November 2021

Writer market

Hawkeye Writer Reveals Details Of Hilarious Ant-Man Cameo Cut From Show

by marvel Hawk Eye is moving forward, with the show’s third episode releasing on Disney + in the wee hours of Wednesday morning. The series has been relatively disconnected from the rest of the Marvel Cinematic Universe so far, with the exception of an introductory scene bringing fans back to the Battle of New York City during the events of Avengers. It turned out that there was more than one cameo launched for actors belonging to the The ant Man franchise.

At the black market auction where Kate Bishop (Hailee Steinfeld) manages to steal Ronin’s costume, Hawk Eye Writer Tanner Bean says he pitched the idea for the auctioneer to sell the steering wheel to Luis (Michael Pena) ‘s van. “For the black market auction, I reviewed the final battle of #Endgame to find other artifacts that could also have been found in the rubble of the #Avengers complex,” Bean tweeted. “My idea: the horn on the ‘La Cucaracha’ steering wheel of Luis’ van. (Hey, not all of them can be a winner.)

Hawkeye director Rhys Thomas previously said he tried to get Paul Rudd on the show.

“I don’t want to reveal anything because we kind of have the opportunity to present [some characters]Thomas said at the point of sale. “Here’s a-Ant-man. Paul [Rudd] and the dynamic of Jeremy together, I appreciate. I enjoyed the dynamics of their press tour when they were on the “Avengers” trail. So [Ant-Man] was a character that seemed like a fun way to play on the absurdity of Clint’s situation … but I was able to give that a little nod. “

The first two episodes of Hawk Eye are now broadcast on Disney +.

What other characters do you hope to appear in? Hawk Eye? Let us know your thoughts in the comments section or by hit up our writer @AdamBarnhardt on Twitter to discuss all things MCU!

If you haven’t signed up for Disney + yet, you can try it out here. Note: If you purchase any of the awesome and independently chosen products featured here, we may earn a small commission from the retailer. Thank you for your support.

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Fiction publisher

University of Phoenix Faculty Development Chair Releases Book on Medieval Studies | New

PHOENIX – (BUSINESS WIRE) – November 30, 2021–

The University of Phoenix is ​​pleased to share that Kristen McQuinn, MA, Chair of Faculty Development, has released a new book, The two Isabella of King John.

Posted by Pen and Sword History, McQuinn’s TheTwo Isabella of King John examines and sheds light on the lives of Isabelle de Gloucester and Isabelle d’Angoulême, her two relatively unknown wives and queen consorts, through a feminist lens.

“The publisher approached me about this,” McQuinn shares. “They knew about my blog and wanted to publish a series on women in medieval history. The development of the book required a lot of research and understanding of what women of a similar social class would have experienced during this time.

McQuinn is a medievalist who received her Master of Arts in Medieval Literature from Arizona State University. She has worked at the University of Phoenix for 17 years, teaching literature and mythology. McQuinn is currently Chair of Faculty Development at the College of General Studies, where she also oversees the College’s quarterly publication, “We Rise.”

McQuinn maintains a blog devoted to the review and discussion of medieval texts, studies and fiction, and has published a number of short stories, some under pseudonyms, including a story in Star Trek Strange New Worlds 2016 anthology. The two Isabella of King John is his first book.

The book is available online for purchase.

About the University of Phoenix

The University of Phoenix continually innovates to help working adults improve their careers in a rapidly changing world. Flexible hours, relevant classes, interactive learning, and Career Services for Life® help students more effectively pursue their professional and personal aspirations while balancing their busy lives. For more information visit

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CONTACT: University of Phoenix

Sharla hooper

[email protected]



SOURCE: University of Phoenix

Copyright Business Wire 2021.

PUB: 11/30/2021 3:03 PM / DISC: 11/30/2021 3:03 PM

Copyright Business Wire 2021.

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Book creator

Tim Jones’ Sour Grapes: Honesty

Here are this week’s Sour Grapes, enjoy!

About Tim Jones / Sour Grapes

Tim Jones is the creator, artist and screenwriter of the hugely popular self-syndicated comic, “SOUR RAIPES”; a comic strip about “Aesop”, a wretched flying dog and his strange friends, all living in a problematic and troubled world. Sour Grapes is currently published in several newspapers in Rhode Island, Massachusetts, California and Texas
and is also available online.

