September 2021

Fiction publisher

Law Review: Bulwer-Lytton Prize, Part Two


As a reminder: the Bulwer-Lytton competition is named after the novelist Edward George Earl Bulwer-Lytton who wrote many famous novels including “Paul Gifford” which began with the words immortal (often parodied), “It was a dark night and stormy “.

The Competition rewards novice writers who compose intentionally bad opening sentences for imaginary novels. These are some of my favorites.


Our story begins in the cozy cottage of Bynnoldh-Dyr, son of Asgwitch-Torgwyr, in the idyllic Elven village of Myrthffolwrd, but our book actually begins some two hundred pages earlier, in which you are pummeled by an irrelevant story and unpronounceable names, because my publisher pays me per word. (Fantasy & Horror, Dishonorable Mention)


The cat purred like a Geiger counter beside the fireplace which crackled like a gunshot (which reminded Detective Greenwich of his service in Ukraine and Latvia), with this feline the only witness to the nanny’s murder and, at least let the purr count, he didn’t speak. (Crime & Detective, Dishonorable Mention)


It wasn’t until Liam sat down, wrapped in a white, blue, and red flag, with a bucket of fried chicken, throwing the bones into the plastic-filled ocean next to him while stroking his gun that he realized he had become truly American. (Odious Outliers, Dishonoring Mention)


His fist hit like one of those boxing gloves on a spring that you used to see in the Saturday morning cartoons when you were just a kid crazy about sugary cereal and unaware your parents were making it. love in the bedroom and hit me hard right between the eyes. (Odious Outliers, Dishonoring Mention)


Standing atop his half-finished pyramid, and surveying the long rows of stone extractors and crackers, the Pharaoh had a doubt: was he building the key to his eternal life, or would he later be seen as a mere tourist trap? (Historical fiction, Dishonorable mention)


Neanderthal parents Hru-Vak and Chee weren’t too happy when their eldest daughter Fa-al brought home one of those recently arrived Homo sapien boys, but after a while they got used to her arcade. non-protruding eyebrow, straight posture and problem-solving skills. capabilities. (Historical fiction, Dishonorable mention)


Despite an exhaustive search, rescuers were unable to locate young Christopher Robin in the Hundred Acre Woods until hypothermia took hold of him, and the animals he once called friends descended on his corpse like an old man. silly bear on a jar of honey. (Literature for children and young adults, Laureate)


Little Timmy was suffering from Claustraphobia: the fear of being trapped in a closet with Santa Claus. (Youth and youth literature, Dishonorable mention)


Even though Bambi the deer grew up to be a sleek and powerful 10-point buck, the other deer often berated him about his name, which was a perfectly apt name for a cocktail waitress but not so much for a deer. male. (Youth and youth literature, Dishonorable mention)


Mary savored her stew, savoring each hot and tasty bite, each one reminding her of her little lamb, Coco, and the way he happily hopped beside her as they walked down the alley. . . speaking of Coco, where was he anyway? (Youth and youth literature, Dishonorable mention)


“Ding dong, the witch is dead, ding dong, the witch is dead, ding. . . “before I could tenor the next” dong “, the black cat that sat on the anonymous grave stared at me with a strange look and a sudden explosion of sparks overwhelmed me and changed me from a villager to a green frog, and now I spend my days sitting at the edge of the duck pond in which we drowned the witch, all alone and afraid that a Frenchman will come and please me on my little legs. (Youth and Youth Literature, Mention dishonorable)


As Snow White, the most beautiful of them all, rushes into the forest to escape the death of her evil stepmother, she is about to be the most unhappy of them all, as she is now trapped in a miniature house as a pseudo-mother of seven. man children. (Youth and youth literature, Dishonorable mention)


The post-game cake, a long-standing tradition for the Mudville Nine, was taken off the menu when new manager Sperb Farquhar made it clear that everyone, including the team’s hitters, would be called upon to sacrifice bundt. (Vile Puns, Dishonorable Mention)


The Door to Happiness, which was now closed so cruelly for Clare, had been slammed the day Jimmy died, yet she lived in the hope that someday someone would come somewhere, not maybe with that key. Jimmy’s superior, the one that matched the lock of his affections so perfectly, but one like the key card that finally manages to open the door to your dreary motel room after a whole bunch of shaking and fiddling. (Romance, Dishonorable Mention)

Jim Porter is a Porter Simon attorney licensed in California and Nevada, with offices in Truckee and Tahoe City, California, and Reno, Nevada. Jim’s practice areas include: real estate, development, construction, business, HOA, contracts, personal injury, accidents, mediation, and other transactional matters. He can be contacted at [email protected] or


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Book creator

Who owns Spider-Man? A full explanation of Marvel’s copyright lawsuit


One of the reasons this business is juicier than others is that the Marvel characters are so big that their rights have been split: comics, video games, toys, merchandise, movie rights … they can. each be sold to different entities. In the case of spider-man, its cinematographic rights belong to Sony (following a sale in 1998). There was a similar deal on the movie rights to the characters sold to Fox, which is why the X-men movies were in a different universe and why the Marvel movies couldn’t use the word “mutant” to describe anyone. . Now that Disney owns Fox, they own the film rights to X-men and The Fantastic 4 and can drop these characters anywhere they want!

So how is Spidey in the MCU? Sony and Marvel (Disney) struck a deal in 2015 allowing them to share the profits for Spider-man. This gave Marvel the ability to make Spider-Man movies by licensing the character from Sony. This deal didn’t include all of the Spider-Man-related characters, however, which is why Sony is still able to make Venom movies. The details of this deal aren’t very public, which, while frustrating, makes it fun to try and figure out what’s really going on with the Sinister Six.

At one point, Sony owned the marketing rights, which was very lucrative when their films were released. But in 2011, needing the money, they sold those rights back to Marvel. To make things even more interesting, Sony and Disney recently struck a deal giving Disney + the streaming rights to their Spider-Man movies.

So why is all of this important? Because if Ditko’s estate is successful in getting Spider-Man back (which realistically they won’t), there are a lot of complicated things to consider. Between the trademarks under Disney control and the separation of character rights, it’s not as easy as grabbing the copyright and calling it a day. If this one goes all the way, we can expect floods of law students sitting in many boardrooms doing a lot of document discovery trying to decipher this tangled web.


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Reading and writing

House Creek students learn what’s in a name | Herald of Copperas Cove


Calling someone by name connects you better with that person. It also increases trust, empathy, and positive communication. Like any word in the dictionary, a person’s name has meaning. Kindergarten students at House Creek Elementary School learned the meaning not only of their names but of their classmates as well, teaching them empathy and understanding of different cultures.

The students read several books, including “Chrysanthemum,” “A-My name is Alice,” and “Your name is a song” as they engaged in onomastics, which is the study of names.

“We had read several books on names and they were able to make connections,” said teacher Vanessa Mondy. “The students loved chanting their names.

The students were each given shrink-wrapped plastic paper on which to write their name either freehand or by tracing it using nameplates on their desks. The young scholars wrote their names in whatever pencil color they wanted, and the plastic papers were then heated and shrunk to create individual key chains.

“The difficult part was getting the students to find their names,” said teacher Courtney Dennis-Irvin. “We have a lot of independent preschoolers, but some students weren’t able to write their names on their own yet. Some students had difficulty determining the directionality of the print. It was difficult for some to understand that when you write your name, you write it from left to right.

The lesson covered essential Texas knowledge and skills requiring students to identify upper and lower case letters and up-to-down and left-to-right reading and writing movements.

“This mission has had many life lessons, including always treating others kindly and taking the time to get to know them,” said teacher Lauren Buckram. “They know how to write their names, which is a skill they will need to know how to do for the rest of their lives.”

Kindergarten child Joules Flores had his own idea of ​​the meaning of his first name.

“My mother loves jewelry. She really loves jewelry, ”said the 5-year-old.

Teacher Sheila Shumaker was inspired to see students excited about something they created.

“The students loved the outcome of the project,” said Shumaker. “They loved how their own work was transformed into a keychain and how they will be able to keep this memory for a long time.”

Teacher Kristin Utsey said the lesson also helped develop students’ fine motor skills.

“It was a great way to teach the uniqueness of names, especially at the start of a school year,” Utsey said. “This lesson showed students that each name is special and that we should cherish how important and unique each is. “


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Writer market

2 health stocks you can buy and keep for the next decade


The healthcare industry offers compelling stock picks for investors of all ages and trading styles. As a writer and health investor in this area, I myself am a supporter of this industry. With everything from familiar names to small businesses in the clinical stage, options abound, regardless of your personal risk tolerance.

One of the things I love about healthcare stocks in particular is the fact that this industry can be very defensive, which means that regardless of what’s going on with the economy or the rest of the world. stock market, companies established in this space generally collect a constant stream of demand. This is great news for investors looking for ways to exploit stable portfolio returns during times that are volatile or uncertain for the broader market.

On that note, here are two great healthcare stocks to consider buying now that you can hold and continue to grow for many years to come, regardless of what the market is doing.

Image source: Getty Images.


If you weren’t familiar with Pfizer (NYSE: PFE) before the pandemic, you probably are now. The pharmaceutical stock has been a clear winner in the coronavirus vaccine race from a business perspective. It was the first company to gain full approval for a vaccine against the deadly virus from the United States Food and Drug Administration (FDA).

But its success did not end there. On September 22, Pfizer announced that the coronavirus vaccine it developed with BioNTech, which is marketed under the name Comirnaty, was also the first to receive Emergency Use Clearance (EUA) from the FDA for the highly anticipated third recall. Currently, the EUA covers “people aged 65 and over, and people aged 18 to 64 in certain high-risk groups”.

And on September 28, Pfizer announced that with BioNTech, it had submitted to the FDA the first positive data from an advanced stage trial of Comirnaty that evaluated its safety and effectiveness in children aged 5 to 12 years. Management has also said it intends to submit an application to the FDA to authorize the vaccine for emergency use in this age group in the coming weeks.

Pfizer is also working on other potentially breakthrough treatments in the COVID-19 space. For example, the company announced on September 27 that it was launching a global phase 2/3 trial to study the effectiveness of a new oral antiviral candidate as a potential preventive treatment for people living with someone who has contracted the virus. COVID.

Pfizer’s scientific success contributes to its bottom line. In the first six months of 2021, the company reported that its revenue and net profit increased by 68% and 53%, respectively, from the previous year. Overall, Pfizer predicts it will bring in nearly $ 34 billion from Comirnaty in 2021. Given its future potential – as well as other top-selling drugs in the company’s portfolio, such as anticoagulant Eliquis and anti-cancer drug Ibrance – Pfizer looks set to benefit from heavy tailwinds in the years to come.

Investors who wish to capitalize on this growth are certainly encouraged to do so, especially since the $ 43 share is currently trading at just over 10 times the estimated 2021 earnings. And its dividend yield of 3 , 6% is just the deciding factor for this large healthcare company.

2. Vertex Pharmaceuticals

Drug maker Vertex Pharmaceutical (NASDAQ: VRTX) certainly made less headlines than Pfizer, but I think it deserves investor attention as well. Its shares have fallen more than 30% in the past year, but are still up more than 100% in the past five years – well in line with the S&P 500of earnings during the same period.

Vertex’s strength lies in its competitive advantage and the particular focus of its business. The company is a major competitor in the cystic fibrosis therapy market, an industry that a new report from Global Market Insights has estimated to be worth nearly $ 27 billion by 2027. Trikafta, the drug of choice top-selling Vertex, is approved to treat over 90% of people with the condition.

Its product portfolio, which includes Trikafta and three other drugs (Symdeko, Orkambi, and Kalydeco), are all modulators of CFTR, which means these drugs are aimed at treating the source of CF. The condition occurs when there is a mutation in the CFTR gene. At present, these four products are the only CFTR modulators that have been approved by the FDA, so Vertex certainly has a business advantage over other competitors developing this type of drug.

This has translated into immense financial growth. Over the past decade, Vertex’s annual revenue has grown by almost 340%. And in the first half of 2021, the company reported a 16% increase in revenue over the period last year, to around $ 3.5 billion.

Although stocks are currently down (some investors reacted strongly when the company stopped developing two drug candidates for a rare genetic condition, alpha-1 antitrypsin deficiency), I think the stock has some upside potential. important in the long run. Vertex’s presence in the cystic fibrosis therapeutics market, its growing portfolio of candidates spanning a broad spectrum of rare diseases, and the steady growth of its balance sheet make the company a must-have investment to buy and hold in the market. long term. Perhaps now is the perfect time to hook this stock down.

This article represents the opinion of the author, who may disagree with the “official” recommendation position of a premium Motley Fool consulting service. We are heterogeneous! Challenging an investment thesis – even one of our own – helps us all to think critically about investing and make decisions that help us become smarter, happier, and richer.


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Fiction publisher

Column: UC San Diego Professor’s ‘Choose Your Own Adventure’ Book Is An Inclusive Epic


When UC San Diego novelist, poet and literature professor Kazim Ali posted on Twitter that his latest book was going to be an episode of the popular young adult series “Choose Your Own Adventure,” fellow writer Hananah Zaheer responded. : “My 10 year old self is very excited!”

Ali’s 10-year-old self could certainly relate. And with the release of “The Citadel of Whispers” tomorrow, her 50-year-old self is also thrilled.

“It is a dream come true to be part of a literary tradition to which I was part as a reader. There are a lot of other interactive books out there, but this one is the original, so it’s very, very cool to me, ”Ali said from his home in Normal Heights. “I grew up reading these books. I read ‘The Cave of Time’ and ‘Who Killed Harlowe Thrombey?’ So who can say that my love of reading and writing did not come from these past experiences? “

Based on the interactive format of role-playing games like Dungeons & Dragons, “Choose Your Own Adventure” was launched in 1979 with a series of books that allow the reader to put themselves in the shoes of the narrator of the story. The books were written in the second person and the narrative could change based on decisions made by the reader at different points in the story. And if you didn’t like the way your story unfolded, you could go back and send your literary self on a whole new path.

The series sold over 250 million copies worldwide before being discontinued in 1999. It was relaunched in 2006 by independent publishing house Chooseco. When Ali joined the “Choose Your Own Adventure” team, he chose to put his own spin on the beloved format.

Ali’s “Citadel of Whispers” takes place in the fantastic world of Elaria, a vast mountainous land whose collection of small city-states coexist with the help of the Whisperers, a mysterious order of spies, diplomats and men. scholars who keep the Elaria balances power in harmony.

But when the book begins, an ambitious Emperor threatens to upset Elaria’s delicate balance, and a small group of Whisperer students from the prestigious Citadel must fight to restore order.

One of those students is Krishi, the talented teenager Whisperer who is the “you” that readers of the book become. And for the first time in the history of ‘Choose Your Own Adventure’, readers can choose Krishi’s gender based on how they identify with themselves. Nothing in Ali’s book – not the artwork, language, or even the character’s hair or clothing – puts Krishi in a specific gender box. Krishi is who the reader wants Krishi to be.

“I wanted this book to have adventures and comedic elements, and I wanted it to have non-traditional characters,” Ali said of “Citadel,” which is the first book in this “Choose Your Own Adventure” trilogy. “. “I thought the character should be genderless so that whoever the reader is, whether they feel non-binary or have no relationship to gender, they can connect.”

And Ali’s adventures in mastering archetypes did not end there.

In the Citadel, all Whisperer students wear long hair and dress in plain linen tunics and pants. The best fighter in the class is a girl, Krishi’s friend, Zara. The stealth weapon is Krishi’s best friend, Saeed, who is small in stature but powerful in mind.

And one of the more intriguing adult characters is Dalilah, a Duchess in her 60s who’s the captain of a pirate ship and possibly the most savvy navigator in all of Elaria.

You underestimate these non-traditional champions at your peril, which was also part of Ali’s plan to uplift the characters and readers.

“Instead of making a learning story, I wanted to make a story where young people were fully capable and fully realized characters,” said Ali, who was inspired by young activists like Greta Thunberg and survivors of the gunfire. Parkland mass. ” They are in danger. They make mistakes. They will fail. But that doesn’t happen because they are stupid or underdeveloped. They understand the world they live in and are not afraid to take action.

Like Ali’s child warriors and pirate duchesses, his literary career challenges easy categories. He writes poetry, fiction and non-fiction. He is the founder and publisher of independent publisher Nightboat Books. He is a translator and has edited several anthologies and critical books.

Now Kazim Ali is the author of a multi-volume fantasy series, and he hopes readers who find themselves in Krisha find inspiration knowing they can choose whatever life path speaks to them.

And there’s a good chance there is more than one.

“I hope readers see all the different ways they can change the world. The Whisperers are diplomats. They are spies. They are martial artists. They must be masters of disguise. On the contrary, people who choose these children (to be Whisperers) seek this adaptability. I think this will speak to children of the world we live in now, where service to others will take many different forms as we move forward into the future.

“The ground is moving under our feet, and I like the idea that young people have power and think they can make things right. I like this energy.


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Book creator

GLAAD frontman and wife of rock star co-author of “All Moms” – Lowell Sun


NEW YORK (AP) – The GLAAD frontman and his rock star wife are teaming up on a children’s book about the many types of moms around the world.

“All Moms,” co-authored by GLAAD CEO and President Sarah Kate Ellis and Kristen Ellis-Henderson of Antigone Rising, will be published by Little Bee Books on March 1.

“This book celebrates what it really means to be a mother – to offer your child unconditional love,” the two authors said in a statement on Wednesday. “We hope this book will help children understand the different ways a family can be like, while teaching them the important values ​​of compassion, empathy, and acceptance.”

Little Bee calls the book, illustrated by Max Rambaldi, “a love letter to mothers – moms who make us laugh, moms who read us stories, moms who snuggle up when we’re sad and help us grow. Some moms are silly, some are athletic or clever, but all moms are amazing. Moms can do it all!

Little Bee and GLAAD, the LGBTQ + media advocacy group, formed a publishing partnership in 2018 for children’s books that celebrate sexual and gender diversity. Previous releases include “Prince & Knight”, “Maiden & Princess” and “Jack (Not Jackie)”.

