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October 2021

Writer market

Energy prices push up oil and gas stocks and weigh on the economy [Energy]

By DAMIAN J. TROISE Business Writer AP

Energy prices are skyrocketing in 2021 and oil and gas stocks are clearly the winners, but the losers may well turn out to be businesses and consumers.

The energy sector has far outpaced the broader market in 2021. Energy stocks on the S&P 500 are up more than 50%, compared to a gain of around 20% for the overall index. Devon Energy, Marathon Oil and Occidental Petroleum all more than doubled in value this year.

As energy stocks reap the rewards of high demand and lagging supply, other sectors of the economy are finding it harder to cope.

Soaring oil and gas prices add to broader inflationary pressures that are choking businesses and driving up costs. A wide variety of manufacturers find it more expensive to speed up their operations as energy costs rise. Airlines are being penalized by rising jet fuel costs as they attempt to rebuild profits. Consumers in the United States and around the world are facing increased pressure on their wallets due to rising energy costs.

Fertilizer maker CF Industries briefly shut down operations at two UK facilities in September due to high natural gas prices. Delta Air Lines CEO Ed Bastian warned investors earlier in October that fuel prices will hurt its ability to remain profitable until the end of the year. He expects a “modest” loss in the fourth quarter.

Consumers are already paying more for goods as businesses experience higher fuel and raw material costs and supply chain disruptions. More worrying for some analysts is what happens if people have to cut back on spending in order to pay for higher gas and home heating costs. Economic recovery depends on continued consumer spending, but higher energy costs could mean less discretionary spending on services, travel and goods.

“At this point, the US consumer has been able to withstand rising energy prices,” said Megan Horneman, director of portfolio strategy at Verdence Capital Advisors. “However, there is evidence that consumers are turning to credit cards to pay for the rising costs of basic necessities, including energy.”

Gas prices are posted at a station on Thursday, September 2, 2021, near the Space Needle in Seattle. Energy prices are skyrocketing in 2021 and oil and gas stocks are clearly the winners, but the losers may well turn out to be businesses and consumers. The energy sector has far surpassed the broader market in 2021. (AP Photo / Ted S. Warren, File)

The Energy Information Administration expects American households to see a 30% increase in their spending on natural gas this winter and 43% more on fuel oil. Americans are already getting pinched at the pumps, where average gasoline prices are up about 56% from a year ago, according to AAA.

Europe faces a natural gas crisis as winter approaches with insufficient supplies to meet demand. China also faces shortages and electricity is already rationed to industries in some places and a manufacturing slowdown there could potentially mean even higher prices for raw materials and consumer goods on a scale. global.

The disconnect between energy supply and demand is likely to persist, analysts say. OPEC and other suppliers remain cautious about increasing oil production and it is probably too late to increase natural gas supplies before winter. This will likely continue to support energy stocks as the big winners in the economy.


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Fiction publisher

Abdulrazak Gurnah: the tale of truth

Until recently Abdulrazak Gurnah, professor of English and postcolonial literatures at the University of Kent in Canterbury, had received little media attention other than a brief mention in articles about refugees. .

As a refugee who arrived in England from Zanzibar in 1968, and as a novelist who wrote about refugees and immigrants from East Africa, Gurnah was sometimes mentioned in newspaper articles on asylum and the migration. After the 2016 Brexit referendum and this A notorious anti-immigrant British Independence Party poster, his name was mentioned among other writers who championed a less insular worldview. And after the Windrush scandal, when the children of Caribbean migrants who came to the UK decades ago were asked to provide documents to prove their right to live in Britain, Gurnah’s opinion was sought. He was, after all, a refugee himself.

Fast forward to October 3 of this year, and Gurnah was conspicuous by his absence on a Guardian reading list compiled by well-known writers of color. This list was supposed to recommend little-known fictions and to encourage the informed public to orient themselves towards writings of black authors which “deserve to be beside the classics”. Longtime Gurnah editor Alexandra Pringle tweeted with disappointment: “The rewrite of the canon unfolds as always without any mention of Abdulrazak Gurnah, whose consistently superb novels have for years been telling stories about the winds of politics, trade, war and love that blow on people across continents. She added: “After 20 years of publishing it and keeping the faith that its time will come, hope is starting to fly.”

Four days after this snub, Gurnah received the Nobel Prize for Literature. In a flash the world changed – for 73-year-old Gurnah; for Pringle; for the publisher of Gurnah Bloomsbury, and for the ten novels that Gurnah has written over the past 41 years, some of which, according to the author, were probably out of print.

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Seemingly oblivious to the irony of his post-Nobel recognition of Gurnah, Hari Kunzru, one of the writers who failed to pick the new literary winner for the Guardian list, tweeted congratulations to the “quiet pillar of the London book scene”.

Obviously, Gurnah couldn’t be ignored anymore, and neither would he. The Nobel is a great prize in every way. Gurnah has won £ 840,000 in cash prizes and the world as a potential reader. His novels will be rushing to bookstores everywhere, bearing the golden words “by the Nobel Prize-winning author” on the cover. He will be profiled and interviewed and invited to give opening speeches. Watch out for the national congratulatory ceremonies in Tanzania, whose president, Samia Suluhu Hassan, was, like Gurnah, born in Zanzibar before the island was incorporated in 1964 into Tanzania.

The eyes of the world are on Gurnah, as the first African writer to win the Nobel Prize for Literature in more than a decade, and the first non-white writer from Africa to win the prize in almost 30 years. He is only the second black African writer to win the Nobel Prize, after Nigerian playwright Wole Soyinka in 1986.

Gurnah’s new celebrity status is undeniable, but is anyone ready to pay attention to her distinctive literary voice? Does anyone listen to what they are saying – the far-sighted, compassionate and relentlessly truthful message that they have conveyed for decades? This message is simple: the migrant is Everyman, neither better nor worse.

“Pilgrims’ path”

Her work is marked by a low-key focus on those under the radar – operating room attendants, canteen workers, shopkeepers, housewives and teachers keeping themselves somewhat united in the Great. Post-imperial Brittany. They are mostly people of color – asylum seekers, refugees, second or third generation immigrants – and they are mainly from East Africa. As they struggle to build a life in a Britain continually rocked by spasms of racial antagonism, many of Gurnah’s characters echo the puzzled wonder of theater director Daud in his 1988 novel “Pilgrims”. Way ”.

In the former colonies, Muse Daud, who arrived in Britain in the 1970s from Tanzania as a student, there was an “optimism about England which he found embarrassing … They had done some good work, he thought, those who had gone to take up the torch of wisdom and learning from the millions of dark people in Africa. They had left a whole greedy age group for the land that had produced their teachers. Like many immigrants, Daud is reluctant, unable even, to set the record straight, choosing silence as the least disorienting option until his love for an English nursing student coaxes his story.

Silence – when confronted with overt racism as well as the parallel, secretive but categorical rejection of polite society – is a constant theme in Gurnah’s novels. Daud is silent. The same goes for Abbas, engineer and master of the house, in ‘The Last Gift’. And the same goes for the anonymous narrator of ‘Admiring Silence’. Other constants in Gurnah’s novels include the unspoken pain of displacement; cultural and racial barriers to integration; the bitter bowl of sorrows engulfed during all yesterday and today in the new home; and, finally, the excruciating hesitation as to whether it will ever be possible to describe Britain as home. If not, where could the “house” be?

Gurnah explores the legacy of European colonialism. Her second novel, ‘Paradise’, shortlisted for the 1994 Booker Prize, travels slowly through East Africa disturbed by the German presence. The violence and racism of German colonialism is also featured in his latest book, “Afterlives,” which was published in 2020.

Literary right shooter

Gurnah is a writer of conviction, a courageous storyteller who does not follow literary fashions but the life of his poor and invisible army of characters. He started hitting the drums for issues that could be lumped under the Black Lives Matter banner long before they became mainstream. But he did it in such a stoic and blunt manner that he cannot be considered fashionable, nor appropriate as the chronicler of the cause. He’s relentless in his scrutiny of the most unpleasant facts about his characters, their personal habits, and their way of life (Daud, for example, has a squalid and rotten location in Canterbury, which could thwart any attempt to clean him up – even if he had bothered to try.)

In light of this, it’s hardly a revelation that Pringle, the editor-in-chief of Gurnah, acknowledges her struggle to generate interest in her work. “He has always played an important role in the study of post-colonial literature,” she wrote. “But it can be difficult to face a middle-aged mid-career writer, and especially a subtly subtle writer like Gurnah. It’s only natural that the press, business, publishers and readers want the young and the new and splash.

The Nobel committee quote noted Gurnah’s “uncompromising and passionate penetration of the effects of colonialism and the plight of the refugee in the chasm between cultures and continents.”

“Uncompromising” here is an understatement for the truthful, literary right shooter. Gurnah draws verbal images of immigrants unlike those adopted by both the left and the right of the political spectrum. The immigrants in his novels are neither particularly beautiful, nor moral, nor gifted. Nor are they particularly ugly, debauched, or inexperienced. They are as adorable and as imperfect as anyone, of any race, ethnicity or nationality. Readers may not like all of Gurnah’s characters, but they will recognize them as real people. By making the migrant a genuinely ordinary person, Gurnah sets a milestone and establishes humanity as the basis of respect.



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Book creator

New DC Gods movie canceled due to Snyder cut, director says

Ava DuVernay strongly implies that Warner Bros. has canceled his film, New Gods, due to narrative conflicts with Zack Snyder’s Justice League.

Writer and director Ava DuVernay strongly suggests that Warner Bros. canceled his film DCEU, New Gods, due to narrative conflicts with Zack Snyder Justice League. The film was first announced by the studio in 2018 and would have followed the titular characters of the same name, who debuted on the pages of DC Comics in 1971. Coincidentally, the New Gods share the same creator – legend from the comic book industry, Jack Kirby – like Marvel’s Eternals. Although the New Gods and the Eternals exist in separate continuities belonging to two rival societies, the books shared many thematic and aesthetic similarities, such as the titular characters of both franchises comprising an immortal race of divine beings.


Unfortunately, Warner Bros. announced earlier this year that DuVernay’s New Gods would not advance to the studio. Although no explicit reason was given at the time, some have speculated that the narrative overlap between New Gods and Zack Snyder Justice League may have played a role in the abrupt cancellation of the first. Before DuVernay and Tom King could finish writing the script, Snyder had already incorporated many key aspects of New Gods’ lore in her new cut of Justice League including mother boxes, the anti-life equation and – arguably the most famous new god – Darkseid.

Related: Justice League: What Is Darkseid’s Anti-Life Symbol In Snyder’s Cup

DuVernay may have subtly confirmed this theory in a recent interview with the Radio Andy show (via SiriusXM). She says Warner Bros. “chopped” New Gods “based on some of the things that were going on with another movie in this world.” At the time of writing, Zack Snyder Justice League is the only DCEU film to have addressed New Gods lore to a substantial extent. Thus, it is highly likely that the “another movie” it refers to Snyder. Check out the clip below:

Despite New Gods’ cancellation, Warner Bros. has made it clear that the project will remain in the hands of DuVernay and Kings if it were to proceed in the future. It appears the studio is currently focused on crafting their most iconic heroes (as evidenced by the upcoming list of Batman, The Flash, and Aquaman-centric projects) before expanding into their more esoteric cosmic lore. Ideally, the duo would return if the studio chooses to continue the New Gods in the future.

However, the studio may have dodged a bullet by removing New Gods. Criticism embargo for upcoming Marvel Studios film Eternals recently lifted, which could become the MCU’s first “rotten” rating on Rotten Tomatoes. Given the similar subject matter between the two franchises, it’s possible that Jack Kirby’s mythical sci-fi epics were just too hard to adapt for the film. Warner Bros. also showed no interest in pursuing Zack Snyder’s vision for the DC Universe, so it makes sense that the Snyder Cut was a key reason behind New Gods get canceled. Either way, given the work DuVernay and King have already put into the project, hopefully the movie will someday come to fruition.

More: New Gods: Every Confirmed Character That Would Have Appeared

Source: SiriusXM

  • The Batman (2022)Release date: 04 March 2022
  • DC League of Super-Pets (2022)Release Date: May 20, 2022
  • Black Adam (2022)Release Date: Jul 29, 2022
  • Lightning (2022)Release date: November 04, 2022
  • Aquaman and the Lost Kingdom (2022)Release Date: December 16, 2022
  • Shazam! Fury of the Gods (2023)Release date: June 02, 2023

everlasting rotten tomatoes

Eternals’ Rotten Tomatoes Score struggles to stay fresh


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Reading and writing

We need a program change – Technical

One thing that makes Tech unique among other higher education institutions is its core STEM-focused curriculum across all of its 36 majors on offer.

According to the Registrar’s website, general education at Tech is designed to produce students “mathematically, scientifically and technically competent; competent in information retrieval; know how to read, write and present; and literate in the use of technology.

This means that every student, regardless of their specialty, will take a combination of lab science, math classes, computer science, health, and a little English and humanities to satisfy their genes.

While these requirements are excellent as they expose students to a range of different disciplines, what technology lacks in its general education is the ethical and global context to which these disciplines fall, which would be done through ‘a compulsory ethics course and either a course focusing on the language or cultures of the world for each major.

While it is extreme to require a modern language for every major, especially with the heavy pre-existing course load and rigor that come with pursuing a technology degree, it would still make sense for the Institute to require some sort cultural literacy or a world-oriented class to expand students’ worldview.

For example, if students wish to choose Russian as their language or culture of choice to meet the requirement, students can either take a Traditional Russian course or choose to take a Russian Literature or Russian Foreign Policy course at the place.

By allowing students to choose the path they take for the requirement, it creates a more interesting individualized experience that makes the approach to international and cultural studies more accessible and less intimidating, which is ultimately more rewarding than forcing students to do so. students trying to learn songs. of a foreign language that does not interest them during a semester. Especially in the increasingly larger interconnected world we live in, it is crucial that students are exposed to different cultures to bring their understanding closer and become better citizens of the world leaving the Institute.

What is arguably more important to address, however, is Tech’s lack of ethical requirements across all of its majors.

For the importance of ethics in our society, there is no excuse that every major discipline does not include it somewhere in its curriculum.

It is irresponsible of this university to expect students to already understand the real repercussions and effects of the decisions they make in their respective fields as they enter the real world.

Especially in majors like aerospace and biomedical engineering, business, computer science, or any discipline involving laboratory or research work, it is imperative that students know the principles of right from wrong and the potential harms of their decisions. on the environment and communities around the world.

If Tech wants its graduates to be a positive change in the world, it must provide its students with a solid understanding of the principles that guide our decisions and actions. While it is important to acquire technical skills, understanding and being able to make informed decisions related to the overall or broader ethical context of a discipline is what will allow technology students to stand out and do even more. the difference in the real world.


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Writer market

The market will not save us: why I vote yes

In the weeks leading up to the November election, I saw the courage of white liberals shattering in real time. This year, residents of St. Paul have the chance to support a voting measure initiated, researched and led by communities of color, a policy that would fundamentally change the unbalanced relationship between landlords and tenants.

Voting yes to stabilizing rents should be an easy choice. But an influential fraction of white town planners muddled the conversation on Question 1, giving well-meaning whites the opportunity to turn unfounded caution – and a desperate desire to be “right” – into complicity with landlords and people. the richest in our city.

The “Yes in My Backyard” or YIMBY concept was created as an inclusive and tenant-friendly contrast to the “Not in my Backyard” or NIMBY movement which relied on whistle racism to oppose new housing in predominantly white neighborhoods. Sadly, a small handful of mostly white men have given too many YIMBYs a reason to vote no to this critical policy.

These white planners reassured potential voters that they are a good person, that they really care about tenants, that they really want rent stabilization, honestly, but not this one. They clearly identified the housing crisis and its devastating effects, but did not go further. If they tried to solve the problem, they would no longer have the right analysis. There would then be expectations, a responsibility beyond another article mourning the supply of housing.

None of these people have spent thousands of hours building a community, collecting signatures, standing fiercely towards the wealthiest people in town. The Keep St. Paul Home campaign did. The voting policy was created and implemented throughout the petition process and thus far by women, organizers of color and tenants. These three groups are seldom the driving force behind the biggest political conversations in our city. But in the whiter, more powerful circles, they’re often bothered. “How to get them to participate? “” How can we increase their participation in important election years? “” How do we know what resources they need? ” I found a simple answer to these questions: support their work and follow their leadership.

So it is both baffling and disappointing that when communities of color are engaged, when tenants have a significant issue to solve in an election, those same people turn into wheelchair housing experts with superior insight than those who have direct experience of housing instability.

Among the paternalistic criticisms of town planners is the hypothesis that the Keep St. Paul Home campaign has not done its homework. That the policy – which would limit annual rent increases to 3% for all units in the city – will have unintended consequences the authors weren’t smart enough to see.

Some of the most common concerns:

The ordinance does not exempt new housing.

This is because simply adding new homes at market price to our real estate ecosystem and waiting for the mythical trickle down effect is not enough. New homes can still be valued cost-effectively for developers, but by including them in the ordinance, it prevents out-of-control rental spikes. The homes in our community should be homes and not speculative investment products.

“The ordinance does not index rent increases to inflation.

Until workers’ incomes are indexed to inflation, why should landowners have such favorable profit controls attached to the price of their “product” (which also happens to be people’s homes). If there was a hypothetical inflation crisis, would we rather see tenants evicted across town as rents move away from wages, or banks and developers getting their hair cut while neighbors? stay at home?

“The ordinance does not include the abolition of the control of vacant posts. “

Control vacancy is when a unit is released from price control after a tenant leaves. It is also the genesis of all the horror stories about landlords in cities with stabilized rents leaving their properties to deteriorate to drive out tenants so that they can raise the rent. Deregulation is a tax incentive to neglect and cruelty.


Obviously, there are good reasons why none of these items are included in the ordinance: each has been used as a loophole for the benefit of homeowners.

What is really in conflict here are the two different frameworks of thought. Critics of YIMBY fear that the order does not offer enough deference and support to the market. Supporters and directly affected residents know that the market is the genesis of our current housing crisis and we must separate housing from the demands of profit. We have tried market-based solutions to deal with the housing supply and have only delved deeper into this crisis. It’s time to take a new approach.

The root of the opposition is as predictable as it is well funded: the Minnesota Multifamily Housing Association. Under the guise of the Sensible Housing Ballot Committee, they have raised nearly $ 4 million – the majority of which comes from outside the Twin Cities – for senders, dialers and canvassers. This is because no self-respecting politician or community leader would do their job for free, in shilling for the unlimited profits of those who already have all the money. That’s why it’s deeply baffling to see YIMBYs embrace their talking points, giving every white voter, college graduate, and homeowner the incentive moment they needed to shy away from the best chance at this year to shake things up on the housing crisis.

The YIMBYs do not see that one or the other position on rent stabilization undermines their position as “correct on housing”. In support of this, they should have shed their merchant mantras and found themselves among the socialists and tenants, all the resources of the real estate industry were deployed against them, telling them they were wrong. In opposition, they tried to have it both ways and it cost them their credibility. The real estate industry will be happy to use and lose them and the tenants will remain helpless as before.

Landlords have inherent power over tenants. Their financial control over a person’s housing means that by exercising their right to freedom of expression, a tenant can endanger the safety and security of their housing. People are tired of living their lives under threat. People are no longer happy with a housing strategy that concentrates profits on the wealthiest citizens of the community. People are ready to call the housing industry the bluff. We have to be brave enough to change the paradigm. The market will not save us, we have to save ourselves.

Editor’s Note: Find your polling station and sample ballot for the November 2 election on the MN Secretary of State’s website

As indicated in our “About” section: The views, opinions and positions expressed by each author – and those providing comments – are theirs alone and do not necessarily reflect the views, opinions or positions of the board of directors of street.mn or any other contributor to the site. Additionally, the editor worked with the author of this article after publication to remove a few phrases and word choices that had offended some readers, while leaving the main points and arguments of the article intact.

Signage “Keep St Paul at home: vote yes on November 2 for stabilization of rents”


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Fiction publisher

Astra Publishing House Reaches For The Stars

The Astra Publishing House was started in early 2020 by Thinkingdom Media Group, a Beijing-based publishing conglomerate, as that rare thing: a new, literary-minded, well-funded publishing house in the United States. Thinkingdom already has a literary pedigree in China, having published a stable of prestigious foreign writers including Paulo Coelho, Alice Munro, Haruki Murakami and Zadie Smith, and made headlines in 2011 when it reportedly paid $ 1 million. for the rights in Chinese of Gabriel García Márquez A hundred years of loneliness.

The first hires at Astra signaled that Thinkingdom intended to extend this literary philosophy to the United States. Ben Schrank has been appointed editor and chief operating officer, after serving as president and editor of Henry Holt; Alessandra Bastagli, previously editor-in-chief at HarperCollins, Dey Street, has been hired as editorial director; and Maria Russo left her post as New York Timeschildren’s book publisher to oversee Astra’s MineditionUS, an imprint of children’s books. Many more personalities from New York publishing circles have been hired, ranging from bold established names like children’s book expert Leonard Marcus, who serves as editor for the group’s children’s prints, to new ones. newcomers like Danny Vazquez, now editor at Astra House, and Deborah Ghim, associate editor at Astra House, both of whom previously worked at Farrar, Straus and Giroux.

“We’ve been on a rapid growth curve,” Schrank said. “We have around 40 employees now and should reach 50 by the end of the year.” This will cover Astra House adult printing, as well as the Astra Books for Young Readers division, which was only established in September and run by editorial director Rebecca Davis. The new division brings together the company’s various editions of children’s books, including Astra Young Readers; Calkins Creek; Hippo Park, an imprint run by publishing veteran Jill Davis; Kane press; MineditionUS; and Wordsong.

“Astra Publishing House now has six very special editions of children’s books that cover books for all ages and interests of children,” said Schrank, “hardback books for babies and toddlers and children’s books. pictures, non-fiction and history, poetry, college and young adult books The Children’s Division begins with a list of 1,000 children’s books, from the acquisition of Kane Press by Thinkingdom in 2016 and its 2019 merger with Boyds Mills Press, Wordsong and Calkins Creek.

Schrank described the publishing house as a start-up and said that all success depends on hiring the right people. “The idea is to hire someone who has a strong editorial point of view, give them a role and see what comes out of it,” he explained.

Astra House’s first books have already been published, and they are eclectic: Jerusalem Beach, by Israeli writer Iddo Geffen, a collection of short stories translated from Hebrew; Dreaming of you by Melissa Lozada-Oliva, a verse novel about the attempt to resuscitate the late singer Quintanilla Selena; and Wrecked mountain by Saumya Roy, a non-fiction narrative book about garbage collectors in Mumbai.

Astra House’s initial roster had an early chance. The poem “Crossing Half of China to Fuck You” by Chinese author Yu Xiuhua (from his collection of poetry and essays The moonlight rests on my left palm, published by Astra House), has gone viral. Then Derecka Purnell, author of Become abolitionists, about the future of policing and imprisonment in the United States, appeared on Comedy Central The Daily Show with Trevor Noah in September.

“To get this platform to talk about a new book is the dream,” said Schrank.

To show support for the author, Astra went so far as to print softcover editions for the book that were given to prisons for free, as prisons do not allow hardcover books.

Astra House’s adult roster will be equal parts fiction, non-fiction and poetry, with half translated and the other half English, Schrank said, noting that it will have more of an international focus than the lists of typical American homes. To support this, the company publishes an international literary quarterly, Astra Magazine, with Nadja Spiegelman, former online editor of Paris review, as editor-in-chief. The first issue will be released in spring 2022.

Patrizia van Daalen, who lives in Berlin and was previously Publishing Director of Penguin Random House China, represents the company overseas, selling the rights, researching and serving as an international liaison.

Schrank stressed that the company’s success will depend on its employees, and said that a lesson he learned from a long and varied career in publishing is that a manager’s job is to hire people. experts, then give them autonomy. For example, he credits Astra’s production manager, Lisa Taylor, for keeping the company, which is distributed by Penguin Random House, without supply chain issues – and he credits the management of l to have listened. “I want Astra to be a place where someone can be whole,” Schrank said.

One question hanging over the house is whether or not it is subject to its owner’s censorship in China. Schrank said that’s not a problem at all. “We have full editorial freedom,” he added.

Schrank said 2022 will see the entire publishing group release 100 new titles, with modest print runs. “We will be making pounds by the thousands and not by the hundreds of thousands,” he noted, stressing – despite the accelerating wave of recruitment – the need for moderate and sustainable growth. “We don’t want to over-publish. The thing about editing is, it’s not like building a dot-com business, where one year you have nothing and the next you explode. We want to earn the agent’s trust and respect, the bookseller’s trust and respect, and the industry’s trust and respect. Everyone understands that publishing is a slow growing business. Fortunately, we’ve had the freedom and the time to do it in the way we think is the best. “

A version of this article appeared in the 01/11/2021 issue of Editors Weekly under the title: Astra Reaches For The Stars


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Reading and writing

A Marxist Reading List and the Holiness of Fall

I find the glimmers of intelligence shining among the Conservatives touching. There is in them a pathos of the kind one might find in a particularly stupid child who, for the first time in his life, offers an intelligent response in class, arousing tender and fleeting hopes among his classmates. and his teachers of what might still be, given the miraculous intervention of God – before, inevitably, he falls back into a pig stupidity.

(“What are you talking about, Harris?” Croaks my mother, who pauses to look over my shoulder at my laptop screen as she exits the door, a crooked “joint” hanging over my shoulder. of her gnarled lip – she was prescribed “medical marijuana” as a treatment for her many ailments, mainly glaucoma.

I “continue” on this subject: the way some conservative commentators, sometimes, have understood that corporate capitalism hates them and wants to destroy them; that the truest thing ever written about the nature of capitalism was that of Karl Marx, who noted that under the rule of capital “all that is solid melts in the air, all that is holy is profaned” ; that the “progressivism” and the “liberalism” they complain about are 100% natural and even inevitable cultural effects (the old Marxists would say “superstructural”) of the type of capitalism (the old Marxists would call it “) under which we operate; and that any engagement with the disease of our time must be concerned, first and lastly, with a critique of the logic of contemporary capitalism, a critique based to some extent on the work of thinkers who have tended to be classified as “leftists.” “(In truth, the left-right distinction seems to have lost its usefulness now, nearly 250 years after its inception.)

Meanwhile, here at the farm, Elder Aiden suggests that we begin discussing excerpts from Das Capital during our weekly “reading groups” and finally move on to Jameson’s The cultural logic of late capitalism, some of the most “spicy” essays in Althusser’s book Lenin and philosophy, Adorno Negative dialectic, Horkheimer Critique of instrumental reason, Engels’ The origin of the family, private property and the State, and Voloshinov Marxism and the philosophy of language.

We could well echo his suggestion, thus contributing to the “political realignment” we have read so much about.

•••

Even more than Great Lent, our severe Russian Orthodox Easter, autumn is the moment when my thoughts particularly drift towards the sacrifice of Our Lord on the Cross. The landscape of the Midwest, as we enter November, must remind the faithful of the melting of flesh to bone, the revelation through time of our essential evanescence. Just like at the end of fall the earth begins to show its skeleton, so each of us, at that time, when we are done walking the acre of earth time that God has allotted to us – O skinny acre, closed on each side by infinity! – stand naked before the Judgment Seat.

O desolation of the most instructive late autumn! I have read the Word of God in so many things in this dark time: in the flight of the last thistle of the season, carried by the north winds; in the patterns of migrating geese engraved on the sky; in the buzz of Elder Aiden’s still, promising sips of restorative “moonlight” on freezing winter nights; in the gloomy urine stream from my penis during Mother’s nocturnal manipulations of a Harris prostate who served me well for nearly 70 years but who is, alas, ultimately human, far too human; in the low hills of Indiana which, against a gloomy sky, vividly in the mind images of GOLGOTHA on the holy and terrible day.

Creation, to quote Saint Porphyry, is a light veil thrown over the book of his doctrine, and we must be attentive to each letter.

•••

The saga of Daughter’s college admissions process continues. This week I received a cheerful email from the head of the college placement office at his boarding school, informing me that his daughter will be applying, with the school’s blessing, to Harvard, Yale, Princeton, Stanford and Columbia, and warning me of the significant cost that the filing of these requests will bring me. And so a moment so dreaded, which I have avoided, inevitably draws near: this moment when I will have to access Girl’s entry into a Western elite that I hate, or, in a way, stands in her way. .

I collect my thoughts on this topic, meditating and praying. When do the prerogatives of paternity end? Is the fatherly discipline – some might even say the violence – with which I once curtailed the nocturnal adolescent “freedoms” that my daughter took with her body appropriate in this very different situation, and now that she is almost 18? years ?

I am sure that the frank advice of my wonderful Russian priest, Father Nicodemus, will help me clarify my thinking on this issue.


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Writer market

Why Scientific Games shares fell 15.6% on Thursday

What happened

Game industry supplier actions Scientific games (NASDAQ: SGMS) fell as much as 15.6% in trading on Thursday after announcing the sale of part of its business. Shares ended the day down 8%.

So what

Brookfield Business Partners agreed to purchase Scientific Games’ lottery business for $ 6.05 billion, including $ 5.825 billion in cash and up to $ 225 million in earn-outs based on targets for earnings before interest, taxes , depreciation and amortization (EBITDA) in 2022 and 2023. The transaction is expected to close in the second quarter of 2022.

Image source: Getty Images.

This is another unwinding of Scientific Games’ business following the September announcement of the sale of sports betting company OpenBet for $ 1.2 billion to Effort Group.

Scientific Games has spent years gaining a leading position in the gambling and lottery market, but has incurred approximately $ 9 billion in debt to do so. Now he is unwinding part of the business in order to pay off the debt and hopefully get back to profitability.

SGMS Revenue Graph (TTM)

SGMS Revenue (TTM) data by YCharts

Investors may fear today that after these sales, there is not enough left to justify the valuation of the company.

Now what

Today’s movement needs to be put in perspective. Over the past year, Scientific Games shares have risen 158%, even after today’s decline. Thus, investors had become more optimistic about the company even before these sales took place. Management wants to be a “global, cross-platform gaming company,” and that likely means more digital offerings as online gaming grows. It’s a risky strategy, but an improved balance sheet and lean business could allow Scientific Games to once again become a growth company in gambling.

This article represents the opinion of the author, who may disagree with the “official” recommendation position of a premium Motley Fool consulting service. We are heterogeneous! Questioning an investment thesis – even one of our own – helps us all to think critically about investing and make decisions that help us become smarter, happier, and richer.


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The best-selling books of the week

Reading room

Top-selling New Zealand books this week, as recorded by Nielsen BookScan New Zealand bestseller list and described by Steve Braunias

FICTION

1 In Italy, with love by Nicky Pellegrino (Hachette, $ 34.99)

Incredible news item from Italy this week: Richard Gere will testify against far-right leader Matteo Salvini, on trial for having blocked the arrival of a migrant rescue ship. Salvini banned the NGO Open Arms ship from docking on an island in Sicily as part of his strict immigration policy. The migrants were trapped on board for 19 days in poor sanitary conditions; some have thrown themselves overboard in desperation. Gere boarded the ship in solidarity with the 147 stranded migrants. Good guy, great actor (American Gigolo, Internal Affairs).

2 She is a killer by Kirsten McDougall (Victoria University Press, $ 30)

She is a killer is such a captivating page turner that 200 pages flocked to me before I even knew it. And the action hadn’t even started yet. It’s no small feat to keep a reader’s attention on 399 pages, but McDougall does just that by cleverly removing the tension and skillfully unfolding the narrative at a sneaky pace, all while keeping us on our toes. I never really knew where she was going to take us and it’s a thrilling thrill of a ride from start to finish “: from a rave review by Kiran Dass, published Thursday.

3 Auē by Becky Manawatu (Makaro Press, $ 35)

Well-known novel by well-known author Becky one thing or the other.

4 The last guests by JP Pomare (Hachette, $ 34.99)

Ngaio Marsh’s crime writing awards to be announced this weekend, and Pomaré’s previous novel Tell me lies (at number 10 on this week’s list) was shortlisted for Best Mystery Novel, alongside The Murder Club by Nikki Crutchley, Strands by Brannavan Gnanalingam, The counting stick by Carl Nixon and Secrets of strangers by Charity Norman. Good luck to all writers, especially JP: this guy writes a better detective novel by far than any living New Zealand novelist.

5 Loop tracks by Sue Orr (Victoria University Press, $ 35)

Loop tracks sprouted just afternoon on a Friday, late 2016, at a fancy Japanese restaurant in Auckland. We were old friends having a rare catch-up… We talked about the shame and the rage and deception of our own teenage years, how girls in school sometimes disappeared, without explanation, for six months… Someone has mentioned 1978, when politicians shut down abortion clinics in New Zealand and the girls had to fly to Australia for legal and safe dismissals. Then a friend of mine said this. “I had to fly to Sydney. The plane was delayed on the tarmac. For hours.’ This is how a novel begins: a tingling in the spine, like a desperate electric short-circuit to the earth ”: from an essay on the author’s origins, published Wednesday.

6 Greta and Valdin by Rebecca K Reilly (Victoria University Press, $ 35)

7 Double helix by Eileen Merriman (Penguin Random House, $ 36)

Chicken.

8 Insect week by Airini Beautrais (Victoria University Press, $ 30)

9 The author’s cut by Owen Marshall (Penguin Random House, $ 36)

ten Tell me lies by JP Pomaré (Hachette, $ 29.99)

NON-FICTION

1 Lost and found by Toni Street (Allen & Unwin, $ 36.99)

The author, with the help of his daughters, recently published a “hilarious” Covid-parody of “The Sound of Music” on Instagram.

2 salad by Margo Flanagan & Rosa Flanagan (Allen & Unwin, $ 45)

3 Sonny bill williams by Sonny Bill Williams and Alan Duff (Hachette, $ 49.99)

“Someone will write an authorized biography on SBW,” wrote a visionary in the Herald, “and it’s going to be a grotesque piece of buffoonery.”

4 Plate by Sarah Tuck (McKenzie Publishing, $ 45)

5 Dan Carter 1598 by Dan Carter (Upstart Press, $ 69.99)

“Good old Dan wrote a book. Well he helped write a book and his editor is delighted to announce that he is imminent. Richie McCaw, another cutie, wrote an introduction. Which reminds me. In my DomPost days I had a lot to do with TV commercials, oh how we loved to chat, and one of them remembered going to a hotel to interview Richie. His bedroom door was open and he shouted a cordial greeting followed by a Do come in, and there he was, bathroom door open, just at the last jerk point, then it’s a chase of water, and he comes straight out, brutally offering his hand. Ahh, I love this story “: from a” review “by Linda Burgess, in good old reading room.

6 Aroha by Hinemoa Elder (Penguin Random House, $ 30)

7 After Tampa by Abbas Nazari (Allen & Unwin, $ 36.99)

8 Steve Hansen: The Legacy by Gregor Paul (HarperCollins, $ 49.99)

9 Tikanga by Keri Opai (Upstart Press, $ 39.99)

Editor’s blurb: “The book we have all needed for decades – a unique explanation of the Maori world for Pākehā and for Maori wanting to learn more about tikanga. With simple lucidity and great expertise, Keri Opai shares the spirit and meaning of what it is to be a Maori in the 21st century, dispelling myths and misconceptions and providing a solid introduction to the Maori way of life. “

ten How to take a breath by Tania Clifton-Smith (Penguin Random House, $ 30)


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The scariest patriot of all

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You’ve read about Captain America and his less successful patriotic compatriots. You’ve heard of Captain Battle, one of Cap’s less successful knockoffs. Now is the time for you to experience an even more obscure scam of our favorite Freedom Sentry: Yankee Doodle Jones!

Yankee and his sidekick, Dandy, made their debut in Yankee Comics # 1 in 1941. If you have seen Captain America: The First Avenger or are even vaguely familiar with Cap’s early days, Yankee’s origin story will feel oddly familiar. Yankee’s story, however, adds two unique elements: ableism and stupidity. (I deleted a potentially offensive word in the first panel; it’s not a problem in the picture.)

“Organizations”

You could really post anything in the 1940s, eh.

Look, it’s one thing if you wanted your Franken-hero to be dead war veterans. I mean, it’s still scary and terrible and you should go to jail immediately. But take organs living and disabled veterans because, apparently, the only way they could be useful to society is to to die is a whole new level.

By the way, it turns out that Dr. Dead Scientist had a son, who was sort of allowed to watch this operation live and in person. Distraught, the kid injects himself with the remains of serum to become Dandy, Yankee’s sidekick, and avenge his father’s death. Nice, a two-for-one deal on bargain heroes!

From Yankee Comics # 1.  Yankee hits a Nazi.  Dandy, mourning his father, injects himself with serum.

This whole original plot is completed in about two pages. The rest of the story is about an old witch employed by the Nazis who uses voodoo dolls to strangle people with their own hair clippings. Yankee escapes this horrible curse by… whistling.

From Yankee Comics # 1.  Yankee Doodle Jones begins to choke.  Dandy tells him to whistle, and he does.
They don’t tell us what tune he’s hissing, but I think we can all guess it.

Is there some kind of superstition about how the whistle cancels voodoo that I don’t know? Has Yankee had a lip transplant and now he has special whistling powers?

Remember, this is only the first problem. There is more where it came from. It doesn’t get any better.

You can start the body count now

Issue 2’s plot involves a Nazi posing as an American doctor soliciting blood donations for a “bleeding sister democracy” overseas, possibly in England. Turns out the fake doctor was using the clinic to infect everyone with rabies, but he also just attacks people with rabid dogs? It’s not a very focused plan, is it?

From Yankee Comics # 1.  A man wearing a green skull mask lets his dogs loose on a crowd of people.
You should smile more. You are cute when you smile.

They beat the guy up by removing his mask like he’s a Scooby-Doo villain except Scooby-Doo has done a better job of setting up suspects. (The Nazi’s name, Hanfred Sapp, had never even been implied before. Too bad, because it’s a gloriously terrible name.) Yankee talks about medical aid for rabies victims, blithely ignoring the fact that ‘there is no cure for rabies. All these people are dead now. But at least Uncle Sam brings Dandy a chocolate cake.

(Uncle Sam exists in this comic, mostly to congratulate them on being such good Americans. And Dandy really loves chocolate cake. It’s a whole with him.)

From Yankee Comics # 2.  Uncle Sam praises Yankee Doodle Jones and Dandy.  Dandy takes a piece of cake from Sam's hand.
What’s going on with Uncle Sam’s right arm? Is he alright-ooh, cake!

This continues for two more issues (one of them featuring a dude running around setting the pilots on fire) before Yankee and Dandy are abruptly fired from the comics. Yankee Comics # 5 consists entirely of short joke comics – more like strips, really. There is a long letter on the front page about the importance of humor in helping people, especially soldiers, cope with the stress of war, which may explain the change. It’s a nice feeling. It would have been nicer if one of the jokes was really funny.

Yankee Doodle Jones struggled to find a home after leaving Yankee comics. He made only one appearance in Dynamic Comics # 8, which featured a reprint of Yankee Comics # 1. He kept the ‘intro to Yankee Doodle Jones’ start page at the start, which apparently did Comic vine think this is his real debut. I highly doubt it. Dynamic Comics # 8 was Probably published in November 1942, over a year later Yankee Comics # 1 was absoutely published.

After Dynamic, Yankee switched to Hello Pal Comics # 1, in which he and Dandy fail to stop a group of guys disguised as Robin Hood’s men from shooting arrows into the skulls of some visiting dignitaries. It’s graphic enough for a superhero comic, but not for a horror comic, which clearly should have been. It also features Yankee, dressed as a skeleton for a costume party, throwing a dude through a wall.

From Hello Pal Comics # 1.  Yankee Doodle Jones, disguised as a skeleton, throws a henchman through a wall.  Word

I know “rip” here is meant to be a sound effect, but since this guy’s legs have clearly come loose from his torso, I’m going to assume Yankee killed him and it really says RIP.

It was Yankee’s last original release. After that it was all reprints and editions collected. Who thought it was worth collecting? I do not know.

Who is responsible for this?

Quite a few people, in fact. Let’s start with the editors.

The original publisher of Yankee was Chesler. Founder Harry “A” Chesler (like Truman’s “S”, the middle initial means nothing) was one of the first to provide original content for comics, in the mid-1930s. Prior to that , the comics were mostly reprints of newspaper comics. So even though Yankee Doodle Jones is bad (and he’s so, so bad), without Chesler to show the viability of the comics, we may never have had decent superheroes – or, in fact, superhero at all.

