November 2021

Writer market

Hawkeye Writer Reveals Details Of Hilarious Ant-Man Cameo Cut From Show


by marvel Hawk Eye is moving forward, with the show’s third episode releasing on Disney + in the wee hours of Wednesday morning. The series has been relatively disconnected from the rest of the Marvel Cinematic Universe so far, with the exception of an introductory scene bringing fans back to the Battle of New York City during the events of Avengers. It turned out that there was more than one cameo launched for actors belonging to the The ant Man franchise.

At the black market auction where Kate Bishop (Hailee Steinfeld) manages to steal Ronin’s costume, Hawk Eye Writer Tanner Bean says he pitched the idea for the auctioneer to sell the steering wheel to Luis (Michael Pena) ‘s van. “For the black market auction, I reviewed the final battle of #Endgame to find other artifacts that could also have been found in the rubble of the #Avengers complex,” Bean tweeted. “My idea: the horn on the ‘La Cucaracha’ steering wheel of Luis’ van. (Hey, not all of them can be a winner.)

Hawkeye director Rhys Thomas previously said he tried to get Paul Rudd on the show.

“I don’t want to reveal anything because we kind of have the opportunity to present [some characters]Thomas said at the point of sale. “Here’s a-Ant-man. Paul [Rudd] and the dynamic of Jeremy together, I appreciate. I enjoyed the dynamics of their press tour when they were on the “Avengers” trail. So [Ant-Man] was a character that seemed like a fun way to play on the absurdity of Clint’s situation … but I was able to give that a little nod. “

The first two episodes of Hawk Eye are now broadcast on Disney +.

What other characters do you hope to appear in? Hawk Eye? Let us know your thoughts in the comments section or by hit up our writer @AdamBarnhardt on Twitter to discuss all things MCU!

If you haven’t signed up for Disney + yet, you can try it out here. Note: If you purchase any of the awesome and independently chosen products featured here, we may earn a small commission from the retailer. Thank you for your support.


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Fiction publisher

University of Phoenix Faculty Development Chair Releases Book on Medieval Studies | New


PHOENIX – (BUSINESS WIRE) – November 30, 2021–

The University of Phoenix is ​​pleased to share that Kristen McQuinn, MA, Chair of Faculty Development, has released a new book, The two Isabella of King John.

Posted by Pen and Sword History, McQuinn’s TheTwo Isabella of King John examines and sheds light on the lives of Isabelle de Gloucester and Isabelle d’Angoulême, her two relatively unknown wives and queen consorts, through a feminist lens.

“The publisher approached me about this,” McQuinn shares. “They knew about my blog and wanted to publish a series on women in medieval history. The development of the book required a lot of research and understanding of what women of a similar social class would have experienced during this time.

McQuinn is a medievalist who received her Master of Arts in Medieval Literature from Arizona State University. She has worked at the University of Phoenix for 17 years, teaching literature and mythology. McQuinn is currently Chair of Faculty Development at the College of General Studies, where she also oversees the College’s quarterly publication, “We Rise.”

McQuinn maintains a blog devoted to the review and discussion of medieval texts, studies and fiction, and has published a number of short stories, some under pseudonyms, including a story in Star Trek Strange New Worlds 2016 anthology. The two Isabella of King John is his first book.

The book is available online for purchase.

About the University of Phoenix

The University of Phoenix continually innovates to help working adults improve their careers in a rapidly changing world. Flexible hours, relevant classes, interactive learning, and Career Services for Life® help students more effectively pursue their professional and personal aspirations while balancing their busy lives. For more information visit

See the source version on

CONTACT: University of Phoenix

Sharla hooper

[email protected]



SOURCE: University of Phoenix

Copyright Business Wire 2021.

PUB: 11/30/2021 3:03 PM / DISC: 11/30/2021 3:03 PM

Copyright Business Wire 2021.


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Book creator

Tim Jones’ Sour Grapes: Honesty


Here are this week’s Sour Grapes, enjoy!

About Tim Jones / Sour Grapes

Tim Jones is the creator, artist and screenwriter of the hugely popular self-syndicated comic, “SOUR RAIPES”; a comic strip about “Aesop”, a wretched flying dog and his strange friends, all living in a problematic and troubled world. Sour Grapes is currently published in several newspapers in Rhode Island, Massachusetts, California and Texas
and is also available online.

Tim grew up in Attleboro, Massachusetts and now lives in Smithfield, Rhode Island with his wife and two daughters. He has been a freelance designer for over 20 years. Tim is a member of the National Cartoonists Society and a Fellow of the Association of Rhode Island Authors (ARIA). He has created several Sour Grapes compilations and coloring story books. Tim teaches comics and lectures at local schools and libraries. He also appears at various book signings, comic book events and conventions.

Tim Jones is the creator, artist and screenwriter of the hugely popular self-syndicated comic, “SOUR RAIPES”; a comic strip about “Aesop”, a miserable flying dog and his strange friends, all living in a problematic and troubled world. Sour Grapes is currently published in several newspapers in Rhode Island, Massachusetts, California and Texas
and is also available online.

Tim grew up in Attleboro, Massachusetts and now lives in Smithfield, Rhode Island with his wife and two daughters. He has been a freelance designer for over 20 years. Tim is a member of the National Cartoonists Society and a Fellow of the Association of Rhode Island Authors (ARIA). He has created several Sour Grapes compilations and coloring story books. Tim teaches comics and lectures at local schools and libraries. He also appears at various book signings, comic book events and conventions.

More from Tim Jones


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Reading and writing

JJJJJerome Ellis: The Compensation Album Review


JJJJJerome Ellis says, “To me, stuttering is a wild animal, and it is my practice to continue to follow it where it wants to go.” The multi-instrumentalist, writer and composer frequently cites the “stutterer” among his disciplines, referring to his glottis block, an involuntary speech dysfluidity which manifests as pauses during conversation or reading. For Ellis, his stuttering is just one side of him – it only becomes a problem when confronted with the expectations of others. But rather than trying to suppress it, Ellis makes enough room for dysfluidity in her life. He stylizes his first name as “JJJJJerome” because it is the word he blocks most often, and on The meadow he brings speech directly into his art so that stuttering takes hold in him.

“I speak with a stutter, I’m black and I’m a musician,” Ellis begins on “Jede Krankheit ist ein musikalisches Problem”, exposing three intersecting elements of his identity. The meadow began as an essay written by Ellis for the Journal of Interdisciplinary Voice Studies title The Glade: Music, Dysfluidity, Darkness and Time. While writing about the use of black music as a means of resistance against hegemonic white notions of time and fluidity, he became curious about pairing the piece with an audible component. Against a backdrop of hip-hop, house, ambient and jazz inspired sounds – all musical forms with a strong black identity – Ellis experimented with reading his words and sharing his experiences, fully drawing party of the auditory medium. Any instance of stuttering was part of the job. “My thesis is that darkness, dysfluidity and music are forces that open up time,” he says in the opening “Loops of Retreat”, and the way the strings swell under his long pause between “Blackness” and “dysfluency” do just that, breaking conventional notions of linearity. The meadow is both a theoretical investigation and a work of art of resistance in itself, pushing back the expectations of society in terms of performative fluidity.

Ellis recorded himself speaking in a variety of situations to show how his glottic block can vary. He is more likely to stutter when reading silently and less when reading over music, due to a phenomenon known as hidden auditory feedback, so that passages of the essay are recited in both ways. On a pair of tracks called “The Bookseller,” he records two calls he makes to Barnes & Noble. The first time around, the words get stuck in his throat before pulling out the title of the book he’s looking for, and the employee assumes the call was dropped. They hang up. The second time around, he prefaces the conversation by warning the clerk of his stuttering, and he is given time to speak at his own pace. Later, on “Milta,” Ellis has a candid phone conversation with her mentor – someone who is already familiar with her stuttering – and reads him a letter she wrote to him. He still stutters, but appears relaxed and unhurried, at ease knowing that he is free to speak quickly or quietly.

Due to the unpredictable nature of his stutter, Ellis does not consider The meadow a finished job, just one possibility among many. The probability of stuttering on different words gives the piece an infinite number of undetermined quality. During performing Arts celebrating the album’s release, Ellis underscored this idea by reading a list of thanks in the environment from the whole. In a post-show question-and-answer session, he pointed out that it was a deliberate choice to fit this part into an ever-changing composition, explaining that he stuttered “more fully and more frequently when uttering names, because there were no synonyms for the names “. In other words, he can’t fall back on the ability to substitute a word he expects to stumble upon.

There aren’t many portrayals of black people who stutter in the popular media. Ellis’ decision to end the album with “Punch Line”, featuring a joke from the late comedian Bernie mac about his nephew with a stutter, is recognition of a rare example of dysfluidity discussed in black culture, but also an expression of the conflicting feelings it brings. The joke is not a flattering representation of stuttering. “I feel anger, I feel sadness, I feel ‘I don’t care’,” Ellis mused, acknowledging his respect for the comedy legend and admitting that he can’t help but. find the joke a little funny. Corn The meadow is an opportunity to change the record and put something empowering in the world. “As in all my work,” he says, “in this project, I seek healing.

To buy: Gross trade

(Pitchfork earns a commission on purchases made through affiliate links on our site.)

Catch up with every Saturday with 10 of our top rated albums of the week. Subscribe to the 10 to Hear newsletter here.


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Writer market

European Stocks and US Futures Improve as Omicron Virus Fear Dulls | Economic news


By JOE McDONALD, AP Business Writer

BEIJING (AP) – European stocks and oil prices rebounded and Wall Street was set to open higher on Monday even as Asian markets fell further, with investors weighing the new variant of the coronavirus, omicron, as the ‘found in more countries and prompting some governments to reimpose travel controls.

The references in London, Frankfurt and Paris had won by noon. Indices in Shanghai, Tokyo and Hong Kong ended lower, although losses were lower than on Friday, triggered by reports that the variant first spotted in South Africa appeared to be spreading around the world .

On Wall Street, the benchmark S&P 500 futures contracts rose 0.9%. Futures contracts for the Dow Jones Industrial Average gained 0.7%.

As health officials rushed to analyze the new variant, traders clung to hopes that it wouldn’t be more serious than other strains of the virus.

Political cartoons

“The potential for a less deadly form of the virus appears to provide some respite from the sense of risk that dominates Friday’s trading,” said Joshua Mahony, senior market analyst at IG. “However, the coming weeks are fraught with dangers for investors.”

The FTSE 100 in London rose 1.2% to 7,122.61. The Frankfurt DAX gained 0.6% to 15,352.00, and the Paris CAC 40 rose 0.8% to 6,797.65.

On Friday, the S&P 500 fell 2.3% for its biggest daily loss since February. The Dow Jones lost 2.5%, while the Nasdaq Composite fell 2.2%.

Investors sold shares of banks, energy and airlines last week and shifted money to bonds and other safe-haven assets.

But this pattern was reversed on Monday. IAG, owner of British Airways and Spanish airline Iberia, jumped 4.2%, while UK low-cost carrier Easyjet rose 3.9%.

In the United States, the travel and energy sectors as well as businesses expected to thrive when the pandemic loosens its grip, such as computer chipmakers and hospitals, were to lead the rebound on Monday with Wall Street’s faith in it. a seemingly reinvigorated emerging global economy.

But in Asia, the Nikkei 225 ended down 1.6% at 28,283.92 after Japan announced it would ban foreigners from entry from Tuesday.

The Shanghai Composite Index lost less than 0.1% to 3,562.70, and the Hong Kong Hang Seng lost 0.9% to 23,852.24.

Seoul’s Kospi was down 0.9% to 2,909.32 and Sydney’s S & P-ASX 200 was down 0.5% to 7,239.80.

The Indian Sensex gained 0.3% to 57,260.58. New Zealand, Singapore and Bangkok fell, while Jakarta advanced.

The World Health Organization has called the omicron “highly transmissible,” but it was not clear if it was more dangerous than previous variants.

Governments have imposed new travel controls, fueling investor fears of possible setbacks in containing the pandemic that has killed more than 5 million people since the first cases in late 2019.

The new variant has been found as far away as Hong Kong, Belgium, Denmark, the Netherlands, Australia, Portugal and Israel. The European Union, the United States and Great Britain have imposed restrictions on travel from Africa. Israel has banned the entry of foreigners and Morocco has suspended all inbound flights for two weeks.

The omicron variant could complicate planning for central banks who decide when and how to withdraw stimulus measures that raise stock prices.

Investors were rocked last week when notes from the Federal Reserve’s October meeting showed officials were prepared to consider raising interest rates earlier than expected in response to higher inflation. The Fed previously said its first rate hike may not come until the end of 2022.

In energy markets, benchmark US crude jumped $ 3.41 to $ 71.45 a barrel in electronic trading on the New York Mercantile Exchange, rebounding from Friday’s $ 10.24 drop. Brent crude jumped $ 3.26 to $ 75.98 a barrel in London.

Also on Monday, the Japanese government announced that retail sales rose 1.1% in October from the previous month. Vehicle sales fell 6.7%.

The dollar rose to 113.60 Japanese yen from 113.19 yen on Friday. The euro fell from $ 1.1319 to $ 1.1291.

Associated Press writer Kelvin Chan contributed to this report from London.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Fiction publisher

Announcing the 2021 SPN Book of the Year Winners


The Small Press Network (SPN) has announced the co-winners of the 2021 SPN Network Book of the Year Award (BOTY).

The winning books, the two essay collections, are:

“Both titles feature beautiful and engaging writing, genuine and candid examinations of identity and culture, and nuanced explorations of their themes,” the judges said. “Each winner also presents experimental forms and the power of small presses to bring unique stories to the world. The winners were chosen from a shortlist of six people announced in October.

Echoes stands out for its form as something experimental and unique, unlikely to be published by larger mainstream publishers, ”Chua’s book judges said. “It’s unashamedly Sino-Australian in an industry that remains dazzling white. The use of untranslated Mandarin and Cantonese in parts of the text establishes a cultural barrier between non-Chinese readers and the author, affecting the moments of cultural otherization that remain with these readers long after the book ends.

“At the same time, these moments remind readers that we don’t have to come from the same cultural background or speak the same language to empathize and understand each other. Identity and culture are examined through a process of inquiry, comprehension and language in which the reader is invited to participate in order to gain a deeper appreciation of the text. Overall, Chua takes readers on a personal journey of discovery as she rediscovers her personal identity through family, music, clothing and place. ‘

Chua said: ‘When I learned Echoes had co-won the SPN BOTY award, I ran to tell mum and burst into tears! I thank the judges, series curator Fran Berry, my wonderful editor Camha Pham, and everyone who gave their time and a home to my little book. I hope that my essays will help broaden ideas about “South Asian literature” and encourage more multilingual writing. Small presses, literary journals and fanzines encourage creative risk-taking and are essential to a vibrant, truly inclusive and fair literary landscape. ‘

From the book of Vavilova, the judges said: ‘We speak in code explores themes of family, identity and belonging in a way that is rare among the contemporary body of writing on such topics. Vavilova keeps you at the forefront of each experience, always almost participating but never completely within an experience other than her own. The crossed identities act as the lens through which each subject in the collection is explored, bringing a fascinating perspective to the essays.

“The book encourages readers to reflect on their own position and subjectivity and on how we exist in relation to events, cultures and institutions. Vavilova’s exploration of life on the fringes extends through sexuality, migrant identity and mental health, in a book devoted to the misfit. Her voice and approach to the subject are unique and fresh with an intensity that lingers long after you put the book down. ‘

Brio Books publisher David Henley thanked the judges for recognizing the two books. “We are delighted to have released Tanya Vavilova, who is such a talented non-fiction and fiction writer,” he said. ‘We speak in code is a courageous exploration of her lived experience and we are so proud that she receives this award. ‘

This year’s SPN BOTY award was presented by author, editor and academic lecturer Alexandra Dane; author and university professor Penni Russon; editor and freelance writer, president of Editors WA and director of business development for Underground Writers Jess Gately; and the owners and founders of Amplify Bookstore Marina Sano Litchfield & Jing Xuan Teo.

The award was presented on Friday November 26 at an Instagram Live event hosted by the Wheeler Center as part of its Next Big Thing series.

Category: Local News Awards


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Book creator

The Netflix animated series returns for the final season


Netflix released the fifth and final season of one of its hit animated shows as the final batch of episodes for F is for the family debuted on the streaming service. Co-created by and starring comedian Bill Burr, the series follows an Irish-American family, the Murphys, through 1970s America. F is for the family has already been nominated for two Primetime Emmys and the first two seasons were previously certified fresh on Rotten Tomatoes (don’t think the series has gone down in quality, there just aren’t enough reviews for the final season to get a score on the tomatometer). However, with the final season streaming on Netflix, there are 44 completed episodes and series for you to watch at your leisure.

In addition to Burr, the voice cast for the series is STACKED. Other people who lend their voices to the series include Laura Dern, Justin Long, Debi Derryberry, Haley Reinhart and Sam Rockwell, with guests including John DiMaggio, Allison Janney, Vince Vaughn, Phil Lamarr and the late Michael K. Williams. As of this writing, the series is the # 9 TV series on Netflix in the US, located above School of Chocolate but just behind Squid Game and Hellbound. Unfortunately, the series did not reach the Top 10 overall.

Over a year ago, it was confirmed that the series would come to an end, with the creators of the series releasing statements about their love for the series and its fans.

“Thanks to all the fans who watched this show. Thanks to Vince Vaughn, Peter Billingsley Victoria Vaughn, Ted Sarandos and all the AMAZING writers, performers, hosts, editors and musicians who made this show possible,” Burr said in October latest. “Special thanks to the ship’s captain: the great Mike Price! I love you all ! “

“Working on this series with the great Bill Burr, Vince Vaughn and our amazing actors, writers, producers and crew has been the greatest joy of my life, and I’m so glad we can do one more season with the Murphys,” added co-creator Michael Price. “I will be eternally grateful to everyone at Netflix, Gaumont and Wild West who allowed us to share this stressed, rude and loving family with the world.”

“It was so great to see Mike and Bill – two guys I admire and respect – create something like this and build it from scratch. It was a lot of fun being a part of it, and I ‘ I look forward to continuing to support their vision, for the final season, ”said Vince Vaughn, one of the show’s producers. “Many thanks to Ted Sarandos and the entire Netflix team for their support on this great journey.”

The five seasons of F is for the family are now streaming.


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Reading and writing

Danbury man’s career influences his passion for writing


DANBURY – Edwin Rivera scribbled on a notepad.

The bounty hunter was on guard with his partner, who had been a Green Beret in the military. Rivera was inspired by his partner and wrote a character based on him in his manuscript.

It was in 1996.

Twenty-five years later, Rivera self-published her fantasy novel, “The Kingdom of Galbothia: The King’s Vengeance”.

This is the twelfth novel by the Danbury resident, although he has 16 more manuscripts he says will be published over the next few years.

For Rivera, characters come first, and many of his characters were inspired by people he met during his nearly 30 years as a bounty hunter.

“They kind of give me ideas,” he said. “Their personality is just amazing. I put it on paper.

His work includes the series “Silencers of the Code”. Rivera said he had developed a “following” of readers across the world, particularly in Europe and on the West Coast. He is in touch with readers who criticize his books and has developed a fan base of around 13,000 people via email and social media who he says are eager for his next stories. He was sending weekly “spoilers” by email.

“Readers keep telling me that they love the originality of the characters,” Rivera said. “They like the way I connect fiction, science fiction to an almost real world. It’s almost like I’m sending a message through my writing, which I am, to be honest.

The theme of the latest novel is “freedom” and that “our world is so precious and we have to take care of it and take care of each other,” he said.

Her late father served in World War II and the Korean War, which inspired this theme.

“By reading it you can tell that I am talking about a lot of the problems that we are having in this country, in the world,” Rivera said.

Bounty hunt

Rivera was born in the Bronx, New York, but he and his family moved to Danbury when he was 12. He attended Rogers Park Middle School and Danbury High School. He wrote as a child and when he worked as a correctional officer after high school. He took numerous writing and literature courses at Western Connecticut State University, although he studied criminal justice, believing he wanted to become a lawyer.

Instead, he was a bounty hunter for 29 years. It was a career he loved, but one that would discourage young people from pursuing because it is “very dangerous work,” he said.

“You have to use your head a lot and be smart and have the right people working with you,” Rivera said.

He has worked in 32 states, but primarily in Connecticut, handling a variety of cases, ranging from “big” lawsuits. He said all of his cases were important because he was helping keep the community safe by keeping someone out.

“I am proud of all of the cases,” he said.

He is still accredited, but retired about four years ago.

“I get called by some friends and some people who are still working, but I’m like ‘No, not for me. I’m too old now, ”said Rivera, who turned 53 this month.

He works as a real estate agent, in addition to writing.

Escape into fantasy

His first book was published in 2008, “a little ahead of his time” because he wanted his sister, who was battling cancer, to read it before she died. His other two sisters have since died and he dedicated the most recent novel to them.

“I had to do it,” Rivera said.

For each of his books, he writes separate manuscripts with different scenes or locations. In the editing process, he decides what to keep.

He wrote the original 390-page manuscript of “Kingdom of Galbothia” over nine years, but only returned to it relatively recently. He’s struggled with attention deficit disorder, so he’s now writing shorter books, he said.

“I reduced it to no more than 200,” Rivera said.

He publishes himself through companies like Outskirts Press or E-Book LLC, which published the latest book. It aims to put physical copies in local bookstores. The Route 6 mailroom in Danbury has them in stock.

“I went the traditional route for a while and it was a nightmare,” Rivera said.

He also writes poetry, but “Lord of the Rings” fan novels are in the realm of fantasy and science fiction.

The last novel is about a young prince who “inherits, not from a blessed kingdom, but from a broken line of his line”, the book summary states. The new king must protect Galbothia from “tyranny and oppression” as an enemy attempts to “end Galbothia’s way of life”.

He mainly writes between 10 p.m. and 3 a.m. He puts on music and writes for free for hours on end.

“My wife thinks I’m crazy,” he said. “I find it peaceful at the time. My mind is relaxed.


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Writer market

This Sabrent 4TB SSD is cheaper than ever, but you still won’t be able to afford it


One of the fastest and largest SSDs in the world is available now at a massive 25% discount as part of Amazon’s deal. Cyber ​​Monday sales, but you probably still can’t afford it.

The Sabrent Rocket 4 Plus 4TB SSD can currently be purchased for $ 749.99, which is insanely expensive, but down significantly from the original asking price of $ 999.99.

If money isn’t an issue and you’re looking for the best performance and the most storage space you can get from just one SSD, this is the Cyber ​​Monday deal for you.

You are not in the United States? Scroll down for SSD offerings available in your region.

Today’s best Cyber ​​Monday SSD deal

Unless you get your hands on a new one Graphic card (which is a lot easier said than done at the moment), buying a shiny new SSD is pretty much the best way to upgrade your gaming PC.

There’s no denying the quality of this market-leading SSD from Sabrent. Integrated into a motherboard with PCIe 4.0 support, the Rocket 4 Plus achieves blazing sequential read speeds of up to 7,100MB / second and write speeds of up to 6,600MB / s.

It does not take the title of the fastest SSD in the world, an honor currently held by Adata’s XPG GAMMIX S70, but it’s not far off at all. And the Sabrent drive is obviously much faster than a traditional hard drive or SATA SSD, and consumes a lot less power too.

Of course, the 4TB Rocket 4 Plus will be over budget for most people – this writer is definitely included. A more economical way to do things would therefore be to compromise on capacity (the 1TB Rocket 4 Plus currently costs $ 159.99 at Amazon) or opt for a slightly less efficient reader (like the Sabrent Q4 rocket).

More SSD offers

If you’re looking for a new storage drive that’s just as fast, but won’t break the bank, check out these alternative SSD deals available in your area:

More Cyber ​​Monday deals

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Fiction publisher

New anthology features writings by women around the world


Written by authors around the world, the 18 short stories of “ The Punch Magazine Anthology of New Writing: Select Stories by Women Writers ” show how culture, in addition to the past, informs and illuminates literature.

The book, published by Niyogi Books, is edited and presented by The Punch Magazine founder and editor, Shireen Quadri.

Imbued with the cultural moorings of the places where they are found – from Kashmir to Kerala, and from Washington and London to Rome – the stories claim to portray the concerns and concerns of individuals both inside and outside the country. enclosure of the house.

“Short fiction has always fascinated writers around the world. In recent times, there has been a growing interest in form that condenses the human experience while being able to capture its depth. In this anthology, short stories written by contemporary writers show us how they compress the composites of life and expand its complexities and contradictions, ” Quadri said of the book.

The anthology features contributions from Humra Quraishi, Anjali Doney, Anila SK, Geetha Nair G, Helen Harris, Meena Menon, Meher Pestonji, Jayshree Misra, Latha Anantharaman, Rinita Banerjee, Rochelle Potkar, Sarah Robertson, Shilpa Raina, Tammy Armstrong, Vineetha Mokkil, Vrinda Baliga and Ameta Bal.

According to the editors, the stories reflect a certain type of “sensibility and sensibility” and take readers along the paths these writers take to create “art from the rhythms and ruptures of life, lingering on the experiences and memories of their characters. of a thousand pleasures and pains suspended in the continuum of time ”.

This anthology of short stories is a window into the experiences of a myriad of characters navigating the ups and downs of life and love. Although our authors have been identified as women, their stories represent the universal human voice, ” said Trisha Niyogi, COO and Director of Niyogi Books.

The book received praise from veteran poet and lyricist Gulzar.

“I’m lucky to have“ Anthology of New Writings by Women Writers, ”otherwise I would have missed out on some brilliant fictional writing. But why separate them as women writers? They are on par with the world standard. Read brilliant fiction without any gender bias, ” Gulzar said in his endorsement of the book.

(This story was not edited by Devdiscourse staff and is auto-generated from a syndicated feed.)


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Book creator

The Instituto Ciência na Rua launches a cartoon for children and young people to celebrate the bicentenary of the independence of Brazil


The story of Brazilian independence has already been told and told in prose, poetry, cinema, theater, music and in all kinds of real and virtual mediums and methods. Creatively, in color and in retrospect, the Instituto Ciência na Rua launched on November 29 the comic strip “Against time: a journey of 200 years”. The project, aimed primarily at children and young adults, will consist of 84 pages and will be published weekly on the Institute’s website, with the hope of producing a printed book after the online publication cycle.

The proposal of the comedy on the bicentenary of independence is to actively bring the story to life with the central character, stimulated by the words, colors, graphics and, above all, the smallest details of each historical period.

Initially, still coordinating ideas to build stories, the creator of the project, journalist, researcher and president of the Ciência na Rua Institute, Marilos Mora, conducted several surveys with historians and designers. After many recommendations and careful organization, he then brought together some of the most famous professionals and specialists from the final team to integrate the Bicentennial Headquarters project: São Paulo João Paulo Jarredo Pimenta, professor in the Department of History from the University of São Paulo (USP), specialist in the history of the independence of Brazil, and minors Igor Marquez (screenwriter), Anna Cardoso (designer) and Hina Crimson (colorist).

time travel
Against Time: A 200-Year Journey begins a historical journey, starting from the present to step back in time and (re) tell the story of Brazilian independence. The central character of the comic book is a young black woman and a student of modern history. The fictitious “time capsule” first appeared in 1817, in the midst of the Pernambuco revolution, passing the year 1822, after the centenary of independence (1922), and progressing to 1972, the year of the next. centenary and the most difficult period of the military dictatorship, in the full government of General Emilio Garastazo Medici.

“When he returns to his starting point in 2022, the character brings with him a new understanding of Brazilian history. It seems to suggest a dystopian view, but in fact it’s very modern and real, ”reveals historian Joao Pimenta. “The aim was to show the effects of violence, racism and other factors that eventually shaped and shaped the Brazilian state, nation and national identity as they are today,” adds he does.

For screenwriter Igor Marquez, the bicentennial comedy puts the character “in position” to take a fresh look at parts of the story, by actively participating and experimenting, and as a result, she was able to demystify some traditional narratives by comparing “” The “real” and “official” story.

Igor worked with the idea of ​​listing facts that are not well known and reconnecting them with others, so as to be of interest to children and adolescents, based on bibliographical and historical references, based on knowledge and studies of Professor João Pimenta.

“My inspiration was to play the script from that time, to present the facts in the first person – the character who travels through time – but not in an educational way, but in a fun way, for the reader to learn (and teach). In other words, indirectly the character can report events and show how our history today, at the present time, is reflected in our customs and our identity, ”explains Igor.

Lines, colors and tones
To translate the story and the screenplay into images, the harmony between artist Anna Cardoso and colorist Hina Crimson was essential. Cardoso argues that in order to bring all the contexts of the story closer together, he imprinted a more popular view in each graphic. “The big challenge was to create a visual translation of the story through lines, colors and tones, even to enhance the real historical points that are told on a journey through time. This is essential when considering a comic book for children and young adults, very adapted to the colors and tones of the screens, and different from the content displayed on paper.

The project
Marilos Mora, the creator of the project and current president of the Instituto Ciência na Rua, drew her powerful inspiration from her own experience of wonderful reading of picture books, since childhood, when she consumed everything at hand, of Bolinha, Luluzinha, Os Sobrinhos do Capitão, even Rubber Man and Superman And all Marvel.

“Since I created Ciência na Rua, my goal has been to approach science in its broad aspects, and this also includes the human and social sciences, to contribute particularly to the development and education of children and adolescents. . Although our approach to comics has a fictional aspect, the great asset is the solid historical basis, in co-creation with people who think and study the history of Brazil, from new perspectives and contexts ”, explains Marilos.

With a total of 84 pages, the Ciência na Rua comic will be launched online with four main pages. Then it will be twice a week, from mid-December to the end of May 2022, and from June there will be three pages per week, until the end of September 2, on the eve of the official date of the bicentenary of history. . The independence of Brazil.


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Reading and writing

France-UK acrimony hinders progress on Channel crossings


“Migration fuels this feeling that Boris Johnson does not understand his blue collar political base,” said Matthew Goodwin, professor of politics at the University of Kent. And unlike previous immigration fears, he said, the Channel crossings are “a much more emotional and symbolic form of migration that amplifies the feeling among some voters that there is little the government can do. to control this problem “.

Mr Goodwin said it was no coincidence that the migrants’ stalemate coincided with the return to prominence in Britain of Nigel Farage, a pro-Brexit right-wing leader who has long campaigned on anti-immigration appeals. Mr. Farage, now host for the news channel GB News, regularly calls out against the influx of boats.

While the issue of migrants has long been a source of friction between Britain and France, it has also produced examples of creative collaboration.

In 2003, the two countries signed the Treaty of Touquet, which stationed border agents in each other’s jurisdictions so they can check travelers’ passports before they cross the Channel. This reduces the number of asylum seekers in Britain because some are turned away before reaching British soil, where under international law they have the right to seek asylum.

Today, diplomats fear that this treaty is a victim of escalating tensions. France’s foreign ministry insisted it would stick to the deal. But Mr Zemmour, for his part, called on France to tear it up, saying it was an insult to the French. It would hurt Britain more than France, experts said, as the flow of migrants is one-way.