Ellis and Ellis-Henderson, who have two children, also co-wrote “Times Two: Two Women in Love and the Happy Family They Made”.

NBC to bring back original ‘Law & Order’ for 21st season

LOS ANGELES (AP) – More than a decade after it was last broadcast, “Law & Order” returns on NBC.

The network announced on Tuesday that it is bringing back the cop and court crime drama for a 21st season. When the show left the airwaves in May 2010, it was tied with “Gunsmoke” for longest-running prime-time television drama.

NBC says the series will keep the split format of focusing on police investigating crimes and prosecutors bringing cases to court. No casting or premiere date has been announced.

“There are few things in life that are dreams come true,” said series creator Dick Wolf. “It’s mine.”

The “Law & Order” franchise survived even after the cancellation of the original series, thanks to several spinoffs, including the popular “Law & Order: SVU”.

Wolf’s shows remain a popular draw for NBC, with its three prime-time “Chicago” series making up the network’s Wednesday night program. The popularity of these shows is helping NBC beat other networks at the start of the new fall TV season, especially with the crucial 18-49 audience.


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Reading and writing

KDE Releases School Assessment Results for Spring Tests | New


The Kentucky Department of Education (KDE) released annual report card data on Wednesday, as required by the federal Every Student Succeeds Act. The data is not entirely accurate as several students did not participate in assessments given in the spring of 2021 due to concerns over COVID-19. These assessments were required by the US Department of Education as a strategy to better understand how students who were tested performed academically amid a variety of learning disruptions related to COVID-19.

The US Department of Education has given states flexibilities when administering assessments, such as expanded testing windows and shortened assessments.

“We knew these results wouldn’t be what we wanted to see, but the previous two school years were marked by extreme challenges,” said Kentucky Education Commissioner Jason E. Glass. “We can use this information to fill in the gaps caused by COVID-19 disruption and provide our students with the support they need to be successful. This is one of the many tools our districts regularly use to assess where our students are. “

In all of Kentucky, no level of education – elementary, middle school, or high school – had a 90% overall participation in reading, math, science, and on-demand writing subjects.

Elementary students had 88.9% participation in reading, math and science, while high school students had 72.4% participation in on-demand writing and 73.3% participation in science.

Locally, writing in Grade 11 had the highest scores, with 68.2% of its students at McCracken County High School, while 57.1% of students at Paducah Tilghman High School achieved these levels.

Here is an overview of the percentage of students in each district classified as proficient or distinguished in math, reading, science and writing subjects, by grade (seventh grade students at Paducah Middle School did not participate in the assessments) :


• Math: 3rd grade: 41.6, 4th: 47.4, 5th: 53.2, 6th: 49.8, 7th: 35.0, 8th: 34.7, 10th: 28.9.

• Reading: 3rd grade: 44.8, 4th: 53.6, 5th: 57.7, 6th: 56.3, 7th: 48.3, 8th: 55.8, 10th: 43.3.

• Science: 4th grade: 34.8, 7th: 28.2, 11th: 26.4.

• Writing: 5th grade: 31.0, 8th: 68.4, 11th: 68.2.


• Math: 3rd grade: 27.6, 4th: 23.1, 5th: 19.8, 6th: 25.4, 8th: 16.6, 10th: 23.2.

• Reading: 3rd grade: 29.7, 4th: 32.4, 5th: 41.0, 6th: 38.6, 8th: 36.2, 10th: 40.4.

• Science: 4th grade: 21.3, 11th: 25.0.

• Writing: 5th grade: 35.7, 8th: 42.6, 11th: 57.1.

Statewide, 31.4% of elementary school students achieved proficient or distinguished marks in math, 39.5% in reading, 25.1% in science, and 39.8% in on-demand writing.

For college students in Kentucky, 27.8% achieved proficient or distinguished grades in math, 44% in reading, 20.9% in science, and 50.9% in on-demand writing.

Among high school students across the state, 30.3% achieved proficient or distinguished marks in math, 37.9% in reading, 26.5% in science, and 57.2% in on-demand writing.


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Fiction publisher »Independent Wellington named New Zealand Publisher of the Year


Wellington’s Makaro Press won the Editor of the Year award this year.

News from NZ booksellers
Boksellers and publishers gathered online ahead of the Aotearoa Book Trade Industry Awards 2021, hosted by PANZ Te Rau o Tākupu and Booksellers Aotearoa New Zealand. One of the most sought-after awards is the Nielsen Book Editor of the Year Award. It is still an exceptional category with a high level of registrations and this year was no different.

Judges commented that the winning publisher brought to life an extraordinary work that has become a cultural phenomenon, brought an unknown Maori author to the stratospheric heights of Were once warriors and Mr. Pip.

“They now seem to have a mortgage on the MitoQ award for best first book of fiction as well! Becky manawatu AuÄ“ raised this year’s winner exponentially, and the judges felt it was the culmination of author support, editorial intelligence, cultural sensitivity, deep relationships with booksellers and the eye indefinable for the talent that made this award both well deserved, and the one we thought was probably inevitable.

“The winner is a publisher who has leveraged his expertise and risk appetite and has made outstanding contributions to New Zealand literature. The Nielsen Book Publisher of the Year 2021 is Mākaro Press.

Mākaro Press editors Mary McCallum and Paul Stewart were delighted with the victory. Mary especially thanked the New Zealand booksellers – “one of the great professions”. She said: “Every day I am amazed and moved by your commitment to New Zealand books, stories and publishers.”

New Zealand Publishers Association Director Catriona Ferguson said: “Despite the turmoil of the past eighteen months, it is encouraging to see the breadth and depth of publishing in Aotearoa. And it’s especially exciting to witness the growth of new publishers like Mākaro Press, which bring fresh and original voices to readers of Aotearoa and around the world. Congratulations to Mary and the team for their fantastic achievement that the work published by Mākaro Press in New Zealand fiction is worthy of mention.

Aotearoa New Zealand Booksellers Managing Director Dan Slevin said: “Aotearoa New Zealand Booksellers congratulate all the publishers who have participated, the level of local New Zealand publishing is phenomenal and the quality of the work produced from these publications. books a pleasure to sell for our members. . ‘

The Book Trade Industry Awards have recognized New Zealand’s best publishers, booksellers and industry stalwarts for over 20 years. They are a chance for the book business to celebrate the best and the brightest successes and innovations, and to recognize the excellent work being done in the book business in New Zealand.

The Book Industry Awards are organized by booksellers Aotearoa New Zealand and PANZ Te Rau o Tākupu (The New Zealand Publishers Association) and sponsored by Nielsen Book, which provides data and statistical information to the entire industry.

The other categories awarded were:

Emerging New Zealand Publisher of the Year – Rachel Eadie, Penguin Random House New Zealand

Emerging New Zealand Bookseller of the Year – Rafael Moreira, from McLeods Booksellers (Rotorua)

Bestseller Award (for the volume and value of the best-selling purchases between April 2020 and March 2021)Super good by Chelsea Winter

Marketing and advertising strategy of the year – Harper Collins NZ for Impossible: my story by Stan Walker, Campaign Director Rebecca Thorne

Aotearoa Booksellers’ Choice Award – Shared between AuÄ“ by Becky Manawatu (published by Mākaro Press) and Imagine decolonization by Rebecca Kiddle & Bianca Elkington & Moana Jackson & Ocean Mercier & Mike Ross & Jennie Smeaton & Amanda Thomas (published by BWB)

New Zealand Seller of the Year – Jessica Rice, Penguin Random House New Zealand

New Zealand Book Industry Innovation Award – Allen & Unwin

Nielsen Book NZ Bookstore of the Year РSchr̦dinger Bookstore (Petone)

Lifetime Achievement Award – Bridget Williams of BWB


Robbie egan
Robbie Egan is the CEO of the Australian Booksellers Association. Egan came to his current role after serving as Group Director of Operations at Readings, an independent book chain in Melbourne, and had a long career in book sales.

Anahera Morehu
Anahera is the Kaiārahi at the University of Auckland, Waipapa Taumata Rau (UoA) Faculty of Business and Economics. Previously she was the Kaiwhakahaere Toi Aronui me Māori me Moananui-a-Kiwa at Te Tumu Herenga, University of Auckland. She is currently the Tumuaki Tuakana (Past President) of Te Rau Herenga o Aotearoa (LIANZA). She is a member of the LIANZA Professional Registration Board and the Maori Subject Headings Governance Group. She also sits in Ngā Kaiwhakahau, director of Te Rōpū Whakahau. She is the coordinator of the Wright Foundation Te Kura Ponamu in the Te Reo Māori NZ Book Awards category.

Pierre Flask
Peter is the New Zealand Director of CA NZ, the professional body for chartered accountants. He is a board member of Read NZ Te Pou Muramura and a director of the Mātātuhi Foundation, created by the Auckland Writers Festival to support the development of New Zealand’s literary landscape. In his spare time, he is an avid reader and bookstore navigator.

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Writer market

Tampa, NE boils as Brady prepares to return


It’s been 633 days since Tom Brady played an NFL game in New England.

He left the field on Jan.4, 2020, after a playoff loss to the Tennessee Titans, a rare loser where he helped hoist six Super Bowl championship banners.

But the remnants of his 20-year career with the Patriots remain all over Foxborough.

Brady’s No.12 Patriots jerseys still dot the stands on game day at Gillette Stadium. The Boston market audience surpassed that of Tampa for the Bucs’ Super Bowl victory last season, and New England fans continue to congregate in bars to listen to Brady’s games in droves during the last season. of the first three weeks of this season.

With Brady’s new home in Tampa equally enraged about the player who won him a championship in the first year, it has created a tussle between the fanbases as he prepares to return to the place. where his career began.

“As a fan, I think this is one of the greatest moments in Boston’s sporting history,” said Jermaine Wiggins, a 2001 Patriots first-team champion tight end and celebrity figure. radio for Boston WEEI. “I still can’t get over it since he left here. I never thought I would see him come where he would wear another uniform. I don’t think anyone would have thought that five years ago.

“No matter how bad people might have said (Brady and Belichick’s) relationship was, I think we all felt like it would have worked out.”

That’s why so many New England fans have memories of Brady so close.

Last week, before the Patriots welcomed the Saints, 24-year-old East Greenwich, Rhode Island resident Jeremy Batista wore a Michigan No. 10 Brady jersey as he sped through the parking lot. outside of Gillette with friends.

“I can’t wait for him to come back,” said Batista. “I’ve been here long enough and watched it over the years and can’t wait. He’s still my guy.

Nearby, Brian O’Reilly wore a faded blue No.12 Patriots jersey, but still full of memories watching the player who brought so much success.

A Patriots fan since growing up in the 1970s, the 59-year-old Dorchester, Massachusetts resident is a season ticket holder for the first time this year after spending 20 years on the waitlist.

“We’ve had such terrible teams for so many years and the last 20 years he’s given us have been amazing. We couldn’t have asked for more from him, ”said O’Reilly. “If we could have him now, I would love to find him.”

O’Reilly’s tickets will come in handy this week for a game that secondary ticket market TickPick says is the Patriots’ most expensive ever and the NFL’s most expensive ticket of the year.

With an average purchase price of $ 1,236, it’s 79% more expensive than their next most expensive home game on record – $ 689 for the 2017 Patriots game with the Chiefs.

Brady will have former teammates on the pitch and on the sidelines. Jerod Mayo, who played with Brady on the title team in 2014, remains impressed with his longevity.

“His career alone is old enough to drink,” he said. “It’s crazy.”

For his part, Brady said this week that while he cherished his time in New England, his heart was now with the new Tampa fan base who welcomed him wholeheartedly.

In a city that celebrated the Bucs’ Super Bowl victory, back-to-back Stanley Cups by the Lightning and a World Series appearance last season by the Rays, he made “Champa Bay” a reality.

“I have had some of the greatest experiences of my life over the past 20 years,” Brady said. “Going back to a place that I know so well with so many friends will be a really exciting thing for everyone. “

Upon his return to New England, however, his heart will be with the team depicted on his new jersey.

“I had a great time, but really my goal was to try to be the best that I can be for this team and to try to be a winning quarterback, to be a championship level quarterback. , for this team and for this organization because they certainly deserve it.

Back in Boston, Wiggins expects people to talk about Brady’s return for generations, no matter the outcome.

“It’s something we’ve never seen before because you talk about the best coach and the best quarterback,” he said. “They were successful for 20 years and now they are competing. … It’s going to be amazing to see how the fans embrace this game. ”

Two cities collectively hold their breath.


AP Sports Writer Fred Goodall in Tampa, Florida contributed to this report.


More AP NFL: and


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Book creator

Rebel Girls Releases New Book With 100 Inspirational Black Women Stories


Rebel Girls celebrates #BlackGirlMagic with 100 inspiring stories of black women. The multiplatform brand has released a new book, Good night stories for rebellious girls: 100 real stories of black magic, which features real life stories of black women breaking down barriers around the world.

“Rebel Girls is proud to bring the hashtag Black Girl Magic to life through authentic storytelling from inspiring innovators, creators, leaders and champions,” Lilly Workneh, digital content manager at Rebel Girl and editor of the new book with the #BlackGirlMagic creator CaShawn Thompson, said in a press release. “100 real stories of black magic is designed to recognize, applaud and amplify the incredible stories of black women and girls from the past and present; and to celebrate Black Girl Magic around the world. Because if she can see it, she can.

Stories of legends are presented in the book

Among the 100 stories shared are testimonials from poet laureate Amanda Gorman and tennis professional Naomi Osaka. In addition, stories from late legends such as guitar pioneer and singer Rosetta Tharpe, as well as reporter and co-founder of the National Association for the Advancement of Colored People (NAACP), Ida B. Wells, are also included. presented.

100 real stories of black magic was illustrated by 60 black women and non-binary artists. Readers will also have access to cool bonus activities as well as a space to write and illustrate their own #BlackGirlMagic stories.

You can buy the book now

Good Night Stories For Rebel Girls: 100 Real Stories Of Black Girl Magic released on September 28 and is available for purchase on the Rebel Girls Site and local bookstores for $ 35.

There is also an audiobook version narrated by a cast of black women such as Tony Award-nominated actress Montego Glover; The Handmaid’s Tale actress Samira Wiley; television personality, Garcelle Beauvais, Lovie Simone and others. The audiobook is available for purchase on Audible, Kobo and the Rebel girls, dream application available in the Apple App Store.

The #BlackGirlMagic movement was started by a mom

Thompson, a mother of two, created the #BlackGirlMagic movement to encourage black women around the world to celebrate and celebrate themselves. “Black Girls Are Magic became very popular in 2013 after CaShawn started using the online phrase (which was later shortened to the hashtag #BlackGirlMagic) to uplift and praise achievement, beauty, and other amazing qualities. black women. ” Thompson’s website explains.

The movement turned out to be so popular and influential that February 15 was invented National Black Girls’ Magic Day in 2019.

Rebel Girls has been inspiring girls since 2016

Rebellious girls describes itself as a “multiplatform empowerment brand dedicated to helping raise the world’s most inspired and confident generation of girls through content, experiences, products and community. ” The media company notes on its site that it has sold more than 7 million books and 14 million podcast downloads.

Thompson said she was happy with the impact her hashtag had on black women around the world and was excited about partnering with Rebel Girls to grow it even more. “I’m so proud that Rebel Girls have used their platform to create a tangible representation of what the original Black Girl Magic hashtag means to me,” Thompson said in a press release, “and what it can inspire. for black girls around the world. “


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Reading and writing

Elayna Trucker, Your October in Books: So many books, so little time! | Entertainment


The modern world of improved conciseness and rapidly consumed content is replete with quotes from thinkers, leaders, artists and, perhaps most notably, writers. Memorable quotes are ubiquitous on social media feeds, often referenced by politicians, and are plastered on a variety of merchandise, painted signs and greeting cards.

In the following quiz, Stacker compiled a list of 50 famous quotes and the writers who made them up using data collected from Good reading, newspapers, magazines, book and poetry foundations, and author websites.

Many of these quotes are now part of a common language. Others may be more difficult to place. Some of the most popular quotes, which are splashed repeatedly on social media, are wrongly attributed to the wrong person; others are completely inaccurate.

It is impossible to overstate the power of writers to inspire us, comfort us, or heal us from our experiences of loss, confusion, or utter boredom. They provide us with vast bodies of work filled with shards of gold. Poets often work to have the most impact while taking up the least amount of space, but all writers are capable of squeezing out brilliant little jokes of genuine wisdom, truth, and nonsense. They just fall out of it.

If by any chance there aren’t enough useful quotes in your lexicon, there are plenty in the next quiz, ranging from topics as disparate as politics and the tragedies of human experience. This is a good thing too, since they are practical and don’t require a lot of effort. As author Dorothy L. Sayers puts it, “I always have a quote for everything, it avoids original thinking. “

You may also like: What American monuments looked like under construction


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Writer market

Bond liquidation is a warning to the Fed


The writer is president of Queens’ College Cambridge and advisor to Allianz and Gramercy

The combination of extremely low and relatively stable US government bond yields has baffled many market watchers for some time now, also challenging traditional economic analyzes.

This has made the rise in yields over the past two weeks particularly noticeable, raising interesting questions for markets, policies and therefore the global economy.

It is customary to characterize benchmark US government bond yields as the most important market indicator in the world. Traditionally, they have signaled expectations for growth and inflation in the world’s most powerful economy. They have served as the basis for pricing in many other markets around the world.

Breaking with a long history, these benchmark measures have been decoupled in recent years from economic developments and prospects. Their long-standing correlations with other financial assets, including stocks, have collapsed.

And their information content has become distorted and less valuable. Coming out of the 2008 global financial crisis, this was attributed to excess global savings which put continued downward pressure on yields.

Over time, however, it became clear that the main driver was the abundant and predictable purchase of government bonds by the world’s most powerful central banks as part of quantitative easing programs, particularly the Reserve. federal government and the European Central Bank.

The power of central banks to intervene in market prices should never be underestimated.