Hello Pal Comics was published by Harvey Comics, probably best known for creating Richie Rich. Then Chesler brought it back to reprint the story of Yankee Comics # 3 in Bullseye Comics # 11 (but with a more pleasant coloring). Apparently, Chesler loaned Yankee to another publisher for a total of one issue. It’s really an indication of how much the industry has changed since the early days. Imagine Marvel canceling a book and then allowing DC to play with the characters in it!

As for the creator of Yankee, I’m honestly puzzled. I went to three different websites and got three different answers. Comic More, where I read the issues discussed here, says that Charles Sultan and “George Sultan” (maybe a pseudonym shared by Sultan and fellow artist George Tuska) created Yankee. The Public Domain Superhero Wiki Fandom credits Lou well. Comic Vine lists its creators as “none,” which I’m reasonably sure isn’t true. I wouldn’t be surprised to learn that no one wanted to be associated with this, however.

Some points of interest on these options: according to Illustrated Classics: A Cultural History, 2nd Edition, Charles Sultan and Lou Fine were brothers-in-law. They may have worked together or exchanged ideas, formally or informally. Additionally, Lou Fine had a great influence on Joe Simon and Jack Kirby, who created Captain America a few months before Yankee’s debut, and George Tuska is remembered for his iconic run on Iron Man in the 60s. So while one or both are responsible for Yankee Doodle Jones, at least they gave us some good superhero comics as well.

It should also be mentioned that Charles Sultan, as noted by David Hajdu in his book The plague of ten cents, was one of the countless creators driven out of comics during the purge in the 1950s. Whatever you think of Yankee Doodle Jones, losing her job because of a group of religious moralizers and greedy politicians of publicity is terrible. Fortunately he seems to have landed on his feet, find work as an artist and editor for various magazines. Fine also left the comics, moving to comics and advertising long before the backlash set in.

Will Yankee Doodle come back to town?

Yankee Doodle Jones would have performed much better as a monster in a horror comic, a dark humor take on the crisp, star-studded heroes that proliferated back then. A man with no name or past who endures horrific government experiments and becomes increasingly brutal until even his masters lose control, ending up in his sights as a “threat to democracy”, has much more makes sense that everything is going on here.

It wouldn’t have worked in the hyper-patriotic 1940s, of course, but it could work today. Imagine: a Nazi saboteur prowls the night, preparing to destroy the Allies’ last secret weapon. He takes a bomb out of his coat, ready to plant it and run away, when suddenly, out of the shadows, a strange hiss chills the night air. The Nazi turns around… his eyes widen… a threatening shadow falls on him… the Nazi cries… melt into black!

On second thought, that probably wouldn’t work either. But it wouldn’t work less than the original concept.


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Reading and writing

UB teacher and her alumnus award Lowell Memorial Poetry Reading | BU today

Gail Mazur, Aaron Caycedo-Kimura (GRS’20) will read their work Thursday at a virtual event

Gail Mazur, the author of eight volumes of poetry, says that for her, “poems begin with words, ideas usually emerge rather than begin”. Photo by M. Lacasse

Creative writing

Gail Mazur, Aaron Caycedo-Kimura (GRS’20) will read their work Thursday at a virtual event

Gail Mazur still remembers the moment she fell in love with poetry, no matter that it was over 65 years ago. She was 16 and a friend had taken her to an event at Brandeis University in honor of Pulitzer Prize-winning poet William Carlos Williams. The panel included Robert Lowell, Elizabeth Bishop, Richard Wilbur, WS Merwin and Louise Bogan, all of the most influential poets of the 20th century. “It was probably the most exciting event of my first 16 years”, Mazur said.

It will be another decade before she begins writing her own poems in earnest after a friend takes her to the Grolier poetry bookstore in Harvard Square, where she befriended a circle of local poets. and began attending Lowell’s famous “office hours” at Harvard. University. She was 40 years old when she made her first collection, Night lights, was published in 1978.

Now 83 years old and award-winning author of eight books (most recent, Land’s End: new and selected poems, was published last year), Mazur is a highly regarded writer of poems that explore the vagaries of everyday life, with a keen sense of humor.

Thursday night at 7 a.m., she’ll read her work as a guest speaker at this semester’s Robert Lowell Memorial Poetry Reading, which goes virtual in a nod to the ongoing coronavirus pandemic.

A lifelong Red Sox fan, Mazur is perhaps best known for his poem “Baseball”, Which begins with the lines:“ The game of baseball is not a metaphor / and I know it’s not really life. ” Written in the 1970s, long before the team’s recent forays into four World Series titles, the poem expresses what Mazur describes as “the overwhelming joys and disappointments of being a fan of the Sox.” [maybe especially this past week]. Strive and fail. And the physical beauty of the stadium and the game. The poem, now largely anthologized, reached Mazur with a bang. “It might be the only poem I’ve written that’s almost done,” she says.

Much more often, his poems do not take shape until after numerous revisions, according to Mazur. “A big part of a first draft can be an impetus and an inspiration. Revision is “work”. Sometimes you are sure that a poem is finished and is just beginning. You have to, at least in a way, take pleasure in revising, just improving things, making everything fall into place. do it job. “

For her, poems can be triggered by a single word or phrase that comes to her when she walks down the street, reads a line in a newspaper, or hears an excerpt from a phone conversation. “Poems start with words, ideas usually emerge rather than start them. The important thing is not to waste the moment when the words start to come, ”she said. “You have to find a way to capture it, on a napkin or a notebook, because those moments are fleeting.”

Aaron Caycedo-Kimura was an established painter before he began to write poetry. “Above all, I am a creator, who expresses himself through words and painting,” he says. Photo courtesy of Caycedo-Kimura.

Joining Mazur for virtual reading will be a former student, Aaron Caycedo-Kimura (GRS’20). He enrolled in the BU’s MFA Creative Writing Program after his wife, Luisa Caycedo-Kimura (GRS’14) graduated from the program and praised it. It wasn’t until she got serious about becoming a poet that he was inspired to pursue his own writing. “Luisa started showing me drafts of her work to get feedback, and I had no idea what to say. I figured if I had to study on my own and start writing, eventually I could give it some reasonable feedback. She also started taking me to poetry readings. With all this inspiration, I couldn’t help but give it a go.

He enrolled in BU’s Master of Fine Arts program because he wanted to study with Robert Pinsky, distinguished professor William Fairfield Warren and professor of English at the College of Arts & Sciences and three-time American Poet Laureate. “Towards the end of Luisa’s time in the program, I read her Singing school. He presented the poetry in such a way that he clicked for me. It made me feel like Understood. I can do it. I can write poetry.Enrolling in the Master of Fine Arts program and studying with Pinsky, Mazur (she was a guest speaker in the program) and Karl Kirchwey, professor of English at CAS and associate dean of the faculty of humanities, was ” a dream come true”. Caycedo-Kimura said. “The program was the best thing I have ever done for my creative life.”

Like Mazur, Caycedo-Kamura came to poetry relatively late, publishing his first collection of poems, the award-winning Chapbook Ubasute, last year alone, at 57. He initially trained as a musician, but during his second year of graduate school at Julliard, he realized he didn’t want to be a professional musician. He had always felt more visually oriented, and he began to land graphic design jobs to pay the bills, painting on the side. Growing up in Santa Rosa, California, the hometown of Peanuts creator Charles Schultz, he would draw Snoopy and Charlie Brown, before moving on to caricatures of people and political cartoons. Eventually he became an accomplished painter. His work as a visual artist influences his poetry, he says, and vice versa. “I like to say I’m a poet because sometimes I like to paint without the material mess… the two activities are very similar, both in process and product.”

Caycedo-Kimura’s first collection of poems, the chapbook Ubasute, pays homage to his parents: his father, Joe, who died in 2011, spent WWII in a Japanese internment camp on the west coast; her mother, Hama, survived the incendiary bombings of Tokyo during the war and was haunted by it her entire life. She died in 2015.

“I write about my parents to keep them alive in my life and to continue to honor them,” he says. “Writing about them allows me to appreciate them better. ”

His first complete collection of poems, Common Grace, will be published by Beacon Press next fall. The 65 poems are divided into three sections, drawing inspiration from different facets of his life. “In the first section, ‘Soul Sauce’, I introduce myself through poems about my experiences related to my Japanese-American heritage, my life as a visual artist and poet, and my aging. The second section, “Ubasute”, is an extended version of my chapbook and deals with my parents’ experiences during WWII, then becoming newlyweds and parents, moving to the suburbs, getting old and dying. The third section, titled “Gutter Trees,” includes poems about his life with his wife.

Reading and writing go hand in hand,” he says. “I write down the memory or idea on the page of some sort of brain drain, writing as much as possible about it.” He also shares with Mazur a similar philosophy on the importance of revising poems: “Revision is everything. The revision is being written. Revision sculpts. This is where a part is shaped.

Does he see himself above all as a visual artist or a poet? The word “poet”, he notes, comes from the Greek word meaning “to do”.

“The poet is a creator. This is also how I see myself as a visual artist. So above all, I am a maker, who expresses himself through words and painting.

The artist in his studio in Bloomfield, Connecticut (left); photo by Luisa Caycedo-Kimura. Woodford Farm Barn, by Aaron Caycedo-Kimura (right); photo courtesy of the artist.

Pinsky, who hosts the Lowell Memorial’s biannual readings, says tonight’s readings are “not to be missed.”

«At Gail Mazur the end of the earth, his recent collection of new and selected poems, A Life of Masterful Work includes celebration and wonder, laughter and invention, as well as elegy: all with the joy of art, ”Pinsky says. “Aaron Caycedo-Kimura’s chapbook Ubusute is a memorial, a loving tale of his parents and their creations – a family, a garden, a rise above the infamous internment camps. In length, in staging, in generation, these books of a teacher and her pupil are far from each other. In their drive towards understanding, in the music of poetry, they resemble each other.

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DroneBase investment $ 20 million for renewable energies

DroneBase investmentDroneBase investment: company raises $ 20 million for renewable energy and global growth

by Ian M. Crosby, editor-in-chief of DRONELIFE

DroneBase, the leader in intelligent aerial imagery, raised an additional $ 20 million in just under five months after grossing $ 12.5 million in its Series C round, with the new round led by Euclidian Capital. The financing will allow the company to continue its rapid global expansion in the renewable energy sector and other sectors with high value-added infrastructure.

Previous investors such as Union Square Ventures, Upfront Ventures, Energy Transition Ventures, Hearst Ventures, Pritzker Group Venture Capital and Valor Equity Partners also contributed to the increase.

“We have witnessed a significant shift in the smart imaging industry over the past six months; the industry has consolidated with several companies unable to compete on a global scale or unable to find the right combination of software and deep vertical expertise, ”said Ashvin Chhabra, President and Chief Investment Officer of Euclidean Capital . “We chose to invest in DroneBase because the company has a unique operational and software approach that creates value for companies with high value assets in many sectors, such as renewable energy, insurance, commercial real estate and construction.

With a global shift towards more sustainable high-value infrastructure, including assets such as solar and wind power systems and better buildings to support 21st century commerce and supply chains, imaging and l DroneBase’s intelligent aerial scans enable businesses to manage risk and protect these properties in an efficient and cost-effective manner.

“This year, we added top talent to our team and expanded into Europe,” said Dan Burton, CEO of DroneBase. “Although we have completed over 37 GW of renewable energy inspections to date, this growth funding allows us to significantly increase those numbers, evolving to meet the needs of the renewable energy industry. Ultimately, we intend to meet the needs of our global customers in a complete solution that covers analysis and data capture.

DroneBase investment partners, new and old

Burton continued, “We are delighted to be working with new investment partner Euclidian Capital and to have continued to invest in this cycle from our previous partners, who recognize the upcoming opportunities for global smart imaging.

“The solar market is on a path to rapid growth, driven by the requirements for net zero commitments,” said Craig Lawrence, partner at Energy Transition Ventures and former executive at SunEdison and SolarBridge. “The industry absolutely needs advanced data capture and analysis to continue to evolve. The smart software and services provided by Dronebase will help improve systems production and allow renewable energy market leaders to continue to grow rapidly. We are delighted to continue our partnership with DroneBase and to join Euclidien Capital for this increase. “

Previously, in June, DroneBase announced that it had raised $ 12.5 million in its C-Series and had more than 37 GW of aerial analysis and renewable energy data around the world. The company’s customers include some of the world’s largest owners and operators of wind and solar power and high-value infrastructure assets.

Learn more about the DroneBase investment, the partnership with Hangar, the strategic investment of FLIR and CEO Dan Burton on LAANC.

Ian attended the Dominican University of California, where he obtained a BA in English in 2019. A lifelong passionate about writing and storytelling and a keen interest in technology, he now contributes to DroneLife as a writer.



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Meghan Markle victim of toxic social media campaign

Meghan Markle was the victim of a negative campaign after new research reportedly revealed that a small group of coordinated Twitter accounts target her with hatred and misinformation.


Meghan Markle and Prince Harry have previously suggested that negativity and hate messages played a role in their decision to ‘step back’ as members of the royal family. Although Prince Harry remains sixth in the royal line, he and Meghan have moved to the United States and settled into their Santa Barbara home as they continue to announce exciting independent ventures, including the new Netflix project of Meghan and Prince Harry’s Memoirs. While they may have left social media behind for now, new research has revealed that the couple and Meghan in particular have been the target of negative posts.

As reported by BuzzFeed, analytics service Twitter Bot Sentinel has now released a report that examined Twitter activity related to the Duke and Duchess of Sussex and their findings were shocking. The report allegedly revealed that the majority of the hate and misinformation came from a group of accounts, whose main purpose appeared to be to tweet negatively about them.

Prince Harry and Meghan Markle at Global Citizen Live on September 25

(Image credit: Photo by NDZ / Star Max / GC Images via Getty)

The in-depth analysis also revealed a level of coordination between the accounts, which allegedly used their combined 187,631 followers to lead a campaign of negativity against Duchess Meghan and Prince Harry. BuzzFeed News reports that a Twitter spokesperson told them that they are “actively investigating the information and accounts referenced in this report” and that they “will take action on accounts that break Twitter rules.”

Meanwhile, Christopher Bouzy, CEO of Bot Sentinel, reportedly told BuzzFeed News that this anti-Meghan Markle campaign goes far beyond the areas they usually see and has expressed his belief that there is “no reason “specifically feeding the Tweets.

“This campaign is coming from people who know how to manipulate algorithms, manipulate Twitter, stay under the wire to avoid detection and suspension,” Christopher told the publication. “That level of complexity comes from people who know how to do this stuff, who get paid to do this stuff.”

Meghan Markle, Duchess of Sussex visits 1 World Trade Center on September 23, 2021 in New York City

(Image credit: Photo by Gotham / GC Images via Getty)

He reflected on the nature of the Tweets analyzed and explained that they had identified 55 “main accounts” from which the majority of the original and toxic content against the Duchess of Sussex originated. While 28 other Twitter users have been flagged as “secondary accounts” which serve to amplify negative posts from the first group.

“These primary and secondary accounts grow [hate and disinformation] out and then it’s taken over by organic hate, ”Christopher said. “You have the ringleaders, then the side accounts, then an outside network that amplifies and pushes a certain narrative as well.”

Taking a closer look at the Twitter timelines of the “main accounts” identified in the search, BuzzFeed News reported that they had found a series of harmful Tweets. From messages with clear racial undertones to claims that her pregnancy was rigged or calling for Meghan’s death, the scale and purpose of the campaign are vast and gruesome.

After Prince Harry and Duchess Meghan stepped down from royal life, they bid farewell to their millions of followers on their Sussex Royal Instagram page. Since then, they have had no public social media presence, although the Duke previously revealed to Fast Company that he and Meghan had not ruled out a social media comeback, although after they were become a more positive and kind place.

“We’ll be revisiting social media when it sees fit – maybe when we see more meaningful commitments to change or reform – but for now we’ve devoted a lot of our energy to learning more about this space and how. we can help, “Prince Harry said.


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Rob Liefeld brings X-Force back to its’ 90s heyday in Killshot

Original X-Force creator Rob Liefeld returns to the storyline he first pitched in the 90s for an action-packed single number!

The original X-Force the series has blown away X Men fans when the first issue came out in 1993, and now this milestone is celebrating its 30th anniversary with the creator of X-Force Rob liefeld back to the series for the next one-shot X-Force: Coup de grace! Liefeld was responsible for transforming the New Mutants team into a next generation X Men delivers something entirely to him, and far more brutal, in the form of X-Force. While the X-Force title took on a different meaning in the X Men scenario, X-Force: Killshot will bring fans back to the original team for a high octane story that only the ’90s could deliver.


In the current X-Force scenario, the team no longer operates outside of the X-Men but rather is its successful squad. Since all the mutants gathered in Krakoa and transformed the island into a sovereign nation, the X-Men have become more of a country’s army, subject to the same scrutiny as the rest and therefore restricted by the agreements. international peace programs. In other words, if wrongdoing occurs in a country where the X-Men are not allowed to operate, they cannot help those who might be in danger. The Silent Council of Krakoa found a solution to this problem in the form of X-Force, their own special operations team that operates outside the law.

Related: Marvel Already Admitted X-Men’s Gambit Is Secretly A Top Hero

The original X-Force was not even as political as the current race. by Liefeld X-Force was simply following a team of mutants who would use deadly force against an enemy if the situation called for it, while the X-Men would always go for life. The X-Force team weren’t afraid to get their hands dirty in pursuit of mutant justice. The special one-shot will bring fans back to this simple, action-packed world, not only in style, but also with characters that are both good and bad. X-Force: Coup de grace will be written and drawn by Liefeld and will focus on the original members of X-Force, including Cable, Shatterstar, and Domino, who will split into five factions scattered over time in order to defeat this iteration’s nemesis: Stryfe.

Stryfe is a Cable clone who was raised and then abandoned by Apocalypse who only wishes to kill his heroic counterpart and rule every timeline with an iron fist. Stryfe was shot during the 90s crossover event Song of the X-Ecutioners, a story in which he was the central villain. While Stryfe is believed to be dead in the crossover, the villainous clone is back for another shootout with Cable and the rest of the original X-Force, and now it looks like the fate of the timeline is in danger.

Although originally an X-Force villain, Deadpool will apparently also join the team in this fight through time with Stryfe. Not only will Deadpool be involved, but the relatively new Rob liefeld The character Major X, who was not introduced in the ’90s but was later written into the narrative in a limited series, will also join the upcoming fight. So far, information on the specifics of the one-shot is limited, but if it delivers on the promise of bringing the X-Force back to its’ 90s heyday, then the information available is all available. X Men fans should know how to get into the action-packed high octane for sure X-Force: Killshot! The X-Force: Killshot anniversary special will be available for purchase on November 24.

Next: Hulk Spin-Off Shows Abomination Is The MCU’s Least Comedic Character

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Marvel Confirms One Enemy Even Hulk Couldn’t Defeat


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Reading and writing

What I learned as a school principal and relearned as a pandemic parent

Almost 10 years ago I was principal of a pilot blended learning school. We were a small K-8 Oakland charter, operating primarily on heart and scrappiness.

Then, quite unexpectedly, we received a big grant to test a hot new topic: personalized learning. We bought the student laptop carts and stylish furniture. We learned about smart, kid-friendly computer tools and programs.

A year later, our test scores had skyrocketed.

When our school opened in 2009, only seven of our 220 students were reading at grade level; in 2013, the majority were proficient or advanced readers. Step into our five minutes of fame as a school. Tour buses filled with men in costume pulled up outside our run down motel-style building to see the magic in action. They crammed into our little classrooms, taking many notes, asking, What’s the secret ? Is it the computer programs? Is the furniture flexible?

i knew what i should to say. I knew the buzzwords. But the truth was much simpler. We had amazing teachers who believed in our students. We had a clear academic vision. We were a tight-knit team. And now we have been fortunate to have some useful tools. It wasn’t something that revolutionary or sexy, it was just that the computer programs made it possible for our teachers to shine by giving them a way to meet each student every day, and they also made it possible for our students to have a certain freedom of action over their time.

We experienced a lot of trial and error, but regardless of the program, schedule, or office setup, we continued to learn the same key lessons: the power lay in the interaction between the teacher and the the pupil. Our teachers and students have prospered; each student received individual support and feedback each day in math and reading.

Were the blended learning programs themselves that great? No. Were they better than a spreadsheet? Of course, they provided students with immediate feedback, and teachers didn’t have to waste time creating and printing worksheets late at night.

Were the students on the computer all day? No. Blended learning simply meant that students had three rotations: teacher-led, small-group instruction in reading and math; partnership or group projects; and some individual computer learning exercises. It has not replaced recess or the morning circle or reading aloud or class discussions or science experiments or any other incredibly valuable whole class experience.

Back then, we didn’t know the right balance between personalized learning and whole classroom teaching. Since, research showed that the ideal balance is around 50/50, with students spending 50% of their time accessing and learning grade level content and 50% working on their individual goals.

Blended learning also meant that our students developed the agency over time and as they learned. They set goals for themselves. They could choose how and when to acquire a skill online. They might choose to practice math facts on the computer and then use the knowledge to solve a complex, real problem with a partner. I will never forget to watch a grade 6 student finish reading his Hunger Games book, grabs his computer to take an online comprehension quiz, passes the quiz, marks he has reached his reading goal, then beams as his whole class bursts into the blink of an eye to celebrate it without no teacher asks for it.

It was my life, my reality, almost ten years ago. Now move forward to 2020. I hysterically cry to my husband. I’ve been an educator for over 20 years – a good year, I thought – and now I’m stuck at home, desperately and unsuccessfully trying to “home educate” my three children.

My twins were in first grade. They had Zoom school 30 minutes a day, but they were with me the rest of the time.

In a way, I had forgotten everything I had learned in my old school. I created a rigid schedule. I tried to teach them math together, which always made at least one of us cry under the table. Often me. I tried to take writing lessons. My daughter wanted to write as humanly as possible in the most elaborate way. “I don’t use punctuation in my handwriting,” she announced one day. During this time, my son aimed to write as few correctly spelled words as possible. I tried the book club. My daughter showed up with idea pages and highlighted passages to discuss. My son said, “Can we just read this book on our own so we don’t mess it up with all this talk?”

Finally, it occurred to me: these are individuals. They like to learn differently, so why did I force them to do it together? They know what is difficult for them and what they want to learn. Why didn’t I keep their unique needs at the center?

So I sat down with each of them. They told me exactly what they wanted from homeschooling and what they were curious to learn. I dug up those old adaptive programs that I tested years ago — luckily, many had improved dramatically in 10 years. We have created individual schedules.

My son was able to learn on his own most of the time and only ask for help when he was stuck. My daughter preferred to take a lesson first and then train independently. Now he could spend hours learning Greek history and chess as she blew Hamilton up while drawing and writing creative stories. We got together for card games and recordings, but no longer pretending we had to function like a three-person brain. (And we all cried a lot less.)

My role as a parent teacher was to let go and let them flourish. I had to overcome my self-imposed fear of screens and question my own assumptions. Is it really terrible if they learn multiplication from Khan Academy instead of me? Will they implode if they learn a bit of history and science from BrainPop? Should they spend the same time as each other on all subjects? What is my fear of unstructured time? As soon as I released my own expectations of how learning “should” be, I saw them spring up and come to life.

Now they are happy to go back to school. They love to see their teachers and friends and the routine of it all. I am deeply grateful. Still, I can’t help but wonder: how do we keep these sparks alive? How might we redesign the school day so that students can get targeted support and feedback while continuing their curiosity? How to relax and allow students to set their own goals and manage their time? How can we take advantage of technology so that our teachers can do the irreplaceable and deeply human work of building relationships, believing in students and challenging them academically? Ultimately, who do we want our students to become as adults, and how do we plan backwards from these skills and mindsets?

I don’t have any answers yet. I know it’s more than just a magic computer program or flexible and expensive classroom furniture, as these men in suits might have believed years ago. It’s not just about letting students do whatever they want all day, but it also doesn’t require learning to be done in 45-minute lessons.

It’s about reinventing the way we can create spaces for teachers and students to thrive. It’s about trusting our students to forge their own path and uplifting our teachers to be the ones who guide, challenge and motivate them. It’s about making sure every student gets the support and feedback they deserve. and access to rigorous content at school level. I believe it is here – in this uncharted common ground – that we will discover how all children and teachers can truly spark sparks.


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Asian equities on the rise, following the Wall Street rally | Economic news

By YURI KAGEYAMA, AP Business Writer

TOKYO (AP) – Asian stocks were mostly higher on Tuesday after another rally to an all-time high on Wall Street.

Stocks rose broadly, with companies releasing much stronger summer earnings reports than analysts had expected. Historically low interest rates, along with strong corporate earnings growth, have helped the S&P 500 more than double from the low reached in March 2020 at the start of the coronavirus pandemic.

On Monday, the S&P 500 rose 0.5% to 4,566.48, breaking a record set Thursday. The Dow Jones Industrial Average also hit a record high, gaining 0.2% to 35,741.15. The Nasdaq composite rose 0.9% to 15,226.71.

In Tuesday’s session, the Japanese benchmark Nikkei 225 rose 1.8% to close at 29,106.01. The advance was helped by a 2.6% jump in electronics and entertainment Sony Corp., which will report profits later this week. Sony, which has video game and film divisions, saw sales increase as people switched to home entertainment during the pandemic.

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Other big winners included Nippon Telegraph & Telephone, which jumped 5.4% after improving its earnings outlook.

“Sentiments in Asia may largely reflect Wall Street’s outstanding performance overnight, while the COVID-19 situation in China remains under scrutiny with enhanced control measures,” said Yeap Jun Rong, strategist of market at IG in Singapore.

China has reimposed travel restrictions in some areas to tackle virus outbreaks that add to concerns over the slowing economy.

Hong Kong’s Hang Seng fell 0.7% to 25,938.50. The Shanghai Composite Index lost 0.4% to 3,594.52.

South Korea’s Kospi gained 1.0% to 3,050.14 after the government said the economy grew at an annual rate of 4%, according to government data. It was a little lower than expected. But analysts expect consumer spending to pick up as virus cases decline with the progress of the vaccine rollout in the country.

The Australian S & P / ASX 200 lost its earlier gains and remained little changed, advancing less than 0.1% to 7,443.40.

On Wall Street, Tesla hit the biggest gain of the S&P 500 after Hertz announced it would buy 100,000 Model 3 vehicles for its fleet. The landmark deal for the electric vehicle industry pushed Tesla up 12.7%. Because it is one of the most important stocks in the market, its movements have a disproportionate effect on the S&P 500.

So far, companies in the S&P 500 have reported third quarter profits that were nearly 46% higher than a year ago. This allowed the companies in the index to post overall growth of around 32.5%, according to FactSet. This compares to expectations of about 27% growth at the end of the third quarter on September 30.

Several of the market’s most influential stocks are expected to post their own earnings over the coming week. This includes Apple, Microsoft, Amazon, and Google’s parent company, Alphabet. Because these are the four biggest companies on Wall Street in terms of market value, their stock movements have a huge effect on the S&P 500, even more so than Tesla’s.

Moderna rose 7% after reporting encouraging data on the use of its COVID-19 vaccine in children.

Shares of energy companies surged after the price of US oil surpassed $ 85 a barrel in the morning. This is the first time this has happened in about seven years, although the price has come down over the day.

Benchmark US crude fell 16 cents to $ 83.60 a barrel in electronic trading on the New York Mercantile Exchange. It closed Monday at $ 83.76 a barrel.

Brent crude, the basis of international prices, gained 1 cent to $ 85.18 a barrel.

Contrary to previous Federal Reserve comments, Fed Chairman Jerome Powell said on Friday that inflation is expected to remain elevated for much of next year amid erased supply chains and shortages. This could put pressure on the central bank to end the record interest rates it is offering to support markets and the economy.

The central bank is preparing to slow down its monthly bond purchases to keep long-term interest rates low in the near future, but a move in short-term interest rates does not appear imminent.

The 10-year Treasury yield remained stable at 1.63%.

In currency trading, the US dollar rose from 113.71 yen to 113.92 Japanese yen. The euro cost $ 1.1605, compared to $ 1.1611.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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?? Flagellated souls, ?? a historical fiction of the Civil War by Keith N. Corman, will be adapted as an audiobook

?? Flagellated souls ?? (ReadersMagnet; 2019) by Keith Niles Corman will touch the ears of audiobook listeners in the coming weeks. The dramatic war fiction is set during the latter part of the Civil War and is told through several characters whose lives are intertwined because of the war. Among them are Obadiah Washington, a freed slave who works as a blacksmith; Auggie Greive, a son of German immigrants from southern Indiana who wants to fight for his new homeland; and Nell Wilkerson, a teenage girl whose father decides to lead a group of soldiers, including her fiancée, to war.

Keith Niles Corman’s Historical Civil War Fiction ?? Flagellated souls ?? has been well received by the book critical press. Kristi Elizabeth of the Manhattan Book Review gave the book 5 stars, saying that the book “prompts the reader to think more about the people behind the war, and not so much about the war itself. “

What I really enjoyed about this book is that it gives the reader perspective on both sides of the war, from the perspective of Union and Confederate soldiers, their families and their families. friends ?? Has anyone ever really won in war? The sadness felt by both parties in this story is overwhelming and brought tears to my eyes, ?? Elizabeth wrote in her review.

Anthony Avina of Pacific Book Review also praises ?? Flagellated souls, ?? calling it a powerful, well-written work that everyone should read. He praised the author for highlighting the personal consequences of war on families, friends, neighbors and relatives as soldiers fight on the front lines.

?? This book shows how, even after all these centuries, war still affects us as much today and the families of these brave soldiers as it did then ?? It was insightful and engaging to read Civil War stories from a completely new and new perspective, exploring a group of people who are often overlooked as the infamous war focus primarily focuses on those in the fields. battle.

Hear how war continues to impact society socially, emotionally and culturally. Keith Niles Corman ?? s ?? Flagellated souls ?? is available at http://www.keithcormanbooks.com

Flagellated souls
Author | Keith Niles Corman
Date of publication | June 5, 2019
Editor | Magnet LLC Readers
Paperback Price | $ 8.90

Authors biography

Keith N. Corman was born in Cincinnati, Ohio in 1953 and raised in Lawrenceburg, Indiana, where he lived until 1975. At that time, he married his wife, Martha Gail Muncy. After six years of marriage, they become parents to their daughter, Amanda K. Corman.

Keith, retired after 30 years of public service and 40 years as a political activist, started an economic development and intermodal logistics consulting firm in Cincinnati. During his life, Keith had a keen interest in history, philosophy, politics and his faith. He is also an advocate for the rail industry, educating the public of the transportation industry in the United States by focusing on the jobs they do and individual safety awareness. In his spare time, Keith photographs railroads, models railroads based on prototype principles, historical research, and writes both books and poetry. His children’s book Katie and Kenny Tour the Railroad is inspired by his love of railways.

This news content may be incorporated into any legitimate news gathering and publication effort. Linking is allowed.

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The Golden Age of Comic Book Creators has arrived, with talent from Welland to Oshawa on display at FAN EXPO

By Glenn Hendry

Posted on October 25, 2021 at 4:51 p.m.

Are we entering a golden age of comic book creators in Canada? And do they all live in the GTA?

A quick survey of the talented artists, writers, and comic book makers on Artist Alley at last weekend’s Fan Expo in Toronto would certainly lead you to believe that with over 50 of the roughly 60 artists in attendance at the show, originating from the great white North.

To be fair, those numbers are going to be skewed by the ongoing pandemic and border restrictions still in place, but still, nearly 90% of talent on display at one of the biggest pop culture and comic book conventions in the world. North America are this top heavyweight with the Canucks that must mean something to you.

Ramon Perez, an artist raised in Oshawa and trained at Sheridan College (Hawkeye, Stillwater) who now resides in Toronto’s Parkdale neighborhood, says the wealth of comic book talent here did not happen overnight.

“There has always been a great Canadian art scene here, especially in Toronto. This is one of the things I noticed when I left the Shwa, ”he said, adding that he had not considered a career in comics until he graduated. graduating from Sheridan College and discovering so many comic book artists who lived in the GTA.

“There is a great comic book art community here.”

Perez has since helped cultivate this community at the Royal Academy of Illustration and Design – better known as the RAID studio, which was founded by his collaborator on their comic book Stillwater owned by their creator, Chip Zdarsky, in 2002.

RAID acts as an incubator for new talent, as well as a scalable creative agency and many local talents have partnered with the studio to help market their projects including Andy Belanger (Montreal), Scott Hepburn (Toronto) and Dax Gordine (Welland), which markets its webcomic Forest Folk for all ages through the collective.

Toronto’s Jason Loo (GI Joe, Fantastic Four and Toronto’s newest superhero, The Pitiful Human Lizard) agrees with Perez on the sense of community and that the ‘golden age’ Comic Book Creators has been with us for over a year.

“I think we reached this ‘golden age’ some time ago and it has prospered ever since,” he said. “I have seen more and more talent every year. And we are all so supportive of each other.

Hamilton’s Greg Hyland, meanwhile, hasn’t noticed any new infusion of comic book talent in GTA because “it’s always been there.”

“I started in 1990 and it seems to be the same. There is a lot of talent here.

Rossi Gifford, a Scottish illustrator who moved to Toronto to be part of the art scene here, was busy in a sketch duel on stage with fellow Toronto colleague Megan Huang when asked the question, said the talent – Not to mention the closeness to the major comic book companies like Marvel and DC – that’s what drew her here, and it’s that oft-mentioned sense of community that keeps her here.

“Everyone here seems to know each other. “

The global reputation of the GTA and the multiculturalism of Canada’s largest city are the main reasons the region has become such a hotbed of artistic talent well known in the industry, noted Ken Lashley, billed as an artist “superstar. On the Exhibition Fan Program.

Lashley, who grew up in Burlington and now lives in Mississauga, has worked as a colorist, designer and cover artist on major titles such as Suicide Squad, Superwoman, X-Men Gold and Moon Knight. He believes it’s the diversity of Toronto that makes it so attractive to find talent.

“We’re very international here and our location close to the United States makes it easy for businesses to find us,” he said. “And I think the melting pot of cultures that we have helps too. We have a very diverse talent pool in the GTA and that means a diverse group of voices and styles. “

Anthony Ruttgaizer (or Anthony Kingdom James when he dons the tights – and still does occasionally at age 47 – on the local pro wrestling circuit) is a Toronto-based comic book writer and illustrator (Heroes of Homeroom C ), a podcaster (The Handsome Genius Club) and an event promoter and host.

In fact, he was difficult to find for an interview on Sunday because he hosted the skit duels that took place most of the day, but he found the time to talk about this “golden age” of artists. comics.

“You can tell just by watching Artist Alley how good the talent is, and most of it is here in GTA,” he said, pointing to the stands in front of him to prove his point. “It’s only a matter of time before some of these artists become the next Darvin Cook or Ken Lashley, and there’s the RAID studio as well.”

“There is so much good talent here. It is simply a matter of making yourself known and developing its properties.

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Reading and writing

Rachel Kushner shares her writing ideas in a Harvard lecture – Harvard Gazette

Novelist and essayist Rachel Kushner spoke to James Wood, New Yorker literary critic and Harvard professor of the practice of literary criticism, on Tuesday about the “feel and emotion” of her creative work in an online publication. Writers speak event sponsored by the Mahindra Humanities Center event.

Kicking off the 75-minute discussion, Wood asked the author about the connection and differences between writing fiction – Kushner’s novels include bestselling “The Mars Room” and “The Flamethrowers” – and the composition of ‘tests.

“What’s different between the two is that I know that testing is possible,” Kushner replied. “If I am diligent and I work, I can take on a mission and I can make a difference. The fiction is much more rudimentary.

On the topic of non-fiction, she recalled the coin-collecting process for her first essay book, “The Hard Crowd,” which came out in April.

“I really felt like I needed a specific line,” she said, “just a mood or a vibe, so that a reader could pick up the book and feel like he had took a trip. ” By bringing together essays on subjects as disparate as writer Marguerite Duras and the Tenderloin neighborhood of San Francisco, she found this theme. “The essays reflect a certain disposition which can be quite deep in who I am.” The result, she explained, was not that different from her fiction. “By the time I finished compiling the book, I was surprised that these essays had as much to do with me as a writer as my novels.”

Following on from Duras, best known for her 1984 novel “The Lover,” and Denis Johnson, another author discussed in “The Hard Crowd,” Wood asked Kushner about influences. She brought up Nelson Algren and “Blood Meridian” author Cormac McCarthy, whose 1985 classic “made a huge impression on me.”

Another powerful influence was artists from other media. “I like to look at stuff – go to galleries and museums and see what people are doing. I’m interested in how artists use their art, ”she said. Recalling a trip to Paris, she described her visit to Orangery and ‘watching Monet’s water lilies for three hours. These kinds of experiences are really precious to me.

“Music is an interesting analogy for writing,” she said. Kushner explained how his 14-year-old son, a classical musician, only recently discovered rock ‘n’ roll. “He said this music is relaxing because there isn’t a lot of information coming in.” He told her, “I don’t have to think about it; it’s all the atmosphere and the emotion that overwhelms me.

“Writing is all of those three things,” Kushner said. “It’s vibe and emotion, but you also organize things in a complex way in a way that isn’t all that different from a ladder structure. “

Kushner closed by reading the title “The Hard Crowd”, about his first bartending job at The Blue Lamp in the Tenderloin district, before answering questions from the audience online.

Following Kushner’s comment on writing in a trance state, a viewer asked how a budding writer could access that same state.

Calling it the “billion dollar question,” Kushner laughed. “I would like to know the answer,” she said. But she got attached and described the daily life of writing. Beyond discipline and patience, she said, the process includes “taking note of those times of the day when I feel like I can notice something that no one else might notice. “.

“Everyone has these feelings,” she said. “And if you practice on it and write it down,” a writer can “nestle into that state.”

“Most of the time it’s a bust, but some days it’s not,” she said.


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Agenda for an economic charter

The writer is a former civil servant.

Our economy faces structural problems of twin deficits, circular debt, loss-making public enterprises, low productivity, low-end exports and is therefore trapped in a boom and bust cycle.

Growth spurts are invariably halted by what economists call an ‘overheating’ of the economy, forcing us to resort to fiscal stabilization measures to slow growth momentum, mainly because the underlying structural problems crippling the economy. economy are still unresolved due to political economy constraints. The boom and bust cycle over the last seventy years of our economic history tells us that there is no shortcut to sustainable growth until we tackle these structural issues head-on.

The periodic strong growth has been driven by episodic public sector spending and investment, sometimes in the form of CPECs or sometimes by inflows of foreign aid. It is therefore high time that we developed a minimum political consensus on solving the structural problems of our economy in the medium and long term, because any further delay would exacerbate our economic difficulties and pose serious challenges to the stability of our regime.

These are the key areas where political parties need to come to an agreement to get the country out of the weak development path – a path characterized by low productivity, low value-added exports and low growth:

First, reduce the budget deficit by increasing revenue and reducing or freezing spending: political parties should agree to increase the tax-to-GDP ratio to 20% from the current 10% over a period of, say, the next ten years. years. There should be broad consensus on broadening the tax base, streamlining tax rates, removing exemptions, plugging leaks, updating and integrating the database of different economic transactions, strengthening enforcement, reducing the imbalance between direct and indirect taxes and restructuring and overhauling the tax mechanism / administration.

At the same time, we need to control and freeze our current spending by rationalizing the number of government employees with a clear understanding that government can no longer be the employer of last resort and making pensions an “off budget” item through creation. pension fund and change the pension design from the existing defined benefit pension system to a defined contribution plan for new employees.

Second, tackle the current account deficit by promoting higher productivity and high-end exports rather than relying on borrowing and remittances. The gap between exports and imports has always held back our path to economic recovery and growth on a sustained basis, as rising imports relative to stagnant, low-value-added exports worsen the trade deficit, weakening the currency resulting in devaluation and inflation pressures further requiring adjustments to stabilize the economy rather than continuing on the path of economic growth over a longer period of time to move from low income to middle / high income countries.

Economic history tells us that the way to achieve sustained growth is to convert your comparative advantage into competitive advantage by switching from low-end exports to high-end exports through technological upgrading and higher productivity. South Korea is an example. On the one hand, it requires investing in your human capital. On the other hand, we need to design a strategy to increase exports that should cover both goods and services, explore and develop hitherto unexplored sectors and find new markets to earn the foreign currencies we have. so much needed. We need to focus on the IT sector, mining and minerals, automobiles (a sector that has extensive backward and forward linkages with other sectors of the economy), pharmaceuticals, etc. to $ 40 billion over the next five years.