Beyond that, they said, Britain and France must work together to develop ways to monitor the coastline. In his letter, Mr Johnson offered to send British police officers to help patrol French beaches – a suggestion that is unlikely to go anywhere with the French, and a sign that the two countries are still operating on different pages.


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Fiction publisher

Conviction overturned in 1981 for rape of author Alice Sebold


A rape conviction at the center of a memoir by award-winning author Alice Sebold was overturned due to what authorities determined were serious flaws in the 1982 prosecution and concerns the wrong man had been sent to jail .

Anthony Broadwater, who spent 16 years in prison, was cleared Monday by a judge of the rape of Sebold while she was a student at Syracuse University, an assault she discussed in her 1999 memoir, “Lucky.” .

Broadwater trembled with emotion, sobbing as his head fell into his hands, as the Syracuse judge overturned his conviction at the request of prosecutors.

“I have cried tears of joy and relief over the past few days,” Broadwater, 61, told The Associated Press on Tuesday. “I’m so elated, the cold can’t even keep me cold.”

Onondaga County District Attorney William Fitzpatrick told state Supreme Court Judge Gordon Cuffy at the hearing that the Broadwater lawsuit was an injustice, the Post-Standard of Syracuse reported. .

“I’m not going to mess this up by saying, ‘I’m sorry. It’s not enough, ”Fitzpatrick said. “It should never have happened.”

Sebold, 58, wrote in “Lucky” that she was raped as a freshman in Syracuse in May 1981, then spotted a black man on the street months later that she was sure she was. his attacker.

“He was smiling as he approached. He recognized me. It was for him a walk in the park; he had met an acquaintance on the street, ”wrote Sebold, who is white. “Hey, girl,” he said. “Don’t I know you from somewhere?” “”

She said she didn’t respond, “I looked at him directly. I knew his face had been the face above me in the tunnel.

Sebold went to the police, but she did not know the man’s name and a first sweep of the area failed to locate him. An officer suggested the man on the street must have been Broadwater, who was reportedly seen in the area. Sebold gave Broadwater the pseudonym Gregory Madison in his book.

After Broadwater’s arrest, however, Sebold failed to identify him in a police line, choosing another man as his attacker because “the expression in his eyes told me that if we were alone, s ‘there was no wall between us, he would call me by my name and then kill me.

Broadwater was nonetheless tried and convicted in 1982 based largely on two pieces of evidence. On the witness stand, Sebold identified him as his rapist. And an expert said microscopic hair analysis linked Broadwater to the crime. This type of analysis has since been considered an undesirable science by the US Department of Justice.

“Sprinkle unwanted science on a misidentification, and that’s the perfect recipe for a wrongful conviction,” Broadwater lawyer David Hammond told The Post-Standard.

Messages to Sebold seeking comment were sent through his publisher and literary agency.

Broadwater remained on the New York sex offender registry after completing his prison term in 1999.

Broadwater, who worked as a garbage trucker and handyman in the years following his release from prison, told the AP that the rape conviction had hurt his job prospects and his relationships with his friends and members of his family.

Even after marrying a woman who believed in his innocence, Broadwater never wanted to have children.

“We had a big argument sometimes about the kids, and I told him that I could never, ever allow children to come into this world with a stigma on my back,” he said.

In addition to “Lucky”, Sebold is the author of the novels “The Lovely Bones” and “The Almost Moon”.

“The Lovely Bones,” about the rape and murder of a teenage girl, won the American Booksellers Association’s Book of the Year Award for Adult Fiction in 2003 and was adapted into a film starring Saoirse Ronan , Susan Sarandon and Stanley Tucci.

“Lucky” was also being filmed, and it was thanks to the film project itself that Broadwater’s conviction was overturned after four decades.

Tim Mucciante, who has a production company called Red Badge Films, had signed on as executive producer on the adaptation but became skeptical of Broadwater’s guilt when the first draft of the script came out because it differed so much from the book.

“I started digging around and trying to figure out what really happened here,” Mucciante told the AP on Tuesday.

Mucciante said that after dropping out of the project earlier this year, he hired a private investigator, who put him in touch with Hammond, of Syracuse-based CDH Law, who brought in another lawyer from the defense, Melissa Swartz, of Cambareri & Brenneck.

Hammond and Swartz credited Fitzpatrick with taking a personal interest in the case and understanding that scientific advancements have cast doubt on the use of hair analysis, the only type of forensic evidence that has been produced. during the Broadwater trial to link it to Sebold’s rape.

The fate of the film adaptation of “Lucky” was not clear in light of Broadwater’s exemption. A message requesting comment has been left for its new executive producer, Jonathan Bronfman of Toronto-based JoBro Productions.

Sebold wrote in “Lucky” that when she was informed that she had chosen someone other than the man she had previously identified as her rapist, she said the two men appeared “almost identical. “.

She wrote that she realized the defense would be: “A panicked white girl saw a black man on the street. He spoke to her familiarly and in her mind she linked it to his rape. She blamed the wrong man.


This story has been corrected to remove a reference to Netflix involved in the adaptation of “Lucky”. A Netflix spokesperson said “Lucky” was not Netflix’s project. This story has also been corrected to note that Melissa Swartz’s firm is Cambareri & Brenneck, not CDH Law.


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Writer market

Braves Beat writer curbs Freddie Freeman-Yankees rumors


Hold it all.

Yes, former Atlanta Braves star Freddie Freeman signing with the New York Yankees sounds like a great idea in theory.

After all, the Yankees have a need at first base and Freeman has the bat and glove needed to play at Yankee Stadium.

But Atlanta defeated writer Mark Bowman doesn’t necessarily see Freeman heading to the Bronx.

So far, the Rangers, Yankees, Red Sox, Giants and Dodgers are among the teams that have shown interest in Freeman. … Freeman’s personality makes it hard to imagine him playing in New York. But the money speaks, and the Yankees have more than enough to spend on a left-handed slugger who would satisfy many of their needs, including the durability they didn’t get from Giancarlo Stanton or Aaron Judge. It also doesn’t hurt to have the Red Sox and Yankees vying for you alongside the Giants and Dodgers. More National League teams come into play when you factor in the possibility of Universal DH becoming a permanent part of the game next year.

ESPN’s Kiley McDaniel and The Athletic’s Jim Bowden have contracts for all of the top free agents, including Freeman.

McDaniel sees him get a six-year, $ 156 million contract, while Bowden’s got it at six years and $ 187 million.

How does this money earn you? Freeman is a five-time All-Star and three-time Silver Slugger Award who has a Golden Glove and the 2020 National League MVP award on his resume.

Freeman hit the market this winter after leading the Braves to their first World Series title in nearly 30 years.

If Yankees general manager Brian Cashman misses Freeman, he could try to re-sign midseason pickup Anthony Rizzo.

Or he could trade for Oakland A slugger Matt Olson.

Or he could stay in-house with Luke Voit and / or DJ LeMahieu.


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Thank you for relying on us to provide journalism you can trust. Consider supporting us with a subscription.

Mike Rosenstein can be reached at [email protected].


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Book creator

A resurrection of the indigenous language of the Serrano people


Ernest Siva, 84, is one of the last oral historians of the indigenous Serrano language.

(Christina House / Los Angeles Times)

When Ernest Siva was a boy in the Morongo Reservation in Riverside County, he listened to the music and stories of his ancestors, who had lived in Southern California long before the land was named that name.

He remembers running around a ceremonial fire in the reserve at the age of 5 when a weeklong ceremony honoring those who had died the previous year culminated with the combustion of images in their image. Dollar bills and coins were thrown into the fire in tribute as the elders of the tribe sang songs reserved for special occasions. Siva and her cousin chased down the scorched silver that escaped from the flames, largely ignoring the traditional lyrics in the background.

The specific words and rhythms are now distant memories for Siva, 84, a Cahuilla / Serrano Native American.

“I remember hearing these songs, but… I didn’t learn any of these songs because they are only sung for a specific occasion,” he said. “Once these ceremonies were over and they ceased to be celebrated, we no longer had these songs. “

The following year, the ceremony was hosted by another tribe, but over the years people who knew the native songs died without passing them on.

Siva is working to change that. For the past 25 years, the Banning resident has served as a tribal historian with the Morongo Band of Mission Indians.

For thousands of years, the Serrano language has been passed down through oral tradition. The word “Serrano” comes from the Spanish term for “mountaineer,” which is what 18th-century explorers called the Maara’yam people.

The stories have been passed down from generation to generation by the elders, but Siva believes that by the 1950s some of the oral history – as well as the native language, which has many dialects – had already started to fade.

Dorothy Ramon, Siva’s aunt, was the last “pure” or common speaker of the Serrano language.

In the 1920s, Ramon was forced to attend the Sherman Institute in Riverside, a boarding school intended to assimilate Native American children and strip them of their Native traditions and languages. But Ramon and his siblings were encouraged by their grandfather Francisco Morongo to keep their language alive or risk losing their heritage.

For the past 100 years, linguists have researched Serrano speech. When Ramon was almost 70, she collaborated on a 12-year-old project with linguist Eric Elliott, a white man, who translated his stories in the 2000 book “Wayta ‘Yawa’ (Always Believe).”

“It was a big surprise that she even worked with a linguist because she was on the shy side and remained isolated,” Siva said. “Without her, we wouldn’t have volumes of her stories.

But when Ramon passed away at the age of 93 in 2002, the tongue almost died with it. Revitalization efforts over the past three decades, led by the Morongo and San Manuel Mission Indian Bands, have resuscitated the language that was once spoken by locals.

Two students walk on a college campus.

Cal State University San Bernardino has a credit course in the Serrano language that counts as a general education requirement.

(Christina House / Los Angeles Times)

Earlier this month, San Bernardino County officially recognized the language for the first time, although Serranos have been in the area since before the arrival of Spanish missionaries in the 1700s.

Siva’s work has contributed greatly to this. He devotes most of his time and energy to sharing the Serrano culture and language.

Siva contributes to the Cal State San Bernardino language program through an agreement between the San Manuel Mission Indian Band and the university. A Native American language course was introduced over ten years ago, but today it is offered as a credit course.

Carmen Jany, California Indian Language Programs Coordinator at Cal State San Bernardino, said Siva’s instruction has been vital in keeping the Serrano language alive.

“I believe his sincere desire to preserve and pass on the language and traditions of local indigenous cultures – evident in his generous donations of time, talent and knowledge – is clearly a driving force behind these efforts,” Jany said in an email about Siva’s work.

After her aunt died, Siva and his wife, June, opened the Dorothy Ramon Learning Center in Banning, where they host Indigenous artwork including drama, poetry and music. They also regularly give Serrano lessons.

A dedicated student at the Learning Center is Mark Araujo-Levinson, a 25-year-old Latino who found the courses through a Google search.

The Riverside resident’s great-grandfather was Mixtec, an indigenous Mexican group, and Araujo-Levinson’s fascination with languages ​​began during his childhood. But it wasn’t until he graduated from high school and friends told him about the Native American dialects of the area that he began to wonder why he hadn’t heard of them before. This curiosity launched him on a journey to learn more about the indigenous languages ​​of California – and led him to Siva in 2017.

Mark Araujo-Levinson, who studied the Serrano language, stands among shelves of books.

Mark Araujo-Levinson, 25, a student at Cal State University San Bernardino, found Ernest Siva’s Serrano classes via the internet.

(Christina House / Los Angeles Times)

A book is lying on a table.

Mark Araujo-Levinson owns Dorothy Ramon’s book “Wayta ‘Yawa’ (Always Believe)”. The book was the culmination of a 12-year project with linguist Eric Elliott, a white man, who translated his stories.

(Christina House / Los Angeles Times)

“At first, Mr. Siva was a little wary of the situation, just because I’m not on the reserve. But as our friendship grew, it became more encouraging, ”said Araujo-Levinson. “The last few years have truly been a blessing for me. It means a lot to me that he taught me the language and how well he holds me up.

Araujo-Levinson, a math student at Cal State San Bernardino who views grammatical rules like equations or theorems, shares his love of languages ​​- including Serrano dialects – on his Youtube channel and even got a job at Morongo Cultural Heritage Department as a language preservation specialist.

Siva loves having such a natural student, even if he is unconventional.

“He surprises everyone with his ability to grasp and understand and all that is needed to write,” Siva said. “Not many people can do that.”

About two years ago, Araujo-Levinson translated a story told in 1918 by Yuhaatviatam leader Santos Manuel to anthropologist JP Harrington. The story, titled “What Owl Said” and originally written in English and Spanish, was translated into Serrano with the help of Siva.

It begins:

Kwenevu ‘kesha’ aweerngiva. ‘ (There was a big storm.) Hakupvu ‘weerngtu.’ (It rained a lot.)

The story describes the darkened sky and four boys playing in the rain. Then an owl visits a sleeping old man. The owl tells him to sing and play his rattle in the morning. The story ends with the music of the old man chasing the rain.

Puuyu ‘taaqtam hihiim taamiti.’ Puuyu ‘peehun a’ayec ‘can’ nyihay kwana. ‘ (All the people saw the sun. They were all happy.) Kwenemu api’a ‘puuyu’ taaqtam poi’cu ‘chaatu.’ (After that, everyone started singing.)

Ama ‘ Yes.’ (That’s all.)

The end of such a narration – in Serrano’s native tongue – is what Siva fears. He never wanted to become the tribal historian of Morongo. As a teenager he wanted to play the saxophone but after decades as a teacher, from elementary schools to universities, he understood the responsibility of preserving his language.

He said his family used to fight for the right word in Serrano and failed.

“They were like, ‘Ah well, goodbye, language,’” he said.

“It was the end of our ways, you know,” Siva said of the celebrations long ago on the reserve. “Without having these things… without having the ceremonies, they were gone,” he said of Indigenous culture, language and songs.

A man holds a portrait and closes his eyes.

Ernest Siva at the Dorothy Ramon Learning Center in Banning. After his aunt died, he and his wife, June, opened the center, where they host Indigenous artwork, including theater, poetry and music.

(Christina House / Los Angeles Times)

Siva regularly promotes the Serrano language online and with linguists in San Manuel, who are part of the Serrano Language Revitalization Project, an effort to resuscitate the language. Although Araujo-Levinson is a natural speaker when it comes to Serrano, Siva believes that one day he will lose his star math student.

“We would hate to lose him,” Siva said. “He’s just one of those talents. It’s great to see him teach it. Teaching it is so important now.

Siva recalled that her aunt had recounted how her grandfather was once approached by a nearby tribal community, who admitted that she lost her songs to honor the dead. It was a rewarding experience, she said, and Morongo offered to teach the community the Serrano songs.

He explained that the songs are from the creator and intended for all of God’s children. But the experience left an impression on the family – especially him, Siva said.

“My great-grandfather said to his family, ‘You have to remember your culture and your language, otherwise you will end up in a wandering tribe.’ “


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Reading and writing

Milwaukee teacher inspires kids 1 word at a time; “Reading can be fun”


As Lorraine Moore opens a life-size book, the children gather to hear her read. Moore is the creator and author of two published children’s books and two more are in progress.

“I just want to make reading fun for kids and also make reading fun for kids by playing and reading books,” Moore said.

Something that may come as a surprise, Moore did not always have a love for reading.

“I would read but I was just doing it. I wasn’t like trying to learn and know that I can do more with my life but I didn’t know I could do more with my life,” Moore said. .

It wasn’t until Moore opened her own daycare in 2010, working to engage young minds, that Moore developed a love for reading and a knack for writing children’s books.

“I just decided to write a book in 2010. In 2011 to 2012, I published my first book which was called ‘LidOO WidOO’s golden daycare,'” she said.

Lorraine Moore

The two main characters are twins named LidOO and WidOO who go on an adventure where imagination and teachings mingle.

“LidOO, he’s kind of like the leader. He pretty much leads the pack. He’s a bit bossy at the same time and his sister WidOO, she’s the follower and she does pretty much whatever he says to do. but she’s still curious at the same time, “she said.

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Moore loves to sing songs she wrote to help kids stay engaged.

“I wish they wanted to read, that they wanted to pick up a book even if they can’t read the words. The pictures would just give them some kind of encouragement,” she said.

Moore’s journey to publishing books hasn’t always been easy, especially during a pandemic.

“Due to COVID, it kind of kept me out of schools and libraries and different other events,” she said.

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Moore shares another struggle she’s faced over the years.

“Getting the support and that was the hardest thing,” Moore said.

Despite this, Moore is on a mission.

“These are the young people who are coming behind us and I just want them to have a better life. I want them to be able to have a better opportunity in life,” said.

Moore has decided to close his daycare and plans to concentrate on his job full time.

“The impact that I feel that I have given to children although the characters have learned that reading can be fun,” Moore said.

Moore says that through her books, she will continue to teach children important life lessons along the way – and her story is not over. Moore has a Christmas-themed children’s book coming out soon and plans to release more songs for children.


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Writer market

Falling Turkish Lira Reminds Risks Facing Emerging Markets


The writer is investment director at GAM

On paper, 2021 should have been a great year for emerging market currencies and bonds as global growth recovers from the shocks of Covid-19. But the alarming fall in the Turkish currency this year has shown just how bad things can sometimes go in the emerging market world.

On the emerging market strength checklist are a series of ticks: strong export growth, accommodative monetary policy in large developed economies, rising foreign exchange reserves, and high commodity prices. Still, the JPMorgan Emerging Market Currency Index has fallen 9% this year and yields have risen.

This is due at least in part to the return of the “vigilance” effect in financial markets where countries that deviate from traditional economic orthodoxy or borrow too much pay the price for weak currencies and higher bond yields. students. In large developed economies, these forces are still inactive. This is not the case in emerging markets.

Turkey is the most obvious example after the pound fell 20% over the past two weeks following further rate cuts that have heightened concerns about Ankara’s economic management.

Turkey’s economic fundamentals are in many ways the best in years, but President Recep Tayyip Erdogan’s insistence on interest rate cuts has put pressure on the pound.

In July 2019, Erdogan sacked central bank governor Murat Cetinkaya. The lira appreciated over the next month and at the end of 2019 was pretty much unchanged. When Erdogan repeated action against Naci Agbal in March this year, the pound fell 15% in one day before recovering and has struggled ever since.

But a rate cut last week – the third since September – sent the lira plummeting, hitting 13 per dollar (up from 7.2 on Agbal’s last day in office). The worst day for the pound came after Erdogan reiterated his attachment to his unorthodox views that high interest rates cause inflation.

The case of Turkey is perhaps the most extreme, but there have also been investor uprisings in markets from Brazil to South Africa.

Emerging markets were dragged down by three factors. The first is the strength of the dollar. Emerging markets have always struggled when the US dollar is strong. This makes it more expensive to service the external debt and can stimulate investment outflows.

The second is the Covid. The deployment of the vaccine has been done and has disappeared in developed economies, causing euphoria and then disappointment. Emerging markets went straight to the disappointment. Vaccines took a long time to reach the poorest countries. Even when available, vaccination rates are low.

The third, and arguably the most intractable, is the price emerging markets pay for populist, sometimes unpredictable governments with a relaxed approach to budget spending.

Unlike large developed economies, emerging markets have much less flexibility on the political front. Residents of emerging markets are much more inclined to transfer their savings in foreign currencies and even abroad, resulting in revaluation of bond prices and exchange rates.

Beyond Turkey, longer-term bond yields in emerging markets raise doubts about fiscal sustainability. Brazil’s key rate is 7.75 percent, but 10-year bonds are yielding 12 percent. South Africa’s figures are 3.75 percent and 10 percent. South African bonds have struggled to recoup post-Covid losses as Brazilian investors assume the country is entering one of its periodic phases of rate hikes.

These countries indicate either higher credit risk in a few years or high long-term rates to stem capital flight. Even Russia – with a sovereign balance sheet that would leave most finance ministers green with envy – is paying almost 9% to borrow for 10 years.

These rates appear to be an anomaly in a world where G20 yields are still historically low. It appears that investors who are happy to pay stratospheric valuations for tech stocks or fraud-prone cryptocurrencies suddenly become sober and cautious of poorer countries. Emerging markets rarely get the benefit of the doubt.

This has not been uniform since the Covid outbreak – while emerging markets were sold with everything else in the initial outbreak, a strong rally at the end of last year generated a return of 9 , 6% of the JPMorgan Emerging Market Local Currency Debt Index in the fourth quarter of 2020 and the index hit an all-time high at the start of the year.

To an investor, the current path seems clear: Emerging market assets are cheap, but investments in them are best funded by currencies other than the dollar, and it’s best to stick with countries with governments. responsible.

Not covered – Markets, finance and strong opinion

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Fiction publisher

The author writes a compelling fiction exploring the concepts of good, evil, power and repercussions


HUNTINGTON BEACH, California, November 24, 2021 / PRNewswire-PRWeb / – Author Kerwin McLaughlin shares an action-packed fictional novel with The Vicious Circle readers ($ 20.49, paperback, 9781662832406; $ 9.99, eBook, 9781662832413).

McLaughlin’s book explores the good and bad and true consequences of his questionable actions. This story is a refreshing combination of classic literature and sci-fi action while still being grounded in today’s political climate. For readers who enjoy action movies, superheroes, and political thrillers, but are put off by their often anti-Christian leanings, this book will be a refreshing read.

This fictional story follows Edouard Gennaro, who by day is a wealthy financier and her daughter Rainbow, who is a famous socialite influencer. At night, the father-daughter duo finances their way of life by robbing drug dealers, robbing cartels, shaking up crime lords, and sabotaging competing businesses. Edward’s abundance of power sparks an invitation to join an exclusive inner circle that rules the country. Desperately in need of money to join the group, he enlists his daughter for a final heist in order to steal a priceless diamond. The effort tragically turns for the worse and Edward wakes up, buried alive, in a strange forest full of misery and death. Readers will accompany Edward on his frightening journey, battling horrors on the way to hell for all eternity. Will edward to persevere and escape hell to save his daughter and the world?

“Like most guys, I grew up loving action movies and comics,” McLaughlin said. “But the anti-Christian prejudices and the awakening agenda became too heavy for me, so I decided to write something that I would like to read. Entertainment today has an agenda but no truth and art without truth is not propaganda. “

Native New Jersey, Kerwin McLaughlin is a screenwriter and performer living in Southern california. He studied screenwriting and media arts at University of the City of New Jersey. McLaughlin has served as a corporate spokesperson, comedian, and worked for years in the film and television post-production industry. This book is his second novel. His first novel, Jerusalem, NJ takes Bible stories and places them in the world today.

Xulon Press, a division of Salem Media Group, is the world’s largest Christian self-publisher, with over 15,000 titles published to date. The Vicious Circle is available online at,, and

Media contact

Kerwin McLaughlin, Salem Author Services, (917) 626-8961, [email protected]

Xulon SOURCE press


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Book creator

My Hero Academia needs to slow down, but will the manga slow down?


My hero university is on a roll right now, and he’s pushing the speed limit when it comes to pace. As the series runs behind the scenes in season six, the manga moves forward at lightning speed in the middle of its final arc. And if you were to ask readers how the story is going, well, they would ask Izuku to put the brakes on.

If you follow the manga these days, you’ll know what’s going on. My hero university started exploring its endgame a few months ago, and the series has been steadily shining ever since. From major battles to tragic deaths, a lot has happened in the last 50 chapters of the manga.

However, it looks like fans aren’t too thrilled with the pace of the story. My hero university has traditionally done well with rhythm in the past, giving fans plenty of wiggle room between slice-of-life arcs and plot-driven ones. Over the past year, My hero university focused only on the latter, and fans are in desperate need of some space.

After all, there is only so much action before readers burn out, and fans have reached this point. Emotional exhaustion has set in among readers, and the recent loss of Star and Stripe has made matters worse. Chapter 334 ended on a sober note as All Might warned his students that their big fight was on the horizon. And if that ends up being true, well, our heroes will have little time to rest and reset.

The manga’s hectic pace rushes its story forward, but readers are admittedly bowled over by the change. My hero university has never worked out so recklessly before, and at its current rate, the story will not last until 2022. It is unclear how much of this change is due to creator Kohei Horikoshi or manga publisher Shueisha . My hero university Still gets strong marks with its anime, but manga sales have plummeted over the past two years in the face of stiff competition. So if the show is kicked off by executives, fans desperately want them to cut it!

What do you think My hero universitythe last arc? Should the manga slow down or …? Share your thoughts with us in the comments section below or contact me on Twitter @Megan PetersCB.


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Reading and writing

Huron ISD’s Lane Walker’s Writing Wins Award


To help him get into college to become a teacher, Lane Walker worked as a summer intern at a newspaper.

The skills he learned as a journalist have helped him write several magazine articles, books and become an award winning author who has another new book coming out at the end of the month.

Walker, who is from Kingston, is the principal and director of technical and vocational education at the Huron Intermediate School District.

“I didn’t realize it then, but all the little things that got me where I am – working in a journal, meeting deadlines and coming up with ideas for articles and books. – help me write books, “Walker said.” I worked at the newspaper to help pay for my education.

“All of these things have helped me down the line as a teacher and especially as a writer.”

Although his books focus on hunting, fishing and outdoor adventures, his latest book is totally different.

“I have completed an adult book which is on presale right now but will be out in late November,” Walker said. “I’m really excited about this.”

“Light the Fire” is a book about how teachers, coaches, parents and other adults can inspire and impact children, he explained.

The book explains techniques to better connect with young people, to reach them to a new level and help them see their full potential by being a positive influence.

“This is my first adult book and my first educational book,” he said, noting that it was a break from his traditional writing. “I am excited about this adult book. It combines my love of writing with that of helping adults to help children.

Walker just won the Moonbeam Award. The award is given to authors who write books that inspire children to read, learn and dream. Each year’s nominations are judged by a panel of experts made up of youth educators, librarians, booksellers and book critics of all ages. The winners receive medals.

“This award was for my series of fishing books,” Walker said. “Winning this award was pretty cool and exciting.”

He received a bronze medal from Moonbeam for his fishing chronicles.

Walker, who has been studying for over 20 years and is an avid outdoorsman, began writing kid-friendly and outdoor-friendly books after realizing that there were no good books for children. on these topics.

The books are intended for children aged 8 to 14, but are also enjoyable read for those who are older.

“About a year ago, I started working on the chronicles of fishing. It took about a year to write all five books, ”Walker said, noting that the books are around 160 pages long.

There are five books in the “Fishing Chronicle” series that cover fishing adventures, camping and rafting adventures, as well as an ice fishing competition with cash prizes to save the family bait shop.

“Today so many children are lost in technology, but these books will bring them back to reading and understanding outdoor adventures,” he said.

His first book was released in 2011, and he has also written several other books and over 250 articles on outdoor adventures. Although he is a prolific author, his first love is teaching and the field of education.

Prior to becoming an administrator at Huron ISD, Walker’s first job after graduating from Saginaw Valley State University was as a fifth-grade teacher in 2003 at Mayville Schools. In 2005, he was a fourth-grade teacher in the Kingston School District, and then became an elementary school principal there in 2010.

He was then hired at ISD in 2015. He graduated from Kingston High School in 1997 and is proud to live in the Thumb.

He and his wife, Brooke, who is also a teacher, have four children.


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Writer market

Biden to Keep Powell as Fed Chairman, Brainard Becomes Vice Chairman | Economic news


By CHRISTOPHER RUGABER, economic editor of the AP

WASHINGTON (AP) – President Joe Biden on Monday said he was appointing Jerome Powell to a second four-year term as Federal Reserve Chairman, endorsing his handling of the economy through a brutal pandemic recession in which politicians The Fed’s ultra-low rates have helped boost confidence and boost the job market.

Biden also said he would appoint Lael Brainard, the only Democrat on the Fed’s board of governors and the preferred alternative to Powell among many progressives, to the post of Vice President.

His decision strikes a note of continuity and bipartisanship at a time when soaring inflation is weighing on households and increasing the risks for the recovery of the economy. By supporting Powell, a Republican who was elevated to his post by President Donald Trump, Biden dismissed progressives’ complaints that the Fed has weakened banking regulations and has been slow to factor climate change into its oversight. banks.

“When our country suffered a job hemorrhage last year and there was panic in our financial markets, Jay’s consistent and decisive leadership helped stabilize markets and put our economy on the back burner. on track for a solid recovery, ”Biden said, using the Powell nickname.

Political cartoons

In a second term that begins in February, Powell would face a difficult and high-risk balance: inflation has hit a three-decade high, causing hardship for millions of families, darkening the recovery and undermining the tenure of the United States. Fed to keep prices stable. But with the economy still more than 4 million jobs below its pre-pandemic level, the Fed has yet to fulfill its other mandate of maximizing employment.

Next year, the Fed is expected to start raising its benchmark interest rate, with financial markets forecasting at least two increases. If it moves too slowly to raise rates, inflation can accelerate further and force the central bank to take more drastic measures later to bring it under control, potentially causing a recession. Yet if the Fed raises rates too quickly, it could stifle hires and the recovery.

If confirmed, Powell would remain one of the most powerful economic leaders in the world. By raising or lowering its short-term interest rate, the Fed seeks to slow or stimulate growth and hiring, and keep prices stable. His efforts to lead the US economy, the world’s largest, usually have global consequences.

The Fed’s benchmark rate, which has been close to zero since the pandemic hit the economy in March 2020, influences a wide range of borrowing costs for consumers and businesses, including mortgages and cards credit. The Fed also oversees the country’s largest banks.

For months, Powell has been the front-runner to be re-elected, but a vigorous campaign by environmental and public interest groups in favor of Brainard has darkened the picture in recent weeks. Critics, including Senator Elizabeth Warren, D-Massachusetts, have argued that Powell relaxed banking regulations put in place after the 2008-2009 financial crisis.

And two other senators voiced their opposition to Powell last week because they said he was not sufficiently committed to using the Fed’s regulatory tools to fight global warming.

Brainard, meanwhile, has cast 20 dissenting votes against changes to financial rules over the past four years. In March 2020, she opposed a regulatory change that she said would reduce the amount of reserves that big banks had to hold to hedge against losses. She also spoke more forcefully than Powell about ways the Fed can deal with global warming.

Biden sought to allay those concerns. He said Powell had pledged to make climate change “a top priority” and agreed to ensure “that our financial regulations stay ahead of emerging risks.”

“Jay, along with the other members of the Fed board that I will appoint, must ensure that we never again expose our economy and our American families to these kinds of risks,” he said. at the White House, referring to the 2008 financial crisis.

Biden still has the option of filling three other positions on the Fed’s board of governors, including that of vice chairman of oversight, a prominent banking regulatory post. Those positions will be filled in early December, Biden said.

Biden admitted that some Democrats had encouraged him to choose a new Fed chairman, for a “fresh start.” But he said he wanted to go in a different direction.

“We need stability and independence at the Federal Reserve,” he said. “I think broad, bipartisan Fed leadership is important, especially now, in such a politically divided nation.”

Biden praised Powell for his efforts to achieve maximum jobs, but did not press him on inflation, which has become the biggest economic threat to his administration. Biden said the US economy is in the midst of a “historic recovery” which gives the Fed the opportunity “to attack inflation from a position of strength, not of weakness.”