The trillions of dollars in bonds bought by the Fed and the ECB have distorted the usual two-sided markets and encouraged many to buy a whole range of assets far beyond what they normally would on a fundamentals basis.

After all, what could be more reassuring than a central bank with a fully functioning printing press, willing and able to buy assets at non-commercial levels. Such purchases legitimize past private sector investments and provide assurance that there will be buyers willing to buy assets for those who need to sell to reposition portfolios.

This is a device that encourages the private sector to “anticipate” central bank purchases at prices traditionally considered unattractive. No wonder even those who are convinced of a fundamental valuation error have been reluctant to switch to the other side of a bond market dominated by central banks.

While these factors remain in play, yields have slowly but steadily increased over the past two weeks, from 1.30% for the 10-year bond to 1.50%.

With global growth prospects dampening somewhat due to the Delta variant of Covid-19, the drivers have been a mixture of mounting inflationary pressures and mounting signs that central banks will struggle to sustain the era of ” Infinite QE ”- meaning infinitely ultra loose financial conditions. Signs in recent days have included statements from the Bank of England and higher rates in Norway, adding to moves in some developing countries.

The more interest rate volatility increases, the greater the risk of an upward gap in yields, given that we are starting from a combination of very low yields and extremely one-sided market positioning. The larger the gap, the greater the threat to market functioning and financial stability, and the greater the risk of stagflation – the combination of rising inflation and low economic growth.

Like a bullet submerged deep in water, a combination of market crash and political error could result in an increase in returns that would be difficult for many to manage.

Importantly, this does not mean that central banks, and the Fed in particular, should delay what should have already started – that is, embark on reducing what, oddly enough, is the same level of monthly asset purchases ($ 120 billion) than at the height of the Covid-19 emergency 18 months ago.

On the contrary, the longer the Fed waits, the more markets will question its understanding of ongoing inflationary pressures, and the greater the risk of disorderly market adjustments undermining a recovery that must be strong, inclusive and sustainable.

For their part, investors should recognize that the enormous beneficial impact on asset prices of a prolonged clampdown on central bank returns comes with a consequent possibility of collateral damage and unintended consequences. Indeed, they only have to see how difficult it has become to find the kind of reliable diversifiers that help underpin the old portfolio mix of return potential and risk mitigation.

Not covered – Markets, finance and strong opinion

Robert Armstrong dissects the most important market trends and explains how the best minds on Wall Street are reacting to them. Sign up here to receive the newsletter directly to your inbox every day of the week


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Fiction publisher

Emirates Airline Festival of Literature writing competition opens in new format


The Emirates Airline Festival of Literature writing competition for unpublished authors is now open for entries, in a new format that grants three winners a one-hour session with each of the award judges.

One of the region’s most anticipated writing competitions, the Emirates LitFest Writing Prize has produced 10 internationally renowned authors since 2013, with 26 books between them. For the first time, the competition jury will be made up of two agents and an editor, offering a wider range of expertise and insight to the winners.

While winning the competition does not guarantee a book deal, festival director Ahlam Bolooki said the fact that several of the winners have been published is a testament to the award’s career launch potential.

“This year’s new format is a result of the award’s success and the number of talent we’ve found in the region,” Bolooki said. “Having three judges, two agents and an editor, selecting the three winners means more opportunities for aspiring authors.

“There really is no better way for unpublished writers in the region to get their work noticed, so I encourage anyone who thinks about it to put their application in shape,” she adds. “I am so proud of everything this competition has achieved and look forward to holding the books published by the next winners in my hands.”

Entries will be judged by International Literary Agent Luigi Bonomi, Founder of Luigi Bonomi Associates and Literary Agent for many of the competition’s previous winners, as well as Literary Agent Sheila Crowley of Curtis Brown, and Kira Jean, Founder and Managing Director. from The Dreamwork Collective, an independent publishing house that shares the most unique voices and powerful stories of the Middle East.

First-time novelists residing in the United Arab Emirates, Bahrain, Kuwait, Oman, Qatar and Saudi Arabia can participate, provided they are 21 years of age or older and have never published a novel before. Entries can be on any topic, but must be fiction, in English, and include a 400-word summary of the book and the first 2000 words of the near-completed manuscript. Entries must be submitted before Sunday 12 December and accompanied by an entrance fee of 200 Dh.

Prize winners will benefit from a one-hour session with each of the three judges to discuss their manuscript and obtain personal feedback. A book offer is not guaranteed, but a number of past winners have won multiple book offers. Previous competition winners who have gone on to become published authors are Polly Phillips, Charlotte Butterfield, Annabel Kantaria, Rachel Hamilton, Lucy Strange, Tamsin Winter, Karen Osman, Jessica Jarlvi, Farzeen Ashik and Helga Jensen.

The winners will be announced at the festival in February 2022.

More information is available at

Update: September 29, 2021, 9:13 a.m.


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Reading and writing

YA / Children’s Book Author Says It All


Scott McCormick is a bestselling and acclaimed children’s book and YA author. Its diverse production includes graphic novels (the famous Mr. Pants series), fantastic books (The Dragon Squisher and its sequel to come) and several Audible Originals, including the Rivals a series of humorous audiobooks on history and a forthcoming novel titled Mutual detention).

Micah Solomon, Principal Contributor, Forbes: How do you spend a typical day? If there is is a typical day?

Scott McCormick: I write everyday. The times I write change, but basically when I’m not driving my kids or getting everyone ready for the day, I’m writing. And when I’m not writing, I am often thought on writing. It sure doesn’t make me the most exciting person to be around, but it gets the job done.

Solomon: How did you publish your first book?

McCormick: When my illustrator (RH Lazzell) and I finished our first Mr. Pants story, we printed a few copies independently and shared them. The reaction to Mr. Pants was surprising: “Oh my God, this is amazing. Can I have a copy for my niece? So we were pretty confident that we had found something great; I figured we’d find an agent and a publishing deal in no time.

Well, not so much.

Finding an agent is difficult. And the process of asking questions to find one is intimidating, time consuming, and comments usually aren’t very helpful. My luck changed when I attended the Society of Children’s Book Writers and Illustrators (SCBWI) conference in New York. There I attended a panel hosted by an agent I had never heard of before, but the moment he started talking I realized he would understand. Mr. Pants. I approached him after the end of his panel and we immediately hit it off. From there he helped us polish our IP and when he was convinced it was ready to go in prime time he made a call and sold it practically overnight. on the next day.

So my advice to all aspiring writers: join a writers’ organization and attend their regional or national conferences. It’s a great way to meet other writers and maybe your future agent.

Solomon: Like most of us, I guess you didn’t become a freelance wordpreneur (it’s mine; feel free to use it) all at once. Did you have a day job? Any idea on the transition? Something to watch out for?

McCormick: My first serious job was in public relations, which involved writing a lot of press releases. It wasn’t the kind of writing I aspired to, but it paid the bills. Then I worked for a manufacturing company where I worked my way up the ranks of newsletter writing to eventually become their senior writer. In that role, I wrote all of their catalogs, website, and ads, and basically everything else. This job was a great training because it forced me to find new ways to be creative on the most boring things you can imagine.

This job also gave me great training for writing on a deadline. As a result, I like to write on a deadline and actively hate not having one. I used to tell my coworkers to always give me a tight deadline and lie to me if the project didn’t. Never tell me there is no rush. It just means you will never get it. But if you tell me you need it on Tuesday, you’ll have it on Tuesday, no matter how long it is.

It was when I still had this work that I published Mr. Pants: It’s time to leave, and things finally started to happen for me in terms of reaching my creative goals. But of course, you don’t publish a single book and suddenly quit your daily job. You need to master the nuts and bolts of business like paying your bills, forecasting cash flow, and having a good mix of income sources. So, in order to become a full-time author, I started Storybook Editing, where I offered editing and ghostwriting services for freelance writers. It not only helped me pay my bills, but because I was finally immersed in publishing, I was able to hone my own craft.

As for the transition, I wouldn’t go full time until you had two good years of income, or unless you had a great support system. Editing is a strange business. It takes a long time to get a book from the contract stage to the shelves, which means it can take a year or two before you get paid fully for your work. So unless you have a loved one with a steady paycheck (my wife is a superhero), year-on-year fluctuations can be tough until you get over the bump.

Solomon: Do you believe in “flow”? Do you feel like you have moments when you write?

McCormick: I experience the state of flux, but not as often as I would like. It’s the biggest feeling in the world when the characters start talking about themselves. When I’m in this state, I don’t write as long as I take a dictation. As I mentioned before, deadlines, especially the panic about missing a deadline, will put me in this state without fail. If I don’t have a deadline, it can be difficult to get into this state.

Solomon: What are some of your creative triumphs?

My first Rivals book (Rivals! Enemies who changed the world) was the number one bestseller on Audible for about a month and continues to sell very well. The third volume of the Rivals series, Pirates! The villains who shook the world, is my favorite so far, although I’m very excited to hear the fourth book: spies ! Sneaks, Snoops and Saboteurs who shaped the world, coming out in spring 2022.

i am very proud of The Dragon Squisher, a humorous fantasy novel by YA, especially since I self-published it. The reception given to this was astonishing, even arousing the interest of Hollywood. (If you’re a fan of Douglas Adams and Terry Pratchett, The Dragon Squisher will be right in your driveway.)

And even though it came out almost ten years ago, I still get fan mail for my Mr. Pants series, which I co-created with super-talented illustrator RH Lazzell. The kids dressed up as our characters for Halloween and sent me their own Mr. Pants stories. I even hear parents say they found their children reading my books under their covers long after bedtime. This is the kind of fan mail you dream of receiving, so it warms my heart every time.

Solomon: What are you dying to try that you haven’t done yet?

McCormick: I’ve always wanted to sell a screenplay. I put that ambition on the back burner for a few years while pursuing children’s books, but again this year I completed a script that has generated a lot of interest. So let’s keep our fingers crossed.

Solomon: Do you have any tips for overcoming writer’s block?

McCormick: Most professional writers will tell you that they never suffer from writer’s block. Well, that’s fine for them, but as a person in pain I’ve come up with a few tips over the years that generally help me.

First: go for a walk. And make sure it’s the most boring walk in the world, where you can’t mind where you are going and where you won’t be distracted by other people or beautiful views. You have to get up, step away from the computer, get your blood flowing, and let your mind wander. Do not walk your dog. Don’t listen to podcasts or music unless you use it to disconnect from the world. (I like listening to Miles Davis fusion records because they are so energetic and there is an almost total lack of melody to distract me.) Get up and go. Sometimes it only takes a few dozen steps to fix the problem.

If you’re still stuck, try writing a random scene with your characters set in the most unlikely setting possible. Write a space opera? Have your characters go bowling. Write a romance? Play your characters with laser tag. Have your villain and hero go to the supermarket or play Twister. You’ll be amazed at how much this exercise can give you a ton of new ideas about this project, help you understand your characters better, or even give you an idea for a new book. Most importantly, this exercise will allow you to enjoy writing again, which is the most important.

Solomon: Any other advice for other writers?

As trite as it may be, my best advice is to just don’t give up and keep trying and testing new things. I’ve always known I wanted to be a writer, and over the years I’ve tried writing anything but a cookbook. I tried poetry, songs, journalism, comedy sketches. . . you name it. It never occurred to me to try children’s books until I had my own kids, and even after I tried it, it still took me a few years to find my voice. And even after I published my first books, I still had some ups and downs. But I kept going and kept learning and kept trying new approaches to writing, and today I’m a full time writer, and I wouldn’t trade it for the world.


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Writer market

Rising bond yields scare investors, deflate tech stocks


People wearing face masks walk past the electronic board of a bank displaying the Hong Kong stock index in Hong Kong on Tuesday, September 28, 2021. Asian stocks fell mainly on Tuesday as concerns over China rocked the bank. investor optimism after mixed results on Wall Street.  (AP Photo / Kin Cheung)

People wearing face masks walk past the electronic board of a bank displaying the Hong Kong stock index in Hong Kong on Tuesday, September 28, 2021. Asian stocks fell mainly on Tuesday as concerns over China rocked the bank. investor optimism after mixed results on Wall Street. (AP Photo / Kin Cheung)


Tech companies led a large decline in stocks on Wall Street on Tuesday, accentuating the market’s collapse in September.

The S&P 500 fell 2%, its worst drop since May. The tech-rich Nasdaq fell 2.8%, its biggest drop since March. Descenders outnumbered New York Stock Exchange advances 4 to 1.

The benchmark S&P 500 is down 3.8% since the start of the month and on pace with its first monthly loss since January. The September crisis was an exception to a mostly steady stream of gains so far this year, which has pushed the S&P 500 up 15.9% since the start of 2021.

The sell-off came as a rapid rise in Treasury yields is forcing investors to reassess whether prices have been too high for stocks, especially the more popular ones. The yield on the 10-year Treasury bill, a benchmark for many types of loans, including mortgages, jumped to 1.54%. This is its highest level since the end of June and up from 1.32% a week ago.

Bond yields started rising last week after the Federal Reserve sent the clearest signals yet that the central bank is moving closer to start pulling back the unprecedented support it has provided to the economy throughout throughout the pandemic. The Fed has indicated that it may start raising its benchmark interest rate over the next year and will likely start slashing the pace of its monthly bond purchases before the end of this year.

“This is all taking one of the weights that was keeping returns low and removing it,” said Sameer Samana, senior global markets strategist at Wells Fargo Investment Institute. “This clearly has a big impact on large caps, higher growth, multiple stocks.

Higher yields mean Treasuries pay more interest, causing investors to pay less high prices for stocks and other things that are riskier bets than super-safe US government bonds. . The recent rate hike has hit tech stocks particularly hard, as their prices appear to be more expensive than the rest of the market, relative to their earnings.

There have also been many tech stocks recently offered due to expectations of significant earnings growth in the distant future. When interest rates are low, an investor doesn’t lose much by paying high prices for the stock and waiting years for growth to occur. But when Treasuries pay more in the meantime, investors are less willing.

The S&P 500 lost 90.48 points to 4,352.63. The Dow Jones Industrial Average lost 569.38 points, or 1.6%, to 34,299.99. The blue chip index briefly lost 614 points.

Small business stocks also lost ground. The Russell 2000 Index lost 51.23 points, or 2.2%, to 2,229.78.

This week’s slump for the market is reminiscent of an episode earlier this year when expectations of rising inflation and a stronger economy pushed Treasury yields up sharply. The 10-year rate jumped to nearly 1.75% in March after starting the year around 0.90%. Tech stocks were also hit hard by this slowdown.

Chipmaker Nvidia fell 4.4%, Apple slipped 2.4%, and Microsoft fell 3.6%. The wider tech sector is also facing a global shortage of chips and parts due to the virus pandemic and this could worsen as an electricity crisis in parts of China closes factories.

Communication companies have also weighed on the market. Facebook and Google’s parent company Alphabet each fell 3.7%.

Energy was the only sector in the S&P 500 that was not in the red. Exxon Mobil rose 1% and Schlumberger gained 2.4% for the biggest gain among S&P 500 stocks.

Another lingering concern in the market originating in China is the possible collapse of one of China’s largest real estate developers. Evergrande Group is fighting to avoid default on billions of dollars in debt.

Asian markets were mixed while European markets fell.

Investors faced a turbulent market in September as they tried to assess the progress of the economic recovery and its impact on various industries.

COVID-19 remains a persistent threat and continues to wreak havoc on businesses and consumers. Economic data on consumer spending and the labor market are mixed. US consumer confidence fell for the third consecutive month in September, according to a Conference Board report.

Companies warn that supply chain issues and rising prices could hurt sales and profits. The Federal Reserve has maintained that the rise in inflation is temporary and linked to these supply chain issues as the economy recovers from the pandemic. Investors continue to fear that higher inflation may no longer be permanent, and rising bond yields reflect some of these concerns.

“At the end of the day, the supply chain thesis is really tested and the Fed, businesses and consumers have had to react to some of the realities on the ground,” said Eric Freedman, chief investment officer at US Bank Wealth Management. .


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Fiction publisher

New Ohio Review Writers Receive “Best American Poetry” Honors


New Ohio Review (NOR), the national literary journal of the University of Ohio creative writing program, added another accolade to his resume this week.

Four poems originally published in OR were included in the “”Best American Poetry», Published on September 28 by Simon & Schuster.

“We are delighted that so many of our contributors are represented in this large-scale anthology,” said Dr David Wanczyk, assistant professor of teaching at the English Department and editor of New Ohio Review. “This reinforces our humble argument that OR is one of the best literary journals in the known cosmos.

Selected by guest editor and former American poet Laureate Tracy K. Smith, the poems by New Ohio Review understand:

  • Nancy Miller Gomez’s “Tilt-A-Whirl” (issue 27)
  • “This is a love poem to the trees”, by Hannah Marshall (issue 27)
  • “When My Sorrow Was Born”, by Emily Lee Luan (issue 28)
  • “What is there to do in Akron, Ohio? »By Darius Simpson (issue 28)

The 2021 volume of “Best American Poetry” also includes works by alumni New Ohio Review contributors Billy Collins and Adrienne Su.

The “Best American Poetry” series has been “one of the mainstays of the poetry publishing world” (as described by the Academy of American Poets) since 1988, according to the publisher’s website. Each volume includes an assortment of poems intended to be the “premier collection of contemporary American poetry.”

New Ohio Review is a nationally recognized magazine and continues to build the reputation of OHIO’s Creative Writing Program and English Department.

“With an audience of nearly 5,000 subscribers – many of whom are creative writers – the newspaper continues to make an impact on the literary scene and highlight the OHIO program,” said Wanczyk. The journal’s staff includes graduate students as well as undergraduate interns who help with production and editorial work. The experience provides these students with the opportunity to work with other writers and help elevate New Ohio Reviewis one of the best literary journals in the country. “

“I am continually impressed with the work we receive at ORSaid Abbie Dykstra, doctoral student in fiction and one of the journal’s associate editors. “Not only is it an honor to collaborate with a team of editors who are dedicated to finding pieces that are both stylistically unique and moving, but it is also a privilege to have the opportunity to work with writers who write stories, essays and poems that reflect a diverse range of voices that so often speak to the larger narrative of what it means to be human. “

The latest issue of New Ohio Review features new and emerging fiction writers, essayists and poets. Additionally, issue # 29 features feature articles in which poets have written about their favorite children’s books. The number 29, together with other back numbers, can be purchased online.