We need to prepare a very comprehensive set of incentives for new and high-tech sectors, as well as export targets (as has been done by South Korea), to become globally competitive, and then maintain that set. without interruption, regardless of any changes in political government. We also need to use electronic commerce, modernize our infrastructure and improve the efficiency of ports and shipping services in order to reduce the cost of doing business and improve our competitiveness.

The third area where we need political agreement is that of privatization. The political forces of this country must agree that the government will not venture into an area where goods and services can be provided by the private sector in the first place (with a few exceptions for strategic reasons like national security). The economic rationale for continuing to support organizations like PIA and Pakistan Railways, to name a few, at the cost of a budget deficit is no longer tenable given our precarious budget situation. There is no justification for running companies and businesses.

Having a consensus on privatization will achieve the triple objective of improving the efficiency of the economy, expanding the private sector and also reducing the budget deficit, as a huge amount is provided through annual budgets. loss-making public sector companies. in the form of financial support.

Fourth, subsidies to public sector enterprises and to food and energy products also contribute to the budget deficit. It must be agreed that the government will not try to control or subsidize the market prices of food and energy products. All products must be traded in the market at prevailing market prices. The government will only provide direct cash transfers to the poorest of the poor. Cash transfers should be linked to food and energy prices. In times of high commodity prices, the amount of cash transfers should be increased and vice versa. We have come a long way in institutionalizing a strong system to manage and run a direct money transfer program in the form of Ehsaas / BISP and we just need to eliminate a parallel system of provide general grants to the rich and the poor.

Fifth, solving structural problems will remain an elusive dream without holistic reform of our energy sector and it is imperative to have a consensus in this sector, given that successive political governments have hesitated to directly address the fundamental problems of the energy sector. energy sector because of the immense political costs. that a political regime might have to bear as a result of reform measures. There is a need to reduce the currently predominant dependence on imported fuels for power generation by switching to renewable energy sources such as solar, wind and hydropower as part of a well-defined plan. to be implemented over a period of time. Additionally, we need to replace cross-subsidy with direct subsidy using the Ehsaas database to identify deserving users.

The government must deregulate and privatize the distribution of electricity and gas and allow the private sector to compete and provide these services, as has been done successfully in other countries. Even if the tariff determined by Nepra is fully implemented, the circular debt flow will not stop due to under-collection of billing and excessive losses in transmission and distribution, which requires reform and, finally, the privatization of DISCO which has been repeatedly delayed by successive governments due to political policies. pressures. We therefore need a global political agreement to take ownership of this reform. The privatization of DISCO should be supported by a strong and effective regulatory regime with well-defined incentives and sanction structures.

Sixth, the 7th National Finance Commission Prize has resulted in an unequal distribution of resources between the federal government and the provinces, leaving the federal government at a fiscal disadvantage as the latter continues to pay down debt, budget for subsidies (intended for the population residing in the provinces), finance the expenses of the BISP / social protection (which should ideally be borne by the provinces) and incur the expenses of the civilian armed forces which essentially carry out law enforcement functions mainly in provincial jurisdictions.

As a result, provinces have little incentive to increase their own incomes – despite being required to help increase the tax-to-GDP ratio by taxing the agriculture and real estate sectors under the 7th NFC. There is therefore a need to revisit the NFC agreement either by amending the revenue sharing agreements to make them more balanced and fair, or by involving the provinces in some of the spending liabilities that are primarily theirs in the first place, in accordance with the mission. functions provided for by the constitution.

Seventh, Pakistani debt indicators continue to deteriorate due to persistent primary deficits, relatively high exposure to external debt (resulting in a sharp increase in the debt burden due to currency devaluation) and the high cost of domestic debt (due to higher inflation and cost of savings plans). External debt represents 35% of total public debt. We need to run primary surpluses for the next ten years, which means we don’t have to incur additional debt to cover our non-interest expenses. Second, we must reduce the proportion of external debt from 35% to 25% or less over the next five years. Third, political parties should make a solemn commitment to strictly adhere to the debt-to-GDP ratio ceilings prescribed by the Fiscal Responsibility and Debt Limitation Act. Fourth, lower inflation combined with lower borrowing requirements would translate into lower borrowing costs, which would allow more resources to be available for private and public sector investment, stimulating economic growth. Finally, we need to increase the share of long-term debt in our overall debt portfolio.

The process to reach consensus on the above issues should be led by the government involving consultations with all major political actors and other stakeholders and any changes after the finalization of the charter of the economy should also be made. only with the agreement of all parties concerned.


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Brent Spiner returns as an all-new character

Brent Spiner will appear in Star Trek: Picard season 2, but rather than reprise his role as Data, he will play a brand new character.

Brent Spiner will appear in Star Trek: Picard season 2, but the actor confirms that he will play a brand new character and not android data. Star Trek: Picard premiered in 2020 and follows Patrick Stewart’s Captain Jean-Luc Picard into his old age. Stewart created the role in Star Trek: The Next Generation, the second live-action series in the long-running franchise. Picard Season 2 is slated for release on Paramount + in February 2022.

Brent Spiner appeared in Season 1 of Picard as Data, a role he created opposite Stewart in The next generation. For this series, the android was discovered by Starfleet after being the sole survivor of an attack on Omicron Theta, and has gone on to appear in every episode and take on the role of lieutenant commander. Spiner will reprise the role in four films, five video games, and two additional TV series. Spiner also played Dr Noonian Soong, the original creator of Data, and he would later play his son, Dr Altan Inigo Soong, in Picard season 1.


Related: Star Trek Reveals The Mirror Universe Could Have Beaten The Borg

Speaking with Reverse about his new book Fan-fiction, Brent Spiner dropped a major clue about his next Picard role. Although it was thought he could reprise the role of Data again, Spiner says he’s playing “a member of the Soong family“that he has”not … never played before.“Read the full quote below:

“I can tell you I’m not Data. I know they haven’t revealed much about my presence on the show. I can tell you that I’m a member of the Soong family. And that I don’t play. not a character I’ve played before. “

Brent Spiner as Dr. Noonian Soong in Star Trek: The Next Generation

Brent Spiner isn’t the only historical actor to make an appearance in Star Trek: Picard season 2 Queen Borg will also be back, now played by Annie Wersching. Star Trek: Picard Also stars Alison Pill, Isa Briones, Evan Evagora, Michelle Hurd, Santiago Cabrera, Jeri Ryan and Orla Brady.

Star Trek: Picard certainly found a great way to escape the fact that Brent Spiner has aged since he last played Data. It’s much more natural for an actor his age to be human whose family genetics inspired Data’s look, rather than explaining how much older an android looks. Considering that this season of Picard will see the team time travel to the 21st century, he will likely play an ancestor of the creator of Data, although how the crew meets him is still unknown.

Next: Star Trek: What Brent Spiner Has Been Up To Since TNG Ended

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Ahsoka Tano defeated Anakins' greatest fear of weaknesses Star wars the Mandalorian Revenge of the Sith

Why Hayden Christensen Returns As Anakin / Vader on Ahsoka Show


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Fiction publisher

Announcement of the 2021 Ringo Prize winners – Multiversity Comics

The 2021 edition of the Mike Wieringo Comic Book Industry Awards, honoring the best comics and creators of 2020, was held last night at Baltimore Comic Con. Stan Sakai won the award for best cartoonist and best series for “Usagi Yojimbo”, while Sarah Andersen won both webcomics categories for “Fangs” and “Sarah’s Scribbles”.

Matt Kindt and Matt Smith won the Ringo Spirit Award for their BOOM! Studios series “Folklords,” while Marvel’s Creative Director Joe Quesada received the Hero Initiative Award of Excellence and Gene Ha received the organization’s Dick Giordano Humanitarian Award.

Now, without further ado, here are the rest of the winners of the evening:

Best Cartoonist (Writer / Artist): Stan sakai

Best Writer: James Tynion IV (“Wynd”)

Best artist or designer: Jamal Campbell (“Distant Sector”)

Best inker: Sanford Greene (“Bitter Root”)

Best Letterer: Aditya Bidikar (“Ice Cream Man: Quarantine Comix Special”)

Best Colourist: Tamra Bonvillain (“Once and a Future”)

Best Cover Artist: Momoko fishing

Best series: “Usagi Yojimbo”, IDW Publishing

Best Single Issue or Story: “The OZ” by David Pepose & Ruben Rojas, self-published

Best Original Graphic Novel: “Pulp” by Ed Brubaker and Sean Phillips, Image Comics

Best Anthology: “Be Gay, Make Comics”, IDW Publishing

Best Comic Book: “Metalshark Bro 2: Assault on Hamzig Island” by Bob Frantz, Kevin Cuffe & Walter Ostlie, Scout Comics

Best webcomic: Sarah Andersen’s “Crocs”

Best humorous webcomic: Sarah Andersen’s “Sarah’s Doodles”

Best Non-Fiction Comedy: “State of Kent: Four Dead in Ohio” by Derf Backderf, Abrams Books

Best Children’s Comic or Graphic Novel: “Twins” by Varian Johnson and Shannon Wright, Scholastic Graphix

Best presentation in design: “Dave Cockrum’s X-Men Artifact Edition,” IDW Publishing

In addition, the Fan Awards went to:

– Persephone from “Lore Olympus” for Favorite Hero.
– Emma from “My Deepest Secret” by Hanza Art for Favorite Villain.
– “Midnight Poppy Land” for the new favorite series.
– Lilydusk, creator of “Midnight Poppy Land”, for the new favorite talent.
– Rocketship for preferred publisher.

Congratulations to all the winners of the year. You can see the rest of the nominees here and watch the live stream of the ceremony (which starts around 1 hour and 10 minutes) below:


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Writer market

Vaccination mandates in Maine and nationwide create conflict with defiant workers

Chevalier is one of a small but significant number of working Americans who decide to quit their jobs and careers in defiance of what they see as intrusive edicts that affect their freedoms.

The Biden administration, public health officials, and many business leaders agree vaccine requirements are legal and prudent actions needed to help the world come out of a pandemic that has killed more than 700,000 Americans and nearly 5 million people around the world.

Provocative workers make up only a small fraction of the overall workforce, with many cities, states and businesses reporting that more than 9 in 10 of their workers comply with mandates.

But they have the potential to create disruption in a tight labor market and have become the latest hurdle to overcome the vaccine reluctance that allowed the COVID-19 crisis to take a devastating turn over the summer. In many cases, the reasons for objections are rooted in misinformation.

Refusals come from all types of professions: defense industry workers, police, firefighters, educators and healthcare workers. In Seattle, a group of city firefighters returned their boots to city hall on Tuesday to protest a vaccination requirement.

Thousands of people demanded religious or medical exemptions which were rejected; others will not stand to be told what to do and have quit or been fired.

Washington State University football coach Nick Rolovich was fired from his $ 3.2 million-a-year job on Monday, along with four assistants. Rolovich, the first major college coach to lose his job due to his vaccine status, called for a religious exemption but declined to give details. He pursues.

The conflict over mandates is expected to intensify in the coming weeks. The Biden administration is expected to come forward any day with the mandate that employers with 100 or more workers require all employees to be vaccinated or undergo weekly testing, although the app will likely not begin for several weeks. The rule for federal contractors goes into effect in December, with no testing option, but many businesses, governments and schools are already implementing warrants.

The US Chamber of Commerce and other groups that represent large employers have warned that workers could simply migrate to jobs at smaller companies where they are not subject to vaccination requirements. This could create challenges for large retailers as the holiday season approaches, among other disruptions, the chamber warned.

People who have quit their jobs and are looking for a job that does not require vaccination share information on social media. Small employers looking for workers are turning to online job boards such as RedBalloon, where employers pledge not to make vaccines a condition of employment.

Andrew Crapuchettes, founder and CEO of RedBalloon, said he launched the online job site more than two months ago for people “who just want to work and don’t want to get into the business. office politics “. More than 800 companies posted and more than 250,000 people visited the site, he said.

Some states, including Texas, Montana, and Florida, are preparing to fight or undermine the Biden mandates. Texas Governor Greg Abbott issued an executive order on Monday banning any entity from requiring vaccines.

Florida Gov. Ron DeSantis said Thursday he would call a special session to pass legislation to fight vaccination warrants, saying that “in Florida, your right to earn a living does not depend on the choices you make. you do in terms of those injections. “

Melissa Alfieri-Collins, a 44-year-old mother of two, said she resigned as a nurse at Jersey Shore Medical Center in Neptune, New Jersey, rather than undergo regular COVID-19 testing.

She said the hospital had recognized her request for a medical exemption, but she had opposed the requirement that only unvaccinated people be tested, arguing that even those vaccinated could spread the disease.

“My family and I had a long conversation, and I basically don’t want to compromise my values ​​anymore,” said Alfieri-Collins, who hopes to become a nurse practitioner and pursue her own holistic practice.

“I am very sad because I am the kind of nurse who loves my patients and my patients love me,” she said.

Anthony Polenski, director of strategic partnerships for tech recruiting company Jobfuture.ai, said he was seeing candidates who wanted to know, “Is this company going to force me to take a hit? Polenski said they often left their former employers because of a vaccination warrant.

“They don’t want their immunization status tied to their job,” he said.

At the Maine shipyard, frustration is mounting among union members.

Around 100 shipbuilders gathered outside the shipyard during their lunch break on Friday to protest against being required to be vaccinated. They marched down the street, holding up placards decrying the mandate and using choice four-letter words that made it clear what they thought of the president and his vaccine mandates.

The union fears losing more than 1,000 workers, or 30% of its members, during the term of the federal contractor.

Dean Grazioso, a 33-year Bath Iron Works employee, said he was not anti-vaccine but knew vaccinated colleagues, friends and family who contracted groundbreaking COVID infections -19. Such infections are rare, and vaccinated people who contract COVID-19 usually have mild symptoms and are much less likely to be hospitalized or die.

The 53-year-old is still in the process of deciding whether to get shot.

“I’m still in the air,” he said. “But I have a huge decision to make.”

____

Catalini reported from Trenton, New Jersey, and Dazio reported from Los Angeles. Associated Press writer Anthony Izaguirre in Tallahassee, Florida contributed to this report.



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Fiction publisher

Column: Why Writing a Gritty San Diego Thriller Made Writers LJ Sellers and Teresa Burrell Criminally Happy

Between the two of them, writers LJ Sellers and Teresa Burrell have written over 40 thrillers, all filled with troubled people doing disturbing things. Killers armed with knives. Adolescents abused for revenge. Homicidal sex offenders. Maybe homicidal parents.

Over the course of those 40+ books, San Diego-based Burrell and Eugene, Oregon-based Sellers turned out to be labeled purveyors of murder, chaos, and dessert. But when it came to having the most fun along the way, book number one was the charm.

This book is the recently published “No Consent”, which marks Sellers and Burrell’s debut as an editorial team. With each of them writing alternate chapters featuring characters who reflect their own areas of expertise, “No Consent” was also the start of a beautifully effective partnership.

Written in just two lightning months, “No Consent” tells the stories of overworked San Diego Assistant District Attorney T. Clara “Hitch” Hitchens and petty criminal Nate Conner. The writers enjoyed their fictional duo so much that future “Conner & Hitch” thrillers are in the works.

“By the time we finished the book, I was really happy with the way the two characters were interacting,” said former lawyer Burrell, who wrote the chapters led by the fictional Hitchens.

“It was so much fun,” said mystery expert Sellers, who wrote the chapters starring Conner. “When two creative minds worked together, the story ended up taking a different direction. We had so many ideas that we couldn’t even use them all.

During “No Consent,” Hitchens’ challenges include exposing a corrupt district attorney who could also be his boss, and defending an unfriendly victim in a lawsuit too hot to handle. Meanwhile, Conner tries to get right to the point while dealing with a missing sister, a thug pressing him for money he doesn’t have, and the possibility that he has been the victim of a prison snitch.

What happens when Hitch and Conner’s lives collide? Let’s just say mutually beneficial adventures ensue. Much like what happened when Burrell and Sellers met 13 years ago, except no one was hurt.

It was 2008, and Sellers and Burrell were two of the many hopeful writers in attendance at Bouchercon, an annual convention for mystery lovers. A potential editor took them to dinner, where they hit it off right away, and not just because they both ordered medium rare prime rib and salads with blue cheese dressing.

“I liked LJ on the spot because she was funny,” Burrell said from his Clairemont home. “She was ambitious and eager to secure a contract. We had a lot in common. “

The deal with the publisher didn’t end well for either, but the friendship was a big success.

“She was ambitious and driven, and she was doing whatever she could to get to where she wanted to be, and I admired that,” Eugene Sellers said.

“Because we had the same editor and it ended up being a disaster, we had this joint injury. That kind of help. We just had a lot of fun together.

Over the next decade, Burrell and Sellers recovered from their initial publishing traumas to find second-chapter careers as prolific writers.

After years of devoting herself to fiction while juggling journalism and editing jobs, Sellers became a full-time novelist in 2010. Since then, she has been in tears, writing 15 books for her “Detective Jackson Mystery” series. ; three books featuring FBI agent Jamie Dallas; and three books from his new “Extractor” series featuring former CIA agent Roxanne MacFarlane. She’s also made time for a handful of standalone thrillers.

Burrell was a teacher, then a lawyer. His time representing young people in juvenile courts was the inspiration for the series “The Advocate”, which has 12 books to date. His “Tuper Mystery” series currently has three installments, and Burrell (now semi-retired) has also written three children’s books.

Besides their superhuman ability to write several books a year, Sellers and Burrell share a love for strong female protagonists; problem-oriented cases (“No Consent” features a lawsuit inspired by the controversial sexually explicit videos from the OnlyFans website); and characters who represent almost all walks of life.

The co-authors also share a determination to see justice done in their books, as real life doesn’t always turn out that way.

“We explore why something happened and we do justice. Readers love it, ”Sellers said. “The good guys, win, justice is served, and there is an explanation and a resolution. Things can turn out well, even if they start out badly.

And while they bring a little fairness to their books, Teresa Burrell and LJ Sellers want to empathize with their readers. They may specialize in mysteries, but humanity does not have to be one of them.

“Thinking back to when I was a kid, we didn’t have any books in our house. But we had books in the library, and I remember meeting all these different people through these books. We want to deliver the same to our readers, ”Burrell said.

“Social awareness is the bottom line. I think we all live in our own little worlds, and we only see the small area around us. But people who read mysteries can still learn things if we put them in a book. “


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Book creator

Tenement Kid by Bobby Gillespie: a fascinating read

Book Title:
Child of the building

ISBN-13:
9781474622066

Author:
Bobby gillespie

Editor:
White Rabbit

Indicative price:
£ 20.00

On a futuristic dub-reggae track called Stuka from Primal Scream’s fifth studio album, Vanishing Point, Bobby Gillespie ominously trills through a vocoder, “If you play with fire, you’re going to burn yourself.” Some of my friends are going to die young. Unfortunately, he was right.

Robert Young, aka Throb, passed away at the age of 49 in 2006. Andrew Weatherall, the idiosyncratic sound alchemist who produced their groundbreaking album, Screamadelica, passed away suddenly last year, at the age of 56. . Gillespie’s highly anticipated memoir, Tenement Kid is dedicated to their memories. A quote attributed to Throb opens the book: “When we go on stage, man, it’s a war between us and the audience.

There has been an avalanche of books recently by musicians, including Sinéad O’Connor, Baxter Dury, Will Sergeant, Stevie Van Zandt, Carl Cox, Shaun Ryder and Dave Grohl, to name a few. In addition to seasoned veterans, even 19-year-old Billie Eilish is getting into the act.

As the old saying goes, originally applied to Woodstock, if you remember the ’90s, you weren’t really there. Tony Wilson claimed the ’90s started on November 30, 1989, when Happy Mondays and The Stone Roses appeared on the same episode of Top of the Pops. For many people, the decade began to gain momentum on Monday, September 23, 1991, when two groundbreaking and youth-defining albums were released on the same day. Primal Scream unveiled the kaleidoscopic Screamadelica, while an underground Seattle trio called Nirvana unleashed a historic marriage of noise and melody on Nevermind.

Domestic tension between his parents led to Bobby being chased by a deep sense of shame

Musicians tend more and more to extend their story over a few volumes. Stephen Morris of New Order and Brett Anderson of Sweden both took this approach. Bunnyman: A Memoir, recently published by Will Sergeant, barely mentions Echo and the Bunnymen, focusing mainly on his working-class childhood Liverpudlian. Gillespie leaves the door open for another episode, as Tenement Kid ends with the release of Screamadelica. It focuses on the singer’s childhood, getting into music, becoming a roadie for Altered Images, playing bass for a post-punk band called The Wake, playing drums for The Jesus and Mary Chain, and ultimately become the shamanic leader of Primal Scream.

Bobby was born in 1961, the year the Berlin Wall was built, and Yuri Gagarin became the first man in space. “Later in life, with the help of psychotropic drugs, I would become an inner space cosmonaut,” he writes. The domestic tension between his parents led Bobby to be chased by a deep sense of shame. “If you’re like me, you’ve got to recognize this pit of poison we carry, isolate why we’re always ready to spring like a cobra and bite anytime, anywhere, anyone,” wrote Gillespie. “Unless you deal with it, you will keep repeating the same disastrous mistakes. You have to face your demons. Those painful childhood memories that we bury, that some of us try to drown out with sex, drugs, alcohol, gambling, all the usual crutches and distractions.

By recounting concerts and formative experiences, Gillespie shows a great gift for the narration, description and deployment of a comparison.

Glasgow in the 1960s and 1970s was an extremely violent place. Gillespie argues that this caused him to become defensive, suspicious and cautious of others. “Anger at home, anger in the streets, anger in the classroom, anger on the football terraces, anger at work, anger at teen clubs, anger, anger, anger,” writes -he. “The anger in me. Anger is an energy, as John Lydon puts it.

John Lydon gave him a punk-rock revelation. In recounting concerts and formative experiences, Gillespie shows a great gift for storytelling, describing and unfolding a comparison, writing in a manner evocative of an audience at a Clash concert: a insane asylum from the 70s. At Lizzy’s concert, everyone dressed more or less like me, I fitted in perfectly. Here, I established myself as a Celtic fan on the side of the Rangers.

Gillespie was inspired to participate. (“Don’t be a spectator, be a creator – that’s what punk’s message was, and, to me, it’s also the legacy of acid house.”) Obviously, drugs has become part of the equation. It is sad to read the beginning of Throb’s gradual descent into addiction. “It went from everyone buying a gram to buying ounces of the stuff,” Gillespie recalls. “At one point Throb was traveling to London to buy ounces of coke to bring back to Brighton and sell them on.”

Like their collaboration with The Orb, Primal Scream flew higher than the sun. They too fell like Icarus. Perhaps Gillespie will tell this story one day. At the moment, Tenement Kid is an enthralling read interspersed with many moments of laughter aloud. This is a fascinating tale of how a Cold War-era kid and his friends created a soundtrack for the hopes and dreams of a generation.


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Reading and writing

Let the children choose their own way of reading. You will make readers for life.

“There is no child who hates to read; there are only children who have not found the right book. —Frank Serafini

??

Books have always caught my curiosity and, I believe, made me a wiser person. That’s why, as a teacher, I encourage (actually mandate, really) my students to read independently on a daily basis.

Two decades after the start of the 21st century, the call that calls me may come in digital form, but the essence of its message – a gateway to dynamic language, transcendent content, and dimensions beyond comprehension and imagination – remains the same as ever.

For this reason, as we consider the skills our children need to survive and thrive into the 21st century, we must take into consideration that there are currently no essential life-enhancing resources that can compete. with the book.

But when children have no choice about which books to read, it limits their enjoyment and motivation to read. Hence the importance of reading programs involving freedom of choice.

The adage “a rising tide lifts all boats” is apt here. Decades of research have proven that independent reading – freely and on its own accord – breeds multiple literacy skills and almost always creates skillful readers and strong writers. Children naturally find their love for reading when they can choose their own reading sources.

A child’s love for reading is closely related to the development of grammar and vocabulary, understanding text, and improving reading skills in general. College is a great time to become an avid reader. And as a teacher, it’s a hugely rewarding experience to watch.

Avid readers possess a strong vocabulary and a mastery of linguistic conventions such as spelling, punctuation, and grammar (since every time we read is simultaneously a lesson in effective writing). And they know more about the big world around us. As Emerson wrote: “I don’t remember the books I read any more than the meals I ate; even so, they made me.

Establish accountability partners and reflective exercises where students process and discuss what they have read develops and demonstrates their understanding of a text in a way that does not resemble an assessment. Leveraging students’ social media knowledge to share their enthusiasm for books cultivates lifelong readers. Encouraging student blogs or vlogging records captured on their phones, when they encounter a particularly touching scene or passage, strengthens their love and passionate loyalty for reading.

Voluntary reading involves selectivity and personal choice from a wide range of sources. Simply put, reading independently for fun makes us smarter – even if no one attributes it, demands a report, or checks for comprehension.

The power and importance of reading cannot be overstated. The “literate”, the people who can read but choose not to do so, lack it as much as those who cannot read at all. Mark Twain beautifully summed up the importance of reading in one sentence: “A person who does not want to read has no advantage over someone who cannot read.

Enough said.

I hope this inspires every concerned citizen (parents and educators included) to encourage children around the world to develop a love for reading and to discover the immeasurable joy and power of the written word.

Michael C. Seeger, poet, writer and educator, lives in Cathedral City and teaches at Toro Canyon Middle School in Thermal. Email him at [email protected]


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Writer market

Job offer: TV news producer / editor (union)

SAN FRANCISCO (KGO) – DEPARTMENT: NEW

DESCRIPTION OF DUTIES:

KGO-TV / ABC7 News, the ABC-owned television station in San Francisco, is looking for a news producer for weekend news broadcasts. This person will also fill in the products or write three weekdays. We are looking for someone with experience in producing dynamic newsletters with story presentation and multiple live elements. You will be responsible for story development with reporters, nonlinear desktop editing, story writing and teasing, graphics creation, timing, and all other editorial and production elements. You must have a proven control room experience and an expert ability to handle the latest news live. As a writer, the employee will write stories for the linear TV platform, adapt those stories, and produce videos for KGO’s digital / streaming platforms. Expect to contribute story ideas daily and actively participate in cover decisions and editorial meetings. We are looking for a self-starter and team player who can effectively collaborate with a wide range of staff to create compelling content across all platforms. Applicants should be active users of social media for information gathering and understand how to leverage these platforms for stories. The candidate must be organized and work well under pressure with constant deadlines.

CONDITIONS:
Must have excellent writing skills, possess sound news judgment, demonstrate strong communication skills, creativity and ethical decision making. Must have experience as a mid to major market producer. A four-year college degree and knowledge of the Bay Area is preferred. At least 5 years of experience.

NO TELEPHONE CALL ACCEPTED

TO APPLY:
Please log on to www.disneycareers.com and search for the claim ID number 877232BR (NEWSCAST PRODUCER / WRITER – UNION); create a candidate profile and upload your CV and cover letter.

The Company will consider qualified applicants with a criminal history for employment in a manner consistent with the San Francisco Fair Chance Ordinance.

ABC7 is an Equal Opportunity Employer – Woman / Minority / Veteran / Disability / Sexual Orientation / Gender Identity.

Copyright © 2021 KGO-TV. All rights reserved.


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Fiction publisher

Queen spends night in hospital as fans send good wishes

The Queen spent a night in hospital for “preliminary inquiries” and has now returned to Windsor Castle “in a good mood”, Buckingham Palace has confirmed.


The Queen is back at Windsor Castle after a night in a private hospital in London on Wednesday evening. Buckingham Palace made the announcement of the visit to Her Majesty’s hospital on October 21, revealing that it had been the subject of “preliminary inquiries”.

The palace statement said: “Following medical advice to rest for a few days, the Queen went to hospital on Wednesday afternoon for preliminary inquiries, returning to Windsor Castle at lunchtime today ‘hui and stay in a good mood. “

As reported by the BBC, the Queen drove to King Edward VII Hospital in Marylebone from her home in Berkshire and was seen by specialists. It is understood that her admission to hospital is unrelated to Covid-19 and that the decision for her to stay overnight was due to practical reasons.

Queen Elizabeth II attends QIPCO British Champions Day at Ascot

(Image credit: Photo by Max Mumby / Indigo / Getty Images)

This is the first time the monarch has been in hospital for eight years, when she is admitted after suffering symptoms of gastroenteritis. In 2013, the Queen was also taken to King Edward VII Hospital and it was here that the late Prince Philip, who she had been married to for 73 years, received treatment earlier this year.

Despite the positive news that she is now in “good spirits” at Windsor Castle, many anxious royal fans were quick to express hope that she would make a quick recovery, with some urging her to “rest” after her stay at the hospital. .

“Health and happiness to HM, our Queen Elizabeth, quick and full recovery. I hope HM is taking some time to rest,” tweeted a worried fan after hearing the news.

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A second person echoed the sentiment, commenting: “I wish Her Majesty Queen Elizabeth II a speedy recovery as she spends the night in hospital.”

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“Dear Queen Elizabeth II, rest and regain your strength. Much love,” said another fan.

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While someone else thought her reaction to the news was almost as if the Queen was a member of her own family, writing: “I really love Queen Elizabeth II and it worries me to hear that she spent the night in the hospital. It’s like hearing your favorite elderly relative is hurting. “

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“Send my best wishes to this wonderful lady #QueenElizabeth,” a fifth person said gently.

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The Queen’s Night at King Edward VII’s Wednesday came the same day she withdrew from a royal trip to Northern Ireland on “medical advice”. Her Majesty was due to visit Belfast for two days and only “reluctantly” accepted the advice to rest instead.

“The Queen reluctantly accepted medical advice to rest for the next few days,” the official royal statement said.

“Her Majesty is in a good mood and is disappointed that she will no longer be able to travel to Northern Ireland, where she was to undertake a series of engagements today and tomorrow.”

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“The Queen sends her best wishes to the people of Northern Ireland and looks forward to visiting in the future,” he concluded.

Her Majesty is due to attend events at the upcoming COP26 climate conference in Glasgow in November. She will be joined by other members of the Royal Family, including Prince Charles and Prince William, and royal fans will no doubt be eager to see the Queen resume her busy fall schedule after her recent rest.



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Book creator

Invasion Is This Is Us with an alien twist, says creator

An alien Invasion comes to Apple TV +. The original sci-fi series, which launches with its first three episodes starting Friday, October 22, follows several characters scattered across the world in the midst of an alien invasion. In the course of their daily lives, they suddenly discover that their entire world is turned upside down by mysterious – and extraterrestrial – circumstances that overturn their families, their beliefs, and their view of humanity as a whole.

Speaking to CBR, Invasion long-time creator X Men Producer Simon Kinberg explained what sets his series apart from other alien invasion stories. He shared how much classic science fiction loves War of the Worlds, Encounters of the Third Kind and Lost inspired his approach to the show and why he needed his characters to be more important than the sci-fi elements. He also recalled working with astrophysicists and scientists at NASA to truly understand the “unknowability” of alien life, reflected on his work with the X Men deductible and more.


RELATED: Invasion Trailer Brings Alien Kaiju to Apple TV +

CBR: These days it’s so rare to see an original series with that kind of funding. What do you think it is Invasion who invited that kind of trust from Apple?

Simon Kinberg: First of all, I really appreciate this. I think that’s true, and it was definitely the intention to create something really original in a space that has traveled a lot. There have been a lot of alien stories, and more specifically, even alien invasion stories, but I wanted to do something completely original and crazy, both holistic and so character-centric and character-centric. and emotional and spectacular. I mean, when I walked into Apple, I was like, “I want to do War of the Worlds meets Babel. “

The answer to why Apple said yes is that I don’t know! They may be crazy! Every step of the way, when I was like, “This is going to be too bold for Apple,” they would say, “No, that’s exactly what we want. We want it to be bold. They pushed me in terms of character. They pushed me to the level of daring and originality. So they were incredible partners.

If I had to try to figure it out, other than like, I just think they’re cool and they want to do cool stuff, maybe it’s in a world where there are 75 billion things out there. TV, you have to be bold and original to stand out – unless you’re a great IP! The Star wars and Marvel shows work great, don’t they? But if you are Apple and you don’t have Star wars and Marvel, you got to do some cool, fresh, different stuff and take some big bets, and that shows a big bet in the sense that it does some surprising things and isn’t a cheap show to do.

RELATED: Invasion: Apple TV + Sci-Fi Trailer Takes Alien Invasion Stories A Twist

Tell me a little more about the origin of this idea. You mentioned War or the worlds, but I would like to know more about your specific inspirations for this project.

The aspect of the alien invasion came second to me. I really wanted to tell a sci-fi story and didn’t know what sci-fi story yet, but I’m working in sci-fi. I mean, you know, I do a lot of science fiction work and it’s a genre that I’ve always loved – my favorite genre. So I wanted to tell a sci-fi story that was holistic, it was a set and I really wanted to work in long story TV. I wanted to be able to tell a story that was at least 10 hours long and hopefully longer if all went well with this season.

So it started there, and then I was like, “Okay, well, what is a global event that would unite the world? There are a lot of options out there! They made two films about an asteroid that was going to hit Earth. But pretty quickly, because I loved the book War of the Worlds – I am obsessed with Orson Welles’ radio play, I liked [Steve] Spielberg’s movie a lot, and then I liked a lot of others as well – I quickly turned to “Okay, an alien invasion is a world event.”

Specific movies or shows that influenced Invasion, I would say Encounters of the Third Kind was a great one, although it’s a unique perspective. I loved how small and characterful and complex and mysterious it was. I loved the mystery of Close encounters, as opposed to like showing, like, “Ah! Alien ships!” or detonate monuments and they are unleashed in the streets. I was really interested in the mystery of the tilt, the slowness of Close encounters, and the surprising choice made by Richard Dreyfus at the end.

One show I think about a lot with this show is Lost, because you really care about these characters largely because of the flashbacks of who they were before the crash, and then you really care about the mystery of the show because you lean in and say, “I never did. thought I would care that much about opening a hatch. ” So that’s the patient minutiae of it and how it really grabbed a whole world when this show came out. Those are two things that were touchstones for me doing the show.

RELATED: Apple Gives Mythic Quest a Two-Season Renewal Order

How did you go about balancing the drama of the characters with the sci-fi elements? How did you find the real heart of the series?

Well, I think the heart of it all has always been the characters for me. So I wanted to make sure that the characters’ stories, the crises they were going through, their dramas were interesting enough that if it was right It’s us with these characters, you would watch it.

Then I wanted the problem in their life to be such that when the alien invasion happens, this massive global trauma is like a magnifying glass on all of their issues, and it can expose those issues and help them deal with it. , or it can burn them and destroy them and the people around them. So I continued to think that the alien invasion was an accelerator of the little fires that I started with these characters. If the alien invasion becomes so overwhelming that it doesn’t actually move the characters in a direction other than scare them away, if it doesn’t move them in an emotional direction. I’m not doing a good job with the alien story.

As for the mystery of the history of aliens, I’ve spent a lot of time talking to a lot of specialists, astrophysicists, people who work at NASA, amazing and brilliant minds – well, well , well, much brighter than mine; I don’t know anything, nothing about science – and they’ve talked a lot about the unpredictability of what aliens would be like. So I really hung on to that, and I was like, “I want to solve this mystery so that there is just enough of it for you to lean forward, and our characters to lean forward, but not too much. so that you are ahead of the characters. “

RELATED: X-Men’s James McAvoy Agrees In Leaving Professor X Behind

Before I let you go, I must bring up the X Men, for which you have been a producer for a while. Now that the property is at Disney and gearing up to join the Marvel Cinematic Universe, is this a world you can see yourself revisiting? What would be your greatest hope for these characters to move forward?

I mean, you know I love the characters. I love comics. I love [Marvel Studios president] Kevin Feige. I love what he did. I am such an admirer of what he has done with the MCU. I would always be willing to work on it, because I love the characters so much.

But there’s also a part of me that feels like I’m really interested to see what they’re going to do with it, to make it different if I’m not, or even if I am. , because it’s kind of like – not to sound bombastic, but it’s kind of like Shakespeare, where a million people played Hamlet. There have been tons of fascinating versions of Hamlet. I myself started with the original X Men threw then went into the First class throw them away and then put them together in a movie and pull them apart again and do something very different with them Logan than what we were doing with Wolverine and the X Men main franchise. So there are so many different ways to use tone and cast.

I can’t wait to see what they do. I have no hope for what they are doing. I know it’s gonna be cool because everything they do is cool and smart and really well thought out. As a fan of comics and a fan of Marvel movies, I literally can’t wait. So yes, I would definitely be open to being involved. If not, they’ll be on the front lines and very excited to see what they’re doing.

Invasion premieres Friday, October 22 on Apple TV +.

KEEP READING: An X-Men Vs. Avengers Fan Battle Rages On Social Media

Star Wars: Disney + reveals title for upcoming Boba Fett special


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Reading and writing

Kristen Radtke: Reading as an antidote to loneliness

BOOKS: What would you recommend from your research?

RADTKE: Sherry Turkle’s “Retrieve the conversationWhich explains how technology has changed the way we talk. There is this great book, “Witches, witch hunts and women», By Silvia Federici. She writes that one of the reasons the witch hunts took place was that women got together to talk and those in power didn’t like it. I also loved “SpeakBy Linda Rosenkrantz, which is a book of transcribed and edited conversations from this summer that these friends spent together. When it came out in the ’60s critics swept it aside because they thought it didn’t sound like people talking, which is hilarious because it was real people talking.

BOOKS: When was the last time you read just for fun?

RADTKE: I would say six months ago. I like to read essays. The most recent collection that I adored is that of Larissa Pham “Pop song. “It’s beautiful and fun, and weaves cultural criticism, art and art history together with a personal narrative. Jordan Kisner’s”Thin placesDoes that too.

BOOKS: Do you largely read current essays?

RADTKE: I probably read mostly stuff that has come out in the last couple of years. If I come back to old things, it is because the subject interests me or because I have read recent work by an author and I want to read his old catalog. I did this with Maggie Nelson many years ago. I did this with graphic novelists, like Nick Drnaso, who wrote “Sabrina», A terrifying and strange graphic novel.

BOOKS: Who is your favorite essayist?

RADTKE: Joan Didion. My favorite is “The white album. “I think it’s interesting to read her older works alongside her current books. She’s been writing about culture for so long that we can see the whole arc of her life, which is a rare gift for one. reader.

BOOKS: Is there a graphic novelist who you’ve read everything he’s written?

RADTKE: Adrien Tomine. He is a great storyteller with words and images. His prose is as sharp as it would be in a novel. He doesn’t use narration, everything happens in dialogue, so it has to be super neat.

BOOKS: When did you start reading graphic novels?

RADTKE: I read the “” of Marjane SatrapiPersepolis”My sophomore year in college and loved it. When I started working on graphic shapes, I had her books and Alison Bechdel’s books open on my desk. I kept rereading them to see how they made a story work.

BOOKS: Is there a graphic novel that you would like to be better known?

RADTKE: “Grass»By Keum Suk Gendry-Kim. It’s about Korean comfort women and their beauty. More people should read this for sure.

BOOKS: What other kind of books do you read?

RADTKE: I like novels, but if I write essays, I only want to read essays. I embarked on a huge novel the year before the pandemic. I loved that of Megha Majumdar “A burning, “by Julie Buntin”Marlena, “and Bryan Washington”Memorial. “

BOOKS: How has the pandemic affected your reading?

RADTKE: It got harder for me to read because I was so busy and the world was so upside down. It was absurd to engage in a book on the boredom of the suburbs.

BOOKS: Do you think reading can relieve loneliness?

RADTKE: Absoutely. Reading gives you access to other ways of thinking. It helps you see yourself in someone else’s story, which is a huge antidote to loneliness. The problem with loneliness is that you feel like no one else has felt the same way you did before. The books show you that is not true.

Follow us on Facebook or Twitter @GlobeBiblio. Amy Sutherland is the author, most recently, of “Save Penny Jane»And can be reached at [email protected].


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Lower Burrell Writer’s Book Highlights 30 Alle-Kiski Communities Past and Present

From Aluminum City Terrace to Yellow Dog Village, there is a story behind every small town in the Alle-Kiski Valley.

