy piece from last night.

And here is the one for tonight.

So what do we notice? First of all, these are very different pieces. The first has Rudy Gobert putting screens there, while the second, Jazz has just put Gobert on the bench, in favor of Rudy Gay. That probably makes sense – realistically the Jazz needed a three tonight, whereas against Spurs a 2-point withdrawal from Gobert would have done well.

But having Gobert in the game means her man can help Mitchell onscreen, which makes life even more difficult. I wonder if Mitchell had a chance to pass that pass to Ingles in the corner for the first three, but it should have been a quick catch-and-shoot from Ingles.

Tonight it was much simpler: Mitchell opened on his own. On paper, I like the Mitchell vs. Deni Avdija game, but the latter did a tremendous job challenging that shot, and he’s very tall and long. But Mitchell’s pullback probably would have provided a better look.

Overall, this is an issue Snyder probably needs to resolve. The team has the second best out of bounds efficiency in the entire NBA, so their play calls work at other points in the game. I think it’s a combination of execution and creativity here, as acknowledged. Snyder.

“The way to maximize what might be a low percentage (chance) is to be very precise in your execution,” Snyder said. “You just need more precision and more attention to detail in these situations. You still might not get a good shot, but you want to get a better shot than the ones we have.

In particular, Mitchell doesn’t have to be the guy every time. I actually thought the Clarkson look when the Jazz was down six moments later was fine, but by then it was too little, too late anyway.

3. So … what to do about the defensive guard problem?

It’s been reported by almost everyone now: The Jazz are looking for some kind of defensive wing in the trading market this year. I think they need a defensive guard more than a defensive wing, but if you could get a defensive wing that can protect the guards that would work too.

I ask Jazz once again to try the inexpensive option: Kris Dunn. The dude is 15 months away from nearly winning an All-Defense slot playing for the gruesome Chicago Bulls. He led the league in steals per minute, and it wasn’t just an interception hunter case – he played a really, really good man-to-man defense.

He is now a free agent – and would be considerably more useful to this team than Miye Oni or Elijah Hughes. I understand he’s a bad offensive player, but I don’t think he’s catastrophically bad; I would probably take it over Trent Forrest on that side. Even if it is, it’s worth having it as an option. Again, the alternative is Oni or Hughes. Go get him yesterday.

If it turns out that it isn’t working (and it just might not work!), Then you need a defensive player in the trading market. Who could make sense?

Dan Clayton wrote this excellent article for this website this week as an introduction to the rules of the trade – although I generally like smaller players than the larger options Dan mentioned. Would an exchange between Joe Ingles and Danny Green make sense? At this point Ingles is a 3-and-D player who favors 3, Green is a 3-and-D player who favors D. I like Kenrich Williams of OKC, actually.

Boston’s Marcus Smart fits the defensive bill, but he’s been catastrophic offensively this year – can he bounce back? Would Danny Ainge trade for his old man? If the Wizards fall apart, could you get Kentavious Caldwell-Pope for them by including a pick? Probably. (Damn, I always want Raul Neto to come back – he’s great with that onscreen navigation thing.) If Wolves fall apart, could you take Patrick Beverley away from them by including a pick? Probably. I wonder if you could have Josh Hart from the Pelicans.

Some of the trade adjustments are troublesome from a monetary point of view. And there’s just the fact that most of the good defensemen in the league are from good teams, who probably won’t want to trade their good player for another good team that they are competing with. If so, you’re really going to have to sell them on Joe Ingles or Jordan Clarkson.

So Andy’s plan would be: sign Dunn yesterday, see if it works for a month, and if it doesn’t, attack the trading market with flying colors in February. Fortunately, “Trader Danny” Ainge is known to do just that – well, the last part, anyway.


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James Cameron recounts 50 years of cinematic art in lavish ‘Tech Noir’ book (exclusive)

As one of the preeminent filmmakers of our generation, writer / director James cameron took us to the nightmarish world of the killer cyborgs in “Terminator”, to search for bugs on LV-426 in “Aliens”, aboard the cursed liner for “Titanic” and to the alien planet of Pandora in “Avatar” .

But few are aware of his incredible artistic skills exhibited in decades of concept art, pre-production sketches, storyboards, and technical plans created for his Hollywood film projects, both produced and non-produced. . Today, a new luxury book from Insight Editions brings together nearly fifty years of Cameron’s artwork dating back to his high school days in Ontario, Canada.

Tech Noir: The Art of James Cameron“(2021) is a breathtaking 392-page volume weighing nearly seven pounds, filled with unpublished material from the visionary creator’s personal archives and curated by Cameron himself with insightful commentary for each work.

James Cameron. (Image credit: © ROLEX-Robert Ascroft)

It is a unique exploration of the filmmaker’s daydreams and the development process expressed using pencils, pens and paints before any choice of casting or camera shooting. Beginning in the 1960s, Cameron was obsessed with the monsters, aliens, and spaceships that cluttered the pages of notepads and sketchbooks. Entering the film industry in the 1970s after his family moved to Southern California, Cameron made money making film sheets and wild concept art for B movies. of Roger Corman who would further perfect his abilities.

“Tech Noir” brings together a fantastic range of private and commercial art by Cameron where the seeds of his blockbusters and unrealized projects have been sown, from amateur monster contests and ambitious space operas, to the evolution of classic hits like ” Terminator, “” Aliens, “and” Avatar. “

Space.com spoke to Cameron from his studio in Wellington, New Zealand, where he is putting the finishing touches on “Avatar 2” to find out how art became the catalyst for a career of limitless imagination. .

Space.com: Art for your never-realizeed The “Xenogenesis” space opera project in the early 1980s is featured extensively in the book. Why was this such a crucial part of your creative development and have you ever dreamed of resurrecting it in some form or another?

James Cameron: Well I just read the script recently and it’s actually not such a bad story. There are some good ideas in it. It’s a pretty busy field now, forty years later. Nothing others have done in pieces, I don’t think so. But you could see that I was fascinated by space travel and the enormous physical challenge of traveling to other star systems.

I studied physics and astronomy in college and enjoyed how difficult it would be and how many models of spaceships in the movies were quite fancy. So I had the idea of ​​a spaceship with the engine section far away because of radiation and so on. I could just go down that nerdy rabbit hole to figure out the tech, and I think I’ve kept that as a motif throughout my sci-fi work.

My example I am using is the LEM, the lunar module. We had all these movies that showed pointy rockets with fins at the bottom. And that’s how they landed and went to other planets. When we finally got to the moon, we went into the most unlikely device that had never been anticipated by decades of Hollywood designers. But if you understand why this was so, it makes quite logical technical sense. So I thought in my science fiction shows, I’m going to start with engineering and let that guide the design, and that’s what we’re going to build.

Although I don’t really do “Xenogenesis”, the way I have framed my work process is still the way I apply today, unless I am doing something completely whimsical. I give myself a lot of permissions in “Avatar” and I just remind people, “Hey, it’s a world with floating mountains, we can give ourselves permission to do improbable things.”

Although even there I had a rationale for the Floating Mountains, that Unobtanium was a Type 2 superconductor, and the Meissner Effect flux pinning would keep them above ground if there was a magnetic field of sufficient strength. Yet, for the average viewer, it’s a world with floating mountains. If that doesn’t give you permission to do whatever you want, I don’t know what does.

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James Cameron's New Book

A preview of Tech Noir: The Art of James Cameron in bookstores now. (Image credit: Insight Editions)
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James Cameron's New Book

A preview of Tech Noir: The Art of James Cameron in bookstores now. (Image credit: Insight Editions)
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James Cameron's New Book

A preview of Tech Noir: The Art of James Cameron in bookstores now. (Image credit: Insight Editions)
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James Cameron's New Book

A preview of Tech Noir: The Art of James Cameron in bookstores now. (Image credit: Insight Editions)
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James Cameron's New Book

A preview of Tech Noir: The Art of James Cameron in bookstores now. (Image credit: Insight Editions)

Space.com: “The Abyss” is an often overlooked Cameron classic that was a pioneering film in many ways. What can you tell us about the concept art created for this and will there be high definition 4K transfer at some point?

Cameron: Yeah, we finished the transfer and I wanted to do it myself because Mikael [Salomon] did such a great job with the cinematography on this movie. It’s really, really beautiful cinematography. This was before I started asserting myself in terms of lighting and asking the cinematographer to do certain things. I would compose with the camera and choose the lenses, but I let him have the lighting. He did an amazing job on this movie which I enjoy better now than I do even as we were doing it.

I would also like to point out that he took a look at the dailies of the first day of underwater lighting and went out and learned to scuba dive. He came the following Monday morning, the world’s worst diver, but he reinvented underwater lighting. He went for indirect lighting and got everyone to do things that weren’t just outside of their comfort zone, they never even thought about it. Suddenly the underwater shots start to measure up to the surface photography.

So I just finished the high definition transfer a few months ago, so there will probably be some Blu-rays and it will stream with a proper transfer from now on. I appreciate what you said about the film. He didn’t make a lot of money back then, but he seems to be well appreciated over time. The designers were basically Ron Cobb on the one hand, and Steve Burg on the other, who was the lead designer of NTI, the non-terrestrial intelligence, the look of their city, their bodies, and their faces. Steve was a guy I worked with on “Terminator 2” after that. He was quite young at the time and relatively new to design.

While Ron Cobb was pretty well seasoned. He had done “Blade Runner” and “Alien” and worked with me on “Aliens”. Ron did all of the manned technology of the subsea oil rig. I’m sure there have been people who saw the movie and thought we just went and filmed on one of those underwater oil rigs that they have. What they don’t do! But it looked real enough that you thought it was a real setup. It looked like the real deal if there had ever been such a thing.

Steve of course had to be completely whimsical and use a very flourishing design language. I used the same pattern I did on “Aliens,” which involves choosing seasoned artists to create different design cultures. So there is the culture of human technology and then there was the alien culture.

Space.com: You mentioned in “Tech Noir” how instrumental Jack “King” Kirby was to you as a young artist. What role did comics play growing up in Canada and Orange County, California?

Cameron: For me in particular, it was Marvel Comics, and I think it was really the golden age of creation for Marvel. This was the period that Spider-Man appeared and The Hulk appeared and the X-Men were new to the scene at that time. And I’m talking about when I was 14, 15, 16 in the late 60s.

I loved comics, it was a great way to learn to draw. There was an artist who drew some of the early Spider-Man comics named Steve Ditko. And he made these amazing hands, just beautifully sculpted. And there were other artists who seemed to specialize in different things, like gestural movement. I just thought Marvel artists were mostly doing cool stuff. Jack Kirby, of course, was so multi-talented. He made alien machines that were … I mean where did it even come from?

So I was inspired by all of that. This is a time when science fiction in TV and movies was still in the Stone Age in terms of this kind of broad gestural design. So we had to turn to fantastic art and there was no Internet. You would see it in the magazine cover paintings. Frank Frazetta and artists like Kelly Freas. That’s why I always liked science fiction paperbacks, because they had good art. Today you can go online and spend days, weeks, years looking at all the fantastic art out there. But there were very few at the time. So you have studied everyone and you have learned from them.

You can see a Kirby influence in my drawings. You can see when I intentionally try to channel Frazetta with the muscular guys and the gesture movement with battle axes and swords. I know all my benchmarks there because there were only a handful of truly world class artists. Today there is such a proliferation. It’s pretty amazing how much fantasy and sci-fi art, both fan art and professional, has just exploded.

Tech Noir: The Art of James Cameron“is available now.

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2021 in the books: “Everything seems magnified” – Business Journal Daily

By HILLEL ITALY national writer AP
NEW YORK (AP) – Books and authors counted in 2021, sometimes more than the industry wanted.
A 22-year-old poet has become a star of literature. The enthusiasm of young people on TikTok has helped revive Colleen Hoover’s “It Ends With Us” and other novels released years earlier. Conservatives pushed for restricting books allowed in classrooms at a time when activists were working to expand them. And the government has decided that the merger of two of the country’s largest publishers could damage an invaluable cultural resource: authors.

“Everything looks very magnified,” says award-winning novelist Jacqueline Woodson, whose books have been challenged by officials in Texas and elsewhere.

“One day I hear that Texas is trying to ban (Woodson’s novels) ‘Red at the Bone’ and ‘Brown Girl Dreaming’, and the next moment we see Amanda Gorman speaking the truth to power.” . Maybe it’s because of social media or the pandemic, but everything looks a lot more intense, ”she says.

Sales were strong in 2020, the first year of the pandemic, and increased in 2021. The number of books sold through the end of November is up 10% from 2020 and 20% from last year. pre-pandemic year of 2019, according to NPD BookScan, which tracks about 85% of the print market. The Association of American Publishers reported $ 7.8 billion in revenue for commercial books in the first 10 months of 2021, a 14% jump from a year ago.

“You don’t hear a lot these days that people don’t read anymore,” said Allison Hill, CEO of the American Booksellers Association, the nation’s independent bookstore business group.

A year after the ABA feared hundreds of stores would close due to the pandemic, Hill says membership is growing, with more than 150 new stores opening and some 30 closings.

Fiction was particularly strong in 2021 as BookScan’s sales jumped over 20% from the previous year, driven by everything from TikTok’s Book Club and Reese Witherspoon to a wave of manga and a wave of literary bestsellers which included “Crossroads” by Jonathan Franzen and “Cloud Cuckoo Land” by Anthony Doerr.

Penguin Random House US CEO Madeline McIntosh called the popularity of fiction “the biggest sign that we have long-term growth for the industry.”

“It’s one thing when you pick up books when you want to learn how to do something or keep up with the news, but it’s a different impulse when you pick up a book because you want to spend your hours reading. And that’s what we see with fiction, ”she said.

With Donald Trump no longer in the White House, sales of political books have fallen by nearly 25%, according to BookScan. But the world of books has become more politicized – starting with the question of who could or should publish the former president’s memoir.

Multi-million dollar deals for presidents are a tradition. But New York editors weren’t comfortable with Trump ahead of the Jan.6 siege of the U.S. Capitol by his supporters and have since openly distanced themselves from him and his allies like Senator Josh Hawley, whose “Tyranny of great technology ”was abandoned by Simon & Schuster.

In response, a network of independent conservative publishers has sprung up, ranging from established entities like Regnery, who acquired Hawley’s book, to new companies like All Seasons Press or the Daily Wire’s DW Books. . Trump’s first post-White House book project, the ‘Our Journey Together’ photo compilation, will be published by Winning Team Publishing, founded by his son Donald Trump Jr. and campaign aide Sergio Gor.

Throughout 2021, books have been in the news. The year was barely three weeks old when millions of people watched Gorman become the country’s best-known poet and cultural phenomenon. His calm and energetic reading of his commissioned work “The Hill We Go Up” was a highlight of President Joe Biden’s inauguration. This has earned her recognition more in line with fashion or movie stars, including a contract with IMG Models and coverage for Vogue. A hardcover edition of “The Hill We Climb” has sold hundreds of thousands of copies, although readers could find the text for free online.

Gorman’s appearance at the inauguration was made possible by First Lady Jill Biden, who in 2017 attended a reading Gorman gave to the Library of Congress as the country’s Young Poet Laureate.

Countless authors, famous and unknown, have found unexpected support in the person of Attorney General Merrick Garland. In November, the Justice Department announced it would take legal action to block Penguin Random House’s purchase of Simon & Schuster, the first time in years that the government has attempted to halt a major consolidation of the ‘editing. The DOJ’s objection was rooted as much in art as it was in commerce – the fear that writers wouldn’t make enough money to write.

“Books have shaped American public life throughout our country’s history, and authors are the lifeblood of book publishing in America,” Garland said. “If the world’s largest book publisher is allowed to acquire one of its biggest rivals, it will have unprecedented control over this important industry. American authors and consumers will pay the price for this anti-competitive merger – less advance payments for authors and ultimately less books and less variety for consumers.

Woodson says she and other writers were blown away by the DOJ’s announcement and recalls thinking, “Wait, they’re speaking for us!”

Debates on literature have never been more heated than in classrooms and libraries across the country.
Grassroots activists such as # disrupttexts.org have pushed teachers to diversify the curriculum with novels such as “Another Brooklyn” by Woodson, “Salvage the Bones” by Jesmyn Ward and “The Round House” by Louise Erdrich.

Independent bookstores have made efforts to donate free copies of the book edition of the Pulitzer-winning “1619 Project”, which places slavery at the center of American history, to schools. The book sold over 100,000 copies in its first two weeks on sale, according to BookScan.

Meanwhile, an advertisement for the race-winning Republican candidate for Virginia governor Glenn Youngkin featured a white conservative activist alleging her son had been traumatized by an assigned high school text, “Well- loved, “Toni Morrison’s novel about a black, Pulitzer Prize winner. woman who had fled slavery and murdered her daughter rather than allow her to be captured.

Dozens of bills across the country have been proposed or passed that call for restrictions on books deemed immoral or unpatriotic. Texas state lawmaker Republican Matt Krause sent a 16-page spreadsheet to the Texas Education Agency listing more than 800 books he deemed worthy of possible banning, including works by Woodson , Ta-Nehisi Coates and Margaret Atwood. Nine novels by award-winning young author Julie Anne Peters, whose stories often feature LGBT characters, have been cited.