Tim grew up in Attleboro, Massachusetts and now lives in Smithfield, Rhode Island with his wife and two daughters. He has been a freelance designer for over 20 years. Tim is a member of the National Cartoonists Society and a Fellow of the Association of Rhode Island Authors (ARIA). He has created several Sour Grapes compilations and coloring story books. Tim teaches comics and lectures at local schools and libraries. He also appears at various book signings, comic book events and conventions.

Tim Jones is the creator, artist and screenwriter of the hugely popular self-syndicated comic, “SOUR RAIPES”; a comic strip about “Aesop”, a miserable flying dog and his strange friends, all living in a problematic and troubled world. Sour Grapes is currently published in several newspapers in Rhode Island, Massachusetts, California and Texas
and is also available online.

Tim grew up in Attleboro, Massachusetts and now lives in Smithfield, Rhode Island with his wife and two daughters. He has been a freelance designer for over 20 years. Tim is a member of the National Cartoonists Society and a Fellow of the Association of Rhode Island Authors (ARIA). He has created several Sour Grapes compilations and coloring story books. Tim teaches comics and lectures at local schools and libraries. He also appears at various book signings, comic book events and conventions.

More from Tim Jones

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Reading and writing

JJJJJerome Ellis: The Compensation Album Review

JJJJJerome Ellis says, “To me, stuttering is a wild animal, and it is my practice to continue to follow it where it wants to go.” The multi-instrumentalist, writer and composer frequently cites the “stutterer” among his disciplines, referring to his glottis block, an involuntary speech dysfluidity which manifests as pauses during conversation or reading. For Ellis, his stuttering is just one side of him – it only becomes a problem when confronted with the expectations of others. But rather than trying to suppress it, Ellis makes enough room for dysfluidity in her life. He stylizes his first name as “JJJJJerome” because it is the word he blocks most often, and on The meadow he brings speech directly into his art so that stuttering takes hold in him.

“I speak with a stutter, I’m black and I’m a musician,” Ellis begins on “Jede Krankheit ist ein musikalisches Problem”, exposing three intersecting elements of his identity. The meadow began as an essay written by Ellis for the Journal of Interdisciplinary Voice Studies title The Glade: Music, Dysfluidity, Darkness and Time. While writing about the use of black music as a means of resistance against hegemonic white notions of time and fluidity, he became curious about pairing the piece with an audible component. Against a backdrop of hip-hop, house, ambient and jazz inspired sounds – all musical forms with a strong black identity – Ellis experimented with reading his words and sharing his experiences, fully drawing party of the auditory medium. Any instance of stuttering was part of the job. “My thesis is that darkness, dysfluidity and music are forces that open up time,” he says in the opening “Loops of Retreat”, and the way the strings swell under his long pause between “Blackness” and “dysfluency” do just that, breaking conventional notions of linearity. The meadow is both a theoretical investigation and a work of art of resistance in itself, pushing back the expectations of society in terms of performative fluidity.

Ellis recorded himself speaking in a variety of situations to show how his glottic block can vary. He is more likely to stutter when reading silently and less when reading over music, due to a phenomenon known as hidden auditory feedback, so that passages of the essay are recited in both ways. On a pair of tracks called “The Bookseller,” he records two calls he makes to Barnes & Noble. The first time around, the words get stuck in his throat before pulling out the title of the book he’s looking for, and the employee assumes the call was dropped. They hang up. The second time around, he prefaces the conversation by warning the clerk of his stuttering, and he is given time to speak at his own pace. Later, on “Milta,” Ellis has a candid phone conversation with her mentor – someone who is already familiar with her stuttering – and reads him a letter she wrote to him. He still stutters, but appears relaxed and unhurried, at ease knowing that he is free to speak quickly or quietly.

Due to the unpredictable nature of his stutter, Ellis does not consider The meadow a finished job, just one possibility among many. The probability of stuttering on different words gives the piece an infinite number of undetermined quality. During performing Arts celebrating the album’s release, Ellis underscored this idea by reading a list of thanks in the environment from the whole. In a post-show question-and-answer session, he pointed out that it was a deliberate choice to fit this part into an ever-changing composition, explaining that he stuttered “more fully and more frequently when uttering names, because there were no synonyms for the names “. In other words, he can’t fall back on the ability to substitute a word he expects to stumble upon.