Writer George Guido of Lower Burrell has gathered several of these together in his new book, “Neighborhoods of the Alle-Kiski Valley: 30 Communities Full of Unique History”. He will sell copies from 5 p.m. to 8 p.m. Thursday at the Tarentum night market.

Guido has already looked at local history by writing “Remember When” and “Through the Years” columns for the Valley News Dispatch, as well as a book on the history of sports in Alle-Kiski Valley and a photographic history of New Kensington for the city’s 125th anniversary in 2016.

This time around, Guido said, he focused on “30 neighborhoods in the Valley News Dispatch traffic zone, mostly small neighborhoods that sprang up around coal mines, and some were suburban spending. at the end of the 19th century and the beginning of the 20th century “.

The spotlight is also hitting some of the most notable – or should we say notorious – citizens of these neighborhoods.

“When you do research, you come across a lot of things,” Guido said.

He learned that pioneering automaker Henry Ford was interested in building a glass factory in Glassmere in the 1920s.

“He and others discovered that the sand along the banks of the Allegheny River was suitable for making glass. He wanted a glass factory for his windows and windshields, ”Guido said. “They wanted to dredge the Allegheny River and build a canal from the Alle-Kiski Valley to Lake Erie so Henry Ford could transport his windshields and the like by boat to his factory in Dearborn, Michigan.

“It never materialized. The Great Depression came, World War II came, and there just wasn’t the money to do a public works project like this, ”he said. “Ford has built houses in the area, and some are still standing. ”

Notable names

Then there is the colorful history of Yellow Dog Village.

“It was near Kittanning, and there was a limestone mine there in the 1890s and early 1900s. Of course, no one had a car, so workers had to go there on horseback. or by train, or on foot, ”Guido said. “The guy who owned the mine decided to build his own houses. You could buy her a house if you promised not to join a union or try to form a union.

“At the time, we called these contracts yellow dogs, so Yellow Dog Village sprouted there, because the people who lived there had to promise not to get involved in union activities,” he said. declared.

No book on the Alle-Kiski Valley would be complete without a mention of pioneering journalist Nelly Bly, born Elizabeth Jane Cochran in 1864 in Cochran Mills, now part of Burrell Township.

She was studying at Indiana Normal School (now Indiana University of Pennsylvania) when her father passed away, Guido said.

“There was no more money for her to go to college, so she dropped out and she and her mother moved to Pittsburgh to, more or less, start over,” he said. “The editor of one of the Pittsburgh newspapers wrote an op-ed that women should only focus on being nurses and teachers, and she responded in a letter saying that is not. true, women are qualified to do many other jobs.

“She was 18 at the time, and he was so impressed that he hired her for $ 5 a week, and she ended up doing all of these revolutionary things,” Guido said, including a presentation on conditions in a New York “insane asylum” and the challenge that she accepted to travel around the world in 80 days, which she did in 72 days.

On the scandalous side is the story of Mary Schenley, whose name graces a Pittsburgh park, a former high school, and an unincorporated community in Gilpin. When she was 15, she was sent after graduation to New York, to escape with the brother of the school owner, a man who was 42 at the time.

And then there was Leon Czolgosz, a native of Natrona, who assassinated President William McKinley in 1901.

“Every community has its story, but I’m sure Natrona doesn’t want to hang on to that,” Guido said.

Pandemic issues

The book began with a suggestion from Karen Watkins, owner of The Last Word bookstore in Lower Burrell.

“She said, ‘Why don’t you do something in the neighborhoods?’ So I ran with this idea, ”he said. He just couldn’t run very fast with it during the pandemic.

“The problem with that was that the museums were closed, the libraries were closed,” he said. “To really do the research, I had to wait for them to open.”

He also obtained stories and photos from historical societies, Valley News Dispatch archives and personal collections.

Its editors are Tom and Francine Costello, owners of Word Association in Taranto.

They ran into supply chain issues getting the book printed, but Guido received his first 125 copies late last week.

“I sold half of it in four days,” he said.

It will continue to print and sell to meet demand, he said. The book is available on amazon.com and can be ordered on his Facebook page.

Shirley McMarlin is a writer for Tribune-Review. You can contact Shirley at 724-836-5750, [email protected] or via Twitter .



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Century-old children’s book contains pages of cats in costume

Cats are an integral part of society, providing memorable content and blessing our TikTok pages from time to time. But our fascination with cats doing cute things is nothing new. An old book found by Public Domain Review and Open Culture proves that people were still obsessed with feline entertainment, even over a century ago.

Kittens and cats: a first reader is a children’s book written by Eulalie Osgood Grover in 1911. The 84-page book features cats and kittens dressed in various costumes and set in fun sets with associated captions. The cat photos are all framed with intricate artwork and have nifty liners underneath, reminiscent of the modern meme.

The book was intended to educate children with entertaining vocabulary and rhymes. The book begins by introducing a queen of cats and all the guest cats who attend her party. In the pages of the book, we meet the queen and some of our favorite guests: the sweet singer, the little nurse and the dunce cat.

Author Eulalie Osgood Grover was a children’s book author famous for her introductory book series, “The Sunbonnet Babies”. The characters in his books were portrayed in books, illustrations, and advertisements from 1900 to the 1930s.
Internet Archive / New York Public Library

“Come, all of you, kittens and cats,” announces the queen of cats on the front page. “Listen to what I have to say. Tomorrow I’m giving a big party. The party will be in my palace. You are all invited from the tallest to the smallest, from the oldest to the youngest, from the blackest to the whitest. So wash your paws and shine your fur. “

Although a little scary, the cats’ contempt for the entire photo shoot is evident in their facial expressions and is great entertainment. It’s as if cats weren’t made to wear hats.

Grover explained that she wanted to write a book that would interest even the most reluctant readers.

“Those of us who have had a glimpse into the heart and mind of a child,” Grover wrote in the epilogue, “know that the stories of kittens, queens and parties provide pretty much the same pleasure to the little reader of juvenile fiction, as adventure and romance to the adult reader. “

The author of the book, Eulalie Osgood Grover, was born in Minnesota in 1873 and was well known for her children’s books. His most notable series was called Sunbonnet babies. The illustrations of sunbonnet babies are in fact known to scholars as a “culturally significant” piece of history, as they appeared in books and advertisements from 1900 to the 1930s.

101 year old children's book with cats
A chapter from the book Kittens and Cats, published in 1911, shows a kitten wearing a beanie and a caption reading “The Sweet Singer.”
Internet Archive / New York Public Library
The children's book The Queen of Cats
Famous feline photographer Harry Whittier Frees is believed to be responsible for the black and white photos. His photos usually showed cats and kittens dressed in costumes and performing human tasks.
Internet Archive / New York Public Library

Grover’s books served as introductory textbooks for young children who were just starting to read. The primers include basic words and phrases that are easily understood by young children.

Kittens and cats includes over 600 vocabulary words associated with black and white portraits of adorable felines in costume. The book credits the Rotograph Company, a popular postcard publisher until 1911, with portraits of cats.

Many longtime fans believe that Harry Whittier Frees, a famous cat photographer, was responsible for the black and white photos. Frees’ work typically featured anthropomorphized cats and kittens dressed up and performing mundane chores. His photos often had captions below the black and white photos.


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Movies That Made Us Creator Reveal Which Marvel Movie Would Be Top Choice For A Superhero Movie Episode

Last week, The films that made us returned with its third season on Netflix. The documentary series has covered a variety of films ranging from Alone at home To Robocop. But given their modern popularity, superhero fans might wonder if the series will end up covering a superhero movie. Christopher Reeve’s first Superman film and Tim Burton’s Batman appear to be viable subjects as they debuted at the time The movie that made us generally covers. Surprisingly, series creator Brian Volk-Weiss has another much newer superhero movie in mind if the series decides to feature a superhero genre film.

“If we did, it would be Iron Man“, says Volk-Weiss ComicBook.com during a telephone interview. “I don’t even know if he actually qualifies, but if he does, he barely qualifies as ‘vintage.’ I think this movie came out in 2008. That would be. Iron Man. It would be Iron Man because it is the oldest. It would be Iron Man because Iron Man is the most important because if Iron Man had failed, nothing else would have happened. And also, I love this story of seeing not only a movie come together, but a universe come together. “

These days Marvel Studios tends to document things internally through projects like Assembled marvel on Disney +. Even though Disney gave The films that made us the access he needs to edit an episode on Iron Man, it is not known if this would correspond to the priorities of the show. Volk-Weiss is directing an upcoming Star Trek documentary, The central headquarters, for History. We asked if there had ever been any discussion about the cover of a Star Trek movie, maybe Star Trek II: The Wrath of Khan, to The films that made us.

“Was that their discussion? Yes, absolutely,” Volk-Weiss said. “But Netflix, I know I’m saying the obvious, but they’re the ones who write the check. I’ve never worked with a company better than Netflix. I mean, they changed my life personally. They changed the course. of my life. the trajectory of the business. It’s the biggest business. But they have a lot of data, and if I would come up to them and say, “Hey, we should do Star Trek II, don’t get me wrong, these movies work great, but there’s a reason we do it. Alone at home. There’s a reason we make the movies we make, though, thank goodness let me sneak in RoboCop in this year.

“But generally we want four quadrant movies. And what that means is that for anyone who doesn’t know it’s young people, old people, men, women, everyone. And that’s what we’re trying to do. And also multi-generational My generation grew up with Alone at home, and the next two generations – including my children – they love Alone at home as much as me, if not more. So that’s what we’re trying to do. “

Note that Netflix has not officially renewed The films that made us for another season, nor its sister series, The toys that made us, at least not yet. That’s not to say Volk-Weiss and his team at The Nacelle Company aren’t yet at work.

“We’re working on it right now,” he said. “It’s always one of those areas where I have to be a little wary, but there are things going on. I’m going to leave it weirdly vague like that, but there are things happening… Good things are in motion. . “

What do you think? Let us know in the comments. The three seasons of The films that made us are now streaming on Netflix.


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Help children think clearly and write clearly


Photo provided by Mighty Writers

Ensuring that students have all the support they need is at the heart of the mission of Mighty Writers.

Founded by Tim Whitaker in 2009, Mighty Writers aims to fight illiteracy by helping students of all ages in Philly, Camden, Newark and Atlantic City to further develop their reading and writing skills.

Angela Gomez, a native of Ventnor and Volunteer Manager for Mighty Writers, first got involved in the organization as a workshop leader shortly after graduating from Rutgers University. Having worked with children in the past, she takes great pride in helping them grow.

“I really enjoy working with the team and working with the kids and being able to make a difference, especially in the community of Philly,” said Gomez.

Mighty Writers fulfills its mission by offering activity workshops, in person and virtual, that target all facets of reading and writing. Whether it’s helping high school students write and edit college essays, teaching students how to organize business plans, or educating students about mindfulness, there is something for everyone. tastes. These workshops not only aim to help students improve their skills in a fun and enjoyable way, but also provide them with a safe environment to learn and interact with their fellow students.

Mentoring programs are also offered to provide counseling, including reading and homework help, to students whenever they need it. Gomez said that building these kinds of relationships is vitally important in helping students develop confidence in their writing skills.

“We want to make sure that we tell them that you’re not just there as a mentor, you want to be someone around that kid that they know is there for them at all times,” said said Gomez.

Yet although offering reading and writing assistance has been the main focus of the organization, the hardships caused by the ongoing coronavirus pandemic presented other immediate needs in the community, the main one being access to adequate nutrition and hygiene.

To do their part in tackling these issues, Mighty Writers are now organizing food and diaper drives for the underserved communities in which they are based to ensure families have sufficient access to meals, groceries and other basic necessities. These events have become essential for the organization.

As Gomez said, serving as a teacher in the community means going beyond the typical needs of the classroom and ensuring that students have the resources they need to be successful.

“If your kids have a need, we try to meet that need,” Gomez said. “Whether it’s academically or making sure they have food or diapers, if the family is helped a bit, children have more time to focus on school and learning, reading and writing. “

As Mighty Writers continues to grow, new volunteers are always welcome, especially those with a passion for reading and writing.

“If you are a book lover and a writer in general, we want you to share this love of reading and writing with our children,” Gomez said. “By joining Mighty Writers, you can give back to the community and share that love with children.”


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The American culinary writer whose palate has become French

Alexandre Lobrano. Photo credit: @ Steven Rothfeld

Alec Lobrano talks to Patrice Bertrand about his favorite chefs, his love of cooking and why French cuisine is the best in the world… and that’s just the beginning.

“When I tell people that I have lived in France for over 30 years, many people ask me if I consider myself French”, explains Alexander Lobrano, France today culinary writer, who, because of the Covid and the confinement in Paris, has temporarily retired with his French wife in the Gard department. There, they live in a small village between Nîmes and Uzès where they have restored a set of 17th century stone houses.

“The answer is no,” he continues. “My education and imagination were nurtured by the English language and the American values ​​of egalitarianism, politeness, skepticism of official authority and modesty. But a vital part of me has become French – my palace. I find the subtlety of a sauce such as a hollandaise or a béarnaise magnificent. I think this subtlety is very French. It gave me a much more sensitive and subtle palate than when I arrived in France years ago.

Alec, as he is called, describes this slow metamorphosis of his palate and taste buds in his latest book, My place at the table. A captivating memoir full of insights into French culinary culture, it tells how a shy teenager from suburban Connecticut, who discovered his passion for restaurants on his first trip to Europe in 1972, became one of the critics. Foodies and France’s most influential food writers.

“Now that the book is about to hit the world, I’m starting to think to myself, ‘Oh, my God, what have I done? ”, Says Alec. “It’s very personal and very tender. On the other hand, when you hide something, it creates shame. When you talk about something, it dulls its power when exposed. What Alec has brought to light is a detailed and intimate portrait of himself and a poignant account of his complicated rise: his arrival in Paris in 1986 to work for an American fashion magazine, his first food article. (on a famous cheese maker), his daily stringer fights, his experiences with French culinary culture and the French, his discovery of Paris and its restaurants, his loves, his failures, his successes, his ten years as a European correspondent for the ‘iconic, now disappeared Gourmet magazine…

A perfect sole meunière
A perfect sole meunière at the North Terminus in Paris © Alexander Lobrano

EACH RESTAURANT IS A THEATER

My place at the table concludes with his work for the French financial daily The echoes, for which, until the end of the 1990s, he wrote articles in French. At this point, Alec ceased to be the simple “American in Paris” he was when he arrived. He did it: he is recognized by the French themselves, they know he knows their cuisine and their culinary culture from the inside out and is able to judge it. This is also the feeling that any Frenchman who reads his book will probably have.

Asked about himself and his profession (he cautiously says “gastronomic writer” rather than “restaurant critic”), the warm and sociable Alexander Lobrano, 60 years old, robust, expresses himself with passion. “I love restaurants,” he says, “for the food, of course; but I like the conviviality, and I like the drama… I think that the restaurants are like theaters of novels where there is a representation. A meal in a restaurant is like a play. Some performance is better than others.

Alec points out that this love of conviviality comes from his childhood, spent in Westport, Connecticut, a chic and conservative suburb of New York, where his father was an executive in the textile industry. “I grew up in a family where the table was very important,” says Alec, who has not set foot in his native country for two years because of the pandemic. “Not just for the food, but because we sat down, we waited, we all had dinner together every night at the table and I couldn’t leave if I didn’t have a good excuse. At the table, my mother was like a sort of conductor: she felt that this is where you learn conversation. I have two siblings. We’ve all had a ride. She asked about something and we talked about it. You learn the conversation. Conversation is an art like cooking is an art.

According to INSEE, the French National Statistics Office, France has 175,000 restaurants, including 18,000 in Paris and its surroundings, a vast field of investigation for the hundred or so leading food critics who operate in France. When he is in the French capital, Alec admits that he dines at a restaurant four or five times a week – but not all the time: preferably in the evening and never on weekends because the places are too busy.

“I think the best day to go out in France is Thursday. The chefs have already made all the broths, the kitchen is well stocked, everything works well, they have everything to cook well and they cook for a local clientele, whether in Avignon, Paris, Strasbourg ”, specifies Alec, whose previous book , Want to Paris, reviews the 109 best restaurants in the capital.

Roast beef and mashed potatoes
Roast beef and mashed potatoes at A L’Epi d’Or, one of Parisian favorite bistros © Alexander Lobrano

THE INVISIBLE MAN

Like many of his colleagues, Alec prefers to eat out incognito, often with friends. For him, this is the best way to form the fairest opinion on the establishments and dishes that he will present later in his articles.

“I like to be invisible. I always want the people who read what I write to have a wonderful meal and a happy experience. The only way I can do this is to be completely anonymous so that I can be completely objective and have the same experience as anyone else.

This invisibility also allows him to appreciate another dimension of the restaurant: the reception of his staff. “Food, of course, is important, but so is hospitality because if you feel that people care and are happy that you are there, you relax and when you relax you start to have fun. . I think good hospitality is usually a sign of a well-run restaurant, ”says Alec.

This method has paid off and has given him a few favorite restaurants that he visits regularly. In Paris we are Septime, in the 11th arrondissement. “It’s hard to get a reservation,” he says. “But every time I go back there, I have to say that Bertrand Grébaut, the chef, keeps growing. Her imagination is so exquisite and her food is like edible poetry. It’s just great food. It’s so elegant, so exciting. I like to follow young chefs like that.

Fried pork belly
Fried pork belly with salsify at Volver in the Gard @Alexander Lobrano

If Alec likes to follow these young chefs, it is precisely because he is excited by the current creative energy in France. He does not share the common idea that French cuisine is overrated or in decline. “If we are talking about the Western world, I would say that France is the best country for gastronomy,” says Alec, who has accumulated his experience in countless restaurants, from the humblest bistros to the greatest tables. “The codes and cooking techniques have been codified and created in French kitchens and French culinary education is the best in the world. Thus, between the best products in the world, fabulous wines, an amazing culinary education and a general public passionate about food and who really knows it, the level of gastronomic culture in France is unique in Western countries.

He makes a good point on these “fabulous wines”. Indeed, French cuisine is inseparable from its wines and, in this regard, it is hard not to think of Curnonsky, perhaps the most famous of French gastronomic writers, who, more than 80 years ago, put them side by side in its immense compilation of French recipes, French cuisine and wines.

“My wine education took place entirely in France,” explains Alec. “I can’t imagine having a meal without wine and it doesn’t have to be expensive. What is wonderful in the south of France is being able to buy fine wines and they cost € 5 a bottle. Wine flatters food, food flatters wine. Wine pairing is a great art, so a good sommelier can add a lot to a meal. I find it interesting that more and more women are working as sommeliers. They do the job differently and are more eager to share what they know.

Lobrano's new kitchen
Alec’s new kitchen at home in the Gard © Alexander Lobrano

AT HOME IN THE KITCHEN

Unlike Curnonsky, who had neither a kitchen nor a dining room in his apartment, Alec is an avid cook. “During the first confinement, I was in Paris and everything stopped,” he recalls.

“It was quite shocking and strange not to go to a restaurant. So, I had to cook a lot. I like to cook because it changes my relationship with food. Instead of being the one sitting at a table I’m the one standing in the kitchen and that gives you respect for chefs and how hard this work is.

“Now that we have migrated south to our house in Gard department, we don’t go out often, although there are some wonderful restaurants there. Instead, we cook and cook. I find myself constantly looking for new tastes, recipes and inspirations in cooking, ”says Alec, who the very morning of our conversation had gone to the Uzès market.

Market in Uzès
Market in Uzès @ Alexander Lobrano

“He has a wonderful, wonderful market,” he says. “I bought everything that was beautiful – chicken, asparagus, new garlic (young garlic). But I don’t really know what I’m going to cook tonight. In the countryside, it’s the products that tell you what to cook so I don’t open cookbooks. I buy the best food and say, okay, I’ll roast the chicken and maybe we’ll have asparagus with it. Sorry, however, foodies: don’t expect Alec to succumb to the temptation to open his own restaurant.

“The idea occurred to me from time to time but, luckily, my sanity came back and I said to myself: ‘Are you crazy?’.

“Cooking for five or six people is one thing, but can you imagine cooking for 60 people? When I was in college, I worked in restaurants and beachfront hotels in New England. I know how difficult it is.

So what are his plans for the future? The answer is simple: write more books, keep working (“I’m busier than ever,” he says), travel, visit family in the US and… stay in France for good.

“I don’t think I’ll ever leave,” he told me. ” I could not. I have two houses. I have a country where I was born and I have a country that I have chosen. And I love them both dearly.

“I would never be able to return to America for good and say goodbye to France. I think I grew up here and the comfort and fun of everyday life here, life has meaning for me here. I am extremely happy. Another thing is also certain: Alec knows how to hold his place at the table.

From France Today magazine

Lobrano final cover
The cover image of My Place at the Table by Alexander Lobrano


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Chuck D announces book showcasing his career as a visual artist

Chuck D – Photo: Frank Hoensch / Redferns

Chuck D announced a book of works of art accompanied by comments from the Public enemy rapper. Genesis Publications shared details of the book, which is currently unnamed.

“In a digital age where people listen with their eyes, I think we are seeing the visual, sound, historical and style elements finally come together in ways that I have followed all my life,” said Chuck D. in a report.

“I was brought up with an artist mentality; my first 25 years were spent as someone who wanted to live among graphics, artwork and illustration, and then for the next 30 years it was just music. Over the past six years I have returned to the arts, combining all of these elements in my work, always trying to change the world. This is really what I want to do. My sincere thanks to Genesis for giving me a place to be able to display all of this through my artwork.

In June, Z2, with UMe / Def Jam, announced Chuck’s very first graphic novel, entitled Revelation 91: The Revolution never sleeps. Public Enemyluminary’s book is the latest in the publisher’s series of graphic musical icon celebrations that pairs some of the most notable names in comics with music superstars of all genres.

The book will be available next month, marking the 30th anniversary of the album that inspired it, Revelation 91: The enemy strikes black. Nominated for a GRAMMY Award, the album reached No. 4 on the Billboard 200 chart and featured powerful anthems “Shut ‘Em Down”, “Can’t Truss It” and “By the Time I Get To Arizona”, a line-up. inflamed. the state governor’s refusal to recognize the new national holiday of Martin Luther King, Jr.

Revelation 91: Revolution never sleeps begins in 1991 and explodes into distant futures with a series of speculative fictional stories by the industry’s leading creators, including Evan Narcisse (Marvel’s Spider-Man: Miles Morales, Black Panther), Régine Sawyer (Black Nights: Death Metal), Che Grayson (Batman: Urban Legends), Troy-Jeffrey Allen (Naughty: all caps), and much more.

Visit the official Genesis Publications website for more information.

For the latest music news and exclusive features, check out uDiscover music.
uDiscover Music is operated by Universal Music Group (UMG). Some recording artists included in uDiscover Music articles are affiliated with UMG.


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First Look at Trainspotting Creator’s TV Series, Crime Teases Excruciating Hunt for 13-Year-Old Girl’s Disappearance

The very first trailer came out of Irvine Welsh’s highly anticipated debut TV series, Crime.

Revolving around the excruciating hunt for a missing 13-year-old girl, the upcoming BritBox show is the Trainspotting author’s first step into the world of television and is an adaptation of her 2008 book of the same name.

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The first Crime trailer released this week
Will the show follow in the legendary footsteps of Trainspotting?

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Will the show follow in the legendary footsteps of Trainspotting?Credit: Alamy

In the reveal, we meet Dougray Scott as Detective Inspector Ray Lennox, who battles his own inner demons while working on serious crime investigations.

At the start of the gripping clip he says, “They say the road to hell is paved with good intentions, not in my mind.”

In a statement, BritBox teased, “Crime is the story of Ray Lennox in a city on the brink.

“Lennox is a man whose clear sight is not always a blessing. A girl disappears. A city is afraid. A police department is fighting against itself.

“A hero is lost; tortured by his own demons and all the while, watching, waiting, a brutal killer is about to strike.

The trailer alone promises a lot of drama – and the cast is another reason to get excited about the show.

What’s on Netflix, Disney +, and Amazon Prime?

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Warrior’s Joanna Vanderham stars as DS Amanda Drummond, while White Lines actress Angela Griffin will play Trudi Lowe alongside The Dig’s Ken Stott as Senior Superintendent Bob Toal and Guilt’s Jamie Sives as DI Dougie Gillman.

Irvine is perhaps best known for writing the original novel Trainspotting, which was adapted into the cult 1996 film of the same name starring Ewan McGregor, Ewan Bremner, and Robert Carlyle.

It was ultimately followed by the 2017 sequel T2: Trainspotting and Robert recently confirmed that a TV adaptation of the follow-up novel The Blade Artist is also in the works.

“As you know, there was another book called The Blade Artist that is all about Begbie and her story,” he said. NME.

“Irvine and I have had a lot of talk lately with some great producers in London about the continuation of the Trainspotting story.”

Crime preview Thursday, November 18 on BritBox.

The show will be exclusively available for streaming on Britbox

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The show will be exclusively available for streaming on Britbox
The show comes from Trainsportting author Irvine Welsh

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The show comes from Trainsportting author Irvine WelshCredit: PA

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Tell Short, Memorable Stories with Metropolitan Diary

Featured Column: Metropolitan agenda

Since 1976, Metropolitan Diary has been a hotbed for reader-submitted stories about these “New York-only experiences”. Each week, its editors write, New Yorkers and visitors to the city “share anecdotes, memories, unusual encounters and heard excerpts that reveal the spirit and heart of the city.”

What we love about this column is that it’s a great role model for narrative writing. Each story focuses on a small, memorable moment – a conversation overheard, an encounter on the subway, a small act of kindness – that often ends up saying something bigger about human nature, the world we live in or just plain old. the uniqueness of New York. .

What stories do you have to share about a community you belong to, whether it’s your city, your school, or even somewhere online? In this lesson, you will read several stories from the Metropolitan Diary, then write your own about a memorable encounter you had, that surprised, thrilled, or inspired you.

Ideas for teachers: Use this lesson as part of our unit on narrative writing. If the students like what they wrote, they can expand on it and submit it to our Personal narrative writing competition until November 17.

Have you ever had a meeting in your city or community that surprised, delighted or inspired you? Maybe interacting with a friend or stranger at the bus stop, in a skate park, at your job, in a classroom or online, in a video game chat, or in the comments section of a article? It could be something that happened to you, or something that you observed or heard.

Take about a minute to think about places in your community where you often see special, unusual, or funny things happening.

Then use the start of the sentence below to write for a few minutes about whatever comes to mind:

One encounter I had that I will never forget is …

First, choose at least three of the Stories from the Metropolitan Newspaper from this PDF read. If none of these inspires you, you can find many more in the Metropolitan Diary section.

You can read a whole set in class, one with a partner and only one. For each story you read, answer the questions below.

As you read, mark up and take notes on what you notice about the way these pieces are written. Here are some questions to consider for each story:

1. What is the momentous event or moment that this story focuses on? Why do you think the writer chose it?

2. Ed Shanahan, the editor of the Metropolitan Diary, says he often looks for stories that have “vivid memories of people, places and things” and “settings that instantly put the reader in the city”. Circle or underline the descriptive details of the story. What do these details contribute to the story? Why do you think the author included them?

3. The purpose of Metropolitan Diary is to share stories that surprise, delight and inspire. What kind of response or reaction do you think the author of the story you read was trying to get from the reader? What word choices, literary devices, or other “writing movements” help elicit this answer?

4. Most of the stories readers submit convey some sort of universal message about human kindness, happy coincidences, bonding, or what it’s like to live in New York City. What do you think is the message of the story you are reading? What lines help communicate this message?

5. Mr Shanahan says he also keeps a close eye on the kicker, or the last line in history, and almost always cuts out comments like “that’s why I love New York.” Why do you think he’s doing this? How does the story you read end? Do you think the ending is effective? Why or why not?

6. Which of the stories did you find the most interesting, meaningful or compelling? Why? What did the author that you admired and would like to try in your own writing?

Now it’s your turn: write your own story modeled on the Metropolitan Diary about a memorable encounter in a community you belong to. You can continue what you started in the warm-up or write something completely new.

Here are some guidelines:

  • Your story has to be about a momentous little moment – and it has to be true (i.e. it happened to you or you were there when it happened).

  • The stories in the Metropolitan Diary are about New York City, but your story can be about any community you belong to.

  • Try to keep your article under 300 words, as are articles in the Metropolitan Diary. Yours can even be under 100 words, like most stories you read, as long as it has a beginning, middle, and end.

  • Play with form. You can write your play like a traditional story, but it can also take the form of a poem or a short play.

  • Consider the larger message you want your room to convey. What does this anecdote say about your community? What does it tell us about the world we live in, human nature or life itself? Then see if you can use some of the writing movements you’ve noticed in the Metropolitan Diary plays you read to help communicate your message – descriptive details that evoke a sense of belonging, literary devices that elicit a sense of belonging. reaction and a kick that subtly, but effectively, tells your reader what your article is about.

  • If you want to take it a step further, try making your own pen and ink drawing, like the ones created by Metropolitan Diary illustrator Agnes Lee, to accompany your piece.

If you like, post your finished work in the comments! (You can post comments of up to 1500 characters, or about 250 words. If your story is longer than that, you can post it as two comments.)


Want more lessons of the day? You can find them all here.


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GameStop Mania’s Marketplace System Has Been Tough Test, Regulator Says | Economic news

By STAN CHOE, AP Business Writer

NEW YORK (AP) – The US stock market certainly shook when hundreds of thousands of ordinary people suddenly crammed into GameStop earlier this year, pushing its price to highs that shocked professional investors. But it didn’t break.

That’s one takeaway from a report by Securities and Exchange Commission staff released Monday on January’s “meme-stock” craze. As GameStop’s stock rose from $ 39 to $ 347 in just a week, some of the stock market plumbing started to creak, but the report indicated that the market’s basic systems and operations remained healthy.

The surge of GameStop and other oppressed stocks has also revealed the power wielded by a new generation of novice, low-budget investors armed with apps on their phones that make trading fun.

“The extreme volatility of memes stocks in January 2021 tested the capacity and resilience of our stock markets in a way few people could have predicted,” the report said. At the same time, stock trading even during this time highlighted an important feature of the US stock markets in the 21st century: wide participation.

Political cartoons

Many points of the report were already known, such as how the extremely heavy bets made by some hedge funds against GameStop’s stocks actually helped accelerate its extreme rise, although they were not the main driver. .

The report also didn’t make recommendations for changes to the way the market is structured, but it did point out several areas for further examination. They include topics that SEC Chairman Gary Gensler has cited in recent speeches, such as whether the way some brokerage firms make money encourages them to push clients to trade more often than they do. shouldn’t.

The report also said the SEC may take a closer look at events that could cause a brokerage to restrict trading in a stock. At the height of the frenzy, several brokerage houses banned clients from buying GameStop after the clearinghouse that settles their trades demanded more liquidity to cover the increased risk created by its highly volatile price. This has left many investors furious.

The report also raised questions about whether investors are getting best execution on their trades when so many of them are routed to large trading companies rather than exchanges like the Nasdaq or the New York Stock Exchange.

And, perhaps in a disappointment for some of the investors who crammed into GameStop to punish the financial elite: SEC staff said they don’t think hedge funds are largely affected by investments in GameStop. and other memes actions.

During GameStop’s price surge, many people yelled on Reddit and other social media platforms that this was their chance to stick it to hedge funds. They targeted funds that had bet GameStop, a struggling video game retailer, would see its price continue to drop.

These hedge funds did so by “shorting” the stock. In such a trade, a short seller borrows a stock, sells it, and then hopes to buy it back later at a lower price to pocket the difference.

Some of these short sellers have indeed been burned. And when they bought GameStop stocks to get out of their suddenly soured bets, the buying helped drive the stock even higher. But other hedge funds that had previously bet on earnings for GameStop’s shares turned in profits, as did others that jumped into the upsurge.

Hedge funds as a group have made money this year, including a 1.2% return in January during the throes of meme madness, according to the HFRI Fund Weighted Composite Index.

SEC staff nonetheless said improving the reporting of short sales is another area worthy of further study, especially if it helps regulators better monitor the market.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Planeta Prize: The truth about Spanish novelist Carmen Mola: “We didn’t hide behind a woman, just behind a name” | Culture

The three men who, it turns out, were truly writing Spanish novelist Carmen Mola’s best-selling thrillers have spoken out to tell their story, following the controversy sparked last week when their true identities were revealed during the award ceremony for a major literary competition.

Jorge Díaz, Agustín Martínez and Antonio Mercero, professional screenwriters in their 40s and 50s, were persuaded to come forward when their manuscript The bestie (or, The Beast), a bloody story of child murders set in Madrid during the cholera epidemic of 1834, was named the winner of this year’s Planeta Prize, presented by the publishing house of the same name. This year, the prize money had increased from € 601,000 to € 1 million, exceeding the Nobel Prizes in the amount awarded to the winner.

Díaz, Martínez and Mercero said the idea of ​​choosing a woman’s name as a pseudonym was not a deliberate one. According to Martínez, it only took “a minute and a half to throw out names of men, names of women, names with a foreign sound …”

“I don’t know if a female pseudonym sells better than a male pseudonym, I have no idea, but it doesn’t sound like that to me,” Mercero added. “We didn’t hide behind a woman, just behind a name.”

Carmen Mola had become a literary sensation, producing a blockbuster trilogy about a police detective named Elena Blanco who solves horrific crimes. The first novel, The gypsy bride, was released in 2018 and a fourth volume in the series is expected in March from publisher Alfaguara, owned by Penguin Random House Group, Planeta’s main rival in Spain. Under the Planeta Prize, which accepts only unpublished manuscripts, The bestie will be published by Planeta.

Mola, whose Elena Blanco trilogy has already sold 400,000 copies, had also been marketed as a college professor in her forties and a mother of three who wrote fiction in her spare time and preferred to remain anonymous using a pseudonym. She even gave interviews to written news agencies. EL PAÍS conducted an interview with Mola in 2018 via email, the only way “her” would agree to speak to the media.

When the three authors finally revealed their true identities on Friday at the awards ceremony, it caused a stir in literary circles and on social media. Beatriz Gimeno, writer, legislator and former director of the Institute of Women of Spain, said the deception goes far beyond the literary realm. “Beyond using a female pseudonym, there is the fact that these people have been giving interviews for years,” she said in a Twitter message. “It’s not just the name, it’s the fake profile with which they duped readers and journalists. Crooks. “

FERNAND VICENTE

All three writers now say that if they had guessed the success of their debut thriller about Detective Elena Blanco, they would have thought more about it and maybe come up with a different name. “But it all started to gain ground and turned into a wave that we couldn’t get out of. There were translations, we were asked for another novel … ”said Díaz. “We had to write something about the author for the jacket sleeve, so we made it up that she was a professor at the University of Madrid. But she might as well have tasted the gin and tonic … first we said she had two kids, then we forgot and said she had three … we weren’t very strict about it, ”Mercero added.

Penguin Random House downplays the relevance of the fact that rival publisher Planeta lured writers in with its $ 1 million check. But María Fasce, editor at Alfaguara, called it a “marketing operation”. Screenwriters are increasingly sought after by publishing houses due to the growing popularity of often book-based television series.

In fact, the story begins with a former employee of Penguin. Justyna Rzewska, who worked in Penguin’s international rights sales department, founded a small literary agency named Hanska in 2017 and sent Alfaguara Negra the manuscript of the first novel she would portray. This department, specializing in detective novels, was looking for a writer in Spain who would have a similar impact to foreign authors like Pierre Lemaître or Joël Dicker. The manuscript was received by María Fasce, who was fascinated by the story, but soon learned that Carmen Mola was a pseudonym and that the real writer wished to remain anonymous.

“In these cases, when a publisher enters into a deal with a writer, the deal is strictly honored. You act like he’s a writer who doesn’t want to talk to you and you’re waiting for his great novels, ”she said in a conversation with EL PAÍS. The book was an immediate bestseller.

The winners of the Planeta Prize, Agustín Martínez, Jorge Díaz and Antonio Mercero, with King Felipe VI and Queen Letizia.
The winners of the Planeta Prize, Agustín Martínez, Jorge Díaz and Antonio Mercero, with King Felipe VI and Queen Letizia.Albert Garcia

The editor said she couldn’t comment when she knew Mola was really Jorge Díaz, Agustín Martínez and Antonio Mercero. Secrecy has always been part of the process, even after The purple network was released in 2019 and the girl in 2020.

“We’ve been lying like dogs for four years and several months,” Díaz laughs. “It has been a long time since [I published my own] last novel, and more than one person had criticized me for not writing anything else, for being lazy. And I would think, ‘If you only knew …!’ “

There was a circle of people who knew something was up, but very few (and very discreet) who knew that one of the three could be behind Carmen Mola. But no one knew it was the three of them.

Díaz, Martínez and Mercero said they did not expect to start a new saga with The Bestia. Then again, they also didn’t expect to write several books about Elena Blanco. “We had a great time working in this genre,” Martínez said. “We live by the principle of pleasure. We are hedonistic writers, not authors who suffer when they write, and I think when you have fun, the book comes out better. That’s what we’ve always wanted to do, have fun writing.


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11 biographies of comic book creators

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Superheroes may be fantastic, but their creators are very human: imperfect, flesh-and-blood individuals with talent and vision. In some cases, these real-life personalities are even more complicated and intriguing than the characters they put on the page.

Perhaps this is why there have been so many biographies of comic book creators in recent years – so many, in fact, that SDCC @ Home has devoted a whole panel to discuss four of the most recent. All of the books featured there are also featured here, along with a number of others on writers, artists, etc. Some of these are names you have probably never heard of before; others that you know better than your own. All of them have worked hard and often mercilessly to bring us the comics we love.

Like the comics themselves, white men – both as authors and as subjects – dominate this list. Fortunately, more recent studies seek to reverse this trend, as you can see below.

American Daredevil: Comics, Communism and the Battles of Lev Gleasom by Brett Dakin

Although he can’t remember well today, Lev Gleason was a comic book giant of the Golden Age. He even invented a whole new genre of comics: the detective comic. Ironically, the police comics helped hasten the demise of his own business (although his blatant Communist sympathies didn’t help in the ultra-paranoid 1950s). Gleason’s great-nephew, Brett Dakin, paints a compelling portrait of an influential and fearless publisher.

An illustrated portrait of Bill Finger with a tilted shadow of Batman's hood behind him

Bill the Boy Wonder: Batman’s Secret Co-Creator by Marc Tyler Nobleman and Ty Templeton

If you’ve ever seen a cartoon, a Batman movie, whatever, you’ve seen “created by Bob Kane” marked somewhere in the credits. But was he yet? Nobleman and Templeton argue (and it’s now generally accepted among fans) that the answer is a harsh “ish”. This short, illustrated biography tells the story of Bill Finger, who never received the credit he deserved for bringing one of comics most iconic characters to life.

If you want Kane’s version of events, you can check out his 1989 autobiography, Batman and me. Given the appearance of his tombstone, however, I am preparing for some terminal self-glorification.

Drawings of influential women from early comics

Women in comics: characters, creators and culture in the golden age by Peyton Brunet and Blair Davis

Now available for pre-order, Cartoon women is a necessary counterweight to the male-centric biographies that dominate this list. Brunet and Davis take a fresh look at the early days of comics, focusing on the women who helped grow the industry – and who were later erased from the history books.

Various images of Gardner Fox and his work

Forgotten All-Star: A Biography of Gardner Fox by Jennifer DeRoss

Fox was a most unlikely candidate for an influential comic book creator. A lawyer hit hard by the Great Depression, he ended up writing comics for extra income. Along the way, he happened to help invent or reinvent icons like Flash, Hawkman, and Batgirl. He even, as I pointed out earlier, invented the very concept of a superhero multiverse.

A collage of characters drawn by black designers and photos of the artists themselves

Invisible Men: Black artists who pioneered comics by Kevin Quattro

Like I said in the intro, comics have long been dominated by white voices. However, it was not always so seamless. In the early days, when comic book creation was nowhere near as respectable as it is today, color designers, including black men, were more common. Kevin Quattro’s Eisner Award book pays homage to these men, both as individuals and as contributors to an industry that seems eager to forget about them.

Elms at his desk drawing and samples of his work

Jackie Ormes: the first African-American cartoonist by Nancy Goldstein

Once upon a time, “comic book” did not refer to the comic strip books but to the comic bands. Jackie Ormes was the only black designer of her time. A talented and influential artist, Ormes nonetheless clashed with the FBI: unsurprisingly, in the mid-1950s his leftist politics were unpopular with the US government.