“I think one of the reasons this is happening is that the books have stamina,” Peters said. “You always remember the great books you read. They are so influential, especially the ones at school. Everything else is so fleeting and changing. But once a book is there and it’s available and it represents our history and our culture, it becomes a historical reference to which you return.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Louisiana Center Helps Students With Learning Disabilities | Louisiana News

By MELINDA MARTINEZ, The Town Talk

ALEXANDRIA, Louisiana (AP) – Francis Hines, 8, was eager to read aloud the story he wrote about Rudolph the Red Nosed Reindeer.

Eighteen months ago, Francis was unable to read a word because of his struggle with dyslexia. He struggles to learn to read and interpret words or letters, his mother Liz Hines said. He couldn’t write his alphabet in order. And now, after 18 months of intensive remediation, Hines says his handwriting is “amazing” and he can read and write.

“I can read everything,” said Francis, shy but proud.

Concentrating carefully, he read every word of his short story in four chapters.

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“It’s great. Great job,” said Yvette Blanchard, co-owner of the Reading & Math Centers of Louisiana, who has worked with Francis.

“And he wrote this story on his own,” said Hines, who is the co-owner of the other center.

Francis pointed out that his friends helped with the illustrations.

“I just wanted to make a story because I thought it would be good for me and other kids wanted to help me so I let them do it,” he said.

Blanchard, who also has a child who suffers from dyslexia, and Hines recently opened the Louisiana Reading and Mathematics Centers in Alexandria.

“So it’s part of our hearts for sure,” Hines said.

Yvette is a dyslexia specialist who owns a clinic, The Reading Center in Carencro, which focuses on dyslexia and dysgraphia, a problem that causes writing problems.

Hines, who is a mathematician, got a certification in dyscalculia, which is the difficulty a person has in doing basic arithmetic.

The reason they decided to open a center here is to help parents and educators of children struggling with dyslexia, dyscalculia and dysgraphia, Blanchard said.

“It’s not an IQ issue at all,” Hines said. “And I think when people can’t read or can’t do math, they think it’s an IQ problem.”

Often these disabilities are hereditary and these problems may overlap.

“If a kid has one, there’s a 40% chance they’ll have another,” Hines said.

Blanchard said they use an explicit multisensory approach that is unique to each individual need that strengthens neurological pathways and creates pathways where there are none.

“So think of this as therapy for the brain,” she said. These are not the exercises but the way they teach in their approach.

They do a lot of testing on each person and build from there, Hines said.

“Their symptoms and the defense mechanisms they put in place and everything they’ve done are as unique as a fingerprint,” she said. “There is no ‘magic sauce’ that can apply to everyone. It’s a science where you find where they are weak and you start there and build.

Blanchard said they use body movements and other multisensory approaches to help this skill seep into long-term working memory. Hines said it was the most important.

“They can’t get it from the Broca area of ​​the brain with long-term working memory because of the chromosomes,” Hines said.

“That’s why dyslexic, dyscalculic, dysgraphic children can know their spelling words today, or their math facts today, and not tomorrow, because it’s right here,” she said. showing his forehead where the Broca area is.

What the individual learns fails in the brain’s long-term working memory. So, Hines and Blanchard work with individuals to build and strengthen neural pathways so that what is learned moves from the Broca region to long-term memory.

Statistically, it takes around 18 to 36 months for full remediation depending on the child’s age and the severity of their diagnosis, Blanchard said.

When corrected, people with dyslexia, dyscalculia or dysgraphia use 15-20% more of their brains than people without disabilities, Hines said.

“We don’t put a bandage on it. We retrain the brain so that it can be fully functional in the classroom, ”she said.

They want to help the child become independent.

“This has been our goal,” Hines said. “And that’s what’s so different about what we do than just providing accommodations. “

For more information on Louisiana Reading and Mathematics Centers, call (318) 455-2010 or email: [email protected] Visit their Facebook page, The Reading and Math Centers of Louisiana.

Copyright 2021 Associated press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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BlazBlue Games Gets Flashback Means Guilty Gear Xrd Isn’t Far Behind

For fighting games, the definitive experience has always been local play, thanks to a variety of factors that made playing online more complicated than it is worth. Some competitive games today still have this problem, like Super Smash Bros. Ultimate still using the delay-based netcode for multiplayer, as well as old fighting games like Ultra Street Fighter 4. However, the implementation and widespread adoption of netcode rollback has really helped address this issue with newer titles like Guilty Gear and Skull Girls. That being said, for The arc system works games in particular, older / legacy games also get the netcode restore processing.

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Starting with Guilty Gear XX Accent Core Plus R, Arc System Works has strived to implement the most efficient and accurate netcode technology in more classic games on its list. Especially after the renewed success of More R with GGPO, and the largely positive reception of Guilty Gearimplementation of netcode rollback, ArcSys had stated that it was also considering the implementation of netcode rollback in several classic fighting games in its lineup. This desire comes true with BlazBlue: Central Fiction and BlazBlue: Cross Beacon Battle, which means that other legacy ArcSys games could benefit from the same treatment, such as Guilty Gear Xrd.


RELATED: The Game Awards 2021: Winner for Best Fighting Game

Rollback Netcode coming to BlazBlue is just the start


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Until recent years, online multiplayer fighting games largely operated on a delay-based netcode. The delay-based netcode is deprecated due to the degree of input lag and latency issues it can cause, especially as the distance between players increases. A server-based netcode like GGPO / rollback netcode has been around in larger-scale multiplayer games for years, but rollback has specifically come in response to the terrible online netcode implemented in Street Fighter 2 Turbo: Hyper combat. Fast forwarding to 2021, the restore netcode dramatically reduces input lag and latency issues, leading to a much more refined online fighting game experience.


Implementation of rollback by Arc System Works in the Guilty equipment the series has led to expansion by the developer into other franchises; more recently with BlazBlue: Central Fiction, and soon with BlazBlue: Cross Beacon Battle. It is in tandem with the existing Guilty Gear XX Accent Core Plus R netcode rollback, as well as Guilty Gear.

Presumably, future Arc System Works games will have a rollback netcode implemented for online multiplayer as well as a result. DNF Duel, a new ArcSys fighting game based on Online Dungeon Fighter, would probably not come out without the restore netcode at the risk of alienating or disappointing fans. Same Persona 4 Arena UltimaxThe reissue of probably wouldn’t come out without the restore netcode, as fans at this point would expect a better netcode, although that might not be realistic.


RELATED: Persona 4 Arena Ultimax coming to PC, PS4 and Switch in 2022

Guilty Gear Xrd and more will likely get a flashback


Since an older person Guilty equipment game has already implemented GGPO, it is very likely that Guilty Gear Xrd Rev 2 could receive the same treatment in time. Granted, it probably wouldn’t be anytime soon, but with Central fiction and Crossed Beacon Battle receiving the implementation of the rollback, the chances of older games receiving the same treatment are even greater. With games like Granblue Fantasy Versus Where Dragon ball fighterz, it’s a little harder to say. Arc System Works has commented on the possibility (from a technical standpoint) of implementing a restore netcode in these games, but conflicts with the publisher could affect these games in particular.


However, when it comes to newer titles, the restore netcode almost becomes a necessity. With the success of Guilty Gear, any Arc System Works fighting game (and, frankly, any other modern fighting game to come, i.e. King of Fighters 15) that comes out without netcode rollback will encounter fan backlash. Even games like Street fighter 5, which implement a version of netcode rollback that is not as robust or efficient as something like Aspire, resulted in negative reactions from the players. Punk, one of the Street fighter 5the best players in the world have said it himself, during a stream sponsored by Capcom, that Street fighter 5the netcode of is horrible compared to Aspire.


This type of response can be decisive for a new fighting game release, so it makes sense that restore netcode should be a priority for Arc System Works, as well as any other fighting game developer. King of Fighters 15 There were no plans to implement the rollback netcode initially, but voice comments from fans asking #SNKRollback on Twitter seem to have prompted the developers to implement rollback in the final release. The rollback netcode will be a vital part of the future of online fighting games, especially at a time when pandemic concerns are forcing gamers to stay home. Arc System Works clearly recognizes this.


MORE: Persona 4 Arena Ultimax and Project L Could Herald a Big Era for Fighting Games


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Far Cry 6: All missions

Far Cry 6 has a total of 106 missions each divided into three different categories, and here is the list of all the FC6 missions.

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What is ‘Station Eleven’ 2021 about and what is it based on? Book parcel

If you purchase an independently rated product or service through a link on our website, STYLECASTER may receive an affiliate commission.

Now that Eleven station landed on HBO Max, many are wondering what to expect from the limited series. Presented as a dystopian drama, the show is surprisingly different – and much more promising – than many of its genre. So what Eleven station more or less exactly?

Well, believe it from the showrunner himself: “It’s a show about a small group of interconnected people before, during and after a pandemic,” Patrick Somerville recently said. Entertainment tonight, adding that “the fault line at its center is this major disaster.” Again Eleven station is more comparable to shows like Leftovers-another fan favorite on HBO, rather than post-apocalyptic dramas such as The walking dead, because it explores more existential questions about humanity and meaning even in the face of disaster.

If you’re wondering why so many fans think this fictional pandemic show is still worth watching in the midst of our real one, keep reading; we have the feeling that you will be pleasantly surprised to see what Eleven station is really about.

What is Eleven station based on?

Eleven station, a 10-part limited series from HBO Max, is based on a 2014 sci-fi novel by Emily St. John Mandel from the same period. The book, which has sold over 1.5 million copies to date and won the Arthur C. Clarke Award among others, has seen renewed interest in 2020 and 2021 following the events. of our current global crisis. And that’s because the story itself revolves around a fictional pandemic and its aftermath, making HBO Eleven station perhaps the most timely show on television today.

Image: Courtesy of Knopf Doubleday Publishing Group.

Of course, the limited series debuts at a time when its themes are likely to touch quite close to viewers. Yet that doesn’t mean that Eleven station will leave audiences already tired from the pandemic feeling even worse after watching. If anything, critics are touting the series as a momentary balm after nearly two years in our own pandemic. Viewers can start watching Eleven station knowing that the novel itself is rooted in hope despite the difficulties that surround its characters.

“It’s a story where civilization crumbles, but our humanity persists – maybe there is something people wanted to absorb,” author Mandel said. Squire recently. “At the same time, at the start of the pandemic, I remember the difficulty of adjusting to a life of pure uncertainty. I wanted clues as to how this might play out or how it might end. I wanted certainty for the future. Maybe that’s why people asked Eleven station, to try to force us to face what might happen.

What is the Eleven station book on?

Eleven station follows a group of characters navigating the start and aftermath of a devastating pandemic, triggered by an illness known as the Georgian Flu. The novel begins with a production by Shakespeare King Lear, during which a famous actor named Arthur Leander falls dead in the middle of the performance. While his death was believed to have initially been caused by a heart attack, it quickly becomes clear that the actor was one of the earliest victims of the Georgian flu.

The plot follows a whole series of characters who are related – in one way or another – at this very moment. There’s Jeevan, an audience member who tries to resuscitate Arthur and ends up welcoming Kirsten, a child actor who was part of the production of King Lear and is separated from her parents in the process. Readers also get to know Miranda, Arthur’s ex-wife and the creator of a sci-fi comic book, which the following novel and HBO series are named after.

Other figures include members of the Museum of Civilizations and a group known as the Traveling Symphony, nomadic creators who strive to maintain centuries of art and culture in the wake of this global collapse. Their mission indicates Eleven station central theme, which is that living to survive alone isn’t really a way of life at all – and that art and expression, above all, gives us a reason to stay alive every day.

Eleven station is available to stream on HBO Max. Here is how to watch Eleven station online for free.

Our mission at STYLECASTER is to bring style to people, and we only offer products that we think you will love as much as we do. Please note that if you purchase something by clicking on a link in this story, we may receive a small commission on the sale.

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Why America is at war over the history of slavery

I think part of what has happened over the past few years with the Black Lives Matter movement, there have been more people – not everyone, but definitely more – whose understanding of the history of this country has been complicated, has been nuanced, has been enlarged, and people are more honest about what this story is.

I think the implication of this is that you have millions of people who are recalibrating their previous understandings of what America was and what America is today. As a result, I think you have this incredible amount of pushback from people for whom asking questions about American history is an existential threat, because then they have to be asking questions about themselves. And they have to re-evaluate their own sense of who they are and how they fit into it. When you’ve been told a specific story your whole life about how you, your family, and your community fit into American history, and people come forward to tell a different story of America, or a story that includes many facets that were previously left out, then it threatens your sense of yourself, it threatens your identity.

David Borsen, who is one of the Monticello guides, told me that when you tell a different story about Jefferson, you are telling a different story about America. And when people need to ask questions or reassess their understanding of Jefferson, they need to reassess their understanding of themselves.

Sure. Because people are invested in a very intimate and emotional way with the stories about the country they live in and the position they have in that country. And so, as you note, we’re in this moment where so many people are now re-examining this, and this re-examination is necessarily going to be a messy and complicated process that involves lashes and backlash.

Absoutely. And I think there are people who approach these issues differently, right? You have a bunch of people for whom there is meaning, they didn’t know what they didn’t know. There has been a systemic and structural failure in our education system which is in part linked to the success of historical and ideological projects, projects like the Lost Cause which caused many people not to understand the history of the slavery in a way that is commensurate with the real impact it has had on this country.

And I think when these people are confronted with new information, when they go to Monticello or on a walking tour of the Underground Railroad in New York City, they are often confronted with information that they do not have. had never met before. But there is also an openness with which to receive this information and then take that information and have this story explain how they understand themselves and the landscape of inequalities across this country.

There are also a lot of people you can share all the empirical evidence with, all primary source documents, all historical facts with and it won’t matter. Because the reason they believe what they believe isn’t because they don’t have information, it’s because that information threatens the position they have taken for themselves within in their families and in society. It’s a real existential threat to the way someone understands who they are in the world.


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The revolutionary writing of the bell hooks

Before she became one of the great cultural critics and writers of the twentieth century, and before inspiring generations of readers, especially black women, to understand their own power of tilting axes, she was Gloria Jean Watkins, daughter of Rosa Bell. and Veodis Watkins. hooks, who died Wednesday, was raised in Hopkinsville, a small, remote town in Kentucky. Everything she was to become started there. She was born in 1952 and attended separate schools through college; it is in class that, eager to learn, begins to glimpse the liberating possibilities of education. She loved movies, but the way the theater sometimes captured us with narrow-mindedness and stereotypes forced her to wonder if there were ways to watch (and speak) back to moving images. of the screen. Growing up, her father was a janitor and her mother worked as a maid for white families; their work, riddled with minor indignities, highlighted the everyday power of a rude gaze or roll of eyes. A new world was born from these small gestures of resistance, of affirmation of your legitimate space.

In 1973 Watkins graduated from Stanford; as a nineteen-year-old undergraduate student, she had already completed the drafting of a visionary history of black feminism and womanhood. During the 1970s, she pursued graduate studies at the University of Wisconsin-Madison and the University of California at Santa Cruz. In the late 1970s, she began publishing poetry under the pen name Bell Hooks, a tribute to her great-grandmother, Bell Blair Hooks. (The lower case letters were meant to distinguish her from her great-grandmother and to suggest that what mattered was the substance of the work, not the author’s name.) Am I not a woman? Black Women and Feminism ”, a landmark book that was both a story of the legacy of slavery and the continued dehumanization of black women as well as a critique of the revolutionary politics that had arisen in response to such abuse. – and which, nevertheless, centered the male psyche. True liberation, she believed, had to take into account how class, race and gender are facets of our inextricably linked identities. We are all of these things at the same time.

In the 1980s and 1990s, Hooks taught at Yale University, Oberlin College, and New York City College. She was a prolific scholar and writer, publishing nearly forty books and hundreds of articles for magazines, journals and newspapers. Among his most influential ideas was that of the “oppositional gaze”. Power relations are encoded in the way we look at ourselves; slaves were once punished for simply looking at their white owners. The notion of hooks of a conflicting and rebellious gaze sought to bypass the male gaze or the white gaze, which wanted to make the black spectators passive or in some way “other”. She appreciated the power to criticize or make art from that dark, defiant perspective.

I discovered his work in the mid-90s, a fertile era of black cultural studies, when I felt like your typical alternative weekly or independent magazine was as rigorous as a college monograph. For the brackets, writing in the public sphere was just an application of her mind to a more immediate concern, whether her subject was Madonna, Spike Lee, or, in a memorably withered track, Larry Clark’s “Kids.” She was writing at a time when the serious study of culture – looking for subtext, looking for clues – was still a rambling endeavor. As an Asian American reader, I was fascinated by how critics like Hooks drew on their own backgrounds and friendships, not to flatten their lives into something relatively universal, but for us. recall how we all identify a vast array of often conflicting tastes and experiences. His review suggested a pulsating and tireless brain trying to make sense of what a work of art made it feel. She modeled an intellect: following the distant echoes of white supremacy and black resistance over time and identifying their legacies in the works of Quentin Tarantino or “Waiting to Exhale” by Forest Whitaker.