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Book creator

How many ‘Foundation’ episodes will there be?


Sci-fi fans and those who enjoy adaptations of the book on TV will likely be interested in the latest offering on Apple TV Plus: Foundation. The drama series, based on a set of stories by Isaac Asimov, follows a group of exiles who come together as the “Foundation” to try to plan the impending downfall of the Galactic Empire.

The streaming series stars Jared Harris as Hari Seldon, a math professor who expands the study of psychohistory to make predictions about the future through probability.

Six feet Under ground Actor Lee Pace plays Brother Day (Cleon XII), who is a clone and the leader of the Galactic Empire. The drama also stars actors Lou Llobel (Gaal Dornick), Leah Harvey (Salvor Hardin), Terrence Mann (Brother Dusk / Cleon XI) and Alfred Enoch (Raych Seldon).

The first two episodes of Foundation released on September 24, and viewers may be wondering about the rest of the Season 1 release schedule. Plus, read on to find out about creator and showrunner David S. Goyer’s ambitious plan for the continuation of the season. ’emission.

Will “Foundation” return for season 2?

Apple TV Plus has yet to announce whether the sci-fi series will be renewed for a second season, but creator and showrunner David S. Goyer has big plans for the future of. Foundation.

David wants the series to last eight seasons, and he’s already articulated that goal at Apple.

The article continues under advertisement

“I don’t want to hurt myself, but Apple knew this was a big company and they wanted to make sure I was writing for something,” he shared with Decision maker. “They asked me the same question, they said, ‘In a perfect world, how many seasons do you have in mind?’ and I said, ‘Eight.’ They said, ‘Can you get us through the eight [seasons]? ‘ and for about two hours I took them through the eight [seasons], so I hope we get there. We’ll see.”

Although the series has already stood out from the books, there are still many sources that the authors of the series can refer to if Foundation keep on going.

You can broadcast Foundation with an Apple TV Plus subscription.


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Writer market

TuneGO Launches Custom Platform For Music Artists To Enter NFT Market


Creators are flocking to the NFT market, and musicians are clearly no exception. While they share some industry attributes and considerations with the larger art community on the blockchain, they also have unique challenges and considerations – managing rights and royalties and dividing projects between them.

This is the path that TuneGO, which already operates a technology platform that creates a digital footprint for metadata associated with individual songs and tracks, is heading towards its expansion into NFTs. The company is launching an NFT Marketplace that provides musicians with a unified platform to secure their content, protect their creative rights, create NFTs, distribute them on streaming platforms, and monetize them through social media, video games and movies.

TuneGONFT operates on the Flow blockchain in collaboration with Dapper Labs, the company behind NBA Top Shot whose partner studios include the NBA, NBPA, WNBA, WNBPA, Warner Music Group, Ubisoft, Genies and UFC. Investors include Andreessen Horowitz, Coatue and Union Square Ventures.

The inaugural drop of the new platform is an NFT from Method Man’s Tical World Comic Universe, which is part of a comic book series by the artist that will also include previously unreleased music. TuneGO is also partnering with Hidden Beach Recordings as part of a long-term NFT initiative. John Kohl, co-founder and CEO, said an announcement with a major label is coming up and several top artists have NFT content in the TuneGO pipeline.

“Our mission is to become the default market for the music industry,” says Kohl.

Speaking about NFT’s general opportunity for musicians, Lesley Silverman, who heads the digital assets division of United Talent Agency at United Talent Agency, said: “Since Napster, artists haven’t really been able to directly monetize what they create on the music side. Overall, this technology has the ability to allow creators to engage with their fans in more meaningful ways. “

The still nascent conversation around NFTs requires genuine interest in blockchain and crypto spaces by artists and their fan communities, notes Silverman. “There are many tools. Anyone who can help you speak this language will be a very important co-pilot right now, ”she notes.

“Blockchain is reshaping the way people use and interact with our digital world,” says Mickey Maher, head of flow partnerships at Dapper Labs. “Our partnership with TuneGO enables the creative community to leverage blockchain to transform the way they and their audiences create and consume content, while protecting what they own and market.

Already entrenched in the recorded music and distribution marketplace, TuneGO’s NFT foray promises musicians a direct line to connect directly with fans and monetize their art both within and outside the music industry. traditional.

“We can work with labels, but our door is open to the independent community,” says Kohl, who says when TuneGo launched in 2013, independent music accounted for 35% of all industry revenue. “Today it’s around 42%, and I see it increasing every year. I like the fact that artists are more and more educated with more tools to distribute their own music, the possibility of becoming popular on social networks. They don’t always have to give up all their rights anymore, and if a label wants to come later, they have a little more control.

From a label perspective, Kohl says his current conversations tend to focus on, “We don’t have the expertise, the bandwidth, or the technology to do it. We need to partner with someone who does, and we need help with the execution and the creative side. “

Perhaps most importantly for artists, the TuneGO platform is home to the tools the music community explicitly needs to ensure that every stakeholder, from writer and artist, to session musician and artist. engineer, be paid for his work.

The heart of its NFT platform is the TuneGOVault, which thousands of musicians already use for sound recordings. Among its key attributes is complete transparency regarding the divisions of creators. The platform tracks NFT sales revenue allocations, as well as recording and publishing allocations of music associated with NFTs, and requires all copyright owners, songwriters and publishers to review and approve the creation rights before the strike of the NFT. This is a big selling point of the platform, given that today the average song has more than six stakeholders, sometimes as many as 10 or more.

“The foundation of musical rights is still archaic,” says Kohl. “Every year, billions of dollars in music royalties are still collected by collecting societies and not redistributed to the creative world. Sound Exchange is literally based on $ 500 million a year. They collected the money and they say they don’t even know where to send it.


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Fiction publisher

De Waal’s ‘extraordinary’ memoir goes to Tinder Press


Tinder Press picked up Kit de Waal’s memoir of his childhood in Birmingham in the 60s and 70s, Without warning and only sometimes, which she described as “the story I always wanted to tell”.

Publisher Mary-Anne Harrington acquired the British and Commonwealth rights to Jo Unwin from JULA. Without warning and only sometimes will be released on August 18, 2022.

The memoirs trace the unpredictable childhood of Waal, growing up mixed race in Moseley, Birmingham.

Harrington said: “I have despaired of working with Kit for years and knew she had the most wonderful story to tell, so it is both a huge pleasure and an honor to work with her on Without warning and only sometimes. Kit immerses us in the mind and heart of a girl raised to believe the world was going to end in 1975, who was never allowed to celebrate Christmas and whose father spent every penny he had to build a house in St Kitts that his wife and children were never to see.

She added: “It’s a story about feeling your face is wrong and being struck off at school, but what is really obvious is Kit’s extraordinary sparkle and the power of maintaining his bond with his siblings and their overwhelming sense of fun. It is no coincidence that it is also the story of a child who grew up in a house where the only reading material was the Bible and the Watchtower eventually discovered the books that have shaped his life ever since. It’s writing that goes off the page and I know it’s going to take Kit to a new and even wider readership: I couldn’t feel more passionate about it.

De Waal commented: “I am delighted to be working with Mary-Anne Harrington on this most difficult thing – the story of her life that you hope has the beat of a thriller, the laughter of a comedy and the wisdom of a thriller. ‘a good try. I’m so excited to finally have it all on paper. Without warning and only sometimes is the story I always wanted to tell.

Unwin added, “When Mary-Anne approached Kit to write a memoir, my heart leapt. It was something I would love to read, and I knew that if Kit wanted to write it, we would be more than safe in his hands. Without warning and only sometimes don’t disappoint – the story of these fiery little siblings will devastate and cheer you up at the same time.

De Waal’s beginnings, My name is Leon (Viking), was shortlisted for the Costa First Book Award, won the Kerry Group Irish Novel of the Year and is in the process of being adapted into film for BBC1. The trick of time was shortlisted for the Women’s Prize for Fiction and she has also written a short story collection, Support actors (both published by Penguin). She is also editor-in-chief of Anthology of common people (unrelated) and co-founder of the Big Book Weekend festival.


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Book creator

Wales has its own comic book hero – Mandy the Monster Hunter!


The WALES comic book hero will face the terrors of the deep in his upcoming adventure anthology.

Mandy the Monster Hunter, of small newspaper publisher Hellbound Media, is one of the most well-known independent comic characters in the British comic book scene with books such as The Face in the Curtain, Book of Monsters and Battle of Monster Rock.

She has also starred in the charity anthology Little Heroes and the annual 2021 Comic Scene, showcasing top UK comic book talent.

A The Kickstarter campaign launched this week for its new anthology: Book of Sea Monsters.

Mandy the Monster Hunter. Images: Hellbound Media / Kickstarter

In it, places in North Wales such as Llandudno and Anglesey provide the backdrop for a series of adventures written by the founders of Hellbound Media, Matt Warner and Mark Adams.

Matt, from Flintshire, said: “Mandy’s adventures have taken her all over the world and beyond so it was nice to be able to take her home to North Wales for some of these stories. ”

Mandy the Monster Hunter.  Images: Hellbound Media / Kickstarter

Mandy the Monster Hunter. Images: Hellbound Media / Kickstarter

A regular at Wales Comic Con in Wrexham (now Telford) and conventions in Cardiff and Newport, Mandy has a strong following in Wales as well as the rest of the UK.

Writer Mandy Mark Adams (third from right) and artist Lyndon White (second from right) talk about short comic books at MCM.

Writer Mandy Mark Adams (third from right) and artist Lyndon White (second from right) talk about short comic books at MCM.

Many Welsh creators lend their talents to the book, including artist Nefyn Arfon Jones, Lyndon White, a graduate of Glyndwr University in Wrexham, and NPC Tea indie comic creator Sarah Millman, based in Cardiff.

Mandy the Monster Hunter.  Images: Hellbound Media / Kickstarter

Mandy the Monster Hunter. Images: Hellbound Media / Kickstarter

The book features a cover of Judge Dredd and Hellblazer artist Gary Erskine.

Although written for adults, Matt and Mark say, Mandy’s adventures are what they call the horror of “all ages,” and are poplar with kids who can handle Doctor Who fears.

The new book is described as: “What is lurking in the deepest, darkest waters of our world?

Matt Warner and Mark Adams of Hellbound Media.

Matt Warner and Mark Adams of Hellbound Media.

He adds, “This latest anthology of short stories from Hellbound Media sees Mandy the Monster Hunter facing all kinds of nautical villains, as she protects the children of the world from the creatures that lurk beneath the waves.

An urban legend of the playground, Mandy can be called upon to help by drawing a picture of the monsters that stalk unwary children. Clad in armor forged from monstrous remains, sporting two razor-sharp swords and possessing knowledge things that live in darkness, Mandy is ready to face whatever darkness can throw at her.

Artists Arfon Jones and Lyndon White.

Artists Arfon Jones and Lyndon White.

“In Book of Sea Monsters, Mandy is set to look back on recent history, remembering many aquatic monsters she encountered as she ran to uncover the secret of a beast that lurks in the depths of the oceans. A series of independent stories, linked by a free-standing narrative arc, Book of Sea Monsters is an excellent introduction to the fantastic and dark world of Mandy the Monster Hunter. ”

Mandy the Monster Hunter.  Images: Hellbound Media / Kickstarter

Mandy the Monster Hunter. Images: Hellbound Media / Kickstarter

Learn more about the crowdfunding campaign for Mandy’s Book of Sea Monsters at


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Reading and writing

Veteran finds cathartic journey through writing


If you’ve never heard of someone making popcorn with C-4 plastic explosive, you haven’t read the right magazine. This is one of the many stories that Vietnam War veteran Pete Steciow has shared within his writing group and for the pages of Veterans’ Voices.

“The only thing you didn’t want to do was step on it,” he explained. “If you walked on it, you would get a lot more than popcorn. “

Joining the writing group was an accident. One day, while working as a volunteer at the Cincinnati VA Medical Center, a veteran colleague asked for directions to a room where the writing group was meeting. Pete decided to accompany the gentleman to the location and once there he discovered a program he didn’t even know existed.

“You learn things from other veterans. There is socialization about how to deal with your emotions, ”Steciow said. “So many veterans are going through the same things, so it’s very cathartic to hear someone else write and say to you, ‘Well this is me’, and how they feel and how they are there. face. “

The program was started by Ronald Nash, a Vietnam War veteran who wanted not only to help veterans write better, but also to heal by telling their stories.

“The VA is undergoing a cultural transformation. And before it was a “find it, fix it” type scenario, and today the whole health trail, the whole health, has 10 different categories (including ) the creative arts including writing, drums, music and a number of things are in the creative arts, ”Steciow said.

He says he was able to revisit his own journey through the way his words, written, bring him back to where he was within enemy range on the Ho Chi Minh Trail in Vietnam.

“The focus was on the barbed wire fences and any enemy movement outside the berm,” Steciow wrote in one of his stories. “Our location was so close to the Ho Chi Minh Trail, an encounter with the enemy was a real possibility.”

He also wrote about the feeling of guilt when given the opportunity for a short visit to rest and relax away from the war.

“Letting my brothers continue to search and destroy while I was in search of a new experience seemed unfair, but I had deserved this leave, having earned my share of many scratches with the enemy,” he said. -he writes.

From R&R to cookies and Jiffy Pop popcorn in his home care packaging, his writing takes him back in time.

“I imagined my mom and sister carefully baking and wrapping the oatmeal, raisin, and peanut butter cookies, along with the Jiffy Pop popcorn, hard candy, and family photos and letters so much. regretted. It’s these stories that help you think there were positive times, and it takes you away from unpleasant memories, ”Steciow said.

The group emphasizes that you don’t have to be a writer to take that first step, but Pete Steciow believes writing can be very powerful in shaping the future.

“If enough is written and if enough people read it, the young people who will grow up will be our future leaders, and I hope they create change and a better world, and I hope we don’t have any.” need. wars.

The drafting group has met virtually due to the ongoing pandemic. You can contact us by going to the main group website:

If you have a veteran story to tell in your community, send an email to [email protected] You can also join the Homefront Facebook group, follow Craig McKee on Facebook and find more Homefront stories here.


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Writer market

Stocks end mixed as big tech losses weigh in on the market


People wearing face masks walk past a bank's electronic board displaying the Hong Kong Stock Index on the Hong Kong Stock Exchange in Hong Kong on Monday, September 27, 2021. Asia's share rose on Monday, but skepticism about The region's economic outlook has tempered the recovery amid worries about new waves of COVID-19 outbreaks.  (AP Photo / Vincent Yu)

People wearing face masks walk past a bank’s electronic board displaying the Hong Kong Stock Index on the Hong Kong Stock Exchange in Hong Kong on Monday, September 27, 2021. Asia’s share rose on Monday, but skepticism over The region’s economic outlook has tempered the recovery amid worries about new waves of COVID-19 outbreaks. (AP Photo / Vincent Yu)


Major Wall Street stock indexes ended mixed on Monday, with losses at tech and healthcare companies outpacing gains elsewhere in the market.

The S&P 500 fell 0.3% after spending much of the day essentially flat. The pullout ended a three-day winning streak for the benchmark, which last week recorded its first weekly gain in three weeks.

The high-tech Nasdaq composite fell 0.5%, while the Dow Jones Industrial Average managed a gain of 0.2%. Smaller company stocks outperformed the market as a whole, pushing the Russell 2000 index up 1.5%.

Bond yields have generally increased. The 10-year Treasury yield rose to 1.49% from 1.46% on Friday night. It was at 1.31% a week ago, as market nervousness prompted investors to move money into bonds, reducing their yield but increasing since Tuesday.

Banks made solid gains on the rise in the 10-year Treasury yield. The yield influences the interest rates on mortgages and other consumer loans, so when it rises, it allows lenders to charge higher rates. Bank of America gained 2.7%.

“The story now is higher bond yields and what areas of the (stock) market are benefiting,” said Willie Delwiche, investment strategist at All Star Charts.

The S&P 500 lost 12.37 points to 4,443.11, the Nasdaq lost 77.73 points to 14,969.97 and the Dow gained 71.37 points to 34,869.37. The Russell 2000 gained 32.93 points to 2,281, a sign that investors are still confident about future economic growth.

Markets have had a turbulent month so far and the S&P 500 is set to lose 1.8% in September, which would mark the first monthly loss since January. Investors have tried to gauge how much room for growth the economy has amid waves of COVID-19 that are dragging down consumer spending and job growth, while inflation remains a concern.

The economic recovery started strong in 2021, but analysts and economists have tempered their forecasts for the rest of the year. In a survey released on Monday, the National Association for Business Economics found that its panel now expects full-year economic growth of 5.6%, down from a forecast for 6.7% growth in the NABE’s previous survey in May. However, economists raised their economic growth forecast for 2022 to 3.5% from a previous forecast of 2.8%.

Consumer spending has been the main driver of the economic recovery and it has been partly held back by the increase in COVID-19 cases due to the highly contagious delta variant. Investors will get a glimpse of how this could continue to play out on Tuesday when the Conference Board releases its Consumer Confidence Index for September.

Wall Street has faced an otherwise quiet period for corporate reporting as companies prepare to release their latest quarterly results in the coming weeks. The next round of corporate statements could give investors a better idea of ​​the real impact of the supply chain and labor disruption on sales and profits.

Microsoft fell 1.7% and Apple fell 1.1% as technology stocks helped push the S&P 500 down. The technology sector, which is disproportionately heavy in the index, fell 1% overall.

Healthcare stocks also weighed on the market. Moderna lost 5% and Abbot Laboratories lost 3.1%.

The benchmark US crude oil price rose 2% and supported gains in energy stocks. Exxon Mobil rose 3%.