There aren’t many portrayals of black people who stutter in the popular media. Ellis’ decision to end the album with “Punch Line”, featuring a joke from the late comedian Bernie mac about his nephew with a stutter, is recognition of a rare example of dysfluidity discussed in black culture, but also an expression of the conflicting feelings it brings. The joke is not a flattering representation of stuttering. “I feel anger, I feel sadness, I feel ‘I don’t care’,” Ellis mused, acknowledging his respect for the comedy legend and admitting that he can’t help but. find the joke a little funny. Corn The meadow is an opportunity to change the record and put something empowering in the world. “As in all my work,” he says, “in this project, I seek healing.

To buy: Gross trade

(Pitchfork earns a commission on purchases made through affiliate links on our site.)

Catch up with every Saturday with 10 of our top rated albums of the week. Subscribe to the 10 to Hear newsletter here.

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Writer market

European Stocks and US Futures Improve as Omicron Virus Fear Dulls | Economic news

By JOE McDONALD, AP Business Writer

BEIJING (AP) – European stocks and oil prices rebounded and Wall Street was set to open higher on Monday even as Asian markets fell further, with investors weighing the new variant of the coronavirus, omicron, as the ‘found in more countries and prompting some governments to reimpose travel controls.

The references in London, Frankfurt and Paris had won by noon. Indices in Shanghai, Tokyo and Hong Kong ended lower, although losses were lower than on Friday, triggered by reports that the variant first spotted in South Africa appeared to be spreading around the world .

On Wall Street, the benchmark S&P 500 futures contracts rose 0.9%. Futures contracts for the Dow Jones Industrial Average gained 0.7%.

As health officials rushed to analyze the new variant, traders clung to hopes that it wouldn’t be more serious than other strains of the virus.

Political cartoons

“The potential for a less deadly form of the virus appears to provide some respite from the sense of risk that dominates Friday’s trading,” said Joshua Mahony, senior market analyst at IG. “However, the coming weeks are fraught with dangers for investors.”

The FTSE 100 in London rose 1.2% to 7,122.61. The Frankfurt DAX gained 0.6% to 15,352.00, and the Paris CAC 40 rose 0.8% to 6,797.65.

On Friday, the S&P 500 fell 2.3% for its biggest daily loss since February. The Dow Jones lost 2.5%, while the Nasdaq Composite fell 2.2%.

Investors sold shares of banks, energy and airlines last week and shifted money to bonds and other safe-haven assets.

But this pattern was reversed on Monday. IAG, owner of British Airways and Spanish airline Iberia, jumped 4.2%, while UK low-cost carrier Easyjet rose 3.9%.

In the United States, the travel and energy sectors as well as businesses expected to thrive when the pandemic loosens its grip, such as computer chipmakers and hospitals, were to lead the rebound on Monday with Wall Street’s faith in it. a seemingly reinvigorated emerging global economy.

But in Asia, the Nikkei 225 ended down 1.6% at 28,283.92 after Japan announced it would ban foreigners from entry from Tuesday.

The Shanghai Composite Index lost less than 0.1% to 3,562.70, and the Hong Kong Hang Seng lost 0.9% to 23,852.24.

Seoul’s Kospi was down 0.9% to 2,909.32 and Sydney’s S & P-ASX 200 was down 0.5% to 7,239.80.

The Indian Sensex gained 0.3% to 57,260.58. New Zealand, Singapore and Bangkok fell, while Jakarta advanced.

The World Health Organization has called the omicron “highly transmissible,” but it was not clear if it was more dangerous than previous variants.

Governments have imposed new travel controls, fueling investor fears of possible setbacks in containing the pandemic that has killed more than 5 million people since the first cases in late 2019.

The new variant has been found as far away as Hong Kong, Belgium, Denmark, the Netherlands, Australia, Portugal and Israel. The European Union, the United States and Great Britain have imposed restrictions on travel from Africa. Israel has banned the entry of foreigners and Morocco has suspended all inbound flights for two weeks.

The omicron variant could complicate planning for central banks who decide when and how to withdraw stimulus measures that raise stock prices.

Investors were rocked last week when notes from the Federal Reserve’s October meeting showed officials were prepared to consider raising interest rates earlier than expected in response to higher inflation. The Fed previously said its first rate hike may not come until the end of 2022.

In energy markets, benchmark US crude jumped $ 3.41 to $ 71.45 a barrel in electronic trading on the New York Mercantile Exchange, rebounding from Friday’s $ 10.24 drop. Brent crude jumped $ 3.26 to $ 75.98 a barrel in London.

Also on Monday, the Japanese government announced that retail sales rose 1.1% in October from the previous month. Vehicle sales fell 6.7%.