Yet her work, books such as “Reel to Real” or “Art on My Mind,” which have survived decades of proofreading and underlining, has also shown how to simply live and breathe in the world. She was zealous in her praise, especially when it came to Julie Dash’s “Daughters of the Dust,” a film referenced countless times in her work – and she never lost the grasp of what l ‘one feels to be amazed in front of a moving work of art. . She couldn’t deny the excitement as the lights go down and we get ready to go to the show. But she made demands of the world. She believed that the criticism came from a place of love, from a desire for things worthy of being lost.

It touched people, and that’s what a generation of us wanted to do with our intellectual work. She wrote children’s books; she wrote essays that people read in classrooms and in prisons. Choosing “Reel to Real” made me rethink what a book could be. It was a collection of his film essays, clever dissections of “Paris Is Burning” or “Leaving Las Vegas”. But the middle part consists of interviews with filmmakers like Wayne Wang and Arthur Jafa, where you encounter a different dimension of Hooks’ critical personality: curious, empathetic, looking for comrades. “Representation matters” is a hollow phrase these days, and it’s easy to forget that even in the ’80s and’ 90s, no one believed that was enough. She was at her best to withstand the mundane and black market ready refractions or femininity that represent easy and lean progress. (One of her most famous recent works was a 2016 essay on Beyoncé’s self-commodification that angered fans of the singer. Yet if one understands it in the larger context of life and of Hooks’ intellectual project, there are probably few articles on Beyoncé filled with so much admiration and love.)

It was a particularly difficult time for critics who came of age in the ’80s and’ 90s, when giants like Hooks, Greg Tate and Dave Hickey died. hooks was a brilliant, harsh review – her death would undoubtedly inspire many revisits of works like “Ain’t IA Woman”, “Black Looks” or “Outlaw Culture”. Yet she was also a dazzling memory and poet. In 1982, she published a poem titled “About the Egyptians” in Ham bone, a diary she worked on with her then-partner Nathaniel Mackey. It reads:

ancestral bodies
buried in the sand
precious sun flowers
tap in a memory book
they go through the loss
and come to this quiet tenderness
swept by rare winds
surface in the aqueous passage
beyond death

In 2004, Hooks returned to Kentucky to teach at Berea College, where she also founded the Bell Hooks Institute. Over the past two decades, the reviews posted by Hooks have shifted from film and literature to relationships, to love, to sexuality, to how members of a community remain responsible for one another. Living together has always been a theme in Hooks’ work, although now intimacy has become the subject, not the context. Much like the late Asian-American activist and organizer Grace Lee Boggs, who turned to community gardening in the following years, I saw Hooks’ 21st century writings on love as “an action. , a participatory emotion ”and the camaraderie as being prophetic, a return to the base of all that makes sense. The social and political systems around us are designed to obstruct our sense of esteem and make us feel small. However, the revolution begins in each of us, in the demands we make against the world, in the daily fight against nihilism.

“If I were really asked to define myself,” she told a Buddhist magazine in the early 1990s, “I wouldn’t start with race; I wouldn’t start with darkness; I wouldn’t start with the genre; I wouldn’t start with feminism. I would start by stripping myself of what fundamentally informs my life, that is, that I am a seeker on the path. I think of feminism, and I think of anti-racist struggles as part of it. But where I stand spiritually, it is resolutely on the path of love.


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5 Money Making Opportunities For Louisville Artists To Take Advantage Of This December

Bryn Du Art Show

The Bryn Du Art Show is an annual juryed exhibition held in the beautiful Bryn Du Mansion. Just east of Columbus, Ohio, this historic federal-style mansion has dominated the landscape of the 52-acre estate in the charming village of Granville, Ohio, since 1905. This year’s 18th annual art show will be held from 3 to March 26. 2022, featuring current visual art works. One prize of $ 1,000 will be awarded to the Best in Show, and two additional excellence prizes of $ 500 each will be awarded to two additional artists. There is an entrance fee of $ 35 for a maximum of three works. The deadline is January 15, 2022. For more information, click here.

Contemporary science fiction and fiction by the authors of BIPOC – Natalie Sheree

Natalie Sheree is a freelance digital editor dedicated to supporting the creations and sustainability of BIPOC. According to the call for nominations, “Our mission is to help close the gap in the publishing race. We also strive to increase the readership of books published by BIPOC authors. The publisher is looking for a novel length: 10,000 to 40,000 words and a novel length: 70,000 to 100,000 words. Submit the first chapter, synopsis and biography. The deadline is December 31, 2021. Submissions here.

Rollick Magazine Fiction Award

The Rollick Magazine Fiction Prize, valued at $ 1,000, recognizes the best unpublished short story (2,000 to 6,000 words). According to the call for applications, “Rollick’s mandate is to attract cutting-edge, quality stories that inspire real engagement. We will consider works that express a unique and original thought. Rollick Magazine is an independent literary magazine for contemporary fiction, thought and opinion on popular culture, society and everything on the periphery. The deadline is December 31, 2021. Submissions here.

Fantastic fibers 2022

The Yeiser Art Center in Paducah is now accepting applications for the Fantastic Fibers 2022 International Jury Exhibition. The exhibition seeks to showcase a wide range of outstanding contemporary works related to fiber support. Contemporary and innovative works created with fiber as a medium or main concept are welcome. This exhibition is open to all artists aged 18 and over working in the field of fiber art. There is no size restriction. Up to three separate pieces per artist are permitted with an entry fee of $ 45 to cover all entries. $ 2,000 will be awarded. The deadline is March 1. Submissions here.

The Big Four Arts Festival

The Louisville Big Four Arts Festival was the busiest two-day event ever in Louisville at Waterfront Park on the Big Four Bridge Lawn. Held the weekend after Labor Day, the two-day event accepts entries from January 1 to May 10, 2022. There is a cap of 150 artists and $ 2,500 in in-game prizes. The festival is open to individual artists and collaborators who make their own works of art and crafts by hand. Apply here.

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9 Negative Things Comic Book Creators Said About Marvel Studios

Marvel Studios and the MCU are film behemoths. They introduced millions of fans to characters that were previously only known to comic book fans. What these new fans might not realize, however, is how much movies and TV shows owe the characters, storylines, and details to those source comics.

RELATED: 10 Superhero Movies That Are Actually Well Written

Interviews with some of these comic book creators revealed a vein of dissatisfaction – with Marvel in particular. While the movies literally make billions of dollars, the writers who inspired them are often left out of the loop altogether, often leaving a bad taste in your mouth.

9 Ed Brubaker says success of Winter Soldier makes him “a little sick to his stomach”


Sam-and-Bucky-smiling-shaking-hands-in-The-Falcon-and-the-Winter-Soldier

When Falcon and Winter Soldier debuted on Disney +, writer Ed Brubaker recognized the benefits of working at Marvel in a bulletin. “… but at the same time, for the most part, all Steve Epting and I got to create the Winter Soldier and his story is a” thank you “here and there, and over the years, that is. become more and more difficult to live with. ” He added, “[…] I also can’t deny that I sometimes get a stomach ache when my inbox fills up with people wanting commentary on the show.

8 Anonymous creator explains bad deal he made


Avengers Endgame

The Guardian quotes a Marvel creator who wanted to remain anonymous. They explain the deal that was offered to them after the character they created became extremely popular in the movies. “I was offered a [special character contract] it was really, really terrible, but it was that or nothing, ”they said. “And then instead of honoring it, they send a thank you note and say, ‘Here’s money we don’t owe you!’ And that’s five thousand. And you’re like, “The movie made a billion dollars.”


seven Jim Starlin, creator of Thanos, says “Marvel tends to bring out the worst in me”


Thanos watches the Avengers during Endgame

In 2017, Thanos creator Jim Starlin said he was making more money with Warner Bros. for a minor character in Batman vs. Superman than he did for Thanos, Gamora, and Drax together. The pressure led to a renegotiation with Disney.

RELATED: 10 Things You Didn’t Know About Starfox And Thanos’ Relationship

“The cliché is that the squeaky wheel gets the grease,” Starlin said. Hollywood journalist. “The way these agreements are worded, Disney can be more generous if they wish.” In 2018 he said Newsarama, “[…] Marvel has a tendency to bring out the worst in me sometimes.


6 Ta-Nehisi Coates slammed the corporate side of the comic


Writer Ta-Nehisi Coates had a high-profile experience on the Black Panther comics that helped set expectations for the hit MCU movie. In an interview with Polygon, he mentioned compensation. “I wish Marvel would find better ways to pay the creators who helped make Black Panther, Black Panther. He noted that he was grateful for the opportunity. “The corporate side of this, though … the corporate side of it isn’t pretty. It’s not pretty at all. How you treat people who create the basis for this, I don’t like it.


5 Len Wein said his lack of credit for Wolverine was ‘frustrating’


Wolverine in hell between two demons

Len Wein created Wolverine and told an interviewer for the LA Times Herocomplex that he was frustrated that the X-Men movies didn’t even credit him. “Yes, of course that’s it [frustrating]. It’s less frustrating for the characters I created at DC. The money comes with anonymity, at least. I have contracts that guarantee me a small portion of the action. Lucius Fox made me a lot more money than Wolverine, although I will say that for the last movie, Marvel sent me a nice check.


4 Fans of artist David Aja want audiences to boycott Hawkeye


The work of artist David Aja has been featured extensively in marketing materials for the hit Hawkeye series. In particular, the cover of Hawkeye, Vol 2: Little Hits has been the model for several promotional materials.

RELATED: Hawkeye: 10 Things You Didn’t Know About Clint’s Family Life

He confirmed that Marvel Studios had neither paid nor credited him in a Tweet in response to fellow creator Bruno Redondo, who tweeted a photo from the Hawkeye promo with the comment, “Stop crediting writers JUST, especially when l ‘visual tribute is… based on the @davaja cover. Comics are teamwork. Aja replied, “Better yet: stop crediting, start paying, haha.”


3 Artist Gene Colan didn’t fire any punches when asked about his take on Marvel


Carol Danvers set to fight Yon-Rogg in Captain Marvel

Gene Colan was another key artist / creator for Marvel. Among his credits are Daredevil, Carol Danvers (who became Captain Marvel), Falcon, and Blade (which he co-created). In a 2001 interview with The comic book review, when the investigator mentioned “[…] you’ve been fooled a number of times, “Colan replied,” Oh, and how! And eyes open. The interviewer mentioned the movie Blade. “You wouldn’t want your kids to see it. They’re going to bring out another one. We are the ones who created the character. We will not take a dime out of it.




2 Writer Marv Wolfman noted his actions spoke louder than words


Blade as depicted in Marvel Comics

Blade co-creator Marv Wolfman sued New Line Cinema and Marvel Entertainment over the 1998 film about the iconic Daywalker. Although he was successful in pressuring the company to give him credit for the character, he received no compensation. He lost the costume and left Marvel for DC, where he created the Teen Titans and others. When asked to work for DC vs Marvel in a email interview in 2008, his answer was short but precise: “I’m in DC. That should tell you something, ”he replied.


1 Iconic designer Jack Kirby saved his anger for Stan Lee


thor costumes

Jack Kirby is a comic book icon, creator of Captain America, and under the direction of writer-editor Stan Lee created Thor, The Hulk, Iron Man, the X-Men and more. He gives few interviews, but in 1990 an interviewer from The comic book review asked him if he had spoken to Stan Lee about getting proper credit for his work. “You can’t talk to Stan about anything,” he said. When asked about Stan Lee’s public personality as the face of Marvel, he was blunt. “I think Stan has a god complex. Currently, he is the father of the Marvel Universe. He’s a guy with a god complex.

NEXT: DC: 10 Golden Age Characters Who Would Hate Their Modern Take

Flashback scene and Wall-E looking at the stars in split image


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Reading and writing

I don’t have a blog and I never will


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I was checking out how many websites were selling my latest book the other day when I noticed Amazon had listed me on Google as “Stephen Miller: Books, Biography, Blog, Audiobooks, Kindle”. Blog? I have never blogged in my life. I don’t even have a website. I have a Twitter account, but I’ve tweeted maybe 10 times in seven years and only have seven followers. What are they following?

Do I have to put more effort into creating more ads for myself? I am not a recluse who hates publicity. Fifteen years ago, I had a few minutes of fame thanks to a book I wrote about conversation. I have appeared on “CBS Sunday Morning” and radio shows on three continents. At the Melbourne Writers Festival, I was interviewed by Robert Dessaix, a prominent Australian writer, in a crowded theater on the art of conversation.

Maybe one day I’ll pay someone to create a website for me, but I doubt I’ll try to write a blog because I know I can’t produce sharp, informative and witty texts on a regular basis. . I have a lot of opinions, but I prefer to express them in conversation. I’m willing to risk talking about issues that I don’t know much about, but I’m not willing to write about them.

Plus, does the world need another blogger? Twitter alone has over 200 million daily active users. The internet has generated a great deal of unwanted opinion. Call it the world’s blah-blah-blah.

Still, relatively unknown authors who don’t have a strong online presence are likely to have a hard time finding a publisher for their books. Two years ago an agent told a friend of mine that she would only accept her manuscript if he had 2,000 people reading her blog. My friend started blogging even though he had no interest in doing so.

Even if I tried harder to have an online presence, it probably wouldn’t work because the software used by online booksellers often doesn’t distinguish between the different Stephen Millers who write books. If you google for “Stephen Miller Writer” you will get my correct date of birth, but you will see a photo of another Stephen Miller who writes novels. Google lists me as the author of several films, including “Scooby-Doo 2: Monsters Unleashed”, although I have never written a screenplay. On other websites, I am listed as the author of a book on medical technology, a book on how to make a cafe, and a biography of Dolly Parton.

It used to drive me crazy that there was so much misinformation about me online, but now I appreciate the confusion. Readers may think I am a Renaissance man.

Although I don’t blog, I sometimes get a hint of envy when at the end of a post I read that you can find the author on Twitter or Instagram, although I don’t know what Instagram is.

When I worry about not promoting myself enough, I think of Walt Whitman’s lines in “Song of Myself”: “If you still want me, look for me under your boot soles. You will hardly know who I am or what I mean. Whitman, however, was a self-promoter – he published a few anonymous reviews in New York newspapers praising “Leaves of Grass.” If he was alive today, he would probably be a blogger.

Mr. Miller’s latest book is “Rollercoaster: A Life in Twenty-Nine Jobs”.

Copyright © 2021 Dow Jones & Company, Inc. All rights reserved. 87990cbe856818d5eddac44c7b1cdeb8

Published in the print edition of December 15, 2021.


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U.S. stock indices tumble after their best weekly gain since February

People walk past the electronic board of a securities firm in Tokyo on Monday, December 13, 2021. (AP Photo / Koji Sasahara)

People walk past the electronic board of a securities firm in Tokyo on Monday, December 13, 2021. (AP Photo / Koji Sasahara)

PA

Shares fell in the afternoon of trading on Wall Street on Monday into a slow start to the week after the market’s best weekly gain since February.

The S&P 500 fell 0.6% at 2:50 p.m. EST. The Dow Jones Industrial Average lost 228 points, or 0.6%, to 35,744 and the Nasdaq was down 0.9%.

Smaller company stocks have held up less well than the broader market, indicating that investors are concerned about economic growth. The Russell 2000 lost 1.2%.

A wide range of retailers that rely on direct consumer spending have suffered some of the biggest losses. Hanesbrands fell 5.4%.

Automakers and travel-related businesses also fell. Ford fell 3.9% and Carnival fell 5%.

Bond yields have fallen. The 10-year Treasury yield fell to 1.43% from 1.49% on Friday night. This has taken a toll on banks, which rely on higher bond yields to charge more lucrative interest on loans. Capital One fell 2.3%.

Industrial and energy companies have also declined.

Sectors considered less risky, including utilities and manufacturers of household products, held up better than the rest of the market. Healthcare companies have also gained ground.

Several large pharmaceutical companies stood out. Moderna climbed 5.9% for the biggest gain in the S&P 500. Pfizer rose 4.3% on news of the purchase of Arena Pharmaceuticals. Bristol Myers Squibb rose 4.6%.

Harley-Davidson rose 5.8% after announcing it would go public with its electric motorcycle division through a blank check company, valuing the company that has been part of the motorcycle maker for 10 years at $ 1.77 billion.

Investors will be watching several economic reports this week and the Federal Reserve for more information on economic growth as 2021 draws to a close and the world continues to try to rid itself of the impact of COVID-19.

Wall Street will receive an inflation update on Tuesday when the Department of Labor releases its Producer Price Index for November, which shows the impact of inflation on costs for businesses. This report will be particularly important with the Fed meeting on Tuesday and Wednesday.

The persistent rise in inflation prompted the central bank to accelerate its plan to curtail bond purchases which have helped keep interest rates low. Investors will be listening to any statements that add details on the timing of this plan and any clues about the impact it may have on how quickly benchmark interest rates will be raised in 2022.


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John Legend embarks on book publishing with a social justice imprint

Top line

Singer-songwriter John Legend and two entertainment industry associates have established a book publishing brand with publisher Zando with its first release slated for spring 2023.

Highlights

Legend, along with manager Ty Stiklorius and film producer Mike Jackson, has teamed up with Zando, launched by former Crown editor Molly Stern in 2020, to create Get Lifted Books.

Zando has announced that he is acquiring books with Get Lifted, including works on race and culture, memoir, original fiction that “challenge assumptions” and “transformative and community-driven works of social justice. ideas ”.