Hulk's fist breaks towards the reader

Kirby, king of comics by Marc Evanier

In comic book history, there is only one man with the talent, versatility, vision, and impact to call himself “King”, and that man is Jack Kirby. Kirby’s friend and collaborator Mark Evanier tells the story of his life and how his seemingly endless creative energy enabled him to help create the Marvel Universe. The book also includes plenty of original Kirby artwork to drool over.

A caricature of Marie Severin at her desk, surrounded by Marvel characters

Marie Severin: The Mitheuse Mistress of the Comic Strip by Dewey Cassell with Aaron Sultan

Colorists usually don’t get as much attention as these glitzy artists and writers. (They weren’t even regularly credited until the ’60s!) Of all the colorists, Marie Severin, who has spent decades working on some of Marvel’s biggest titles, is perhaps the most famous – and rightly so. title ! Cassell and Sultan tell his story through interviews, photos and of course, works of art.

An image of Stan Lee smiling and pointing at the reader

A Wonderful Life: The Incredible Story of Stan Lee by Danny Fingeroth

Lee is arguably the most famous – and most polarizing – figure in all of comics. This is probably why there are biographies about him everywhere. This book isn’t even the only one on Lee coming out this year! However, Fingeroth knew Lee and his associates personally, which gave him a unique perspective from which to write.

For Lee’s own take on his life story, you can check out his 2002 autobiography, Excelsior! : The Amazing Life of Stan Lee.

A collage of images by and by Otto Binder

Otto Binder: The Life and Work of a Comic Book and Sci-Fi Visionary by Bill Schelly

While his work on the Superman franchise (and this guy, I guess) is best remembered, Binder’s influence extends far beyond superheroes. In this book, you’ll learn all about how Binder’s work changed science fiction as we know it, as well as the terrible personal tragedies that darkened his later years.

A comic book style image of Superman's legs hovering over a cityscape

Super Boys: The Amazing Adventures of Jerry Siegel and Joe Shuster – Creators of Superman by Brad Ricca

No list of creator biographies would be complete without a book chronicling the lives of the very first superhero creators, Siegel and Shuster. Even if you know the general rhythms of their history – how they created Superman together, sold the rights for $ 130 and had to fight for decades for even a small slice of the profits – this book will teach you. a lot about the Ohio teens who started it all.


Don’t have enough creative biographies? Discover these literary biographies, or these autobiographies of musicians!


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Cheng Channels Life Experiences Into Young Adult Novel – The Heights

If you are losing weight, you are too skinny. If you gain weight, you are too fat. Celebrities are under constant scrutiny, which means constant scrutiny. Not surprisingly, such a review often comes at a cost. From Britney Spears to Kanye West, the public eye has taken its toll on many occasions. Celebrity’s mental health check-up prompted Jessie Cheng, CSOM ’22, to write her newly published novel Without glory.

Ever since she was little, Cheng has been interested in entertainment, she said. Growing up in Fremont, California, she loved to sing and frequently gave concerts with her younger brother.

Rather than pursuing music full time, this interest has found other avenues since Cheng arrived at Boston College. As a Marketing and Business Analysis student at the Carroll School of Management, Cheng’s career direction may initially seem far removed from the music industry, but she sees an overlap.

“I want to work in the music industry someday, work directly with artists to promote their music,” Cheng said. “Music is such a universal language and you can use it to convey many important messages. I hope to use my marketing experience to help promote these posts.

As she got older, Cheng’s perspective on the entertainment industry and the celebrities that make it up matured, she said.

“I have a huge heart for celebrities because they are so openly criticized and they are always expected to be perfect idols for the rest of us,” Cheng said.

This recognition, coupled with his love for writing, is exactly what motivated Cheng’s decision to write a novel from a famous singer’s perspective. Without glory is a young adult novel about 19-year-old singer Rose BD, a Chinese-American pop star. A story of resilience and recovery, Without glory chronicles Rose’s secret struggles with an eating disorder in an industry that demands perfection.

“The more I wrote, the more I understood my characters and could write about how they might react to certain situations in their lives,” Cheng said. “I enjoyed connecting my characters together or delving more into their childhood and how this upbringing affected their mental well-being.”

Cheng’s own experiences also played a big part in his decision to write. Without glory, she said. Her battle with an eating disorder over the past seven years has provided lived experience to the struggles so often faced by celebrities, Cheng said.

Cheng knew the pandemic was a good time to talk about eating disorders because COVID-19 only made things more difficult for those who have trouble eating, she said.

“As many people with eating disorders or eating disorders might report, my 40s definitely complicated my relationship with food and with my body, as I was stuck at home with so many things. food around me all the time, ”Cheng said. “Writing Without glory was a therapeutic way for me to put my emotions on paper, as well as reflect on my past experiences and write about mental health.

Before the pandemic, Cheng wanted to start a podcast on mental health in the entertainment industry first, she said. In May 2020, Cheng’s plan changed after speaking with his mentor, SJ Petteruti, BC ’07.

Petteruti first met Cheng on a Zoom call about his experience as a graduate writer of English literature. After the lecture, Cheng came to Petteruti with his interest in writing a novel.

“I’ve told a lot of people to write a book,” Petteruti said. “Jessie is one of the few people I have met who has experienced this.”

When Cheng spoke to Petteruti about starting with a podcast, he urged her to establish some credibility first. This prompted Cheng to start writing Without glory in May 2020, an “overnight idea,” as she called it.

Recognizing how much work writing a novel takes from his own experience, Petteruti is extremely proud of Cheng’s work, he said.

“She did so much work on her own,” Petteruti said. “She’s a talented writer and she has a great voice. I think we’ll hear more over time.

Another key resource for Cheng as she navigated the novel writing process showed up in an unlikely place: an email chain. After reading an email on the Institute of Creators, a group of over 200 new authors with similar deadlines and target publication dates, Cheng was immediately mesmerized, she said. She scheduled a call with the founder and from there joined the group.

As a member, Cheng participated in weekly workshops focusing on topics ranging from improving storylines to character development to messaging and more. Despite the structure provided by the group, balancing writing a novel with being a full-time student in the final year of college was no easy task, Cheng said.

“The Institute gave me a lot of responsibility, but it was extremely difficult to hold myself accountable at school,” Cheng said.

Cheng said that she tried to write at least one chapter every week and found herself writing mostly between 1 and 2 a.m. in her dorm room, when there were few distractions.

“I had this post-it on my wall that said, ‘Remember why’. Turn your pain into a goal, ”Cheng said. “Remembering the end goal and the impact of my book gave me a lot of motivation to keep going.”

The difficulty of staying motivated was compounded by the difficult nature of what Cheng wrote. Since many of Rose BD’s experiences are drawn from Cheng’s own life, the writing was a very vulnerable process, she said.

“It was something I was ready to share with the world because I knew people would be comforted by my story and relate to it,” Cheng said. “The whole writing process and having to confront my past experiences was probably one of my biggest challenges.”

In April 2021, Cheng launched a crowdfunding campaign to cover the $ 5,000 publication fee. Without glory, which she exceeded by more than $ 1,000. She said this allowed her to establish a first community of authors. Those who donated to his campaign received a pre-ordered copy of Without glory and I helped choose the cover for the book.

Cheng released Without glory via New Degree Press in August 2021, just 15 months after originally deciding to write the book.

“It was terrifying to put me there,” Cheng said. “Like most freelance writers, I think marketing is a challenge after you publish because most of the marketing efforts have to be done on my own.”

Cheng has sold over 200 copies of his book so far. Without glory can be purchased as a paperback or e-book on Amazon. Despite the difficulty of writing and marketing a novel and the pain of facing the struggles of the past through its protagonist, Cheng said writing novels is not something she will stop anytime soon.

“I hope to continue advocating for mental health and blogging about eating disorders… writing is definitely something I will be doing all my life,” Cheng said. “I hope this book will encourage the community in British Columbia and beyond to seek vulnerability, as well as seek recovery in their lives, what that might be like.

Graphic presented by Olivia Charbonneau / Editor-in-Chief of Heights

Photos courtesy of Jessie Cheng


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This is the most exciting part of MercadoLibre’s business

Often referred to as the “Amazon (NASDAQ: AMZN) Latin America “, Free Mercado (NASDAQ: MELI) operates an e-commerce marketplace which has a dominant presence in several key markets. However, in this fool live Video clip, recorded on September 29, Fool.com contributor Matt Frankel, CFP, explains why the financial technology side of MercadoLibre’s business is where the most exciting growth opportunities lie.

Brian Withers: I look at the history of MercadoLibre and over time they quietly bought a bunch of small integrated acquisitions in logistics, market platforms and tech companies where they maybe look at a tech company that is building fintech tools or payment services. or ecommerce operations and start working with them on specific projects, outsource a specific project, and they like what they see, they try to buy, then they’ve bought quite a few over the years. years.

They’ve really built a really strong tech backbone through MercadoLibre, so I feel like they’re very good at finding tech companies and definitely fulfilling their mission, and I think that’s what they do. are looking for. But really excited to bring MercadoLibre to the show, and it took a PSPC to bring them, well, so be it. But I know that you are a shareholder or that you want to be a shareholder.

Matt Frankel: I am.

Withers: OK, so what’s your favorite part of the MercadoLibre tool and product ecosystem?

Frankel: Not the PSPC. I have to say it’s Mercado Pago. Not only is this the fastest growing part of their business, I think it is, it’s like the Pay Pal (NASDAQ: PYPL) and eBay (NASDAQ: EBAY) dynamic. While PayPal started out as an eBay affiliate, it was the other way you paid for your purchases eBay gradually began to shift to other forms of payment. It was weird to use PayPal for anything other than eBay. I don’t know if you remember it, I certainly do.

Now, no one even thinks of eBay when you say the name PayPal. I see it as a PayPal at an earlier stage. But if it was an Amazon affiliate, not eBay. But can you imagine if PayPal had its dominance outside of eBay as it does now, while still keeping virtually 100% of Amazon’s payments to process? I could see it becoming something like that in the Latin American market. I don’t see them running it anytime soon as another difference. They might, on the road, but I won’t see it anytime soon. This is definitely the most exciting part of the business on my mind.

Withers: Yeah, I did a little bit on Mercado Pago and MercadoLibre yesterday, I think, and the number that comes to mind is $ 10 billion in off-platform payments, last quarter, just last quarter. Yeah, so that’s an exciting part of the business for sure.

Frankel: PayPal does about 30 times this just for context.

This article represents the opinion of the author, who may disagree with the “official” recommendation position of a premium Motley Fool consulting service. We are heterogeneous! Challenging an investment thesis – even one of our own – helps us all to think critically about investing and make decisions that help us become smarter, happier, and richer.


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John Grisham on Judges, Innocence, and the Judgments He Ignores

You mentioned your work with Project Innocence. Tell you a little more about what you learned about the American criminal justice system from this experience.

It wasn’t something I thought I would get involved in. I practiced criminal law for 10 years, and we had a really good system in my little rural corner of Mississippi. I knew the cops, I knew the prosecutors, I knew the judges, and it was a very effective system. Everyone played fair. I have had a lot of clients who have gone to jail. They deserved it. I have never had a client who I thought had been wrongly convicted. It just never occurred to me that these things were happening until – do you know Jim Dwyer?

Jim was a giant.

He wrote this obituary in December 2004. I love New York Times obituaries. And that was a weekday obituary. The main story was a guy my age, my race, my background, my religion, my part of the country – he was from Oklahoma, I’m from Arkansas – a small rural town. And he was an Oakland A’s second-round pick in 1973, a year I thought I might be drafted. My name has never been called. This guy was drafted high but, anyway, didn’t make it. And he returned to his hometown of Oklahoma and was convicted of capital murder and sent to death row by the same city that has always idolized him as a sports hero. He served 11 years, came within five days of his execution.

So I read his obituary. He had just died after being exonerated by DNA. The story just slapped me. Shortly after, I was in Oklahoma, in a small town. This is my only non-fiction book. It was released in 2006, and it really immersed me in the world of wrongful convictions, something I never really thought about. Once I started researching “The Innocent Man,” I just realized how many innocent people are actually in prison, and there are thousands, tens of thousands. Barry Scheck asked me to join the Innocence Project board, and I did. We advocate from coast to coast to get our innocent clients out of jail through DNA testing. And we have 375 DNA exemptions, and some of them were on death row.

The work is addictive because you end up with these clients. You come to know that they are innocent and yet they have spent 20 or 30 years in prison for somebody else’s crime, and so injustice is really something that always harasses me. It is an endless battle that I hope to fight for the rest of my life.

It’s great to see someone, after reaching your level of achievement, exploit them to do such important and valuable work like this.

I’ll tell you something, Adam. Every wrongful conviction case should be a book because they are fantastic stories from a storytelling point of view because of the incredible suffering, injustice, wasted lives, wasted time, wasted money, everything that happens in a single wrongful conviction. condemnation, while the real rapist, the real murderer is free.


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Book Review: ‘Gichigami Hearts’, by Linda LeGarde Grover | Books

Linda LeGarde Grover’s “Gichigami Hearts”; University of Minnesota Press (145 pages)

“Can you see there’s a house over there, about a block across the bridge?” Linda LeGarde Grover’s Aunt Carol asks, as the two sit in front of a campfire at a powwow in Duluth. “Did you know that this house was your great-great-grandmother’s house?” You did not know it ? people were moved, and her mom and dad came from LaPointe, that big village on Madeline Island, Wisconsin. “

Linda, she said, should know some of these things.

Well, now she does. And now, thanks to “Gichigami Hearts: Stories and Histories From Misaabekong”, so do we. Gichigami is, of course, Lake Superior, and Misaabekong is an Ojibwa name for the Duluth, Minnesota area, referring to the massive outcrop of gabbro, also known as Point of Rocks, which divides the city.

“Our Ojibwe and, in a broader sense, Anishinaabe story is an overlay of our stories on this land and this landscape,” Grover tells us, and his own overlay of family history, creation stories and tribal traditions makes from this book a complex map of a place and its inhabitants in intimate, mundane and otherworldly terms.

So we have how, “One of the times the rock was blown up, near where the Bethel Society building is today, between Superior and First streets, a big crack opened up and an Anishinaabe man dressed in old-fashioned clothes came out … and was gone. ” And we have the more conventional arrival of the Anishinaabeg, who came from the Newfoundland area at the time of the Great Migration to join “the encampment next to the American Fur Post at Fond du Lac, which is today. ‘hui the most westerly district of Duluth. “Among them were the Ojibwa ancestors of Linda LaGarde Grover.


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Reading and writing

Canada’s oldest children’s bookstore is now writing its next chapter

An iconic Halifax small business writes its next chapter as it marks a milestone.

Woozles, a children’s bookstore, celebrated their 43rd birthday on Saturday, although they may not have the same crowds they typically do every year due to COVID-19.

Dubbed Canada’s oldest children’s bookstore, its owner says it’s time for a fresh start.

Liz Crocker says the aging Birmingham Street building and accessibility issues are the reasons for the company to relocate.

“Sometimes middle aged people – I think 43 is middle aged – sometimes people say maybe we should change things up a bit, so we decided to leave the pretty yellow building with the door. green and move to a new one on Shirley Street, ”said Crocker, who founded the store with her late husband and a friend in 1978.

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Woozles celebrates 40 years of activity

It’s been a long journey since then, but Crocker takes pride in what the company has become, even having to carry the torch alone.

“I am happy to carry on the legacy of what we wanted to create, a place for and on children,” she said. “Sure, with great kids books and toys, but also a place where people who love kids and care about kids could come and just be in a space that cheers you up.”

Julie Chisholm, who drops by with her children every two months to buy new books, visited the store for the birthday festivities before it closes.

She says she’s happy the business itself isn’t closing, but it will be a different feeling without the current location.

“The old building was so special, the old reading chair, it’s so charming,” Chisholm said. “But we are also very excited to see the new space. “

Read more:

‘Then COVID struck’: Calgary’s small bookstores celebrate pandemic survival

Crocker says she appreciates the support of her clients near and far.

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“One of the things that has warmed our hearts over the years is the support of the community,” said Crocker. “It’s not really community support for us, it’s community support for the importance of children, in building a future community and a future country.”

Their last day is at the current location on October 25, with hopes of opening the Shirley Street store in mid-November.


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Are we heading for a stock market crash?

It sounds strange right now, I know. I mean, the FTSE 100 The index hit its highest level in two months on Thursday. As I write this Friday afternoon, it is maintaining those levels.

So why am I talking about a stock market crash?

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UK economy shows weak recovery, FTSE 250 stalls

I am basing myself on the growing risks to the global recovery, which could weigh on the performance of companies and the stock markets.

The latest UK growth figures, weak for August, have been a wake-up call to me. The economy grew only 0.4% month-on-month in August, even after the easing of containment measures. In relation, the FTSE 250 The index, which is roughly representative of the performance of UK-based companies, stagnated last month. This could indicate that the stocks that make it up are not rising fast enough to push the index up.

Lower numbers expected across the pond

And it’s not just the UK where growth is disappointing. investment bank Goldman Sachs has just revised downwards its growth forecasts in the United States. He now expects growth in 2022 to slow from 4.4% to 4%. Economic growth is a reflection of how individual businesses are doing at a collective level. So, the expected weakness of the economy means that we can also expect weaker corporate results.

The United States is the world’s largest economy. So everything that happens in the United States affects the rest of the world as well. Now, the latest forecast cut is hardly scary. But slower growth can be unsustainable for some companies. This can trigger contagion. We have seen this recently in the Chinese context. The near collapse of real estate developer Evergrande caused stock market jolts around the world.

Withdrawal of support

I would not rule out such events any further, especially since the support policies are withdrawn. In the UK, the holiday scheme has been abolished, which could lead to higher unemployment. And the cancellation of the stamp duty holiday could be bad news for the real estate market. This is mainly because the recovery is too weak to sustain it. A handful of real estate developer stocks in the FTSE 100 have supported it well over the past year, as their stock prices have rebounded from soaring house prices. They may not be able to do it now.

Central bank quantitative easing in the form of bond purchases could also be reduced. The US Federal Reserve mentioned this in the context of rising inflation. This could derail any recovery seen so far. And inflation as such is also a big imminent risk.

What i would do now

What I mean is keeping in mind that the stock markets were very nervous until recently, I think any news could trigger them into a crash. This does not mean a catastrophe, it would probably only be a short-term market downturn. Also, I can’t ignore the fact that the FTSE 100 is currently hitting two month highs so the crash might not happen at all. But I would still be prepared for a stock market crash and keep my investment wishlist ready to add stocks to my investment portfolio if their prices drop.

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MLT author’s debut novel explores women’s resilience and empowerment

Amanda Johnson shows the ebook version of her first novel “East of Manhattan”. (Photos courtesy of Amanda Johnson)

Mountlake Terrace resident Amanda Johnson had her first novel East Manhattan recently published. The novel was partially informed by her personal experiences while her husband Ben Hill was working as a household manager for a celebrity in New York City. It addresses the themes of feminism and the changing gender roles related to work and family structure.

East Manhattan tells the story of Julie and Scott Cutter, who strike a deal whereby Scott will spend two years working as a butler for a wealthy reality TV star, and then they will start the family Julie has always dreamed of. But Julie learns she’s approaching prenatal geriatric status, and the job requires her husband to live in the basement of her famous boss’s Manhattan mansion instead of being with her across the East River. in Queens.

Then one morning, Scott casually announces during a brunch that he doesn’t want any more children. Julie is convinced that spending an idyllic July 4th weekend in the Hamptons will change her mind. She makes one last effort to save her dream, to be confronted instead with her worst nightmare and a dirty little secret that will change the course of her life forever.

“The plot and the characters and a lot of the actions they take are fictional, but the inspiration I found behind some of the things that happened to us when my husband had this job was real life,” Johnson said. . “I kept a diary and when crazy things happened – that I didn’t think they would happen like normal everyday life but were now our new normal – I would record them.”

Johnson then referred to his journal when writing the novel. “I’d be like, oh that’s right, he must have left me in the middle of dinner to go make a turkey sandwich for his boss that time and just those weird, crazy things that happened,” he said. she declared.

She originally wrote a journal about her life in New York City as an actress, but after Hill started working for the celebrity, “it was more like recording these experiences and also how I was feeling back then” , she said. “It was just a really cathartic way for me to approach these emotions that I was having.”

Johnson explained that Hill’s job required him to oversee the day-to-day operations of his famous employer’s mansion and fill a sort of “common man role,” which would often even include driving duties for his employer on weekends. end.

One particularly memorable experience came when the couple were out for dinner and Hill received a text from his employer’s full-time driver saying, “We’re going home and he wants a turkey sandwich,” Johnson said. “So my husband knew that meant he had to get it ready as soon as he walked through the door” and “at that point it was a priority. He left me there to finish my chicken (dinner) on my own and it was an interesting situation.

The situation “was certainly not an outlier,” she added. “Things like that happened a lot and it became the norm and we had to sort of adapt.” In another case, Hill received a text saying he would have to resolve a situation with the house’s fire alarm before the couple could go on their planned vacation that morning.

Hill’s job required him to spend five nights a week at his employer’s residence. He had two days off where he could spend time with Johnson and sleep at their house, but “he was going back to the mansion in the middle of the day on his second day off,” she noted, “so it was it was often like that it was not two full days.

One of the ways the couple adjusted to Hill’s employer’s schedule was by grabbing a quick bite. Johnson often said that after work she would go meet him at places where “we would have ‘five minute dinners’ and he would go back to his job and I would go home on the train.”

Johnson said that in writing East Manhattan, she insisted on including “the loneliness that brought me. He had to live in this house, so every night I was alone.

In the book, when Scott tells Julie that he doesn’t want to have any more children, “Julie brings up the issues and comes to terms with her long-held belief and has to somehow break that belief she lives in and take her life. in hand and make some really big decisions that may or may not include her husband, ”Johnson said.“ And she really needs to figure that out on her own and establish herself as a powerful and confident woman, able to be alone and make her dreams come true on her own terms if that’s what she decides to do. “

She added: “Mistakes are made on both sides and decisions have to be made from those mistakes.” Julie must reassess her situation and ask herself, “What if my life doesn’t turn out the way I always imagined? Johnson said.

In addition to acting, Johnson had previously written screenplays and plays, but “when that idea came to me, it came to me like a book,” she said. “I never wrote a book, it’s not my background or my experience, but I just saw it as a book and I knew I had to honor it.”

Johnson said the nearly six-year process was difficult because, “I didn’t really know how to write a novel. I had the story, I knew where I was starting and where I wanted to go, but I didn’t know all of those pieces in between. She set aside time for writing and described her efforts as “a lot of trial and error trying to figure things out and just move on.”

Plus, she was surprised to learn how much more work was needed after she finished writing the story. “The reviews and trying to find a literary agent and a publisher and market it once it’s out – there’s just a lot of pieces that I didn’t really know were a part of novel writing,” added Johnson.

Johnson considers “East of Manhattan” to be women’s fiction, although she noted that it has also been classified online as romance. “I have a little trouble with that because romance has very particular tropes that you have to follow in their structure to be considered a true romance book and mine doesn’t necessarily follow that,” she said. declared.

“The novel deals with important topics such as fertility with humor and grace,” she noted. “It also goes beyond the realm of the simple enlightened chick and explores themes such as female empowerment and entrepreneurship. “

Johnson grew up in Kirkland and then lived in New York City for 10 years. She and Hill moved to Mountlake Terrace almost five years ago in order to be closer to their family while raising their son Jackson.

His efforts to find a publisher also allowed him to establish a local connection, as East Manhattan was published by Poulsbo-based Books to Go Now.

“What got me through the most difficult parts – and I was also doing it at the height of the pandemic – and what kept me going was viewing the physical copy of my book,” Johnson said. “And then when that day came, when that box of books came along, it was so gratifying and beyond any emotion I could describe because it’s the thing I dreamed of.”

She celebrated with her family on the patio of the Epulo Bistro in Edmonds after receiving the printed copies of her book. Her mother even had a personalized cake made for the occasion that was decorated with the cover of the book. “It was so much fun,” Johnson said, “we had this awesome dinner and a toast and we had cake and it was just a really fun way to celebrate.”

Johnson enjoyed a personalized cake designed to look like the cover of his novel at a family book launch party.

Johnson said she had received positive feedback on her first novel. She noted, “The people who are closest to me always want to know what’s real and what’s fictional and it’s just not always fun to tell them – I’d like them to shoot their own conclusions.

“I’ve also gotten a lot of comments that he’s screaming for a sequel – so we’ll see,” she added. “I’m still sort of recovering from writing a novel and haven’t started it yet.”

Even though Johnson isn’t ready to start writing a sequel, she remains creatively busy as a writer, actor, voiceover artist, host and producer. His written works include films Alice in Astoria, Babymoon and the stage play Jennie.

She is currently working on a script and proof of concept short film to develop a television series, Tapestry Brewery, about a female craft brewer from the Pacific Northwest.

Her voiceover work has mostly been devoted to commercial and industrial projects, although Johnson has indicated that she was recently the voice of the Nordstrom Trunk Club, “which was really fun.” She also hosted the South Sound Money Talks podcast in corroboration with TAPCO Credit Union.

“I thought I wanted to record the audiobook for East Manhattan until I really dig into it, ”she said, then realized“ that’s not my expertise. It’s a different type of voiceover and I don’t have the training for it and to be able to do it really well would have been too much.

Voice-over artist Vanessa Lopez was hired to narrate the audiobook version, which Johnson was slated for release in the coming months. “I loved her voice, it seemed like she really understood the tone and point of view I was looking for,” she noted of Lopez. “I absolutely loved what she did with it.”

Johnson continues to act and she recently won the Los Angeles International Film Festival’s Outstanding (Actress) Award for her portrayal of a lawyer named Kendall in the short. Jonnie’s Sunset. The film is currently on the film festival circuit and she was not sure yet when it will be made available to a wider audience.

In addition, she plays the lead role of a dancer who ends her career in Ragged nails. The trailer for this film is also currently showing at film festivals.

Whether she’s writing or acting, Johnson said there was “never a dull moment – I have a 5-year-old too.”

“The past year has been intense for many reasons beyond the simple pandemic,” Johnson noted. “I want East Manhattan to be a treat that offers women a much needed escape. She added, “It’s fun and it’s quick, but there’s also a little deeper heart in there.”

More information on East Manhattan and Johnson’s writings can be viewed here. His acting credits can be seen here.

– By Nathan Blackwell


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Meet the Food Guy Steve Dolinsky – NBC Chicago

Steve Dolinsky has won 13 James Beard Awards for his television, radio and podcast work.

He is the Food Reporter for NBC 5 (Chicago), where his “Food Guy” reports air every Thursday night at 10pm.

Steve is also the producer and host of “Pizza City,” a bi-monthly podcast featuring some of the nation’s biggest pizza makers, and was previously co-creator and co-host of The Feed Podcast with Chef Rick Bayless. (which garnered a Beard Award in 2015 for Best Podcast), a weekly show that ran from 2014 to 2019. He also wrote food and travel stories for the Travel sections of the Chicago Tribune and The Globe and Mail of Canada, and has frequently contributed to public radio. “The world” of International.

Steve is the author of “Pizza City, USA: 101 Reasons Chicago is America’s Biggest Pizza City” (Northwestern University Press). To write the book, he visited 185 places in Chicagoland over the course of six months of meals. His “Pizza City USA Tours” began in May 2018. Steve runs four tours around the city, each giving guests the chance to sample four styles of pizza in three hours. There is one bus tour (usually led by Steve) and three walking tours each weekend. More information on pizzacityusa.com. His second book, “The Ultimate Chicago Pizza Guide: A History of Squares & Slices in the Windy City” is due out in fall 2021.

On the board side, Steve launched Culinary Communications, a food industry-focused media training company that works with chefs and other food and beverage professionals outside of Chicago, teaching them how to prepare. and manage all kinds of media exposure. He also works with real estate companies to organize spaces involving food and beverage clients, organizes and leads virtual pizza and / or cocktail experiences for businesses, and works with individual clients to organize unique dining experiences.

Since 2009, Steve has been one of the 26 Presidents of the Academy of the 50 Best Restaurants in the World, recruiting and supervising 40 voters in the Mid-USA / Canada region. He has spoken and / or hosted several industry events including the James Beard Awards, Food & Wine Magazine Classic in Aspen, and the New York City Wine and Food Festival.

Steve volunteers for Chicago area charities that focus on fighting hunger, including Share Our Strength and Meals on Wheels.

Prior to joining ABC 7, Steve was executive producer and host of “Good Eating”. The weekly half-hour show aired on CLTV, the 24-hour cable news channel owned by The Tribune Company. He produced and hosted 52 shows a year for 8 years, winning six Beard Awards for his work there.

You can follow his culinary adventures on Twitter and Instagram @stevedolinsky, as well as on his website: stevedolinsky.com


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Reading and writing

11 years of writing this column | Lifestyles

Psalm 26: 7 That I may proclaim with a voice of thanksgiving, and tell about all your wonders.

October 2010 was the first time I wrote a column in a newspaper that would become a regular article every week. Thank you, reader, for making this column popular. Thanks to the editor and editor of the Daily News for allowing this column to be published.

So much has changed since 11 years ago. The newspaper is now called the Daily News. The media, as we once knew it, has changed. I have spent many years in broadcasting, and that has certainly changed as well.

Many now read the news online. I myself subscribe to my hometown newspaper and read it online as well.

So, with all the changes that we continue to experience, how is it going for you spiritually? Many churches are unable to meet in person due to illnesses. We are finding other ways to share the gospel with people, whether it is by broadcasting live on social platforms or by using other means of producing the message of Christ.

I have to share with you that just because you can’t meet in person in your church doesn’t mean you forget your church’s needs, like praying for your pastor, praying for the rest of the congregation, sending your donations. financial tithes and offerings.

Yes, it is a difficult time and for many, confusing. Remember that the resources of the Holy Spirit are available to you. Spend time reading the scriptures, praying, and touching the grassroots with your pastor and other members of your congregation.

Thanks for reading this column. It is a blessing to write for you.


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Stationery owners sell equipment | News, Sports, Jobs

Dawn Varner of Roaring Spring labels old-fashioned paper rolls from Appvion stationery on April 27, 2017, seen below. The ownership group that purchased the old pulp and paper mill this summer with the intention of marketing the mill as a “turnkey” facility has auctioned off the papermaking equipment. Mirror file photo

ROARING SPRING – The ownership group that purchased the former Appvion pulp and paper mill here this summer with the intention of marketing the mill as a “Turnkey” The factory auctioned off the papermaking equipment, according to a local business manager.

“Before, they hoped to be able to sell (the mill) as a papermaking factory”, said Steve McKnight, CEO of Altoona Blair County Development Corp. “Now it seems unlikely. “

It’s a “big disappointment” added McKnight, who recently spoke with one of the executives of the Ownership Group, made up of four companies that have formed a new LLC called Roaring Spring Park.

“We obviously hoped that this ownership group, with its connections to the global market, would have been more successful in finding an operator who (would have left) the factory completely and holistically in place,” McKnight said.

The plant boiler and “Pulp infrastructure” remain, however, so there may always be an opportunity for a buyer to restart operations to produce an intermediate product – unlike the finished paper the mill previously produced, McKnight said, based on his conversation with the main.

The age and configuration of the plant and its location were apparently not “advantageous” in the attempt to market the facility as a turnkey operation, McKnight said.

A paper mill opened on the site in 1866.

As of late, Appvion had invested millions to modernize the equipment, according to the principal, in a press release over the summer.

The mill is nestled in a section of the small valley of Halter Creek next to the borough.

It is served by a rail line and is located just off Route 36, approximately 3.5 miles from the Leamersville interchange on I-99.

The group director McKnight spoke to did not return a pair of Mirror messages on Thursday.

While papermaking is the highest and best use of the property, and a pulping operation might be an acceptable alternative, the mill could also serve as a site for multiple “Small independent operations”, including distribution and manufacturing, McKnight said.

“At the moment, buildings are in great demand” McKnight said.

The homeowner group’s online auction ran from September 21 to 23, with September 15 being the deadline for a potential turnkey buyer, according to an online notice.

The plant had an annual output of 200,000 tonnes per year, with pulp production of 150,000 tonnes per year, according to the notice.

The plant is on a 330-acre site, with 400,000 square feet under the roof, according to the advisory.

“Source of ultra-clear spring water throughout the property,” the notice indicates.

The plant was “perfect for linerboard,” according to the notice.

The owner group was initially optimistic that the increased demand for linerboard – the cardboard used for boxes, like those used for shipping retail products online – would make the plant attractive, according to Bill Firestone, chairman of Capital Recovery Group, one of the four companies that make up Roaring Spring Park, when he spoke to the Mirror this summer.

Items for sale in the auction following the expiration of the turnkey opportunity included “Backhoes, overhead cranes, centrifugal pumps, dump trucks, dust collectors, hydraulic balers, paper lines, rolling stock, slitter rewinders and split case pumps”.

Another notice called for gate valves and ball valves and yet another for electrical components.

On Thursday, trucks of various sizes arrived and left the factory grounds, evidently to pick up items purchased at auction.

An employee of a security contractor and another linked to the property declined to speak to the Mirror.

When Appvion closed the plant in the spring, “there was optimism” Doug Mingle, owner of Roaring Spring True Value, said Thursday.

Now there is an uncertainty, which is difficult for the community and which will likely continue until the fate of the ownership of the factory is resolved. “resolved,” Mingle said.

The district developed around the mill, and its closure, without being completely unexpected for some employees, was nevertheless “a breath,” said Mingle, whose stepfather was a “Man of the career mill”.

For years, the factory has provided a variety of jobs that locals yearn for, Mingle said.

“You have entered, you are ready” he said.

This was true for workers, engineers, electricians, machinists and managers, he said.

It was a bit like the railroad shops in Altoona, he says.

For years, it has been difficult to keep the young people in the community in place once they have grown up, and now it will be even more difficult, Mingle said.

However, he tends to be optimistic, he said.

Perhaps, despite the perceived drawbacks of the plant’s setup and location, potential operators will see the benefits, especially when compared to issues such as drought in other areas, did he declares.

These include the plentiful supply of water and the right workforce, he said.

Mirror staff writer William Kibler is at 814-949-7038.

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Fiction publisher

Sally Rooney’s refusal to work with Israeli publisher is anti-Semitic – like all BDS – The Forward

It was already clear that something was wrong with acclaimed novelist Sally Rooney when I read her 2018 book “Normal People” and the characters randomly began to disparage Israel:

“They went to demonstrate against the war in Gaza… Marianne wanted her life to have meaning so, she wanted to stop all violence committed by the strong against the weak… and now she knew that she was not at all powerful and that ‘she would live and die in a world of extreme violence against the innocent.

This description of the 2014 war, which most readers would barely register, but is a very clear red flag to anyone who really knows what happened back then – i.e. a conflict. which began because Hamas kidnapped and murdered three Israeli teenagers and fired missiles at Israeli civilian centers – was sandwiched between a paragraph about Marianne’s boredom and a paragraph in which she and Connell, the other character main, tell each other that they love each other, but in a way that seems bored.

The lines about the Jewish state preying on the weak came out of the blue in a book that had nothing to do with geopolitics – it’s the story of the rich and sad Marianne and the poor but popular Connell, who have had a melodramatic for years and – out of relationship – in which the self-proclaimed Marxist author seemed to argue, as the Beatles and J.Lo did before her, that wealth will not bring you love and happiness. . (You might notice that I didn’t really like the book, even without the part on Israel.)

It’s read, I had an argument at my book club in Tel Aviv, like Rooney had an ax to beat against Israel. Lo and behold, it turns out she does.

The authors are not the same as their characters; if someone writes about a murderer or a racist, there is no reason to assume that the author is either.

I don’t know, for example, what comedian Dave Chappelle really thinks about Jews and Israel. The “Space Jews” joke in its latest Netflix comedy special, “The Closer,” is a case of Holocaust reversal, the claim that Jews in Israel behave like Nazis.

As uncomfortable and angry as it made me, it happened in the context of a special in which Chappelle, as always, was telling jokes that he knew would offend many groups of people, and in which he asked viewers to think about why we laugh at some of these jokes and not others. There is a difference between a character in a book or a character on stage playing with anti-Semitism, however ugly that sounds, and their creator actually defending it.

But Rooney did the latter this week.

The world learned a few days ago that Rooney had decided that she would no longer allow the publication of her books in Hebrew, the historical language of the Jewish people, the language heard in synagogues and Jewish schools around the world, by the Israeli publisher who translated his first two books.

Amid accusations that this was not just an anti-Semitic move, but fundamentally anti-art and anti-cultural, Rooney released a clarification. The novelist now claims that “it would be an honor” for her works to be translated into Hebrew, but only in a manner “in accordance with the institutional boycott guidelines of the BDS movement.”

Her statement was apparently intended to show that she does not want to discriminate against Jews. Instead, she made it clear that the opposite is true, but that she thinks she can defend herself from being labeled an anti-Semite – perhaps not surprising to the former top debater. European University Debate Championships. The chances that his latest book, “Beautiful World, Where Are You”, will be available in Hebrew is almost nil – good luck finding a Hebrew fiction publisher who doesn’t sell to the two Israeli bookstore chains that hold the vast majority of the book. market, or that do not violate the standards of the BDS movement in multiple ways.

This is a helpful reminder that BDS is, at its core, an eliminationist movement. It is not against the so-called “occupation”. He seeks to get rid of the State of Israel and replace it with a Palestinian state between the Jordan River and the Mediterranean Sea. As its founder, Omar Barghouti said, the movement “to oppose[s] a Jewish state in any part of Palestine ”and“ there will be no Zionist state like the one we are talking about [presently]. “

Reviews | Sally Rooney’s refusal to work with Israeli publisher is anti-Semitic, like all BDS

It goes without saying that there is only one Jewish state, and its elimination would certainly endanger a plurality of the world’s Jews. It would undoubtedly endanger all Jews by bringing us back to the vulnerable situation we found ourselves in before 1948, when we had no place of our own to flee genocide, expulsions, pogroms and farhuds.

Moreover, BDS and its supporters have never offered a convincing argument as to why the Palestinians deserve self-determination and the Jews do not.

The bottom line is, as deputy chairman of the Council of Deputies of British Jews, David Mendoza-Wolfson, said that Rooney “will not allow the publication of his latest work in Hebrew, the language of the Jewish people, at unless it is permitted by those who advocate for the destruction of the only Jewish state in the world.

Rooney is no fool; she surely realizes it. All the evidence indicates that she is promoting an anti-Semitic movement. It is always up to him to prove the contrary.

Lahav Harkov is diplomatic correspondent and senior associate editor of the Jerusalem Post.

To contact the author, send an email to [email protected]

Reviews | Sally Rooney’s refusal to work with Israeli publisher is anti-Semitic, like all BDS

Reviews | Sally Rooney’s refusal to work with Israeli publisher is anti-Semitic, like all BDS

Reviews | Sally Rooney’s refusal to work with Israeli publisher is anti-Semitic, like all BDS

Reviews | Sally Rooney’s refusal to work with Israeli publisher is anti-Semitic, like all BDS

Reviews | Sally Rooney’s refusal to work with Israeli publisher is anti-Semitic, like all BDS

Reviews | Sally Rooney’s refusal to work with Israeli publisher is anti-Semitic, like all BDS

Reviews | Sally Rooney’s refusal to work with Israeli publisher is anti-Semitic, like all BDS

Reviews | Sally Rooney’s refusal to work with Israeli publisher is anti-Semitic, like all BDS

Sally Rooney’s refusal to work with Israeli publisher is anti-Semitic, like all BDS



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Book creator

‘Los Espookys’ Co-Creator Julio Torres to Release Children’s Book – The Hollywood Reporter

Julio Torres, the co-creator of HBO’s Spanish comedy Los Espookys, is about to debut in a children’s book.

Torres will publish a picture book titled I want to be a vase, inspired by his HBO special My favorite shapes, Hollywood journalist can advertise exclusively. The picture book is expected to be published by Simon & Schuster next summer.

“Shapes. You’ve heard of it. You might have even interacted with a few. But do you really know them? From the courageous Plunger, who wishes to challenge his form and become a beautiful vase, to other household objects with dreams of a life beyond their predestined roles, I want to be a vase takes readers on an essential and visually stunning journey through the life and intimate dramas of often overlooked household appliances, ”Simon & Schuster describes of the book.