The dollar rose to 113.60 Japanese yen from 113.19 yen on Friday. The euro fell from $ 1.1319 to $ 1.1291.

Associated Press writer Kelvin Chan contributed to this report from London.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Fiction publisher

Announcing the 2021 SPN Book of the Year Winners

The Small Press Network (SPN) has announced the co-winners of the 2021 SPN Network Book of the Year Award (BOTY).

The winning books, the two essay collections, are:

“Both titles feature beautiful and engaging writing, genuine and candid examinations of identity and culture, and nuanced explorations of their themes,” the judges said. “Each winner also presents experimental forms and the power of small presses to bring unique stories to the world. The winners were chosen from a shortlist of six people announced in October.

Echoes stands out for its form as something experimental and unique, unlikely to be published by larger mainstream publishers, ”Chua’s book judges said. “It’s unashamedly Sino-Australian in an industry that remains dazzling white. The use of untranslated Mandarin and Cantonese in parts of the text establishes a cultural barrier between non-Chinese readers and the author, affecting the moments of cultural otherization that remain with these readers long after the book ends.

“At the same time, these moments remind readers that we don’t have to come from the same cultural background or speak the same language to empathize and understand each other. Identity and culture are examined through a process of inquiry, comprehension and language in which the reader is invited to participate in order to gain a deeper appreciation of the text. Overall, Chua takes readers on a personal journey of discovery as she rediscovers her personal identity through family, music, clothing and place. ‘

Chua said: ‘When I learned Echoes had co-won the SPN BOTY award, I ran to tell mum and burst into tears! I thank the judges, series curator Fran Berry, my wonderful editor Camha Pham, and everyone who gave their time and a home to my little book. I hope that my essays will help broaden ideas about “South Asian literature” and encourage more multilingual writing. Small presses, literary journals and fanzines encourage creative risk-taking and are essential to a vibrant, truly inclusive and fair literary landscape. ‘

From the book of Vavilova, the judges said: ‘We speak in code explores themes of family, identity and belonging in a way that is rare among the contemporary body of writing on such topics. Vavilova keeps you at the forefront of each experience, always almost participating but never completely within an experience other than her own. The crossed identities act as the lens through which each subject in the collection is explored, bringing a fascinating perspective to the essays.

“The book encourages readers to reflect on their own position and subjectivity and on how we exist in relation to events, cultures and institutions. Vavilova’s exploration of life on the fringes extends through sexuality, migrant identity and mental health, in a book devoted to the misfit. Her voice and approach to the subject are unique and fresh with an intensity that lingers long after you put the book down. ‘

Brio Books publisher David Henley thanked the judges for recognizing the two books. “We are delighted to have released Tanya Vavilova, who is such a talented non-fiction and fiction writer,” he said. ‘We speak in code is a courageous exploration of her lived experience and we are so proud that she receives this award. ‘

This year’s SPN BOTY award was presented by author, editor and academic lecturer Alexandra Dane; author and university professor Penni Russon; editor and freelance writer, president of Editors WA and director of business development for Underground Writers Jess Gately; and the owners and founders of Amplify Bookstore Marina Sano Litchfield & Jing Xuan Teo.

The award was presented on Friday November 26 at an Instagram Live event hosted by the Wheeler Center as part of its Next Big Thing series.

Category: Local News Awards

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Book creator

The Netflix animated series returns for the final season

Netflix released the fifth and final season of one of its hit animated shows as the final batch of episodes for F is for the family debuted on the streaming service. Co-created by and starring comedian Bill Burr, the series follows an Irish-American family, the Murphys, through 1970s America. F is for the family has already been nominated for two Primetime Emmys and the first two seasons were previously certified fresh on Rotten Tomatoes (don’t think the series has gone down in quality, there just aren’t enough reviews for the final season to get a score on the tomatometer). However, with the final season streaming on Netflix, there are 44 completed episodes and series for you to watch at your leisure.

In addition to Burr, the voice cast for the series is STACKED. Other people who lend their voices to the series include Laura Dern, Justin Long, Debi Derryberry, Haley Reinhart and Sam Rockwell, with guests including John DiMaggio, Allison Janney, Vince Vaughn, Phil Lamarr and the late Michael K. Williams. As of this writing, the series is the # 9 TV series on Netflix in the US, located above School of Chocolate but just behind Squid Game and Hellbound. Unfortunately, the series did not reach the Top 10 overall.

Over a year ago, it was confirmed that the series would come to an end, with the creators of the series releasing statements about their love for the series and its fans.