The first book published under the Get Lifted imprint will be Rose water, the first novel by gal-dem founder of Liv Little magazine.

Get Lifted Books plans to acquire and publish four to six titles over the next three years, the Los Angeles Times reported.

Zando also teamed up with actress and producer Lena Waithe and with Missing girl author Gillian Flynn to create edit imprints.

Key context

Get Lifted Books is an extension of the Get Lifted Film company of Legend, Stiklorius and Jackson, which has produced films and series including Jingle Jangle: a Christmas journey, Sherman’s showcase and laureate of the International Documentary Association Atlanta’s Missing and Murdered: Lost Children. In a statement, Legend, Stiklorius and Jackson described the production company as a way to highlight “diverse voices that deserve to be heard.”

Tangent

Jackson was executive producer for La La Land, the 2016 Oscar-winning musical starring Legend in a supporting role.

Further reading

“John Legend and his animation team will publish books at Zando” (Los Angeles Times)

“John Legend embarks on book publishing” (Bloomberg)


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Brief by the late journalist Sarah Hughes to be released in March 2022 | Autobiography and memory

A memoir by the late journalist Sarah Hughes, who died of cancer earlier this year, will be released next March, covering topics ranging from planning your own funeral to the importance of trashy novels.

Hughes, who wrote about managing his illness during the pandemic for The Observer, and was responsible for the episode-by-episode recaps of The Guardian’s Game of Thrones and Line of Duty, sold the memoir to Bonnier Books, Blink, at first. of 2021. She died in April, aged 48, is survived by her husband Kris and two children.

Photography: Bonnier books

The publisher described his memoir, Holding Tight, Letting Go, as “a book about how to die as much as how to live” and “a celebration of all that can make a living, and how to keep it all close when everything feels completely precarious ”.

“I would be lying if I said the last decade hasn’t been the best of my life,” Hughes wrote in The Observer in 2019 in an article about his diagnosis. “I was lucky in love, fulfilled in my work, surrounded by friends, laughed more than I would have thought possible at the most ridiculous things. I can say with absolute honesty that I had a great time and I don’t regret it.

Later, during the pandemic, she advised that “even in these depressing times, try to find a part of the day worth savoring, be it a half-glimpsed beauty moment outside, the joy of escaping into a different world on a page or screen, or the pleasure of dressing for yourself and for no one else because you feel good ”.

Hughes started out in journalism writing about basketball and college football for the New York Daily News. Upon her return to the UK, she covered horse racing and football, then wrote for newspapers such as the Independent, the Telegraph and the Metro, as well as the Guardian and the Observer. His reports on abuses by UN peacekeepers in the Democratic Republic of Congo (DRC) with photojournalist Kate Holt saw her shortlisted for an Amnesty International award in 2004.

His memoirs will also include contributions from his friends. On Hughes’ death tributes poured in from names ranging from Guardian editor-in-chief Katharine Viner to Jed Mercurio, television writer and creator of Line of Duty, and screenwriter and television producer Sarah Phelps. “She was infinitely curious, hilarious and kind, an incisively brilliant and fearless writer,” Phelps said at the time.

“Sarah has been a guide to so many people, in so many different ways,” said Blink editorial director Susannah Otter, who acquired the memoir. “She really knew what it was like to live, fully and completely, with commitment, honesty and joy. It is a huge pleasure, and a colossal honor, to publish this brightly funny and honest collection of her with the contributions of those who knew her best.


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School board members should be a force for change | News, Sports, Jobs

Congratulations to new school board members across Iowa.

Among local elected officials, you play one of the most important roles. You are not only making decisions for today, you are affecting our children, our community, our state and our nation for years to come.

Take the job seriously and question the proposals made to you and the changes you are supposed to make. Just because someone has the loudest voice in the room doesn’t mean they’re the one you need to follow.

Just when you think you’ve heard enough to make an informed decision, take a minute and listen to another person. Your conscience will thank you.

In Sioux City alone, we have seen parents concerned about the curriculum, new programs, tests and mask mandates. Once again this week, the board had to contend with supply teacher shortages and the growing problem of teacher burnout. Don’t rush to judge.

Change is as inevitable as a new school year. The idea of ​​virtual classrooms is something many had never considered five years ago.

While specific issues may have fueled your desire to serve on the board, do not make it the focal point of your term.

Remember: students, teachers and staff have gone through the most difficult two years in recent history. They had to adapt to changing times, to lost traditions. Go into the classrooms and talk to them. See what matters and figure out how you can meet their needs.

Need proof? Rejecting cursive writing class might not seem so bad until you hand a child a letter from a grandparent and he or she can’t read it.

Likewise, promoting science, technology, and math over writing, reading, and the arts creates an imbalance that is often difficult to regain. Finance wisely. Fund well.

Think back to your own education. Remember those teachers who impacted you and try to remember what they did to make you want to learn. Look at it. Decades, if not centuries ago, schools produced academics, leaders, politicians, parents and soldiers who brought us through some of the most difficult times in history. They too had passionate boards.

Be that kind of representative.

And when you graduate at the end of this school year, know that you can say you’ve done everything you can to prepare the graduates for a future they never could have imagined.

Be a positive force for change. Future generations will thank you.

–The newspaper of the city of Sioux

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Germany must become a social and ecological market economy

The writer is spokesperson for the German Greens in the European Parliament and deputy minister of the German Federal Department for Economic Affairs and Climate Protection.

In Germany, the Greens formed for the first time a coalition at federal level with the Social Democrats and the Liberals. Achieving the goals of the Paris climate agreement and driving an ecological transformation of the German economy are the main priorities of the new government.

Its plans have the potential to set a global standard in tackling the climate crisis. Germany, the world’s fourth-largest economy, wants 80% of its electricity supply to be provided by renewable energies by 2030. This will involve, among other things, the construction of wind farms on 2% of the country’s territory and the installation of photovoltaic systems on the roof of almost any suitable building.

The swift implementation of energy infrastructure projects on this scale will require reducing unnecessary bureaucracy and speeding up Germany’s notoriously cumbersome planning and licensing systems. In the medium term, Germany will switch completely to renewable energies, thus becoming a global climate leader.

The Green Party now has responsibility for the “super ministry” of economy and climate, which will oversee the final stage of Germany’s transition to 100% renewable energy, while other countries discuss the nuclear energy, which is neither environmentally competitive nor economically sustainable.

However, decarbonization goes far beyond the energy system. Since the Second World War, German economic policy has been guided by the principles of the “social market economy”. This involves in particular promoting the opening up of markets and competition, on the one hand, and the control of their negative consequences, such as environmental damage or inequalities, on the other hand.

This regulatory framework must now be extended from the economic and social domain to the ecological domain. Climate neutrality and the protection of biodiversity should be central objectives of economic governance alongside prosperity and social security. In short, Germany must become a socio-ecological market economy.

A transformed German economy will only be a source of inspiration at home and abroad if it renews its competitiveness on the basis of ecological and social innovation. And this is exactly the point where the economic policies of the Greens differ from those of most center-right parties. For them, climate-friendly innovations are best achieved through deregulation and carbon pricing. But in our opinion, modern economic policy must be based on a smart and pragmatic mix of instruments in order to create a framework for companies to modify their business models in a way compatible with the limits of the planet and of people.

This democratically defined framework for a highly competitive market economy includes the pricing of carbon emissions, but also technical standards, financial incentives and the empowerment of consumers to “green” their demand. It must allow a plurality of technological solutions in order to reconcile the economy and the planet.

The key here is the idea of ​​a humble state aware of its own limitations and inefficiencies. Taking a social and ecological market economy seriously will stimulate private investment in the economy – not to curb rushed growth, but to develop sustainable forms of production and consumption and reduce unsustainable forms. This vast program of investment, jobs and innovation will be better achieved if macroeconomic policies and financial market regulations create a relatively stable investment climate.

However, the role of the state should go beyond creating a regulatory framework. The state must help private companies to innovate by strengthening infrastructure and supporting innovation as part of an active industrial policy. However, industrial policy should not be confused with the selection of potential global champions, which would threaten the many economic and social benefits that flow from an economy based on a mixture of large enterprises, successful SMEs and social enterprises as well. as many innovative start-ups. . Green economic policy takes the ideas of German “ordoliberalism” and develops them through the pragmatic use of heterodox ideas.

Completing this transformation will be a huge challenge, not only for lawmakers and the industry, but for society as a whole. The process of modernization always creates winners and losers. Social compensation and the democratic inclusion of citizens in the transformation will be essential, in order to avoid fueling protest movements such as the yellow vests in France. But if Germany succeeds, it can be an example for Europe and beyond of how to reconcile ecology and economy.


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INTERVIEW: “IT IS ONLY NATURAL THAT THE FICTION COMES FROM HER OWN REAL LIFE EXPERIENCES” – SAAD SHAFQAT – Journal

Saad Shafqat is a leading neurologist at the prestigious Aga Khan University Hospital in Karachi and a cricket columnist at Cricinfo. He talks to Eos about his latest novel Rivals and what he’s working on next

For a neurologist, choosing to write fiction is unusual. What motivated you to take this path?

I’ve always loved storytelling, so the motivation for producing fiction was really to just weave a good thread that would engage and entertain the reader. While you are correct that being a neurologist does not intuitively equate to writing fiction, it should be noted that Arthur Conan Doyle, the creator of Sherlock Holmes, was a neurologist and even wrote a masterful thesis on the tabes. dorsalis, a late form of neurosyphilis. Other doctors have also been acclaimed fiction writers – Anton Chekhov, Somerset Maugham, Khaled Hosseini, Robin Cook and Michael Crichton among them. In fact, I grew up reading Robin Cook a lot and it was definitely part of my inspiration.

There were some striking similarities between the location and operation of Avicenna Hospital and where you work in real life. How much does Rivals draw from your own experiences?

Well, actually quite a bit. I guess you write down what you know. What I mean is that if writing fiction is a creative exercise, the raw material for it has to come from somewhere, and perhaps it is only natural that it comes from its own experiences of science. real life. English novelist PD James once remarked that “all literature is largely autobiographical.” I must point out, however, that despite the similarities and parallels to my workplace, the Rivals story is still fictional. I made it all up.

Since the news cycle is so fast these days, it was almost nostalgic to read about Karachi 10 years ago, where suicide and terrorist attacks were rife. Was it a conscious decision to base the story on this turbulent chapter in the city’s past, or was the book written around this time?

I started writing this book in 2012 or 2013, when the horror of terrorism was still a relatively fresh memory for the Karachiites. It certainly dominated my thoughts, as I’m sure most of us in this city have. But this book is not about terrorism. The suicide bombing comes early, in the second chapter, but I used it primarily as a fulcrum to aid in the development of the plot. Fortunately, the terrorist incidents are now well behind us, hopefully permanently. But we can’t deny that they left a scar and, to that extent, it’s still something we can all relate to.

Rivals is billed as a medical thriller, a label which I have found misleading. Was it a decision on your part, or the editors, since the book reads more like a drama set in a medical hospital?

You are quite right. While Rivals is a quick tale of the feuds and scuffles that take place in a teaching teaching hospital, its tension comes from an interpersonal conflict with gender overtones between prominent medical figures, not the process of providing care. medical. So in that sense it’s more of a professional intrigue drama set in a hospital, as you so aptly put it. And yes, the decision to launch it as a medical thriller came from my publisher, Bloomsbury.

Do you plan to write any other books in the Avicenna Hospital series?

It’s a very tempting idea. Hospitals, especially university hospitals, are complex, multi-layered human ecosystems, where the pathos is endless and the stakes are no less than life and death itself. It’s very fertile ground for storytelling. Although I have played with a few non-medical plots in my head, I keep coming back to the hospital setting. In addition, the Aga Khan University Hospital [on which Avicenna is loosely based] has not only been my place of work for two decades, but also my alma mater, so my connection to the institution is deep and textured. Channeling that into fiction has proven to be oddly rewarding. So, yes, I would say there is more to come.

What facets of Karachi do you think lend themselves to thrillers?

In my opinion, pretty much everything in town is a potential thriller waiting to be written. Crime, social inequality, ethnic politics, gang wars, water mafia, beggar mafia, people with aspirations and dreams, people who do things, people who get chewed and spit out, people playing by the rules, people making the rules – you name it and it’s integrated here as a gripping storyline ready to come to life. I guess this is quite inevitable, given the reality of Karachi as a megalopolis of the developing world populated by a turbulent society and located in a geopolitically turbulent neighborhood.

What kind of books do you like to read in your free time?

My reading habits are irregular, but cover a wide range – fiction, both literary and commercial – non-fiction, mainly popular science, American history and politics, sports, mainly cricket biographies and some literature in Urdu. I’m currently reading a novel by American writer Tommy Orange called Over there. It’s a searing tale of the anxieties of contemporary Native American society, a decaying population that is barely noticed even in the United States.

In commercial fiction, you can’t go wrong with John Grisham, the undisputed great master of thriller writing. The last book I finished was Burnt Sugar by Indian writer Avni Doshi. It revolves around a complicated mother-daughter relationship and was on the list of finalists for last year’s Booker Prize. I also recently picked up Raja Gidh from Bano Qudsia, but got distracted and hope to come back. My bedside table is filled with many partially read books that I hope to finish.

What are you going to work on next?

I’m about half done with a book tentatively titled Twelfth Man. It is a fictional tale of a group of teenagers who grow up in Karachi and fall in love with cricket and girls.

Since you’ve written extensively on medicine and cricket, do you plan to combine the two in your next job?

It’s a fantastic suggestion. You instantly made me think of a conspiracy. Let’s say a star international cricketer is injured in a high-profile tournament and is hospitalized. There’s a lot of storytelling potential from that starting premise.

Posted in Dawn, Books & Authors, December 12, 2021


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Ghost showrunner teases ‘consequences’ for Monet

The last season of Power Book II: Ghost is all about Tariq St. Patrick as he desperately tries to cover up the murder of Professor Jabari Reynolds. But he’s not the only one having problems. Monet Tejada realizes she made a big mistake with her nephew Zeke Cross – one who Power Book II: Ghost Designer and showrunner Courtney Kemp’s teasing could have major “consequences”.

Mary J. Blige as Monet Tejada in “Power Book II: Ghost” | Starz

‘Power Book II: Ghost’ latest episode found Zeke in a bind

In the last episode of Power Book II: Ghost, fans watched as police called Zeke to question him about his relationship with Professor Carrie Milgram. Carrie is the number one suspect in Jabari’s murder, as the two were romantically involved shortly before his death. She also dated Zeke, who is her alibi until he sneaks into the police.

Not realizing that she had already admitted that they were together, Zeke lies and says that he was not with her on the night of the murder when he indeed was. He attempts to call Monet when the conversation heats up, but Detective Whitman takes advantage of her naivety and discourages him from contacting her.

Zeke is interrogated for what appears to be hours and ends up cracking under the pressure, throwing Officer Ramirez’s PBA card to get him out of trouble. He does not know that Ramirez is missing after being killed by his cousin Cane Tejada. Investigators begin to swoop down on Zeke until Monet barges in to escort him out of the station.

RELATED: ‘Power Book II: Ghost’: Zeke Became One of The Series’ Most Hated Characters

Stay on

Ask the Instagram Live About why Zeke brought up the PBA card, Kemp replied, “Because we wanted Monet to be punished for not bringing Zeke into life, for not telling him enough. Like, she should have told him more, just like Ghost and Tasha should have said [their kids] Following.”

She continued, “I think maybe I have a little something on my shoulder about parents lying to children. And I know that as a parent myself, I don’t lie to my daughter at all, which sometimes causes conflicts with others. But I’m not lying – never because I want us to have that confidence. “

“And I think that’s the problem: Monet lied to Zeke a lot and didn’t tell him the truth about some things and kept him away from some things because she thinks she knows better. “, she continued. “And I think you see there are absolutely consequences to that.”

Monet also has a problem with Mecca, her ex-boyfriend. He came back into his life, showing an interest in reconciliation. But he seems to have ulterior motives, as he is secretly his new drug supplier.

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Tune in to ‘Power Book II: Ghost’ on Sunday

Fans can catch Power Book II: Ghost at 8 p.m. ET Sundays on Starz. After the next episode we’ll be halfway there, which means things will surely speed up from that point until the finale. The season will be followed by the debut of Power Book IV: Strength, the Tommy Egan spin-off, on February 6, 2022. Stay tuned.

RELATED: ‘Power Book IV: Force’ Theme Song Teased By 50 Cent


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Christmas gift ideas at local bookstores; a cozy mystery Q&A – Orange County Register

The Book Pages is a newsletter dedicated to authors, writing, and more. Subscribe now.


I’m Erik Pedersen, and I’m editing the cover of the Southern California News Group books that we’re going to start sending to our free books newsletter regularly in 2022, but I didn’t want to wait to start bringing our reading community together with a holiday book, author Q&A, and links to some great stories.