Bank stocks reacted to the surge in bond yields. The KBW Bank index rose more than 9% in four days.

The exception on Monday was Wells Fargo, which fell 0.8%. The bank has solved its latest legal headache by agreeing to pay $ 37 million for allegations of overbilling customers using its foreign exchange services.

The bank has been embroiled in numerous scandals over the past few years and still operates under an order from the Federal Reserve that prevents Wells from expanding. Senator Elizabeth Warren of Massachusetts published a letter this month calling for the dissolution of Wells Fargo, citing the bank’s inability to resolve its problems.

European markets edged up while Asian markets were mixed.


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Fiction publisher

Galaxy of Madness takes readers on an “existential retrofuturistic adventure”


Magdalene Visaggio of Vagrant Queen’s returns in space adventures, this time with Michael Avon Oeming and Taki Soma of Powers. Together, they launched Galaxy of Madness, a “brilliant, fun and existential retrofuturistic adventure” following a second-generation space archaeologist who grew up in a universe who thought her parents’ theories were wrong – but she goes. prove them right, and justify his family.

(Image credit: Michael Avon Oeming / Taki Soma)

“Galaxy of Madness tells the story of Vigil Virgo, a 41st century space archaeologist,” Oeming told Newsarama. “In this story, she follows in the footsteps of her parents long lost in the forgotten and breathtaking history of the universe in a Kirby-esque world of Silver Age sci-fi – a trail that will put her on a collision course with her adoptive father, Ulysses Rex! “

Galaxy of Madness is expected to be a 12-issue series, and the first five issues are already drawn – with plans to serialize it monthly on Patreon ahead of a possible print edition. In addition to the comic book issues themselves, the Boss will include scripts, concept art, and “artifacts” from the world of Galaxy of Madness.

Check out this preview of Galaxy of Madness # 1:

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Galaxy of madness

(Image credit: Michael Avon Oeming / Taki Soma)

Galaxy of Madness preview # 1

Image 2 of 4

Galaxy of madness

(Image credit: Michael Avon Oeming / Taki Soma)
Image 3 of 4

Galaxy of madness

(Image credit: Michael Avon Oeming / Taki Soma)
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Galaxy of madness

(Image credit: Michael Avon Oeming / Taki Soma)

“Mags and I have been discussing creatively for some time, and during the pandemic we decided to create something as independent as possible,” Oeming said. “We figured we could have a smooth roll-out and build audiences over time rather than trying to get them all at once like a comic in print. One of the many benefits of going digital is on board.”

Galaxy of Madness # 1 (of 12) is available now on Patreon.

Do you know another comic book fan? Check out our recommendations comic book fan gift guide.


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Book creator



Lugosi: The Rise and Fall of Dracula from Hollywood, cover

Bela Lugosi stands for Dracula. It is synonymous with the character, the myth and the film. It is often a condition associated with becoming an icon or being an icon. In Lugosi’s case, however, the actor’s embodiment of the Gothic creature is so absolute that one could metaphorically assert that it was Dracula who portrayed Lugosi.

In any case, what is certain is that one cannot exist without the other after the universal horror classic. Dracula (1931) theatrically released. It is a particularly strange phenomenon that the creator of the graphic novel Koren shadmi captures in exquisite detail in his new book Lugosi: The Rise and Fall of Hollywood’s Dracula.

published by HumanoidsDrawn life legal notice, Shadmi’s Lugosi is a biography of one of the most titanic and tragic Hollywood figures in the history of the industry. It follows Lugosi’s career on stage, his involvement in a failed Hungarian Communist revolution that took place in 1919, his rise to international recognition thanks to the film. Dracula, and how addiction and loneliness ultimately led to her demise.

The book is phenomenally documented and structured. He embraces the theatrical character of Lugosi and leans on it to present his story as a kind of long-lasting play. This plays out even more once the story hits the exit of Dracula in 1931, which imprints on Lugosi this new capacity to remain perpetually in the role of the vampire, in varying degrees of intensity.

Much like Shaadmi’s previous biography, The Twilight Man: Rod Serling and the birth of television (also published by Humanoids), Lugosi is a comprehensive look at a larger-than-life public figure and the times he lived in, which both helped shape man and then destroy him.


Rhythm corresponded with Shaadmi on his new book, Lugosi’s Theatricality Dracula inside and outside of the movie, and her favorite Lugosi movie. It follows below.

Ricardo Serrano: Bela Lugosi is not the first public figure you studied. You have a book on The twilight zoneRod Serling called The Twilight Man which also touches on the birth of television. Lugosi and Serling are two very distinct personalities and it is obvious that you treat them as such because each book definitely carries its own identity. What attracted you about Bela Lugosi’s story after working on Serling’s?

Koren Shadi: Lugosi was on my list of possible book topics for a while, I think about 5-6 years ago I was traveling upstate with my wife and we were listening to a podcast from story there were two episodes on Lugosi, I think she fell asleep, but I was totally mesmerized by her roller coaster of a lifetime. He can easily compete with Count Dracula himself for a dramatic life story. I tried to bring out his unique personality; he was a very romantic, very emotional person but also had many demons that he struggled with. If Rod Serling felt alienated from the world by his war experiences, Lugosi was alienated from the fact that he was a Hungarian immigrant with a heavy accent. They were very different people but there are a lot of similarities, both were adopted by Hollywood and then ultimately rejected.

Serrano: There is a very theatrical quality to Lugosi’s presence throughout the book, especially after he played Dracula on screen and how that influences how he presents himself everywhere. Was it intentional or was that just what his personality really was?

Shadi: It was intentional; he came from a theatrical background, and I didn’t have enough room to show him so much in the book, but he kept coming back throughout his career on stage. There is actually a scene where Tod Browning told Lugosi to tone down his exaggerated physical gestures he had been so used to from the theater. It’s a different language from cinema. The theatrical manners were also apparent in Lugosi’s personal life, it is almost as if he wanted his biography to read like a play.


Serrano: The amount of research that goes into a book like this has to be enormous, not only in terms of the character’s personal history, but also in terms of the time in which he lived. How did you choose the material that would end up in the book and was there anything that didn’t make the cut you would have liked to make?

Shadi: Most of what you do when writing a non-fiction comic book biography, I find, is chopping up information and altering the life story. With Lugosi, as was the case with Serling, a lot of things had to be edited, otherwise I would have had a 500 page graphic novel, and I can’t have it. I chose the things that seemed to me the most crucial, and the most revealing of his character. I think more than anything that I wanted the reader to feel connected to Lugosi – even though he was a little terrible at times, he was human, and I hope you can see the reasons for his flaws and eventual downfall.

Serrano: For a long time, Tim Burton Ed Bois (1994) was one of the few options available to an inquisitive audience seeking to learn more about Lugosi in an accessible way. Has the film influenced or helped you in a big way and do you think it did Lugosi’s story justice?

Shadi: I deliberately did not watch Ed Bois until I’m done writing! I had watched it as a teenager and absolutely loved it, but when I was writing the book I almost forgot about the plot of the movie. I have done a lot of independent research. Fortunately, when I watched it, I saw that there was only one or two parallel scenes from the Ed Wood / Lugosi period. There are a lot of things the movie left out and changed as well. For example, they completely excluded his wife from the picture. I understand this is made for drama, but in my script I tried to stay more true to the story of his life. I hope readers can now see the full extent of Lugosi’s incredible life through my book, and not just his sad final days. Also, what happened to Tim Burton, he really lost his mojo, didn’t he?


Serrano: I think Burton started to rely too much on CGI for his own good. You know, a string of bad movies could force him to take the same path as Lugosi as his career crumbles (although I don’t think it will end as tragically as it did for Lugosi). What is true for both is that there are undeniable classics in their filmographies. With that in mind, what’s your favorite Bela Lugosi movie?

Shadi: My favorite Lugosi movie is The black Cat (1934). This is the ultimate Lugosi /Boris Karloff strong test. It’s very beautiful visually with these amazing art deco outfits and outfits. Lugosi definitely wins this one, he gives his habit on the best performances compared to Karloff. Highly recommended.

Koren shadmi Lugosi: The Rise and Fall of Hollywood’s Dracula will be released on September 28, 2021.


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Reading and writing

UW educators express support for critical race theory as new bill seeks to ban it | Latest news


Zumbrunnen then shifted the conversation to academic freedom, saying the UW system “encourages instructors, like me, to create an atmosphere in and out of the classroom in which students can express themselves and participate.”

“We work hard at UW-Madison to defend the concept of free speech and take seriously any allegation of bias or mistreatment for expressing an opinion,” he said. “Talking about race and racism, assessing individual prejudices and systematic prejudices, or oppression, is hard work, and it is necessary work in our world. ”

Despite the challenges, Zumbrunnen said UW-Madison is able to put in the effort and continue the “fearless sifting and winnowing of ideas until we get to the truth.”

Ahead of the meeting, Senator Lena Taylor and Representative LaKeshia Myers, both Democrats from Milwaukee, issued a joint statement, saying they did not like “the addition of speakers like Chris Rufo, who has publicly deducted his desire to turn discussions of systemic racism into a salient political issue with a clear villain. ”

“Translation,” Taylor said in the press release, “Black people who want an honest conversation and an assessment of the impacts of slavery and their allies are the bad guys.”

She encouraged the committee to prioritize the truth, rather than listening to the naysayers who she says dirty matters of race, diversity, inclusion and equity.


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Writer market

6 Ways to Improve Your Brand’s Social Media Performance


Social media marketing is still one of the most important and best marketing methods in business today.

By getting more likes and engagement on your social media pages, it can improve your popularity and increase your business performance and brand awareness.

But increasing likes and engagement on social media pages isn’t easy – you need the right strategies!

Here are six ways to improve the performance of your pages and get more likes from customers, fans and subscribers on social media.

1.) Create a social media strategy

Running a successful social media campaign takes planning. Things will not happen automatically. You have to achieve them.

So, if you are working with an agency, they should develop a social media strategy for your business that involves a timeline and criteria for success.

Here are some steps you can take to create a social media strategy on your own:

  1. Determine the objectives – By identifying what you want to achieve through social media, you can come up with targeted strategies to achieve those goals.
  2. Think about your resources – Spend what you have. Don’t work beyond your means.
  3. Analyze your competition – It will help you identify gaps and ways to distinguish yourself from the competition
  4. Identify main topics and social media sites – Do your research and know what type of content your audience likes and which platforms they spend the most time on.
  5. Create a content calendar – Based on your goals and how much content you have, decide how often to post on social media and on what days.

Imagine gaining 1000 subscribers but they don’t share your posts or buy your products; It’s no use. Know your audience, then engage with them consistently. It means posting regularly.

2.) Choose the right channels

Before starting a social media marketing campaign, determine which channels are best suited for your business. Once you’ve decided which platforms you’ll use, they’ll become an integral part of your campaign.

While there are literally thousands of social media platforms out there, you only need a few. Think about what interests your target market and focus on the platforms they are likely to use.

For example, if you sell candles, Pinterest might be your channel of choice. But if you’re a hairstylist, maybe Facebook is a better fit for your brand. If you sell shoes online, Instagram is definitely on the line.

Along with that, figure out how much time you can invest in each channel, each week, or each month. It helps if you have a schedule and share it with your entire team so that it’s up to date every step of the way.

3.) Engage your target audience

When building social media pages, it is extremely important to identify your target audience before you start posting content and engaging with them.

This will help you determine what type of content will resonate with your subscribers and help you understand how to reach an even larger audience.

Then you can engage with them by posting and replying to their posts and comments on a regular, prompt, consistent, and professional basis.

Use various social media tools to save time and improve engagement with your audience, including Hootsuite and Buffer for scheduling posts and for shortening and tracking links.

4.) Analyze your results on social networks

Popular platforms for business include Facebook, Twitter, Instagram, LinkedIn, and YouTube. If you’re new to social media marketing, it’s best to focus on one or two first.

Also, be sure to use analytics to see the results of your social media posts, engagements, and activities. All the major social media networks have built-in analytics tools that you can use that provide valuable data.

Besides the built-in analytics tools, you can also use third-party analytics tools to track your previous posts, interactions with followers, past social media campaigns, and more, which will inform your next and future posts.

5.) Integrate the Facebook pixel

If you are looking for a way to increase your visibility on Facebook, set up the Facebook pixel on your site. This is a piece of code that allows you to measure, optimize, and build audiences for your ad campaigns.

The Facebook pixel allows you to create custom audiences based on different events like when someone visits your page or interacts with your posts, etc.

The idea is that they will see what other articles might be of interest to them as well. Pixel allows you to reach out to people who have interacted with you and let them know about new content you post.

Overall, Facebook pixel integration, along with paid social media ads and promotions, can help increase your traffic and propel engagement over time.

6.) Leverage user-generated content

A 2016 Consumer Confidence report showed that nearly 47% of millennials prefer user-generated product images before they shop. Currently, User Generated Content (UGC) is one of the most powerful tools for promoting the brand’s products and services.

When people shop online, they look for online validation from others to confirm their choices. These are more effective than any marketing gimmick or brand name advertisements and claims.

Take advantage of UGC by encouraging your fans, followers, and target audience to leave comments, give honest reviews directly to other customers, and even upload great content to your social networks.

In conclusion

With businesses relying heavily on the Internet, social media marketing is essential to reaching audiences online. When you start your social media campaign, use the tips above and see the difference for yourself. Social media marketing can dramatically increase conversions and ROI.


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Fiction publisher

Former President Jimmy Carter Turns Into Comic Book Hero – WSB-TV Channel 2


PLAINS, Georgia – Though he won’t get any superpowers, former President Jimmy Carter is the star of a new comic set to be released days before his 97th birthday.

The Georgia native is the latest addition to TidalWave Comics’ “Presidential Power” series.

“Political Power: Jimmy Carter” will be released in virtual galleries on Wednesday in a hardcover and paperback version.

[DOWNLOAD: Free WSB-TV News app for alerts as news breaks]

The publishing house says Carter is a welcome addition to the series as he is the hardest working former President of the United States.

“Few Presidents enjoy a positive press after their term ends, but Jimmy Carter’s post-presidential life has been a life of unwavering service and dedication to the country he loves. His charitable contributions prove that he is a true servant-leader in every sense of the word, ”said writer Michael Frizell.

The comic explores Carter’s life, love, and leadership, including his 75th birthday with his wife, Rosalynn, his time in the office, his charity work, and more.

“Non-fiction stories are sometimes more entertaining than stories involving capes and tights,” editor Darren G. Davis said. “In this case, the news goes way beyond traditional comics.”

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Other former presidents included in the “Presidential Power” series include Joe Biden, Donald Trump, Barack Obama, George W. Bush, Bill Clinton, Ronald Reagan and Richard Nixon.


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Reading and writing

Parallel play isn’t just for kids


“Want to read quietly next to each other in Riverside Park?” I texted a friend on a Sunday afternoon in July. I was exhausted from being out too late the night before and filled with the terror that hangs on those last weekend hours – but I didn’t want to be alone. “See you there at 1 o’clock?” She replied and I packed my backpack, excited to spend another afternoon both alone and with a friend.

The term parallel play Usually refers to young children playing independently with each other, but it can also be a valuable way to think about adult relationships. Mildred Parten, a sociologist, first identified the concept in her 1929 thesis as one of six categories of group play in early childhood. While not a separate phase of development, engaging in side play is an important part of how toddlers learn to interact with others, share, and become beings. social. Think of kids quietly building their own separate towers with blocks or running around the playground without really interacting. While they do not engage with each other, these children also do not play entirely on their own.

For adults, what makes parallel play different from two people ignoring each other in the same room is a solid foundation for their relationship, explained Dr Amir Levine, psychiatrist and co-author of “Attached : The New Science of Adult Attachment and How It can help you find – and keep – love. “Side play is one of the hallmarks of secure relationships, but it has to be done right,” Dr. Levine said. “It’s all about availability. If you know the other person is available, and if you need them, they will take care of you, then you feel safe.

When you don’t have secure relationship, trying to act independently of your friend or partner while sharing the same space can backfire. I often remember a Reddit Publish which went viral last year about a 33-year-old man who destroyed the blanket his 21-year-old girlfriend spent six months knitting because he felt ignored. Dr Levine said: “The same behavior can be observed from two different places: if the person feels safe, they will not be doing the knitting, et cetera. It will be magical to be able to do things in parallel under the same roof. But, if the person is not feeling taken care of, then these things make them feel lonely. Theoretically, in a more secure relationship, he could have devoted himself to his own salon hobby and spent some quality time with her.

Indeed, the existence of a parallel game in a partnership can be an indicator of a healthy partnership. Sean Westaway, IT director in Raleigh, North Carolina, said he and his wife would often play video games apart, read or do crossword puzzles instead of suggesting activities to do together. For Mr. Westaway, thinking about the time they spend independently “playing” makes him calm. No one is trying to control or get stressed out when trying to come to an agreement on something to do. After spending so much time under one roof during the pandemic, he now sees side play as a vital part of their relationship.

While it might seem odd that being actively there for your partner makes it easier to find their independence, this is actually an example of what psychologists call the addiction paradox. “There is a direct link between a strong sense of attachment and a willingness to explore,” Dr. Levine said. Although adults do not play the same way as children, we can still approach the world with curiosity and a desire to explore. Often times when we feel secure, this motivation increases. But, said Dr Levine, “if we feel that our partner is not there for us, we develop tunnel vision and can only think about the relationship.” In this way, secure relationships give us the peace of mind to develop independent interests.

Sara Fowler, a creative writer in Washington, DC, said writing alongside her boyfriend helps them spend quality time together on weekends when he has to work. “Most weekends that I visit him, he makes me snacks and drinks. It’s honestly an A + couple activity, ”she said. “I like supporting him in his commitment to his work and I appreciate his encouragement in my writing goals. It’s a pleasant, pressure-free way to spend a few hours in your company.