“Thanks to all the fans who watched this show. Thanks to Vince Vaughn, Peter Billingsley Victoria Vaughn, Ted Sarandos and all the AMAZING writers, performers, hosts, editors and musicians who made this show possible,” Burr said in October latest. “Special thanks to the ship’s captain: the great Mike Price! I love you all ! “

“Working on this series with the great Bill Burr, Vince Vaughn and our amazing actors, writers, producers and crew has been the greatest joy of my life, and I’m so glad we can do one more season with the Murphys,” added co-creator Michael Price. “I will be eternally grateful to everyone at Netflix, Gaumont and Wild West who allowed us to share this stressed, rude and loving family with the world.”

“It was so great to see Mike and Bill – two guys I admire and respect – create something like this and build it from scratch. It was a lot of fun being a part of it, and I ‘ I look forward to continuing to support their vision, for the final season, ”said Vince Vaughn, one of the show’s producers. “Many thanks to Ted Sarandos and the entire Netflix team for their support on this great journey.”

The five seasons of F is for the family are now streaming.

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Reading and writing

Danbury man’s career influences his passion for writing

DANBURY – Edwin Rivera scribbled on a notepad.

The bounty hunter was on guard with his partner, who had been a Green Beret in the military. Rivera was inspired by his partner and wrote a character based on him in his manuscript.

It was in 1996.

Twenty-five years later, Rivera self-published her fantasy novel, “The Kingdom of Galbothia: The King’s Vengeance”.

This is the twelfth novel by the Danbury resident, although he has 16 more manuscripts he says will be published over the next few years.

For Rivera, characters come first, and many of his characters were inspired by people he met during his nearly 30 years as a bounty hunter.

“They kind of give me ideas,” he said. “Their personality is just amazing. I put it on paper.

His work includes the series “Silencers of the Code”. Rivera said he had developed a “following” of readers across the world, particularly in Europe and on the West Coast. He is in touch with readers who criticize his books and has developed a fan base of around 13,000 people via email and social media who he says are eager for his next stories. He was sending weekly “spoilers” by email.

“Readers keep telling me that they love the originality of the characters,” Rivera said. “They like the way I connect fiction, science fiction to an almost real world. It’s almost like I’m sending a message through my writing, which I am, to be honest.

The theme of the latest novel is “freedom” and that “our world is so precious and we have to take care of it and take care of each other,” he said.

Her late father served in World War II and the Korean War, which inspired this theme.

“By reading it you can tell that I am talking about a lot of the problems that we are having in this country, in the world,” Rivera said.

Bounty hunt

Rivera was born in the Bronx, New York, but he and his family moved to Danbury when he was 12. He attended Rogers Park Middle School and Danbury High School. He wrote as a child and when he worked as a correctional officer after high school. He took numerous writing and literature courses at Western Connecticut State University, although he studied criminal justice, believing he wanted to become a lawyer.

Instead, he was a bounty hunter for 29 years. It was a career he loved, but one that would discourage young people from pursuing because it is “very dangerous work,” he said.

“You have to use your head a lot and be smart and have the right people working with you,” Rivera said.

He has worked in 32 states, but primarily in Connecticut, handling a variety of cases, ranging from “big” lawsuits. He said all of his cases were important because he was helping keep the community safe by keeping someone out.

“I am proud of all of the cases,” he said.

He is still accredited, but retired about four years ago.

“I get called by some friends and some people who are still working, but I’m like ‘No, not for me. I’m too old now, ”said Rivera, who turned 53 this month.

He works as a real estate agent, in addition to writing.

Escape into fantasy

His first book was published in 2008, “a little ahead of his time” because he wanted his sister, who was battling cancer, to read it before she died. His other two sisters have since died and he dedicated the most recent novel to them.

“I had to do it,” Rivera said.

For each of his books, he writes separate manuscripts with different scenes or locations. In the editing process, he decides what to keep.

He wrote the original 390-page manuscript of “Kingdom of Galbothia” over nine years, but only returned to it relatively recently. He’s struggled with attention deficit disorder, so he’s now writing shorter books, he said.

“I reduced it to no more than 200,” Rivera said.

He publishes himself through companies like Outskirts Press or E-Book LLC, which published the latest book. It aims to put physical copies in local bookstores. The Route 6 mailroom in Danbury has them in stock.

“I went the traditional route for a while and it was a nightmare,” Rivera said.

He also writes poetry, but “Lord of the Rings” fan novels are in the realm of fantasy and science fiction.