Like you, as the holidays draw near, I am visit our local independent bookstores to sort out the novels or non-fiction that I will give as gifts to others and those that I will give to myself. (I’m currently getting more books than I’m giving away, so I probably need to step up a bit.) Some books I’ve donated or recommended recently include “Underland” by Robert Mcfarlane Maggie Smith’s collection of poetry “Goldenrod” and for that very special reader – again, me – I ordered “The Private Life of William Shakespeare” by scholar Lena Cowen Orlin after reading James Shapiro’s opinion. I love good books on Shakespeare, like “Will in the World” by Stephen Greenblatt or “Shakespeare in a Divided America” ​​by Shapiro, and I owe much of my enthusiasm to Cal Poly Pomona’s teacher, Edward Rocklin. , who learned Shakespeare’s plays absolutely overwhelming experience when I was an undergraduate student.

Today we’ll start with a question-and-answer session with writer Jennifer J. Chow, author of the cozy mystery series Sassy Cat and the upcoming “Death by Bubble Tea”. She recently wrote an article on how Southern California inspires his books, and we asked her about some of her reading experiences. She was kind enough to share them with us:

Q: What is the first book that stood out for you? A: “Charlotte’s Web” had a huge impact on me. He featured strong female characters in Fern and Charlotte. The book inspired my imagination by describing an elaborate fantasy world filled with talking animals. It also taught me empathy as I rooted for Wilbur.

Q: Is there someone – a teacher, parent, librarian, or anyone else – who has had an impact on your reading life?

A: My elementary school teacher, Ms. Okada, encouraged me in all forms of writing. She also gave me my first A + on a mysterious short story.

Q: Do you remember a memorable book experience that you are ready to share?

A: I was browsing the library one May and found a shelf of books in honor of African American and Pacific Islander Heritage Month. When I read Dale Furutani’s Samurai series, I realized that the mysteries could actually have Asian protagonists.

Q: What are some of your favorite book covers? A: Blatant promo: I love the cover of the first book of my next mystery series: Death By Bubble Tea, and I really like these artistic covers: “Fifty Words for Rain” by Asha Lemmie, “Miracle Creek” by Angie Kim , “The mountains sing” by Nguyễn Phan Quế Mai

Jennifer J. Chow likes the covers of “Fifty Words for Rain” by Asha Lemmie, “Miracle Creek” by Angie Kim, “The Mountains Sing” by Nguyễn Phan Quế Mai (Covers courtesy of Dutton, Picador, Algonquin Books)

A virtual book festival

Join us for a virtual BOOKISH event with host Sandra Tsing Loh and guests Susan Orlean, Natashia Deon, B. Natterson-Horowitz, MD and W. Bruce Cameron Date: 12/17/2021 Time: 5 p.m.

How to register: Click here for the event link.


Here are some of the new or recent books recommended by independent booksellers in Southern California for 2021. (Images courtesy of the editors)

Choice of bookseller

We asked booksellers in Southern California for their gift and reading recommendations. READ MORE

Kirthana Ramiseti’s first novel, “Dava Shastri’s Last Day”, is about the legacy of a dying American Indian billionaire. (Photo credit: Sub / Urban Photography / Cover courtesy of Grand Central Publishing)

Billion dollar idea

‘Dava Shastri’s Last Day’ author Kirthana Ramisetti talks about her first novel. READ MORE

Mel Brooks’ new memoir, “All About Me!” arrived on November 30, 2021. (Photo by Jeff Spicer / Getty Images, book art courtesy of PenguinRandomHouse)

A Mel from a book

Comedian Mel Brooks talks about his story-filled memoir “All About Me!” READ MORE

Series “The Baby-Sitters Club” written by Ann M. Martin and published by Scholastic. (Image courtesy of Scholastic)

A childhood favorite returns

Rachel Shukert, who created the Netflix series “The Baby-Sitters Club,” picks her favorite books from the series. READ MORE


Animals + books = happiness.

This dog loved a good book almost as much as a comfortable sofa. (Photo by Erik Pedersen)

And the last word? Well, let’s give this to this sweet dog who loved a good book. Please feel free to share your book loving pets, questions and comments with me by sending a note to [email protected]


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Writer market

Applications for Hemingway-Pfeiffer Writer-in-Residence are accepted

Applications for Hemingway-Pfeiffer Writer-in-Residence are accepted

12/10/2021

PIGGOTT – Applications for the 2022 Writer-in-Residence Program at the Hemingway-Pfeiffer Museum and Education Center in Piggott are now open. The residence is from June 1 to 30 and includes accommodation in a loft in the Piggott town center square above the City Market cafe.

The Writer-in-Residence will also have the opportunity to work in the studio where author Ernest Hemingway worked on his Pulitzer Prize-winning book. A farewell to arms during an extended stay with his wife’s family in 1928. The residence includes an allowance of $ 1,000 to help cover food and transportation.

If public health conditions permit, the writer-in-residence should serve as a mentor for a week-long retreat for writers at the educational center. This retreat will be open to 8 to 10 writers. The recipient may be invited to do one or two readings of their own work. The remainder of the month will be free for the writer-in-residence to work on their own work in a safe and socially remote environment.

Applicants with a Master of Arts or Master of Fine Arts degree in a relevant field are preferred. Send a cover letter, a CV and a sample of approximately 20 pages (of any kind) to Dr Adam Long at [email protected] before February 28. Incomplete applications cannot be accepted. Due to the high volume of applications expected, confirmation of receipt of applications cannot be guaranteed.

Questions about the program can be directed to Long. For more information on the museum or accommodation (The Inn at Piggott), visit hemingway.AState.edu.

The Writer-in-Residence program is made possible through subscription sponsorship by Piggott State Bank.

The Hemingway-Pfeiffer Museum and Education Center, an Arkansas State University heritage site, contributes to the understanding of regional, national, and world history of the 1920s and 1930s by focusing on the Pfeiffer family de Piggott and their son-in-law and regular guest Ernest Hemingway. This includes leveraging Hemingway’s influence as a renowned American author to spark interest in literature and the arts and promote excellence in both.

Hemingway-Pfeiffer Museum and Educational Center


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Fiction publisher

Books Before Boys: The Historical Fiction Novel To Make Your Girlboss Dreams Come True

Although I’m a humanities major at heart, one of my favorite tropes is a teenage girl who wants to get into STEM, especially in a historical setting. Girls who want to be scientists, mathematicians, and doctors hold me tight.

Dana Schwartz’s “Anatomy: A Love Story” fits this trope beautifully. Set in Regency-era Scotland, it follows Hazel, a 16-year-old determined to become a surgeon. His city was ravaged by a terrible disease, Roman fever, which claimed victims, including that of his brother. When Hazel finds the opportunity to secretly take anatomy lessons disguised in her late brother’s clothes, she immediately grabs it, but then gets caught.

Hazel and the doctor who teaches the course make a deal: if she passes the medical exam, even without taking a course, she can go to college. But she needs the body to study. Lucky for her, she meets Jack, who illegally digs up corpses to earn some money and agrees to help her find bodies to dissect. Soon, however, they have even more problems to deal with – some people go missing and others present with strange medical abnormalities.

Now, I admit it, the “love story” part of this book was not the main focus. Have I invested in Hazel and Jack’s romance? Sure. But I was much more invested in Hazel’s journey of learning to become a doctor. Watching Hazel excel in her studies gave me a tremendous sense of pride, and some of my favorite moments in this book were when she started caring for poorer patients when they came knocking on her door.

I don’t know why I don’t read more historical fiction when it’s so often so good. Hazel has more determination than any novel protagonist I could imagine, and I was obsessed with her character arc. There’s a kind of charm to it all, watching her prove her worth, and maybe I’m a little easy to impress, but something about historical tales featuring – to use an unfortunate slang term – a total girlboss just itches an itch.

Also, not to spoil anything, but from the start and towards the end, Schwartz just adds an element of whimsy. It puts you in a bit of a loop, but it works perfectly for the story being told.

In a way, “Anatomy” is still a love story, but that of a young woman who loves a career more than a boy. And maybe I subscribe to the boss’s white liberal feminism a bit, but I kind of loved it.

“Anatomy: A Love Story” releases January 18th. Many thanks to the publisher, Wednesday Books, for the first copy – on another note, I’ve read so many titles on Wednesday at this point that if Wednesday doesn’t publish my book, I’ll eat my hat off.


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Book creator

Women of the Movement Release date, cast and plot

“Women of the Movement” will air with a two-hour premiere on Thursday, Jan.6, on ABC at 8 p.m. EST, according to Deadline. Additionally, it will be available to stream on Hulu. The limited series will feature six episodes, with the episodes released in three parts (via ABC).

Deadline reported that the series was filmed earlier this year in Mississippi and Tennessee. At its helm is designer and showrunner Marissa Jo Cerar, known for her writing and production work on “The Fosters”, “13 Reasons Why” and “The Handmaid’s Tale”. She wrote the first episode, directed by Gina Prince-Bythewood (“The Old Guard”, “Love & Basketball”). Jay-Z and Will Smith are executive producers of the series.

To create the series, they consulted with members of Emmett Till’s family, including his cousin Reverend Wheeler Parker Jr., who was there when Till was kidnapped, Parker Jr.’s wife, Dr. Marvel Parker, and Till’s cousin Ollie Gordon. Christopher Benson, who co-wrote “Death of Innocence: The Story of the Hate Crime that Changed America” ​​with Mamie Till-Mobley, also consulted on “Women of the Movement,” according to ABC and North West.


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Writer market

Rick and Morty boss opens heartbreaking season 5 finale speech

Rick and morty Writer Jeff Loveness opened up about the inspiration behind Mr. Poopybutthole’s heartbreaking speech in the Season 5 finale.

Based on a short film parody Back to the future, the wacky comic book comedy follows cranky mad scientist Rick Sanchez and his anxious but kind grandson Morty Smith, as they embark on a bunch of interdimensional time adventures.

The Adult Swim animation, created by Dan Harmon and Justin Roiland, aired its most recent episode in September. In his post-credits scene, the recently divorced Mr. Poopybutthole opened up about how the episode allowed Morty to learn more about Rick’s complicated past and openly considered what to do when realizing who was really their loved ones.

Cartoon Network

Related: Rick and morty to make fun of Dune with hilarious crossover

He went on to explain that people generally don’t have as much time as they thought, which left the series on a bittersweet note, according to fans. Now, Loveness has explained how – and why – that moment came …

“I remember specifically writing Mr. Poopybutthole’s monologue on my back, feeling… not at my best,” Loveness recalls in a behind-the-scenes featurette on the Fifth Chapter Blu-ray. “You could tell I was going through a rough time, maybe putting some of my failures in her voice.

Rick and Morty season 5

Adult swimming

Related: How? ‘Or’ What Rick and mortySeason 5 finale twist just changed the series forever

“I just remember being on the couch during confinement, carrying my soul through Mr. Poopybutthole’s voice, and I just remember thinking, ‘Yes. You did. You wrote. something real. ‘”

Just a few weeks ago, Adult Swim confirmed that the show will be back in 2022 – which hopefully means more laughs and potentially devastating thoughts on life and loss are on the way.

Rick and morty Aired on Adult Swim in the US, and on E4 and All 4 in the UK.

This content is created and maintained by a third party, and uploaded to this page to help users provide their email addresses. You may be able to find more information about this and other similar content on piano.io


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Fiction publisher

Insider tips that will help you find a publisher for your book

Lockdown has offered many frustrated writers a key to unlocking the stresses of daily grind and an opportunity to work on the novel or non-fiction work that has been dusting in their minds or in a bottom drawer for years. . If 2022 is the year to take your book to the next level, we’ve asked authors and publishing professionals for their advice on how to get there.

DONAL RYAN

Literary fiction novelist and mentor

Don Ryan. Photograph: Alan Place

Ryan, multiple award-winning author of The Spinning Heart and Strange Flowers and professor of creative writing at the University of Limerick, understands the pain of rejection when it comes to publishing the written word. “A writer’s life is poisoned and pockmarked by rejection. It never ends. Your work will be valuable to you, but you cannot expect everyone to treat it as it is. People will say ‘No. No. Go out. I’m calling security. “

However, he believes that this is essentially the way of the true writer. “You are doomed to be rejected, many [times] and uncontrollable, or sometimes in a thoughtful and constructive way. And when you are finally accepted, the rejection will start again, in different and even more debilitating ways. But always remember to come back to the joy of composing a good sentence. Take care of your sentences and everything else in your writing life will do on its own.

The opening page of your manuscript is important, and Ryan thinks this is one of the first opportunities to present the entire novel. “Try to get something to happen in your opening that you don’t think has happened before in fiction. John Harding opened his novel What We Did on Our Holiday with the exclamation “Toilet! It was a bold move, and it worked wonderfully.

VANESSA FOX O’LOUGHLIN

Novelist and detective story mentor

Vanessa Fox O'Loughlin, aka Sam Blake

Vanessa Fox O’Loughlin, aka Sam Blake

Best-selling writer and author of novels such as Little Bones and The Dark Room (under the pseudonym Sam Blake), Vanessa Fox O’Loughlin is also the creator and curator of writing.ie, a second online toolkit for everyone. . aspiring and seasoned Irish writers.

When it comes to perfecting the writing, Fox O’Loughlin says, “The best advice I’ve ever received has been from Sarah Webb: ‘Keep writing – you get better with every word you write, so continue ”. “

Once that’s sorted out, the next step is to prepare for the world of publishing. “Agents ask for quotes that are right for them, and they’re all different, so follow their directions. Put as much work into your submission as into your novel.

Regarding self-publishing, Fox O’Loughlin says there are “opportunities for authors to connect with readers, digitally or in print, that simply did not exist 20 years ago.” .

RACHEL PIERCE

Eagle-eyed editor
Rachel Pierce is the invisible hand who works on many of Ireland’s great books before they leave the publishing house, wielding her keen eye for rhythm, character, rhythm and detail in every aspect of a book – from overall structure to online publishing. She works with writers such as Paul Howard (aka Ross O’Carroll-Kelly) and Sinéad Moriarty, and is also a full-fledged best-selling author.

At the start of a novel, she thinks there is absolutely no such thing as the perfect first draft. “There’s no pressure to create a nice first draft – it’s about intuition, fun, tight writing: you and the page. You make your way to the story; be surprised by the characters and the plot; find out what the story is and who the characters are. For now, just write – let go.

SIMON TREWIN

Agent

Simon trewin

Simon trewin

The UK-based literary agent for authors such as John Boyne, Sam Blake, Mary Costello and Andrew Miller sums up his advice in four tips:

1 Take your time. The world isn’t waiting for your novel, so make sure you’re happy to be judged by anything you send. Every draft will be better.

2 Do your research. Check out potential agents on their websites and make sure you match their list.

3 Be patient. Don’t wait for an overnight response from agents, so be sure to send your work out to three or four at a time to split your bets.

4 Keep the smile. You are the best person in the world to write your book.

CONOR NAGLE

Editor

Conor nagle

Conor nagle

Conor Nagle runs HarperCollins Ireland and, as such, is the custodian of the last step of the publishing process. He says Ireland is unique because you don’t have to have a literary agent to get your book printed.

“If you take us, at HarperCollins Ireland we have an open submission policy, which is very important to us. We want our procurement process to be as open and democratic as possible. Our strike rate is quite low, but it’s still a wonderful source of ideas “like the unexpected success of the Blindboy short stories and the Aisling series – two” counterintuitive “examples.

He too thinks that rejection is part of the editorial journey: “It’s just that a book doesn’t suit them. A rejection letter is only coded for that.


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Book creator

Marvel comic artist kids demand copyrights at Brooklyn Fed

BROOKLYN, NEW YORK – The heirs to the comic book artist who created superheroes Captain Marvel and Falcon are accusing Marvel of retaining valuable copyrights that should belong to them, court records show.

Artist Gene Colan’s son and daughter filed a counterclaim against Marvel Characters Inc. on Tuesday challenging the company’s ownership of the iconic characters, according to Brooklyn Federal Court records.

“Gene Colan worked day-to-day, in his own premises, using his own instruments and materials, and thus he bore the entire financial risk of creating the [characters] in question ”, indicates the lawsuit.

“[Marvel] attempts to rewrite history by claiming that Colan equipment was “work made for hire” originally owned by … so-called predecessors. “

Patch contacted attorneys representing the heirs of Colan and Marvel Characters Inc. but did not receive immediate responses.

Nanci Solo and Erik Colan, the late artist’s children, are among a group of artists and landowners who have sought this summer to end Marvel’s copyrights in characters including Spider-Man and Thor, according to court records.

The artists brought their claim under the Copyright Act, which allows artists to terminate the assignment of copyrights after 35 years if they provide two years’ notice.

Marvel sued the artists in September, filing lawsuits in federal courts in Manhattan, Brooklyn and Los Angeles, and demanding that termination notices be declared invalid, according to files and reports.

Marvel arguing that the creators were paid workers who had already been paid and therefore were not covered by copyright law, according to legal documents.

But Colan’s heirs contend their father was not a salaried worker but a freelance artist who was underpaid for his contributions, which included purchasing equipment and creating screenplays, the lawsuit says.

They also dispute the contributions and writing credits given to Stan Lee, who they say accepted the credit but did not contribute to the story, according to legal documents.

“Authors have generally accepted unilateral subsidies, preventing them from sharing the success of their works,” argues the lawsuit.

“The results were often supremely unfair, as when a work was found to have lasting commercial value but only enriched the publisher.”

Colan’s characters have made and are making comic book history.

His character Falcon, a man from Harlem who was able to fly and control birds, became the first black mainstream superhero when he appeared in a Captain America comic book in 1969.