Powell said “we know that high inflation negatively impacts families, especially those who are less able to afford the higher costs of basic necessities, such as food, shelter and transportation.” . He pledged to use the tools of the Fed – mainly by raising interest rates – “to prevent higher inflation from taking hold.”

Powell’s re-appointment is expected to have broad approval by the Senate Banking Committee, and then by the Senate as a whole.

Some liberal Democrats such as Sen. Sherrod Brown of Ohio, chairman of the Banking Committee, have supported Powell, as have moderate Democrats, including Sen. Jon Tester of Montana. He was also endorsed by Sen. Pat Toomey, R-Pa., The leading Republican on the panel, and will likely receive broad support from Republicans.

Wall Street applauded the renomination, with stock prices rising and fear measures easing in the market immediately after the announcement. The S&P 500 is about to close at another record.

The 68-year-old lawyer was appointed to the Fed’s Board of Governors in 2011 by President Barack Obama after a lucrative career in private equity and after holding several positions in the federal government.

Unlike his three immediate predecessors, Powell does not have a doctorate. in economy. Yet he earned generally high marks for handling perhaps the world’s most important financial situation, especially in his response to the coronavirus-induced recession.

Still, soaring inflation forced the Powell Fed to slow down its economic stimulus sooner than expected. At its last meeting in early November, the central bank said it would start cutting its monthly bond purchases by $ 120 billion this month and likely end it by mid-2022. These purchases were aimed at keeping long-term borrowing costs low to stimulate borrowing and spending.

For months, Powell called inflation “transient,” but more recently he admitted that higher prices had persisted longer than expected. At a press conference this month, Powell acknowledged that high inflation could last until the end of summer 2022.

Brainard’s rise to the number 2 position of the Fed follows the key role it played in the Fed’s emergency response to the pandemic recession. She is part of a “troika” of key policy makers that includes Powell and Richard Clarida, whom she will replace as vice president in February.

Brainard was the architect of the Fed’s new policy framework, adopted in August 2020, under which it said it would no longer hike rates simply because the unemployment rate had fallen to a low level that could boost the economy. ‘inflation. Instead, the Fed said it would wait for real evidence of the price hike.

Brainard also played a key role in the Fed redefining its maximum employment target as “broad and inclusive,” taking into account the unemployment rate of blacks and other groups and not just Americans as a whole. political decisions.

She also discussed ways in which the Fed could take climate change into account more directly in banking supervision. Many environmental groups say loans to oil and gas companies, as well as commercial real estate developers, could default and cause significant losses to banks if environmental damage worsens or renewables provide a larger share. of electricity production.

“Climate change,” she said, “is expected to have profound effects on the economy and the financial system, and it is already inflicting damage. “

Associated Press writer Josh Boak contributed.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Fiction publisher

Children’s book on the journey of Willie and Bobbie Nelson


In an age when the facts may be ‘alternative’ and the political divide in the Lone Star State turns into an epic rift, there is at least one thing that almost has all Texans can agree on: Willie Nelson is a state treasure. Hell, Abbott’s most famous son a national hassd international ambassador for culture and music.

And at the age of 88, he’s showing no signs of slowing down, staying true to his philosophy of being “on the road again” with tour dates while simply posting. The Willie Nelson family. According to Wikipedia, this is his 72nd studio album since 1962 and features his sister Bobbie and children Paula, Amy, Lukas and Micah.

Click to enlarge

Besides having written thousands of songs, there is another side to literary Willie: he has been both the subject and the author of numerous books, including biographies, autobiographies and pontifications.

But it’s never been the subject of a children’s book until now with Chris Barton’s recent publication. Sister, brother, family: Willie Nelson and Bobbie Nelson, an American childhood in music (32 pages, $ 18.99, Doubleday Books). He co-wrote the book with the Nelson, and it is illustrated by Kyung Eun Han.

As the title suggests, it is also the story of the family and musical collaborations between Willie and his “sister Bobbie”, who at 90 is still sitting on her piano bench next to her younger brother, because she has almost full time both live and in the studio since 1973.

This book is not Barton’s first writing about Willie Nelson. That was in 1989, when he was 17 at Sulfur Springs High School and editor of the school newspaper. Cat tale. One of the perks of the position was being assigned to interview musicians playing at the nearby Hopkins County Regional Civic Center. And so, the teenager ended up on the Willie Nelson & Family bus with a then 55-year-old Nelson just before a show. Not bad.

“It was a small town, so it was not difficult to access [artists]. There weren’t a lot of competing media, so it was just me and a reporter from the local newspaper, ”Barton recalls.

He was first exposed to the music of Willie Nelson through his father, who passed away when Barton was only eight years old. “He did not have a large collection of records, but he had Phases and stages, Red-headed alien and the Waylon and Willie albums, ”Barton says. “He played them a lot, and my attraction to music was a way to stay connected to my dad.”

Click to enlarge Chris Barton - PHOTO BY HEATHER GALLAGHER

Chris Barton

Photo by Heather Gallagher

Sister, Brother, Family begins with the education of the Nelson during the Depression in Abbott, Texas, where they were raised by their loving grandparents “Mama” and “Daddy” Nelson.

They both encouraged Willie and Bobbie’s interest in music, which the children were exposed to via neighbors, church and their own home by singing to tunes like “Will the Circle Be Unbroken” and “The Great Speckled Bird “.

Eventually they bought Bobbie an old upright piano from the general store and Willie a guitar from a Sears catalog. And when Daddy Nelson died when Willie was six and Bobbie eight, it was the music that helped them overcome that loss.

The siblings started playing in church and school, then as a teenager they joined a band and started performing in dance halls, which initially was not suitable for the very religious Mama.

But when Willie brought home $ 8 earned in one night, the equivalent of what he earned in a the week working in the fields, even she changed her mind. The book begins and ends with Willie and Bobbie returning to this period of their lives. Barton says he got the idea to write a children’s book about Willie Nelson in 2009, and even started a first draft.

“He is such a distinctive and highly regarded person in this country, but also a tremendous music maker. And then or since, there hadn’t been a lot of writing for children about country musicians, ”he says. “There have been books on jazz musicians and more now on rock musicians, but not really country, despite its commercial success.”

He has pitched for the project over the years, without success. But then came the adult memoir from last year Me and Sister Bobbie: True Tales of the Family Band written by the Nelson with David Ritz. The idea was put forward in the overall plan of the project that there should also be a children’s version. Barton has been handpicked to suit a picture book audience, focusing on their childhood.

The Round Rock-based author has certainly had a varied career in terms of subjects. His books, produced with different illustrators, range from action-packed fantasy (Shark versus train with Tom Lichtenheld, Fire Truck vs. Dragon with Shanda McCloskey) to introduce young readers to quirky real-life inventors. His debut in 2009 The Day-Glo brothers with Tony Persiani and later Phew! with Don Tate concerned the creators of the Day-Glo paint and the Super Soaker water guns, respectively.
More recently, however, it has gained attention and received praise and accolades for non-fiction books addressing difficult or profound topics for young readers like the Oklahoma City bombing (All of a sudden and forever, with Nicole Xu) and Civil Rights (the next Moving forward on activist Alton Yates, with Steffi Walthall).

And, of interest to Houston, there is her biography of Fifth Ward groundbreaking congresswoman Barbara Jordan, whose stentorious tones inspired the book’s title. What do you do with a voice like that? It was illustrated by Ekua Holmes and selected as Texas Great Read 2019 by the Texas State Library and Archives Commission.

Barton is married to Young Adult (YA) author Jennifer Ziegler, who has written novels including a popular series starring The Brewster Triplets. The pair also host the ongoing YouTube video author interview series. “This one is dedicated to …”

Over the past decade, there has been a tremendous increase in the number of children’s and teenage books written about real, distinguished people and their life stories. But with a new twist, as Barton explains. “The difference now is that the topic has become much broader,” he says.

“When I was a kid, I used to devour these C’schildhood of famous Americans books that contained a lot of fiction and that invented dialogue and whitewashing. Mainly on the Founding Fathers, a few Founding Mothers, and a handful of well-known Native Americans and African Americans. They were the ones that an older generation saw as the people you should know. “

Click to enlarge Author Chris Barton meets Willie and Bobbie Nelson (and various members of the Family group) backstage at the Smart Financial Center in 2019. - PHOTOS BY JENNIFER ZIEGLER

Author Chris Barton meets Willie and Bobbie Nelson (and various members of the Family group) backstage at the Smart Financial Center in 2019.

Photos of Jennifer Ziegler

Now, he says, there are much more diverse subjects, including those that are not necessarily “famous”. He points to his The Day-Glo brothers for example. “They weren’t your Abraham Lincoln or Ben Franklin or Thomas Edison subjects.”

Barton says he hasn’t heard directly from the Nelson or anyone on their side since the book was published earlier this month, although he and Ziegler were able to see them briefly behind the scenes on a show. of 2019 at the Smart Financial Center in Sugar Land. Willie Nelson discussed the book during a recent appearance on the Today Show.

Currently, Barton is also focused on promoting another new version with illustrator Sarah Horne, How to make a book (on my dog).

“It’s a non-fiction picture book about how non-fiction picture books are made,” Barton laughs. “It’s very meta. Now, I can say that I did a book about a very famous Texas redhead, and another about a lesser-known red-haired dog!

For more information on Chris Barton and his books, visit


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Book creator

Dialogues and Exercises Workbook ”is a collaborative guide to get students talking and interacting


Tommie Shider, a retired ESL instructor who worked in the New Brunswick school district for thirty-seven years, has completed his new book “Getting to Know Me: Dialogues and Exercises Workbook”. ‘Useful exercises that provide oral presentations, as well as listening, reading and writing exercises to enable understanding of the issues in a variety of ways.

For the last ten years of author Tommie Shider’s career, he has been the specialist in English as a second language, providing innovative teaching strategies and techniques, professional development and workshops to his colleagues and teachers. of the Rutgers PALS program.

Tommie Shider received his Bachelor of Arts degree from Rutgers University in New Brunswick. He is the creator of “Tommy’s World” and the author of four publications: “The Pronom Book”, “ESL Reinforcement Activity Book”, “Survival and American Holiday Chants” and “All About Me”.

Published by Page Publishing, Tommie Shider’s educational book includes units that deal with school, family, work, friends, and favorites. The illustrated cards are included in the final unit: My Favorite Things. Characters and visuals are used to enhance comprehension.

Readers who wish to discover this useful work can purchase “Get to Know Me” in bookstores around the world, or online at the Apple iTunes Store, Amazon, Google Play, or Barnes and Noble.

For more information or for media inquiries, contact Page Publishing at 866-315-2708.

About publishing pages:

Page Publishing is a traditional full-service publishing house that handles all of the intricacies involved in publishing its authors’ books, including distribution to the world’s largest retail outlets and royalty generation. Page Publishing understands that authors should be free to create, not bogged down in logistics like converting eBooks, setting up wholesale accounts, insurance, shipping, taxes, and more. Page’s accomplished writers and publishing professionals allow authors to leave these complex and time-consuming problems behind and focus on their passion: writing and creating. Learn more about

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Reading and writing

Rhythmic Arts Project fundraiser returns to Lobero Theater on December 11


SANTA BARBARA, Calif .– The 23rd annual Rhythmic Arts Project (TRAP) benefit returns to the historic Lobero Theater on Saturday, December 11.

TRAP is a play on words. It’s the abbreviation for gear and trap, it’s what some drummers call their drums.

TRAP drummer and founder Eddie Tuduri doesn’t take it for granted.

And he is thankful for his health during the pandemic.

Tuduri, who toured and recorded with the Beach Boys, Rickie Nelson and others for decades, was a throat cancer survivor before his last performance.

This was before COVID became a household word.

He also survived a serious body surfing accident in 1997.

The Carpinteria accident almost left him paralyzed.

During his recovery from a broken neck, Tuderi transformed part of the Santa Barbara Rehabilitation Institute into a rhythm section with participating patients and soon the Rhythmic Arts Project was born.

It has since improved the life skills of people with physical and intellectual challenges.

TRAP methods have been published in specialized journals.

“We do peer study, it’s reading, writing, arithmetic, creative thinking, abstract concepts that address all kinds of social skills,” Tuduri said.

He quickly learned ZOOM to keep TRAP students and teachers operating globally.

“It was a real box of worms, but we figured it out, and it became a lot of fun. I’m really happy with how it went during what year I taught in Africa, America. South in all states. “

Like concerts, face-to-face lessons are making a comeback.

Past Benefits have featured Michael McDonald, John Densmore and the late Bill Withers and Paul Barrere.

The December 11 show will feature Tata Vega.

“Aunty who has been with Madonna, Michael Jackson, Elton John and she won an Academy Award with her group of“ 20 Feet From Stardom, ”Tuduri said.

Carl Graves, Chris Pinick, Jimmy Calire, Steve Nelson, Bill Bodine and Rick Geragi will also perform with Tuduri.

He calls his group Pockets.

Lin Aubuchon from KTYD will host the event which will start at 7:30 p.m.

TRAP students, including Dion, will also take the stage as special guests.

Tuduri is full of gratitude and hopes word of mouth will help fill the seats.

For more information on general and student tickets, visit

For more information on TRAP, visit


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Writer market

Dogecoin could withstand 16% drop ahead of next rally


Disclaimer: The conclusions of the following analysis are the sole opinions of the author and should not be construed as investment advice.

Dogecoin has had an appalling November so far. Wider market corrections have slowly eroded the value of DOGE by a total of 26% over the past 20 days. Candles now sit below their daily simple moving average lines of 20, 50 and 200 and face the weight of short selling.

While a potential bullish cross on the MACD may determine DOGE’s short-term price action, an area of ​​air resistance presented a major hurdle. At the time of this writing, DOGE was trading at $ 0.2327, up 0.5% in the past 24 hours.

Dogecoin Daily Chart

Source: DOGE / USD, TradingView

Considering that DOGE was trading below its 20 (red), 50 (yellow), and 200 (green) SMAs, short selling was a significant threat if another round of corrections took hold of the market within the meaning large. This would see DOGE move to the stronger support line of $ 0.1936 as it also hit the low value area.

Now the aforementioned support appears to be a safe area for DOGE. The same triggered an 80% increase in early August and a 40% jump in September. From there, the introduction of new longs would help start another rally.

To avoid a 16% drop in this reliable support, DOGE would need to kick off much of the selling pressure by recording a close above $ 0.242 to $ 0.272. This region coincided with the POC of the visible area as well as the aforementioned MAs. The next draw would be scheduled once DOGE marks the price cap of $ 0.297 and its high value area.


Given that the RSI was languishing in bearish territory, an immediate break above $ 0.272 is rather unlikely. The directional movement index also maintained a bearish outlook, with the -DI line continuing to trade above the + DI line. Some optimism has arisen from a potential bullish cross on the MACD, but DOGE would need stronger clues to face a major blockade to come.


Dogecoin needed to break above $ 0.242 to $ 0.272 to fall into a bullish bias. However, weak readings from the DMI and RSI have aligned a long-term bearish narrative for DOGE, despite the bullish outlook for the MACD.

Dogecoin will be better positioned for an increase once a 16% retracement pulls the price towards more reliable support at $ 0.193.


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Fiction publisher

Tim Pilcher, Head of New Comics for Showmasters London Film & Comic Con



At my second comic book convention in three weeks (Thought Bubble last week, San Diego Comic-Con next), I went to the London Film And Comic Con this weekend, hosted by Showmasters. The comic book side of the show is run by a friend of Bleeding Cool Tony lee – or at least it will be for the next two days. Because next year, the rise will be one Tim pilcher.

Tim Pilcher at the London Film & Comic Con, with support from Gary Whale.

At the time, Tim Pilcher was the publisher of DC Comics when Vertigo had an office in the UK under Young Art. He worked for Humanoids, is co-editor of Soaring Penguin Press, author of the comic book industry gossip book BD Babylon, and co-author with Dave Gibbons Eisner nominees How comics work. But what he hasn’t done yet is host a comic book convention.

Tim Pilcher, Head of New Comics for Showmasters London Film & Comic Con
Doesn’t Tim look happy?

Expect Tim to access his rather extensive contact list after decades in and around comics, to invite all kinds of American and European comic book creators to the London Film And Comic Con in July of next year. . Not having it the same week as San Diego Comic-Con can help that as well. As for Tony Lee? Well, he’s about to release his detective story written since the start of the pandemic, which has kept him pretty busy,

Tim Pilcher, Head of New Comics for Showmasters London Film & Comic Con
London Film & Comic Con

The London Film and Comic Con is held twice a year in London and focuses on films, cult television, games, anime, cosplay and comics, hosted by Showmasters Ltd and currently held in Olympia London near by Hammersmith and Earl’s Court. It all started in 2004 with the same company that organizes the Autographica and Collectormania events. The convention houses a large hall of dealers selling memorabilia related to movies, comics and science fiction, as well as original movie props, as well as guest lectures, professional photo shoots, photo shoots. autographs, cosplay events and exhibitions.

Posted in: Comics | Tagged: lfcc, london movie and comic con, tim pilcher

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Book creator

The DC Comics version of “Stan Lee” was actually two people


Like Marvel, DC Comics had their own character “Stan Lee” who shaped the company into what it is today – and he’s actually two people.

by marvel Stan lee is virtually unrivaled as a comic book creator, but did he have a counterpart in rival DC? “Distinguished Competition,” as Marvel calls the company, is known to be home to pillars of superheroes such as Superman, Batman, Wonder Woman, and many more. However, DC was not shaped primarily by one person in the same way that Marvel and Stan Lee were – but that doesn’t mean there were some important figureheads who worked in the business and have it. cast in the publishing center that it is today. In fact, there were two of those people.

From 1961 on, Stan Lee’s comic ideas at the time were unknown. Superheroes without a secret identity treated like celebrities (the Fantastic Four), a gunmaker who saw his mistakes (Iron Man), and a teenage superhero who was the main character rather than the sidekick (Spider- Man). These heroes struggled with so-called “ordinary” issues as often as they fought supervillains – Peter Parker struggled to pay rent, Reed Richards and Susan Storm struggled in their marriage, etc. DC heroes were mostly created by different writers and as such didn’t have a unified creative vision like Marvel’s, so it’s up to two writers / editors to innovate: Julius Schwartz and Gardner Fox.


Related: Stan Lee Purposefully Created The Worst Version Of Wonder Woman

Gardner Fox was a longtime editor at DC Comics and oversaw the company’s flagship books, particularly Superman and Batman. It was Fox’s idea to re-equip Batman in the mid-60s and get him away from the Silver Age silliness that defined the character and ultimately the Adam West. Batman TV show. He also pitched the idea of ​​a new superhero team book. The Justice Society first appeared in All-Star Comics # 3 in 1941, including Hourman, Doctor Fate, The Flash, Green Lantern, The Atom, Hawkman and others. The updated group would eventually become the Justice League of America.

Justice League Alex Ross

Julius Schwartz would influence the business in another way – by introducing the concept of legacy characters. In 1956, Schwartz relaunched popular brands like The Flash and Green Lantern, but bestowed the titles on new characters. Barry Allen was a forensic chemist who was struck by lightning and bathed in chemicals that allowed him to run at superhuman speeds; Hal Jordan was a test pilot who encountered an alien member of the Green Lantern Corps and obtained a ring, empowering himself as a Green Lantern. The reinvention of two of DC’s main heroes as sci-fi icons brought the Sparkle and The Green Lantern brands are regaining their popularity.

Overall, while Stan Lee’s ideas on the page were entirely new and imminently noticeable, Gardner Fox and Julius Schwartz had an equally profound impact. Neither man will be remembered for their characters or their individual plots. But with their work behind the scenes, they’re just as influential for DC as Stan lee was at Marvel Comics.

Next: Marvel’s Bitterness Over The X-Men Movies Has Become Hilarious And Insignificant

90 day fiancé: why Debbie Johnson thinks Colt wants her out of his life


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Writer market

5 sources of income that music professionals often overlook


Opinions expressed by Contractor the contributors are theirs.

You are reading Entrepreneur United States, an international Entrepreneur Media franchise.

Musicians and music professionals, such as managers and executives, tend to focus solely on music streaming numbers. While streaming numbers are hugely important, especially with a greater number of platforms included in the calculation of positions in Billboard charts, like Audiomack, streaming is not the only way to have a music career. sustainable and profitable. For example, most streaming platforms pay around a penny or less per stream; therefore, for 1,000,000 streams on a record, you can expect around $ 10,000 or less. That’s not a bad figure if multiple records a year come out with a million streams and views or more. However, most artists do not reach this milestone; so, in asking the question, what is there to do to line my pockets?

The answer is simple: synchronize licensing, live and virtual shows, brand partnerships, merchandise, songwriting and production.

Synchronize licenses

Sync licenses refer to the use of music on TV, movies, video games, advertisements, apps, etc. Essentially, it refers to where music and moving pictures are used simultaneously. Once a song is cleared for syncing, a royalty is paid to the author or composer of the musical composition and a royalty is also paid to the owner of the recording. Besides the income generated, it also offers great exposure.

There are different ways to present your music for licensing. One way is to go through a music publisher. Music publishers will help you get timing deals, but will take a percentage for each placement. Another way to license your music is to contact music supervisors and music libraries directly. Some websites help provide real-time updates on Music Supervisors, and on what and when shows, movies, etc. are looking for music, so you can present your music yourself. Finally, there are sites that offer free and premium options to act as a middleman to present your music to plenty of sync opportunities.

Related: 10 Essential Tips For A Long And Profitable Music Career

Live and virtual shows

When many musicians or music professionals think about booking a show, they only think of tours or major festivals. However, there are many advantages to doing local concerts and concerts. There are many pop-up festivals, annual festivals, block parties, events, etc. which should be seen as untapped potential. The events or festivals might not even be about the music per se, but what is everywhere is that there are usually bands performing. It’s up to you to reach out and see if they need action. It also helps to network and establish a connection with the organizers. In addition, there are websites that help find concerts. Doing smaller gigs helps you practice, earn extra income, and increase your chances of booking larger shows and venues.

Aside from the in-person concerts, virtual shows and festivals have paid off. Especially with the looming pandemic, virtual events have increasingly become the norm. Some sites broadcast live paid performances by musicians. Musical artists have easily made virtual shows and are paid by viewers through sites like Twitch and YouTube, which are great for hosting shows and allow artists to have more control over the content that is broadcast. Virtual shows tap into the market for people who still aren’t comfortable being in crowded areas and help reach and connect with old and new fans.

Related: How NFTs Are Set To Disrupt The Music Industry

Brand partnerships

Partnering with brands can be difficult, but it is definitely doable. There are tons of brands out there looking for ways to grow and grow. A lot of companies will pay a lot of money to have an artist promote their products or just mention their products. Many of these companies will have an alternative brand ambassador option. As a brand ambassador, you get a percentage of the profits from the products you help sell.

Brand partnerships are easier to achieve if you have a large number of social media followers, so build your network before reaching out. However, there are many companies looking for nano, micro and macro influencers to promote their brand. Identify brands that match your brand and target them.


Although the clothing industry is generally very competitive, selling goods is much easier. Whenever a new song or album comes out, you should be looking to update and sell some merchandise. The idea is to keep the merchandise fresh and current. Whether it’s using popular lyrics from your song or just a cover art, it’s important to flood the market with your products. The concept of 1,000 real fans can be applied to merchandise. For example, if you build a dedicated fan base of just 1,000 people and each of those 1,000 people buys $ 50 or $ 100 worth of merchandise, you just make yourself $ 50,000 or $ 100,000.

Most are reluctant to create and sell goods because of the obstacle of putting in money to have the goods made. However, there are plenty of print-on-demand sites that do the heavy lifting of the manufacturing for you, so you don’t have to shell out thousands of dollars and you’ll never run out of supplies.

By applying the Brand Ambassador advice above to your own merchandise, you can help elevate your brand even further. There are some websites that help streamline brand ambassador programs for you.

Related: These 6 Types Of Music Are Known To Dramatically Improve Productivity

Songwriting and production

Writing songs and producing rhythms can be very lucrative. Many singers and musical artists need someone to write songs for them or need help with the writing process. Additionally, artists are constantly on the lookout for session musicians, who are musicians or singers hired specifically for a recording session or live performance. There are various sites that help connect musical artists with songwriters, session musicians, etc.

Even more than the need to write songs, musical artists easily need producers and sound engineers. Great producers and sound engineers don’t cost a dime, so if you are able to produce music and / or mix and master songs, then there is a fair amount of money to be made. Many websites offer great services for showcasing your beats and selling and licensing those beats for different price ranges. If you are just starting out, it may be beneficial to continue to hone your craft and perhaps enroll in a MasterClass to gain more knowledge and skills.

Pro tip: register with a performance rights organization such as BMI, ASCAP or SESAC. Sign up for SoundExchange and always protect your music.


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Fiction publisher

Almuna’s memoirs uplift black women’s stories


Girlz ‘N the Hood, released last September, shares the story of the author who grew up alongside her 10 siblings in South Central. (Photo courtesy of Mary Hill-Wagner)

Mary Hill-Wagner believes that as a writer nothing is wasted. As a little girl, the love of writing was nurtured with every book she read, but she was also increasingly aware of the lack of literature reflecting the life she had known from childhood. Her new memoir, “Girlz ‘N the Hood,” is Hill-Wagner’s first attempt to tell her story.

Hill-Wagner’s writing career began in high school as a newspaper editor. Graduating from Compton High School as a valedictorian, she then went to USC, writing for student publications including the Daily Trojan, and earned a bachelor’s degree in print journalism.

Hill-Wagner has reported for several newspapers across the country such as the Simi Valley Sun, Anaheim Bulletin, Las Vegas Sun, Des Moines Register, and Chicago Tribune while earning a master’s degree from Ohio State University and a doctorate. in Mass Communication from the University of North Carolina, Chapel Hill. She has also taught as a journalism professor at several colleges and universities, including USC as an assistant research professor.

“There’s a lot to learn about the theory of how media works, but it’s also good to have had your hands dirty,” Hill-Wagner said of his teaching experience. “I was able to bring that [expertise as a journalist] to the class, and according to my students, this made my classroom presentation unique.

According to Hill-Wagner, the inspiration for the memoir “Girlz ‘N the Hood,” released in September, was sparked by an undergraduate creative writing course at USC taught by Clancy Segal. The class was tasked with writing about someone they personally admired. Hill-Wagner described being “surprised” that none of her classmates wrote about their parents, while she wrote about her mother.

Segal was intrigued by his writing.

“He reads [the essay], and he said, ‘You know, it could be a book. And it was two, three pages. And I said, ‘No, I don’t really want to – I want to be an overseas correspondent for The Washington Post. I don’t have time for books. And he said, “Well, no, think about it,” Hill-Wagner said.

Years later, after three careers, Hill-Wagner returned to the idea inspired by Segal’s early encouragement. Compiling letters, journals, and reminiscences of his young self and his mother, Hill-Wagner wrote the memoir – his first book – centered on his mother, a strong matriarchal figure determined to raise Hill-Wagner and his other 10 brothers. and sisters in South Central.

Jaynie Royal, publisher and editor-in-chief of Regal House Publishing, said the style of the briefs was like an invitation.

“[The book] has an immediacy, which is really appealing, ”said Royal. “Reading the book, one has the impression of being there with [Hill-Wagner]. Her mother feels like a warm embrace. She is so full of heart, humor and joy which is also wonderful and amazing considering the adversities she faced and the challenges the family had to overcome.

While there have been movies and books about growing up as a black man in America from films such as “Boyz ‘N the Hood” and “Straight Outta Compton”, there was “hardly anything about the women and girls in the neighborhood,” says Hill-Wagner.

According to Hill-Wagner, she faced challenges in journalism as a black woman and even presenting the book. As a journalist, she has strictly stayed away from the current story, even in the midst of provocation from others. But this memoir gave the opportunity to tell her story, a story she knows important, while building confidence in her ability to tell it.

“It’s not a fairy tale. So bad things are happening. There are drugs; there are guns; there is violence. But there is also hope, ”said Hill-Wagner. “And I also wanted to be the message, not just a lot of stories about how women and girls are treated, because we are treated terribly in the neighborhood and places like that, but also the possibilities that exist for it. survive it. I wanted this to be the story [as well]. “

Andrea Somberg, Hill-Wagner’s literary agent at the Harvey Klinger literary agency, said the memoir was a moving portrayal of a loving family staying together amid poverty, racism and difficult circumstances.

“They continue to face these challenges and how Mary, but most importantly her mother, this incredible and strong matriarch of a woman, is determined to take care of her babies, to take care of her children and to do such a heroic job,” Somberg said. “Much of the heroism is just the everyday, just life, and I think it’s really a story about all of the heroism.”

Finishing the book was a challenge, said Hill-Wagner, as it meant revisiting not only the loving childhood moments with family members, but also the most difficult ones. Still, as she finished labor, she said she felt an unexpected shutdown on what her mother meant to her years later. It was like recovering a piece of his back years after his death.

“It was a challenge to remember all of these things. Remembering funny things is good, but remembering emotionally heartbreaking things [was] hard. And then taking them down, it was very difficult, ”said Hill-Wagner. “I used to remember some of the things that happened to my mother with great sadness. But, the sadness hasn’t been as acute since the end of this book, so it helped me that way.

In telling her story, Hill-Wagner wants this book to encourage more women and girls, especially black women, to share their stories without fear of being judged.

“We have such a rich culture, but we’re afraid of being judged, by these outside forces, by men and white people in particular, I think. And so we don’t tell our stories, ”Hill-Wagner said. “But we get resentful if someone else tells our stories. We are part of the American experience and we should be proud of it.

Hill-Wagner is currently working on a fictional novel, which she describes as a different but more joyful experience compared to her non-fiction plays.

“Someone asked me: ‘Who [“Girlz ‘N the Hood”] for?’ And I said, ‘This book is for everyone who’s had a mother, and for everyone who hasn’t. Which is everyone, really.


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Book creator

Native New Mexican featured on HBO Max


SANTA FE, NM (KRQE) – A native of Santa Fe is drawing national attention for his DIY skills while drawing inspiration from his home country for a winning creation. Nikk Alcaraz is a culinary artist and content creator.

“I take food and create masterpieces that are mostly horror or witchcraft or magic themed, all year round,” Alcaraz said. Now he’s transferring his skills from TikTok and Instagram to TV. Alcaraz appeared in a recent holiday episode of HBO Max’s “Craftopia”, a craft contest show.

First of all, the candidates were given the task of creating a Christmas tree decoration. “I levitated a potion bottle in a cauldron made from a Bundt pan. And the potion bottle has the “Christmas Spirits” label, Alcaraz said.

Alcaraz said they had to make a Christmas village. While now living in California, he knew he wanted to model this room after the land of enchantment.

“I built my village inspired by the place of Santa Fe but also extraterrestrials from Roswell. And the 1950s and the Jetsons, ”Alcaraz said. He built stucco buildings with cardboard and sand and also added a church, to represent the Cathedral of Santa Fe.