In a statement to THR, Torres says of I want to be a Vase, “If I had followed the convention, I would probably have a reasonable job and be married with children in El Salvador, where I come from. Sounds good, except I wanted to be an experimental comedian, prolific writer, and average actor in New York City. At first, I was about to be one kind of person, when I really wanted to be another. I wanted to pursue things that I was not supposed to do and I had the courage to do it, thanks to my parents who never said “It can’t be”, but instead they asked. “Well, why not? This book is therefore about a diver who wants to be a vessel. Because hey, why not?

Artwork for the book was created by 3D animator Julian Glander, whose credits include Disney, Cartoon Network, Nickelodeon, Adult Swim and The New York Times. Glander is also the creator of the video game Art school.

“I’ve been the biggest Julio fan in the world for a while now, and it’s been a great pleasure to be able to create a crazy book with him. As a 3D artist my world is geometry, and what I love most about Julio’s work is his admiration and empathy for cubes, cones and their more complex parents, ”says Glander. .

He adds “I also like the cinematic way I want to be a vase feels. Julio is of course a master of visual storytelling, and you can feel that directorial instinct in his manuscript. I basically built a 3D “set” that contained all of the parts in the book, and we treated it like we were playing in a little digital dollhouse. There are so many places we can play with the lighting, composition and atmosphere, very sophisticated stuff for a children’s book. I wish I could turn into a baby and read this one with new eyes.

I want to be a vase will be released on June 7, 2022.

Below, THR shares the inside pages of the book.

Simon & Schuster Youth Publishing Division

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Simon & Schuster Youth Publishing Division

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Simon & Schuster Youth Publishing Division

Extract from the book I WANT TO BE A VASE. Text © 2022 by Julio Torres. Illustration © 2022 by Julian Glander. Reprinted with permission from Simon & Schuster Children’s Publishing Division. All rights reserved.


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Reading and writing

The teacher who changed the way we teach writing

At the end of the summer, the educator and writer Mike Rose is dead a spontaneous brain hemorrhage at his home in Santa Monica; he was seventy-seven. I learned of his death the ruthless way we often do in 2021: through a friend’s Facebook post. The news was a big shock. Of course, Mike was a few years old on me, but he always seemed to be in excellent health. Tributes from his students, colleagues, and those who loved his writing quickly appeared on the internet. His revolutionary book “Lives at the border”, From 1989 onwards, exerted a powerful and benevolent influence on American classrooms. A friend described its impact this way: “Anyone who remembers a writing teacher who cared about them benefits from Mike’s work.

In 1990, Bill Moyers devoted an episode of his PBS series “A World of Ideas” to teaching Mike. (An extract is posted on Mike’s blog.) The interview features Mike at his best: charming, passionate, thoughtful, persuasive. He describes the education to Moyers as “an invitation” and as “an attempt to bring people into a kind of conversation, into a set of ideas, into ways of thinking and conversing, of reading and writing. , which is new to them “. In 1983, while Mike was teaching at UCLA, he saw the damage done by an error-driven teaching model that offered simplistic mechanical “fixes” to students’ writing. It was an ostensibly scientific approach to composition writing that equated students with their “deficits” and implicitly encouraged students to identify with them. Mike tells Moyers about a student who judges traditional writing teachers like a donkey’s cap. “English is just not my thing,” the student told him.

Mike, on the other hand, provided writing studies with a heart: he modeled a deep compassion that called on teachers to understand students as whole people, with very mixed feelings about academic writing, which nevertheless try to do a very difficult thing. He had a keen knack for discovering, through intensive individual work with writers, the deep (and often poignant) logic behind surface errors. His work heralded a paradigm shift in the way writing is taught in our education system, from elementary school to middle school. A former classmate wrote to me that Mike had taught him that “every piece of writing, from first grade to Samuel Beckett.” . . represents a complex, fascinating, almost miraculous collection of intellectual and imaginative processes. Teaching writing can be more than pointing out grammatical errors.

Back in the days when Mike was writing “Lives on the Boundary,” however, writing education and literary studies barely spoke to each other. UCLA’s English department in the 1980s sought to prepare graduate students for faculty jobs, which, as far as they still (slightly) existed, were mostly snatched up by graduates of UCLA’s programs. ‘Ivy League. Professors took little interest in the types of positions they sent the majority of their graduates to: jobs in less prestigious institutions with heavier teaching loads that included much of the teaching of writing. Student writing and writing pedagogy were largely ignored in the English department and outsourced to another unit on campus. That unit, Mike Rose’s unit — Writing Programs — was housed in an entirely different building. As the name suggests, it was not a department but only a program; its professors were lecturers, not eligible for tenure. The distance across the courtyard between Rolfe Hall (English) and Kinsey Hall (Writing Programs) was a silent allegory of the intellectual and spiritual distance between the two units.

It was perfectly possible to leave UCLA with a doctorate. in English in those years (as I did) without ever having met Mike. I never had a lesson with him; the only time I met him in a formal setting was when he was invited in English 375 — Teaching Apprentice Practicum — a compulsory course for graduate teaching assistants. He radiated with himself and with us a comfort that I had never encountered in my literary studies classes. He taught us “the abilities hidden by class and cultural barriers”, and that “we should Welcome certain types of errors, take them into account in the programs we develop, analyze them rather than simply criticize them. Error marks the spot where education begins. Mike was on the sly showing graduate students in English how Actually teaching and caring for students, while by day we learned literary theory and wrote dense (and ultimately largely unread) essays.

My first full-time position, as a Visiting Assistant Professor, was at Loyola Marymount University, where, in this case, Mike had enrolled. During my first semester, I was assigned to teach an advanced composition course for prospective primary and secondary teachers. I didn’t know much about how to teach such a course, and nothing, really, about the teacher training program. So I attributed “Life at the border”. On some level, it was an obvious choice: LMU was the college that changed Mike’s life, and the book tells that story. He also talks about the importance of knowing where your students are coming from and listening to the stories they tell, and how to help them tell them. These are all good lessons for student teachers who are preparing to enter their own classroom. In a move more intuitive than cerebral, I more or less pitted “Lives at the Frontier” against a few books from the growing list of edges from conservative sources that were using lore as a stick against today’s students – Allan Bloom’s “The closing of the American mind“and ED Hirsch, Jr.,”Cultural literacy. “It was a rout: Rose by knockout in fifteen weeks. But then, it was never a fair fight (and I was hardly an impartial referee).

Here’s the most important thing Mike taught me (maybe without knowing it): Nostalgia is dangerous bullshit. Although I didn’t realize it at the time, it was the hidden thesis of this course that I taught — Bloom, Hirsch, et al. were merchants in a malignant form of nostalgia, telling us that the reading public – or elementary, high school, and college students – were cleaner, smarter, working harder in some of the ill-defined good ol ‘days. Once you know how to look for it, a criticism of that kind of thought runs throughout Mike’s writing. But I remember being most struck by his presentation in “Lives at the border”. It’s an admirable writer’s trick: Mike swivels around a litany of contemporary whining about the inability of American students to read and write, including the infamous News week cover of a magazine “Why Johnny Can’t Write”, to almost identical grimaces of Harvard professors and a president of Brown University, some of which date back to 1841. Johnny, it seems, does has never been able to write – or has always been able to write, at least whenever we have been willing to take on the challenge of teaching an increasingly diverse and diversely literate student body. “Is it a declining education system,” Mike urged us to ask, “or is it a system that attempts to honor – through radical change – the many demands of a pluralistic democracy? “


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Writer market

How content writing agencies will revolutionize digital marketing

Opinions expressed by Contractor the contributors are theirs.

You are reading Entrepreneur United States, an international Entrepreneur Media franchise.

Technology is on an exponential growth path throughout our lifetimes as ever-changing trends continue to be introduced. In this digital age, the area that has grown the most is content writing. When I started my personal blog, I didn’t know I was going to be able to start my own content writing agency. But the evolution of digitization has made it possible. Now anything under the sun counts as content.

The standards for content writing and content creation have increased over time, so much so that companies can no longer fully contribute to the creation and writing of content while focusing on growth. That’s why businesses – and even digital marketing agencies – need a team of professional, experienced copywriters who know how to get businesses to rank higher on the SERPs.

However, some people are uncomfortable with the idea of ​​hiring content writers because they don’t know how to communicate the right message to their target customers. When you are in this situation, you should find an agency that can help you improve your content and make sure you deliver relevant and useful content to your clients. These agencies include writers from various niches who excel in various industries to bring you the best.

Let’s take a look at how content writing agencies are helping businesses and revolutionizing digital marketing standards.

They can improve your online presence

Since digital marketing is really important to any business, you should look for agencies that can help you increase your online presence. There are plenty of agencies that can help you get the coverage you need for your digital marketing needs, so you don’t have to worry about everything. Take your time choosing the agency that will take care of your SEO needs and make sure they can deliver results.

Related: Why You Shouldn’t Underestimate Content Writing

They match your tone with your target audience

When it comes to content marketing, content writing agencies can be very helpful in ensuring that all of your bases are covered. By having a professional copywriter on your team who understands how to use compelling words and keywords that can help trigger digital marketing benefits for your business, you can ensure your content is relevant and gets the kind of response you want. you are looking for. We implemented this strategy when we executed trades in our other content vertical. It can be difficult to find that balance, and that’s why hiring an agency that has experience writing content can help you when trying to come up with ideas for your marketing campaign.

They get the most out of your marketing campaigns

Often times, marketing campaigns fail because they don’t give people a reason to read them. Content is the first thing you need to be successful, and content writing agencies have experienced and talented writers on their teams. The content created by them will be unique, fresh and informative. This will not only help you attract new customers, but it can also help you retain your existing customers.

Related: 6 Different Types Of Creative Content Copywriters Should Know

They use SEO best practices to get your word out

If you have a website that is new or has just been created and you want to try to rank it high on one of the major search engines, you have to do things differently from other sites. The problem is, if you’ve done everything right, you shouldn’t have any problem ranking, but most people don’t know that even good content fails to deliver if it’s not optimized for them. search engine. By choosing an experienced content writing agency that excels in SEO writing practices, you can achieve a miraculous rise in your rankings, as well as exposure to clients.

Let the writing agency first understand your target market and how important it is for your entire business to do the same effectively. Once they know it, they can start putting together the right content for you and the best SEO practices to get your website ranked as high as possible on the major search engines. For example, if you use an agency with experience in writing content, they can provide anchor text in your content. The more links to your site, the higher your website will rank and the more people will visit your portal to find out more about what you have to offer. Learning techniques like this is the key to success when it comes to using content to drive traffic to your site.

The last word

If you’re ready to set up a content marketing campaign for your website, a good place to start is to check out some online content writing agencies. With so many different agencies trying to capitalize on businesses, it can be difficult to determine which ones will help you and which are scams. Make sure you do your homework before signing any contracts with any particular company or content writing agency, and make sure they’re trustworthy and their promises match their words.

At the end of the day, you can always choose to stick with what works and ignore the rest. However, if you want your business to grow and become more profitable, you need to take note of content writing agencies to help you keep up with changing digital marketing trends.

Related: How to Become a Content Writer


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Book creator

Nobel Prize winner Abdulrazak Gurnah to headline 2021 Sharjah International Book Fair

Abdulrazak Gurnah will attend the Sharjah International Book Fair (SIBF) this year, marking the Tanzanian author’s first appearance at a literary event since receiving the 2021 Nobel Prize for Literature.

The novelist will be one of 85 local and international literary personalities participating in the 40th edition of the fair, which will take place from November 3 to 13 at the Expo Center Sharjah.

Money theft creator Alex Pina, Amitav Ghosh, winner of the Jnanpith Prize and Pursuit of happiness author Chris Gardner should also appear.

“It will be [Gurnah’s] first panel since receiving the Nobel Prize, ”Ahmed bin Rakkad Al Ameri, chairman of the Sharjah Book Authority (SBA), said at a press conference at the House of Wisdom on Wednesday. “All the authors attending the book fair will be with us here in Sharjah.”

Among the Arab personalities in this year’s lineup include the Algerian author Ahlam Mosteghanemi, Saudi singer and poet Khalid Abdulrahman and Algerian novelist Waciny Laredj.

More than 1,500 publishers from 83 countries will also participate in the SIBF – the highest since the fair’s inception in 1982. Nine countries will mark their inaugural appearances in this year’s iteration of the fair, including South Sudan, the Uganda, Kenya, Tanzania, Zimbabwe, Malawi, Rwanda, Cameron and Colombia.

The biggest participant this year is Egypt, with 293 publishing houses from the Arab Republic participating. More than 240 publishing houses from the United Arab Emirates will participate in the event, along with 14 from Spain, which has been named guest of honor at the 2021 show.

“We will bring publishing houses, nine renowned authors, distinguished chefs, music concerts and other relevant cultural and tourism events,” said Inigo de Palacio, the Spanish Ambassador to the United Arab Emirates , during the press conference.

Panels featuring Spanish literary figures will discuss topics such as what cities will look like in the future, the exchange between Arabic and Spanish translation, as well as a panel on screenwriting, featuring Pina, the creator and writer of the hit Netflix series. Theft of money.

[The panelists] will discuss the peculiarities of screenwriting and how to be successful in screenwriting, ”said de Palacio.

More than 440 cultural events are planned as part of a program yet to be unveiled. Events will include lectures, workshops, as well as 80 theater, dance and music performances. The living room will also have a kitchen area, as well as sections dedicated to designers and artists of all ages.

More information is available at www.sibf.com

Update: October 13, 2021, 10:15 a.m.


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Reading and writing

Poet, Katrina Rojas – Massachusetts Daily Collegian

“Can we forget that society says we have to choose? Can we just be?

Courtesy of Katrina Rojas

Senior journalist and Spanish double major, Katrina Rojas uses poetry to express her thoughts on love, her family and her identity as an Afro-Latina woman.

“I’m a very introverted, very reserved person, but I also have a lot to say,” Rojas said.

Rojas Instagram account, @katrinapoet, is a hub for his writing, photography and mindfulness practices, but it took years of practice before Rojas shared his work widely.

Teachers at the college were the first to compliment Rojas on his writing. She felt compelled to continue but noticed a change in her motivations.

“I started to use poetry as an emotional outlet and more as something I had to do as opposed to something I did for the class,” Rojas said.

In her freshman year of high school, Rojas attended the New England Young Writers Conference in Vermont and was selected from her cohort of students to perform her poetry live. “Zero Whites” is an emotional and confrontational poem addressed to Rojas high school mates.

“I don’t know if I really like white people, but my school is full of them,” she reads. “I know what you are thinking, but it can’t wait.” I can’t hold it back anymore, neither of us can.

During a practice reading for his very first performance, Rojas felt like he was making the mostly white audience uncomfortable, but his cohort was there to support him. During the official reading, the audience started to applaud after the first line. Rojas understands that her poems won’t resonate with everyone, and she’s okay with that.

“There will always be people who identify with themselves, and others who do not identify and others who have opinions different from yours,” she said. “That’s exactly what comes with this vulnerability you have when you write poetry.”

Rojas plans to launch a line of handbags featuring the text of his poems and expand his brand, Lotus by KR, after graduation next year. She called the business “an opportunity for me to share my words with others and positivity in all its forms”. Rojas’ long term goal is to publish a book of poetry, “Love Hits Like a Boomerang”.

“Poems don’t come out of me every day. It’s a process, ”Rojas said. “I go months without writing anything new, and it is difficult, but when I write something that I feel is very meaningful and that I am proud of, I like to share it with everyone and find commonalities between that.”

Rojas looks to the work of other people, like Toni Morrison and Rudy Francisco, to fill in the gaps between his periods of writing.

“Whenever I need inspiration, whenever I’m in this writer’s block, I read and look for different books that match how I feel,” she said.

She suggests journaling as a meditative practice and looks to prompts and daily events to spark her interest.

“My biggest tip is to write something, even if you think it’s bad, because at the end of the day, it’s for you,” she said.

Earlier this year, Rojas used his platform on Instagram to host a series of mindfulness sessions with Meghan Buschini, major in communication at UMass. The couple worked on a series of journaling and affirmation prompts before engaging in a short meditation with viewers.

“It has really facilitated this online community of vulnerable people who care about their well-being and self-care, and it’s something that I really stand up for,” Rojas said.

Rojas’ series of creative endeavors embodies a line from her poem“Until it’s over.”

“Can we forget that society says we have to choose? Can we just be?

Catherine Hurley can be reached at [email protected]and follow on Twitter @cath_hurley.



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Writer market

companies looking for staff before the holidays | Economic news

By JOSEPH PISANI, AP Retail writer

NEW YORK (AP) – All employers want this Christmas is vacation help. But they might not get their wish.

Companies that typically hire thousands of seasonal workers are heading for the holidays during one of the tightest job markets in decades, so they’re unlikely to find all the workers they need. For shoppers, this can mean a less joyful holiday shopping experience, with unstaffed store aisles and online orders taking longer than usual to fill.

Job offers are already plentiful, which allows job seekers to be more picky about their workplace. There were 10.4 million job openings at the end of August and 11.1 million openings the month before, the highest on record since at least December 2000, when the government began to record this figure. At the same time, the Labor Department said the number of people leaving their jobs jumped to 4.3 million in August, from 4 million in July.

Even before the hiring holiday season, employers were so desperate to find workers that they increased their wages above $ 15 an hour, started offering four-figure login bonuses, and promised to pay for their schooling. But this has only yielded limited success. If they can’t find the workers they need in time for the holidays, employers will likely rely on existing staff to work more overtime, which can become costly for businesses and lead to burnout. for workers.

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“I’ve never seen a market like this,” said Matt Lavery, global director of sourcing and recruiting for UPS, who worked on the hiring side of the parcel delivery company for. 24 years. “Normally, when you talk about people losing their unemployment benefits, you see an increase in the number of applicants. We don’t see them.

Improved unemployment benefits, which included a federal supplement of $ 300 per week as well as programs covering workers and those unemployed for six months or more, ended in early September. This cut aid to around 7 million people. So far, however, the termination of these programs appears to have had little effect on the number of people seeking employment.

To recruit available workers as quickly as possible, UPS is trying a new tactic: hire in 30 minutes or less. Taking too long to hire can mean a candidate may move elsewhere. So the company almost eliminated interviews and did the entire hiring process online.

Not having enough workers can be costly for businesses. FedEx said it spent $ 450 million between June and August due to higher wages, overtime pay and other costs related to the tight labor market.

At one of its hubs in Portland, Oregon, FedEx has about 65% of the staff it needs. The company has diverted about a quarter of the packages that would normally go to other more distant hubs that can handle it. More than 600,000 packages a day are rerouted, resulting in a deterioration in service, said Rajesh Subramaniam, chief operating officer of FedEx, in a call with investors last month.

FedEx said it needs 90,000 vacation workers this year, 20,000 more than last year. Others are hiring at about the same level as last year: Amazon, UPS, and Walmart, each currently trying to hire 100,000 or more people.

There are many reasons why workers are scarce, but they mostly revolve around the pandemic. The delta variant has made people fearful of working in tight spaces with others, and most large employers who hire hourly workers have yet to mandate vaccines for them. Childcare issues are forcing people to stay home, and many have saved money during the pandemic, giving them enough money to avoid taking jobs they don’t want.

Another potential problem is President Joe Biden’s announcement in September that employers with more than 100 workers will have to impose vaccines or offer weekly testing. It is not known when these rules will start or how it would affect hiring. Companies that have already mandated vaccines have reported high vaccination rates. And a fully vaccinated workforce could make this employer more attractive to workers worried about catching the virus. But some employers fear that the mandate will make hiring more difficult.

Some wonder if employers who need vacation help will be able to find workers on time.

“It doesn’t look good,” said Andrew Challenger, senior vice president of recruiting firm Challenger, Gray & Christmas, which predicts that retailers will add 700,000 workers during the holidays this year, 36,000 from less than last year.

At the worksite In fact, searches for people looking for seasonal work fell by 13% for the week ending October 10, compared to the same period a year ago. And that research is down 27% from 2019, before the pandemic started.

“Interest from job seekers is low,” said AnnElizabeth Konkel, economist at Indeed. “It just doesn’t take off.”

Those who already work in stores, warehouses and parcel delivery companies can work longer.

Target said it will hire 100,000 vacation workers this year, about 30,000 fewer than last year, but will give its existing workforce 5 million hours of overtime, potentially injecting 75 millions of dollars more in workers’ paychecks. Target employees are already working nearly 15% more than last year, but the retailer said it was asking for more hours. Target, which already pays workers at least $ 15 an hour, plans to give store workers an extra $ 2 an hour if they work weekends and other busy days as it approaches. Xmas.

Craig Rowley, who works in the retail and consumer goods team at management consulting firm Korn Ferry, said if employers couldn’t find the workers they needed, orders in line might take longer because there would not be enough people to pack or deliver the orders. , especially as Christmas is approaching and more and more shoppers are going online. And stores are likely to eliminate late or night hours because retailers will want their current staff to work when stores are busiest.

“You’re not going to see the wild extended hours because they just can’t staff,” Rowley said.

AP Retail Writer Anne D’Innocenzio in New York also contributed to this story.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Fiction publisher

Prince Andrew has no way of returning to royal life after scandal

Prince Andrew will apparently never return to his former royal role, as it has been suggested that the Royal Family ‘will never let this happen’ following recent allegations.


Prince Andrew will apparently never return to any form of royal role after stepping down from his former duties for the foreseeable future in November 2019 following the Jeffrey Epstein scandal. As one of the Queen’s children, the Duke of York was once important in royal life and was the patron of a number of charities and organizations and regularly carried out his own royal engagements while supporting the queen.

In recent months, however, Prince Andrew has rarely been seen in public, although he was spotted this summer visiting the Queen at Balmoral during her annual summer vacation. It came as reports revealed Virginia Guiffre had made allegations about her in federal court in New York.

Since then, speculation about a possible trial of Prince Andrew has increased, although the royal strongly denies all the allegations and nothing has yet been confirmed. Despite this, it is now claimed that there is “no way in the world” that Prince Andrew will be allowed to return to royal life in light of the recent scandals.

Prince Charles, Prince of Wales, Queen Elizabeth II and Prince Andrew, Duke of York attend a flypast from the balcony of Buckingham Palace during Trooping The Color

(Image credit: Photo by Max Mumby / Indigo / Getty Images)

According to The Mirror, an insider suggested that Prince Andrew’s siblings Prince Charles, Princess Anne and Prince Edward agreed at a meeting last January that there was “no turning back “for their brother. The source claimed: “Nine months ago Charles, Anne and Edward had a meeting, a summit and agreed there was no way for him to come back.”

And it seems that this opinion has held all these months after the trial of Virginia Giuffre filed in New York. The Sunday Times reports that a source close to Prince Charles said that although the prince “loves his brother”, the scandal is “causing undesirable damage to the reputation of the institution”.

They added that this would have convinced the Prince of Wales that “a return for the Duke is clearly not possible, as the specter of it lifts its head with hideous regularity”.

Prince Andrew, Duke of York and Prince Charles, Prince of Wales attend thanksgiving service to celebrate Queen Elizabeth II's Diamond Jubilee

(Image credit: Photo by Max Mumby / Indigo / Getty Images)

“There is no way he will ever return, the family will never let him happen,” a royal source told the publication.

While Prince Charles’ eldest son Prince William would agree, having previously attended so-called crisis talks with his father and grandmother over Andrew’s decision to leave public life.

The Sunday Times reports that a source close to the Duke of Cambridge has suggested that what “really attracts him” is his uncle’s “gracious and ungrateful attitude” to his royal position, which they allege whom Prince William considers a “threat to the family”. .

Prince William, Duke of Cambridge and Prince Andrew, Duke of York chat as they leave St George's Chapel after attending the Order of the Garter's annual service

(Image credit: Photo by Steve Parsons-WPA Pool / Getty Images)

The reports come just weeks after Prince Andrew appeared in the new documentary about Prince Philip alongside his siblings and many of the Queen’s grandchildren as they shared memories of the late Duke of Edinburgh and celebrated its extraordinary heritage. After the documentary aired, however, many royal fans criticized the BBC for Prince Andrew’s involvement amid the ongoing scandal.

As speculation about the allegations continues, it seems unlikely that Prince Andrew will ever return to his old role.


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Book creator

Snoop Dogg and Martha Stewart team up in trailer for Halloween baking contest on Peacock

Snoop Dogg and Martha Stewart continue their friendship and successful creative partnership this Halloween season with an all-new baking special on Peacock. The streaming service is in partnership with Buzzfeed‘s Delicious for Very tasty Halloween from Snoop and Martha, which will be released on Peacock on October 21. The special sees some of the best baking teams in the country offering not only delicious treats, but also full displays made with edible ingredients. It’s definitely the biggest holiday baking show, so it’s no surprise that big names like Snoop and Martha are behind it.

On Monday, Peacock released the first trailer for Very tasty Halloween from Snoop and Martha. The first footage from the Snoop Dogg and Martha Stewart shows introducing the contestants to their mission and going all out with some interesting Halloween costumes. You can check it out in the video below!

Snoop and Stewart and joined the competition by Delicious Food content creator Alvin Zhou, who will use his knowledge and experience to serve as a judge alongside the two hosts.

“In Very tasty Halloween from Snoop and Martha teams of three bakers called “Scare Squads” are tasked with preparing and creating a fully sensory 12×12 Halloween world that people can literally explore. The trap ? Their worlds must be inspired by the concept of fear. Imagine larger-than-life chocolate spiders or cotton candy cobwebs, ”reads Peacock’s official press release. “Creator of tasty culinary content, Alvin Zhou will use his cooking and baking knowledge to judge each baker’s creation alongside Snoop Dogg and Martha Stewart. .

“Trios of the country’s most talented and award-winning bakers compete to create an immersive and edible show that celebrates Halloween’s colorful creativity. When the time is up, the judges crown the team that builds the tastiest candy world, and the competition ends in a fantastic Halloween party.

Very tasty Halloween from Snoop and Martha is produced by BuzzFeed Studios, Magical Elves and Snoopadelic Films. Casey Kriley, Jo Sharon, Hillary Olsen, Patrick J. Doody and Gaylen Gawlowski are the executive producers of Magical Elves. Richard Alan Reid and Charlotte Simms are the executive producers of BuzzFeed. Snoop Dogg and Martha Stewart are also executive producers. “

What do you think of Snoop and Martha’s new Halloween baking special? Let us know in the comments!

Very tasty Halloween from Snoop and Martha arrives on Peacock on October 21.


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Reading and writing

Green Bay Literacy Helps Wakker, Others Fulfill Their Dreams of Citizenship

By Heather Graves
Editor-in-chief


GREEN BAY – In Ukrainian, “povynno buty” means intended to be.

Regardless of the language, Olga Wakker, a 57-year-old Ukrainian immigrant, said it was a phrase she often uses to describe her way to the United States.

Born and raised in Odessa, Ukraine, a port town on the Black Sea, Wakker said she never imagined moving to America, let alone becoming a citizen and earning a living on a dairy farm in northeast Wisconsin.

It all started with a chance meeting with a Dutchman during a folk dance ensemble concert in 2010 in Odessa.

Two years later, the couple married and embarked on a new adventure in the United States.

Her husband, Johannes, was familiar with life in the United States, having worked as a factory engineer in Wisconsin for many years.

However, when the couple moved, they bought a dairy farm in Kewaunee and started making traditional Dutch cheese, which they sell across the country, including in many shops in Grand Green Bay.

“I didn’t choose Kewaunee, Kewaunee chose me,” she said. “Kewaunee was predisposed by fate for me, as my husband, Johannes, lived and worked here for over 30 years. “

When she arrived in the United States, she said she found several Ukrainian and Russian-speaking friends in the area, which made Wisconsin feel right at home.

“They helped me find a school where I could study English,” she said.

Wakker took a test at Northeast Wisconsin Technical College to assess his level of English comprehension.

“From there I was sent to Literacy Green Bay, where I took English lessons,” she said.

When she received a letter from the United States Citizenship and Immigration Services regarding her citizenship interview, she said the staff and volunteers at Literacy Green Bay have been a great help.

Wakker said during the citizenship interview that applicants should be able to understand the questions asked by the interviewer and answer correctly in English, without making mistakes.

“When I was preparing for the citizenship test, I had difficulty because I am not fluent in English,” she said. “Plus there were a lot of new words I had to learn during the preparation process. However, I overcame these difficulties with my diligence in studying and with the help of my Green Bay literacy tutors. So worth it. I’m glad I did. It gave me a sense of accomplishment.

Wakker was granted citizenship in March 2021.

She said that many factors fueled her desire to become a citizen.

Wakker said living in the United States for almost eight years before applying for citizenship enabled him to learn.

“I had time to get to know this country, so I really knew why I wanted to become a citizen,” she said. “The main reason was that America offers freedom in many aspects of human life. it is very important for me. Also, I wanted to be able to vote because I wanted to be a part of American society and be able to make a difference for the country as a politically active and responsible citizen.

Wakker said the lifestyle of a small town is an adjustment.

“I come from a big city, so I miss life in the big cities,” she said. “The first thing that was difficult to adjust was the weather. In Odessa, Ukraine, we have four seasons with mild and short winters. So it was hard to get used to the harsh Wisconsin winters.

She said driving, at first, was also a challenge.

“At first it was difficult for me to get used to the freeways with the intense driving on the roads,” said Wakker.

Access to Ukrainian food is also sometimes difficult to find.

“I miss Ukrainian food like hard rye bread, salted herring, smoked mackerel, dried and salted fish, black sunflower seeds for a snack and many more,” she said. .

Fortunately, Wakker said, a trip to Milwaukee or Chicago can help with most of those cravings.

Citizenship program

Motivated by four pillars – empowerment, inclusive, responsible and collaborative – Literacy Green Bay has been an advocate for adult literacy for 40 years.

Chief Executive Officer Robyn Hallet said the association’s mission is to help adults and families acquire the reading, writing, math, English, computer and workforce skills needed to function effectively in as workers and members of the community.

The organization’s outreach also includes helping immigrants becoming U.S. citizens with classes, tutoring, and mock interviews.

“We kind of prioritize (citizenship) in our tutoring program because it’s a limited time frame that someone has at the time of their citizenship test,” Hallet said.

She said learners are assessed on their current understanding of English and then matched with a tutor who helps them prepare for the citizenship test.

Hallet said that over the past three years, Literacy Green Bay has helped more than 30 immigrants to Greater Green Bay become U.S. citizens.

Like many nonprofits, Hallet said Literacy Green Bay relies on community members, both for financial donations and volunteer hours.

“In a typical year we have around 200 volunteers,” she said. “We have several sources of funding. We are of course very grateful for all the support from the community, which includes the local businesses and foundations that support us. “

She said the organization can always use more support, especially with the increased literacy needs of adults in the wake of the pandemic.

“We are always on the lookout for other people and businesses who want to support the adult literacy mission,” Hallet said.


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Three American economists share the Nobel Prize for their natural experimentation

STOCKHOLM (AP) – Three US-based economists won the 2021 Nobel Prize in Economics on Monday for their work to draw conclusions from unintentional experiments, or so-called “natural experiments”.

David Card of the University of California at Berkeley received half of the prize, while the other half was shared by Joshua Angrist of the Massachusetts Institute of Technology and Guido Imbens of Stanford University.

The Royal Swedish Academy of Sciences said the three have “completely reshaped empirical work in economics”.

“Card’s studies on fundamental questions for society and the methodological contributions of Angrist and Imbens have shown that natural experiments are a rich source of knowledge,” said Peter Fredriksson, Chairman of the Committee on Economics. “Their research has dramatically improved our ability to answer key causal questions, which has been of great benefit to society. “

Unlike other Nobel prizes, the economics prize was not established in Alfred Nobel’s will but by the Swedish central bank in his memory in 1968, the first laureate being selected a year later. This is the last price announced each year.

Last week, the 2021 Nobel Peace Prize was awarded to journalists Maria Ressa of the Philippines and Dmitry Muratov of Russia for their fight for freedom of expression in countries where journalists have faced persistent attacks, harassment and even murders.

Ressa was the only woman honored this year in all categories.

The Nobel Prize for Literature was awarded to UK-based Tanzanian writer Abdulrazak Gurnah, who has been recognized for his “uncompromising and compassionate penetration of the effects of colonialism and the plight of refugees.”

The Physiology or Medicine Prize went to Americans David Julius and Ardem Patapoutian for their discoveries on how the human body perceives temperature and touch it.

Three scientists won the Physics Prize for work that tidied up apparent disorder, helping to explain and predict the complex forces of nature, including expanding our understanding of climate change.

Benjamin List and David WC MacMillan won the chemistry award for finding a simpler and more environmentally friendly way to make molecules that can be used to make compounds, including drugs and pesticides.


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Clinton and Penny team up to write “State of Terror” novel

The nearly 500-page novel combines other details that resonate with recent news – for example, a Chairman of the Joint Chiefs of Staff, who, like General Mark Milley under Trump, challenges civilian leadership – as well as explorations of friendship; a cameo for Penny’s famous fictional investigator, Armand Gamache; and, for the writers, the pleasure of placing women of a certain age at the heart of a political thriller.

Sitting together on a modest-sized sofa, Clinton and Penny converse like two public figures who know how to share talking points with the media while clearly sharing a private story of trips, meals, confidences, jokes and mutual esteem. When Penny recalled her apprehension about meeting Clinton – “Hillary Clinton, my God, so impressive, smart and thoughtful” – Clinton smirked and rolled her eyes.

“Do you remember the first time we met?” Penny told Clinton. It was at a restaurant in New York City, just months after Clinton’s shattering loss to Trump in 2016.

“And you were at an event, I think the first in-person post-election event, in Boston,” recalls Penny. “So you were late, and you walked into this restaurant – a public restaurant, obviously. And she came to the door, and the restaurant was throbbing. Silence. Silence. And then together they got up and went. applauded. “

“It was in New York,” Clinton noted with a laugh – her home state, where she had won in double digits.

Each writer contributes an afterword in “State of Terror”, reflecting their friendship and professional partnership. It turns out that they admired each other for a long time. Penny had followed Clinton’s career since the early 1990s when Bill Clinton was first elected president, while Clinton’s best friend Betsy Johnson Ebeling told a reporter in 2016 that she and Clinton were fans of detective novels and read Penny.

Penny met Ebeling shortly after the interview and was surprised to learn that someone so close to Hillary Clinton was not an “intimidating power agent” but a light and unpretentious woman with ” the warmest smile and kind eyes ”. She heard from Clinton a few weeks later. Penny’s husband, Michael, had died of dementia, and among her condolence cards was one from Clinton who cited her accomplished medical career and offered thoughts on loss and grief.

“Secretary Clinton, in the final stages of a brutal and murderous campaign for the most powerful office in the world, took the time to write to me,” Penny wrote, adding that they had yet to meet. and that Penny, a Canadian, could not ‘vote for her.

“It was an act of selflessness that I will never forget, and that inspired me to be nicer in my own life.”

The book is shaped by Penny’s narrative style and by Clinton’s government experiences and global outlook, but also by grief that Clinton still struggles to “fully embrace.” Ellen Adams is based in part on Clinton’s friend, former Under Secretary of State Ellen Tauscher, who died in April 2019. Ebeling, inspiration from Ellen’s best friend, Betsy Jameson, in “State of Terror “, died a few months later. Ellen Adams’ daughter, Katherine, is named after Tauscher’s daughter.

Hillary Clinton, whose closest experience to writing a novel had been a play she wrote in sixth grade on a trip to Europe, is not the first in her family to do so: Bill Clinton directed two hit thrillers with James Patterson, and their success has made some editors question whether Hillary should try something similar.

The idea of ​​teaming up with Penny started with Stephen Rubin, a longtime industry executive who, since March 2020, has been a consulting editor at Simon & Schuster.

In a recent email to the AP, he noted that Simon & Schuster CEO Jonathan Karp was looking for ideas for a new book by Hillary Clinton, who has worked at the publisher for over 20 years and has writes the bestselling memoirs “Living History” and “What Happened”, among others. The publisher of Penny is St. Martin’s Press, a brand of Macmillan, where Rubin once worked.

“I really knew and loved Louise from my Macmillan days,” Rubin wrote. “And I knew she and Mrs. Clinton were very close friends.”

Fiction allowed Clinton and Penny to envision a world on the brink of disaster, but also to work in more personal and light details. One passage is an obvious nod to an awkward moment for Bill Clinton – a reference to “didn’t inhale,” his 1992 cover description of his college marijuana use. Clinton says that “selfish and ill-informed” President Dunn (as he is described in the book) is and is not Trump, and argues that the hostility between Ross and the president she serves under, Douglas Williams, does not is not a reflection of its time. with Obama.

“It wasn’t my experience, but the fact that I was a surprise choice – I was well aware of it – led people to speculate that this was the experience I would have,” said Clinton said.

Fiction allows for what politicians call “plausible deniability,” and that extends to the possibility that Clinton and Penny may team up again. The novel’s ending strongly suggests that another Ellen Adams novel is likely, but Clinton responds as she might have had years ago when asked if she was running for president.

“It’s for another day,” she said.


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Details of influence revealed by Courtney Kemp

More details on Power Book V: Influence were revealed by designer Courtney Kemp. The show was announced in February 2020 and will star Menace II Society actor Larenz Tate as city councilor Rashad Tate, a former policeman turned crooked politician. It is the last of Power fallout, but maybe the best was saved for last.

Larenz Tate as Rashad Tate in ‘Power Book II: Ghost’ | Starz

What happened to Councilor Tate on “Power?” “

As TV line notes, Starz originally had the Power spinoffs ranked in order of Power Book II: Ghost, Power Book III: Raising Kanan, Power Book IV: Influence, and Power pound V: Force. Corn Affecting and Obligate have since swapped places.

One of the last times viewers saw Tate, he lost his race to James “Ghost” St. Patrick (Omari Hardwick) to become the next lieutenant governor. He later became the Democratic candidate for governor of New York after Ghost’s death in Power, in the hands of his son Tariq St. Patrick (Michael Rainey Jr.).

Viewers saw him again in Power Book II: Ghost Season 1, but only for a brief period when asked about his relationship with Ghost. Tate lied to cover his tracks, but David Maclean (Method Man) knew he was full of them.

What is ‘Power Book V: Influence’ about?

Kemp was asked about Rashad Tate fallout in an interview with Weekly entertainment. She didn’t reveal much but said it would, of course, follow Tate in his continued pursuit of political power. “We have this concept that is really about how Washington DC now looks like black politicians,” she said. “You know Mr. Smith goes to Washington? I think I’ll stop there.

EW reported that the show was in pre-production, but a release date for Power Book V: Influence is still unknown. Based on the roll-out of shows so far, it is possible that the show will air sometime after. Power Book III: Raising Kanan returns in 2022. But we can’t say for sure.

For now, watch Rashad Tate on ‘Power Book II: Ghost’

In the meantime, fans will be able to see more of the character in the next season of Power Book II: Ghostbecause Tate was promoted to series regular. According to GE, the second season will resume right after Tariq shoots his teacher, Jabari Reynolds, to blackmail him.

Forced to choose to kill his teacher, Jabari Reynolds, Tariq finds himself further removed from what he fights to protect: his family. With Tasha under witness protection, Tariq knows he must sacrifice everything to save what remains of his family. Unable to do it on his own, he turns to those who hold power and influence: Davis MacLean and his new partner, Cooper Saxe, as well as Rashad Tate. All of these options come at a steep price, so it’s back to business with the Tejadas. However, with two murders involving Stansfield, Monet Tejada must wonder if Tariq is what’s best for her family as she seeks to protect her nephew’s professional basketball prospects at all costs.

The Connection Line for ‘Power Book II: Ghost’ Season 2, by Entertainment Weekly

The release date of Power Book II: Ghost Season 2 is Sunday, November 21.

RELATED: ‘Power’ Actors Tease Details of Each Of Their Spinoff Shows


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Reading and writing

Richard Schultz, designer who made the outdoors modern, dies at 95


Richard Schultz, the ingenious industrial designer whose furniture collections for Knoll, the design lab that streamlined American interiors, is one of the classics of modern design, who died Sept. 28 in Princeton, NJ. He was 95 years old.

He was in poor health, his son Peter said.

Rust was the catalyst for Mr. Schultz’s project most durable design: a sleek, clean-lined outdoor chair made of plastic mesh, aluminum tubing and a pair of wheels.