Captain Marvel – recently played by Brie Larson in a 2019 film and more to come – made headlines by successfully foiling the “sexist trolls” who tried to criticize his movie, Vox reported at the time.

According to a report from Polygon, Captain Marvel was created to tap into a burgeoning feminist movement and to establish The Marvel brand on the name.


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Writer market

Global Market Variables Affecting Urea • Agricultural Policy News

New York Times writer Raymond Zhong wrote an article this week on market factors associated with urea, and pointed out that, “[Prices] are reaching levels not seen in over a decade. In this time of shortages and inflationary worries, that alone may not seem too surprising. Corn urea connects several disparate strands of the global economic disruption, showing how easily extreme weather conditions and maritime disturbances can cause supply shortages shine.

“People and industries of all kinds are feeling the shocks. In India, the lack of urea has made farmers fear for their livelihoods. In South Korea, this meant that truck drivers could not start their engines.

“Urea is an important type of agricultural fertilizer, so price increase could ultimately mean higher costs at dinner tables around the world. The Food and Agriculture Organization of the United Nations’ food price index is already at its highest level since 2011. The coronavirus pandemic has caused large numbers of people to go hungry, and the Rising food prices could make it even harder to meet basic food needs. The prices of two other widely used plant foods are also skyrocketing. “

Mr. Zhong explained, “One of the main reasons for soaring fertilizer prices is soaring prices for coal and natural gas. Urea in your urine is produced in the liver. The industrial type is manufactured using a century-old process that converts natural gas or gas derived from coal into ammonia, which is then used to synthesize urea. “

2021 Virtual Illinois Farm Economic Summit – farmdoc webinar, “Supply Bottlenecks and Management Decisions,” presented by Gary Schnitkey and Nick Paulson (December 3).

While discussing the factors that led to the higher prices, the Times article stated that “China and Russia, two of the largest producers, have restricted exports to ensure the supply of their own farmers. In the case of China, an energy crisis has led some regions to ration electricity, forcing fertilizer factories to cut production.

Hurricane Ida led several large chemical plants to suspend operations when it crossed the US Gulf Coast in August. Western sanctions against Belarus have affected that country’s production potash, the key ingredient in another fertilizer. Port delays and high transport costs – plant foods are bulky products – have increased costs. “

The Times article added that, “China is a mainstay of the global fertilizer trade. The country accounts for about one-tenth of world exports of urea-based fertilizers and one-third of exports of diammonium phosphate, another type of crop nutrient, according to the World Bank.

“As fuel and fertilizer prices started to rise this year, the Chinese cabinet authorized billions of dollars in June in subsidies and other aid to farmers. The following month, the country’s major fertilizer producers met with the state’s planning agency and agreed to stop exports.

Chinese leaders have been paying much more attention to food security since the start of the pandemic, said Darin Friedrichs of Sitonia Consulting, a Shanghai-based consultancy that focuses on Chinese agricultural markets.

“They were probably ahead of the curve realizing how much it was going disrupt global supply chains‘said Friedrichs. “And in a situation like that, it’s obviously better to err on the side of trying to have more food rather than less.”

The Times article stated that “More than half of China’s urea exports this year went to India. The Indian government subsidizes fertilizers to keep prices low, but their distribution to producers requires coordination between national and state authorities who are often at odds for partisan and other reasons.


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Prince Charles and Prince Harry’s relationship at “all-time low”

Prince Charles’ relationship with Prince Harry is said to be at an “all-time low” after barely speaking all year despite attempts to “cleanse the air”.


Prince Charles and Prince Harry’s relationship has come under intense scrutiny since Oprah Winfrey’s interview with the Duke and Duchess of Sussex aired earlier this year. This saw Prince Harry describe his father as ‘trapped’ in the institution, before claiming Prince Charles stopped answering his calls after he and Meghan Markle left royal life. This was later followed by an appearance on a podcast where the prince opened up about the “genetic pain and suffering” he claimed had been “passed on” to him – remarks which led Prince Charles to be questioned. by journalists.

Now, it has been suggested that the only contact between father and son has been a few ‘strained’ calls since their last face-to-face meeting at Prince Philip’s funeral in April. It comes as Prince Harry risked yet another family drama after publicly addressing the CBE scandal surrounding billionaire Mahfouz Marei Mubarak bin Mahfouz and the Prince of Wales in a rare statement.

As reported by The Sun, a friend of Prince Charles claimed the eldest royal was “deeply shocked” by his son’s latest comments amid a difficult time for their relationship, described as an “all-time low “.

“Charles is deeply shocked and disappointed by Harry’s latest statement that effectively threw his father under the bus,” the source said. “There are concerns that this episode with Mahfouz may even be a chapter in Harry’s autobiography.”

They continued, “This attack was more damaging than the blow to Charles’ parenting because it was a challenge to the way he conducted his business which is much more damaging to the future king. There is no way Charles can defend himself and publicly defend himself, so he maintains a dignified silence. These constant bites about his American father could be very damaging to his reign. “

But while the Prince of Wales may have chosen not to publicly “hit back” against his son with his own statement, it appears that despite various reported attempts to “clean the air” this year, they have “barely spoken. “.

Rince Harry and Prince Charles, Prince of Wales attend 2018 International Year of the Reef reunion

(Image credit: Photo by Matt Dunham – WPA Pool / Getty Images)

The source added: ‘Attempts have been made to purify the air, but they have hardly spoken since the Duke of Edinburgh’s funeral. Charles loves his son very much and he won’t make a noise to Harry in return. It is that simple. He’s not going to join us because loving his son is the most important thing.

Prince Harry’s recent statement on the controversy dubbed the ‘Honors Scandal’ comes after allegations have come to light that wealthy people are able to buy themselves titles after donating large sums to affiliated charities to the royal family.

The Duke of Sussex’s comments specifically focused on one donor in particular, Saudi billionaire Mahfouz Marei Mubarak, to whom Prince Charles presented a CBE at Buckingham Palace. Clarence House has previously said the Prince of Wales had “no knowledge” of the scandal, reiterating that his charities “operate to the highest standards”.

Prince Charles, Prince of Wales and Prince Harry, Duke of Sussex attend the

(Image credit: Photo by John Phillips / Getty Images)

As speculation on Prince Charles and Prince Harry’s relationship continues, it is unclear when the couple could meet again in person. It has previously been suggested that Prince Harry and Meghan Markle will stay in the US rather than join the Queen in Sandringham for Christmas in the UK.

If the Sussexes celebrate in California this year, it could be several more months before Prince Charles and Prince Harry can build bridges with each other and mend their once close bond.


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Reading and writing

“I used all the Casio chords” – How we made Manchild by Neneh Cherry | Cherry Neneh

Neneh Cherry, singer and songwriter
I saw Cameron McVey [producer and now husband] and one day he suddenly asked me, “Why don’t you write songs? You could totally write songs! »I had been in Rip Rig + Panic, whose songwriter Gareth Sager had such an inventive way of writing about everyday things. Manchild was one of the first things I imagined.

The first verse came to me as I was walking up the stairs of a double-decker bus. “Is it the pain of drinking / Or the sinking feeling of Sunday?” I think I had a hangover. When I got home, I started working on the music on a small Casio keyboard using the “auto tuning” setting. I didn’t know what I was doing. When my father [late jazz trumpeter Don Cherry] Heard he said, “Wow, that’s a bit of jazz. You have seven chords in the verse!

The person in the song exists, but it’s not about her as such. “The car never seems to run / When it’s late your girlfriend has a date. I just imagined a guy who worked nine to five in a garage or something, but had dreams and feelings, and a cheating girlfriend. I was exploring the most vulnerable aspects of manhood from a woman’s perspective, the way some men come to terms with sensitivity while others put on three layers of facade.

Manchild was a very important song for me: that’s where I found my style. I liked the simplicity of a raw hip-hop rhythm with orchestrations. When we finished recording it at Eastcote Studios, Bomb the Bass’s Tim Simenon scratched and found a really good electronic hook.

Our way of working was very domestic: a lot of work at home, children in the studio, a baby under our arm. We walked into radio stations like that. Before discussing ideas for the video, director Jean-Baptiste Mondino sat outside our house in our little Fiat Panda listening to Manchild as he watched my fabulous Jamaican neighbor sweep the front of the house with gold chains. My other neighbor was hanging out the laundry. Then I answered the door with a towel over my head and a baby under my arm. And John the Baptist said: “That’s it! This is the video.

Cameron ‘Booga Bear’ McVey, producer
I grew up in punk but ended up working with Stock, Aitken and Waterman on the PWL label. We were playing Trivial Pursuit with Kylie and people like that. All of the PWL artists were cool, but none of them were really musicians – unlike Stock, Aitken, and Waterman, who really knew their shit. The music press saw them as the enemy, but they were more punk than the punks.

My buddy Jamie Morgan and I did an embarrassing single as Morgan McVey called Looking for a good dive. I had just met Neneh, so on the B side was a first version of Buffalo Stance, with a different title and rap by Neneh. A year later, an appropriate version became her first single. It was a truly iconic song. The easy thing would have been to do five more Buffalo Stances, but that would have been contemptible, so Neneh did something completely different with Manchild. That’s why his career really took off.

I remember transcribing his chords from the Casio. It turned out that she had used all the chords available on the machine. Producer Nellee Hooper had just taught me how to sample, so I added a snare drum. Nellee then got 3D from Massive Attack to write the rap part for Manchild. Will Malone did all the strings on one Fairlight but we left the Casio on the finished check-in. It felt like you had your leg sawed off, but it was really good in the background.

Everyone loved Manchild – except Neneh’s American record company, who refused to release him. They wanted another Buffalo Stance, which had reached number 3 in the United States. They said Manchild was not white enough to be white, or black enough to be black, and not left field enough to be left field. We met all of these corporate thugs who were so heavy with us, because if you fuck up in America, they will declare war on you. When I was on the plane for the first meeting, the plane developed a rift over Greenland and we had to turn around. I took that as a sign. Manchild was a huge success everywhere except America.


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Review of You Don’t Know Me | Both a detective series and a love story

The TV factory is well and truly operational again after the abrupt shutdown imposed by the pandemic, and with Showtrial finished and dusted off, it goes straight to the next one.

You Don’t Know Me, which is based on the mystery novel of the same name by Imran Mahmood, debuted in the prime-time Sunday night slot of BBC One (December 5), a testament to the the broadcaster’s confidence in the series, and rightly so. It’s a compelling, well-executed piece of TV that deserves your attention.

Like the first, it also revolves around murder and the crucial question of “whodunnit?” A young drug dealer – so young he’s still in college – has been shot and the trial to find out who pulled the trigger has reached its final stages when we join the thriller.


BBC / Snowed-In Productions

The four-part series opens in a courtroom, with the CPS lawyer reeling off a series of key evidence that connects our protagonist hero (Angela Black’s Samuel Adewunmi) to the murder – gunpowder residue found on his clothes, traces of blood found under his fingernails, and more of the same. It doesn’t sound good to him and if we were to watch a real case unfold we would have believed his days were numbered. But it’s a work of fiction, which means we’re just getting started.

Hero chooses to make his own closing statement rather than having his legal representative do it for him, which brings us back to the very beginning of this whole sorry saga.

“But to talk about Jamil,” he said, referring to the deceased, played by Roger Jean Nsengiyumva from Informer, “I have to talk about Kyra (Sophie Wilde).” She is at the heart of this tale, and as Hero relays her tale to the jury, we learn how a fleeting encounter with the distant, doe-eyed woman who never holds a book in her hands leads to such a violent end. This is a crime thriller, but writer Tom Edge (Vigil, The Crown) takes great care in sketching out their flourishing romance, retracing it from the couple’s initial meeting on a double-decker bus, with Kyra openly indifferent to Hero’s playful advances, to their fixed status – at least in Hero’s eyes – in each other’s lives.

Sophie Wilde in You don't know me


BBC / Snowed-In Productions

In one scene, the couple bounce around Kyra’s living room like newborn lambs on the currents of life, unfiltered joy splashing their faces. There’s a particularly delightful montage of Hero trying to master the art of cooking an Italian nun-worthy carbonara in order to impress him. He shakes 42 eggs in the span of a week in his quest to perfect the dish, which he ends up doing – * the audience falls to enthusiastic applause *. It’s a seemingly minor detail that, as we learn more about the plot, says a lot about the type of man Hero is: someone who loves fully and deeply, and who would do the unthinkable. for those to whom he is devoted. It’s a window into his commitment to Kyra, showing why he goes to such lengths to find her after her sudden and unexplained departure from his life.

Who knew that a bowl of pasta could say the same, eh ?!

You Don’t Know Me has all the elements we want and expect – mystery, drama, high stakes and so on – but the writing, beautifully complemented by Sarmad Masud’s direction, ensures those sweeter moments are just as hot. as they should be. They also create a distinct tone and atmosphere that elevates the series in a heavily saturated market.

You don't know me - Samuel Adewunmi and Roger Jean Nsengiyumva


BBC / Snowed-In Productions

Credit must also go to the actors, who manage the sometimes difficult material with authoritarian ease. The evidence accumulated against Hero is overwhelming, but you believe he is claiming he is innocent, which underlines Adewunmi’s talent. There is a real depth of sincerity in his performance that makes you root for Hero, which is exactly what you want in a protagonist, so much so that if he turns out to be guilty of the crime it would be truly heartbreaking. development. Before his life is turned upside down, we see Hero in happier times as he pursues and subsequently forms a relationship with Kyra. We watch him show off his best traits – he’s charismatic, endearing, and sweet-tempered – with Adewunmi nailing down every beat, pulling you in as he pulls Kyra in. It’s essential that we see him in those lighter moments as someone living a good, honest life because that makes the central question of the show – is he really capable of murder? – so much more fascinating.

While we feel like we know Hero, Kyra is a closed book, and just like our leader, we want to know more. She will often allow those around her to speak as she listens and observes, almost like a cat at times in the way she looks at Hero from her chosen vantage point, gauging him with big brown eyes that draw you into her. orbit. There is a measured intensity in Wilde’s performance, and even in the scenes where Kyra says very little, she remains an engaging presence, communicating so much with so little.

Bukky Bakray also deserves a mention as a sister of Hero Bless. Her role is quite small, but she still manages to make a good impression and once again confirms why she was such a deserving recipient of the BAFTA Rising Star Award in 2019 for her performance in Rocks. At only 19 years old, Bakray is a staggering talent who makes it seem like she’s been playing this game for much longer than she has been.

You don't know me - YETUNDE ODUWOLE and BUKKY BAKRAY


BBC / Snowed-In Productions

You Don’t Know Me is both a crime drama and a love story, giving you the best of both worlds.

It also explores how anyone, no matter what their current situation, can suddenly find themselves dragged into a storm without warning. If you were Hero, what would you do you to do? How far would you go to protect those you love most?

You Don’t Know Me continues Monday December 6 at 9 p.m. on BBC One. All four episodes are available to stream now on iPlayer.

Looking for something else to watch? Check out the rest of our dramatic coverage or take a look at our TV guide.


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Fiction publisher

10 Musicals To Watch Before “West Side Story”

Based on the classic tale of Romeo and Juliet, West Side Story takes place on New York’s Upper West Side, where rival gangs swear revenge, Puerto Rican beauties celebrate “America”, and unhappy love blossoms. There is a huge selection of movie musicals to sing along to before Disney’s ‘West Side Story’ releases December 10, including other Sondheim shows.

RELATED: The Best Musicals of the 21st Century

These movie musicals have plenty of dance breaks, amazing soundtracks, and stories that range from the sci-fi horror of space man-eating plants to the mundane horror of messy breakups.

Journalists (1992)


Disney has a long history of movie musicals, but one of their lesser-known productions is News, a story of the abused Manhattan newspaper vendors. When the publisher of the newspaper they sell raises prices, the newspaper vendors go on strike and a catchy dance act ensues as they rally newspaper vendors across New York City, battling strikebreaker tactics and a vengeful orphanage director.

RELATED: Disney Animation Oscar-Winning Songs, Ranked

News has gained a cult following since its catastrophic release, with a Broadway adaptation. Starring a youngster Christian bale in the lead role, and the music of Alan Menken – who also composed (in collaboration with Howard ashman) music for Disney classics such as The little Mermaid and The beauty and the Beastit’s great fun all around.

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Into the woods (2014)


in-the-woods-meryl-streep-mackenzie-mauzy
Image via Disney

Another classic from Sondheim, In the woods is a twisted tale of fairy-tale characters whose wishes lead them to the woods where wolves and adulterous princes hide. The Baker (James Corden) and the baker’s wife (Emily Blunt) tie the stories together in their quest for a child after a witch (Meryl Streep) cursed the Baker’s father.

RELATED: Emily Blunt’s Best Cinematic Performances, Ranked

Lyrically and thematically dense, the film opts in favor of a lighter tone than the Broadway musical, softening some of the darker moments while retaining its dark humor. Each of the characters ventures into the woods, for a child, or a festival, or to sell their cow, but they quickly learn to be careful what you wish.