“To top it off, everything is on cloud nine in the southwest,” Alcaraz said. “If it’s Christmas, I want to bring some of what I know. And what I do know is that in New Mexico we have such a unique tradition for Christmas. “

The New Mexico-inspired display won Alcaraz first place, he won the contest and a cash prize of $ 10,000.

“Honestly, I couldn’t believe it,” he said. “I felt an honor like presenting the honor to my family in my city, representing them, I was so excited.” The episode won by Alcaraz airs on HBO Max.

As for what’s next, Alcaraz said it is returning to creating content on its social media pages called Practicalities. He is also writing a cookbook.


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Reading and writing

What students say about hometown pride, pandemic dreams and a mysterious photo


Green Bay is huge on football and cheese. I love the culture there, and the people. Everyone there are great people, and we all love the same things, and end up creating a great community in the city. I miss my hometown and get excited every time I visit.

Andrew, Hoggard High School, Wilmington, North Carolina

As a person who grew up in Philadelphia, the City of Brotherly Love, I am extremely proud of where I am from. From its rich history to its delicious cheesesteak, there is a lot to be proud of. What I love most about Philadelphia is its American history. It is known to be one of the original thirteen settlements; and where the declaration of independence was written and signed. All of these facts make me understand the importance of Philadelphia and how special it is to American history.

Yang, JR Masterman Philadelphia, Pennsylvania

For me, I am proud of where I come from and my country of origin, I am proud to be Filipino. To others, when they think of the Philippines, the words poor or rubbish. But for me, I think of home, a country that has a place in my heart. Besides the cons of the Philippines, there is actually so much beauty there. Nature and wildlife such as white sandy beaches, verdant jungles and forests, islands and beautiful waterfalls. Not to mention the delicious food, treats, and snacks they have to offer. Some of my favorites are the sisig pork, sinigang shrimp, halo halo, taho, puto, piattos, canton, sampalok, pastillas and yema. The growing mangoes are no laughing matter either. The fun activities you can do there like roaming the islands, swimming with whale sharks and canyoning, etc. And if you visit at the right time, you can even attend and experience the sinulog, a type of parade they have in the Philippines. The vibrant colors of the costumes, the smiles, the music, the ambiance are just addicting; we can not help but have fun …

Ella, King Kekaulike High School

I am from Chicago and yes I am proud of where I am from. I am proud of my city. We’re known to have better pizza than NYC, blues music, hot dogs, Michael Jordan, and hate Aaron Rodgers. We celebrate all types of cultures and welcome everyone. We’re famous for 2016 World Series winner Michael Jordan, Abe Lincoln, and more. PIZZA is deep pizza.

Jacques, Chicago

My hometown of Miami Beach is infamous for what we would call in Spanish “pachanga”. It’s hard to translate directly into English, but it pretty much lines up with a carefree spirit that always party. We are a city known for its pristine beaches, which attract a good portion of visitors all year round. We’re a city where tourism is considered our lifeline, with chic condominiums lining the shores of the Atlantic along South Beach. We are a city where our most pressing political issues are whether or not to ban the sale of alcohol at 2 a.m. Perhaps most notably, we are the city that makes national headlines once a year in the same week in a grueling cycle: spring break. Every spring break, this reputation draws adults to our nightclubs, beaches and streets where cases of violence occur every year. They see Miami Beach as a city like no other, a city where the mindset is not about law, order and productivity, but rather one of relaxation and a frightening sense of anarchy. This is not the Miami Beach that I see. I see a Miami Beach where our constituents are tired and alarmed by the South Beach parties and the resulting chaos. It’s no wonder our recent referendum on a 2 a.m. alcohol ban passed – our people are hard-working Americans who want safe communities, despite what far too many consider. like our city. While I love my city and wouldn’t trade its beauty for other amenities in other cities, it’s time to take our city seriously.

Zakaria, Miami Country Day School

The Texas Rose Festival seems really fun to me. It’s a time when everyone comes together and celebrates, celebrates and has fun. I think it’s very unique and quite related to our lavender farm in Kula, Maui. Our Lavender Farm looks like the Fête de la Rose but with lavender. You can get lavender scones, lavender oils, lavender drinks and lavender in general …

Lilinoe, Maui, Hawaii

I am proud of where I come from. I think it’s very important to be proud of where you come from. My neighborhood isn’t really known for anything, but it’s a very friendly place with a good environment. There are a lot of friendly faces and everyone knows each other. In my neighborhood, you can stop at the cafe for a cup of coffee, go grocery shopping, or hang out with friends at the park. If I could pick something that my neighborhood should be known for, I think it would be our friendliness. My neighborhood is also very open to different people, cultures, etc.

Layla, JR Masterman, Philadelphia, Pennsylvania


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Writer market

Mexican writer Elena Poniatowska on the burglary of her home: “The thief was not interested in a single book”


The home of famous Mexican writer Elena Poniatowska was broken into last Sunday while she was eating with relatives at a restaurant near her home in the Chimalistac neighborhood in southern Mexico City. On their return, they found the door open and the rooms in disarray.

“They looked, we found all the legs in the air, but the thief was not interested in a single book”, he underlined the author of “La noche de Tlatelolco” during a telephone conversation with the newspaper El País. “It makes me sad, here in Mexico nobody ever steals it,” he said with his usual sarcastic humor.

Poniatowska commented that they had instead stolen a computer in which he had many personal documents, as well as his columns for the newspaper La Jornada and the start of his new novel, but, as he ironically added , “I have them in my head, which is also a computer. I hope he doesn’t crack. “

The writer’s family filed a complaint with the Mexico City attorney general’s office, which opened an investigation into the crime of non-violent home theft.

The 89-year-old writer said she had no plans to adopt additional safety measures: “What action am I going to take, if I am already going to die?” in my head. ”Although she admitted that she was feeling a little sad, she assured that“ I will wake up happier tomorrow ”.

Disclaimer: This article is generated from the feed and not edited by our team.


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Fiction publisher

Port Alberni Authors Publish Anthology for a Good Cause – Port Alberni Valley News


A new literary anthology from the Alberni Valley celebrates local authors for a good cause.

Posted by RCN Media, Alberniology is a colorful collection of fiction, poetry and non-fiction — featured with photography by Chris Hancock Donaldson — that celebrates the uniqueness and diversity of the Alberni Valley and the people who call it home.

The authors and publisher have agreed to forgo royalties and profits and donate them to the Alberni Valley Hospice Society, which provides support, education and advocacy to individuals and their families facing a crisis. disease limiting life expectancy, death and bereavement.

Alberniology will be holding its official launch at both Electric Mermaid: Live Reads from Char’s Landing on Friday, November 19th. The event will be held in person and live online via Zoom starting at 5:45 p.m. You can find the link by going to charslanding. com.

“For local readers of Alberniology, we hope you enjoy looking in the mirror at the many glimpses you get of this place we love and call home, ”said Derek Hanebury, Electric Mermaid host and longtime Alberni Valley writer , who co-edited the book with Jacqueline Carmichael. “And every penny of the proceeds goes to the Alberni Valley Hospice Society.”

From floating homes along Alberni Inlet, encounters with Sasquatch, 50-pound chinooks and Mars water bombers, to Sproat Lake, Cathedral Grove and the splendor of the rainforest, the This book’s writing captures the raw beauty of the land and the spirit of its inhabitants.

Writers who have contributed to the book include Judith Hutchison, Cynthia Sharp, Ian Cognito, Roberta Joehle, Karen Poirier, Libbie Morin, Diane Dobson, Dan Biggs, Laura Sturgeon, Vicki Drybrough, Deb Oakes, Victoria Roscoe-Roumanis, Joanna Streetly, Kathleen Vance, David Kipling, Linda K. Thompson, Derek Hanebury, Jacqueline Carmichael, Stephen Novik, Randy Fred, Bruce Hornidge, Margaret Growcott, Winter Darby, and Rory Robert Rickwood.

“This is a very local effort, and we are proud to have it edited, published and printed on Vancouver Island,” said co-editor Jacqueline Carmichael.

Alberniology costs $ 25 and is available online at RCN Media ( Copies will also be available at launch.

Electric Mermaid: Live Reads from Char’s Landing is a monthly literary read with national featured readers and an organized open mic, held on the third Friday of each month. To be on Luma’s list for the organized open mic, writers can email moderator Karl Korven at [email protected]

authorPort Alberni

From left to right: Jacqueline Carmichael and Derek Hanebury, co-editors of Alberniology, with editor Colton Nelson. (ELENA RARDON / NEWS FROM THE VALLEY OF ALBERNI)


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Book creator



Los Angeles – Series creator Ava Du Vernay and clean : Oprah winfrey Network today announced that the critically acclaimed drama series “Sugar queen, “of Warner Bros. Television and ARRAY Filmworks, will complete its seventh season next year. Writing for the final season has begun and production will begin in early 2022 in New Orleans.

“At all, there is a season. And my production partner Paul Garnes and I have had seven wonderful seasons to do ‘Queen Sugar’ with a remarkable cast and crew, alongside our partners at OWN and Warner Bros. Television“, DuVernay shared.” Writing and producing seven seasons of a modern drama centered on a black family is a radical act in our industry and a triumph that has far exceeded my expectations. Now I feel strongly that the story, which began as a sunrise from a suggestion of Oprah, is ready for its sunset like a fully realized dream. “Queen Sugar” has been one of the true joys of my career and my gratitude is deep and boundless. “

“’Queen Sugar’ is a truly extraordinary series brought to life by Ava’s leadership, brilliant creative team, and incredible cast and crew. Our audiences have been reflected with nuance and care throughout the family history. Bordelon, including their triumphs and challenges, and more importantly, the love they have for each other through it all, ”said Tina Perry, president, OWN. “‘Queen Sugar’ has been an unprecedented success for OWN, garnering critical acclaim, accolades and a loyal and dedicated following. We are very grateful for Ava’s partnership and look forward to a fantastic final season.”

In its six seasons to date, “Queen Sugar” has consistently received critical acclaim and industry recognition. Earlier this year, Emmy Magazine presented the influential series as a cover story declaring it “one of the best hours on television”. African American Film Critics Association (AAFCA) awarded the series the award for best television series for four consecutive years, the Impact award in 2021 and several awards for best writing. Additionally, the series received the NAACP Image Award for Outstanding Drama Series and was named TV Show of the Year by the American noir film festival (ABFF). Creator and executive producer Ava Du Vernay was recently named Producer of the Year by Hollywood journalist.

Throughout her run, “Queen Sugar” was praised for her powerful portrayal of a Afro-American family in the Deep South and for DuVernay’s continued commitment to hiring an all-female production team throughout the series. Since its beginnings in September 2016, 42 women performed episodes of SUGAR QUEEN, 39 of whom made their television debuts in the series. At the start of production, DuVernay set up an inclusive initiative to hire an all-female director team and a representative team in terms of race, culture, gender, sexuality, age and physical ability.

“Queen Sugar” is produced for OWN by ARRAY Filmworks of DuVernay and Harpo Films in association with Warner Bros. Television. The series is based on the book by Nathalie Baszile. The first five seasons of “Queen Sugar” are currently available to stream exclusively on Hulu.

About OWN: Oprah winfrey Network

OWN: Oprah winfrey Network is the first and only network named and inspired by one iconic leader. Oprah winfrey’s the heart and creative instincts inform the brand and the magnetism of the chain. OWN is a premier destination for premium scripted and unscripted programming from today’s most innovative storytellers. OWN connects with its audience wherever they are, inspiring conversation among a global community of like-minded viewers on social media and beyond. Launched on January 1, 2011, OWN is a joint venture between Harpo, Inc. and Discovery, Inc. The company also includes the award-winning digital platform Access OWN anytime, anywhere on and discovery + on mobile devices and connected TVs. For more information, please visit and

On Warner Bros. Television

One of the entertainment industry’s most respected prime-time original programming providers since its inception in 1955, Warner Bros. Television produces original scripted drama and comedy series for multiple platforms. From November 2021, Warner Bros. Television produces over 60 scripted series for on-demand / streaming services, premium / pay and basic cable channels, and all five broadcast networks.


Founded in 2011 by the filmmaker Ava Du Vernay, ARRAY is a multi-platform arts and social impact collective, winner of the Peabody Award, dedicated to narrative change. The organization catalyzes its work through a quartet of mission-oriented entities: film distribution arm ARRAY Releasing, content company ARRAY Filmworks, programming and production center ARRAY Creative Campus, and non-profit group lucrative ARRAY Alliance.

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Reading and writing

Nonprofit that teaches kids in San Diego the power of reading


SAN DIEGO (KGTV) – Many children in San Diego don’t read until grade level. However, a local nonprofit, Words Alive, is doing their best to change that and make sure every child sees themselves as a reader.

“In the San Diego Unified School District, for example, 48% of kids on last year’s smart balance test are not reading at grade level,” says Amanda Bonds, director of the Words Alive program.

Bonds said reading is a skill set that can be improved throughout our lifetimes.

“It is our responsibility as a community to help children reach this point together to ensure that young people have positive and rich experiences while reading, writing and talking about what they read,” Bonds said. .

With the help of nearly 1,600 volunteers; Words Alive helps children by using quality books, reading workshops and reading aloud programs.

“I love the engagement with the kids,” said volunteer Jim McIlhon. “I love to see their faces light up at the start of our sessions and how attentive and responsive they are to the stories.”

McIlhon said he liked that Words Alive was following the school curriculum.

“Being in COVID, for some of these kids is their first time in a collective school environment. So the first few weeks the books are about change, making friends or adjusting to new environments. As the school year progresses, we touch on other things like working together. “

Bonds points out that teaching children to read takes an entire community with the end result of creating literate and successful young people.

“When you are a reader and it becomes a valuable part of who you are, it is often something that you are happy to share with someone else and which can help us resolve this literary crisis,” said said Bonds.


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Writer market

Asian Stocks Rise After Biden and Xi Hold Video Summit | Economic news


By JOE McDONALD, AP Business Writer

BEIJING (AP) – Asian stock markets rose on Tuesday after President Joe Biden and China’s Xi Jinping held a summit meeting via video link.

Shanghai, Tokyo and Hong Kong, which constitute the bulk of the region’s market value, rose. Seoul and Sydney declined.

Wall Street’s benchmark S&P 500 fell less than 0.1% as houseware makers rose and healthcare stocks fell.

Biden told Xi their goal should be to make sure the competition “does not come into conflict.” The two leaders met amid tensions over trade, technology, human rights, Hong Kong and Taiwan. Xi said he was ready to “build consensus” and said the two sides should improve communication.

Political cartoons

The meeting “will dominate the coming session,” although White House officials have “tempered expectations of any meaningful progress,” ActivTrades’ Anderson Alves said in a report.

The Shanghai Composite Index rose 0.3% to 3,543.46 and the Tokyo Nikkei 225 added less than 0.1% to 29,783.18. The Hang Seng in Hong Kong was up 1% to 25,658.04.

The Kospi in Seoul lost 0.2% to 2,994.40 while the S & P-ASX 200 in Sydney lost 0.8% to 7,413.20.

India’s Sensex index opened 0.3% lower at 60,522.38. New Zealand and Singapore fell while Jakarta and Bangkok advanced.

On Wall Street, the S&P 500 fell to 4,682.80. The Dow Jones Industrial Average fell less than 0.1% to 36,087.45. The Nasdaq lost less than 0.1% to 15,853.85.

Investors no longer focus on the latest corporate earnings towards the economic issues that will determine growth through 2022. This includes supply chain issues and rising inflation.

Investors will be watching for any signs that inflation is hampering business operations or consumer spending. Companies have raised prices to pass on higher material costs. Consumers have taken it in stride, but analysts fear they will start cutting spending.

Investors are also waiting to see if Biden decides to appoint Federal Reserve Chairman Jerome Powell for a new term as head of the US central bank.

Also on Tuesday, the Commerce Department was due to report on retail sales in the United States.

Chinese data released on Monday showed retail sales growth in October weakened from the previous month, weakened by anti-coronavirus restrictions and consumer unease over a wave of epidemics.

In energy markets, benchmark US crude rose 54 cents to $ 81.42 per barrel in electronic trading on the New York Mercantile Exchange. The contract advanced 9 cents on Monday to $ 80.88. Brent crude, used as the price base for international oils, added 66 cents to $ 82.71 a barrel in London. It fell 12 cents the previous session to $ 82.05 a barrel.

The dollar rose to 114.15 yen from 114.09 yen on Monday. The euro fell to $ 1.1381 from $ 1.1386.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Fiction publisher

Former gang member vying for Scotland’s ‘Book of the Year’ award for his first novel


Graeme Armstrong’s acclaimed debut album The Young Team is in the running for Best Debut Album at Scotland’s National Book Awards.

Armstrong will also face Douglas Stuart, Jenni Fagan, Kirstin Innes and Andrew Greig for the coveted title of Scottish “Book of the Year” at a ceremony in Glasgow later this month.

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Other nominees for the Global Prize include a celebration by Hollywood special effects expert Ray Harryhausen, released to coincide with a major exhibition in Scotland, Peter Ross’s exploration of the hidden stories to be found in the cemeteries and a close examination of former Lothian and Deputy Border Police Chief Tom Wood during the investigation that convicted Buck Ruxton, the “puzzle killer”, in the 1930s.

Jenni Fagan is shortlisted for best fiction book at this year’s awards, for Luckenbooth. Photo: Mihaela Bodlovic

The Saltire Society, which has recognized the country’s best books since 1937, was forced to suspend the event – which rewards fiction and non-fiction writers, poets, publishers and designers – last year after losing its funding from Creative Scotland.

The awards, which will return to the Waterstones store on Sauchiehall Street in Glasgow on November 27, are now supported by The Turtleton Charitable Trust.

Armstrong fell into gang culture in Airdrie at the age of 13 and was kicked out of school in his mid-teens. But he started writing at the age of 16 after reading Irvine Welsh’s Trainspotting.

Armstrong began studying in secret while still involved in his gang and went on to study English and Creative Writing at the University of Stirling.

Graeme Armstrong was among the guests at this year’s Edinburgh International Book Festival.

His novel traces the journey of the main character Azzy over several years as he is forced to choose between leaving his violent world behind or fully embracing the life of a criminal.

Earlier this year, it emerged that the rights to a TV adaptation had already been vested.

Armstrong said: “The setting and language of my novel has an unusual cultural epicenter, North Lanarkshire.

“It’s a part of Scotland that is often overlooked from the outside and still plagued by poverty, drugs and violence. Representing my community at the awards is a privilege rarely granted to young men in my area and a responsibility I do not take for granted.

Graeme Armstrong’s novel The Young Team draws on his experiences with gang culture growing up in Lanarkshire.

Other contenders for the Best First Honor award include Vanessa Harryhausen’s book about her father Ray’s rise to one of Hollywood’s best-known special effects experts, children’s novel A Kind of Spark by Elle McNicoll, on a teenager’s campaign to commemorate the victims of witch trials in her hometown, the memoirs of a Hebridean islander who ended up in a punk band with Peter Capaldi and Craig Ferguson, the Aoife Lyall’s collection of poems exploring the experiences of pregnancy and animal writer Keith Broomfield’s new book If Rivers Could Sing.

Top contenders for the book of fiction include There’s Only One Danny Garvey by David F Ross, Suggie Bain by Douglas Stuart, Luckenbooth by Jenni Fagan, Scabby Queen, and Duck Feet by Kirstin Innes, Ely Percy.

Glasgow-born Stuart won the Booker Prize 2020 with his debut novel Suggie Bain. However, its editors decided to list Suggie Bain in the fiction category rather than in the best first book.

Fagan said: “It is a real honor to be shortlisted for the Fiction Award at the National Book Awards in Scotland, especially since my novel Luckenbooth is so deeply rooted in Scotland and mainly in my hometown of Edinburgh. . “

Kirstin Innes is shortlisted for Best Fiction Book for Scabby Queen. Photo: Becky Duncan

Percy said, “Frankly, I’m delighted to be shortlisted.

“Duck Feet is a novel about hope and growing up in Scotland, and it elicited an incredible response from Scottish readers in particular who really stood up for it. To be considered for this award is the icing on the cake. cake for me. “

Innes said: “I am absolutely delighted to be on this list, especially given the very good company my book is in. Scottish fiction is exceptionally strong right now, so that really means Scabby Queen is seen as a part of it. “

Ross said: “It is a fantastic honor to be shortlisted for Scotland’s National Book Awards.

“It’s an incredible time for Scottish literature with Scottish authors creating brilliant works of art that resonate with people all over the world. To have a book recognized by the Saltire Society for making a contribution in such a context is extremely rewarding. “

Saltire Society Director Sarah Mason said: “The past two years have been tough for everyone, but the strength and resilience that we have seen from our editors, writers and designers is inspiring. “

Vanessa Harryhausen is shortened for the book celebrating her father Ray’s career as a special effects expert in Hollywood.


Book of Poetry of the Year at the Scottish National Book Awards

Peter Mackay, Nàdar De | A kind of (Acair)

Owen Gallagher, Clydebuilt (Smokestack Books)

Thomas A Clark, The threadbare coat (Carcanet Press)

Daisy Lafarge, Life Without Air (Granta)

Andrew Greig, later that day (polygon)

Garry Mackenzie, Ben Dorain: A Conversation with a Mountain (The Irish Pages Press)

First Book of the Year at Scotland’s National Book Awards

Vanessa Harryhausen, Ray Harryhausen: Titan of Cinema (National Galleries of Scotland Publishing)

Graeme Armstrong, The Young Team (Pan MacMillan / Picador)

Elle McNicoll, kind of a spark (Knights Of)

Roddy Murray, Bleak: The Socialite Comedy (Saraband)

Aoife Lyall, Mother, Nature (Bloodaxe Books)

Keith Broomfield, If Rivers Could Sing (Tippermuir Books)

Fiction Book of the Year at the Scottish National Book Awards

David F Ross, There Is Only One Danny Garvey (Orenda Books)

Douglas Stuart, Suggie Bain (Pan Macmillan / Picador)

Jenni Fagan, Luckenbooth (Penguin Randomhouse)

Kirstin Innes, Scabby Queen (Fourth Estate, HarperCollins)

Ely Percy, Duck Feet (Monstrous Regiment Publishing Ltd)

Non-Fictional Book of the Year at Scotland’s National Book Awards

Patrick Laurie, Native: Life in a Vanishing Landscape (Berlinn Ltd)

Cal Flyn, Isles of Abandonment (William Collins)

Tom Wood, Ruxton: The First Modern Murder (Ringwood Publishing)

Shelly Klein, The See-Through House: My Father in Full Color (Chatto & Windus, Vintage, Penguin Randomhouse UK)

Peter Ross, A Tomb With a View (Headline Publishing Group)

Joe Donnelly, checkpoint (404 ink)

Special mention:

Kenneth Roy, In Case of News (ICS Books)

Scotland National Book Awards Research Book of the Year

supported by the National Library of Scotland.

Wilson McLeod, Gaelic in Scotland: Policies, Movements, Ideologies (Edinburgh University Press)

Ian Armit & Lindsey Buster, Darkness Visible: The Sculptor’s Cave, Covesea, from the Bronze Age to the Picts (Society of Antiquaries of Scotland)

Frank Rennie, The Changing Outer Hebrides (Acair)

Nigel Leask, Stepping Westward: Writing the Highland Tour c 1720-1830 (Oxford University Press)

Richard Whatmore, Terrorists, Anarchists and Republicans: Genevans and Irishmen in Revolutionary Times (Princeton University Press)

The Saltire Scottish History Book of the Year Award supported by the Scottish Historical Review Trust.

Ness Historical Society Editorial Team with Rachel Barrowman, History with Heart and Soul (Acair)

Ewan Biggs, Coal Country: The Meaning and Memory of Deindustrialization in Postwar Scotland (University of London Press)

Laura Stewart and Janay Nugent, Union and Revolution: Scotland and Beyond 1625 – 1745 (Edinburgh University Press)

Fiona Edmonds, Gaelic Influence in the Kingdom of Northumbria: The Golden Age and the Viking Age (Boydell & Brewer)

Richard Oram, David I: King of Scots 1124 – 1153 (Berlinn Ltd)

Maria Hayward, Stuart Style: Monarchy, Dress and the Scottish Male Elite (Yale University Press)

List of finalists for the Calum Macdonald Memorial Award:

Stichill Marigold

Broken sleep

Roncadora press


Stewed Rhubarb

Press Mariscat

Edition price

Scottish National Book Awards Editor of the Year in partnership with Publishing Scotland.

Heather McDaid, 404 Ink

Jean Findlay, Scotland Street Press

Samuel McDowell, Charco Press

Melissa Tombere, Canongate Books

Scotland’s National Book Awards Emerging Publisher of the Year in partnership with Publishing Scotland

Bethany Ferguson, Rights Manager, Canongate Books

Jamie Norman, Campaign Manager, Canongate Books

Ceris Jones, Campaign Manager, Sandstone Press

Louise Hutton, Associate Editor, Edinburgh University Press

Cover of Book of the Year at Scotland’s National Book Awards

Craig Paton, Killtopia – Dave Cook (BHP Comics)

Cavan Convery & Ryan McGoverne, It’s About Time – Lesley Storm (Leamington Books)

Iain McIntosh (Illustrations), Abigail Salvesen (Design), In a Time of Distance – Alexander McCall Smith (Polygon, an imprint of Berlinn)

Andrew Latimer, Apocalypse: An Anthology – Edited by James Keery (Carcanet Press)

Pablo Font, Fate – Jorge Consiglio (Charco Press)

Pablo Font, The Adventures of China Iron – Gabriela Cabezón Cámara (Charco Press)


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Book creator

Netflix’s Cowboy Bebop reviews finally kicked off


Netflix took its first steps with anime a few years ago, and now the streaming service has made media one of its primary goals. From original series to ultra-exclusive licensing deals, Netflix is ​​investing money in its anime prints these days. Now the company is set to put forward one of its most ambitious anime projects yet, and Netflix reviews Cowboy Bebop are finally here.

As you can see below, the review embargo for Cowboy Bebop went live today, and the internet is booming. Everyone from ComicBook to The Hollywood Reporter has given their official opinion on the series, so there is some good and some bad here. For starters, some reviews of the show are glowing despite concerns about Cowboy Bebop Fans. But of course, there are others that don’t support the live adaptation.

At ComicBook, our own Evan Valentine gave his take on the series, and it turns out Cowboy Bebop was a surprise for the best. But as expected, Netflix still has a few issues to work out when it comes to adapting the anime.

“As we approach this ten-part game, we should be eliminating some of the good stuff about this vehicle with John Cho, Mustafa Shakir, and Daniella Pineda as the Bebop’s main trio in Spike, Jet, and Faye. Their chemistry with each other is The biggest strength of the series, each of the actors presenting the cast as a family you love to watch joke with each other as they prepare for their next big score. It’s clear that each of the actors here are in love with it. their characters and it shows to the audience, with back and forths creating an interesting atmosphere and a feeling of pleasure, “writes Valentine.

“Or Cowboy Bebop Really stumbles is the expanding world with people like Vicious, Julia and their place in the Syndicate. In the original series, these characters were almost like role models for the life that Spike had left behind, having little to no characterization outside of their archetypes. In the live-action series, they take an opposite approach that tries to give us more information about Vicious and Julia but just doesn’t work. “

Of course, Internet users will be able to decide how Cowboy Bebop tariffs for themselves soon. Netflix will launch the live-action series on November 17 in the United States, and you can bet fans will have a lot to say about the project once it goes live.

Do you intend to check Cowboy Bebop when it hits Netflix this weekend? What do you want to see from the live adaptation? Share your thoughts with us in the comments section below or contact me on Twitter @Megan PetersCB.


“While the cast is awesome and they do the best they can with what they have, the online deliveries and cheap costumes end up looking like cosplayers forced to give the voice actors bad impressions. time it takes to watch all 10 episodes of the season, you can watch most of the whole anime, and Cowboy Bebop doesn’t offer a lot of good reasons why you shouldn’t do it at the square. ” – Collider

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“Netflix’s Cowboy Bebop is a jazzy and elegant frenzy – but certainly not a blow-for-blow remake of the anime, despite what the very faithful recreation of the show’s opening credits may have you believe. mileage will absolutely vary depending on the expectations you set for yourself and, most importantly, your relationship with the anime.Watching Toonami’s Adult Swim Block Late Night, back when the anime was extremely difficult find this new version before stepping on the accelerator.

Because if you’re ready to come in with an open mind, you’re ready for something fun. “- GameSpot

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“The creative team behind Netflix’s live-action adaptation definitely had their work cut out for them. Animated series creator Shinichiro Watanabe was hired as a consultant, and original songwriter Yoko Kanno returned to write the score. , and their touches are felt throughout the characters feel authentic in their two-dimensional versions, the world is just as deliciously eerie, and when the elements align perfectly, it manages to tap into the effortless cool that has defined the original. “- SlashFilm

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Weekly entertainment

“Could live-action anime adaptations follow a similar arc in the cultural spotlight? Netflix certainly hopes so. The streaming giant has worked hard in recent years to build its anime library: acquiring the rights to classics like Neon Genesis Evangelion and Fullmetal Alchemist, producing their own originals like Castlevania and Yasuke, and embarking on American remakes. Their new version of Cowboy Bebop is the last of the latter category, and is much less embarrassing than previous attempts like the film. Death Note 2017. The combat sequences are quite entertaining, and there’s some impressive camera work like a dolly through a disintegrating space station, but it still doesn’t live up to the power of the original series. ” – Weekly entertainment

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The rolling stone

“I can’t say how loyal or satisfying fans of the original will find its Netflix live-action remake. But the new version looks a lot like a project with anime roots, and for the most part has figured out how to do it. his influences are working with live actors and practical sets. It’s a lot of fun.

It is a show of encounter as much as a thriller, a space opera, etc. And it’s good at almost all of these things. Whenever it seems like none of these elements should make sense together, especially in the live-action, Cowboy Bebop sprints off a cliff, refusing to stare at the void, and keeps moving forward. “- The rolling stone

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The AV Club

“Netflix’s Cowboy Bebop isn’t a complete and irremediable disaster, but it certainly won’t challenge anyone’s assumptions about the live-action anime. Its best moments come from playing with its own strength rather than emulating those of the original. When it comes to expanding on anime ideas or characters, the Netflix show only offers the most obvious and overused storytelling rhythms. ” – The AV Club

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Hollywood journalist

“What’s the use of adapting Cowboy Bebop into live action? That’s the question I found myself asking myself over and over again for the roughly 10 hours or so of the new Netflix series, and it’s a question I learned. to suspect that its creators had spent too little time settling down before taking the plunge. As far as it is possible to tell, their line of thinking seems to have been that it would be cool if someone recreated the series. classic live animation, and that these people might as well be themselves. There was never any idea to expand or reconsider the source material, there is no trace of it left in the final product. ” – Hollywood journalist

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“When I think of the live-action anime adaptations, at least the ones made in America, I think of how they seem so embarrassed by the source material. Much of an anime is changed in the process of being made. adaptation to make it more grounded, or seem less ridiculous. Or, if they have to keep elements of the original anime, that turns into something unrecognizable (I’m looking at you, Dragon Ball: Evolution).