Romantic partnerships aren’t the only relationships in which side play signals a secure attachment style, however. Sierra Reed, a creative and social strategist in Brooklyn, said her closest friends are the ones she can be with and “do nothing.” She can work while a friend cooks, for example. And engaging in these independent activities while being together makes Ms Reed feel closer to her friends, she said, no further apart. “These are the people I can just be with, feel the love and think ‘this is perfect.'”

The parallel play could also provide a clue as to why some roommates fared better than others during the pandemic. “During Covid, we couldn’t get away from the people we live with as often as usual,” said Dr. Jessi Gold, psychiatrist at Washington University in St. Louis. “While I don’t think we always need ‘time alone’, sometimes we need ‘to be together, but no time to actually interact’,” she said. “It’s a way of knowing that someone is there, that you’re not alone, like a safety blanket while being able to do whatever you want to do. This allows you not to get tired of that person you care about so much because you are doing something with them 24/7. “

For those who find it difficult to resume social activities after vaccination, side play may be a less overwhelming option than large group dinners or events. When Erin Pollocoff, a graphic designer in Madison, Wisconsin, hosted a friend from Michigan this summer, they spent their first weekend together in over a year reading, listening to music and painting each other. nails.

“It was really peaceful just sharing a space with a great friend and engaging as little or as much as we wanted,” Ms. Pollocoff said. “She’s coming back this fall and we plan to do more of the same.”

Dr Zheala Qayyum, director of child and adolescent psychiatry training at Boston Children’s Hospital, said low-pressure parallel activity “may help relieve stress and decrease feelings of isolation. “, noting that more introverted adults can particularly benefit from playing parallels. “It can give the impression of a time well spent in close relationships and allows adults to continue activities that they would like to prioritize at that time.”

When I look back on some of the happiest times of my life, there is often an element of side play involved. Being on the lawn with my friends at summer camp, our Crazy Creek chairs in a circle, listening to Jack Johnson on my Walkman. Sitting on Nantucket Beach with my parents, each of us focused on a different novel. Making bracelets in Manhattan’s Riverside Park with two friends over the 4th of July weekend, deeply focused on beads. In every memory I feel safe and calm, happy to be in my own world with others nearby. Side play isn’t just something toddlers do, it’s what I turn to when I need a gentler way to be with those I love. It’s the comfort I seek when I text a friend asking her to spend the afternoon reading next to me in Central Park.


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Writer market

Getting to Know: Meet Town Square’s New Marketing Director | Green Lake News


The most recent addition to the Town Square team is Amelia Compton Wolff, who has taken over as Marketing Director.

Town Square Marketing Director Amelia Compton Wolff smiles while holding her dog Rosie.

Town Square welcomed Wolff as its new director of marketing on July 19 and has since helped promote the organization’s events and manage its social media accounts.

For more information on Town Square and all of the events the organization hosts throughout the year, visit their website at

Here’s the conversation:

What do you do as a marketing manager for Town Square?

“I’m pretty much in charge of spreading the word about all the amazing events and opportunities that Town Square has to offer.

This includes posting to social media, managing our Instagram, Facebook, and updating items on our website.

Also establish links with other organizations in the community, helping to promote each other’s events.

For a small community, we have so much to do.

Town Square is a very small organization; we have a staff of three and that means we do a lot of different things like running the reception and helping visiting community members who want information about what it has to offer.

So my work has so many facets.

What were you doing before you came to Town Square?

I was the editor of Fox Cities Magazine at Appleton. In fact, I had worked there twice.

Amelia Compton Wolff

The Town Square Community Center welcomed Amelia Compton Wolff as the organization’s new Marketing Director on July 19.

I started there in 2011 and worked there for two years as an assistant editor.

And then I switched to Green Bay Press Gazette, where I was the coordinator of the special section for three years.

And then in 2016, I went back to Fox Cities Magazine in the role of editor and I stayed there until July.

What made you want to pursue a career in communications?

I think I have always been a natural communicator and writing has always been my greatest passion.

This has always been one of my greatest skill sets, so it was kind of natural.

I went to school at UW-Oshkosh for English because I loved reading and I loved writing, and I didn’t really know what I wanted to do with it or have a career plan after that.

After I graduated I thought, “OK, now I have to make some money doing this” and tried to figure out what to do.

So I started writing for many different local publications.

My career so far has been mostly in print journalism, but coming from where I was I use a lot of the skills that I have honed in my career and just applied them in a different way. .

As a writer we always think about the best way to tell a story and I think that’s one of my jobs here in Town Square.

It all depends on how we tell our story and how we make it one that people want to hear.

And I really enjoyed being able to provide a lot of the skills that I have developed over the years for my role here.

What made you want to come to Green Lake and work for Town Square?

My family and I actually bought an old farm in Princeton last October.

And I worked remotely and sort of started to familiarize myself with this area again.

I grew up in Berlin and spent a lot of time in Green Lake growing up. I worked at the Heidel house as a cleaning lady for a few summers.

My family still resides in Berlin, so this area has always been my home and when I had the opportunity to buy my dream home, we took it. And because I was working remotely, we were able to do it.

And I just got to know the community again and it really reminded me of how cool this is.

It’s really different from a lot of places in the world. Green Lake is a place where I think year round residents not only have a sense of belonging to the city, but even the people who live here in the summer have a sense of belonging. It’s a really interesting dynamic.

And I had seen what Town Square had done when I moved to the area and was really intrigued by the range of events they had on offer.

Growing up in a small town like Berlin, I know how vital a community center like Town Square is which provides opportunities, courses and entrepreneurial opportunities to support small businesses.

The list of what we offer goes on and on.

As I got to know Town Square better by attending the farmers market and events, I found out that they had an opening for the Marketing Manager and it really seemed like something down my alley.

So, I applied and I really like the vibe this place has.


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Fiction publisher

How many Dalit authors from Bihar have you read? Here is why you did not


Two things have happened recently. Delhi University dropped out of English program two Dalit authors, triggering widespread buzz and backlash. And the National Crime Records Bureau published its 2020 data, listing, among other things, crimes against Scheduled Castes (SC) in India.

Bihar, the state with the country’s third largest SC population according to the 2011 census, figures prominently in the second, and conspicuously absent in the first. In the latest NCRB figures, the state recorded the second highest number of recorded caste crimes in the country. The DU episode led to a conversation about Dalit writing in India, but few Bihar authors were among those cited.

So what is happening with Dalit literature in Bihar? In a populated state with politically mobilized lower castes, why has subordinate literature not yet achieved popularity, and what are the consequences of this limited visibility?

“In the 21st century, in the era of panoptic visibility, a large part of the Dalits in Bihar live and die in the dark,” explains Richa, 29, a graduate in Hindi literature from the University of Magadh in Bodh Gaya, who did not want to give his full name. “My last name makes my caste apparent. But I’m just speaking as someone who lived and studied in Bihar, and I can tell you this – the savarnas and some mainstream CBOs don’t even know many words used by the Dalits. Their language, their way of life, their folk tales, their lived experiences are not documented and are therefore conveniently invisible, ”she adds.

This lack of documentation stems from exclusion at various levels. According to the 2011 census, more than half of the population of the SCs in Bihar cannot read or write – the overall literacy rate of the SCs is 48.6%, with the literacy rate not being uniform between the different castes listed in the state. SCs who manage to complete their college education speak of prejudice and discouragement in academic spaces.

Among the state’s prominent Dalit literary voices is Budh Sharan Hans, 79, who retired as deputy collector in the government of Bihar, wrote short stories and essays, and published a monthly magazine, ‘ Ambedkar Mission ‘, for almost three decades now.

Sharan says that when he was in college, the atmosphere towards Dalit writing was hostile. “I was born in the village of Tilora in Wazirganj to a lower caste family in 1942. After school, I spent my time tending to livestock; that too, not my own cattle. I was then among the few Dalits to take a Masters course. For MA in Hindi Literature from Magadh University, I had to submit a thesis. Most of the students chose subjects related to mythology, “the representation of nature in the poetry of Sumitranandan Pant”, and so on. These topics meant nothing to me.

I decided to write about the vocabulary used by the lower castes – what are the various tools of a shoemaker called, what a barber calls the bag that he carries with his equipment. My teacher, a Brahmin, was livid. I remember he asked me: ‘You expect me to speak to the lower castes to verify what you write !!’. These are the people who controlled, and still control to a large extent, the world of publishing and writing. You can imagine how much they will encourage Dalit literature, ”says Sharan.

Over the years, the lower empowered castes have made efforts to make reading accessible within the community. Sharan runs an initiative called “jhola pustakalaya” (library in a bag). “We put say 20 books, of fiction, of philosophy, of Amedkarite writings, in a bag, and we leave the bag in a colony of SC. Once that quarter has read its fill, they return the ‘jhola’ and we pass it on to another domain. Literary spaces try to keep us away. So we take literature into our spaces, ”he says.

Other authors say things have improved over the past 10 to 20 years, but there is still a long way to go.

Karmanand Arya has edited a volume of short stories by another Dalit author Vipin Bihari, and is working on publishing other subordinate writings in collected volumes. (Photo provided by the author)

Karmanand Arya, author and assistant professor of Hindi at the Central University of South Bihar, Gaya, says that while a Dalit author will now have an easier time getting published, recognition and representation are far away. “Bodies like Sahitya Akademi are always out of reach for us. The Dalit authors they promote are primarily based around or have connections in New Delhi. There has been a lot of Dalit writing in Bihar over the past few years, but you can hardly find anything online which limits accessibility. Few of the Bihar-born Dalit authors are taught at state universities. Much of the Dalit writing concerns their own experiences, which fail to show the upper castes in a big light. This is presented as “autobiographical” literature and therefore not “great” literature, ”Arya says.

Arya has edited a volume of short stories by fellow Dalit author Vipin Bihari, and is working on publishing other subordinate writings in collected volumes.

Regarding representation in state university programs, Professor Uday Raj Uday of Women’s College Khagaul, says the selection process needs to improve. “At present, there is no standard curriculum taught throughout Bihar; universities develop theirs. So sometimes the personal preferences of those who decide on the program creep in. However, there is now talk of the government standardizing the program somewhat, and that could prove to be more inclusive, ”he said.

There are others who say that literature as a whole, and not just Dalit literature, is not doing very well in Bihar. Ramesh Ritambhar, professor at Ram Dayalu Singh College in Muzaffarpur, says: “The culture of reading itself in Bihar leaves a lot to be desired. With the exception of some popular English authors like Chetan Bhagat and Amish Tripathi, people don’t exactly line up to buy a fiction book. We teach Dalit literature at university level; there is a whole section called Dalit Chetnakhand. But if you are asking why few well-known great Dalit writers have emerged in Bihar, you have to understand that writing as a profession does not pay a living wage. More and more Dalits are educating themselves, but they are moving into engineering, civil service, professions that can improve their standard of living.

Musafir Baitha, another Dalit author and recipient of Bihar’s Navodit Sahityakar Puraskar (an award for aspiring writers) in 1999, says this is where the need for government and institutional support is greatest.

Bihar literature, Bihar Dalit literature, DU syllabus Dalit authors, musafir baitha, karmanand arya, Budh Sharan Hans, Vipin Bihari, population of Bihar SC, literacy rate of Bihar SC Musafir Baitha’s PhD focused on Dalit autobiographies in Hindi. (Photo provided by the author)

“The government of Bihar gives publishing grants of up to Rs 3 lakh annually to new authors in Hindi and Urdu, and it also has an award for outstanding work in Hindi, to which authors from all over the country are eligible. But more focused schematics can help Dalit writing. In addition, the concept of publishers approaching authors and paying them royalties is virtually absent. It is the authors who turn to the publishers, whose role is simply to print the books. There is no question of publicity tours and conferences. In addition, the teaching of Dalit literature in classrooms is still largely superficial. Teachers who are not from these castes have no idea of ​​our lived realities, and little willingness to learn.

Baitha’s PhD focused on Dalit autobiographies in Hindi. He and Karmanand Arya also organized a collection of Dalit poetry from Bihar and Jharkhand.

Sharan says it’s just as good that Dalit literature has stayed away from the big publishers. “If a mainstream publisher sells my book, its price will be prohibitive; the book will become unaffordable for half of the Dalits in the state, ”he said.

But why, despite having a strong political voice, has the Dalit community still not formed a large “mainstream” market? To this, Baitha says that the votingbank policy does not fit well with the reform. “To instill a strong reading culture, the community needs a social reshuffle. You have to tell them that “this is also for you”. But Dalit politics in Bihar are still limited to asserting identity.

Uday Raj points out that “Dalit” in Bihar is not a monolith. “The community is fragmented into a multitude of sub-castes. Governments have developed targeted programs for specific sub-castes, with electoral gains as a guiding principle, ”he adds.

There are still others who say that publishing and recognizing published authors is only half the battle. “A whole treasure of Dalit stories can be found in the performing arts, it is the orature. And it is not at all documented. More and more theater artists ask me to upload their videos. They understood that this was their only means of documentation, ”explains Jainendra Dost, filmmaker who heads the Bhikhari Thakur Repertory Training & Research Center in Chhapra.

“Stories like Reshma and Chuharmal (love story of an upper caste woman and a Dalit man), the legend of Raja Salhesh (a Dalit folk hero) are always played out in the villages to great applause. But the high castes place them in the box of “popular art”, which is not “great literature”. In addition, Dalit dialects are different from what the Savarnas speak. But these dialects are not considered worthy of being called literary. Basically anything different from savarnas is inferior, ”says Dost.

What this exclusion has guaranteed is that while the voices of a certain section are not heard, the oppressive practices of the other section escape scrutiny.

“Literature is supposed to be the mirror of life. Well, in Bihar that mirror is foggy and stingy. The lives, the experiences, the entire existence of some sections have yet to be clearly reflected in it, ”said Arya.


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Book creator

Spotlight on Self-Publishing: THE POWER by Rick Lopez


welcome to Self-published spotlight, a regular interview column where I’ll spotlight self-published comics and the creators and fine print editors who make them.

When I laid eyes on the Rick Lopez comic book artwork, The power, I was immediately amazed. My reaction was so visceral that I knew it was a book and an artist that I had to follow. I contacted Rick and we started communicating about comics, his work and art in general. It was only a matter of time before I featured Rick in this column. So check out our chat and definitely head over to Rick’s online store and collect The power!

Monkeys Fighting Robots: Rick, first of all I know how busy you are, so thanks for taking the time to chat!

Rick Lopez: Absoutely! No problem at all, thanks for having me!

MFR: So what is the secret origin of your comics? How did you get into the business?

RL: Honestly, they were still there. I had a stack of Disney comics as a kid, but hero comics were a little harder for me to find in the midst of the speculator boom. Barnes and Noble was my LCS long before we had a legitimate store in my area.

MFR: And when did you decide to start making your own comics?

RL: For a few years I thought I would only write comics and other people would draw my books. I had someone in line to draw The Power and it just fell apart. I already did the script and thumbnails so I just started myself in early 2019 and learned a lot, Large Design Image has really been a game-changer for me.

MFR: Let’s go directly to The power. Can you give our readers a summary?

RL: The power is a limited series of four issues about a boy creating a comic book, only to discover a realm beyond time and space … in his own mind! So it’s centered on the process of creation and as we work we drift into another more ethereal plane in our minds.

MFR: Art in The power impressed me. Specifically, colors and layouts, which seem to be a major concern for you. What makes you focus so much on these two elements?

RL: Thanks, I really appreciate it! I think precisely with The power I try to represent (as best I can) these inner planes of the mind and the meta-abilities of the medium through the layouts and colors, which in itself makes them so important.

MFR: Did you have any particular influences on The Power? Which artists / books have you looked for inspiration?
Grant Morrison is a huge inspiration to me in general, I would definitely say Morrison’s run on Animal Man and the Flex Mentallo mini-series are inherent influences on The power.

MFR: I love your tribute covers. You did Infinity Gauntlet # 1 for number one and classic Miller Wolverine # 1 for number two. Why did you decide to do these tribute covers and did you have others in mind? What other tribute covers can we expect if you care to tease?
Tributes are a lot of fun to make, but I also think it adds a bit of recognition to the book, even at a glance on the cover. I wanted to use as many comics as possible. I originally planned to use a New Gods cover for # 3 but opted for one The Green Lantern The Darryl Banks cover I found suited my book better. That being said, I have two Kirby covers planned for number 4 and the swap is yet to come.

MFR: What is your progress and your creative process? What’s the first thing you do when deciding to put a pencil / pen on paper? What tools do you use?
Usually I will miniature my pretty small ideas on scrap paper, scan them, blow them up / move things to Procreate, print on 11 × 17 bristol board, clean the pencils a bit, then use my light pad with it. another card stock to ink / tone the pages and scan them again on procreate for colors and clean them. I think I use both [digital and analog] is the key, I know a lot of people are going digital, but I can’t give up that human look and the quirky art you get from inking traditionally. There are those Pilot double brush pens that I obsess over and recommend a lot and the Uniball white signo pen is another amazing tool that I use with every piece. Then, of course, Ticonderoga and Staedtler pencils, mechanical pencil, microns, removal screentones, Ames lettering guide and procreate are also office staples.The power

MFR: Has self-publishing always been your way? Or did you have other publishing methods in mind?
I think self-publishing has always been the option, I kind of thought I would publish all of a sudden with The power and I went to great lengths with the layouts and the pencils, but ultimately I don’t think that’s the best idea.

MFR: Self-publishing, in general, is booming. Patreon, Kickstarter and now Substack. As a creator, why do you think self-publishing is growing?
I think a lot of creators are tired of giving companies their best ideas to own them. We have all of these apps at our fingertips to grow our own audience and reader base. We can build our Patreon, launch our books, and get a network big enough to live off our own ideas without compromising with a business. Image Comics showed it to us 30 years ago.

MFR: In addition The power, what else have you been working on? And what else do you hope to work on?
My first works had 14 pages in Large Design Image, I made a page in the Weapon ecch book and another page for the next one BMN Year What is book (which I must finish), as well as 4 pages to come Wizard Cosmic Lion Eli Schwab # 2 later this year. Craig CK and I co-founded Tap the next panel, which is a bi-weekly strip collective from a group of artists from all over the world. my band Cosmicat, is about a smoldering feline outlaw who makes his way through the galaxy, as the past, present and future begin to unfold around him! The 17th strip is about to drop this weekend, so almost enough to be assembled into one issue. I collected the first seven in mini-comics that I handed out with the book orders.