Les Miserables (2012)


Amanda Seyfried in Les Misérables
Image via Universal Pictures

Adapted to cinema in particular in 2012, Wretched is arguably one of the greatest French novels of all time. After the life of Jean Valjean, a convict who finds redemption and who has a second chance to live, he is relentlessly pursued by the legalist Javert. Along with one of the best soundtracks to sing, the story of the film also offers a condensed but no less moving tale of The set, with love – both unrequited and forbidden – a tragedy and a revolution. As West Side Story, more than a few tears can be shed, but it is well worth the emotional turmoil.


The last five years (2014)


Anna Kendrick and Jeremy Jordan in

Anna kendrick and Jeremy jordan star in this film about the beginning and the end of a marriage, told by each of their characters in a different order. The last five years is played almost entirely in song, alternating between Cathy (Anna Kendrick) and Jamie (Jeremy Jordan), as they reflect on why and how their relationship fell apart. Despite the wit and exuberant energy of most songs juxtaposed against a dark subject, the tone of The last five years is difficult to define. The cinematography is not particularly inventive and the color palette too austere. It’s worth noting that the movie ditched the source material in many ways, but the chemistry between Kendrick and Jordan recovers the adaptation, and it’s a refreshing antidote for anyone who accidentally ingested too many sickly, sweet romance comedies.


Sweeney Todd: The Barber Demon of Fleet Street (2007)


Johnny Depp and Alan Rickman in Sweeney Todd
Image via Paramount Pictures

Tim burton and Sondheim are a match made in heaven. Sondheim’s delightfully macabre soundtrack perfectly complements Burton’s imagination bringing Fleet Street to life. Their imaginations are almost the only thing alive in this darker and sordid London, where Sweeney and her lover chop customers into meat pies while Sweeney seeks a chance to get revenge on the lewd judge Turpin. Sweeney todd has a fantastic score, Johnny depp and Helene Bonham Carter like the murderous duo, and a heavy dose of the macabre. Filled with twists and turns, this is the dark musical you never thought you wanted.

In the heights (2021)


The cast of In the Heights
Image via Warner Bros.

Another musical set in Manhattan – this time in Washington Heights – In the heights tells the story of the Latinx and Hispanic community navigating their own future and the changes in their beloved neighborhood. The music and dance sequences are extremely fun, with a charming cast playing romantic youngsters, chatty hairdressers, and those with big dreams trying to ‘get by’. The song “No Me Diga” perfectly sums up the energy of the film: playful, intelligent, with an excellent staging that gives the scenes as much personality as the actors. Lin Manuel Miranda expressed his love for the Hispanic diasporas, and In the heights is built on his own experiences as the son of Puerto Rican immigrants. The film is intimate and inviting; absolutely a wellness feature.


Rent (2005)


rent-rosario-dawson-social-feature
Image via Sony Pictures

While we are in an empire state of mind, To rent must be mentioned. A brutal exploration of the East Village during the AIDS epidemic, the film follows several “bohemians,” New Yorkers making art, love, and the best they can with their lives. The film is a candid exploration of drug addiction, sexuality, the AIDS crisis, housing insecurity, and the ways people negotiate to find love and community despite their struggles. Heartbreaking and exhilarating, some characters are more developed than others and To rent can sometimes seem a little lost in itself. But there’s a reason the musical remains a culturally important work of art. To rent is a testament to the queer people lost at such a tragic time.

The Ball (2020)


prom
Image via Netflix

Step aside Candid, Prom gives ‘glitter and be gay’ a whole new meaning. Prom is full of references to musical theater, so this might not be everyone’s proverbial cup of tea. But there are sweet songs and Meryl Streep playing a self-centered diva, as well as a positive LGBT + message. A young girl is banned from taking her girlfriend to prom by local homophobes, so the stranded Broadway stars make sending her to prom their new role.

Prom it’s charming, it’s cliché, and it falls back on too many stereotypes to be particularly naive, but Jo ellen pellman shines as the breakout star playing Emma, ​​the lesbian who fights for her and the inclusion of her girlfriend. More, Ariana DeBose, like his girlfriend, drew attention to the positive choice of filmmakers to specifically choose queer actors for queer roles.

Chicago (2002)


Renée Zellweger and Catherine Zeta-Jones in Chicago
Image via Miramax

One of the most popular musicals, Roxie Hart (Renée Zellweger) ends up in jail after his plans to be successful in showbiz go wrong Chicago. Sent to Murderess’ Row where she joins the prisoners in fishnets instead of overalls, Roxie ends up conspiring with a fellow inmate (and idol) to manipulate the press to secure their acquittal. The cinematography uses flashy cut scenes as a tribute to the original production, along with plenty of jazz hands, slaps and sultry hip movements. Chicago is less emotionally grounded, instead playing its dark, vaudeville-style humor with over-the-top twists and dance moves, but it remains one of the best musicals – both on and off the Broadway stage. .


The Little Shop of Horrors (1986)


Audrey and Audrey II in 'Little Shop of Horrors'

Three doo-wop singers functioning as a Greek choir chair “Skid Row” in New York City, home to a geek florist in love with her coworker, her sadistic dentist boyfriend and a Venus fly trap with a fondness for human blood. Just as campy as this motley collection of characters suggests, Little shop of horrors is a delightful horror comedy. It’s shot on a stage built for the movie and uses puppets like the original production, but this reinforces the quirky charm of the original production. Without forgetting that the music is Howard ashman and Alain menken (The Little Mermaid, Beauty and the Beast), and it’s just as eye-catching as their most recognizable Disney classics.

NEXT: Steven Spielberg Explains Why ‘West Side Story’ Was His Dream Project


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“Sons of the Forest” trailer reveals when you can play survival horror game in open world

Get ready for a Carpenter-style video game experience.

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Hawkeye Writer Reveals Discarded Ant-Man Easter Egg

Writer Hawkeye Tanner Bean reveals he had an idea for a hilarious Ant-Man Easter Egg that didn’t make the series’ final cut.

Hawk Eye writer Tanner Bean revealed that there was a The ant Man Easter egg that did not make the final cut.

On Twitter, Bean revealed that for Hawk Eyeblack market auction, he replayed the final battle in Avengers: Endgame to think about the artifacts that might be found in the wreckage of the Avengers base. “My idea: ‘La Cucaracha’ – playing the horn on the steering wheel of Luis’ van. (Hey, they can’t all be a winner),” he joked.

RELATED: Every MCU and Marvel Comics Reference in Hawkeye Episode 3

Marvel fans will recognize Luis’s van from both The ant Man and its sequel Ant-Man and the Wasp. The vehicle was used for Luis’ criminal enterprises, but became more prominent when it was fitted with a quantum tunnel. Scott used the van to venture into the Quantum Realm, where he found himself trapped after the snap dusted Hope van Dyne, Janet van Dyne and Hank Pym.


Luis’s van was destroyed by Thanos in the final battle of End of Game, so his steering wheel could have been a great addition to the auction of artifacts found in the rubble of the Avengers complex. However, while the Easter egg “La Cucaracha” was unsuccessful, another The ant Man nod featured in Episode 3 as a Pym Particle Arrow. When the tracksuit mafia headed for Clint Barton and Kate Bishop, Clint shot a Pym arrow at Kate’s arrow, which multiplied it in size and destroyed their vehicle. Episode 1 also featured a theatrical version of Ant-Man in Rogers the musical, which hilariously annoyed Clint.


RELATED: Hawkeye Trailer Teases Black Widow’s Yelena Belova Comic Book Precise Look

In episode 1 of Hawk Eye, Kate followed her mother’s mysterious new fiancé into a basement and discovered a black market auction. There, bidders fought for the costume and sword of the international assassin Ronin. “The Ronin brought brutal justice to his victims, and his identity remains a mystery to this day,” said one auctioneer.

Hawkeye took on the role of Ronin following the events of the snap, in which his entire family was dusted off. Ronin went on a rampage, killing criminals he said didn’t deserve to survive. Kate stole Ronin’s outfit, leaving Clint the responsibility of protecting them both from those who wanted revenge.


The first three episodes of Hawk Eye are now streaming on Disney +.

KEEP READING: Hawkeye Theory: Echo Flashbacks Reveal The Real Villain – And That’s Not the Pivot

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Star Trek: Discovery Season 4, Episode 2, “Anomaly” recap and spoilers


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Superman circumcised? beats the “tough” competition to win the title of the strangest book title

Roy Schwartz says he’s deeply honored to win the Diagram award for the weirdest title of the year for his book Superman circumcised?

“Anyone can win the Pulitzer. It’s something special,” said the New York author. As it happens host Carol Off.

The Diagram Prize is an annual competition run by the UK trade publication Bookseller, where users can vote for the strangest title of a book published in the past year. Last year went to Canadian anthropologist Gregory Forth for his book A dog peeing by the side of a path, on Indonesian animal metaphors.

The content of the book does not matter. The organizers don’t even read them. In an interview with As it happens last year, the Diagram Prize coordinator, Tom Tivnan, presented it as “the purest literary prize there is.”

Schwartz beat suitors such as The Russian way of life; Miss, I don’t care; and Hats: A very unnatural story.

“The competition was tough, but I’m glad she took up the challenge,” he said.

“The subject is serious”

But don’t be fooled by the title. Schwartz’s is a well-documented, serious work of non-fiction.

“The headline is cheeky and playful, and it’s meant to be fun and kind of signal that even though the topic is serious, it’s still fun read, and I don’t take myself seriously,” he said. declared.

He says the true nature of the text is summed up in the caption: The Complete Jewish History of the World’s Greatest Hero.

“The medium of the comic book is a Jewish invention, and the superhero genre is a Jewish invention, just like jazz is an African-American invention. And I wanted to explore both the historical context and the thematic content.” , did he declare.

Superman’s origin story is that of Moses.-Roy Schwartz, author of Is Superman Cirumcised?

Superman debuted in Action comics Number 1 in 1938, and was designed by writer Jerry Siegel and artist Joe Shuster, both Jewish.

Superman’s character, aka Clark Kent, is canonically Christian. But Schwartz maintains that his stories and themes are deeply rooted in Jewish culture and tradition.

“The easiest thing to point out – and it was pointed out before me – is that Superman’s origin story is that of Moses. It’s a baby that was put in a ship to save it from destruction. imminent of his people and sent adrift to an unknown fate, “he said.

“He stands, you know, in the midst of thick vegetation, he was raised by people who are not his own with a new name, and as an adult he takes it upon himself to become a great savior. . “

Superman made his debut in 1938 in Action Comics # 1. (Timothy A. Cleary / AFP / Getty Images)

And Superman made his debut on the cusp of WWII amid the rise of Nazism in Germany.

“Siegel explains in detail how the rise of Nazism in Europe and domestic anti-Semitism in America – which was far more important than what collective memory likes to recognize here – really was the impetus to create this character,” a- he declared.

“Before he was known as the Man of Steel, he was known as the Champion of the Underdog. And before he saved the world from alien invasions, he really took on the tyrants of the world, including many, many positions. Nazi-ins, and then comes war, the real Nazis. “

So why not just write it down as Jewish?

“The thing to do in 1938, when Superman made his debut, had to pass. The idea that a character was Jewish was a mistake. It wouldn’t even occur to them, much less something than an editor. would touch, ”he said.

Schwartz says the book actually answers the question posed in the title – but “it’s a very Jewish answer, which is to say: [it] depends.”

“There is a fictional Superman and a real Superman. And the fictional Superman is an alien from planet Krypton. He grew up in Kansas. He is chronically Christian, generally Methodist or Protestant. He is not Jewish,” a- he declared.

“But there is also a real Superman, who is a fictional character in the real world, in our world, and this character is very Jewish. He was created by Jews. He was manipulated by Jews for the most part. of his life. And it is very rich in Jewish themes and symbolism. “

Superman circumcised? was published by McFarland & Company in 2021.


Written by Sheena Goodyear. Interview conducted by Kate Cornick.


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Aziz Ansari and his data scientist girlfriend tie the knot

Aziz Ansari, Parks and recreation alum and Master of None creator, is engaged to Dane Serena Skov Campbell. Through Sixth page, he announced during a surprise set at the Comedy Cellar on Wednesday. He joked that he hopes their kids will be more Indian than Danish, according to the Page Six source, but we’ll have to wait for the full comedy special to find out the punchline of this joke.

His future wife is a forensic data scientist. It’s true, she has beauty and brains (Data friend Ansari also wrote a book on modern romance called Modern romance). They were first seen together in 2019 when Campbell was holding a doctorate. student, at the US Open on September 3 (Campbell’s mother confirmed to Daily mail that the “mystery date” in the photos was her daughter).

In 2018, as Page Six notes, Ansari was involved in a Babe.net article for sexual misconduct and misunderstanding on a date. Ansari said he apologized to Woman Privately his critically acclaimed Netflix series.

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– Subscribe to “The Buyline” to receive a curated list of fashion, book and beauty purchases in a weekly newsletter.


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Japanese writer from Trinbago discusses belonging and identity

While studying English Literature and Creative Writing in the United States, Trinidadian-born author Brandon McIvor discovered a passion for writing about his country, dealing with themes of identity, displacement and connection to one’s homeland and culture.

His short stories, with their relevant characters, offer an intimate look at the immigrant experience and garner a lot of attention, leading him to be shortlisted twice for the Small Ax Literary Prize – in 2016 and 2018 – and for the coveted Commonwealth Short Story Prize in 2020. (Read his Commonwealth Prize submission, “Finger, Spinster, Serial Killer” here.)

The native of Diego Martin spoke about his curious career as a writer of Caribbean stories, trained in New York and currently based in Ehime, Japan.

“My sister,” he said, referring to Where there are monsters Author, Breanne McIvor (herself a Commonwealth Short Story Prize finalist), “told me a lot of stories. The siblings were only a few years apart, and after a childhood spent telling stories and Breanne studying literature and writing in college, McIvor became somewhat inspired. “It was as easy as looking at her, seeing her journey and saying, ‘I like that too. “”

After school, McIvor returned home and teamed up with his sister to hone their craft. “We started a small writing circle; we would go to those open mic parties and play stuff [and] each other’s workshop [writing]. Among the group were authors Andre Bagoo and Carolyn Mackenzie, both of whom were also shortlisted for the Commonwealth Short Story Prize.

A desire for a change of pace drove McIvor to Japan, where he worked as an English teaching assistant in the JET program, which recruits native speakers from around the world to teach classes to elementary and high school students. . A year quickly turned into six, and now the 30-year-old has made Japan his home.

McIvor discussed how living abroad brings him home when it comes to his writing, explaining that many writers who live abroad make their home country the subject of their work. He remembered a tip he was given in a writing class a few years ago to “write what you know”.

He spoke from his perspective and that of other artists creating about his country from abroad as a unique perspective. “You are Trinidadian but you have lived abroad … so you have this problem of identity, where you have one foot in this world and in each other. “

Although many Caribbean writers deal with identity, each treatment of the theme is a creature in itself, seen through the prism of different realities. It is in this variety that

McIvor learned to make a voice for himself to respond to the gaps he felt in Caribbean literature. “Sometimes you read a story and there is a hole,” he said. “You say to yourself that this guy [of story] does not exist, so I will create it myself.

One can argue that personal identity is constant, but so too is the desire to adapt to where one is, and it can be difficult to determine where one ultimately stands while negotiating. a new identity.

“The more you try to establish yourself as a New Yorker, the more you lose something too [and] you don’t want to get lost as a Trinidadian, ”he said. He spoke of noticing aspects of his accent gradually changing, or of the fear that the Trinbagonian slang he used would become obsolete if he was left offline for too long.

“You’re fighting to have those two identities validated where you are and to keep what you had in the first place, where your home is,” McIvor explained.

This battle is the basis of McIvor’s news “Rum shelfWhich earned him the top finalist for the Elizabeth Nunez Award for Caribbean Writers at the Brooklyn Caribbean Literary Festival 2021. (Another Trinbagonian, Akhim Alexis took home the top prize.) The plot centers on two men: Marlon, who “dreams of climbing the ladder from work in a supermarket in Arima to a bigger job in Arima, then in New York” and Rocco, whose notions of success and contentment are lower, and involve him to taste premium alcohol in a bar they frequent.

“You can think of both sides of the character as the two sides of a heart that you could have on your own,” McIvor said. “Wanting … to achieve things and [being] happy with what you have, special things around you.

As the two men “rely on each other for an emotional anchor,” the story explores the immigrant’s experience and what it means to be rooted in one’s country of origin. McIvor was able to squeeze part of Marlon’s experience from his own as a Trinbagonian trying to both retain his identity and assimilate into New York life.

He recognizes that feeling like a foreigner in an ethnically homogeneous country like Japan is totally different from being non-native in New York.

“If you’re in a place like New York City, you can blend in,” he said. “In Japan, it’s very obvious that I’m a foreigner. He called the feeling of being a foreigner in Japan a “continuum,” related to how one feels connected to the culture, and how long one has lived and immersed in it.

“The short answer is, I don’t feel Japanese, but I feel like Japan is my home,” he said. “I’d rather consider myself a Trinidadian living in Japan, which is a separate identity.”

The author has successfully navigated these questions of identity, acceptance, and comfort, not only in his writings, but in his personal life. McIvor is also still settled in Ehime, where he recently married and bought a house. He continues to divide his time between writing and teaching English.

McIvor has a handful of short stories in the works and is currently writing his first full novel.