Netflix’s Cowboy Bebop looks like the first live-action adaptation I’ve seen from an American production company that not only loves the source material, but goes out of its way to bring the details of the anime to life. Team Cowboy Bebop isn’t shy, just a full-throated hug from the 1998 anime. “- IGN

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“[The] The original Cowboy Bebop anime were like a critically acclaimed band with an almost perfect career of defining hits, and the 2021 Cowboy Bebop is a ska-funk cover band performing through their hits. Players involved in Netflix’s new hit series are jumping into the material, and viewers might even feel a burst of glee as they recognize a former favorite reinterpreted with colorful enthusiasm. But this initial charm cannot mask the fact that the singer seems to know only about half of the lyrics and the guitarist cannot carry a piece. “- Polygon

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“Anime adaptations are, unsurprisingly, quite difficult to make. In the past, we’ve seen characters like Dragon Ball, Death Note, and Attack On Titan give live performances, only to find them falling by the wayside. thanks in part to having a misunderstanding of the source material and simply being unable to find the secret ingredient that made their source material so beloved, Cowboy Bebop is often considered one of the greatest animated series of all time, and while the Netflix adaptation never hits the same heights, it does manage to carve out a life of its own and justify its existence with a few flaws along the way. ” –



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Reading and writing

9 black novels in verse


Night lights

Launched in 2019, Nightfire, Tor’s new horror imprint, spans the spectrum of horror, from short story collections to short stories and novels, from standalone works to series, from dark fantasy to the supernatural, from originals to reprints of lost modern classics. Nightfire novels are now appearing on the shelves of bookstores and libraries near you. Do you dare to strain your spine on these terrifying titles this fall?

Poetry has the unique ability to capture our darkest hours and deepest emotions while shattering the standards of a typical prose novel. One of the large formats that is rapidly gaining popularity is the verse novel, or a novel told in verse rather than pure prose. Novels in verse combine a compelling story with a stark, powerful and complex poetry that strikes readers with emotion. Through poetry, writers can transcend the limits of prose and introduce writing that breaks conventional rules of grammar and language. The result is a book that reaches readers who themselves experience dark emotions that defy description.

In these nine dark verse novels told in powerful poems, the characters face a variety of challenges and find a way forward to overcome their challenges. The verse helps them express difficult emotions and tragic events. In a way, verse novels help heal the experience of darkness. In this list of nine great novels in verse, you will find a range of books in both young adult literature and adult literature. They explore a range of topics, such as trauma, mental health, friendships, coming of age, violence and trauma. Whether you’re new to the genre or just looking to get started reading verse novels, there’s one for you in this compilation of nine dark verse novels.

Because I am a piece of furniture Book cover

Because I am a piece of furniture by Thalia Chaltas

In this dark verse novel by YA, Anke lives in a house where her brother and sister are victims of their father’s abuse. Somehow Anke is spared, but the trauma of growing up in an abusive home still weighs on her. When making the school volleyball team, Anke finds a positive outlet for her naturally turbulent emotions. Thalia Chaltas’ novel mixes a gripping story with beautiful, punchy verses.

Ciel Chlore book cover

Chlorine sky by L. Browne Mahogany

When we are young, the unstoppable strength of our friendships couldn’t strike any harder. The friends we have in our youth feel as epic and fatal as any relationship with a lover. And it is these types of links that Mahogany L. Browne deals with in his verse novel by YA. Chlorine sky. Our heroine, Sky, struggles to keep a friendship as she and her best friend go in different directions. The loss of a friendship can be as searing and emotional as a breakup, as Sky learns in this dark verse novel.

Cover of the book I dream of you

Dreaming of you by Melissa Lozada-Oliva

This YA novel in verse is both quirky and dark. Melissa is a young Latinx woman obsessed with writing and reading poetry, an outlet for her loneliness and grief. During one session, Melissa brings to life Selena Quintanilla, the legendary iconic and revolutionary pop singer of Tejano. But the act has serious repercussions for Melissa. Told in the skillful verses of Lozada-Oliva, Dreaming of you stars a heroine of unforgettable ferocity in a story that literally sends her to hell and back.

Pulse book cover by ellen hopkins

Impulse by Ellen Hopkins

Located in a psychiatric hospital, Impulse is a series debut by Ellen Hopkins, one of YA literature’s most iconic verse novelists. YA novel Impulse follows three young adult patients trying to recover and regain hope with varying levels of success. When their stories become entangled with each other, Vanessa, Tony, and Connor find the complexity of their connection to be electric, in good and bad.

Long Way Down book cover

Long way down by Jason Reynolds

Will, 15, walks into an elevator with a pistol ready to come out and avenge his brother’s murder as soon as he reaches the ground floor of his apartment building. But his journey is interrupted as the ghosts of people he knows who have been victims of armed violence follow one another floor after floor. This heartfelt and engaging YA novel in verse by award-winning author Jason Reynolds is as twisted as it is heartfelt. Will grabs you and doesn’t let go as you encourage him to put the gun down and get over his grief in another way.

Northwood book cover by Maryse Meijer

Northwood by Maryse Meijer

At Maryse Meijer Northwood adult novel in verse, a promising young artist flees to a cabin in the woods to better concentrate on her art. Meanwhile, she begins a volatile intimate relationship with a married neighbor. Their intensely moving and deeply passionate love story and the consequences of their separation are told in Meijer’s visceral verses in a distinguished and raw voice.

Toby Barlow's Pointed Teeth Book Cover

Pointy teeth by Toby Barlow

This adult horror novel in verse by Toby Barlow takes place in the seedy underworld of Los Angeles where rival werewolf gangs constantly clash. When dog catcher Anthony falls in love with a female werewolf who roams him solo after breaking her pact, the limits of their love are tested. Pointy teeth capture all the conflict between the packs that sweeps through the groups of bloodthirsty and ready to kill werewolves. Violent and sometimes funny, Pointy teeth is a dark verse novel that any horror fan will want to add to their TBR.

cry of laurie halse anderson book cover

Yell by Laurie Halse Anderson

Known for her lyrical prose, beloved author Laurie Halse Anderson shows off her talents as a poet in Yell, a YA thesis in verse. Anderson reflects on how his early trauma, famous in his groundbreaking novel Speak, had a ripple effect on his life. With a propulsive narrative style, daring poetry, a flawless sense of realism and shatteringly crisp images, Yell is a must read for anyone who enjoys dark verse novels, and a thought-provoking story for those struggling with trauma and depression.

Cover of the book The Girl and the Goddess

The girl and the goddess by Nikita Gill

In her first verse novel, famous poet Nikita Gill mixes myth and legend with the raw truth of life as a young woman at the intersection of identities. Paro, the sympathetic and rambling Gill heroine you’ll love, travels her life from childhood to her older years in this adult verse novel with a nod to Hindu mythology. These linked poems, along with Gill’s evocative illustrations, prove why Gill is one of the most daring, provocative, and esteemed poets of his generation.

Want more novels in verse? Check out more Book Riot novels in the verse cover below:


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Writer market

Beauty editor Cheryl Kramer Kaye explores Augustinus Bader’s new haircare launch



Last month, Studio 512 brought you some big news on new products from the award-winning and celebrity-adored Augustinus Bader skincare line.

Writer and beauty writer Cheryl Kramer Kaye joined Studio 512 co-host Rosie Newberry to talk about an exciting new launch for the brand.

So, for anyone who may have missed it, give us a little insight into Augustinus Bader.

“Augustinus Bader skin care products entered the market just over three years ago and have been very successful, winning over 60 beauty industry and leading celebrity awards. The range uses clean, sustainably sourced ingredients and has the finest recyclable packaging I’ve ever seen. But the most important thing that contributes to the success of Augustinus Bader is that it works.

And what makes it work so well?

“Well, remember, Augustinus Bader is a professor, physician, and expert in the field of stem cell biology. He has spent over 30 years researching and developing technologies that activate the body’s healing process, this which led him to create the revolutionary technology behind the skin care line. It is called TFC8 or Trigger Factor Complex 8 because it triggers the renewal of your skin. And now Augustinus Bader uses his TFC8 complex in skincare hair, because your scalp is skin. And the hair care collection is designed to restore moisture and shine and prevent breakage to make your hair look healthier while treating your hair follicles, roots and scalp to as your hair grows, it will be healthier.

“I also want to give you a quick overview of some of the ingredients you will find in the collection because in addition to TFC8, these products are loaded with oils and botanical extracts that increase strength, shine and, yes, even. your hair. growth. What you won’t find are sulfates, silicones or even fragrances added in these products, just what your scalp and hair need; and nothing they don’t.

Let us discover the Collection.

“As a science-driven company, Augustinus Bader has performed both user trials and clinical trials for the entire collection, and I’ll share some of that data as we talk about the products. So let’s start with The Shampoo, as we do. It’s really light and volumizing, with clinical tests showing shampoo makes strands 132% thicker. Next is The Conditioner which 100% of users say is both light and detangling – a nearly impossible combination! Then there’s the Leave-In Hair Treatment, which is perfect for controlling and smoothing frizz, and also increasing shine by 330%. There’s hair oil, which adds smoothness, nourishment, and strength to brittle hair, with 90% of users agreeing that the oil fixes their split ends. You can use all the products with the eco-friendly Neem Combs, which also reduce frizz and dandruff, so yes please! I especially like it with the Scalp Treatment, which cleanses blocked hair follicles and strengthens strands at the root, increasing the thickness of the hair shaft by 370% and even increasing the number of hairs by 22%. So you have thicker, thicker and healthier hair.

Where can we find the line?

Award-winning and celebrity-adored skincare brand Augustinus Bader just launched #TheHaircareThatWorks! Clinical tests and user reviews show outstanding results for shine, strength and even growth. Find Shampoo, Conditioner, Leave-In Hair Treatment, Hair Oil, and Scalp Treatment at

This segment is paid for by Augustinus Bader and is intended as an advertisement. The opinions expressed by guests on this program are solely those of the guests and are not endorsed by this television station.


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Fiction publisher

Faber To Post Authorized Biography Of John McGahern By Frank Shovlin


In The Irish Times this Saturday, Emily Ratajkowski talks to Laura Kennedy about her essay book, My Body. Titles reviewed are Oliver Farry on Keep Calm and Trust the Science by Luke O’Neill and A State of Emergency: The Story of Ireland’s Covid Crisis by Richard Chambers; Mia Levitin on Sarah Moss’ The Fell; Michael Cronin on the best new translations; Keith Duggan on The Nation Holds Its Breath from George Hamilton; Richard English on Ernie O’Malley: A Life by Cormac KH O’Malley and Harry F Martin; Margaret Kelleher on All Strangers Here: 100 Years of Personal Writing from the Irish Foreign Service, edited by Angela Byrne, Ragnar Deeney Almquist and Helena Nolan; John Boyne on The Pawnbroker’s Reward from Declan O’Rourke; Niamh Donnelly on Aisling and the City by Emer McLysaght and Sarah Breen; Dean Jobb on The Dublin Railway Murder: The Sensational True Story of a Victorian Murder Mystery by Thomas Morris; and Sarah Gilmartin on Today a Woman Went Mad by Hilma Wolitzer.

If you buy a copy of The Irish Times from Eason this weekend, you can also buy Snow by John Banville for € 4.99, saving € 6.

Faber will publish the authoritative biography of John McGahern by academic Frank Shovlin.

Shovlin is Professor of Irish Literature in English at the University of Liverpool and editor of The Letters of John McGahern, which Faber published in September. For more than a decade, he has researched the author’s life through his archives at the National University of Ireland, Galway, as well as in private articles and exclusive interviews with his widow, Madeline McGahern, with which he will work closely on this biography.

Faber said: “This will be the definitive biography of one of the most important writers of the 20th century. As Frank says, a portrait of McGahern’s life is inextricably a story of modern Ireland, providing a unique glimpse into a society on the verge of transformation. Yet it will also be an intimate portrait of an enigmatic artist, illuminating both the man himself and his earth-shattering novels like never before.


From the city famous for its love of the good festival, Dingle Lit is expected to sell out in their venues from November 19-21, with tickets for Michael D. Higgins, Declan O’Rourke and Diarmaid Ferriter sold at capacity.

Claire Keegan will discuss her long-awaited new novel Small Things Like These, while the new will be celebrated with Nicole Flattery and John Patrick McHugh. Skelligs goaltenders Catherine Merrigan and Robert L. Harris will discuss their very unique life experiences on Skellig Michael.

Hybrid in more ways than one, Dingle Lit offers events in Irish and English, live and online! For more details visit


Isabel Waidner won the Goldsmiths Prize of £ 10,000 for her ‘mind-blowing’ novel Sterling Karat Gold, published by Peninsula Press.

Sterling Karat Gold is their third novel and their second to be shortlisted for the award, following We Are Made of Diamond Stuff (Dostoyevsky Wannabe) in 2019.

Peninsula described the winning novel as follows: “Kafka’s lawsuit written for the era of gas lighting. A surreal investigation into the real effects of state violence on Mavericks, workers and blacks. Sterling is arrested one morning having done nothing wrong and is “plunged into a terrifying and absurd world”. Sterling, with the help of their three best friends, must challenge bullfighters, footballers and spaceships to exonerate himself and hold the powers that be to account.

The list of finalists included Checkout 19 by Claire-Louise Bennett, Assembly by Natasha Brown, A Shock by Keith Ridgway, This One Sky Day by Leone Ross and The Little Scratch by Rebecca Watson.

Presiding Judges Dr Nell Stevens said Waidner brought “wit, arrogance, playfulness and fury to an unfettered journey through an unjust justice system.”

Judge Kamila Shamsie said: “Isabel Waidner collides the real and the mythical, the beautiful and the grotesque, with stunning effect. Time travel constrained by the limits of Google Maps and the essays of Hieronymus Bosch never dazzle the human heart in this novel of friendship, art, injustice and all that can be imagined and unimaginable.

Hachette Books Ireland to publish Any Girl by Mia Döring next February

Hachette Books Ireland to publish Any Girl by Mia Döring next February

Hachette Books Ireland will publish Mia Döring’s Any Girl next February, a personal account of surviving rape at age 16, then sexual exploitation and the sex trade in Ireland as a young woman.

Editor Ciara Considine said, “I can honestly say that this book landing on my desk has had the greatest impact of any submission in my nearly 30 years of editing. I started reading it at ten past five in the evening, right after Agent Jonathan Williams sent it to me, and finished it after midnight, barely looking up from the pages. The effect was visceral – I was both shocked and amazed. Any Girl is a singular and extraordinarily courageous work that explores the nature of trauma and presents a striking image of physical, mental and emotional landscapes. Both deeply personal and artfully political, I believe this is an important memoir for our time and a uniquely female perspective on important cultural issues. “

Döring said: “It means so much to me that Hachette is publishing my first book. I struggled for a long time in writing and rewriting this one, developing my own throughout and coming to terms with what it means to bring awareness to subjects so deeply personal. While it is an act of vulnerability to expose one’s most private and painful experiences in the public realm, I hope it inspires others to carry their own stories with bravery and compassion. It is difficult to talk about sexual violence because our society is still not able to respond to it with the empathetic courage it deserves. My hope is that by being empathetic and courageous in myself, the book will do something to help this process. I can’t wait to read it and can’t thank Jonathan Williams and Hachette Books Ireland enough for believing in him and me.


The Irish Writers Center and Words of Color Productions partner to deliver UPLIFT, a new pilot international workshop and mentoring initiative for young people of color with leadership ambitions in the literature sector in Ireland and the UK .

The program aims to support two color arts practitioners based on the island of Ireland between the ages of 18 and 30. Successful applicants will benefit from mentorship and workshops from established industry professionals – award-winning writer and editor Farhana Shaikh (The Asian Writer, Dahlia Publishing) and award-winning poet and director Nick Makoha (The Obsidian Foundation). Ideal mentorship candidates are people who believe they have the potential to encourage writers and audiences of color to participate in the Irish Writers Center and contribute to the wider Irish literary scene.

The workshops will take place on Saturday March 5 and Saturday March 12, 2022, with mentoring sessions to be organized between the mentor and the mentee. Those interested in applying can find out more on the Irish Writers Center website.


The winners of the third annual Comedy Women in Print (CWIP) award were announced this week at the Groucho Club in London. The CWIP Prize for Published Comedy Novel went to Jesse Sutanto for his first adult novel, the crazy romantic murder comedy, Dial A for Aunties, the story of a matriarchal family of Chinese-Indonesian wedding planners set in California which has already been photographed by Netflix (HQ). The finalist was Dolly Alderton for Ghosts.

Joanne Harris, President of the Judges, said: “We all agreed that Dial A for Aunties should be the winner: it’s a deliciously frenetic comedy, filled with absurd situations, hilarious dialogue, wonderful family dynamics and cracklings. comic energy. The finalist, Ghosts, is a wonderfully accomplished, loving, spiritual and human story that should speak to women everywhere.

The award for unreleased comedy novel was won by Rebecca Rogers, employment agency employee and single mother. His original, overturning and hilarious novel, Purgatory Poisoning seemed to the judges inspired by a childhood diet of Blackadder and Monty Python. Rogers won a publishing deal and a £ 5,000 advance from HarperFiction.

From left to right: Lorraine Candy, Anita Sethi, Mary Ann Sieghart, Dorothy Koomson and Pandora Sykes.  Photography: Agence Sam Holden

From left to right: Lorraine Candy, Anita Sethi, Mary Ann Sieghart, Dorothy Koomson and Pandora Sykes. Photography: Agence Sam Holden

Mary Ann Sieghart, former associate editor of The Times and author of The Authority Gap, will chair the jury for next year’s Women’s Prize for Fiction. She is joined by Lorraine Candy, award-winning journalist and editor; Dorothy Koomson, internationally successful novelist, journalist and podcaster; Anita Sethi, award-winning author and literary journalist; and Pandora Sykes, journalist, broadcaster and author.

The announcement of the preselection will take place on March 8, the preselection on April 27 and the winner on June 15. The 2021 winner was Susanna Clarke’s Piranesi.

Sieghart said it was “a great honor to be chosen to chair the jury for the Women’s Prize for Fiction. There are so many fabulous contemporary writers that deserve to be read better. I hope our long list, shortlist, and final winner will inspire new readers, both men and women, to sample the extraordinary variety of fiction created by women today.


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Book creator

Spider-Man brand battle unfolds in comics as real-life copyright dispute brews in real life


While a Legal battle looms over Marvel Comics Spider-Man character copyright, a similar trademark battle begins to unfold in the Marvel comics.

Miles Morales: Spider-Man # 32 cover (Image credit: Taurin Clarke (Marvel Comics))

Within November 10 Miles Morales: Spider-Man # 32 by writer Saladin Ahmed and artist Christopher Allen, something is happening in what amounts to a comic book post-credits scene that could be the start of something big – something Marvel Comics mentioned was happening Somehow would produce in August.

Spoilers ahead for Miles Morales: Spider-Man # 32.

Miles Morales: Spider-Man # 32 ends with the titular Spider-hero and his colleague Starling successfully fending off an attack from Taskmaster, only to be faced with something you can’t fight with your fists: the meaning of legal papers.

An anonymous legal team operating from a limousine with hover capabilities descend to the rooftop where Miles Morales / Spider-Man and Startling are located, and a colleague looking for a lawyer comes out and hands over a case with papers that Miles soon becomes engulfed.

“Unknown individual operating in an unauthorized capacity under the brand name Spider-Man!” The lawyer said there. “We represent Beyond Corporation in legal matters.

Miles Morales: Spider-Man # 32 preview (Image credit: Christopher Allen / Guru-eFX / Cory Petit (Marvel Comics))

“This notice is to let you know that by operating under the Spider-Man name you are violating our client’s legally registered trademark,” he continues. “You are required by law to forgo the use of Spider-Man’s name and likeness … immediately.”

Asked by Starling about what is going on, Miles replies “I don’t know … but you better believe that I will find out …”

In the mainstream continuity of Marvel Comics, Miles Morales shares the Spider-Man name with his creator Peter Parker – with his blessing. But back in October 6 Amazing Spider-Man # 75, it was revealed that Beyond Corporation had purchased the trademarks and copyrights of Spider-Man.

During the time that Doctor Octopus took over the body of Peter Parker and became Spider-Man (the so-called ‘Superior Spider-Man‘), Otto, still the businessman, officially registered the Parker Industries name – the company Peter (and Otto as Peter) ran. When Peter regained control of his body, he wound up the business by Amazing Spider-Man # 790 – without knowing that with this went the mark of his superhero name for Spider-Man.

Turns out Beyond Corporation stepped in and bought him, and found his own person to be his new corporate Spider-Man: Ben Reilly, the ’90s clone of Peter who replaced him for a while. time as Spider-Man.

In Amazing Spider-Man # 75, Ben officially became Spider-Man again – and while breaking the news to Peter, he didn’t ask that the original Spider-Man cease to be, you know, Spider-Man… he expressed ownership of Beyond and Ben’s right to the mantle.

Miles Morales: Spider-Man # 32 preview (Image credit: Christopher Allen / Guru-eFX / Cory Petit (Marvel Comics))

Now, it looks like Ben Reilly’s benefactors, Beyond Corporation, are applying their newly purchased brand to have at least one Spider-Man, Miles Morales, stop using the name.

This story will apparently come back on repeat with the December 15th title Amazing Spider-Man Amazing Spider-Man # 81, starring Miles Morales: Spider-Man writer Saladin Ahmed steps in to write a story the company describes as “the new Spider-Man vs. the new Spider-Man !!!”

Amazing Spider-Man Cover # 81 (Image credit: Arthur Adams (Marvel Comics))

According to prior solicitations from upcoming comics, Beyond will follow this portion of legal documents with Ben Reilly serving punches to get Miles Morales to drop the mantle. But as the Arthur Adams and Arist Deyn covers show, Miles Morales responds.

As this story coincides with a Spider-Man trademark dispute happening at the same time, the estate of the late Spider-Man co-creator Steve Ditko filed a lawsuit against Marvel over the issue. copyright of these same characters, is difficult to understand, sources inside Marvel tell Newsarama that this fictional story set in comics was conceived before the trial of Ditko’s estate was known to the creators involved.

Find out more about it fictitious Spider-Man branded fight in Amazing Spider-Man # 81 from December 15th.

There have been more than a few Spider-Men in Marvel Comics, and we’ve tried to categorize them all with our best Spider-Mans article.


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Reading and writing

Video of Salt Bae serving Communist leader Gold Steak sparks anger in Vietnam


A senior leader of the Vietnamese Communist Party was in London last week to visit the grave of Karl Marx, the philosopher whose writings defended the struggle of the proletariat to overthrow the ruling wealthy class.

While there, General To Lam also ate a steak covered in flakes of 24 karat gold at a restaurant run by the social media star and restaurateur known as Salt Bae, according to a video the chef posted in line but which quickly disappeared. .

Many details of the meal were not available, including who else was present, what the total cost was, and who ultimately paid for it all.

But the short-lived video of it sparked anger in Vietnam, where it appeared to undermine the egalitarian image the Communist Party has carefully cultivated.

The video also put Facebook, the social media platform that often faces pressure from the Vietnamese government to censor content, under another unwanted spotlight. The widely used hashtag for the chef – #saltbae – has been temporarily blocked on Facebook.

Meta, the newly renamed parent company of Facebook, said in a statement that the #saltbae hashtag was unblocked on Tuesday and is investigating the reasons for its blocking.

Much of what is known about the meal comes from Salt Bae’s video, which was taken from the chef’s TikTok account, followed by nearly 11 million. It has given Vietnam an unwelcome image, at a time when the pandemic has strained so many people.

“This contrasts sharply with the disparity in living standards in Vietnamese society,” said Chinh Duong, Hanoi architect and political commentator. “Especially during the recent epidemic, when the budget is exhausted and workers are struggling for survival – such a lavish party of officials is offensive.”

While in London, the visitors “paid homage to those on the basis of whose theories the Vietnamese people overthrew the systems of oppression ruled by the colonialists and imperialists,” the ministry said.

General Lam also visited the London restaurant run by Nusret Gokce, known to his millions of followers on Instagram and TikTok as Salt Bae as much for his food as for his flare: black sunglasses, white shirt, elbow bent so let the salt fall like snowflakes. her gloved, sparkling fingers.

The meal seemed to understand 24k gold tomahawk steaks, which according to the British newspaper The Guardian, can cost as much as 850 pounds, or $ 1,150.

And, as Mr. Gokce has it ended numerous times before, he served the guest who ordered the golden steak and posted a video of it on TikTok.

Although the video was quickly removed from Mr. Gokce’s account, some people copied it and posted it elsewhere. In a video on YouTube, Mr. Gokce serves three gold-coated steaks to a men’s table as several people watch.

At one point, the video shows Mr. Gokce delicately balancing a slice of steak on the end of a long knife. He swings the knife on the table and puts the steak into the open mouth of a seated man. The man bites the steak and, apparently satisfied with the offer, raises his right hand and waves to the chef.

Mr. Gokce did not immediately respond to a direct message sent to TikTok requesting comment. The Vietnamese government could not immediately be reached for comment.

When asked, Facebook did not say whether the hashtag had been restricted regionally or globally. Facebook is widely used in Vietnam, and the government has sometimes strategically cut off access to it ahead of planned protests, and has asked Facebook and YouTube to help it eliminate fake accounts and “toxic” content, such as anti-government material, according to local newspaper Tuoi Tre.

Reuters, who first reported the hashtag blocking, said TikTok users in Vietnam who searched for the video were told it had been removed from the app for violating “community standards.”

Yet news of the ironically luxurious meal circulated widely on social media and sparked a backlash.

“What we are seeing is just the tip of a very big iceberg,” said Pham Minh Vu, blogger and dissident. “Everyone knows that Vietnamese officials are very corrupt, so when they see such an incident, they take the opportunity to express their anger. “

Famous Vietnamese writer Luu Trong Van said the opulence of the meal was shocking, as was the length of time the story was aired. “The odd thing is that the story has been burning for several days,” Mr. Van said. Normally, government censors can crush an unflattering story “in a matter of hours.”


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Writer market

Lessons for economists


The writer is a freelance journalist.

It is widely accepted that a thorough knowledge of the past is the key to understanding the present. Perhaps this is the reason why the history of scientific ideas is taught across the world. It helps scientists understand the evolution of this crucial source of modern development.

The same is true for various social science disciplines. However, it has been observed that economists and financial experts do not learn the history of capitalism objectively – or perhaps they choose to turn a blind eye to the greed of the system.

For the Western ruling elite – like Ronald Reagan and Margaret Thatcher – and intellectual giants – like Friedrich Hayek, John Maynard Keynes and Milton Friedman, it makes perfect sense to ignore history because their pasts don’t just expose the looting of the countries of the South in the hands of the advanced capitalist countries, but I also put a big question mark on the big assertions of the Western leaders that an impoverished and overpopulated continent of the past has managed to make enormous progress in various areas of life because of the hard efforts and hard work of their politics. and economic classes. Modern research proves these claims to be utter nonsense.

But how could the ruling elite of the South and the intellectual minds of the developing countries ignore the ruthless exploitation of Asian, African and Latin American countries by the Western colonial powers who have helped them to develop and progress? ? It is unfortunate that from former Indian Prime Minister Manmohan Singh to staunch supporters of the free market economy in Africa and Latin America, all prominent political leaders have been fascinated by this system historically based on injustice, oppression and outright pillage.

They blindly applied laissez-faire principles to their own continents, wreaking havoc in the lives of millions of people in addition to damaging their ecological systems. In Pakistan, almost all of the leaders – whether military dictator General Zia or committed Democrat Benazir Bhutto or messiah for the people Nawaz Sharif and his rival General Musharraf or PTI leader Imran Khan – have accepted that the rule private capital is the key. to solve the countless problems of Pakistan.

It is because of this erroneous approach that, despite serious differences on other issues, our leaders agree with each other on the policies of economic liberalism. Our economic minds and financial giants also give the impression that our salvation is in the hands of free markets. Their arguments in favor of the market economy give the impression that it is the only system that could help the Islamic Republic to achieve progress and prosperity.

But the question is, if the free market is the key to success, why are only a handful of countries prospering? Why hasn’t the goddess of wealth poured out her blessings on more than 120 states around the world that have followed pro-market policies for decades? Why has this much-vaunted miraculous system forced more than three billion people around the world to live on less than five dollars a day?

It should be debated that if the advanced capitalist world is relatively wealthy today, it is not because of the hard work of their merchant classes; this opulence is rooted in the ruthless plundering by the Western colonial powers and other imperialist powers. For example, if we research, in chronological order, which colonial countries became prosperous, we will find that in Europe, Portugal and Spain were the first two to get richer. Before the 14th century these two countries were poor, but after Portugal began to venture and Spain began sending its explorers to the Americas, in the 15th century the wealth of both countries began to grow with the two emerging powers bringing tons of gold, silver and other war gains to Europe.

Such loot would be shipped to Europe. It is interesting to note that some of these ships are said to be stolen by French, English, Dutch and other European pirates. One of these pirates, Francis Drake, was also knighted by the English ruling elite. So it was not only Spain and Portugal that benefited from the plundering of Central and South America, but other Western powers also claimed their pound of flesh from this large-scale theft.

With this theft and theft, Portugal and Spain became the major European powers in the 16th century. When the Netherlands, France and the UK increased their share of looting, they also increased to exert immense influence in European affairs. It is claimed that before the Industrial Revolution, more than 35 percent of the world was already under the control of Western colonial powers, and by the end of World War II that control had grown to almost 85 percent.

So, if the United Kingdom is one of the richest countries on the planet, it is not because of the principles of the market economy. In reality, it was outright theft that was said to be one of the most important factors contributing to its wealth and prosperity. It is estimated that the former colonial power embezzled an estimated $ 45 trillion from India over the decades. Its economic policies have ruined the emerging Indian industry which is believed to contribute more than 25% of global GDP. In addition, British policies resulted in terrible famines in Bengal, Bihar and Orissa, wiping out around 35 million people.

It is true that America, the bastion of the free market, is the richest country in the world, but history students will never forget that it was founded on the corpses of more than two million blacks and millions of ‘native. The key to its prosperity was cotton production which used slaves and contract labor. Its agriculture in the south and its industries in the north thrived on bare exploitation. Planting sugar cane was another way of exploiting the workers who were helping not only North America but Europe as well. Some historians claim that there would have been no industrialization in Europe and North America if there had been no plantation, and that there would not have been a plantation without slavery.

It is also claimed that the free movement of goods and capital has helped these countries to progress. The reality is that the United States and the United Kingdom were the most protectionist countries in the world during the early stages of industrialization. Likewise, the economic prosperity of French society could not be understood without making any reference to their barbaric policies in Indochina and several other French colonies where Paris used brutal tactics to perpetuate its dominance and gain economic benefits.