The last novel is about a young prince who “inherits, not from a blessed kingdom, but from a broken line of his line”, the book summary states. The new king must protect Galbothia from “tyranny and oppression” as an enemy attempts to “end Galbothia’s way of life”.

He mainly writes between 10 p.m. and 3 a.m. He puts on music and writes for free for hours on end.

“My wife thinks I’m crazy,” he said. “I find it peaceful at the time. My mind is relaxed.

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Writer market

This Sabrent 4TB SSD is cheaper than ever, but you still won’t be able to afford it

One of the fastest and largest SSDs in the world is available now at a massive 25% discount as part of Amazon’s deal. Cyber ​​Monday sales, but you probably still can’t afford it.

The Sabrent Rocket 4 Plus 4TB SSD can currently be purchased for $ 749.99, which is insanely expensive, but down significantly from the original asking price of $ 999.99.

If money isn’t an issue and you’re looking for the best performance and the most storage space you can get from just one SSD, this is the Cyber ​​Monday deal for you.

You are not in the United States? Scroll down for SSD offerings available in your region.

Today’s best Cyber ​​Monday SSD deal

Unless you get your hands on a new one Graphic card (which is a lot easier said than done at the moment), buying a shiny new SSD is pretty much the best way to upgrade your gaming PC.

There’s no denying the quality of this market-leading SSD from Sabrent. Integrated into a motherboard with PCIe 4.0 support, the Rocket 4 Plus achieves blazing sequential read speeds of up to 7,100MB / second and write speeds of up to 6,600MB / s.

It does not take the title of the fastest SSD in the world, an honor currently held by Adata’s XPG GAMMIX S70, but it’s not far off at all. And the Sabrent drive is obviously much faster than a traditional hard drive or SATA SSD, and consumes a lot less power too.

Of course, the 4TB Rocket 4 Plus will be over budget for most people – this writer is definitely included. A more economical way to do things would therefore be to compromise on capacity (the 1TB Rocket 4 Plus currently costs $ 159.99 at Amazon) or opt for a slightly less efficient reader (like the Sabrent Q4 rocket).

More SSD offers

If you’re looking for a new storage drive that’s just as fast, but won’t break the bank, check out these alternative SSD deals available in your area:

More Cyber ​​Monday deals

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  • Walmart: big discounts on toys, Apple devices, vacuum cleaners and televisions

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Fiction publisher

New anthology features writings by women around the world

Written by authors around the world, the 18 short stories of “ The Punch Magazine Anthology of New Writing: Select Stories by Women Writers ” show how culture, in addition to the past, informs and illuminates literature.

The book, published by Niyogi Books, is edited and presented by The Punch Magazine founder and editor, Shireen Quadri.

Imbued with the cultural moorings of the places where they are found – from Kashmir to Kerala, and from Washington and London to Rome – the stories claim to portray the concerns and concerns of individuals both inside and outside the country. enclosure of the house.

“Short fiction has always fascinated writers around the world. In recent times, there has been a growing interest in form that condenses the human experience while being able to capture its depth. In this anthology, short stories written by contemporary writers show us how they compress the composites of life and expand its complexities and contradictions, ” Quadri said of the book.

The anthology features contributions from Humra Quraishi, Anjali Doney, Anila SK, Geetha Nair G, Helen Harris, Meena Menon, Meher Pestonji, Jayshree Misra, Latha Anantharaman, Rinita Banerjee, Rochelle Potkar, Sarah Robertson, Shilpa Raina, Tammy Armstrong, Vineetha Mokkil, Vrinda Baliga and Ameta Bal.

According to the editors, the stories reflect a certain type of “sensibility and sensibility” and take readers along the paths these writers take to create “art from the rhythms and ruptures of life, lingering on the experiences and memories of their characters. of a thousand pleasures and pains suspended in the continuum of time ”.

This anthology of short stories is a window into the experiences of a myriad of characters navigating the ups and downs of life and love. Although our authors have been identified as women, their stories represent the universal human voice, ” said Trisha Niyogi, COO and Director of Niyogi Books.

The book received praise from veteran poet and lyricist Gulzar.

“I’m lucky to have“ Anthology of New Writings by Women Writers, ”otherwise I would have missed out on some brilliant fictional writing. But why separate them as women writers? They are on par with the world standard. Read brilliant fiction without any gender bias, ” Gulzar said in his endorsement of the book.

(This story was not edited by Devdiscourse staff and is auto-generated from a syndicated feed.)

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