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Wall Street balks as the Fed announces the end of the party, but is it really? | Economic news

By STAN CHOE, AP Business Writer

NEW YORK (AP) – The job of the Federal Reserve, said its longest-serving chairman, is to “pull the bowl of punch when the party starts”, and that is exactly the message Wall Street has taken from the comments from current president Jerome Powell. this week.

Stock prices fell after Powell said the Fed could end its overwhelming support for financial markets sooner than expected on Wall Street. History suggests, however, that stocks don’t always lose out when the Fed pulls out its aid.

Some economists and investors were already calling for such a move given the strong economic recovery after the brief recession last year and the stubborn persistence of high inflation sweeping the world.

But the S&P 500 fell 1.9% in a day after Powell said the Fed’s monthly bond purchases, which recently started to decline by $ 120 billion, could end months earlier than the June target it had been set for. Added to concerns about the novel coronavirus sweeping the world, this has caused Wall Street’s so-called “fear gauge” to rise sharply.

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Wall Street has reason to be concerned. An early end to the Fed’s bond buying program, which has helped keep long-term interest rates low and thus bolster the economy, would allow the central bank to make the most important decision of start raising short-term interest rates.

These have been stuck at a record low near zero since the start of the pandemic, one of the main reasons the S&P 500 has roughly doubled since hitting a four-year low in March 2020 Low rates are also a main reason many investors have dismissed fears that stock prices have climbed too high, too fast.

An investor who buys a 10-year treasury bill, for example, envisions a return of just 1.44%, without even tracking current inflation levels.

“As long as the 10-year remains below 1.50%, there is no alternative” to buying stocks, said Josh Wein, portfolio manager at Hennessy Funds.

To see how this increased Wall Street, consider what investors pay for every dollar in company profits. The price of the S&P 500 is trading at nearly 24 times the earnings per share its companies have made in the past 12 months, according to FactSet. That’s more expensive than its average price-earnings level over the past two decades of just under $ 18.

But stocks could continue to rise even after the Federal Reserve starts raising interest rates. Usually, such rate hike campaigns occur when the US economy has enough strength to stand up, without the help of the central bank. And that in itself can increase corporate profits, the lifeblood of the stock market.

Since 1983, the S&P 500 has performed positively in the 12 months following the start of a rate hike campaign in six of the seven occurrences, according to BofA Global Research. The average yield was 6.1%.

Widen the time horizon to two years after the first rate hike, and the S&P 500 has consistently had a positive return in all but one case.

Certainly, this exception has a similarity to the current market, according to Savita Subramanian, equity strategist at BofA Securities. The S&P 500 was much more expensive than normal in 1999, in the midst of the dot-com bubble, with S&P 500 prices trading at 30.5 times their earnings.

The all-time high for US stocks to perform when the Fed slows down its bond purchases is not so deep. Indeed, these bond buying programs have only become an integral part of the central bank’s toolkit since the 2008 financial crisis.

Stocks struggled a bit in the summer of 2013 when Fed Chairman Ben Bernanke suggested it could start slowing or cutting its bond purchases. This took investors by surprise, and the ensuing mini-market swoon became known as the “taper tantrum”.

But equities nonetheless quickly returned to the upside. The Fed did not finally raise short-term interest rates until the end of 2015, more than two years after the typed tantrum.

“While some fear that the end of the cut will accelerate the point at which interest rates rise, I don’t think that will happen, although this fear of higher rates adds to market nervousness in the short term,” said David Bahnsen, chief investment officer. Officer at The Bahnsen Group.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Louise Adler to head Adelaide Writers’ Week

Is there something Louise Adler can’t do? She has been an editor for ages, host, magazine editor and worked with government agencies. She was even artistic editor of Age. Now she’s adding another feather to her cap by being named the next director of the Writers ‘Festival that she first attended as a schoolgirl in 1972, Adelaide Writers’ Week.

But she believes it is not such a departure.

“It’s new and also the same because it’s really about matching writers, ideas and readers. And this is the edition. It’s about saying what’s new, what’s interesting, what’s important and who the audience is for it, and creating an audience or bringing it to an audience. It’s the continuation of my life in the book industry. ”

Louise Adler is looking forward to scheduling Adelaide Writers’ Week in a post-pandemic world.Credit:

Adler will take the reins early next year – “my Rolodex online is open” – and begin programming for the 2023 edition of Australia’s oldest writers’ festival. But that means the end of his career as a commercial editor.

“I will leave Hachette,” said the general editor of the multinational. “I think it’s not possible. It’s conflict – or confluence as someone put it. I don’t think I should keep posting. I had a great time and learned a lot at Hachette. For all publishers, these two years have been difficult.

However, she will continue to lead the publication of the In the national interest series of essays for Monash University Press. She is a full professor of a vice-chancellor at Monash.

During the various deadlocks over the past 18 months, Adler says, readers have returned “with vengeance” to fiction. “People really wanted stories and I think it’s so interesting. In the post-COVID world, when the world opens up, when I get the chance to schedule for 2023, I think it’s a return to the stories, ”she said. While some festivals lean towards non-fiction, “people don’t feel that ideas are just non-fiction, you find them everywhere.”

“After containment, after the pandemic, after this fortress Australia, hermit kingdom, the idea of ​​bringing the private pleasure of reading into the public sphere of the Pioneer Women’s Memorial Garden in Adelaide and this feeling of a community of readers, it’s a huge privilege for me to be a contributor to this.

She wants her festival to continue the traditional and outward-looking focus of Writers’ Week as well as her engagement with local Adelaide writers and Australian writers nationwide. “I would like my festival to be a festival of literary greats, the next generation and rustic perennials. I really want people to have the pleasure of discovering new voices.


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Tick, tick… The best Easter eggs to rent from Boom

tick, tick … Boom! is full of references to its subject’s greatest success, Rent. Here is an overview of Rentheads.

WARNING: The following contains spoilers for tick, tick … Boom !, now streaming on Netflix.

Realized by Hamilton creator Lin-Manuel Miranda, tick, tic … Boom! premiered November 12 on Netflix to loud praise. The film is an adaptation of composer Jonathan Larson’s autobiographical musical monologue, which was later adapted into a small off-Broadway musical. tick, tick … Boom! Also features a number of famous Broadway faces and is full of Easter eggs and references, especially to Larson’s masterpiece To rent.

In a now legendary play in theatrical history, Larson tragically passed away the night before the first preview performance of To rent. He never got the chance to see the show’s legendary success. This gave the songs and the story of tick, tick … BOOM! an additional dimension of the announced tragedy. It’s both heartbreaking and fitting to see the many nods to Larson’s greatest and latest achievement scattered throughout the film.


RELATED: Encanto: Lin-Manuel Miranda Explains How He Brought Musical Magic To Life

Larson’s real friend makes an appearance

Roger Bart is well known in the theater world for his roles in beloved shows such as You are a good man, Charlie Brown. Movie fans may be familiar with his voice work in Disney’s Hercules. Bart had been a close friend of Larson’s since the 1990s and was involved in the early versions of both tick, tick … BOOM! and To rent. The protagonist of To rent was named Roger in his honor. As a result, the character who sings about saving Jonathan in the film (played by Joshua Henry) is also called Roger. The actor himself makes an appearance in the film during a first scene at the Moondance Diner.

Kisses, Pookie!

In one scene, Jonathan calls his best friend Michael “Pookie”. Maureen uses this pet name for her lovers in To rent, especially when she tries to appease them after doing something she shouldn’t have done. She tries to deploy this tactic in the argued song of the unleashed lovers “Take Me For What I Am”. He is also mentioned in “Tango: Maureen”.

Message from Larson’s laconic machine

Jonathan’s answering machine message is saying “Speeeeak”. This is the same as Roger and Mark’s answering machine message in To rent, precise down to tone and diction.

RELATED: Spider-Man’s Andrew Garfield Speaks to the Cast of Joker Fans: ‘That’s Kind of You’

Are you going to the Cat Scratch Club?

At one point, Jonathan is walking down the street of New York’s Theater District. One of the establishments in the very center of the background is the Cat Scratch Club, which is a reference to the club where Mimi dances in To rent. She and Roger talk / sing about it in “Light My Candle”.

Santa Fe

In the focus group scene, “Santa Fe” is written on the whiteboard. It’s also the name of a song in To rent sung by the character of Tom Collins. Notably, Collins fantasizes about an idyllic life in a better place when he sings “Santa Fe,” and the focus group scene involves participants reflecting on positive images associated with America.

Jonathan’s “A Song, Glory”

Jonathan spends much of the film trying and failing to write a key song for his musical Superbia, which reflects Roger’s inability to complete a song in To rent. In one particular scene, Jonathan oscillates between typing “you are” and “your” as the first words; Roger’s finished song in To rent begins with “Your eyes”. Plus, when Jonathan struggles to write the song and ignores his girlfriend’s calls, he plays the opening bars of Roger’s number “One Song, Glory”, which is specifically about the struggle to write a good song. on his keyboard.

RELATED: Amazing Spider-Man’s Andrew Garfield Calls Spidey a ‘Golden Prison’

Old pictures

tick, tick … BOOM! begins with what looks like old portable footage of Jonathan about to present his show, which recreates actual footage from his life. It may also be a tribute to 2005 To rent film, which begins with footage Mark filmed for his documentary.

Hire Alumni galore

Original Broadway actors Adam Pascal, Daphne Rubin-Vega and Wilson Jermaine Heredia appear as bums outside the restaurant during “Sunday.” Many of the film’s main actors have also starred in various productions of To rent, including Robin de Jesús (under-researched Angel in his Broadway debut), Mj Rodriguez (played Angel in the 2011 Off-Broadway revival) and Vanessa Hudgens (played Mimi and Maureen in the Hollywood Bowl and Rent direct! manufacturing).

You are an angel

When Michael gives Jonathan the copies he made of Superbia As a favor for him, his friend gives him a grateful hug and says, “You are an angel on Earth.” Michael is played by Robin de Jesús, who made his Broadway debut as an understudy for the role of Angel, pictured above in the 2005 film, in To rent.

The survival crew

At some point in tick, tick … Boom!Jonathan talks about friends he has lost to AIDS, specifically naming Pam, Gordon and Ali. These three characters also appear in “Life Support” and “Will I?” scenes in To rent where Mark films an AIDS support group meeting.

To capture all the nods to Rent, tick, tick … Boom! is now streaming on Netflix.

KEEP READING: Forget Spider-Man, Andrew Garfield Really Surprises in Tick, Tick … Boom!

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How to help teens struggling with school in person during a pandemic

The teens have returned to school in person this year, but teachers and administrators are seeing the effects of the COVID-19 pandemic continue to haunt their students academically, socially and physically.

Between quarantine and virtual learning, high school students missed many milestones – homecoming dances, proms, lunches, cheering gatherings and all the normal everyday moments in between. .

Now that they are back to school, this wasted time manifests itself in the form of increased violence in schools, poor academic performance, cheating and mental health issues prevalent among students. While the headlines lament “Learning loss” some psychologists and administrators are more concerned about the emotional effects the pandemic has left behind.

“Time lost” during distance learning

“What we are seeing is that the behavior of the college crept up to the ninth grade”, child and adolescent psychotherapist Katie Hurley says TODAY Parents.

“Everyone worries about learning losses, but what nobody talks about are the social skills that have been lost and just the experience of growing up together,” said Hurley.

Although they were fortunate enough to be able to stay connected through social media like Snapchat, Instagram and text messages, due to distance and hybrid learning last year and the last quarter of the previous year, the high school students did not go through the developmental stages together. as they normally would, Hurley noted.

“Think about the first handshakes and the first kisses or the first crushes. It was all missed. So now there’s this catch-up and this urgency that teenagers just don’t know what to do with. They’ve really lost their ability. to communicate with empathy and to think with empathy, “she said.” So now they’re all trying to figure it out on their own, and there are a lot of hiccups. “

Dwayne Reed, a school administrator in Chicago, said he had observed similar scenarios.

“In my mind, if I was running the world, I would be doing 80 to 90% of all education right now, socio-emotional learning,” Reed told TODAY Parents. “We can get into math, science, reading, writing a bit later, but for now we need to start with the basics of kindness, conflict resolution, time management, building concern, care and compassion. “

A “huge adjustment” for adolescents

After spending an entire year learning remotely from home during the pandemic, Genevieve Rickey, 16, returned to school full-time in person in Voorhees, New Jersey.

“I feel like going back to school has been a huge adjustment,” said Geneviève TODAY.

After a year of waking up and turning on her iPad for school and ending her days at noon, Genevieve has gone on waking up at 6:30 a.m. and taking a car or bus ride to and from the city. school before going to dance practice every night, five days a week. The long days “definitely take their toll on the mental health of not only me, but my classmates, I’ve noticed,” she said.

Geneviève said it has become more difficult to concentrate at school. Last year, she noted, teachers were only teaching 20 minutes at a time. Going back to a full day of school made it harder for her to maintain her attention, and at the end of the day she feels like she has been “hit by a bus,” she said. .

“It’s just like the last two years of school is almost like a fake school,” she said. “We were kept saying ‘Oh, this year won’t matter that much’ because everyone knew it was a tough year. Now that we’re back in person it’s like ‘No, it’s a normal year ‘. and the pressure is back, and it’s just a lot harder than before. “

The pressure of university applications adds to the stress

For members of the Class of 2022, the return to school coincided with the start of their college applications, adding another layer of stress and anxiety to an already busy time.

Class of 2022 Andrew Dixon said applying to colleges was more stressful for him because he hadn’t been able to visit them all in person.Courtesy of Andrew Dixon

“The failure of my school’s virtual setup – due to the lack of internet access in rural America – really prevented virtual students from learning last year,” said Andrew Dixon, a high school student from Fayetteville, Tennessee. “If you were quarantined or concerned about COVID, you had to choose between your safety and your education. “

Andrew said the challenges of virtual learning have made it difficult for him and some of his friends to continue and pass their classes this year. “I think these struggles over COVID made my friends question the careers they dreamed of,” he said.

The college search process also felt profoundly different. “I’ve been fortunate enough to do tours,” said Andrew, “but a lot of those tours were during COVID. Some colleges gave me a map and told me to just walk around. have that lingering feeling of “Did I make the right choice? ‘”

Parents: listen more, fix less

As high school students navigate this post-quarantine world, how can parents best support them? Resist the instinct to save them, said Hurley.

Parents can see their children struggle, feel a sense of urgency and “go into problem solving mode very quickly”, coach and criticize them.

“What teens keep telling me is, ‘I just need someone to listen to me,’” Hurley said. “We need to spend more time listening to them, sympathizing with them, and then trying to help them figure things out.”

Hurley suggested helping the kids find ways to connect socially with friends outside of school. “Ask them, ‘How do we make this happen? What can I do to make it easier for you? “”

When talking to teens, ask questions from a place of curiosity instead of interviewing them or gathering information from them about their grades or doing in school, advised Hurley.

“I can definitely see that a parent’s instinct is to try to find a solution and try to solve a problem,” said Genevieve, who said she yelled at her mother when she upset her. about something like a math test result and her mom goes into action mode, ready to field a tutor and some extra help.

16-year-old Genevieve Rickey and her younger brother Andrew are attending their freshman year of high school in person in Voorhees, New Jersey this year. Courtesy of Stéphanie Rickey

“It’s not what I need,” said Geneviève. “I’m doing everything I can. I just need her to be there for me and tell me that everything will be fine. Backslid as it sounds, sometimes solving problems makes things worse and gives the hell away. feel like my parents think I can’t fix it on my own I know how to fix my problems, for the most part. I don’t need her to tell me. Just be there for me.

Changes in post-pandemic parenthood

Parents can’t fix it, but they can recognize that post-pandemic parenthood may look different. This fall, Genevieve skipped her high school prom – and a day and a half of school – to attend a Harry Styles concert. Before COVID, her mother Stephanie Rickey said, she would never have let her daughter miss school for a concert. But his priorities have changed now.

“My eldest son’s junior year was all about AP classes, SATs, looking for college. But now with Gen, if she wants to skip school to go to a concert she doesn’t couldn’t have seen in the last year and a half and that makes her happy, that’s fine with me, ”Rickey said. “It’s a different mindset than I had with my oldest son because of the pandemic and what we’ve all been through.”

Parents may also recognize that teens need time off alone or, conversely, more time to socialize. “Some of them are just tired, really exhausted. They need some recovery time,” said Hurley. She advised parents to ask their children what they need at the end of the day: being around friends or being at home? Genevieve, for example, said her way of dealing with the stress and overload of the school day is often to crawl into bed and take a three-hour nap when she gets home.

Be aware that during the pandemic and the quarantine, Hurley noted, many friendships among teens may have changed. “Some of them feel like their friends are just not on the same page anymore,” she said. “It can be very difficult because they’re all in really different places right now.”

Chicago school educator and administrator Dwayne Reed said after so much time apart, students need to relearn how to connect as humans. “They yearn for relationships.”Courtesy of Dwayne Reed

“I think the best thing parents can do is talk to their kids – I mean, literally talk to them and have conversations,” Reed said. “They yearn for relationships. Relationship education is what is going to be our saving grace.”

“We can’t fix everything they’ve been through,” Hurley added. “We just can’t. There is no way out of this overnight. Mental health people have been saying since the minute the pandemic hit that this was going to be the game. more difficult for children. “

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