The Japanese atrocities in Manchuria cannot be ignored when examining the early stages of that country’s industrialization. The United States, France, the United Kingdom and other Western colonial powers collectively humiliated the Chinese who would contribute more than 25% of global GDP before the century of humiliation. Belgium, which is today one of the most prosperous countries, has cut off the hands and feet of millions of unfortunate people in the Belgian Congo.

It is quite unfortunate that when we talk about the economic prosperity of the advanced capitalist world, we think it is because of the rules of supply and demand or other principles of the market economy, but the reality is diametrically opposed to what our economic minds want us to believe. Therefore, it is important that economists and financial giants read history and Western greed before declaring the free market a panacea.

Email: [email protected]


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Fiction publisher

Graywolf Press director / editor McCrae to retire in June – Twin Cities


Fiona McCrae, director / editor of Graywolf Press, announced her retirement in June 2022, after 27 years as the head of the nonprofit literary press based in Minneapolis.

McCrae joined the press in 1994, only the second publisher to lead the organization after it was founded by Scott Walker in 1974. She had been an editor at Faber & Faber in London and then in Boston.

Awards and nominations during McCrae’s leadership include the National Book Award, Pulitzer Prize, Nobel Prize, Booker Prize, National Book Critics Circle Award, and the International Dublin Literary Award. Graywolf’s writers include nationally recognized poets and fictional writers such as Elizabeth Alexander, Eula Biss, Natalie Diaz, Layli Long Soldier, Carmen Maria Machado, Claudia Rankine, Tracy K. Smith, and Danez Smith.

McCrae oversaw the creation of the Garywolf National Council, the Citizen Literary Fellowship and the popular “Art of” short book series on the art of writing, as well as the launch of major awards such as the Graywolf Press Nonfiction Prize and African Fiction. Price.

Currently vice chairman of the board of the National Book Foundation, McCrae also serves on the boards of the Anderson Center at Red Wing and the literary journal Fence. She received the Golden Colophon for Community Leadership of Literary Magazines and Literary Press in 2014 and received the Poets & Writers Editor’s Award with Graywolf Editor-in-Chief Jeff Shotts in 2017.

A committee headed by Cathy Polasky, Chair of the Graywolf Board of Directors, will seek McCrae’s successor.


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Book creator

Review – Lifetime Passes: The Secret of the Kingdom’s Adventure


Lifetime Pass Coverage, via Surely.

A new imprint specializing in LGBT graphic novels for young adults launches this week with Lifetime Pass by Terry Blas and Claudia Aguirre. Terry has agreed to answer a few questions for GeekDad, so stay tuned after this review for an interview with the creator, and the book can be preordered. here!

Lifetime Pass – Terry Blas, writer; Claudia Aguirre, Artist

Radius – 9.5 / 10

Ray: Working with black humor and morally ambiguous leads is tricky for the best of writers, and the concept of Lifetime Pass was a doozy right out of the door. A group of local teens find out that if someone dies at a local amusement park, the rest of their group gets lifetime passes to the park and hatches a plan to volunteer to bring residents to a retirement home at the park in the hope that nature will play its part. In other hands, it might have been difficult to take root for anyone here. Yet, in the hands of Terry Blas and Claudia Aguirre, it becomes one of the best graphic novels of the year.

It helps that our leader, Jackie, is an incredibly likeable character. A young Latina living with her aunt and working part-time from home, she has a painful past including parents who have been kicked out and a constant sense of uncertainty as a DACA child. One of the few things she finds solace in is the local theme park, Kingdom Adventure, where she has a deep stash of fond memories from her youth. Unfortunately, the annual passes are expensive and her aunt won’t be able to afford the next renewal, so Jackie faces exile from the Kingdom.

Welcome to the Kingdom. Via Surely.

His friends are equally invested in the park, although neither of them for the same reasons or for something so pure. Nikki, a fashionista and potential influencer, dreams of finding a job as a facial character at the park. His cousin Berke, a shocking YouTube jock with a rude personality, is looking to change his name after his channel was “canceled.” Daniel, Nikki’s shy gay friend, shares his dream of being cast in the park, but it may be more of his dream than hers. They all share Jackie’s dream of accessing the park, so her plan to volunteer to transport seniors to the park meets their approval.

Lifetime Pass comes to a relatively quick 165 pages, and it’s sort of short on major events. Once the pattern kicks in, you’d expect the other shoe to fall off like it does in so many teen-centric books. Instead, Blas’ script seems much more concerned with characters learning quiet lessons and gaining a better understanding of others and themselves, without needing to be called out or humiliated for their past mistakes. There is compassion for almost everyone in this story, which I found refreshing.

Jackie’s Awakening Instrument comes in the form of Phyllis, an old flint and independent widow who lives at the house and is the first to volunteer for a trip to Kingdom Adventure. While Jackie’s “friends” seem to view her with a mixture of fun and contempt, she demands basic respect – and Jackie has no problem giving her that, leading the two to open up. to one another as Phyllis reveals many hidden depths and a surprising connection to the park. One thing I liked about this book is how Kingdom Adventure has its own mythology, a mythology that this book only scratches the surface of.

Equally important and very welcome – Phyllis is Jewish, which plays a major role in her bond with Jackie. Works that explore Jewish / PoC solidarity are rare and often fall into the trap of placing Jewish figures in the role of distraught whites (CC, Caroline or Change). Instead, Blas uses the deep history of Jews battling oppression – both their own and that of other groups – to inform Phyllis’ personality and creates a great parallel between the two tracks that adds context. emotional shining in many of their scenes.

For a book about characters waiting for someone’s death, Lifetime Pass doesn’t seem so concerned with death. When the Grim Reaper comes to call someone near the end of the book, it’s a touching but subtle scene that one doesn’t dwell on for too long – and also serves to illustrate which of Jackie’s friends are flawed but decent people who have need a push, and who are not his friends at all.

Many of the best scenes in this book are quiet scenes, such as Jackie bonding with Daniel’s little brother, a transracial adoptee from Korea. The book has such a warm tone that a surprisingly dark turn in the last act caught me off guard, and was the one part of the book that didn’t work 100% for me – I was never sure if I was supposed to laugh or feel bad for the character.

Lifetime Pass is the first book in Abrams ComicArts’ new Surely imprint, a line of graphic novels curated by Mariko Tamaki and focused on LGBT voices and characters. It’s a fantastic start from two incredibly talented designers.

Q&A with Terry Blas

1. This is one of the few graphic novels I can remember that deals so frankly with topics like aging and death. What do you hope readers take from the story on these thorny topics?

Blas: What I hope readers will understand is that getting older means you are here. This means you’ve survived everything thrown at you and you probably have some great stories to tell. I’m Mexican, and our relationship to death is a little different than most Americans. We have an entire vacation to remember those we have lost and it is not a sad day. Losing someone you love is always sad, but remembering their life is the way to honor them. At the start of Lifetime Passes, Jackie is a bit callous, never really having had a relationship with an elderly person because she didn’t know her grandparents. The best part of the book for me is seeing how she changes as I get to know people.

2. The world of Kingdom Adventure is already incredibly fleshed out by the little we see of it. What were your biggest influences in the development of this fictional theme park?

Blas: I would say my biggest influences were the years I lived in Southern California and the culture around theme parks. People are obsessed with them, and rightly so. They promise you an amazing experience, fantasy and while I was living there I started looking for funny stories and weird happenings in theme parks. I also had friends who worked in various parks and they told me interesting things. This is where it started.

3. Social media play a pretty big role in the story, especially in the character of Berke. What advice would you give teens on this topic if you could?

Blas: That’s a loaded question. I would tell kids to stay away from social media as much as possible, which I’m sure makes me sound like a crisp old grandpa, but honestly it took a toll on my attitude and my confidence in myself. If I post that I love grapes, inevitably someone will tell me why grapes are terrible and how I shouldn’t love them. A good friend of mine told me he tries to use social media to promote his work and try to make someone’s day better and that’s it. It’s a tool for many artists and writers to promote their work today, but a carpenter doesn’t go to his workbench and look at his tools for hours, you know? Additionally, social media has the power to permanently interfere with our ability to focus on one task at a time. Before, I could sit and draw or read for hours. Now I go to my phone ten minutes into a task and check it. It’s not great. In Lifetime Pass, Berke and Nikki care about followers and attention and I think today we have a culture where people expect immediate response to everything and they have made their opinion a vital part of who they are. think they should be respected. Many artists and writers I admire don’t spend a lot of time on social media. They are too busy doing cool things.

4. Which of the other characters you wrote (from Reptile, Hotel Dare, etc.) do you think you would get along better with Jackie? What about Phyllis?

Blas: Jackie would definitely get along with Julian and Eva from Reptile and olive Hotel Dare. I think Phyllis would love Mama Lupe, the abuela of the Dare Hotel.

5. It was great to see the relaxed yet cohesive portrayal of PoC characters, LGBT characters, and Jewish characters in this book. What other comics and graphic novels featuring these bands do you love right now?

Blas: Personally, I do my best to always include Latinas at the forefront of my books. The fastest growing demographic in the United States is the university educated Latinas, so they need to feel represented and seen. As a member of the LGBTQ community, all of my books contain queer characters as well. I love the work of Ethan M. Aldridge, whose Foreigner books present this kind of representation. Sina Grace is awesome and I’m excited for her next book, Rockstar and Softboy. Hamish Steele Deadendia the books have a harmonious and wonderful representation and I also encourage everyone to check out the other title of Surely, Thrown out of space by Grace Ellis and Hannah Templer.

GeekDad received this comic for review.

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Reading and writing

Argus Wesleyan | The 13 Best Books I’ve Read This Year & Why You Should Read Them Too


At the start of 2021, I set myself a goal: to read 45 books by the end of the year. I am majoring in history and often read a book or two a week for my classes. This kind of schedule is exhausting and makes me associate reading with work. I missed reading for fun and wanted to get back into the habit of reading for fun. In the eleventh month of my literary journey, I now have the wonderful habit of reading fiction every night before bed. Even if I’m having a bad day, I know I’m going to end it with a good story. So, here are the thirteen best books I’ve read this year, and why you should read them too!

    1. “She is defeated” by Wally Lamb, is a magical book. Every time I read it it gets better. The book is a beautiful and original coming-of-age story of Dolores Price, a fiery character whose voice you won’t forget. Delores tells the story, using her dark humor to describe things like “roasting in hell like a roast chicken”. I love this book with all the fibers of my being. It changed the way I think about self-esteem and acceptance, as well as the often unexpected directions life can take you in. Memorable excerpt: “It was a matter of perspective, I began to see. The whole world was mad; I flattered myself that I was a semi-finalist.
    2. “Where the crayfish sing”, by Delia Owens, lives up to its reputation; all the rave reviews are true. It is one of the best books I have ever read. Owens’ evocative imagery accompanies a murder and coming-of-age story set in the swamps of North Carolina. It is a powerful ode to nature, loneliness and consuming desire. Favorite Excerpt: “There are some who can live without the wild things, and others who cannot. “
    3. “Kinship,” by Octavia E. Butler, is a must read. Dana, a black woman living in California in 1976, is suddenly transported to the pre-war south to save the life of a slave owner’s son, Rufus. Throughout the book, she is pulled back and forth in time, and she must understand the strange connection between her and Rufus before it’s too late. Memorable excerpt: “Nothing in my education or my knowledge of the future had helped me escape. Yet in a few years, an illiterate runaway named Harriet Tubman would make nineteen trips to this country and lead three hundred fugitives to freedom.
    4. “The pink code” by Kate Quinn, it’s like “The Imitation Game” on steroids. Quinn tells the story of three women working undercover at Bletchley Park (a top secret British intelligence post) to crack the Enigma code during WWII. When a traitor appears, the trio must bring him down. The book is suspenseful, brilliant and badass. Memorable quote: “No one should tell their mother more than a third of everything they do. “
    5. ” A Midsummer Night’s dream “ by William Shakespeare, is awesome. I had never read a Shakespeare play cover before, and this fantastic work of art is a perfect gateway to the world of the bard. I read the book the night before bed and found that my reading experience started to blend into my dreams afterwards. Memorable excerpt: “And although she is small, she is fierce.
    6. “The half that faints” by Brit Bennett, tells the story of identical twins who grow up in a small black community in the South whose paths diverge as adults. While one sister, Stella, poses as White and lives in a suburban white community, the other sister, Desiree, is stuck in the same town where she grew up. The story takes twists and turns with every turn of the page, and comes with insanely beautiful handwriting. Memorable excerpt: “His death struck in waves. Not a flood, but water splashing steadily at his ankles. You could drown in two inches of water. Maybe the grief was the same.
    7. “Atonement,” by Ian McEwan, has one of the finest prose of any book I have read. The book stars thirteen-year-old Briony Tallis whose colorful imagination leads him to make a horrific mistake that will ripple through time. Throughout the book, McEwan takes a fraction of a second in time and develops them over ten pages, exploring every detail and perspective. Memorable excerpt: “Wasn’t writing a kind of flight, a realizable form of flight, of fantasy, of imagination?
    8. “The guest list”, by Lucy Foley, is a thriller reminiscent of Agatha Christie’s “And Then There Were None”, except that it’s modern and a lot more fun. The story takes place on a remote island off the Irish coast, where a happy couple have a destination wedding. However, before the weekend is over, a guest is murdered. It was an exciting read, and it combined all of my favorite things: weddings, mysterious murders, and fabulous writing. Memorable excerpt: “But everything revolves around the moment, a wedding. Everything about the day. It’s not really about marriage, despite what everyone is saying.
    9. “The goldfinch”, by Donna Tartt, takes the classic frame of maturity and overturns it. The protagonist, Theo, is an unlikely and accidental art thief who navigates a world of first-class criminals while trying to heal from the loss of his mother. Memorable excerpt: “You can look at a photo for a week and never think about it again.” You can also look at a photo for a second and think about it all your life.
    10. “Read the beach”, by Emily Henry, is exactly what her title promised. When I picked up the book, I expected it to be a romantic comedy with no literary merit. I was wrong! Henry tells the story of two writers who take a journey from enemy to love as they attempt to write a book in the genre and style of others. Henry does an amazing job making his characters look like real people, and nice people. Memorable Snippet: The protagonist, January, reflects on an ex-boyfriend and says, “He fit into the love story so perfectly I imagined I took him for the love of my mother.” life. Powerful stuff, Emily Henry.
    11. “Ask again, yes” by Mary Beth Keane, is another romance novel, but it’s darker than seaside. It begins as the classic story of a Girl Next Door with friends, until a gruesome tragedy divides the families of lovers, building a Montague vs. Capulet dynamic. Over the years, the two families struggle with the idea of ​​moving on. Can you really recover from a tragic and heartbreaking incident? And can you forgive the people who left these scars on you? Memorable excerpt: “We repeat what we don’t fix.”
    12. “Chandelier,” by Raven Leilani, is a story of desire so intense and vivid that it sparkles. The book stars Edie, a struggling woman in her twenties who has an affair with a married man, then moves into her home with her family. She forms a relationship with the family’s adopted daughter, who, like Edie, is black in a white suburban neighborhood. Leilani’s handwriting has a dark side and she knows how to make her reader feel the words on the page. Memorable excerpt: “I couldn’t tell if I liked being alone or if I had only endured it.”
    13. “The echo maker”, by Richard Powers, has been on my list for a while. Powers wrote one of my favorite books, “The Overstory,” which rightfully won the Pulitzer Prize for its revealing writing. Karin, the protagonist of “The Echo Maker”, takes care of her brother after he suffered a brain injury. The twist: her brother thinks Karin is an impostor pretending to be his sister. Powers mixes neuroscience, nature, prose, and family in a story about finding truth in messy situations. Powers’ writing is truly transcendent and has changed the way I think about the natural world and our place in it. Memorable excerpt: “Time has not aged you; memory has done it.

Honorable mentions:

“Fates and furies”, by Lauren Groff

“Station eleven”, by Emily St. John Mandel

“Perplexity”, by Richard Powers

Halle Newman can be contacted at [email protected]. If you have any book suggestions, contact her!


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Writer market

3 best dividend-paying stocks you can buy right now


Investors turn to dividend-paying stocks for a reason: they want a reliable income stream. Dividend stocks can be ideal for retirees or other income investors because they regularly provide cash.

Investors have two choices for dividend-paying stocks: high-yielding dividend stocks with higher risk or more reliable dividend-paying stocks that constantly increase payouts. Owl Rock Capital Corporation (NYSE: ORCC), Morgan stanley (NYSE: MS), and Travelers (NYSE: TRV) are all dividend paying stocks that range from riskier high yielding stocks to reliable dividend payers.

Image source: Getty Images.

1. Owl Rock Capital Corporation

Owl Rock Capital offers a stellar 8.5% return, but there are a few things investors need to know about this high-yielding stock. Owl Rock Capital provides loans to middle market businesses and is known as the Business Development Corporation (BDC). A BDC is simply a business that grants loans or purchases shares in private companies in the United States. These companies can help finance businesses that banks may consider too risky.

BDCs have tax rules similar to those of real estate investment trusts (REITs), requiring them to pay 90% of their income in the form of dividends. For this reason, BDCs offer higher dividend yields, but can be riskier investments.

Owl Rock Capital provides loans to mid-market companies or companies with earnings before interest, taxes, depreciation and amortization (EBITDA) of $ 10 million and $ 250 million and annual turnover of 50 to 2 , $ 5 billion. The company believes this space is underserved as large institutional investors are subject to tighter liquidity requirements. As a result, these large institutions lend to large companies, leaving a funding hole for small businesses.

This focus on mid-market companies has paid off, with Owl Rock Capital recording investment income of $ 740 million, up 27.1% from 2020 and 43.4% from 2019. Another key metric for BDCs, called net asset value per share (NAV), came in at $ 14.95, up nearly 2% from the same quarter last year. Growing net asset value is one way of knowing if you’re investing in a strong management team that creates long-term value. While the company’s net asset value declined in 2020 due to low interest rates amid the pandemic, it has moved in the right direction over the past year.

Owl Rock Capital’s high yield is attractive. Nonetheless, investors should be aware of the potential default risks if the economy as a whole were to struggle. As the company invests in mid-market companies, these could be the first to feel the pain of an economic downturn.

Investors should also keep an eye out for rising interest rates, which could affect the repayments of these loans by the companies in its portfolio. Rising rates could also make the stock less attractive if its dividend yield does not rise in line with interest rates. However, given the current strength of the economic recovery and loan markets, Owl Rock Capital appears to be a solid, high yield dividend stock that is worth the risk.

2. Morgan Stanley

Morgan Stanley is another solid dividend paying stock, returning investors nearly 2.7%. This dividend had doubled when its quarterly dividend was announced in June, testifying to the company’s solid financial position.

Morgan Stanley is best known for its investment banking services, which have been excellent this year. In the first nine months of 2021, its investment banking revenue grew 61%, thanks to a solid backdrop of M&A (M&A) and initial public offering (IPO) activity.

Although its investment bank has performed well, what excites me most about the company is how it can thrive in various market conditions. Last year, the company focused on diversifying its revenue streams by acquiring E * Trade and Eaton Vance. By adding the E * Trade platform, Morgan Stanley has added a stream of commission and fee income that can work well with increased market volatility, which tends to increase trading.

The addition of Eaton Vance has boosted the company’s asset management segment, providing it with a steady stream of asset management fees to stabilize its revenue. Over nine months this year, the company’s fees and expenses increased 20%, while its asset management income increased 41% from a year ago.

A key indicator to watch for dividend-paying stocks is the payout ratio. This ratio can give you an idea of ​​the sustainability of a dividend. Usually you want to see a business with a payout rate of 50% or less. Morgan Stanley’s payout ratio is around 15%, giving investors confidence that the company can continue to maintain and increase its dividend. With its diverse business model, Morgan Stanley is well positioned to succeed and deserves a place in any dividend investor’s portfolio.

The mechanic looks at the tablet with a customer.

Image source: Getty Images.

3. Travelers

Travelers is a solid dividend paying stock that pays 2.2% and is committed to increasing dividends – which it has done for 17 consecutive years. Travelers is a property and casualty insurance company that offers several coverage options, including auto insurance, workers’ compensation, and property coverage for individuals, businesses and governments. According to S&P Global Market Intelligence, Travelers was the top commercial insurer in the United States in 2020, and it is the only commercial insurer with a top five position in five major product lines, showing its product line.

This year’s growth has been solid for travelers and can be attributed in part to the context for insurers. Insurance companies have recorded larger claims due to the increase in disaster losses caused by extreme weather and other events in recent years. As a result, insurers must respond by increasing premiums, thereby creating an environment conducive to premium growth. Travelers saw their premiums increase by 5.9% in the first nine months of 2021 compared to last year. In the third quarter, its in-force auto and home insurance coverage hit a record high.

Along with strong revenue growth, you want insurers to maintain good profitability on the policies they write. One measure used by insurance companies is the combined ratio, where a ratio of less than 100% indicates that the company is writing profitable policies. Travelers posted a combined ratio of 97% in the first nine months of this year, and in the past 15 years, Travelers has only seen its combined ratio cross 100% once in 2011.

Travelers’ consistency in profitable underwriting is one of the main reasons the company has increased its dividend payouts for 17 consecutive years. That, along with its 24% payout ratio, puts Travelers in a position to continue paying and increasing its dividend payouts, making it another stellar dividend stock for income investors.

This article represents the opinion of the author, who may disagree with the “official” recommendation position of a premium Motley Fool consulting service. We are heterogeneous! Challenging an investment thesis – even one of our own – helps us all to think critically about investing and make decisions that help us become smarter, happier, and richer.


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Fiction publisher

In “I Am Smoke”, an unlikely subject gets his due


Henry Herz is well aware that smoke is an unlikely topic for a children’s book.

“As an author you want to come up with something new, but of course it’s very difficult to do,” says Herz from his home in Carmel Valley. “You really have to work hard to find a new approach or a new topic. “

“Authors face that kind of Goldilocks challenge in the sense that if you’re too similar to something else, the editors will tell you, ‘it’s already done,’ Herz continues. “But if you’re too far off the mark, some publishers might say, ‘I don’t know if we can sell this. “

Fortunately for readers, “I Am Smoke,” Herz’s recently published book at Tilbury House Publishers, was such a unique and marketable idea. Written by Herz and beautifully illustrated by Mercè López, the book unfolds like a campfire story, with smoke serving as the anthropomorphic narrator, helping to explain the historical, cultural, artistic significance and, towards the end of the book, the ecological importance of smoke.

And although Herz couldn’t pinpoint the exact moment he thought about the origin of the concept of “I am a smoke”, he was very careful in his research. The real challenge, however, was to condense this information into a few poetic lines of text.

“It’s a bit of an adult topic, but a picture book is for young readers,” Herz says. “So there is a challenge in distilling it down to the appropriate vocabulary. And there is a second challenge in the fact that the smoke itself is a character, and as a character she has to have her own distinct voice. “

Herz chose a character of smoke which he describes, naturally, as an “old, wise and mysterious” being. A being who uses alternate lyrical language to convey to the reader how smoke is not only used for the benefit of humanity, but is part of a larger circular cycle that benefits nature and the earth itself. same. Some of the other ways that smoke has benefited mankind over the centuries will likely surprise readers, such as the use of smoke by ancient cultures to rid homes of pests like termites.

“This is probably the only picture book in history that contains a shot glass of strong alcohol,” says Herz, referring to the part of the book explaining the process of smoking meats and alcoholic beverages.

This is fundamental for Herz, as he always wanted his books to be both educational and entertaining. He grew up loving fantasy and science fiction, and says it was a passion he tried to share with his two sons.

“One day I thought it would be a fun project to write a fantastic story just for them,” Herz recalls. “I took pictures on the Internet just to illustrate it. It was intended only for their consumption and as a way to get them excited about the fantastic stories. “

In the process of creating this makeshift story for his children, however, Herz realized that he might have a knack for writing.

“I was a middle-aged man and had never written fiction before that,” Herz says. “But I found out I liked it and it was something that I continued to do as a side hobby.”

Herz says writing is “my thing now,” especially now that he’s retired from his previous jobs in software development. He has been able to produce a number of children’s books, most of which are sold on his website (, but sees “I Am Smoke” as a new chapter in his art.

“All of my previous picture books were fiction and ‘I Am Smoke’ is what we call creative non-fiction or what some call informational fiction,” Herz says. “He conveys facts through a fictional narrator.”

“I Am Smoke” was also Herz’s first time working with López, a Paris-based illustrator who has worked on a number of other picture books and graphic novels. Herz thanks her editor for finding her to illustrate the book and says it was a “pleasant surprise” when he saw her work and that she brought “new levels to the book”.

Herz also sees the book as having “unusually broad appeal” something that might appeal to adults and children alike.

“I think it could definitely be a coffee table book. The art is breathtaking and the messages work for both young readers and adults, ”Herz said. “This is what you are always looking for as an author. You want to do something that appeals to a wide range of people for a variety of reasons. “

He hopes the book goes well enough that he can continue in the same vein for future books, perhaps exploring other topics which, while important, might not immediately be considered the subject of a children’s story.

“I do it because I love it and I do it because I think that getting kids excited about reading is the best thing you can do for a kid,” Herz says. “And these books would have a bit of everything; they have a bit of science, history, geography, cultural studies, and it’s lyrical. So he has a lot of tentacles in different academic disciplines and I think it’s fun.

Mysterious Galaxy presents Henry Herz

When: 2 p.m. Saturday 13 November

Or: Mysterious Galaxy, 3555 Rosecrans St., Suite 107, Midway District

Price: To free

In line:

—Seth Combs is a freelance writer for The San Diego Union-Tribune.


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Reading and writing

Christopher Shaw reflects on his longtime friendship in “The Crazy Wisdom”


Some friendships have a way of staying with you no matter the distance or the years.

In “The Crazy Wisdom: Memoir of a Friendship”, author Christopher Shaw explores one of these relationships with Jon Cody, from Niskayuna, who died in 2015.

“Jon had an oversized influence in my life for reasons that I never really understood as he was an infuriating, frustrating, and flawed character for all of his attractive qualities,” Shaw said.

The friendship began miles and miles from where it would have made sense to begin: with a chance encounter at the Stony Creek Inn in the early 1970s. Their lives had paralleled before that; their families knew each other and they had grown up next to each other; Shaw in Schenectady and Cody in Niskayuna.

“He was sitting on a stool, half turned towards me in his twisted way, his hair a long blonde mane cascading down his back, his beard equally blonde and full. His left arm hung limp beside him. He was just under six feet tall, lightly built but strong, ”Shaw wrote of that first encounter.

It caused something that feels like déjà vu for Shaw.

“It was also a little weird, Howdy-Doody-ish, a little too awkward and vaguely familiar in a way I could never place or describe exactly,” Shaw writes.

At the time, Shaw had dropped out of the University of Toronto with the intention of devoting himself to writing. Cody was a bit older, a sturdy character, who lived in the backcountry, owned and operated leather goods stores, and often engaged in the sale of cannabis.

“I showed up in the woods, I dropped out of college, with the firm intention of going to live in a cabin and write. . . And there he was a real character but I didn’t have the job, I didn’t have the distance at the time, the perspective for really [write about him]Shaw said.

Some time after this first meeting, Shaw went to visit Cody, who lived in a cabin in West Stony Creek and was greeted by a sign that said “Free beer and go-go girls.” The first was provided, the second was more of a joke, but this sign set the tone for the freewheeling tour, filled with sprawling tales and smoking.

“Nothing in the story made any sense. But I knew my universe had just doubled in size, like when ice comes out of a northern lake, ”Shaw wrote.

Shaw eventually became a keeper of Cody’s cabin and stopped by whenever he wanted, often encountering some of the more unusual characters in Cody’s circle: “… petty criminals, drug dealers, aid fraudsters social, resort owners and restaurateurs who supplied the thriving drug market next door, various eccentrics with whom he had deep histories that I never fully unraveled, as well as social matrons and their daughters, lawyers and judges, local agents, newbies from Albany to Lake Placid and down to ski country Vermont, ”Shaw wrote.

Cody later hired Shaw to work in his leather goods store and after work Shaw read aloud to Cody, often Jack London novels and other classic works. Shaw reflects on how these stories are and the experience of reading them aloud with Cody: and I still do. But reading to Cody has granted my ear a new way of writing as speech, music of phrases and montage of concrete things, places, names and images.

In the years that followed, as the book details, the two started and aborted an outdoor outfitting service after an ill-fated canoe trip and managed to run into bikers and other creepy characters. It also details Shaw’s journey to getting sober, publishing books, becoming a father, and getting a stable job.

The story is incredibly personal, but it’s also rooted in the dialects, culture, and geography of the Adirondacks, with flashes of Schenectady’s references and memories. It’s similar to “A River Runs Through It” by Norman Maclean, the pace picks up and he is careful not to exceed his welcome.

Shaw began writing it shortly after Cody’s death in 2015, the cause of which has never been officially identified, although friends and guardians have theories, as Shaw explores in the book.

By this point in Shaw’s career, he had had the years of writing and life experience to capture the character Cody was and the twists and turns of their friendship.

Of course, in doing so, he had to be honest not just about his past failures and Cody’s.

“If you want to tell the story, you kind of have to go. I’ve done enough work on myself over the past 30 years that I almost have the insight, skill and vocabulary to do it, ”Shaw said.

“The point of the book is to show these two men trying to evolve into a state of an acceptable sort of masculinity, out of ignorance and impulse. It was difficult, not completely successful, but you can’t say that we weren’t trying and supporting each other in this effort to some extent.

“The Crazy Wisdom: Memoir of a Friendship” was published earlier this year by Miller Pond Books. For more information, visit

More from The Daily Gazette:

Categories: Art, Life and Arts


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Writer market

2 dividend shares to buy and 1 to sell


Dividend stocks can be great creators of wealth. Since 1973, dividend payers have outperformed the shares of the S&P 500, according to data from Ned Davis Research and Hartford Funds. However, the fact that a company pays a dividend does not guarantee success. Companies that steadily increased their dividends generally beat the market, while those that kept it level or cut or eliminated their payments generally underperformed.

Faced with this distinction, some of our contributors have taken a critical look at dividend stocks. This led them to highlight two dividend-paying stocks that they think seem like good buys – Crestwood Equity Partners (NYSE: CEQP) and Enterprise Product Partners (NYSE: EPD) – and an investor could consider selling, in Compression Partners in the United States (NYSE: USAC).

Image source: Getty Images.

Adding a new fuel source

Matt DiLallo (Crestwood Equity Partners): Crestwood Equity Partners pays one of the most attractive dividends on the market middle energy sector. The Master Limited Partnership (MLP) is currently earning 8.8%. While a dividend yield this high level could sound the alarm bells, a closer look at the numbers shows that Crestwood’s payout is strong and becoming more sustainable by the day.

For example, the MLP generated enough cash to cover its distribution a comfortable 2.18 times during the third quarter. This left him with money to cover his capital expenses with room to spare. As a result, Crestwood has also been able to maintain a strong balance sheet. He ended the quarter with a conservative leverage ratio of 3.45 times the debt-to-earnings ratio before taxes, interest, depreciation and amortization (EBITDA).