Florence Knoll, Mr Schultz’s boss, had taken a few metal chairs from sculptor and designer Harry Bertoia to his seaside home in Florida, and they had rusted. (The Bertoia chairs are another Modernist classic, made by Knoll, which Mr. Schultz had helped form.) She asked Mr. Schultz to make something that could stand up to the elements.

At that time, in the early 1960s, as Schultz wrote in “Form follows technique: a design manifesto” (2019), most of the outdoor furniture appeared to have been designed before the French Revolution, “with stamped metal, bouquets of flowers and leaves.” It was period furniture.

Mr. Schultz set to work creating exterior pieces without extraneous curves.

The lounge chair from the Leisure collection, as it was called – a name that made its designer wince – was an instant hit when it hit the market in 1966. The Museum of Modern Art acquired its stylish prototype for its permanent collection. More than five decades later, it’s still in production.

Writing in The New York Times in 1999, William L. Hamilton said he was “always as sharp to see and to sit as a summer suit.”

An older, more whimsical outdoor piece, Mr. Schultz’s Petal Table, was inspired by Queen Anne’s lace, with separate teak ‘petals’ growing from individual metal rods that come together at the base. The smart design allows the petals to expand and contract with the elements. It too was quickly acquired by MoMA.

CreditKnoll Archives

These two museum pieces, “the table, with its large petals and the chair, with its driving wheels,” wrote Paola Antonelli, senior curator of architecture and design at MoMA, in an email, ” Always struck me like two figures of a silhouetted silhouette. Comic book from the 1960s, materialized in real life by an equally accurate and upbeat maker. For an Italian design enthusiast, this was “America” at its best.

By the early 1990s, Mr. Schultz had been on his own for decades, selling his designs to various furniture companies, including Knoll, when he started working with cardboard and then sheet metal, drilling holes in the material to simulate the dappled shade of sunlight. piercing leaves and cutting pieces into simple shapes to make chairs and sofas for a collection he called Topiary.

“I wanted to design a chair that looked like a shrub cut to look like a chair,” Mr. Schultz said. “I am fascinated by the way the sunlight passes through the leaves of the shrubs. This piece of furniture acts as a filter of light, disappearing in nature. Sometimes the pattern looks like flowers. Covered with dew, it seems alive.

However, the major manufacturers of outdoor furniture found this work too strange to buy, said Peter Schultz, so he encouraged his father to do it himself. He did it, with the help of Peter, an architect. Knoll had abandoned the Leisure collection in the 1980s, and father and son also produced it. The company gave Mr. Schultz the license and the molds it was made from, and he quickly renamed it the 1966 Collection. In 2012, Knoll purchased the collection.

Moses Richard Schultz was born September 22, 1926 in Lafayette, Indiana. Her father, Bernard, owned a chain of local clothing stores; his mother, Mary (Howard) Schultz, was a housewife. As a child, Richard made steam engines in the family basement, and his mother thought he should be an engineer. As it turned out, math wasn’t his strongest subject, so he dropped out of Iowa State University and enlisted in the Navy, where he worked as a radio operator.

After his military service, he entered Chicago Institute of Design, an industrial design school founded by a former professor of the Bauhaus, Laszlo Moholy-Nagy, otherwise known as the nouveau or American Bauhaus, that is to say, dedicated to the promotion of good design in everyday objects.

After graduating in 1950, he spent the summer drawing in Europe. He showed up at Knoll’s New York office, walk-in, and was hired locally by Florence Knoll based on his sketches.

His future wife, Trudy Busch, worked in the planning department and they got married in 1953. As her son Peter recalled, Mr. Schultz was not much of an office guy, and so Ms. Knoll has it. sent to Pennsylvania. , where the Knoll factory was located, to work with Harry Bertoia.

Mr. Schultz marveled at Mr. Bertoia’s process of designing from the materials he worked with, rather than making a sketch or a model. To create what would become the Diamond chair, Mr. Bertoia fashioned a rough platform to sit on, then carved wire shapes around him, becoming thinner as he went. It was Mr. Schultz’s job to help him operate the chair. (They used the rubber shock absorber gaskets found in car engines, for example, to anchor the seat to the chair frame.)

“‘Form follows technique’ is more of a central idea than ‘form follows function’,” wrote Schulz, noting the Bauhaus principle. “If comfort is a given, then what controls form is the choice of materials and technique. “

In 1972, Knoll laid off its designers; it was much cheaper, the company realized, paying royalties instead of salaries. Mr. Schultz purchased tools with his severance package and opened a design studio on his property, 49 acres of farmland in Bally, Pennsylvania.

There, his family lived on a farm outfitted with Mr. Schultz’s prototypes, reused bits and pieces from Knoll’s development studio, and furniture he had made himself. The lampshades were made from accordion-folded drawing paper or Japanese rice paper lanterns.

Money was tight and Ms Schultz went to work as a waitress at a local restaurant. The Schultzes couldn’t afford new tires, so the family car, a Morris Minor, was prone to punctures. “There was a time when I would have liked to have an ordinary father who was an executive and drove a Cadillac,” said Peter Schultz.

In 1978, family fortunes improved when Mr. Schultz designed an upholstered office chair called a Paradigm and he was snapped up by a Michigan furniture company.

Besides his son Peter, Mr. Schultz is survived by two other sons, Steven and David, and four grandchildren. Ms Schultz died in 2016. Their daughter, Monica Fadding, died in 2006.

Mr. Schultz has often said that he and his colleagues at Knoll do not design to meet the demands of a market. They did what interested them, and they had a boss who encouraged their explorations. “Good design is good business,” Ms. Knoll told them.

“There was no market for such designs,” Schultz wrote in his design manifesto. “There was no style that architects and designers were trying to fit into. But, in modern times at least, there was something in the air: a zeitgeist that existed and could be felt by those working at the time. There was great optimism. We lived in the present and we invented it as we went along.


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Calvin Alger obituary (1953 – 2021) – New Market, VA

Calvin Bruce Alger, 68, of New Market, died at his home on October 7, 2021.

Bruce was born on August 6, 1953 in Luray, Virginia to Elizabeth Jane Tidler Alger of Lacey Springs and the late Forrest Duke Alger.

C. Bruce Alger was named President / CEO of New Market Rebels Baseball for the second time on July 4, 2001. He had led the Rebels to the Valley League Baseball Championships in 2002 and 2018 and finished second in 1981 and 2003.

Bruce has been a supporter and / or member of the Rebels organization since 1965 and has held all available positions within the organization during that time. He had entered his 59th year of supporting the New Market Rebels organization and the Valley Baseball League. He was also the “voice of the rebels” for 47 years and was behind the microphone for more than 1,000 rebel home games. He was inducted into the Valley Baseball League Hall of Fame on July 7, 2019.

Bruce shared his time as fairly as possible across the community. He was a member of the New Market Chamber of Commerce and received the President’s Award for Outstanding Community Service in 2002. The New Market Chamber of Commerce also honored and awarded Bruce the Outstanding Citizen of the year. in 2009. The New Market Shockers of the Rockingham County Baseball League presented Bruce with an Honorary Bobby Strickler Award for his outstanding dedication to baseball in 2016.

Bruce was a former board member and board chair of the New Market Lutheran Reformed Church, where he is a baptized life member. He served the church as an assistant minister and chairman of the worship, music, and the arts committee. He was also a member of the finance, mutuality and crisis committees. Bruce was a member of the New Market Fraternal Order of Eagles Aerie No. 4264, the New Market Rotary Club, and the New Market Historical Society. Bruce was named Paul Harris Fellow in June 2018 by The Rotary Foundation of Rotary International. He was Vice President / Treasurer of the New Market Community Center and represents the Town of New Market on the Shenandoah County Parks and Recreation Advisory Board and the Shenandoah County Historical Society Board of Directors, where he is life member and president of the Church History Committee. He served on the Shenandoah County Parks and Recreation Executive Committee. He also served on our city development committee and the New Market economic development committee for the town of New Market. Bruce previously served as Vice Chairman of the Board of Directors of the Stonewall Jackson Alumni Association, where he graduated from the Class of 1971.

Bruce served on the Valley Baseball League board of directors for over 26 years and served for 7 years as the executive vice president of the LAV. In July 2017, Bruce was elected Commissioner / President of the Valley Baseball League, which also served on the board of directors of the National Alliance of Summer Collegiate Baseball (NACSB). In his role as Commissioner / President, he chairs Bylaws and Operating Policies and Procedures, Arbitrator, Nominations, Expansion / Extraction, Hall of Fame, Major League Grant Proposal baseball and executive committees. Bruce was also a member in good standing of the American Baseball Coaches Association (ABCA) and the Grandstand Managers Club, a support group of the New Market Rebels Baseball organization.

In the past, Bruce has also served on the Financial Control Board of the New Market Fire Department, where in 2006 he received a Certificate of Appreciation for his community service, the New Market Jaycees and Parks Committee and New Market town recreation. For many years, Bruce has volunteered his services as a volunteer coach for the Shenandoah County Department of Parks and Recreation Youth Basketball Program, as well as the Little League, Senior League programs. and the stars of Mount Jackson / New Market.

Bruce resided in New Market and lived next door to Rebel Park, his “Field of Dreams”, which a Washington Post writer described as “one of the most breathtaking sports facilities in the world.”

Bruce and the entire staff at New Market Rebel, listed below, are committed to serving the beautiful, historic town of New Market and the surrounding community by working year round to provide exceptional college baseball players, from everywhere. in the United States and beyond, the opportunity to showcase their talents and skills to fans of Major League Baseball and the region.

On November 16, 1991, he married the former Sylvia Lynne Rader who preceded him in death.

In addition to his mother, survive his children, Amanda Renee Alger, Calvin Gregory Bruce Alger, Trey Christian Rader Alger and Calvin Bruce Alger II; three grandchildren, a step-grandson, a step-granddaughter and a granddaughter on the way.

A rally in honor of Bruce’s time with the Rebels organization will take place at 11:00 a.m. on Monday at Rebels Park in New Market. Pastor Brad Burke will lead a memorial service Monday at 12:30 p.m. at the Lutheran Reformation Church in New Market. Interment will be private.

The family will receive friends on Sunday from 4 p.m. to 6 p.m. at the Grandle Funeral Home on Broadway.

Masks are encouraged at the funeral home and church.

Memorial contributions can be made to the Lutheran Reformed Church nursery school or to the rebels in the New Market.

Online condolences can be made at www.grandlefuneralhome.com

Posted by Northern Virginia Daily on October 9, 2021.


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Opening of an exhibition on the themes of identity and politics in the visual arts gallery – The Journal

José Guadalupe Garza standing next to his 2019 play “Sin Fronteras / Stateless (still from a non-existent movie)”.

José Guadalupe Garza wants to take you to a new reality, a reality where reality and fiction overlap and what you see makes you question what you know. Garza is the artist behind the latest exhibition at the Visual Arts Gallery on campus.

The show, Autobiography of a Brown Buffalo II, opened on September 23 with a reception for the show on September 30. The show is the first of three scheduled for this semester in space, located on the first floor of the Health and Science Building (HSB). The exhibition will be on view until October 14.

The show consists of installations based on appropriate and manipulated images from popular culture. The installation is a spiritual sequel to Oscar Zeta Acosta’s fictionalized 1972 autobiography of the same name. The book focuses on the experiences of a Chicano in the 1960s and questions of identity in America.

“When you’re part of certain communities, it’s impossible to be apolitical,” said Garza, whose show remixes Acosta’s themes on politics, race, mass media and capitalism. Garza continues, “It’s not for us to decide.”

Using print as a medium, Garza explores political messages and the grotesque nature of mass communications in “Foreign Policy (Burn, Hollywood, Burn remix)” and “Foreign Policy II (Operation Wetback, 2954)”, the latter of which is only partly Featured

This blend of reality and fiction shines through in Garza’s work, which features images reminiscent of Donald Trump’s iconic “Make America Great Again” hats. The show also draws inspiration from the Mexican Revolution, with works like a portrayal of movie star Marlon Brando as revolutionary Emiliano Zapata.

“For me, my art was not initially political,” Garza said. It became political as his life and career evolved.

“If this had happened much earlier, I might not have been so comfortable,” he added.

Even still, he is not saying that he intentionally attacks politics or that he is an activist. Instead, her work reflects the realities of her life.

“I think activism involves trying to enact a change in policy,” Garza said. “This work is more about sharing experiences.”

Garza currently coordinates and administers the academic programs of the Mildred Lane Kemper Art Museum, an educational museum at Washington University in St. Louis. Garza, who holds a master’s degree from the school, says his years in academia are a vital part of his job.

“I don’t separate my studio practice from my roles as an educator or as a husband,” he said. “Everything is connected.

Garza’s wife and collaborator Melissa Bauer is also on the show. She collaborated on the play “Ricardo Flores Magon in St. Louis”, a bronze plaque depicting the life of Ricardo Flores Magón, a Mexican anarchist publisher and activist. His writings and his work as an editor are credited with inspiring the Mexican Revolution, although they also caught the attention of the United States government, which arrested and jailed him for them.

Who is honored by the preservation of physical space? Garza and Bauer ask this question and others in their 2021 play “Ricardo Flores Magon (from the Tierra y Libertad project)”

Magón’s work is also featured in Temporal Pincer, a ready-made work of books by and on Latinx life.

This exhibition has already been exhibited at the High Low Gallery in St. Louis, where it was reviewed in the magazine Art in America.

“Art is about presenting someone with a new reality,” Garza said.

The realities of Garza’s work fit into the larger visual arts gallery theme of the Visual Arts gallery.

“The gallery is a space where we can present experiences of all kinds,” said Gallery Director Allison Lacher.

Playing with concepts of shared identity over time, Garza asks the viewer to consider how conceptualizations of the Latinx community have changed from the time of the Mexican Revolution to the present day in “Temporal Pincer (Brown Paper / Tenet remix) “.

Before this show, Lacher collaborated with Garza on other projects. Both were founding members of Monaco, an artists’ cooperative in Saint-Louis, which presents itself as an alternative to the traditional model of the gallery. (Current band members aren’t either.)

Lacher has brought controversial works to the gallery, such as the 2013 “Guns and Butter” exhibition by Chicago-based art collective Industry of the Ordinary. The exhibit featured a gun encased in hundreds of pounds of butter, set up to slowly melt over the course of the exhibit.

This semester, Lacher brings two other exhibitions to the gallery. Following Garza’s conclusion, the gallery will feature a new exhibition by Springfield-based paper artist Betsy Dollar, whose previous installations have included a life-size wedding party made of paper and suspended works of inspired 18-square-foot panels. from the ancient Sumerian myth.

The Dollar show will run from October 21 to November 18.

After that, the gallery will hold a silent auction and benefit from November 29 to December 2.

The Visual Arts Gallery is open from 11 a.m. to 6 p.m., Monday to Thursday.


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Book creator

Talk about ‘MAÑANA: Latinx Comics From The 25th Century’ with JOAMETTE GIL

Located throughout Latin America in the 2490s, MAÑANA: 25th Century Latinx Comics (available now in English & Spanish) presents readers with a radical array of futures, ranging from post-apocalypse to liberationist utopia, to the magical realism of a slice of life. With over 270 comic book pages featuring 27 young adult sci-fi stories from Latinx creators in the United States and Latin America, Joamette gil is the editor of a project of such scope, as well as the head of Electric and magic press, the editor of MAÑANA. Joamette is also a designer, illustrator and letterer in several other projects. Our own reporter Duna had the chance to chat with Joamette about MAÑANA, its creation, its editorial process, its range of diverse visions for the future, etc. Here is the result.

Comic Watch: Thanks so much for speaking with us, Joamette! Well, first of all, can you tell us where the idea of MAÑANA came, and what are the things that helped it flourish in the 50+ creator anthology that we get?

Joamette Gil: MAÑANA, as a concept, arose out of two disparate places: the excitement I witnessed among my fellow Latins when Star Wars started recruiting more Latin actors, and the desperation I felt in the face of the child separation crisis at the border. Our imaginations revolve around the stars and the future, but our realities are complicated by violence and trauma, making many of us doubt a future. I wanted this anthology to reflect as many different Latin American cultures as possible and as many versions of the future as possible. We did the work of matching writers with candidate artists, and the result was the greatest creative team we’ve ever worked with at P&M Press.

CW: You are the editor and senior editor of Power & Magic Press, the press behind the edition. MAÑANA. How did this project get started?

JG: P& M Press started in early 2016 with the call for applications for POWER AND MAGIC: Queer Witch Comic Book Anthology. In a nutshell, I was not happy with my experience working in comics so far, especially the low pay. P&M Press is my way of giving other BIPOC and queer creators the chance to work on projects that center their experiences, treat them with respect and pay them fairly.

Desiree Rodriguez, Naomi Franquiz

CW: I have noticed the emphasis on LGBT + creators and creators at other intersections both in MAÑANA and in the other press anthologies. What do these diverse perspectives – sometimes in multiple ways – add to the books?

JG: They are the beating heart of our press! Adequate representation by / for / of marginalized people has never existed in the Americas. The most well-known and mundane story can become instantly fascinating just by inserting a BIPOC or queer person, because that’s how rare it is still to see us centered in any medium. But beyond adding us to the stories we already know, BIPOC and LGBTQIA + people have totally original experiences and perspectives that have yet to be told to a large audience. This is what interests P&M Press: the freedom of marginalized creators to invent and reinvent freely.

CW: Most visions of hegemonic sci-fi narratives (white, wealthy, European, male) focus either on a future completely detached from the past (“progress”) or on a future that repeats past failures, especially . In MAÑANA we have links with the past that seem much more enriching to us from the past and look at it in a totally different way. How do you think these voices can bring something different and important to science fiction?

JG: MAÑANA’s stories cover many different visions of the future, some totally utopian and others… rather dark! Darker futures always contain a seed of hope, if not a way out of potential disaster. Ultimately, each story is very human, focusing on the impact of the future on people’s bodies, relationships, working lives, beliefs, lifestyles, and philosophies. The past is omnipresent, as it indicates what each character values, how they live, what they have never known, and which choices were mistakes. In that sense, it’s a very Latin book. The shadows of colonization, capitalism and environmental destruction are there, as are the light of revolution, indigenous survival and black joy.

Ashley Gallagher, Mar Julia

CW: Some comparisons have been made of how many visions of dystopian fiction in pop culture tend to make their “scandalous and horrific futures” basic things that many BIPOCs already relate to: poverty, oppression, the emphasis on survival rather than passion. How do you think this futuristic story written by Latin challenges this vision?

JG: MAÑANA challenges this by ignoring “horrible futures” for the purpose of teaching empathy or warning the reader to “beware of consequences!” Whenever the future is far from perfect, our characters use their ingenuity to survive and thrive together despite everything (sounds familiar to you?), Or the story goes that our characters learn something about life under the circumstances. For example, in “A dream of a thousand stars” by Alberto Rayo and Sebastian Carrillo, the indigenous peoples of the Andes are the ones who master interstellar travel and harness the power of several suns… which leads to very, very big social problems. The story follows two queer Andean women (a scientist and a soldier) on a mission to save all lives. It merges the themes of human potential, pride, cooperation and religious conflict, in a future scenario that would be absolutely frightening.

Alberto Rayo, Sebastian Carrillo

CW: As the publisher of the book, how did you approach your writers by addressing themes that are somehow related to the land and its people (even though it’s a vast land and a great amount of cultures) ? Do you think this is any different from editing a supposedly “pure” book?

JG: Excellent question! I decided early on that I wouldn’t accept story pitches taking place anywhere the creators weren’t originally or had never lived. The rest is not much different from how I would edit anything, fictitious or not. One of my jobs as an editor, in my opinion, is reading and asking questions when elements of a specific culture that I’m not familiar with appear in a script, both to check for accuracy and to get a feel for what is respectful and what is not.

CW: In addition to being an editor, you are also a designer, illustrator and letter writer, having done comics for The Nib, Everyday Feminism and for Power & Magic Releases, and lettering for projects like Archival Quality (which was a 10 / 10 for our reviews) and Mooncakes. How do your experience as a publisher and your experience as a creator intertwine, and what do you like most about these multiple activities?

JG: Comics have fascinated me for a very long time, so I’m truly grateful that I was able to participate in almost every aspect of their creation! I would say this is my greatest strength as a publisher. I understand how every aspect of the process works, why it matters, how it can go wrong, and most importantly, what it feels like to make a comic.

Joamette gil

To follow Electric and magic press To Twitter, to have MAÑANA now in their shop, and follow Joamette to Twitter and Instagram for more! You can also watch our video interview here with designers Alberto Rayo and Desiree Rodriguez on MAÑANA!

Talk about ‘MAÑANA: Latinx Comics From The 25th Century’ with JOAMETTE GIL



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Writer market

Stock Indices Close Lower as Jobs Data Stirs Uncertainty | News from USA®

By STAN CHOE, DAMIAN J. TROISE and ALEX VEIGA, AP Business Writers

Wall Street closed a wobbly trading day with a large drop in equities on Friday, after a weak employment report raised questions about the Federal Reserve’s timetable to reduce its immense support for markets.

The S&P 500 fell 0.2% after fluctuating between small gains and losses for much of the day. The modest drop ended a three-day winning streak for the benchmark. Despite that, he managed a 0.8% gain for the week, less than half of the index’s loss last week.

The Dow Jones Industrial Average fell 8.69 points, or less than 0.1%, to 34,746.25, while the Nasdaq composite slipped 74.48 points, or 0.5%, to 14,579, 54.

Wall Street reacted with uncertainty and disappointment to the highly anticipated September jobs report. US stocks fluctuated throughout the day, as did Treasury yields.

Political cartoons

The 10-year Treasury yield climbed to 1.60% from 1.57% Thursday night after initially falling to 1.56% immediately after the jobs report was released.

Small business stocks fell more than the overall market. The Russell 2000 Index lost 17 points, or 0.8%, to 2,233.09.

Much of Wall Street assumed that the job market had improved enough that the Fed soon began to cut back on its monthly bond purchases meant to keep interest rates in the long term. Investors had also asked the central bank to start raising short-term interest rates at the end of next year. The current ultra-low interest rates have been one of the main forces pushing stocks to record highs.

But Friday’s jobs report showed employers created just 194,000 jobs last month, well below the 479,000 economists were expecting. Many investors still expect the Fed to stick to its timetable, but the numbers were low enough to at least raise the question of whether it could wait longer to cut its bond purchases or possibly raise short rates. term.

“The lack of jobs is not pretty – there is no way around it,” said Mike Loewengart, managing director of investment strategy at E-Trade Financial, in a statement. “And many may think that will cause the Fed to pause in terms of the reduction strategy. But the jury is out on how the market will interpret the data.”

Below the surface, the numbers don’t offer much clarity. The unemployment rate fell to 4.8% from 5.1%, and the government has revised upward the hiring figures of recent months. But last month’s hires were still the lowest since December 2020. Average wages also rose a little faster than expected compared to August, helping workers but adding to concerns about inflation.

“This gives the Fed a bit more leeway on cutting and tightening in general,” said Cliff Hodge, chief investment officer for Cornerstone Wealth.

Inflation remains a big concern for investors after hitting its highest level in at least a decade, in part due to booming supply chains as the global economy reboots after its pandemic-caused shutdown. These supply chain issues will be a key focus for investors as they review the next round of quarterly corporate financial reports.

“Profit season is really going to be the next catalyst for the market to figure out where to go until the end of the year,” Hodge said.

Rising energy prices also contributed to inflation, and benchmark US crude for November delivery briefly exceeded $ 80 a barrel early Friday. This is the highest the first-month contract for U.S. oil has been since 2014.

This helped push S&P 500 energy stocks up 3.1%, by far the biggest gain among the 11 sectors that make up the index. Exxon Mobil rose 2.8% and Pioneer Natural Resources 4.6%.

About three in five companies on the S&P 500 closed lower, with losses at tech and healthcare companies accounting for much of the decline. Citrix Systems fell 5.7%, while Bristol-Myers Squibb closed down 3%. Only energy stocks and banks recorded gains.

Friday’s choppy trading continues an already volatile run since the S&P 500 set its record on September 2. A rapid rise in interest rates and the prospect of less support from the Fed has forced investors to reassess if stock prices have risen too expensive. Concerns about rising interest rates have also combined with political unrest in Washington, DC.

The S&P 500 had four consecutive days until Tuesday when it alternated between a 1% gain and a 1% loss. In recent days, the market has been more stable amid relief that Congress appears to be delaying at least one disastrous default on US federal debt.

Overseas exchanges closed unevenly on Friday. In Europe, the German DAX lost 0.3% and the French CAC 40 fell 0.6%. London’s FTSE 100 rose 0.2%.

Asian markets were stronger. Japan’s Nikkei 225 rose 1.3%, South Korea’s Kospi added 0.6%, and shares in Shanghai gained 0.7%.

AP Business Writer Joe McDonald contributed.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Author finds himself in the middle of his own novel as Covid-19 strikes

His science fiction work is acclaimed around the world. Now she writes from her home office in a well-known residential area in Palmerston North State. Jimmy Ellingham meets Laura Jean McKay.

As the world teetered on the brink of a pandemic, an author entered a recording booth where fantasy mirrored reality.

Laura Jean McKay voiced the audiobook of her first novel, The animals of this country, about a pandemic. Amid the initial confusion, the book’s zooflu was spreading similarly to Covid-19.

The novel was published in March 2020, as New Zealand was introduced to blockages, alert levels, bubbles, and mandatory walks.

It was a surreal time, especially for McKay, who rushed to Sydney, Australia from her new home in Palmerston North to check in before the borders closed.

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McKay's home office allows him to contemplate his garden and observe animals.

DAVID UNWIN / Tips

McKay’s home office allows him to contemplate his garden and observe animals.

“I was in this sound booth for eight hours a day talking about scenes in my novel where people were panicking buying and wearing masks with strange symptoms.

“The government would make decisions, then I would leave the audio booth and the news cycle would have continued. I would go to the supermarket and the supermarket would just be emptied of toilet paper.

McKay’s real world had become that of her novel, and she saw the world in the same way as her first-person narrator, Jean.

McKay could never have envisioned the novel’s premonitory timing when she began writing seven years earlier.

“I was feeling very confused and confused and wondering how I got into my novel one way or another, and I also felt really worried.

“People were in pain and scared, and I didn’t want to make a mistake or create something that would upset people. “

The Massey University creative writing professor, 43, an Australian living in New Zealand, had nothing to worry about.

Critics around the world praised the work, such as The Guardian saying, “His writings about people… are dirty and cool and funny. It’s prose on high alert, spiky hair and bared teeth in every sentence. “

On top of that, there are the awards, including the 2021 Victorian Prime Minister’s Literary Awards and the best science fiction award, the Arthur C Clarke Award, named after the 2001: A Space odyssey author.

In beautiful symmetry, the first winner of the UK’s Best Science Fiction Novel of the Year Award was Margaret Atwood, author of The Handmaid’s Tale. McKay borrowed the title from Atwood’s poem The animals in this Country for his novel.

For years people have imagined talking to animals, but usually it’s in human terms. We imagine them chatting like we do with other humans.

But not in McKay’s novel, where animals communicate with infected flu through jerky, rambling snippets.

The animals are absent from his Palmerston North home. This is in part due to the traveling life of a writer and teacher – her partner Tom Doig is an author and also works at Massey. Years of Melbourne apartment living and commuting are not suitable for routine non-human creatures.

It is also in part thanks to his novel.

“I would really love to have a pet in my life, but after writing a book on inter-species communication, I don’t know how I would tell a dog that I was leaving for three days and that he would live in a kennel.

“It bothers me a bit that I can’t communicate well. “

However, she sits down and watches, often from her home office, the domestic cats roaming the large backyard of her property.

“Rather than getting mad at them, it’s good to sit down for a bit and be like, ‘OK, what are they doing? How do they work? Maybe I can make a space for them, which means they don’t dig my yard, but they’re fine.

“If a fly comes into the house, I talk to it and say, ‘Look, we don’t like you. You are not welcome here. Go out. We haven’t invited you. My partner said to me: “Are you talking to flies? “”

Writing such a work is a big investment. Although it took seven years to create, the seeds were sown over a decade ago, when McKay began recording his first thoughts on paper.

At the beginning of the book, there was a different beast, located on a farm rather than the animal park where it had settled.

McKay talks to his partner Tom Doig while signing books at Bruce McKenzie Booksellers in Palmerston North.

WARWICK SMITH / Stuff

McKay talks to his partner Tom Doig while signing books at Bruce McKenzie Booksellers in Palmerston North.

The turning point came a year or two into writing when McKay was in residence at a wildlife park in the Northern Territory, where she lived in a trailer for three months.

There were captive animals, but also their wild counterparts, and McKay recorded, photographed, watched and observed all she could for the atmospheric details so carefully woven into The animals of this country.

She also observed humans, such as how rangers grabbed their portable radios by the back of their belts like a cop would with a gun.

It was a special experience, even though she often waited to go to the bathroom.

“I was going to see a python in the reptile section and then I would come back to the trailer and there was this 3.5 meter olive python lying in front of my entry into the bathroom, and I couldn’t get in there. because she was there. She was taking the sun.

“Every day at the same time, she would go out and lay down in the sun, and she lived on top of the laundry, so when you went to do your laundry you would look up and see that face looking at you. It was just amazing.

McKay’s humility and quickness in congratulating others, like his “great editor” or the “wonderful in-laws” who sent him a congratulatory bouquet of flowers, comes after years of hard work.

Its success does not come from nowhere. Collection of stories Cambodia vacations – exploring the role of expatriates in the Asian country, where McKay has spent years traveling for humanitarian work and in residency to help writers – has been well received and his stories are widely published.

McKay views writing a novel as a three-step process. First, turn the 70,000 words into something that looks like a story. The next difficult step is to rewrite and reverse the work.

“This stage is really difficult and heartbreaking, and it can last for months to years. This is a really nasty step because your novel looks bad. You tear pieces of it out, you put pieces in it, and you think it’s never going to end. “

McKay has his novel.  In September, she won the Arthur C Clarke Award for Science Fiction Writing.

Provided

McKay has his novel. In September, she won the Arthur C Clarke Award for Science Fiction Writing.

Finally, there’s the refinement, getting the job done in the kind of form an editor can work with.

“This third draft is quite pleasant. At this point you’re like, I have this thing. Not only is it 70,000 words, but it also makes sense and has characters and a story.

She has had enlightening adventures along the way. A trip to America included attending a chimpanzee rights court case and meeting Michael Jackson’s chimpanzee Bubbles at a retreat for retired animal showbiz stars.

It also includes a severe attack of chikungunya fever due to a mosquito bite in Bali. The effects lasted for a few years and were so severe that McKay remembers it being too painful to get out of his couch for a drink of water.

So far, it’s hard for McKay to say how his success sinks.

Since the 2020 lockdown, promotional tours have been held and awards have been held online, including the Arthur C Clarke.

Broadcast on the BBC, of ​​which McKay is proud, the ceremony began around 7.15am NZT. She got up at 6, got dressed, won the award and later that morning came back to real life.

“The zoom ends and I am alone in a room. I will go out and my partner will be able to make noise again. We do the dishes and watch television.

“I don’t really have a clue how it made a difference, how it might have affected the way people might read my work or how many people read it. “

McKay is working on another plot, but it’s still in its infancy.

Level 2 alert restrictions keep her at home and there is plenty of inspiration to be found as she strolls to her desk, on the floral patterned rug and in front of a bookcase filled with classic tomes and records. of music, including Bowie and The Beatles.

She has lived in Palmerston North for a few years, moving with Doig, her partner of 10 years and friend of 20 years.

“It’s been tough with the pandemic because when I moved to Palmerston North I was like, ‘Great, this is a place I can get on a plane and I can be home in seven hours if anything. something is wrong or if I just want to go back to my family ”.

“I had planned Australian tours for the book. I was going to do a lot of back and forth … but then the pandemic hit and I was only able to go home once. “

Palmerston North is similar to where she spent time as a child, Sale in Victoria.

The former McKay and Doig State House in the 1940s at Savage Cres is part of a project to strengthen the community. And, says McKay, decades later, it still works, as neighbors and passers-by regularly stop to talk.

They may not know it, but they are talking to a master of his craft.


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Reading and writing

Abdulrazak Gurnah receives the Nobel Prize for Literature

The Nobel Prize for Literature was awarded Thursday to Abdulrazak Gurnah for “his uncompromising and compassionate penetration of the effects of colonialism and the plight of the refugee in the chasm between cultures and continents”.

Gurnah was born in Zanzibar, now part of Tanzania, in 1948, but currently lives in Britain. He left Zanzibar at the age of 18 as a refugee after a violent uprising in 1964 in which soldiers overthrew the country’s government. He is the first African to win the award – considered the most prestigious in world literature – in more than a decade.

He is predeceased by Wole Soyinka of Nigeria in 1986, Naguib Mahfouz of Egypt, who won in 1988; and South African winners Nadine Gordimer in 1991 and John Maxwell Coetzee in 2003. Anglo-Zimbabwean novelist Doris Lessing won the award in 2007.

Gurnah’s 10 novels include “Memory of Departure,” “Pilgrims Way” and “Dottie,” all of which deal with the immigrant experience in Britain; “Paradise,” selected for the Booker Prize in 1994, about a boy in an East African country marked by colonialism; and “Admiring Silence”, about a young man who leaves Zanzibar for England, where he gets married and becomes a teacher. His most recent work, “Afterlives,” explores the generational effects of German colonialism in Tanzania and how it divided communities.

Gurnah’s first language is Swahili, but he adopted English as his literary language, his prose often tinged with traces of Swahili, Arabic and German.

Anders Olsson, chairman of the awarding committee, told a press conference on Thursday that Gurnah “is widely recognized as one of the world’s foremost post-colonial writers.” Gurnah “constantly and with great compassion penetrated the effects of colonialism in East Africa and its effects on the lives of uprooted and migrant individuals,” he added.

The characters in his novels, said Olsson, “find themselves in the chasm between cultures and continents, between the life left behind and the life to come, confronting racism and prejudice, but also forcing themselves to silence the truth or to reinvent the biography to avoid conflicts. with reality.

Laura Winters, writing in The New York Times in 1996, called “Paradise” a “scintillating, oblique coming-of-age fable,” adding that “Admiring Silence” was a work that “skillfully portrays the agony of ‘a man caught between two cultures, each of which would deny him for his links with the other.

The news of his Nobel Prize has been celebrated by other novelists and academics who say his work deserves a wider audience.

Novelist Maaza Mengiste described Gurnah’s prose as “like a smooth, slowly moving blade”. “Her sentences are deceptively sweet, but the cumulative force to me felt like a hammer,” she said.

“He wrote absolutely flawless and at the same time completely compassionate and heartfelt work for the people of East Africa,” she said. “He writes stories which are often silent stories of people not being heard, but there is an insistence there that we listen.”

In an interview with the Africainwords website earlier this year, Gurnah explained how, in his recent book, “Afterlives”, he sought to shed light on how those affected by war and colonialism are shaped but not defined by these experiences, and how this is born out of stories. he heard growing up. .

“I was surrounded by people who experienced these things firsthand and who were talking about them,” he said. “These stories have always been with me and I needed time to organize them in this story. My academic work also shaped these stories.

Gurnah noted that throughout his career he has dealt with issues of displacement, exile, identity and belonging.

“There are different ways of experiencing belonging and non-belonging. How do people see themselves as part of a community? How are some included and others excluded? Who owns the community? he said.

As a prelude to this year’s award ceremony, the literature award was cited for lack of diversity among its laureates. Journalist Greta Thurfjell, write in Dagens Nyheter, a Swedish newspaper, noted that 95 of the 117 former Nobel laureates came from Europe or North America, and only 16 winners were women. “Can it really go on like this?” ” she asked.

American poet Louise Glück received the Literature Prize last year for writing “that with austere beauty makes individual existence universal”, according to the quote from the Nobel Committee. Its price was seen as a much needed price reset after several years of scandal.

In 2018, the academy postponed the award after the husband of an academy member was accused of sexual misconduct and leaking the names of the contestants to bookies. Academy member Jean-Claude Arnault’s husband was then sentenced to two years in prison for rape.

The following year, the academy awarded the 2018 Deferred Prize to Olga Tokarczuk, an experimental Polish novelist. But the academy has come under fire for awarding the 2019 prize to Peter Handke, an Austrian author and playwright who has been accused of genocide denial for questioning events during the Balkan Wars of the 1990s, including the massacre of Srebrenica, in which around 8,000 Muslim men and boys were murdered.

Lawmakers in Albania, Bosnia and Kosovo have denounced the decision, as have several prominent novelists, including Jennifer Egan and Hari Kunzru.

  • David Julius and Ardem Patapoutian received the Physiology or Medicine Prize on Monday for their findings on how people experience heat, cold, touch and their own bodily movements.

  • Three scientists whose work “laid the foundation for our knowledge of Earth’s climate and how humanity influences it” received the physics award on Tuesday: Syukuro Manabe of Princeton University; Klaus Hasselmann of the Max Planck Institute for Meteorology in Hamburg, Germany; and Giorgio Parisi from La Sapienza University in Rome

  • Benjamin List and David WC MacMillan received the chemistry prize on Wednesday for the development of a more environmentally friendly tool for building molecules.


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Writer market

Sarasota Wine Market vs. Schmitt — What’s the Deal?

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A Supreme Court ruling can affect the system at three levels as we know it.

Jeff Siegel

This week, the United States Supreme Court may decide to take a first step in overhauling the way wine is retailed in the United States.

But it is probably – insisting on Probably-habit.

Supreme Court Building, DC / Unsplash

“You really can’t logically answer what the Supreme Court will do,” says Jay Hack, senior partner at Gallet Dreyer & Berkey in New York City, and chair of the Wine, Spirits and Beer Law Committee for the New York State Bar Association. “It’s almost impossible to predict because you don’t know how they think. “

But if Hack were to guess, he bet there is less than a fifty-fifty chance that they’ll take the case.

So why so many fuss about Sarasota Wine Market versus Schmitt? Because this case challenges a Missouri law that prohibits out-of-state retailers from selling wine to residents of Missouri. The law uses the same argument that was successful in the Granholm case of 2005, which allowed wineries to sell their product to people living in another state. Granholm is the base of the $ 3.7 billion DtC wine market.

The court will decide this week whether or not to grant certiorari, which is legal jargon for agreeing to review a lower court decision (called cert, for short). This hearing could potentially settle the legal dispute that has raged since Granholm: do out-of-state retailers have the same rights as wineries to sell products to consumers in other states? Most court rulings since Granholm have stated that retailers do not enjoy the same rights and that it is perfectly acceptable for a state to ban such sales.

Several things could happen if the court accepts the case: A ruling in favor of Missouri law would end a string of lawsuits filed across the country in recent years that challenge the ban on retail sales outside the United States. ‘State. This, in effect, would make it clear that Granholm only applied to wineries. Or, he could tell the appeals court that ruled in Missouri’s favor to reconsider its decision and the court would give appellate judges specific instructions on what to look for in the review. Finally, a ruling in favor of Sarasota may allow out-of-state retailers, within certain limits, to sell anywhere in the country. This would overturn a key part of the three tier system that has dominated alcohol sales since the end of Prohibition, thereby bypassing the second tier, that of wholesalers.

It would be really bluffing.

“A lot of people think if the court grants the certificate, we have the World Series of All Cases,” says Sean O’Leary, Chicago attorney and former chief legal counsel for the Illinois Liquor Control Commission . “It could be a [case] which will solve once and for all the long problem of the decade.

“It may be true and may not be,” he adds. Because, of course, it’s the Supreme Court, O’Leary notes. No one knows exactly what he’s going to do.

In one respect, the arguments in Sarasota are the same old “he said, she said” that surrounded the laws and lawsuits on retail direct shipping from Granholm. Sarasota says out-of-state retailers are discriminated against in Missouri because they cannot sell across state lines, due to what’s called the dormant trade clause of the Constitution, which says that the states can not discriminate like that. Missouri’s position is that no one is preventing out-of-state retailers from opening a store in the state; therefore no discrimination. Missouri also argues that the 21st The amendment (which ended the ban) allows it to ban out-of-state sales, and that has been a legal point that has been settled for 90 years.

In Granholm, the Supreme Court ruled that the dormant trade clause prevailed over the 21st Amendment, says Alex Koral, senior regulatory advisor at SOVOS ShipCompliant, a wine shipping consultancy. Arguments in retail shipping cases since then have been whether that part of Granholm could be used to authorize retail drop shipping, which the court was reluctant to clarify.