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Book creator

Content Creator Dissects Feminism – The Standard


By Grant Moyo

Amanda Marufu, content creator and feminist, believes that since media in its various forms are integral to changing gender perspectives and evolving gender biases, there is a need to have a broader representation of women. both in front of and behind the visual perceptual experience.

Continuing to create content for different mediums focused on women, Marufu is well versed in problem solving and devolution. She sees feminism not as an identity to be achieved but as a political movement.

This notion is justified through its optical, graphic and sound content such as #No filter an all-female panelist TV show, It’s a feminist thing an attention-grabbing podcast, Understanding gender-based violence online a documentary produced in partnership with Hedone, an organization based in South Africa, as well as his written material published as a contributor, author and blogger.

Marufu, who was born in Kwekwe, has spent most of her life in Harare and partly in Gweru and Bulawayo.

She did her primary education at Avonlea Primary School before moving on to Lomagundi College, Elite College and Speciss College where she completed her advanced level.

She holds a Certificate in Gender Representation in Media from the University of Strathclyde, a public research university in Glasgow, Scotland.

Her professional background varies, in addition to her beginnings as a volunteer at Let Them Trust, Marufu has worked in the media space as a screenwriter at Dreambox (animation company), as well as a consultant and photographer at Creative Natives Africa ( advertising company) .

She has also worked as a Digital Marketing Specialist and Content Creator for Big Sky (Hardware Store), Digital Marketing Assistant at NK Digital (Digital Marketing Agency), Producer at Visual Sensation, and most recently as Marketing Manager digital at 3KTV (broadcast channel). She has been part of teams working for brands such as First Mutual, Lit Fest, to name a few. Among her notable recognitions is being a global ambassador for the Better Tomorrow movement (2019) and the African Innovation Week (2020).

“I had imaginary friends as a child and found peace and comfort in them. I knew their parents, siblings, dreams, wishes and motivations, ”Marufu said.

“As I got older, I became closer and closer to their fears because most of the time their fears mirrored mine.

“At one point, these imaginary friends became stories that I carried with me. Written on hardcover pages, I once wanted to be an author and my friends were my beta readers.

“Becoming a point of obsession with art, I started writing homework for my friends, often offering them to write their essays.

“I would be careful how many points I got for each story and how I could make each story different despite the fact that the prompt is often the same. I was stuck between the pages of a book and when I wanted to speak, I wrote.

Marufu added, “It was at the age of 14, when my sister died, that I found all my old diaries and realized how much I relied on these words to express my pain. .

“It was the first time I realized how depressed I was as a kid. The first time I had to face this, I had created these friends, cultivated these characters, because I couldn’t dare to face the reality of my own life.

“At the time, I was volunteering on this account called ‘no_suicide’ created by another teenager from the United States.

“I began to struggle not only against my own depression, but also against the main lines of abuse and shame that plague all young people in Zimbabwe, in Africa and around the world.

“I became passionate about raising awareness and using the media to do it, and that’s how ‘The Safe Zone’ was born. “

The security zone, which aired from 2016 to 2017, was an online magazine launched by Marufu. who needed someone to confide in and who wanted advice.

Before creating her own website, Marufu became a passionate contributor on Wattpad and blogger on Tumblr.

Burning with the desire to tackle the plight of women, the feminist launched another blogging platform called It’s a feminist thing where she and a number of bloggers broached topics around feminism, and the issues they found didn’t quite fit into mainstream media.

Having also produced and developed content for Food and Enthusiasm Mag, Marufu published his first book titled At what age does my body belong to me?, at the height of the global Covid-19 crisis.
“I wrote this book as a new attempt to express aloud all the pain and shame I have had in me for so long,” said Marufu.

“I was angry because once again I realized that I was not the only one who had been raped or abused.

“I was not the only one who had ever been humiliated for my sexuality or locked up and declared unfit to love and care for a body of mine.

“I have long wondered where our stories were. Who wrote or published them? Who shouted for us that “enough is enough”, because I was tired of hearing about the #metoo campaign, but we always expected him to shut up about my pain and act like these are all battle scars that haven’t bit me even now as an adult.

Since then, the content creator and feminist has done her life’s work not only to write about women and share their stories, but not to apologize for telling her truth.

By collaborating on an anthology, In Her Words: African Women’s Perspectives on Gender Equality featuring 15 women from seven different African countries, showed her just how diverse African women are.

This gave her the perspective that across tribes, cities and countries, there is not just one way to be a woman or a unified experience of womanhood.

Women are different and beauty is in their differences. Yet this too is not sufficiently amplified in the literature and the media.

“Too often, the lived experiences of African women are referred to with authority by people other than themselves. said Mudzingwa.

“From the men of today to those who made history, and even well-meaning non-governmental organizations, African women have often been relegated to the role of spectators in their own life stories.

“In the anthology, my essay is about everyday feminism.

“How important it is not only to wear the label of feminism, but to embody the principles of feminism in everything that people do and in the actions they take, big and small, because often these actions have the more impact. “

Marufu added: “According to the Gender Mapping Project in Zimbabwe, only 21%, 12% and 11% of female reporters are respectively present in print, radio and television, and only 16% of female subjects are reported. on all platforms.

“Studies like those published by Developmental Science show that children between the ages of three and five exhibit both racial and gender bias. “

Marufu’s #NoFilter TV talk show fills the void women around the world experience when they need advice or a non-judgmental ear in a ‘barless’ way.

A truly synthetic creation of television as a medium that unveils cultural ideas and ideals with hosts becoming substitutes for the masses.

The documentary on gender-based violence in partnership with Hedone, an organization that works primarily on sexual activism and pleasure, featured different women from across Africa.

The women spoke about their experiences online, the gender gap in opportunities, and the dangers of harassment and abuse online.

The excruciating consequences lead to physical abuse, death, mental health issues, suicide, and loss of jobs and opportunities.

Regarding the idea that all women want and should be mothers, Marufu said that is just not true, but something that is expected of them.

Even when a woman says she doesn’t want to have children, most people will claim that one day she will change her mind as if she doesn’t know herself well enough.

Marufu pointed out that it takes a lot to be a mother before people can even talk about finances and child safety. It can take physical strain, ranging from vaginal tears to mental toil, with loads of mothers suffering from varying degrees of depression.

The feminist challenges the authorities to educate society on this issue and also provide women with the choice and knowledge to be able to decide for themselves whether motherhood is something they want, respecting their decision whatever it is. .

To be renowned as American television producer, screenwriter and author Shonda Rhimes is Marufu’s main ambition.

Having created all forms of content, she strives to continue to grow better and bolder in the genre and media space.

Follow Grant Moyo on Twitter: @TotemGrant


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Writer market

Is this a sign that Hollywood is embracing NFTs?


As if 2021 couldn’t get crazier in the Metaverse or the Classic Universe, Jenkins the valet, a non-fungible token (NFT) avatar on the Ethereum blockchain, valet and keeper of secrecy, has signed with Creative Artists Agency (CAA) for representation in books, movies, TV, podcasts, and more. Together, they will bring Jenkins’ debut novel to market in collaboration with a New York Times Best-selling author.

Yes, you read that right. One avatar NFT has signed with the global talent representation agency that works with Beyonce, Justin Bieber, JJ Abrams, Zion Williamson, and more. CAA’s website says it operates at the intersection of talent, content, brands, technology, sports and live events. They now count a non-fungible token as one of their customers.

Jenkins the Valet is a digital character and writer created by Tally Labs, a content and technology company in the NFT space. His Twitter account has grown to over 12,000 followers since May, when he first shared his origin story in line. Jenkins writes stories about the avatars he encounters in the Metaverse, often commenting on current events while creating a backstory and storylines for these characters. The art that inspired Jenkins’ character comes from the Bored Ape Yacht Club, a collection of 10,000 images on the Ethereum blockchain that recently exploded in popularity, accounting for over $ 500 million in aftermarket sales.

On August 4, Jenkins released his own NFT which allows cardholders to access a members-only website called “The Writer’s Room”. Upon registration, NFT holders can vote on the novel’s creative direction in a “choose your own adventure” format. Additionally, members of the NFT community have the option of allowing their own NFTs to appear in the book in exchange for royalties. The novel is written in partnership with a world-renowned best-selling author. The original Jenkins NFT sold out in 6 minutes, grossing over US $ 1.5 million, and there are currently over 2,200 unique holders of this NFT.

How did we get here?

You might be wondering how we got here … For the first half of 2021, the NFT space mostly looked like a new frontier inhabited only by crypto-natives. Jokes and phrases inside appeared like “WAGMI” (we’ll all do this), “! Floor” (a command to find the cheapest available version of an NFT), and “ape in” (for buy and join a project with reckless abandon). These types of popular sayings helped bond with the community, but also made it difficult for some outsiders to join in the fun.

In recent months, however, NFT projects have started to become widespread. We have already mentioned that Visa bought a CryptoPunk for $ 150,000 and that 101 Bored Apes sold for over $ 24 million in an auction by Sotheby’s. It is also well known that Steph Curry sports a Bored Ape avatar online and the corporate Twitter account is an active participant in the NFT community with feature ideas and a token of their own.

Now things are heating up even more. At the end of August, Larva Labs, the company behind major NFT projects such as CryptoPunks, Meebits and Autoglyphs, announced that it had signed with United Talent Agency, which traditionally represents talent in film, television and music. This was a major milestone for the NFT space and the metaverse in general, as it showed that major players in the entertainment industry recognize the value of owning and building IP around assets. digital.

Just a month later, Jenkins, an individual Bored Ape Yacht Club NFT avatar, signed at CAA. CAA signing a single NFT avatar represents another major signal from Hollywood that NFT characters can be compelling to consumers beyond the crypto space.

“I think the next generation of recognizable familiar characters will be born on the blockchain and exist in a Web3 environment. I’m honored to announce this partnership and I’m inspired by all the creativity and white space for builders in the Metaverse, ”Jenkins the valet said. “CAA’s enthusiasm for the project and understanding our vision says a lot about them. They have consistently stayed at the forefront of technology and distribution for their customers.

The book that CAA will help Jenkins the Valet to market is different from your typical first novel. On the one hand, the book will have over 2,200 people contributing to it. Each of Jenkins’ “Writers Room” NFT holders will vote on the creative direction of the story they write alongside a best-selling NYT author. This is what differentiates Web 3.0 from Web 1.0 and Web 2.0 came before it. The line between creator and fan is blurred, so that everyone can participate in both creating and consuming the work they hold dear.

Collaboration and co-creation

When we asked Jenkins what his book would be about, he replied, “At this point I can’t even tell you, and that’s exactly where we want to be at this point. The writer’s room will decide on every element of the book, starting with its genre through twists and turns and ending. Our entire community will create the framework within which I and our bestselling author will work to produce the story.

Beyond the right to vote for the creative direction of the story, the various NFTs in the Writer’s Room also correspond to the role your avatar may have in the first book. There are four levels of NFT Writer’s Room: valet tickets; Yacht keys; Valet Stands; and yachts. The rarest and most valuable level is the Yacht. Only 1% of Writer’s Room NFTs are Yachts, and those with a Yacht and Avatar License for the Story will have them listed as a named character. The cheapest NFT Writer’s Room Yacht on the aftermarket is 15 ETH, or around $ 44,000, and some yacht owners have listed theirs for as much as $ 200,000.

Entertainment x metaverse

It remains to be seen what Jenkins the Valet’s signing with CAA means for internet-culture brands and consumers, but one thing is clear: Both sides sit down to dinner and join forces to try and entertain the rest of the world. world with crypto-natives. characters and stories.


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Reading and writing

Boox external E-Ink monitor for laptops available, 25 inch inbound


Sometimes 16 shades of gray are enough for productivity workloads. This month, Onyx International started selling one of the industry’s first 13.3-inch E Ink monitors that can be used as an external display for laptops. The company is also preparing a 25-inch E Ink monitor for desktop computers.

E Ink displays are quite widely used for e-book readers and some specialty devices that can take advantage of their low power consumption and high contrast without the need for colors. But E Ink technology can also be applied to PCs used for tasks such as reading, writing or coding by people who experience eye strain when working with traditional monitors due to blue light, bright colors or screen flash. In fact, E Ink monitors for PC are starting to appear. Late last year Dasung started selling its 25.3in Paperlike monitor and this week Onyx started selling its 13.3in Boox Mira E Ink monitor.

(Image credit: Onyx International)

The Boox Mira display can display 16 shades of gray and features a resolution of 1650×2200 as well as a pixel density of 207 pixels per inch. The unit has front lighting with color temperature controls (cool, warm), manually adjustable refresh rate (normal / text / video / slideshow) and supports capacitive touch. As for the inputs, the product has two USB Type-C ports and a mini HDMI connector. Plus, it even comes with VESA 75×75 holes in case its owner wants to use it on an arm.

(Image credit: Onyx International)

Onyx’s Boox Mira weighs 590 grams, which is the weight of external laptop LCD screens based on IPS, VA or TN panels. Meanwhile, the Boox Mira promises more convenience when working with texts, spreadsheets, and code. Unfortunately, the 13.3-inch E Ink display doesn’t come cheap. It can be ordered for $ 799.99 directly from the manufacturer.

(Image credit: Onyx International)

In addition to the Boox Mira, Onyx International is preparing its 25.3-inch Boox Mira Pro monitor with 3200 x 1800 resolution (145 PPI) for desktop applications. This monitor will have DisplayPort, HDMI, mini HDMI, and USB Type-C input. As for the price, the manufacturer plans to charge $ 1,799.99 for the unit when it becomes available.

Obviously, E Ink displays in general and Boox Mira / Boox Mira Pro in particular aren’t designed for anything that might require a more or less decent refresh rate. all. Even a Color E Ink the display is unlikely to be found among the best gaming monitors.

(Image credit: Onyx International)


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Fiction publisher

Stories from Gulistan de Sadi published for Russian children


TEHRAN – Stories by Persian poet Sheikh Muslih od-Din Sadi Shirazi, the masterpiece Gulistan (The Rose Garden) have been published for children in Russian in Moscow.

The collection titled “Halva and Rainbow” was published by Sadra Books in collaboration with the Ibn Sina Foundation and the Khayyam Cultural Center, the publisher said.

Stories selected and simplified by Iranian children’s writer Farhad Hassanzadeh were translated into Russian by Svetlana Tarasova.

The collection, which contains 18 stories, was edited by Professor Natalya Prigarina of the Department of Oriental Written Sources of the Journal of the Institute of Oriental Studies.

As one of the greatest figures in classical Persian literature who lived in the 13th century AD, Sadi is famous around the world for his Bustan (The Orchard) and his Gulistan (The Rose Garden), which have been translated in many languages.

“Halva and Rainbow” is the second book in the “Persian Tales” series from Sadra Books.

Published in early 2021, the first book “What Do You Call the Grape? contains parables by the Persian mystic and poet Molana Jalal ad-Din Rumi.

This book was translated into Russian by Natalia Chalisova, professor of Persian literature at the Institute of Oriental and Classical Studies at the Russian State University of Humanities in Moscow.

Prigarina and Tarasova are the editors of this book, the stories of which have been selected and simplified for children by Hossein Fattahi.

Sadra Books has already collaborated with some Iranian cultural centers.

The Iranian Poetry and Fiction Foundation announced earlier in May 2019 Sadra’s plan to publish a book by a contemporary Persian author in Russian every year based on an agreement with the foundation.

According to the deal, the publisher would select the book from the winners of the Jalal Al-e Ahmad Literary Awards, Iran’s most lucrative literary award.

Sadra has already published many books by Iranian writers, including the children’s book “The Prophet and His Stories” by Gholamreza Heidari Abhari which contains short stories about the Prophet Muhammad (S), published in 2017.

Photo: Cover of “Halva and Rainbow”, a collection containing the Russian translation of stories of the masterpiece of the Persian poet Sadi, Gulistan.



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Writer market

Politician star joins new horror film from writer Skyfall


The politician Star Theo Germaine has been cast for a new horror film, directed by Fall from the sky writer John Logan.

The next movie, which was previously called Whistler Camp but is now untitled, takes place in a conversion camp for LGBTQ + youth. It has been described as an LGBTQ + empowerment story.

Germaine is best known for her role in Ryan Murphy’s The politician as campaign manager and advisor to Payton (Ben Platt).


Related: Théo Germaine on The politician, american horror story and the heartbreaking finale of Work in progress

Netflix originally purchased The politician in an initial two-season order. However, it is currently in limbo as it has yet to be renewed for a third season despite the second season ending over a year ago, but it has also not been officially canceled.

Ryan Murphy has been busy with a number of other series, with ratchet, 9-1-1, spin off 9-1-1: The Lone Star, american horror story and American crime story all should continue to function. He also has several other series in the works, including Monster: The Story of Jeffrey Dahmer and two others american horror story spin off : american love story and American sport history.

Germaine has since starred in the Showtime comedy Work in progress and historical LGBTQ + series Equal.

theo germaine featured in politician season 2


Related: american horror story Star makes history with all-LGBTQ + cast for new romantic comedy

The new film is directed by Oscar nominated writer of Fall from the sky and Gladiator, John Logan. It will mark his directorial debut, having already won a Tony Award and a Golden Globe for his writing.

Kevin Bacon will also play the lead role, having not been cast in a horror film since the iconic Friday 13 in 1980 and Flatliners in 1990. He will also be executive producer.

Bacon recently starred in the crime drama Showtime City on a hill, executive produced by Ben Affleck and Matt Damon, as FBI agent Jackie Rohr. The first two seasons are now available and they have been renewed for the third season.

Kevin Bacon on Tonight's Show with Jimmy Fallon

CNBGetty Images

Related: Netflix releases powerful trailer for Ryan Murphy’s gay conversion documentary

Blumhouse productions are the source of the horror, with Jason Blum and Michael Aguilar in production. The company is behind a number of blockbuster horrors, including Paranormal activity, Insidious and Oscar winner Get out.