This gave Crestwood a lot of financial flexibility, which she is now using to acquire another MLP Oasis intermediary partners (NASDAQ: OMP) for $ 1.8 billion. This transaction will further improve its asset base and increase its cash flow while maintaining prudent financial measures. Crestwood expects distribution coverage to remain above twice while leverage will remain below 3.5 times debt to EBITDA ratio. For this reason, Crestwood plans to increase its already attractive distribution by 5% when the deal closes next year.

The Oasis Midstream deal provides a model for future growth as Crestwood can become a consolidator in the midstream. While its MLP structure isn’t for everyone, Crestwood’s financial strength and upside potential make it a great option for income investors looking to buy low-risk, high-yield dividend stocks.

This 8% yield is safe

Neha Chamaria (Enterprise Product Partners): Shares of Enterprise Products Partners have fallen nearly 9% since the last week of October, with the pipeline company’s third-quarter figures released earlier this month putting the stock under even more pressure after its profits plummeted. barely budged despite an increase in income. Now, here’s what the market needs to understand: Mid-level oil and gas companies should generally earn stable income, as they generate most of their income under long-term fee-based contracts that do not fluctuate with fluctuations. oil and gas prices. This is exactly what Enterprise Products Partners did: earn a stable income in the third quarter.

In addition, most investors invest in shares of Enterprise Products Partners for its dividends. Since high depreciation can drive down profits and not reflect the true picture of a midsize oil and gas company’s performance, what matters is cash flow or whether a company generates enough cash flow. cash to cover dividends and invest in growth.

Enterprise Products Partners didn’t leave much room to complain – it generated record cash flow worth $ 2.4 billion and Distributable Cash Flow (DCF) worth $ 1, $ 6 billion in the third quarter, which comfortably covered its distribution (or dividends) 1.6 times. The company also invested approximately $ 430 million in growth projects during the quarter.

This suggests that Enterprise Products Partners’ high 8% dividend is pretty safe. With growth capital spending expected to be lower next year as well, the company should not only be able to hedge its distribution well, but also increase its dividend again even if oil prices fall. In short, if you’re thinking of buying Enterprise Products Partners shares for its dividend, I don’t see why its third quarter numbers should deter you from taking a straight dive.

Too many risks

Brewer Ruben Gregg (Compression Partners in the United States): I am a dividend investor and high yields attract me like a light to a moth. This is why USA Compression Partners and their massive 13% distribution yield popped up on my radar screen. Yet a quick glance proved to me that the fat yield is just not worth the risk. And most investors should probably follow my lead.

For starters, USA Compression Partners is a master limited partnership, which is a complex business structure requiring unitholders to process a Form K-1 at tax time. This can be confusing and may even require you to hire a tax professional. MLPs also don’t work well with tax-advantaged savings accounts and are often seen as problematic on Capitol Hill because of the tax benefits they offer. If you try to keep it simple like I do, then MLPs are not your best bet.

In addition to this, USA Compression Partners provides services to the highly cyclical energy industry. Essentially, it provides the machines that maintain high pressure on pipelines and in drilling environments. It’s not a bad deal in and of itself, but when times get tough, the cast can start to seem a little questionable. For example, during the 2020 pandemic, distributable cash flow did not fully cover distribution. Coverage was only slightly above 100% in the second quarter, thanks to the rebound in the energy sector, but it would be difficult to characterize the distribution as “safe”.

Meanwhile, from a global perspective, energy service companies tend to be even more cyclical than the drillers they serve and it’s just too risky for me to go into a barely hedged return. , although huge. I am much happier with lower returns from a more stable business.

This article represents the opinion of the author, who may disagree with the “official” recommendation position of a premium Motley Fool consulting service. We are heterogeneous! Questioning an investment thesis – even one of our own – helps us all to think critically about investing and make decisions that help us become smarter, happier, and richer.


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Fiction publisher

Write like it’s a roller coaster of self-discovery


The writing can be an albatross around the neck. Or it can be an adventure of high expectations leading to profitable ends.

For Alex Z. Salinas, writing is a crazy roller coaster ride with its winding twists and turns and ups and downs on a long journey of self-discovery.

With his graduate degree in English from St. Mary’s University, Salinas has made his way through the gauntlet of scholarly journals and small magazines that cover the American literary landscape. He has published poems, flash fiction and even editorials.

On Eubanks: Pandemic puts writing into perspective

The former Express-News intern was quick to burst onto the poetry scene with his debut collection, “Warbles,” published in 2019 by independent New York press Hekate Publishing, an indicator of the millennial writing. Her second collection of poetry, “Dreamt: The Lingering Phantoms of Equinox”, followed in 2020, surpassing her first with fireworks of alliteration and assonance and spurts of metaphors and allusions, all from a dazzling color.

His third book, the first collection of fiction “City Lights from the Upside Down”, has just been released by publisher Austin SAR Press, an imprint of the San Antonio Review. He contacted William O. Pate II, the Austin editor of the San Antonio Review, an online journal, by email.

SAR Press was founded in San Antonio in 2017, but has since moved to Austin. Already a Kirkus review for the Salinas collection is pending. SAR Press is one of the few independent presses managed by an entirely voluntary editorial collective, “not belonging to any institution, organization or ideology”.

We met at Viola’s Ventanas to talk about his writing and how he managed to release three books before he hit his 33rd year.

“Is fiction your next pit stop?” “

He was smiling like a Cheshire cat.

“It’s funny you asked for this,” said Salinas, “but I’ve written a third manuscript of poetry and I’m working steadily to make it happen soon. It’s my strongest poetic output. I write fiction mostly from the mind and poetry from the heart and the guts; sometimes all I want to do is write with my heart and my guts, so that I feel myself. gasps out of complacency I’m probably more comfortable writing fiction, although writing poetry is more engaging.

The writing of Salinas is fast, dropping words at nanosecond speed with daring and wit magnifying pathos towards ends without consequences à la Anton Chekhov.

Most of his stories are in the first person with few omniscient narrators. A busy writer with an eye for detail and a spontaneous ability to assess potential stories, Salinas launched into the literati by force of will – and a blast of creativity. His style has a mix of Woody Allen and Steve Martin with existential bathos, because one story, “The Sad Tale of the Inflatable Wacky Tube Man”, is hilarious, almost whimsical.

On San Antonio singer’s career hijacked by musical writing

“This story happened to me quickly and furiously. I wrote the first version in a few hours. I didn’t want to be heavy with a political subtext other than telling an engaging and timely story by my standards. Plus, I’ve long thought men with wacky inflatable tubes deserve to be fictionalized because they’re so bizarrely, ridiculously hilarious! “

“One reason why your stories are usually in the first person? “

He paused momentarily, thought about it, and said, “While most of them are in the first person, some of my favorites – like ‘Coke Machine’ – I wrote in the third person. There’s something appealing about the challenge of landing on a first-person voice and finding out what’s wrong with that person’s way of speaking and thinking – because all the first-person stories, in my opinion, are unreliable, as are all first person stories constructed from recollections of recollections.

While many were producing poetry and fiction during the COVID-19 pandemic, Salinas was busy in front of his laptop riding the roller coaster of the mind, finishing his upcoming novel, “The Dream Life of Larry Rios” , for 2022.

Alex Z. Salinas is a person of interest. To be fowarding something.

Rafael Castillo teaches writing and literature at Palo Alto College and is a member of PEN America, the National Association of Hispanic Journalists, and the National Book Critics Circle.


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Reading and writing

Professor leads creative writing workshop in South Africa – Susquehanna University


05 November 2021

Glen Retief, Associate Professor of Creative Writing, who is currently in South Africa on a Fulbright US Scholar, recently attended a US Embassy workshop.

The workshop, which marked World Teachers ‘Day, took place at David Hellen Peta High School in Pretoria and focused on developing teachers’ creative writing skills. Retief told The Pretoria News that his mission in South Africa “is to help solve problems in the education system, especially with students’ writing skills.”

Retief said his goal was to show teachers how they can be more effective in helping their students improve their writing skills. The workshop consisted of giving teachers a writing prompt, then asking them to do a peer review of each other’s writing, using discussion questions that Retief developed for his creative writing classes. in Susquehanna.

English teacher Mandisa Ndaba said she would like to see children in local schools improve their writing skills, as even university / scholarship applications required writing.

“If the English teachers are equipped, then the learners and the whole nation will be equipped as well,” Ndaba said.

Principal Tlhabana Nkwe said the workshop would build teachers’ confidence when they return to class, thereby benefiting students. After the workshop, teachers told Retief that they usually correct their students ‘grammar during writing assignments, and being able to respond in a more holistic and thoughtful way would almost certainly increase students’ motivation and success. learners.

Retief received a Fulbright US Scholar Award in 2020 to help develop the writing component of a college bridging program in Mamelodi, South Africa. Offered by the University of Pretoria, the program aims to leverage creative writing to build self-confidence and reading / study habits in educationally disadvantaged adults. As part of this prestigious award, Retief will publish research on how the teaching of creative writing can serve educational development more generally.

Retief grew up in a South African wildlife park during the apartheid era, but emigrated to the United States in 1994. His memoir, Jack Bank (SMP, 2011), won a Lambda Literary Award and was selected as a 2011 book by the Africa Book Club.

Retief holds a BA from the University of Cape Town, an MA in Fine Arts from the University of Miami, and a PhD from Florida State University. From 2014 to 2019, he led the nationally recognized Creative Writing Program at Susquehanna University.


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Writer market

Investing in Crypto: What Crypto Regulators Need to Understand About Stables and Other Highlights


Crypto regulators need to realize that instruments like stablecoins are valuable to investors, Securities and Exchange Commission member Hester Peirce said Wednesday at MarketWatch’s Investing in Crypto event.

The second day of the online forum (the first session took place on October 27) featured a series of panel discussions on the expanding world of digital assets.

Here are some highlights:

Cryptographic regulations

SEC Commissioner Hester M. Peirce discusses the role of regulation in crypto.

Peirce told Carleton English of Barron’s that stablecoins “make it easier for people to do a lot of things,” including moving their crypto holdings from one place to another. Recognizing that people find these instruments valuable, regulators need to ensure that the actions they take preserve value while addressing regulatory concerns about financial stability and investor protection, she said.

Michael Saylor on the crypto outlook

MicroStrategy’s Michael Saylor joins Barron lead writer Avi Salzman to examine the case for investing in Bitcoin now after big gains this year, and whether investors should buy other cryptocurrencies as well .

MSTR from MicroStrategy Inc.,
Michael Saylor told Barron’s senior writer how the company ended up with around $ 7 billion worth of bitcoin BTCUSD,
on their balance sheet, as well as the type of investor who would choose to buy shares in their company as opposed to bitcoin itself.

Break down DeFi

MarketWatch crypto journalist Frances Yue interviews Rachel Chu from Sushiswap and Nicolo Stewen from Aave about decentralized finance – how it works, what are the benefits and risks.

Frances Yue of MarketWatch interviewed Rachel Chu of Sushiswap and Nicolo Stewen of Aave about decentralized finance, describing how it works, as well as the benefits and risks that surround it.

Crypto goes mainstream

Emily Nicolle of Financial News chats with Christine Brown of Robinhood Crypto, Christine Moy of JP Morgan and Cuy Sheffield of Visa about what it means for financial sector investors when large financial institutions offer crypto-related services and embrace technology blockchain.

Christine Brown of Robinhood Crypto, Christine Moy of JP Morgan and Cuy Sheffield of Visa spoke with Emily Nicolle of Financial News about what financial sector investors should know as large financial institutions offer crypto-related services and embrace the blockchain technologies.

Follow crypto money

Eric Peters of One River Asset Management and John Wu of Ava Labs join Barron associate editor Ben Levisohn to take a look at crypto innovators receiving funding from VCs and others large investors.

Eric Peters of One River Asset Management and John Wu of Ava Labs joined Barron Associate Editor-in-Chief Ben Levisohn to talk about crypto innovators getting funding from VCs and other major investors.


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Fiction publisher

Project 1619 creator Nikole Hannah-Jones talks about her new book


Nikole Hannah-Jones is tired. Excited and grateful too. But the past two years have at times been dark and often exhausting. His groundbreaking work, Project 1619, sparked a battle over who will tell the story of this country and how we think about its identity. But before we can collectively re-examine the legacy of American slavery, President Donald Trump said the project “has warped, distorted and defiled American history.” School boards across the country have banned teaching it, comparing it to the widely misunderstood legal philosophy known as Critical Race Theory. As the creator and public face of the project, which includes contributions from renowned journalists and essayists, Hannah-Jones received, with praise, most of the hate. His name has become a cultural signifier of the power of investigative journalism, or a dog’s whistle for politicians and commentators who use his life’s work as evidence of a plot to keep the country away from whites.

On a cloudy Sunday afternoon at her home in Bedford-Stuyvesant, Brooklyn, she signs inserts that will be placed in the first editions of The 1619 project: a new origin story. The anthology, released this month, is an expanded version of The New York Times project, with longer essays, new fictions and poems, and writings on subjects such as Indian displacement and the Haitian revolution. The day before, she was in Iowa filming a 1619 documentary series for Hulu; the next day, she heads to Alabama. We settle on the dark blue sofa in her living room and she balances a stack of inserts on a Kehinde Wiley book on her legs. Her curly red hair is pulled back into a bun, and she wears a gold nameplate necklace and a stretchy black knit dress. Her 11 year old daughter is curled up in a chair across from us, half watching TV and half watching her mother.

Hannah-Jones and I have known each other for years, but haven’t seen her since the summer of 2019, at the 1619 Project Kickoff Celebration at New York Times office in Midtown Manhattan. Since then, the MacArthur Genius Grant winner has won more journalism awards, trained more editors and journalists of color through the Ida B. Wells Society for Investigative Reporting (which she co-founded in 2016 at the University of North Carolina) and became a friend. with Oprah.

Hannah-Jones, 45, grew up among three sisters in the manufacturing town of Waterloo, Iowa, with her black father, Milton, who variously ran a convenience store, drove a school bus, and worked in a meat-packing plant and as a hospital nurse and her white mother, Cheryl, a state probation officer. Milton had come from Mississippi to Iowa as a young child; his mother was the first in his family to migrate. Cheryl was raised in rural Iowa by parents who also grew up there. The two met when Milton, recently discharged from the military, was visiting the University of Northern Iowa campus in Cedar Falls, where Cheryl was a student. “I actually asked my mom about this recently, and she was looking out her dorm window and saw my dad, and she came down and pounced on him,” Hannah-Jones says, laughing.

I tell her I was surprised to learn years ago that she was Métis. “Well,” she said with a smile. “It’s probably organized.” She never identified herself as a Métis person. “I clearly know that I am biracial. I have a very close relationship with my mother although my grandparents are conservative rural whites who loved Ronald Reagan and were fiercely opposed to Obama. They were great grandparents to us, as long as we didn’t talk about race, ”she says. “I would say very young, my dad sat my sisters and I and told us our mom might be white, but we were black, and we were going to be treated in the world like we were black.”

Like children in the segregated public school districts she wrote about, Hannah-Jones was bused from her black neighborhood to predominantly white schools, and in those schools she had her first political and social awakenings. Riding the bus was a common experience in the Midwest and South for black children – growing up in Alabama, I was assigned to a bus from my black neighborhood to a white elementary school – and it could be lonely and alienating. “I got that from my mom, but I’ve always sided with the underdogs in general,” says Hannah-Jones. “And being taken on the bus made me be a very angry high school student.” About a fifth of the children at his school were black, and nearly all of them were taken by bus and not allowed to be forgotten by classmates, teachers, and disciplinary policies that favored white students when they did. fought with blacks. Hannah-Jones was one of the few black students in her advanced classes; all math and basic science classes were filled with black students.

Hannah-Jones had her school friends and she had her neighborhood friends. Most of her aunts and uncles on the Milton family side lived a few blocks away and she had a close relationship with Cheryl’s parents. Her grandparents had disowned Cheryl for a while, but changed their mind when Hannah-Jones’ older sister was born. Hannah-Jones was a precocious, nerdy, and observant girl, and noticed differences in how she felt with both sides of her family. “It was clear to me that when I was with my black family, I was just one of them. And when I was with my white family, I was a part of them but I could never be fully of them. I could be black but I could never be white… There is no tragedy about it.

She read a lot, to find out more about the world and to escape her father’s alcoholism. Milton could be verbally abusive and the two often clashed. She read historical novels and encyclopedias and her parents’ Louis L’Amour and Danielle Steel novels, especially when she was punished. “I had a lot of problems,” she recalls. “I had a smart mouth, I answered a lot.” Cheryl says Hannah-Jones was “mischievous” as a child, but studious. “She was very attentive to what was going on in the world. In college, she asked for a globe for Christmas and wanted a membership News week magazine, ”recalls Cheryl. “She’s always had very strong feelings about things.” It was Cheryl who took her daughters to their first civil rights protests.

BELOVED Hannah-Jones and her daughter, Najya, outside their Brooklyn home. Hannah-Jones dress by Lita by Ciara at Nordstrom; shoes by Jimmy Choo; earrings by Jennifer Fisher; bracelet by Tiffany & Cie Schlumberger.Photographs by Annie Leibovitz. Stylized by Nicole Chapoteau.

In her sophomore year, Hannah-Jones took a Black Studies course – from the only black teacher she would have, Ray Dial – and began to learn about black culture and politics from a way she had never known before. It was exciting: Hannah-Jones was reading about apartheid and Cheikh Anta Diop The African origin of civilization and listen to Da Lench Mob and Ice Cube. She wore a Malcolm X locket. She complained to Dial that the school newspaper never wrote about the experiences of black students. He told Hannah-Jones to join the newspaper or stop complaining, so she joined the newspaper. His column was titled From the African Point of View. The first piece was whether Jesus was black.

“I was intentionally trying to be provocative,” says Hannah-Jones. “I’ve written a lot about what it was like to come to the black side of town and go to a white school, and that’s why I won my first journalism award, Iowa High School Press Association. From there, I was a bit addicted to wanting to be a journalist and writing about the black experience. Outside of the newspaper, she and her best friend helped start a cultural enrichment club designed to be run by blacks; to promote the first meeting, they placed posters comparing the United States to apartheid-era South Africa and hung “white” and “colored” signs above the fountains and bathrooms. “When school started, they became ballistic. They took off all of our signs and canceled our first meeting, ”Hannah-Jones laughs again. She was starting to feel a sense of power from what she could do with writing and activism. And she was energized by learning a black history – “The whole time I thought black people didn’t do anything” – that had been hidden from her. She decided to study African American history and studies at the University of Notre Dame.


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Writer market

Global stocks mixed as investors wait for central bank moves


A woman wearing a face mask walks past a bank's electronic board showing the Hong Kong stock index in Hong Kong on Tuesday, November 2, 2021. Asian stocks were mixed on Tuesday amid cautious trading ahead of a policy meeting of the US Federal Reserve.  (AP Photo / Kin Cheung)

A woman wearing a face mask walks past a bank’s electronic board showing the Hong Kong stock index in Hong Kong on Tuesday, November 2, 2021. Asian stocks were mixed on Tuesday amid cautious trading ahead of a policy meeting of the US Federal Reserve. (AP Photo / Kin Cheung)


Global stocks were mixed on Tuesday amid cautious trading ahead of a US Federal Reserve policy meeting.

The French CAC 40 rose 0.2% to 6,904.57, while the German DAX gained 0.2% to 15,837.55. The UK FTSE 100 fell 0.5% to 7,254.78. The future of Dow Industrials fell less than 0.1% to 35,786.00. The contract for the S&P 500 was also little changed, slipping less than 0.1% to 4,604.00.

With US inflation at its highest level in three decades, the US Federal Reserve is expected to start this week cutting back the extraordinary stimulus it has given to the economy since the pandemic recession struck early. from last year, a process that could prove to be a risky balancing act.

President Jerome Powell has indicated that the Fed will announce after its policy meeting on Wednesday that it will start cutting its $ 120 billion in monthly bond purchases as early as this month. These purchases aim to keep long-term loan rates low to encourage borrowing and spending.

In Asian trading, the Japanese benchmark Nikkei 225 fell 0.4% to close at 29,520.90. South Korea’s Kospi jumped 1.2% to 3,013.49. The Hong Kong Hang Seng lost 0.2% to 25,099.67, while the Shanghai Composite lost 1.1% to 3,505.63.

The Australian S & P / ASX 200 slipped 0.6% to 7,324.30 after the Reserve Bank of Australia kept its key interest rate move unchanged at an all-time high of 0.1%, but dropped indicated that it was preparing to cut some of its economic support measures.

Stocks rose as investors cheered on better-than-expected corporate earnings despite concerns about the impact of supply chain disruptions and rising inflation on businesses.

More than half of the companies in the benchmark S&P 500 have already published results. Analysts expect overall profit growth of 36% by the end of the report. 167 other companies in the index publish their results this week.

Pharmaceutical giant Pfizer will release its results on Tuesday and the CVS Health results update will be released on Wednesday.

In energy trading, benchmark US crude fell 9 cents to $ 83.96 a barrel in electronic trading on the New York Mercantile Exchange. It gained 48 cents to $ 84.05 on Monday. Brent crude, the international standard, rose 15 cents to $ 84.86 a barrel.

In currency trading, the US dollar fell to 113.66 Japanese yen from 113.98 yen. The euro cost $ 1.1604, compared to $ 1.1607.


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Fiction publisher



Publishers Marvel Comics and Simon & Schuster have announced an upcoming book for anyone who has always wanted to make a comic book but didn’t know where to start. How to Create Comics the Marvel Way is written by an industry veteran Mark Waid, and “will provide an insider’s look at the unique methods that have made Marvel storytelling an integral part of modern pop culture.” The book features a cover of Waid’s Impulse and Champions collaborater Humberto Ramos and colourist Edgar Delgado, featuring famed comic artist Steve “Captain America” ​​Rogers drawing Spider-Man’s latest adventure as his fellow heroes watch.

Here’s how Marvel and Simon & Schuster describe How to Create Comics the Marvel Way:

With over 30 years in the comic book industry as a writer, publisher, publisher, reporter, and retailer, no one is more qualified to deconstruct the magic of Marvel storytelling than Mark Waid. Drawing on her own experiences working with dozens of artists and creating some of the most beloved Marvel stories of all time, Waid takes readers every step of the way in the collaboration process. Throughout the book, Waid not only explains the technical details of comic book creation, but also highlights the unique approach that has made Marvel the favorite publisher of comic book readers for over six decades. The result is a graphic fiction masterclass that can be enjoyed by aspiring comic book creators and new Marvel readers alike.

The title of the new book is naturally a game of Stan lee and John Buscemais seminal How to draw comics the Marvel way, a book that came out in 1984 and is still in print to this day. It should not be confused with either How To Read Comics The Marvel Way, a mini-series in four issues of Christophe Hastings and Scott Koblish which was announced in the earlier times of 2020 and has yet to find its way into Marvel’s release schedule.

Although he is primarily known as a writer, Waid has also worked as an editor and publisher in the comic book industry, so he should approach How to Create Comics the Marvel Way from an interesting point of view. In a statement announcing the book, Waid described what he had in mind as he put the book together:

“Creating a book like this is a unique opportunity for me, and it’s exciting. My goal was to write the kind of user manual that I wish I had when I started. No matter what discipline calls for you – writing, art, coloring, lettering, or all of the above – you’ll come out of How to Make Marvel Comics the Way with the tools and advice you’ll need to bring in your favorite heroes. and the villains to life on the page.

The New How To Guide is Waid’s latest interesting Marvel project. In 2019, Waid wrote History of the Marvel Universe, a six-issue mini-series featuring artists Javier Rodriguez and Álvaro López, in which Waid incorporated 80 years of Marvel continuity to create a timeline as close as possible to a definitive timeline for Marvel U.

To look for How to Create Comics the Marvel Way arrive in stores on July 5, 2022.


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Book creator

‘The Sopranos’ Stars Prepare Iconic Crowd Series In New Book


Michael Imperioli and Steve Schirripa really have delivered the “Definitive Oral History” of “The Sopranos” in their new book, “Woke Up This Morning”.

The tome weaves in interviews with dozens of cast and crew (and series creator David Chase) for an unprecedented, flat, behind-the-scenes look at the iconic crowd drama, airing on HBO’s 1999 to 2007 with star James Gandolfini as troubled North Jersey gangster Tony Soprano.

The nearly 500-page book, which borrows its title from the show’s theme song by Alabama 3, is comprised of interviews, both from “Talking Sopranos” – the popular podcast hosted by Imperioli and Schirripa – and from ‘more in-depth interviews with the duo. Imperioli played Tony’s “nephew”, Christopher Moltisanti; Schirripa played Tony’s (eventual) brother-in-law, Bobby “Bacala” Baccalieri (both characters had bloody endings).

“This is not a book on the podcast,” said Schirripa, 64, who told The Post about “Woke Up This Morning” with Imperioli. “We spoke to a lot of people again. There is so much material. On the podcast, we go scene by scene; in the book, it’s season by season, so it’s completely different.

“This is the 50% plus podcast over. “

“We went back to a lot of people and went further into the interviews,” said Imperioli, 55. “We spoke to many members of the crew, who have specifically different views than the actors. Allen Coulter, who directed the college episode, which is one of the best – when Tony takes [daughter] pre [Jamie-Lynn Sigler] while on a college tour and kill a guy – said during the early years Jim never spoke to him. I did not know. Jim was very cold to him and one night Allen and his wife were at a play and Jim was there… and suddenly they started talking. Jim apologized to him and they became very good friends from that point on.

“The Sopranos” star Steve Shirripa (left) reflects on his friendship with leading man James Gandolfini – who died in 2013 at the age of 51 – and more, in new oral history “Woke Up This Morning “.
Courtesy of Steve Schirripa

“Jim”, of course, is the star of the James Gandolfini series, whose shadow looms large in the book. As it should be: Gandolfini, who died in 2013 at the age of 51 while on vacation in Italy, won three Emmy Awards for his nuanced performance as Tony Soprano, which balanced his two families – domestic and mafia – while seeing her shrink, Dr Jennifer Melfi (Lorraine Bracco). The book is dedicated to him.

“We talk a lot about Jim,” Schirripa said. “He was a great guy, not without flaws, but he was a great actor and a very generous guy financially… and as good as you think after watching ‘The Sopranos’ he was even better than that. same scene, he’s sad, he’s happy – it’s so layered, color after color, Jim was the leader in front of and behind the camera.

In one case, Gandolfini showed up, alone, at the funeral of a New Jersey police officer he did not know after the officer’s wife reached out and told Gandolfini that her husband was a big fan. Schirripa also said Gandolfini “paid off people’s mortgages” and “gave people money”, sometimes anonymously.

He was kind in other ways too.

Photo of Michael Imperioli and Steve Schirripa hosting their podcast "Talk about the sopranos."
Michael Imperioli and Steve Schirripa hosting their “Talking Sopranos” podcast.
Courtesy of Michael Imperioli a

“When they wanted Robert Iler [who played Tony’s son, A.J.] to shave his eyebrows, Jim said, “I don’t think you want to do that.” They may not grow back. Speak. Another time, Robert Loggia [Feech La Manna] was struggling with his lines… and Jim sent his actor / dialect coach, Susan, to help him perform lines at night. He gave us $ 33,000 each, “Schirripa said, referring to the bonus Gandolfini handed over to 16” Sopranos “cast members after he had a contractual dispute with HBO (which was resolved) and said:” Thank you for staying with me.

Imperioli said Gandolfini “was more like the captain of the team” who looked after everyone and felt a huge responsibility for the cast and crew as the star of the series.

“He wanted people to be appreciated and respected, not just the cast, but the crew as well,” he said. “He and the crew had a special bond because they were there all the time. He would show his appreciation: he would bring a masseuse to the set and the team could have a massage for 20 minutes. Every Friday he would have a sushi chef prepare sushi for the crew or he would rent an ice cream truck.

“He really appreciated the hard work behind the scenes of people who weren’t paid as much as the stars and didn’t have the opportunity to see their families, like him, for nine months out of the year. That was. very important to him. “

“Woke Up This Morning” is full of gossip about “The Sopranos” – and there is page after page of so far unpublished (and, in some cases, exclusive) information.

James Gandolfini, Michael Imperioli and Steve Schirripa.
Wire picture

Steven Van Zandt almost played the role of Tony

Three actors were vying for the lead role of Tony Soprano: Gandolfini, Steven Van Zandt and Michael Rispoli. “They all tested for the role of Tony and [series creator] David Chase wanted to give it to Stevie, ”Schirripa said. “It played out on the wire, but HBO said no, they wanted a more experienced guy.” Van Zandt ended up playing Tony’s right-hand man, Silvio Dante; Rispoli played Jackie Aprile Sr.

Schirripa and Steven Van Zandt on the set of the season 3 episode
Schirripa and Steven Van Zandt on the set of the season three episode “To Save Us All From Satan
Courtesy of Steve Schirripa

Jerry Stiller was supposed to co-star in the series

“Seinfeld” star Jerry Stiller was originally hired to play Tony’s unofficial “consigliere” Hesh Rabkin. “He ended up backing down at the last minute because he got some publicity right before we started shooting the pilot,” Imperioli said. Jerry Adler continued to play Rabkin.

Lorraine Bracco turned down the role of Carmela

Bracco was initially offered the role of Carmela Soprano, but declined to play Tony’s conflicted wife. “She said she made the ‘crowd woman’ in ‘Goodfellas’ and she didn’t want to do it again,” Imperioli said. Edie Falco took on the role and won three Emmy Awards as Carmella.

Some Soprano cast watched the series finale at the Hard Rock Casino in Hollywood, Florida.
Some Soprano cast watched the series finale at the Hard Rock Casino in Hollywood, Florida.
Courtesy of Steve Schirripa

Many “Sopranos” co-stars initially auditioned for other roles

Tony Sirico was 55 and was sleeping on a cot in his mother’s living room in Brooklyn when he was cast as Paulie Walnuts – although he initially auditioned for the role of Uncle Junior (played by Dominic Chianese ). Chianese read for the role of Big Pussy and didn’t get the role – which went to Vincent Pastore, who was killed in season 2. “He never made a lot of money,” Schirripa said about Pastore. “The show exploded after he left. It’s a blow, man.

There was almost a spin-off of the sitcom Bobby-Janice

“Michael [Imperioli] told me that David [Chase] thought of a spin-off, “The Bacalas,” for a brief moment, ”Schirripa said. “It would have been a half hour sitcom with myself and Aida [Turturro, as Bobby and Janice Baccalieri]. I did not know. And Pierre Riegert [Assemblyman Ronald Zellman] tells the story of how they wanted him to be naked when Tony whips him with a belt and he doesn’t want to. Jim came over and said, “I’ll do whatever you want.” This is the kind of generosity I’m talking about.


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Reading and writing

Explore 7 solutions to climate change


Earlier this summer, a report released by the Intergovernmental Panel on Climate Change, a group of scientists convened by the United Nations, found that some devastating effects of global warming were inevitable. But there is still a short window to keep things from getting worse.