And, he says, there’s no reason to expect him to do anything differently this time around. Allowing a drop-in retail exception would cloud the waters around the three-tier system even more than it already is. The court certainly doesn’t want to do that: A ruling in favor of Sarasota would redefine the relationship between producers, wholesalers and retailers, which the court never said needed to be redefined.

Still, several attorneys have said that there are slight differences in the drop shipping environment this time around that could intrigue the court enough to grant cert. Foremost among them is its 2019 ruling in Tennessee Wine Retailers, which overturned a state law that prohibited non-residents from obtaining a retail liquor license. Judge Samuel Alito, in his majority opinion, suggested that any state that was going to discriminate against an out-of-state retailer had better have a damn good reason for doing so. In this case, there was none.

Which begs the question: Did the federal appeals court that ruled in favor of Missouri do enough to take Tennessee into account? Or did he just rule for Missouri because that’s the way the law has always been?

It’s an intriguing point, Koral says, but he also points out that the court did not disprove the entire three-tier system. On the contrary, it has simply made states more responsible for how they use it.

United States puzzle pieces
United States puzzle pieces

*The United States Supreme Court will meet to decide whether to grant or deny certiorari to Missouri’s delivery laws at its conference on October 8. A decision to grant or deny the certiorari application can be announced on or around October 12. *

_________________________________________________________________________

Jeff Siegel is an award-winning wine writer, as well as the co-founder and former president of Drink Local Wine, the first locavore wine movement. He has taught wine, beer, spirits and beverage management at El Centro College and at Le Cordon Bleu in Dallas. He has written seven books, including “The Wine Curmudgeon’s Guide to Cheap Wine”.

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Fiction publisher

how Substack breaks the literary rules

Substack VP of Communications Lulu Cheng Meservey says such advances – Rushdie and Palahniuk were approached by the company – are more of a soft landing to rally writers: “When Substack offers minimal financial collateral one year, in return for which we keep most of the subscription income for that period, ”she says,“ it’s meant to be a bridge to independence that helps a writer feel at home. comfortable taking a risk.

“The vast majority of writers on Substack are [using] the arrangement we recommend most: posting to an unlimited free mailing list or offering paid subscriptions, in which case Substack takes a 10 percent fee. A lot of the feedback we get from writers is that they just have fun and end up doing the job they want to do rather than what traditional publishers expect.

Sam Missingham, a former senior executive at HarperCollins and The Bookseller who now runs literary marketing consultancy The Empowered Author, says the key problem, in a way, isn’t literary at all: the true value of that here is that they are building a mailing list. This is what in the old jargon of the trade, we call “qualified prospects”. It’s not just random folks: If you sign up to receive installments of Chuck Palahniuk’s or Salman Rushdie’s new novel, we know you’re a fan. It is incredibly valuable.

“So next time Chuck can go back to his publishers and tell them, look – here are 75,000 subscribers. This, oddly enough, could pave the way for a suite of sub-stacks to become complementary rather than competitive with traditional publishing. Even if their next book is with an old school publisher like Hachette, they’ll probably still use their Substack newsletter to market it.

Another publishing consultant I spoke to put it this way, “The book content ecosystem is big enough that you can have traditional publishers, traditional newspapers, traditional magazines – then Substack in the middle of. this one, and you know, I’m sure there’s a big enough market for it to be very successful.

And, fortunately, the docks of New York will this time be safe from an invasion.


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Book creator

No return ! However, the creator is hoping for two more seasons! Reason behind the cancellation

Sad news for you, fans of romantic comedy series, Netflix has decided not to explore Dash & Lily’s love story after their New Years Eve kiss with Dash & Lily Season 2. The eight-episode series is released on Netflix in November 2020. Since then, Dash & Lily fans have been eagerly awaiting the fate of the series, including their favorite characters. But, it looks like the wait will continue for them to see their blossoming romance take it to the next level.

David Levithan and Rachel Cohn’s adaptation of young adult novels and Joe Tracz’s creation Dash & Lily follows two teenagers who develop mutual feelings for each other. They share a series of dreams, challenges, and desires in the notebook, which they circulated to many places in New York City. The couple discover that they have more in common than they thought, in addition to dealing with family, friends and previous love interests during the process. He explores how their feelings for each other affect everything.

Dash & Lily Season 2: Does It Happen?

Unfortunately, we have some unpleasant news for fans of the series. Austin Abrams and Midori Francis starred in the teen drama is now on Netflix’s single cancellation list. The series hit the streaming giant on November 10, 2020. But it took Netflix nearly a year to reveal the show’s fate. Recently, Netflix confirmed that Dash & Lily will not be returning for the second round. Although the series has grown in popularity, Netflix has decided to stop walking this path.

In contrast, the first season got 100 percent positive ratings on Rotten Tomatoes. At the same time, it got 7.5 approval reviews on IMDb and 80 out of 100 on Metacritic. Even critics have called Dash & Lily a delightful romantic comedy with a lot of zest for life. On top of that, the series also earned twelve 2021 Daytime Emmy Award nominations. Among them, it won three. Still, the streamer decided to cancel the series just after one season.

Dash & Lily season 2: the creator envisioned as the show of the three seasons

In November, shortly after the first season released on Netflix. series creator Joe Tracz told TVLine he hopes to return for the second round. He said, “I’d love to” go back and explore Cohn and Levithan’s second book. Joe even revealed that Cohn and Levithan were actually working on the third book. They often visit the set to create chapters for their next book. Knowing that they have plenty of stories to explore, Joe plans it as the three-season show. But unfortunately that did not happen.

Reason for cancellation

The streamer has not said anything on the news of the cancellation. However, Cindy Holland, former vice president of original content at Netflix, has revealed the reason. In an interview, Cindy revealed that the decision to renew is based entirely on an analysis of cost versus number of viewers. Still, the series got an overwhelmingly positive response from viewers. It seems he failed to respond to the target audience. But Netflix has yet to release audience demographics for the first season. So it’s hard to guess the main reason for the show’s cancellation for Dash & Lily season 2.


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Writer market

Stocks Open Lower As Volatility Hits Wall Street; oil drops

A man wearing a protective mask walks past an electronic board displaying Japan's Nikkei 225 index at a securities firm on Wednesday, October 6, 2021 in Tokyo.  Asian stocks slid in cautious trading on Wednesday, ignoring a rally on Wall Street, with the Tokyo Nikkei 225 index retreating after an open higher.  (AP Photo / Eugene Hoshiko)

A man wearing a protective mask walks past an electronic board displaying Japan’s Nikkei 225 index at a securities firm on Wednesday, October 6, 2021 in Tokyo. Asian stocks slid in cautious trading on Wednesday, ignoring a rally on Wall Street, with Tokyo’s Nikkei 225 index retreating after an open higher. (AP Photo / Eugene Hoshiko)

PA

Stocks fall on Wall Street as the market experiences a period of volatility. The S&P 500 fell 0.6% on Wednesday morning. The benchmark has alternated gains and losses of over 1% over the previous four days. The Dow Jones Industrial Average slipped 0.5% and the Nasdaq slipped 0.7%. International markets also sold off, with trade in Japan, South Korea, Germany and France all falling by more than 1%. Energy prices retreat after a strong recovery which has helped rekindle inflationary fears among investors. US oil fell 1.6% to $ 77.66 a barrel and natural gas fell 8.1%. The yield on the 10-year Treasury bill fell to 1.51%.

THIS IS A CURRENT UPDATE. AP’s previous story follows below.

Global stocks slid in cautious trading on Wednesday, ignoring a rally on Wall Street led by tech companies and banks that wiped out most of the losses from the previous day’s sell-off.

The French CAC 40 fell 1.9% early in trading to 6,450.56, while the German DAX fell 2.1% to 14,869.63. The UK FTSE 100 lost 1.6% to 6,964.13. The future of Dow industrials fell 0.9% to 33,860.00. S&P 500 futures were down 1.2% to 4,280.00.

Japan’s Nikkei 225 benchmark fell 1.1% to end at 27,528.87 for its eighth consecutive session of losses.

South Korea’s Kospi fell 1.8% to 2,908.31. The Australian S & P / ASX 200 lost 0.6% to 7,206.50. The Hong Kong Hang Seng edged down 0.6% to 23,966.49. The trade was closed in Shanghai for the Chinese national holidays.

Concerns remain in Asia over ongoing coronavirus infections, although hopes are growing that economic activity will be closer to normal later this year, rebounding from the deep downturn in 2020.

“On the risk front, China’s credit problems and contagion risks have certainly not abated, with developer concerns still surfacing. As such, caution has not been thrown to the winds, ”said Tan Boon Heng of the Asia and Oceania Treasury Department at Mizuho Bank in Singapore.

The risk of default by real estate developer China Evergrande Group of defaulting on its debt of more than $ 300 billion has alarmed investors already worried about the slowdown in Chinese growth.

The outlook for Japan, the world’s third-largest economy, remains uncertain. Fitch’s agency maintained a “negative outlook” for Japan, citing “downside risks to the macroeconomic and fiscal outlook from the coronavirus shock.”

Shares fell in New Zealand after its central bank raised interest rates for the first time in more than seven years, removing some of the support it put in place when the coronavirus pandemic began.

The Reserve Bank raised the benchmark rate from a record high of 0.25% to 0.5%. The move came despite a lockdown in Auckland due to a coronavirus outbreak.

The bank said inflation is expected to rise to 4% in the short term before falling to 2% in the medium term.

The market has been choppy for weeks, with inflation worries driving up and down swings for tech companies and the market at large.

Yet Wall Street still expects solid corporate profit growth when the third quarter earnings season kicks off later this month. S&P 500 companies are expected to post a 27.7% increase in profits for the July-September quarter from a year earlier, according to FactSet.

In energy trading, benchmark US crude fell 27 cents to $ 78.66 a barrel in electronic trading on the New York Mercantile Exchange. It gained $ 1.31 to $ 78.93 a barrel on Tuesday.

Brent crude, the international standard, fell 26 cents to $ 82.30 a barrel.

In currency trading, the US dollar rose from 111.45 yen to 111.56 Japanese yen. The euro cost $ 1.1546, compared to $ 1.1601.


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Book creator

Keanu Reeves Brings ‘Rated-R’ Comic Book Superhero to Life Before Joining MCU

There have been a lot of rumors that Keanu Reeves is joining the Marvel Cinematic Universe. But before taking on a role in Marvel, the actor brings his own comic book character – BRZRKR – to life for Netflix.

Keanu Reeves created “BRZRKR” for Boom! Comics

Keanu Reeves at the movie premiere | Tommaso Boddi / WireImage

Reeves is an actor, writer and musician. But in 2020, the 57-year-old superstar added the comic book creator to her list of accomplishments.

BRZRKR – the new Boom! series he wrote and created with Matt Kindt and Ron Garney – started as a Kickstarter campaign, receiving a whopping $ 1.45 million in funding from fans. And when the first issue of the comic came out in March 2021, it became the best-selling original title of the century, with over 650,000 copies sold.

BRZRKR tells the story of a half-God half-human called B, or Berzerker. The Immortal Warrior, who looks a lot like Reeves, has fought many armies over the past 80,000 years. Now, in the present, he works with the US government and takes on assignments deemed too dangerous for anyone.

The first 12 issues of the comic book series are published as three arcs of 4 floors. The first four issues were collected and published as a graphic novel on October 5, 2021.

“BRZRKR” is coming to Netflix

RELATED: Keanu Reeves’ directorial debut failed; Could this comic book movie be next?

Netflix adapts BRZRKR for two projects – a live action film and an animated series. Reeves will be the executive producer and star of both. And in a recent conversation with Collider, he revealed that while he wants the film and series to stay true to certain elements of the comics, he also wants the writers and directors working on the projects to bring their own flavor and tone.

“We work with Netflix, which has been very cool,” Reeves said. “They’re going to let us do an R-rated story, which is cool. My ambition or hope is not to make a filmed version of the comic so that they have things in common, certainly the main character and his kind of rules, but that we can take him elsewhere as well.

“For me, I hope to be inspired and influenced… there are rules to the story, but I also want other creators to make their version of it,” he added. “So I’m hoping to do a different version of a metaverse where, in the sense of having different storytellers with a set of rules, but going to other places with it.”

Reeves noted that he and the BRZRKR are in the process of finding an animation company to work with. And he revealed that they hired Project power screenwriter Mattson Tomlin for the live action film.

Keanu Reeves isn’t working on any MCU movies next year

RELATED: Keanu Reeves’ last action hero started with just one ghoulish image

Reeves is filming John wick 4. And in his interview with Collider, he suggested he could start filming BRZRKR as early as June 2022. But he also revealed that after completing the John wick after that, he did not plan anything.

That said, it’s safe to assume he’s not working on any MCU projects in 2022, which means he could finish playing B before facing off against a Marvel superhero. But that doesn’t mean Reeves’ MCU debut won’t happen eventually. Because, along with the fans, Marvel boss Kevin Feige is eager to bring the actor into the fold.

“We talk to him for almost every movie we make,” Feige said. ComicBook.com in 2019. “We’re talking to Keanu Reeves… I don’t know when, if or ever he’ll be joining the MCU, but we really want to find the right way to do it.”


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Fiction publisher

Melinda Gates trains the lifting moment, publisher of non-fiction books | WGN 720 radio

Posted: Posted Has been updated:

Feature – Melinda French Gates, co-chair of the Bill & Melinda Gates Foundation, poses for the photographer during the gender equality conference held at the Elysee Palace in Paris on July 1, 2021. Gates made his mark non-fiction with Flat Iron Books, a division of McMillan. .. The publisher, announced by McMillan on Tuesday, is called the Moment of Lift Books and will be available in three versions on women and girls starting in 2023. (AP Photo / Michel Euler, File)

New York (AP) – Already one of the world’s foremost philanthropists, Melinda French Gates takes on the role of editor.

Gates formed a non-fiction publisher with Flat Iron Books, a division of McMillan. The publisher, announced by McMillan on Tuesday, is called the Moment of Lift Books and will be available in three versions on women and girls starting in 2023.

“Although we have made great strides towards gender equality over the past decades, the COVID-19 pandemic continues to have a disproportionate impact on the lives and lives of women,” said the Bill & Foundation. Melinda Gates. Gates, co-chair and founder of Pivotal Ventures, said: statement.

“As the world strives to foster a fair recovery, The Moment of Lift Books presents a forward-looking vision to help ensure that women’s voices and perspectives are not left behind. Their story is that of the readers. I hope this will be an opportunity to participate in the global battle for equality. “

Planned outings include a book on refugee women by Upwardly Global President and CEO Jina Krause-Vilmar and a book on allowing pregnant women to attend school by the Minister of Education in Sierra Leone Basic and Higher Secondary Education, Radical Inclusion. included. , David Moinina Senge.

Melinda Gates trains the lifting moment, publisher of non-fiction books | WGN 720 radio

Source Link Melinda Gates Forms Lifting Moment, Publisher of Non-Fiction Books | WGN 720 radio


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Reading and writing

Boris Johnson promises transformed economy for UK

MANCHESTER, England – Declaring Britain will not revert to the ‘broken model’ of the past, Prime Minister Boris Johnson on Wednesday pledged to stage a radical transformation of the country’s economy towards a future defined by highly working people. skilled workers earning higher wages.

Projecting sunny optimism but offering few details, Mr Johnson sketched out a vision for Britain on the cusp of change. He barely mentioned the wave of fuel and food shortages that have plagued the country in recent weeks, calling them mainly the consequence of a rapidly recovering economy in transition.

In a speech to an enthusiastic crowd at his Conservative Party’s annual conference, Mr Johnson said: ultimately structural weaknesses in the UK economy.

It was, Mr Johnson said, “a long overdue change in leadership,” adding: “We are not going back to the same old broken model: low wages, low growth, low skills and low productivity – all of that. enabled, as a system, by uncontrolled immigration.

The Prime Minister devoted much of his speech to his flagship ‘leveling up’ policy, which aims to equalize the disparities between economically disadvantaged areas of northern England and its more prosperous south. As he said, “We have one of the most imbalanced societies and imbalanced economies of all the richest countries.”

But Mr Johnson has offered few concrete policies other than a bonus for math and science teachers in economically struggling areas. His other commitments – improving housing, fighting crime and modernizing transportation networks in northern cities – struck a familiar note.

Mr Johnson has called his program “Build Back Better,” the same slogan President Biden uses for his infrastructure legislation (both passed it around the same time last year). Unlike Mr Biden, the Prime Minister riffed on the line, adapting it to describe the return of beavers to British rivers (“Build Back Beaver”) and beef exports to the United States (“Build Back Burger “).

Blending self-deprecating humor, historical and literary references, gleeful punches against the opposition and a populist call for social issues, Mr Johnson has bolstered his status as the all-round Conservative Party cheerleader.

At one point, the Prime Minister, who has six children with multiple partners, lamented Britain’s relatively small population, despite, he said, all his efforts to strengthen it. In another, he described Labor Party leader Keir Starmer as the captain of a cruise ship that had been hijacked by Somali pirates.

Mr Johnson also appealed to the social and cultural issues that resonate with the Tory base. He has vowed to defend the history of Britain and oppose revisionist interpretations of conservative heroes like Winston Churchill.

And Mr Johnson called on Margaret Thatcher, another of his Tory predecessors, to defend government-imposed tax hikes to offset massive pandemic-related spending. Mrs Thatcher, he said, would not have ignored “this meteorite which has just crashed into public finances”.

Despite all the references to Tory icons, however, Mr Johnson’s speech amounted to a remarkable repudiation of traditional guiding principles and his party’s governance record.

The Conservatives have long been the party of business, but Mr Johnson actually forced companies to break their dependence on a low-wage economy. The Tories have led government since 2010, but Mr Johnson has spoken of the past decade as if another party is in charge.

In the eyes of political analysts, Mr Johnson seemed to be launching something new for the post-pandemic and post-Brexit era: a party that combines the spending and interventionist impulses of the Social Democrats with the anti-immigration instincts of the Brexiteers who are ‘are agitating to leave the European Union in 2016. His party has engaged in “radical and optimistic conservatism”, he said.

Mr Johnson’s rhetorical acrobatics featured a politician who repeatedly succeeded in defying political gravity. His 40-minute speech, in a room reserved for him and filled with party supporters, contrasted with the more discreet, sometimes uncrowded, appearances of his ministers on previous days. It underscored the Prime Minister’s total control over the Conservative Party.

Yet as Britain faces painful adjustments, Mr Johnson faces a convergence of hostile tendencies that could test this high-flying act. Rising food and fuel prices are straining consumers; gasoline shortages have forced motorists to wait hours to refuel.

Mr Johnson described these challenges as growing pains – evidence of an economy waking up from the pandemic and rebuilding itself to reap the benefits of a highly skilled and well-paid future.

For ordinary people, however, the specter of fuel and food shortages in late fall is more like the 1970s, and the time of strikes and price spikes that newspapers have called “the winter of discontent.” “.

Even some members of his own party seemed unconvinced, with influential Tory lawmaker Tom Tugendhat write on twitter that “wage increases are important unless prices are rising faster.” Inflation matters – it’s about what we can afford and how families manage to make ends meet during a tough month. “

Critics also took issue with Mr Johnson’s claim that Brexit had enabled Britain to forge a new submarine alliance with the United States and Australia. Britain has a long-standing intelligence relationship with these countries, and national governments control defense within the European Union.

Mr Johnson has attempted to draw a new line with the opposition Labor Party, which he has described as welcoming unchecked immigration – and the resulting low wages – as Tories seek training and better pay for British workers.

Asked in an interview this week about how Britain would deal with the immediate consequences of an economic transition that could take years, he echoed a phrase made famous by Mrs Thatcher: ‘There is no alternative “.

But Mr Johnson’s comments dramatized the extent of his break with his legacy. The party’s traditional relations with business have been strained because of Brexit, which was opposed by big business that profited from the gigantic European single market. And in recent days, the prime minister has added to the tensions, berating some companies for what he called a failure to invest in their workers.

While even its critics welcome the idea of ​​moving away from a low-wage, low-skill economy, Britons could suffer if government policies cause inflation and interest rates to spike. Much of the fiscal stimulus the government injected into the economy to cushion the blow of the pandemic – including paying most of the salaries of people who had been sent home – have been cut.

Mr Johnson urged people to return to their offices but otherwise ignored cost of living issues. Instead, he celebrated what he described as the unquenchable spirit of the British. It was evident, he said, among the scientists who developed the AstraZeneca vaccine, the National Health Service nurses and Emma Raducanu, the 18-year-old who won the US Open tennis championship on last month.

While those lines drew applause from conservatives in the room, the reaction from businesses across the country has been far more suspicious.

“Businesses face a cumulative crisis in trading conditions as supply chains collapse, prices skyrocket, taxes rise and labor shortages reach new heights,” said the British Chambers of Commerce Managing Director Shevaun Haviland, adding that “the economic recovery is on slippery ground.



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Writer market

Canadian children’s book author Robert Munsch reveals he has dementia

By Brooklyn Neustaeter, CTVNews.ca Writer

Click here for updates on this story

TORONTO, Ontario (CTV Network) – Beloved Canadian children’s book author Robert Munsch says he has been diagnosed with dementia.

The 76-year-old revealed his health issues over the weekend, saying they were “ongoing”.

“I can’t drive, I can’t ride a bike, I can’t write. So it really took away from who I thought I was, ”Munsch said in a CBC radio interview.

CTVNews.ca reached out to Munsch for comment, but Scholastic Canada told him his CBC appearance was the “only interview he was doing.”

Guelph, Ont. The Pittsburgh-born writer is best known for his classics such as “The Paper Bag Princess”, “Love You Forever” and “50 Below Zero”, among nearly 100 others.

Munsch has been open about his health in the past, saying he struggled with mental health and addiction issues for most of his adult life. He notes on his website that he was diagnosed as obsessive-compulsive and manic “several years ago” and has attended twelve-step recovery meetings for over 25 years.

Despite his diagnosis of dementia, Munsch said he still remembers all of his stories.

“My stories, strangely enough, are all there,” Munsch said. “The stories will be the last thing to do, I think.”

He is considered one of the most famous Canadian authors with over 80 million copies sold in North America alone.

One of Munsch’s best-known books, “Love You Forever”, has sold over 30 million copies worldwide since its publication in 1986. Another popular title, “The Paper Bag Princess”, has sold over seven million copies.

His books have been translated into 20 different languages.

In addition to his remarkable books, Munsch is also a member of the Order of Canada, has a star on Canadian Walk of Fame in Toronto, and had two public schools in Ontario that bear his name.

Note: This content is subject to a strict embargo in the local market. If you share the same market as the contributor of this article, you cannot use it on any platform.

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Book creator

Graham Norton’s book adaptation wraps up filming in Co Cork

TV fans got their first official look at the production of Holding, which just finished filming in West Cork.

Production wrapped up this week after a two-and-a-half-month filming for the high-profile series adapted from Graham Norton’s novel. The final stages of the show have been completed on site at Drimoleague and Castletownshend in recent days.

Game of Thrones star Conleth Hill, Oscar winner Brenda Fricker and Cork-born Holding writer Karen Cogan were joined on set by representatives from Screen Ireland, who support the major series. Cogan, writer and actor, is co-creator, lead co-writer and executive producer of the series.

Siobhan McSweeney in the upcoming television adaptation of Graham Norton’s Holding.

New footage from the production shows Hill as Guard Sergeant PJ Collins, one of the main characters in the adaptation of Graham Norton’s novel, co-produced by Virgin Media Television and ITV.

Brenda Fricker – an Oscar winner for Jim Sheridan’s film, My Left Foot, also appears as Lizzie Meany, a “shy presence” in PJ’s life who fought his own demons.

The four-part series, directed by Kathy Burke, has been filming here since late July and takes place in the fictional village of Duneen. The high profile cast also includes Siobhan McSweeney, Charlene McKenna, Helen Behan and Pauline McLynn.

The drama is produced by Martina Niland (Once, Sing Street) for Port Pictures in association with Screen Ireland.

Holding is an adaptation of Graham Norton's novel and will air on Virgin Media in Ireland and on ITV.
Holding is an adaptation of Graham Norton’s novel and will air on Virgin Media in Ireland and on ITV.

As production wrapped up this week, representatives from Screen Ireland traveled across West Cork Holding to launch a new round of major strategies aimed at boosting the growth of film and television production in Ireland.

Building for a Creative Future 2024 was launched by Screen Ireland CEO Désirée Finnegan and Susan Bergin, who was recently appointed chair of the organization’s board.

Among the new plans announced is an investment of € 3 million in developing industry teams and talent over the coming months to meet growing production demand in Ireland.

Two new national talent academies for film and television, theater and animation are to be created to develop talents and skills at regional level. A new program, Pathways, is being developed to enable people from diverse backgrounds to gain paid work experience in film and television productions. A new website for the public, Where to Watch, will be launched in the coming weeks.

The Irish film and television industry has seen continued growth this year despite the impacts and challenges faced by Covid. In the first six months of 2021, the industry contributed an estimated 289 million euros to the economy and directly supported more than 12,000 jobs.

“This strategy defines our ambition for a creative future as we emerge from the pandemic,” said CEO Désirée Finnegan.

“Achieving record levels of production activity in Ireland this year is a remarkable achievement and demonstrates the commitment, dedication and resilience of the creative display industry. To achieve sustainable growth, an enabling policy environment and targeted financing initiatives will be needed. “


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Reading and writing

California’s new reading target is achievable, but it needs to be more meaningful

Credit: Allison Shelley for American Education

A first grade boy and his kindergarten friend read together on a bench outside.

The state’s Superintendent of Public Education, Tony Thurmond, last week announced a new effort to have all third-graders read at grade level by 2026. Research tells us that top performing organizations with successful goals meet three criteria: Goals are empowering, achievable, and meaningful. Before California embarks on strategy design, policymakers should take action to ensure that the reading goal is achievable and more meaningful.

The goal of 100% is difficult and can seem intimidating at first for many teachers and principals. An additional 200,000 students in each class will eventually have to become proficient readers. California students are going to have to get off to a better start.

Recent data from the Stanford Educational Data Archive (SEDA) allows us to see average test scores in third grade and then learning rates as students progress through elementary and middle school. In the graph below – based on a decade of data before the pandemic – each school district is represented by a circle. Poor neighborhoods are in purple and poor neighborhoods in blue.

Two-thirds of California’s districts are at the bottom right and are labeled “Opportunity” districts. Their students don’t start off as well as they should, finishing third grade in reading below grade. The good news is that from Grades 4 to 8, their reading scores increase by more than a year for every year in school. They have above average growth compared to students in the rest of the United States.

While more than half of students have a bad start, many California school districts offer learning opportunities. A fully funded transitional kindergarten should give more students the opportunity to start their studies well.

Is the reading goal achievable? The good news is that California has a steady history of recent improvements in reading to build on. In 2003, California ranked 49th in the country on the National Assessment of Educational Progress (NAEP). Half of the fourth graders read at the lower basic level. By 2019, fourth-grade reading scores had increased by a full level (from 206 to 216), and 62.5% of students were reading at basic level and above. The achievement gap between white and Latino students has also narrowed.

When we follow the same groups of students as they move from year to year, consistent progress is also evident in the state’s Smarter Balanced exams. About 220,000 more elementary and secondary school students became proficient readers and writers from 2015 to 2019 than they initially were in third grade. These trends are present in all Smarter Balanced states, but California and Oregon have been pioneers in improving results.

Visalia Unified School District is an example of a district where students are catching up over time. As the table below shows, by the time students complete grade eight, they are meeting reading and writing expectations. If researchers can begin to understand why students aren’t getting off to a good start, but also learn from how districts like Visalia are helping struggling readers improve, Superintendent Thurmond’s ambitious goal might be achievable. .

The benefits of reading in grade three are clear: A study of 4,000 students by the Annie E. Casey Foundation finds that those who read effectively in grade three are four times more likely to graduate from high school in time and go to college. It is important to put students on the path to educational and economic success. Equally important is keeping them on track throughout their schooling.

How Many University Graduates Does California Need? Economists at the Center for Education and Work at Georgetown University estimate 65% of jobs in California today require at least some college. By 2030, Moody’s Analytics predicts that 50% of California’s future workforce will need an associate’s degree and 70% will need at least a college degree.

The state has taken great care in developing standards and exams that meet the expectations of colleges and employers. Now is the time for policymakers to align everything, to ensure that their educational goals match the economic development needs of the state.

Setting ambitious goals should not lose sight of the ultimate destination for students. State policymakers should align goals – 100% reading in third grade and at least 70% mastery by the end of middle and high school, because that’s how many people need to be on the right track. way to succeed in college. Doing so makes a difficult and perhaps achievable goal all the more meaningful for students, parents, and educators across the state.

•••

David Wakelyn is a consultant To Union Square Learning, a non-profit organization that works with school districts and charter schools to improve education. He was previously part of the National Governors Association team that developed Common Basic State Standards.

The opinions expressed in this commentary are those of the author. If you would like to submit a comment, please review our guidelines and contact us.

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Writer market

The book club that helped spark the gay rights movement

In the late 1930s, Gonzálo Segura, known to his friends as Tony, enrolled at Emory University to study biochemistry. He graduated in 1942 and then took a job with Foster D. Snell, a New York-based chemical engineering and consulting company that the United States Army hired to perform radiation testing. In the utmost secrecy, Segura tested which cleaning agents most effectively remove radiation from human hands. As his career in radiochemistry progressed, he kept silent about his growing attraction to other men. “I learned very early in life, when I was really a child, that this sexuality and all sexuality were things to keep to myself,” he told historian Jonathan Ned Katz, in 1977. He had always assumed that by the time he was in his twenties, he would develop desires for women and then get married and have children.

But in 1954, while on a business trip to Cleveland, Segura stopped by a bookstore and saw a copy of “The Homosexual in America” ​​by Donald Webster Cory. “I immediately bought it and was quite fascinated with the book,” Segura told Katz. Cory argued that homosexuals were not individuals in difficulty but members of a distinct minority group who needed to organize and fight for their rights. On the back of the book was a list of other titles dealing with homosexuality. Segura returned to New York and, using the list as a guide, toured Manhattan bookstores, collecting any titles he could find. In a store on 42nd Street, he found Loren Wahl’s novel “The Invisible Glass,” which depicts homosexuality and racism in the military. Inside was a map of Greenberg, the New York-based small press that had published both Wahl’s novel and Cory’s book. The card, Segura recalls, had a note: “If you liked this book and would like to be kept up to date with other books on a similar topic, please let us know.” Segura wrote down his address and sent it to the publisher.

A few weeks later, he received a two-page newsletter announcing the title pick of the month from something called the Cory Book Service. “In the early 1950s in America, Donald Webster Cory probably had the biggest LGBT mailing list in the country, and possibly the world,” David K. Johnson, who describes the book service in “Buying Gay,” his book on the legacy of gay men’s physics magazines, told me. At its peak, the list had at least three thousand subscribers. The service did not have meetings; Cory simply picked books and sent the titles to his readers, highlighting everything from Marc Brandel’s novel “The Barriers Between,” about a man who murders his friend for “unnatural advances,” to “Homosexuality and western Christian tradition ”, a gay theological book a story Cory described as“ the book hundreds of our readers have been looking for, ”a book they“ could give to their friends, family and advisers ”. Many newsletter subscribers lived in the closet, and while the service didn’t offer a clear way for them to communicate with each other, the mailings offered glimpses of the community.

Operating a gay book service was not without its risks. Anti-Communists, including Joseph McCarthy, had promoted campaigns to expel gay people from government as suspected subversives, leading to the dismissal of thousands of federal employees in what has been dubbed the fear of lavender. After investigations by the Postal Service, US attorneys’ offices have charged and fined publishers of gay material for obscenity; Greenberg paid the government a fine of three thousand dollars in the mid-1950s and had several of his books removed from publication for alleged obscenity. Gay men caught distributing gay books could face worse fines than fines. Federal law allowed up to five years in prison. In some states, when gay people were arrested on moral grounds, “the police often informed bar associations or medical clearance boards or especially schools,” assistant professor Anna Lvovsky told me. at Harvard Law School. “The real shadow that hung over these arrests was the threat of collateral consequences such as job loss.” Víctor Macías-González, historian and author of an article on Tony Segura, told me that many queer people refuse to buy gay books, instead borrowing them through rental services, which are available to a number of bookstores in the time.

And yet, the early 1950s saw a boom in queer literature, driven in part by the boom in cheap paperbacks. Historian Michael Bronski estimated that around three hundred books on gay men were published between 1940 and 1969. The trend was not limited to books on men: “Women’s Barracks: The Frank Autobiography of a French Girl Soldier” , a lesbian novel published in 1950, sold two million copies in its first five years. Vin Packer’s lesbian pulp novel “Spring Fire” sold 1.5 million copies in its first year alone. In “Buying Gay,” Johnson quotes a letter a Massachusetts librarian sent to Greenberg asking for additional titles: “Customers have asked me to get some ‘so-called’ gay books. “

Brandt Aymar, Greenberg’s vice president, began compiling a list of clients who wrote to him looking for books. According to Johnson, he counted their names and mailing addresses in what he called the “H” list (presumably for “gay”), in hopes of further exploiting the market. In 1951, Aymar published Cory’s “The Homosexual in America”. Cory called on homosexuals “to extend the freedom of the individual, of speech, of the press and of thought to a whole new area.” The book caused a stir: the first print sold in ten days, and Cory was inundated with letters from readers. As Johnson notes in “Buying Gay,” Aymar decided to combine his “H” list with Cory’s letters to form the Cory Book Service. Together, they thought, they would have a direct line to the gay book market.

In the inaugural issue of the Books Service, sent out in September 1952, Cory promised that many of the books he featured would be available to his subscribers before they hit the store. He got big discounts from foreign publishers; after purchasing four books, readers received the fifth free of charge. In January 1953, Cory reported that about two thousand subscribers had purchased at least one book. He took advantage of his reach to reprint at least one older book, convincing the publisher of a seven-year novel, “David the King,” by Gladys Schmitt, to launch a new print run, noting that its readers “have has asked us several times over the past few months “about this. The Books Service has also lobbied for English translations of books that had been published in other languages, and has already made available a title that did not yet have an American publisher: “The Charioteer” by British author Mary Renault, which the Cory Book Service offered in 1954, five years before the book was available for sale in the United States

Considering the hostility towards homosexuality at the time, it’s a small miracle that the newsletter escaped censorship. Johnson told me he doesn’t know why the post office never seems to have confiscated him. Cory appears to have had a legal team to verify the books he recommended: When Jay Little, a gay author, wrote to Cory asking him to place his “Maybe-Tomorrow” book with the service, Cory responded. that while he enjoyed the novel, “Our attorneys not only advised, but also ordered us not to use your book.” Despite these obvious precautions, Cory and Aymar chose to operate their business in public: the book service had a physical address in Manhattan, which appeared at the top of the newsletter. To add subscribers, Cory convinced popular photographers, such as George Quaintance, to promote the service, according to Johnson.

Six of the books promoted by the Cory Book Service.

The mailing list was also spread by word of mouth. During a discussion group sponsored by the Mattachine Society – a secret gay organization that had formed in Los Angeles in 1950 – someone mentioned the Cory Book Service, and soon after, a participant contacted Cory, asking him for fifty newsletter subscription cards. Separately, another company representative told Cory his service was a “most timely development” and offered to combine the names of “sympathizers” with the company’s mailing list. A deal between the two doesn’t appear to have come to fruition, but Cory made a deal with the newly created magazine. A, promising to send its subscribers mailings of A in exchange for a royalty. “If it hadn’t been for Donald Webster Cory’s list, A magazine, which gay historians consider critical, may not have taken off, ”Johnson told me. In 1955, when a small group of lesbians formed the Daughters of Bilitis, the first lesbian organization in the United States, they sent a message to A, Mattachine and the Cory Book Service. “They knew it would help put them on the map,” Marcia Gallo, a historian who wrote about the Daughters of Bilitis in her book “Different Girls” told me.


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Fiction publisher

SherLann D. Moore Releases New Book – Screenwriting for Storytellers

Award-winning author and screenwriter SherLann D. Moore is pleased to announce the release of her new book, Screenwriting for Storytellers: How to Take Your Story From Idea to Script. Visit http://bookbuzz.net/screenwriting-for-storytellers-by-sherlann-d-moore/ for more information.

Are you a writer who wants to learn screenwriting?

SherLann D. Moore has developed a simple process for showing storytellers how to turn a story into a screenplay. The book offers lessons on basic script structure, as well as bonus features such as quizzes, writer’s block removal and brain stimulation exercises, writing exercises, pitch deck training, and Moreover. You’ll also get Moore’s award-winning autobiographical drama script, Stronger When She’s Broken. Screenwriting for storytellers is an indispensable tool for writers of all types. Isn’t it time to tell your Hollywood story?

Screenwriting for storytellers is available for purchase in print and ebook formats.

Information about the book:

Screenwriting for storytellers
How to take your story from idea to script
By SherLann D. Moore

Publisher: MoonLeaf Publishing
Posted: September 2021
ISBN: 978-0999761250
ASIN: B09G783MT6
Pages: 258
Genre: Non-fiction, writing, personal development

About the Author:

As you can see from the cover, Author and Screenwriter SD Moore has won numerous screenwriting awards, as well as book writing awards. Highlights include the Blood Best of the Fest award and several best screenplay awards. Moore also won some top book awards. Moore is also a judge at the film festival. SD Moore is a former military and college instructor who holds a double master’s degree in human resource management and development and a doctoral thesis in education.

Author contact details

Website: http://www.sdmooreauthor.com

Twitter: https://twitter.com/SD_Moore1

Facebook: https://www.facebook.com/SDMooreAuthor

BookBuzz: http://bookbuzz.net/screenwriting-for-storytellers-by-sherlann-d-moore/

Purchase links:

https://www.barnesandnoble.com/w/screenwriting-for-storytellers-how-to-take-your-story-from-idea-to-script-sherlann-d-moore/1140124103?ean=9780999761250

https://www.target.com/p/screenwriting-for-storytellers-how-to-take-your-story-from-idea-to-script-by-sherlann-d-moore-paperback/-/A- 84292672

https://www.indiebound.org/book/9780999761250

Self-Help, Screenwriting, Writing, BookBuzz, Storytelling Screenwriting, SherLann D. Moore, MoonLeaf Publishing

BookBuzz.net

BookBuzz.net helps freelance authors, hybrid authors, and small publishers promote and market their books. They also help with book reviews, advertising, and more. Promote your next release, new release, backlist titles, Kindle countdown deal, and more. They offer NetGalley lists, book reviews, BookFunnel promotions, and free book giveaways. Let’s create some buzz for your book !!!

Media contact
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Contact: Amanda, public relations manager
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Telephone: 7065098422
City: Rome
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Book creator

Dungeons & Dragons Book provides DMs with valuable advice

New Kickstarter Raises Funds to Release New Guide to Managing a Dungeons & Dragons campaign. Michael Shea, the creator of the blog Sly Flourish, launched a new Kickstarter campaign finance the publication of The companion of the lazy DM, a new 64-page book designed to help DMs streamline their campaign and session planning. The new book is the third in the series of Shea’s Lazy DM and focuses primarily on game preparation. The book provides suggestions for making it easier to perform various types of scenes, generators designed to inspire unique adventures that can be played. assembled quickly and easily.

Shea is one of the most prolific D&D bloggers and has written articles and adventures for a variety of different publications including Wizards of the Coast, MCDM, Kobold Press and Sasquatch Press. His advice focuses largely on simplicity and efficiency in helping DMs keep their individual session planning from spiraling out of control. Shea used her advice as the basis for a series of “Fantastic” books that provide players with easy-to-use adventures and locations, as well as her popular Lazy DM series of books.

The companion of the lazy DM is full of different guidelines and tools for MDs. Some of the tools included in the book include the book includes improvisation tools, RPG safety tools, teaching new players how to play, creating a good start for the game, guides for ongoing exploration, templates for create undead or elemental monsters, options to run 1st level adventure, quick and easy combat encounters, and multiple types of adventure generators.

A $ 10 pledge allows contributors to receive the PDF version of The companion of the lazy DM, while a $ 20 pledge earns a full PDF set of all three Lazy DM books. Physical books are also available starting at the $ 25 pledge level. While the campaign raised nearly $ 200,000 in its first week, Shea chose not to aim for ambitious goals in order to focus on the essentials. Lazy DM Companion delivered. You can check out the full Kickstarter, which will remain open until October 28, here.


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