This report will be at the heart of COP26, the international climate summit where around 20,000 heads of state, diplomats and activists meet in person this week to set new targets for reducing emissions from coal, oil and gas. that heat the planet.

In this lesson, you’ll learn seven ways to slow climate change and avoid some of its most catastrophic consequences while we still have time. Using a puzzle activity, you will become an expert in one of these strategies or technologies and share what you learn with your classmates. Then you will develop your own climate plan and consider ways to make a difference based on your new knowledge.

What do you know about the ways the world can slow climate change? Start by making a list of strategies, technologies or policies that could help solve the climate crisis.

Which of your ideas do you think could have the greatest impact on climate change? Circle what you think are the top three.

Now test your knowledge by taking this interactive quiz 2017:

Once you’re done, think for yourself in writing or talking to a partner:

  • What solutions to climate change have you learned that you did not know before?

  • Were you surprised by any of the answers to the quiz? If so, which ones and why?

  • What questions do you still have about solving climate change?

As you learned during warming up, there are many ways to mitigate the worst effects of climate change. Below, we’ve rounded up seven of the most effective solutions, many of which you may have seen in the quiz above.

In this puzzle activity, you will become an expert on one of the climate solutions listed below and then present what you have learned to your classmates. Teachers can assign one student or small group to each topic, or allow them to choose. Students, read at least one of the related articles on your subject; you can also use this article as a starting point for further research.

Solutions to climate change

  • Renewable energy: Scientists agree that to avoid the most catastrophic effects of climate change, countries must immediately move away from dirty energy sources like coal, oil and gas, and instead turn to renewable energy sources like wind, solar or nuclear power. Discover the powerful possibilities of one of these producers, offshore wind farms, and see how they work.

  • Refrigerants: It’s not the most exciting solution to climate change, but it is one of the most effective. Find out how to make refrigerants, like air conditioners, more efficient could eliminate a full degree of warming by 2100.

  • Transport: Governments around the world are focused on limiting one of the world’s biggest sources of pollution: gasoline cars. Learn about the promises and challenges of electric vehicles or how countries are rethinking their transit systems.

  • Methane emissions: You hear a lot about the need to reduce carbon dioxide in the atmosphere, but what about its dangerous cousin, methane? Find out ideas for stopping methane emissions and why it could be powerful in the short-term fight against climate change.

  • Agriculture: Efforts to limit global warming often target fossil fuels, but reducing greenhouse gases from food production is also urgent, according to research. Read about four solutions to the earth’s food supply that could go a long way.

  • Preservation of nature: Scientists agree that reversing biodiversity loss is a crucial way to slow climate change. Find out how protecting and restoring nature can help cool the planet or how indigenous communities could lead the way.

  • Carbon capture: Eliminating emissions alone may not be enough to avoid some of the worst effects of climate change, which is why some companies are investing in technology that sucks carbon dioxide out of the air. Learn more about what is known as artificial carbon removal.

Questions to consider

As you read your climate solution, answer the questions below. You can save your answers in this graphic organizer (PDF).

1. What is the solution? How it works?

2. What problem linked to climate change does this strategy respond to?

3. What effect could this have on global warming?

4. How effective is this compared to other means of mitigating climate change? Why?

5. What are the limits of this solution?

6. What are some of the challenges or risks (political, social, economic or technical) of this idea?

7. What other questions do you have about this strategy?

When you are finished, you will meet in “teaching groups” with at least one expert in each of the other climate solutions. Share what you know about your topic with your classmates and record what you learn from them in your graphic organizer.

Option 1: Develop a climate plan.

Scientists say that to prevent the average global temperature from rising more than 1.5 degrees Celsius, the threshold beyond which the dangers of global warming increase dramatically, we will have to adopt all solutions you’ve learned – and more. However, the reality is that countries will not be able to do it right away. They will need to determine which ones can have the greatest or fastest impact on climate change, which are the most profitable, and which are the most politically and socially feasible.

Imagine being asked to come up with a plan to fight climate change. If you were in charge, which of these seven solutions would you favor and why? You can start by ranking the solutions you’ve learned from most effective or urgent to least.

Next, write a proposal for your plan that answers the following questions:

  • What are the top three priority solutions? That is, what do you think are the most urgent to tackle now and the most effective in slowing global warming?

  • Explain your decisions. Based on your research – the articles you read and the quiz you answered at the start of the lesson – why should these solutions take priority?

  • How to encourage businesses and citizens to adopt these changes? For some ideas, you can read more about the climate policies that countries around the world have adopted to help reduce greenhouse gas emissions.

Option 2: Take action.

Thinking about solutions to climate change on such a large scale can be overwhelming, but there are things you can do in your own life and in your community to make a difference. Choose one of the activities below to take action, or create one of your own:

  • Share climate solutions through the media. Often, the news media focus more on the problems of climate change than on the solutions. Counter this narrative by creating something to post that relates to one or more of the solutions you’ve learned. For example, you can send a letter to the editor, write an article for your school newspaper, enter one of our upcoming student contests, or create an infographic to share on social media.

  • Make changes in your own life. How can you make good climate choices related to one or more of the topics you have learned? For example, you could eat less meat, take public transportation, or turn off your air conditioner. Write a plan, explaining what you’re going to do (or what you’re already doing) and how that might help mitigate climate change, research shows.

  • Join a movement. This guest essay urges people to focus on the systems, not themselves. What groups could you get involved with and who are working on some of the solutions you learned? Identify at least one group, local, national or international, and a way to support it. Or, if you’re of voting age, think of a local, state, or federal politician you’d like to support based on their climate policies.

Want more lessons of the day? You can find them all here.


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Writer market

Fed to start restricting economic aid as inflation risk increases


FILE - In this file photo from September 30, 2021, Federal Reserve Chairman Jerome Powell testifies during a House Financial Services Committee hearing on Capitol Hill in Washington.  Powell says the tangled supply chains and shortages that have plagued the U.S. economy since this summer have worsened and will likely keep inflation high next year.  (Sarah Silbiger / Pool Photo via AP, File)

FILE – In this file photo from September 30, 2021, Federal Reserve Chairman Jerome Powell testifies during a House Financial Services Committee hearing on Capitol Hill in Washington. Powell says the tangled supply chains and shortages that have plagued the U.S. economy since this summer have worsened and will likely keep inflation high next year. (Sarah Silbiger / Pool Photo via AP, File)


With inflation at its highest level in three decades, the Federal Reserve is expected to start this week reducing the extraordinary stimulus it has given to the economy since the pandemic recession hit early last year, a a process that could prove to be a risky balancing act.

President Jerome Powell has signaled that the Fed will announce after its policy meeting on Wednesday that it will start cutting its $ 120 billion in monthly bond purchases as early as this month. These purchases aim to keep long-term loan rates low to encourage borrowing and spending.

Once the Fed ends its bond purchases by mid-2022, then it will turn to a more difficult decision: when to raise its short-term benchmark rate to zero, where it has been since. that COVID-19 hammered the economy in March 2020. Raising this rate, which affects many consumer and business loans, would aim to ensure that inflation does not run out of control. But that would carry the risk of discouraging spending and undermining the labor market and the economy before they regain full health.

“We don’t have a roadmap for what we’re going through,” said Diane Swonk, chief economist at Grant Thornton. Powell must “walk a tightrope” in supporting the recovery without “turning a deaf ear to inflation”.

In this uncertain backdrop, President Joe Biden has yet to announce whether he will reappoint Powell for another four-year term as Fed chairman. Powell’s current term expires in early February, but previous presidents have typically announced such decisions in late summer or early fall.

Biden is expected to offer Powell a second term despite complaints from progressive groups that the president has increased risks to the financial system by easing banking regulations and is not sufficiently committed to considering the economic threats of climate change in the Fed monitoring of businesses. Powell is admired on Wall Street and in most economic circles and has been praised for guiding the economy through the recession, in part thanks to an array of emergency loan programs from the Fed.

The Fed’s likely decision this week to cut bond purchases comes as high inflation disrupts the U.S. economy for much longer than Powell and many other officials initially anticipated. Consumer demand for healthy spending has been met with clogged ports, closed factories and labor shortages that have driven up prices for automobiles, furniture, food, building materials. and household products.

On Friday, the government said prices jumped 4.4% in September from the previous year – the fastest 12-month increase since 1991. There was, however, a sign that inflation could fall: excluding the volatile food and energy categories, prices rose only 0.2% from August to September. This was down a tenth from the previous month’s increase and well below the 0.6% jump in May.

Yet wages and salaries rose the most during the July-September period in at least 20 years, according to a separate report on Friday. This suggests that workers are increasingly able to demand higher wages from companies that are desperate to fill an almost record number of open jobs. Large wage increases can drive inflation up if companies raise prices to cover higher costs.

As inflation escalates, the labor market has not returned to full force. The unemployment rate was 4.8% in September, above its pre-pandemic level of 3.5%. And about 5 million fewer people have jobs now than before the pandemic. Many Americans have not yet stepped off the sidelines to look for work, some of them because they still fear the virus or cannot find or afford child care, others because they have decided to take early retirement.

Powell has said he would like the labor market to show further improvement before the Fed starts raising its short-term key rate. Economists expect him to use the press conference following the Fed’s meeting on Wednesday to point out, as he has done before, that the start of the Fed’s reduction in bond purchases will not begin. does not mean that a rate hike is near.

“I think it’s time to gradually cut back, and I don’t think it’s time to raise rates,” he said about a week ago.

The minutes from the last Fed meeting indicate that the central bank will likely reduce its monthly purchases of Treasury bonds and mortgages by $ 15 billion per month. By cutting bond purchases so quickly, the Fed would have the possibility of raising rates by the second half of 2022.

That doesn’t mean it will. At its last meeting, about half of the Fed’s policymakers predicted that the first rate hike would take place in late 2022, with the other half projecting 2023 or later. The timing of any rate hike will, however, depend on whether inflation is still high and whether the Fed believes the job market is back to full health.

Earlier in the pandemic, Powell had spoken optimistically to help restore the unemployment rate to its pre-COVID level, when it hit a low of 3.5% in 50 years. More recently, however, he and other officials have expressed doubts about the ability of the labor market to fully recover.

It is far from clear if or when the several million Americans who have left the workforce will return. Among the newly unemployed are those who live or work in places, such as inner cities of large urban centers, where jobs may never fully return. If many people have indeed given up on the job market for good, the Fed might decide it can assess sooner than it otherwise would.

“They must now think that the workforce has changed structurally,” said Steve Friedman, economist at asset manager MacKay Shields and a former senior executive at the New York Fed.

However, the risk is that the Fed will end up raising rates too soon. Supply bottlenecks could ease in the coming months. If the Fed were to raise rates at the same time, it could depress spending and weaken the economy just as its supply problems recede.

“We could easily see that demand is slowing just as supply is increasing,” said Randal Quarles, a member of the Fed’s Board of Governors, in a recent speech. “In the worst-case scenario, we could reduce the incentives to return to supply, leading to a prolonged period of sluggish activity.


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Fiction publisher

An interview with Dr Cristina Pantoja-Hidalgo


Many years ago a friend from Spain told me: if you want to know the high level of Filipino literature today, you have to read the travel writings of Dr Cristina Pantoja-Hidalgo. Later I found out that we were both working at UST, and we had a short conversation entirely in Spanish. As she was a colleague, I took advantage of her generosity to find out what pushed her to become a literary creator.

Question: you are one of the rare people who have been able to lead a career combining literary creation and scholarship. Another example is Nobel laureate Mario Vargas Llosa. Which has been the most common in your life and why?

Hidalgo: I am flattered and at the same time embarrassed to be mentioned in the same breath as Mario Vargas Llosa. I am far from even its shadow.

I started writing long before I became a scholar. I consider myself above all as a writer. I didn’t intend to be a teacher. But I’ve been teaching now for almost as long as I’ve been writing. When I obtained my undergraduate degree in 1964, a bachelor’s degree in philosophy from the Faculty of Philosophy and Letters of UST, I was only 19 years old. But after graduation, my college merged with the College of Liberal Arts, to form the Faculty of Arts and Letters. The new college was short of teachers. Thus, the honorary graduates of the old college for this year were offered instructor jobs. I found myself teaching students some of my age or older. I taught part-time, while working as the Associate Women’s Editor for Graphic Magazine.

When I got engaged soon after, I decided that a career in journalism would be difficult to combine with raising a family. So I gave up my job at Graphic and opted for an academic career. Since then, I have combined the two professions wherever life has taken me. But I think I didn’t start taking scholarships seriously until we got back in 1990, after living as expats for 15 years, and I went back to teaching at UP and decided to resume my doctoral studies. University life demands that you become a scholar, if you are not yet. If you compare my books of literary scholarship and criticism with my books of creative writing, the former are vastly outdated.

When did you realize you wanted to write stories?

I think I always wanted to be a story and essay writer. I started journaling and writing a “family journal” when I was nine years old. Like many other Filipino writers, I was first published in my high school journal (the Paulinian at St. Paul College Quezon City) where I started as a journalist, then I became a literary editor and finally a writer in chief. At the same time, I was contributing news and feature articles to national magazines. In college I followed pretty much the same pattern – writing first for our college journal, The Blue Quill, then for college journal, The Varsitarian, first as editor, then as editor-in-chief. In my sophomore year, I was offered a weekly column on the youth page of The Manila Chronicle. And by the time I got into senior, I was writing the youth section of the graphic magazine. I believed then that if you wanted to be a writer, you became a professional journalist. Many of my contemporaries at university were already working full time as reporters for the national dailies and attending evening classes. At the same time, like me, they saw themselves primarily as writers of fiction or poetry.

Wasn’t it difficult, even frustrating, to be a writer in a country where very few people read?

First of all, I would like to clarify one point. It is not entirely correct to say that “very few people read” in the Philippines. Some publishers prosper by publishing certain types of books. For example, popular fiction (like romance novels, for example, and fantasy novels like the Harry Potter books) has made Precious Pages a major publisher, selling books not only here but also abroad. foreigner. Adarna Books and Lampara Books publish children’s books and teenage books very well (the term now used is “young adults”). Some writers of graphic fiction and speculative fiction have entered the international market. There is also a market for light comedic essays, as evidenced by the success of Visprint (now Avenida). And Filipinos are one of the largest groups of wattpad (very short, stereotypical, self-published, “novels” online) writers and consumers.

What is true is that the market for what the publishing world has come to call “hard-enlightened” is indeed very small. (“Hard Bed” refers to the award-winning literary award-winning stories, poems, essays, etc.) that are written with respect – if not admiration – by critics and studied by students of literature and creative writing.)

The fact that the market for quality literature is small didn’t bother me. I think, like many of my contemporaries, we became writers because we just loved to read and naturally took to writing. We wrote primarily for ourselves, for the satisfaction of having our name printed, and for the recognition of our peers and superiors – the veteran writers whose books we have read and admired. It wasn’t until I got involved in publishing that I realized that there was a great need to change the situation, a need to close the gap between the public and the authors of quality literature.

It was then that I became director of UP Press and later director of the UST publishing house. Also, after retiring from the public service, my husband started a small publishing house, Milflores Books, and I helped him by identifying promising new writers, soliciting titles from them and writing and editing a few books. . It gave me a different perspective on writing and editing.

Which authors have been the most influential in your life? Why?

There are too many to mention. But I will just quote the most important. Among Filipino writers, the writers who have had the greatest influence on my work would be: Carmen Guerrero Nakpil, Kerima Polotan-Tuvera, Gilda Cordero Fernando and, of course, Maestro Nick Joaquin.

Among foreign writers, these writers influenced me at different times in my life. When I was just starting to write fiction, there was Jane Austen, Edith Wharton, Virginia Woolf, Katherine Mansfield, Elizabeth Bowen. Later came Isak Dinesen, Doris Lessing, Maxine Hong Kingston, AS Byatt, Jeanette Winterson, Ursula Le Guinn. And there were also a few male writers – Henry James, Italo Calvino, Milan Kundera, Jorge Luis Borges.

I should also mention the 11th century Japanese Sei Shonagon and other female chroniclers like Murasaki Shikibu and Lady Sarashina; Annie Dillard; MFK Fisher – they influenced my non-fiction. And the spirit of the marvelous realism of the writers of the Latin American “boom” – Alejo Carpentier, Gabriel Garcia Marquez, Carlos Fuentes, Mario Vargas Llosa, Jorge Amado, etc. function in the company, although I never tried to write like any of them, just because it is not possible. I am different in race, sex and temperament. But I think I understood them and was incredibly moved by them.

Of the books you have written so far, which ones have you personally been most satisfied with? Why?

I don’t think I am more “satisfied” with a book than with the rest. The book I worked on the hardest, and put everything I knew and understood, at that time, is the novel Recuerdo. So this is very special for me. You could say that I was the most invested in this novel. The one I’m most proud of, because it was a daring experience for me, is the novel A Dream Book. The Catch a Falling Star collection of short stories gives me particular satisfaction as it is the most popular of my books, having been in print for over 20 years now and still going strong. Plus, it has now been translated into Filipino (along with three of my other short stories), which has long been a dream. But the book that is closest to my heart, my favorite child, so to speak, is Tales for a Rainy Night. With these stories, I broke with realism and discovered a new voice, a new way of telling stories – I call them modern fairy tales, modern and urban fairy tales.

Filipinos are generally multilingual and you are no exception to this rule. I even know that your Spanish is excellent. What made you choose English as your literary language? Does that mean you don’t usually read authors in Tagalog?

I think English was the only possible choice for me. Spanish was my first language in the sense that it was the first language I learned. I may have mentioned to you that this was the only language my maternal grandmother (who lived with us) spoke, so it was the language of our home. Tagalog, I learned as a subject at school. I can speak it, of course, but I’ve never gotten into the habit of reading it, let alone writing it. Due to the fact that I have taught at the National Writers’ Workshop of UP (since about 1993) and UST (since I took over the management of the UST Center for Creative Writing and Literary Studies) , I became more adept at Filipino (which, although based on Tagalog, is a different language). The two workshops are conducted in a bilingual manner and the teaching jury must comment on all the work submitted by the scholarship holders in writing. However, I cannot claim to have a master’s degree in Filipino. And to dare to write literature in a particular language, you have to have the confidence that comes with fluency.

Why do you think a young student should take an MA in Creative Writing? What can we learn there?

As with any art, it is a great help to study under the guidance of professional practitioners, in an environment conducive to learning, because of the company of people who all agree that literature and the creative writing is important. This is what enrolling in a master’s degree in creative writing has to offer. Some writers prefer the greater freedom of learning on their own. I’m not saying it’s not possible. But I know – from my own experience and watching the development of young writers entering undergraduate and graduate creative writing programs – that it takes a lot longer. I don’t think anyone doubts that a young musician benefits from studying at a music conservatory, or that a young painter benefits from studying at an art school. I wonder why there seems to be some doubt that young writers should spend time in a writing school.

Are you writing a new book? About what?

I have just finished the first volume of what will perhaps be my memoirs. Its title is What I Wanted to Be When I Grown Up: Early Apprenticeship of the Writer. It starts with my birth, goes back to my maternal ancestors, and then progresses, through my studies at the convent school, until the summer after my high school diploma. I didn’t want it to be read like most memoirs and autobiographies I’ve read. So I created a different framework for it. The backbone of the book is the books I read from my early childhood until the summer before entering college. I finished writing this book last year and it should be published by UP Press before the end of this year.

Am I working on something new now?

Yes, I don’t know if this is just a collection of essays, or if it will be volume 2 of my memoirs.


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Book creator

Watch master class entertainment, shopping and live streaming in one great Shopstream app




Livestream-driven market launches APP ‘Shopstream360 ‘ in Singapore after a successful launch in Hong Kong. Brands and designers can engage consumers via interactive live broadcasts that are connected to a “a click”Shopping experience.

On track for global deployment, Singapore is the second city in the company’s aggressive expansion plan. Shopstream makes it easy for creators to monetize their influence by creating their personalized storefront with featured products in official stores where consumers can shop instantly.

“We had an amazing launch in Hong Kong where our audience has gone from nothing to thousands overnight and merchandise sales are getting faster and faster.” Jane Dee, Vice President of Partnerships, Hong Kong.

Shopstream is a live streaming focused technology company that offers a unique live shopping experience. Designed for small and established businesses that serve both local and global consumers, the company has designed a seamless integration of live streaming, user interaction and CRM e-commerce functionality.

Shopstream believes that consumers want to live better and buy better quality products. “The Marketplace offers high quality masterclasses, entertainment and shopping in one destination app.” Joe Cheung, Technical Director.

Brands can use the platform to set up their Shopstream online stores, manage live streaming, and engage with audiences. Service providers can also adopt the “Pay to see”To share expert content or entertainment. Official Ambassador of the Shopstream brand in Singapore Dawn sim, expert in fitness and well-being joins the market.

“Over the past 20 years, teaching has been my passion and seeing transformational change in students and friends. I am excited about the new opportunities that Shopstream offers to make my business and my content more accessible to local and global audiences. . It can really transform the way we teach, share content and grow our business ”- Dawn sim


As part of the launch activity, Shopstream organizes themed events throughout November specially tailored to the Singapore market and the food segment is naturally an important part.

The “Love the kitchen ” segment is the pilot live cooking show that features local celebrity chefs Derek Cheong and Sandra Lim cook with local and organic ingredients with products from Mingle Seasoning, Just Produce, Urban Origins and as well as other top brands including the TOTT lifestyle appliance brand.

11e November or Singles Day is named “Day off”Dedicated to a resort life experience filmed live from Sentosa Sofitel’s private Villa Au Jardin with high-end swimwear brand La Pêche Swimwear, Cia Maritima, Yumi Active from Singapore and exclusive Korean skin care brand. SooSul skin featured by top influencers Dawn Sim, Sheena Phua, Joanna Lim and Noel Lin.

Brand Ambassador Dawn Sim will also broadcast an exclusive poolside yoga session on the 12th.e November.


Shopstream adopts a careful onboarding process for brands and influencers with an emphasis on sustainability and quality products.

“We are taking a much stronger push towards a lifestyle that is pro-climate and pro-health. Products and ideas that help us eat less meat, reduce the use of plastic and reduce energy consumption. We speak with our portfolios supporting any business that has this goal. We want to help our consumers make better choices by organizing brands in a destination market. “- Ivy Long, Vice President of Singapore Partnership

Singaporeans keen to support local brands can shop for homemade Nyonya cookies at Pandan Street Bakery, shop for unique crystals from Gemstory, watch a live interview with gluten-free ice cream brand Kind Kones as well as support local art with a live visit to Art Porters gallery plus online store for exclusive works of art. Shopstream also has a section dedicated to kids and parenting needs with independent book and toy store The Toy Folks and BAKOBA whose Imagimal series is great for young toddlers.

” On the spot”Are programs sponsored by Shopstream to present the best restaurants and bars with the best food critics and professionals in the industry.


Shopstream offers several improvements on the application of its creators ShopstreamPro. First, Shopstream allows selected influencers to configure their personalized storefront in a feature called “The creator’s flagship”Where fans can immediately click and buy recommended products with just one click. A unique pairing feature named ‘MakeMatch”Also allows influencers to add products from any brand in the market to showcase on their store, thus enabling concepts such as“ Buy the Look ”. Finally, creators can monetize their brand by taking advantage of an automated sales commission system on all cross-promoted items.


One of Shopstream’s key pillars is using live streaming to help inspire better business strategies and showcase solutions that bring positive climate change as well as help NGOs raise awareness of their causes. The company has featured NGOs like Help For Children and International Care Ministries and aims to do more and new formats in Singapore.


The Shopstream360 app can be downloaded for free from Apple Store and Google Play Store. Shopstream has Tokyo the next on its launch at the end of 2021.

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Reading and writing

US military jury condemns torture of terrorist, calls for clemency


GUANTÁNAMO BAY, Cuba – In a harsh rebuke of CIA torture following the 9/11 attacks, seven senior military officers who overheard graphic descriptions last week of the brutal treatment of a terrorist as he was detained by the agency wrote a letter calling it “a stain on America’s moral fiber.”

The officers, all but one member of an eight-member jury, condemned the conduct of the U.S. government in a letter of mercy on behalf of Majid Khan, a suburban Baltimore high school graduate turned Qaeda messenger.

They had been brought to the US Navy base at Guantánamo Bay to convict Mr. Khan, who had previously pleaded guilty to terrorism charges. They handed down a sentence of 26 years, the shortest possible sentence according to the court’s instructions.

At the request of Mr. Khan’s lawyer, they then took the prerogative available in military justice to write a letter to a senior official who will review the case, asking for leniency.

Prior to his conviction, Khan spent two hours describing in appalling detail the violence inflicted on him by CIA operatives and operatives in dungeon conditions in prisons in Pakistan, Afghanistan and one country. third party, including sexual abuse and mind-numbing isolation, often in the dark. while he was naked and in chains.

“Mr. Khan has been subjected to physical and psychological abuse far beyond approved enhanced interrogation techniques, approximating instead torture practiced by the most abusive regimes in modern history,” according to the letter, which was obtained by The New York Times.

The panel also responded to Mr. Khan’s claim that after his capture in Pakistan in March 2003, he told interrogators everything, but “the more I cooperated, the more I was tortured”, and he said so. subsequently invented lies to try to appease his captors.

“This abuse had no practical value in terms of intelligence or any other tangible benefit to American interests,” the letter said. “Instead, it’s a stain on America’s moral fiber; Mr. Khan’s treatment at the hands of US personnel should be a source of shame on the US government.

CreditCenter for Constitutional Rights

In his testimony Thursday evening, Mr. Khan became the first former prisoner of the so-called CIA black sites to publicly describe in detail the violence and cruelty used by US agents to extract information and discipline suspected terrorists in the clandestine prison program abroad. which was put in place after the attacks of September 11, 2001.

In doing so, Mr. Khan also provided insight into the kind of information that could emerge in the death penalty trial of the five men accused of instigating the 9/11 attacks, a process that has become bogged down in civil law. pre-trial hearings for nearly a decade in part because of the secrecy surrounding their CIA torture

The agency declined to comment on the substance of Mr. Khan’s descriptions of the black sites, which prosecutors have not sought to refute. He only said that his detention and interrogation program, which ran the black sites, ended in 2009.

More than 100 suspected terrorists disappeared into the CIA’s clandestine prison network abroad after September 11, 2001. The agency used “enhanced interrogation techniques” such as waterboarding, sleep deprivation and violence to try to get prisoners to disclose Al Qaeda’s plans and the whereabouts of the leaders. and sleeper cells, but with no immediate plan to try his captives.

President George W. Bush revealed the existence of the CIA program in September 2006, with the transfer of Mr. Khan and 13 other high value detainees to Guantanamo. President Barack Obama ordered the program to shut down completely after taking office in 2009.

Mr. Khan, 41, was detained without access to or International Red Cross, the authority conferred by the Geneva Conventions to visit prisoners of war, or to a lawyer until he has been transferred to Guantánamo Bay. He pleaded guilty in February 2012 to terrorist crimes, including delivering $ 50,000 from Al Qaeda to an allied extremist group in Southeast Asia, Jemaah Islamiyah, which was used to finance a deadly bomb attack on a Marriott hotel in Jakarta, Indonesia, five months after his capture. . Eleven people were killed and dozens more were injured.

The time of his prison sentence began with his guilty plea in 2012, meaning the panel’s 26-year sentence would end in 2038.

But Mr Khan, who has been cooperating with the US government, helping federal and military prosecutors build cases, has reached a jury-kept deal that could end his sentence in February or 2025 at the latest.

Under the military commission system put in place after 9/11, even defendants who plead guilty and reach a deal with the government must have a jury sentencing hearing. This was the case with Mr Khan, whose sentencing was delayed by nearly a decade to give him time to work with government investigators and gain favor in the form of early release from a sentence. with jury.

The leniency letter also condemned the legal framework that kept Mr. Khan without charge for nine years and denied him access to a lawyer for the first four and a half months as “a complete disregard for the core concepts on which the Constitution was founded “and” an affront to American values ​​and the concept of justice.

Although this is rarely done, a military defense lawyer can ask a panel for letters approving leniency, such as a reduced sentence, for a member who is convicted by a court martial.

But it was the first time that the request for a sentencing jury has been made at Guantanamo, where accused terrorists are tried by a military commission. A clemency recommendation is not binding, but it could send a powerful message to the convening authority of military commissions, the senior Pentagon official overseeing the war tribunal, whose role is to review a completed case and a request. Please accompany the defense attorneys to decide whether to shorten a sentence. An Army Colonel, Jeffrey D. Wood of the Arkansas National Guard, currently fulfills this role as a civilian.

In closing arguments, Mr. Khan’s military attorney, Army Major Michael J. Lyness, asked the panel for a minimum sentence and then consider drafting a letter recommending leniency.

Senior prosecutor Colonel Walter H. Foster IV of the military asked the panel to impose a severe sentence. He admitted that Mr. Khan had been “treated extremely brutally” while in CIA detention, but said he was “still alive” which was “a luxury” that victims of the Qaida attacks did. had not.

The foreman of the jury, a Navy captain, told the court that he had supported the defense request and handwritten the letter of mercy, and all the officers on the sentencing jury, except one, signed it, using their panel member numbers, as jurors enjoy anonymity at the Guantanamo National Security Court.

Ian C. Moss, a former Navy who is a civilian lawyer for Mr Khan’s defense team, called the letter an “extraordinary reprimand”.

“Part of what makes the Letter of Mercy so powerful is that, given the seniority of the jury members, it stands to reason that their military careers have been affected in a direct and probably personal way by the last two decades of war, ”he said.

At no time did the jurors suggest that Mr. Khan’s treatment was illegal. Their letter noted that Mr. Khan, who had never obtained US citizenship, was considered an “unprivileged foreign enemy belligerent”, a status which made him eligible for trial by a military commission and “technically did not grant him the rights of American citizens ”.

But, the officers noted, Mr. Khan pleaded guilty, admitted his actions and “expressed remorse for the impact of the victims and their families. Leniency is recommended.

Sentencing was delayed for nearly a decade after his guilty plea to give Mr Khan the time and opportunity to cooperate with federal and military prosecutors, so far behind the scenes, in federal terrorism cases and military. In the years that followed, prosecutors and defense lawyers clashed in court cases over who would be called to testify about abuse committed by Mr. Khan during his CIA detention, and how.

In return for the reduced sentence, Mr. Khan and his legal team agreed to abandon their efforts to call witnesses to testify about his torture, much of which is likely classified as secret, as long as he could recount his story. story to the jury.

Jurors were also sympathetic to Mr Khan’s account that he was drawn to radical Islam in 2001 at the age of 21, after the death of his mother, and was recruited by al-Qaeda after the attacks. of September 11. “A vulnerable target for recruiting extremists, it has fallen under the influence of radical Islamic philosophies, as many others have done in recent years,” the letter said. “Now, at 41 with a girl he has never seen, he has remorse and is not a threat to future extremism.”

The panel received nine letters of support for Mr. Khan from family members, including his father and several siblings – U.S. citizens who live in the United States – as well as his wife, Rabia, and his daughter, Manaal, who were born in Pakistan and live there.


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