He has also produced dramas including Whiplash and BlackKkKlansman, which also won the Oscar for Best Adapted Screenplay.

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Fiction publisher

Falmouth history writer Mike Truscott publishes Lottery Loveboat novel


Two former journalists who both started their careers on the Falmouth Packet celebrate the launch of their first produced novel together.

Lottery Loveboat is an expanded adaptation of a book originally written and self-published in limited edition for charity four years ago, by Mike Truscott.

Francesca Hanikova, who was trained by Mike in the early 1980s, acted as agent and editor by securing a contract with the mainstream publisher, Whisper Publishing.

The story, written under the pseudonym Mel Penrose, tells the tale of a shy, middle-aged Harold Pettigrew whose life-changing lottery victory sees him cruising with six women with various motives of ‘be there.

Mike and Francesca have already written a second novel, a Cornish-based plot, with more in the works. Although the books are standalone titles, all take place in the fictional town of Porthcoombe, which is loosely based on Falmouth.

Francesca and Mike work together on the manuscript

“Although our careers took different directions, we stayed in touch and we finally got back together in 2016,” said Mike, who took his own Packet training in the late 1960s.

“Later, Francesca persuaded me to dust off the original story for wider distribution and the collaboration with Mel Penrose was born.

Francesca added: “Working together again has been a lot of fun and we haven’t had any major writing issues as a duo. We bring different keyboard skills which made the partnership a success and helped us find a publisher in the very competitive fiction market.

Lottery Loveboat cover

Lottery Loveboat cover

Following his career in the press, Cornwall-born Mike ran his own PR firm for 25 years before retiring and starting to write local history books and then fiction.

Married with two grown daughters, he lives in Falmouth and, in addition to writing, enjoys painting, walking, swimming and blogging.

After working for local newspapers and on the radio, Francesca turned to public relations, working in the UK and abroad. Passionate about walking, cycling and circuit training, she is married with five grown children and lives near Hayle.

  • Lottery Loveboat is now available in Kindle and paperback, priced at £ 1.99 and £ 6.99 respectively, on Amazon.


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Book creator

My book is about the death of the longing for coexistence in India: Anuradha Roy


My book is about the death of the longing for coexistence in India: Anuradha Roy

1970-01-01T05: 30: 00 + 0530

By Manik Gupta

New Delhi, September 25 (PTI) There may never have been harmony, but the aspiration was coexistence, says author Anuradha Roy who mourns the death of this ideal in her latest book “The Earthspinner “which delves into the heart-wrenching story of a potter and his dream project – a terracotta horse.

Elango the village potter was ready for all the great things in life with this horse for which there were many takers. Then appeared strokes of Urdu calligraphy on it and whispers of her interfaith affair with Zohra, and in the blink of an eye her creation was destroyed and her perfect world turned into a nightmare.

“That was the problem with religion: it could lead to a kind of madness. Muslims and Hindus – it was not so much a question of religion as a vendetta like ‘Romeo and Juliet’,” notes one character in ” The Tourne-terre “.

“Especially for people of my generation and older, I think we miss a country gone where harmony between very diverse people was at least an ideal we aspire to. There has never been harmony. , and there have always been people oppressed, brutalized and excluded, but still the aspiration was coexistence. In that sense, the book is about the death of that ideal, ”Roy told PTI in an interview with E-mail.

Published by Hachette India, “The Earthspinner” is the story of the new ways of “living and loving” in the modern world and the death of the aspiration for coexistence in India.

“I want to write a fiction that responds to my present, to everything I see around me, but that tries to find its connections with the bigger world and with the past. ” The Earthspinner ” in the title of this book refers to the Creator – god, who is portrayed as a potter, across religions, ”said Roy, who dabbled in pottery since his college days.

“The way the Creator created the earth, which is destroyed by human action, the beautiful creation of Elango the potter is also destroyed by human action,” she added.

Set in the 1980s, the 223-page novel chronicles Elango’s passion for creating a terra-cotta horse, destroyed by a community driven by an “incendiary passion of a different kind”, his love for Zohra and his dog Tashi. It is narrated by Sara, who studies English Literature in England and enjoys spending time throwing wheels, something she learned from Elango as a child.

Sara’s personal history, like that of her guardian, is also one of multiple losses – the loss of her father, Elango as a teacher, and the land in which she was born and raised.

Roy, 54, the author of “The Atlas of Impossible Desire,” “The Folded Earth” and “All the Lives We Ever Lived” and “Sleeping on Jupiter,” said his latest book was in preparation for a long time. She said she explored her themes by writing shorter pieces – some of which have been released and others remain as notes.

“Sleeping on Jupiter” was shortlisted for the Man Booker Prize (2015) and won the DSC Prize for South Asian Literature (2016). His latest book “All the Lives We Never Lived” won the Tata Literature Live! Book of the Year Award (2018).

The rewards are appreciated because they are “decided by peers” but are also “very hit and miss” with “deserving books” often missed, she argued.

“I think it’s a little unfortunate how obsessed we have become with prices – the result is that books that haven’t made it to them can just fall off the reading card, and that’s What we need is to rediscover the joy of reading a book which may not have won any prize but which draws you into its universe, takes you so deeply into your mind and heart that it changes the way you look a bit and you have a hard time starting another book after this one. ”

When asked if the COVID-19 pandemic and the lockdowns that followed resulted in a creative slump, the author who lives in a quiet cantonment town of Ranikhet in Uttarakhand replied in the negative.

“When the pandemic started, I was already well into his writing, and when I write, I lead an even more isolated life than usual. The blockages have therefore not affected anything in this sense. pandemic was escalating, anxiety for friends and relatives made it difficult to concentrate. Yet I was grateful that I had something else to focus on, so I did not give in to a sense of panic helpless, ”she said.

Roy also detailed his writing process.

She emphasizes “sentence music” and “well-structured prose, strained with meaning, poetry, wit, images” and will continue to “revise and revise, every sentence” until ‘she be satisfied with the way she falls. her ears – also why she likes to listen to the book being read aloud several times.

“It’s different for me with every book, and every time I feel like I’m on the edge of a precipice and I feel fear and dizziness as well as fascination. If I’m completely consumed by it. ideas and images that never let go – so I know I’ll be back at work, writing. I’m not the type of person who writes a certain number of words even in a journal, no matter what “, she explained.

“The Earthspinner” was released on September 3. PTI MG



Disclaimer: – This story has not been edited by Outlook staff and is auto-generated from news agency feeds. Source: PTI


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Reading and writing

The almanac of poor Elijah: practicality | Perspective


Poor young Elijah was a boy scout. Scouting meant everything from dragging a sled through the Klondike Derby to wearing knee high socks and garters. Both were far from complete successes, one due to an open winter and rocky landscape, and the other due to the less than rugged appearance of her 12-year-old legs.

In the middle were 12 Scout virtues. Some as “thrifty” seem quaint. Others like “reverent” are likely today to start a constitutional brawl. He knew what all words meant – trustworthy, loyal, helpful – and that although he often didn’t respect them, most people would agree that this was what we were meant to be.

Scouting reinforced the moral education he received at home. School too. No one hesitated to use words like good and bad, good and bad.

Today, right and wrong apply more frequently to opinions than to conduct and questions of fact. Schools give math tests where there is no correct answer, or where getting the correct answer does not matter. Teachers stumble upon themselves protecting children from the fact that not all answers are equally valid and not all values ​​and behaviors are equally acceptable.

In part, we are concerned that students feel good about themselves, even if they are ignorant or rude. We also routinely exercise the worst kind of tolerance, with critics condemning zero-tolerance discipline policies on the ironic grounds that they show “intolerance” towards students who behave badly.

Reformers have preached for years that knowledge is not important. Students don’t need to learn facts, just how to think and research things. Experts also believe that character education should not teach students right from wrong, but simply how to figure it out for themselves.

Unfortunately, you cannot think successfully without something to think about. And you can’t make moral decisions without moral laws on which to base them.

Twenty years ago, No Child Left Behind tried to help by handing out “character education grants”. But while it may seem positive to “incorporate lessons and character building activities into the classroom,” too many grants, too many budding psychologists, and too many non-sexual, drug and bullying programs. Founders have stolen too much school time for too long. School learning is already adrift in a sea of ​​trauma-based learning, socio-emotional learning and non-cognitive learning.

Advocates aim for students to “grow as moral beings” into “caring, principled, responsible adults”, but many programs mistakenly rely on “posters, banners and boards. posting ”,“ motivational assemblies ”and“ rewards ”for students who get caught in“ doing good ”. The hype runs out quickly, and the prices, not the right behavior, quickly become the point.

Advocates generally oppose “moralization” and “direct instruction in moral principles”. Somehow, they expect students to “commit to respecting the values ​​that are at the heart of our society” without telling them what those values ​​are. Otherwise, we could just “promote good manners and respect for the rules”.

Newsflash: “Polite and law-abiding” schoolchildren would not be a disappointment to most students, parents and teachers.

Two Ivy League teachers, for example, promote the efforts of public schools to produce “morally reflective human beings.” These character education experts, however, are disappointed with “obedience” and “virtues.” Their “organic”, “process” approach favors the injection of a “moral dimension” into academic subjects and the holding of weekly “circle” meetings during English lessons, where students “declare, philosophize and disentangle complicated problems’ like teenage pregnancy.

Proponents of moral education programs generally argue that “character education should not be seen as a threat to the nation’s current emphasis on academics.” Excuse me, but if you’re considering replacing a fifth of my English lessons with character sessions, don’t ask why my students can’t read. And while we’re on the subject, I’m afraid the reports on the national emphasis on academics are greatly exaggerated.

Don’t trust teachers for tidy, undisturbed classrooms. One of their teaching scenarios features a student belching deliberately. The teacher “feels” that he is “struggling to fit in with his peer group” and “tries to ignore the distraction”. When she finally expels him for further offenses, she laments that she “obeyed him”. Another professors’ moral protector categorically refuses to kick students out of the classroom, “no matter how they act.”

By the way, the character education part of No Child Left Behind appeared just a few paragraphs after the part on removing “persistent disruptive students from the classroom.”

I have taught ethics to college students and use moral dilemmas and legal cases to inspire them to read, write and debate. In the process, some realize that making a moral decision can be more than a reflex. On the other hand, some students are no more nimble with moral niceties than they are with quantum mechanics.

The ideology behind some character programs is unmistakably political and leans toward the teacher’s perspective of “social justice.” Teachers, for example, explicitly equate immorality with “being successful oriented.” Like many moral educators, they disapprove of “virtue lists” and “conventional rules”. The problem is practical, the conventional rules and values ​​- honesty, respect, kindness, and reasoned obedience – are precisely what we lack and what most children can understand.

We don’t need a character bandwagon. We do not need to usurp parental sovereignty and discretion. We don’t need posters, we don’t need grants, we don’t need curricula, and we don’t need to get ahead of academics for “organic” moral reflections.

I teach character to students by what I believe, what I expect, what I impose and how I act. I recognize when I fail. I try to judge with justice.

This can be a burden on schools and teachers in a narcissistic age where pursuit and student empowerment matters more than knowledge and decency. It is difficult to stand up for what is right when it is considered righteous to tolerate vicious behavior. It is difficult to demand from the students a more respectful speech than the one they witness every day on the national scene. It is difficult to stand up for virtue when opportunity and ambition take precedence over truth.

Moral education belongs to the house. School should be a place of work where practical morals reign. I’m supposed to teach English, and my students are supposed to learn it.

Character is what we develop and display along the way.

Peter Berger has been teaching English and History for 30 years. Poor Elijah will gladly respond to letters addressed to him by the editor.


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Writer market

Charles G. Sellers, historian who turned post-war consensus upside down, dies at 98


Charles G. Sellers, a historian whose work on early 19th-century America helped overturn the postwar consensus that democracy and capitalism developed in tandem by showing that in fact they were most often in disagreement, died Thursday at his home in Berkeley, Calif. He was 98 years old.

His wife, historian and philosopher Carolyn Merchant, has confirmed the death.

The son of a Carolina farm boy turned oil executive, Dr. Sellers was inspired by his own family’s rise to material wealth, even as he idealized the lives they – and America – had left behind and castigated the competitive and commodified capitalist way of life that subsumed them. . “Capitalism commodifies and exploits all life, I conclude with my life and with all that I can learn,” he said at a conference in 1994.

Such language has often labeled Dr Sellers a Marxist. He wasn’t one, but he was a radical, both in his writings and in his politics, especially in the 1960s at the University of California at Berkeley, where he spent most of his career. .

He was best known for his book “The Market Revolution: Jacksonian America, 1815-1846”, published in 1991, in which he argued that the rapid expansion of capital and industry during this period did more than simply create. a new economy; it changed everything, including the way people worshiped, slept and even had sex.

Such changes, he postulated, were largely undesirable, and the passionate reaction of most Americans was consolidated in the rise of Andrew Jackson, who as president faced off against coastal elites, including in his veto of the Second Bank of the United States in 1832.

Dr. Sellers hated Jackson’s pro-slavery sentiment and Indian removal policies. But he argued that the main object of Jacksonian hatred was not blacks or Native Americans, but capitalism and its benefactors. He also showed that by the end of his second term, Jackson’s movement, torn by internal contradictions and co-opted by financial interests, had largely collapsed.

“He saw the Jacksonians as the last great expression of a democratic sensibility doomed to be overthrown by a bourgeois capitalist sensibility,” said Sean Wilentz, a Princeton historian whose own book, “The Rise of American Democracy: Jefferson to Lincoln” (2005), developed several of the themes of Dr. Sellers’ book.

The impact of the book has been profound, at least in academic history. A conference in London in 1994 was devoted to him, and the concept of the market revolution became a fixed part of the firmament of the domain.

“Sellers’ thesis launched a thousand theses,” historian Jill Lepore wrote in The New Yorker in 2007. “The evidence for the market revolution seemed to be everywhere; that seemed to explain everything.

Charles Grier Sellers Jr. was born September 9, 1923 in Charlotte, North Carolina. His father, whose ancestors, Dr Sellers, later described as “two-mule farmers”, had moved to the city as a young man to attend business school. and by the time young Charles was born he was rising rapidly as an executive at Standard Oil. Charles’s mother, Cora Irene (Templeton) Sellers, worked for a religious society that supported missionaries.

Charles’s parents were strict Presbyterians, and although he later disowned religion, it colored his childhood and later drove his commitment to progressive causes. As a teenager, Charles became interested in civil rights; he later recalled attending an NAACP meeting at which he was one of the few whites among hundreds of blacks.

He studied history at Harvard, but delayed graduation until 1947 to join the military. Subsequently, he returned to North Carolina and obtained his doctorate. in History from the University of North Carolina, Chapel Hill, in 1950. He taught at the University of Maryland and Princeton before moving to Berkeley in 1958. He remained there until his retirement in 1990.

Dr. Sellers’ first marriage, to Evelyn Smart, ended in divorce, as did his second, to Nancy Snow. With his wife, he is survived by his brother, Philip; his sons, Grier and Steen; his daughter Janet; and two grandchildren.

One of the first things Dr. Sellers did when he arrived in Berkeley was join the local chapter of the Racial Equality Congress. Working with the chapter, he fought against housing and employment discrimination around Berkeley, and in 1961 he traveled with a contingent to Mississippi to support the Freedom Riders. Dr Sellers was arrested but released on a suspended sentence.

In 1964, he was among the first and most vocal faculty members to support the Free Speech Movement in Berkeley, which opposed the administration’s efforts to reduce activism on campus.

His involvement began when he saw one of his colleagues arrested during a demonstration and boarded a police car. Immediately, Dr. Sellers joined several students in circling the car for hours.

He remembers sitting on the roof of the car when another colleague passed by.

“Charles, what are you doing up there?” asked his colleague.

“What are you doing there, Waldo?” Dr Sellers responded, paraphrasing a quote from his hero, Henry David Thoreau, who had been jailed for not paying taxes to protest slavery and the war against Mexico. (“Waldo” referred to Ralph Waldo Emerson, who visited Thoreau in prison.)

Dr. Sellers’ radicalism has earned him few friends on the faculty, but the soft-spoken Southerner has become an inspiration to Berkeley’s more militant students. He introduced Malcolm X when he came to speak on campus, and then spoke to a crowd of 7,000 at an anti-Vietnam War rally.

His activism did not interfere with his schooling. During the 1960s he produced two volumes of a three-book biography project of President James K. Polk, the second of which, “James K. Polk, Continentalist: 1843-1846” (1967), won the prestigious Bancroft award.

Dr. Sellers spent the next two decades working on “The Market Revolution,” which he did not publish until a year after his retirement.

The book is nonetheless evocative of the counterculture of the 1960s – both in its depiction of a pre-capitalist America awash with communal life and free love, and in its rejection of the work of postwar academic historians who, according to Dr. Sellers, have tried to hide the reality of the classroom. early conflict in America behind a veil of democratic consensus.

“I was alarmed when historians armed the United States for the Cold War by purging the class of conscience,” he said at the 1994 conference in London. “By suffocating exploitative capital in an attractive democratic costume, their mythology of consensual democratic capitalism has purged the egalitarian meaning of democracy. “

“The Market Revolution” made waves even before its publication. It had been commissioned as part of the Oxford History of the United States series, but the editor of that series, C. Vann Woodward – also a liberal Southern historian trained in Chapel Hill – dismissed it as being too critical and pessimistic about the beginnings. American history.

Oxford University Press eventually published the book, but outside the series. It elicited intense admiration, but it also drew immense criticism – historian Daniel Walker Howe, who had briefly studied with Dr Sellers, wrote an entire book, “What Hath God Wrought: The Transformation of America, 1815-1848 “(2005), which many saw as a direct critique of Dr. Sellers’ work.

“That 1960s flavor is what bothers a lot of people about the ‘market revolution’,” Amy S. Greenberg, a historian at Pennsylvania State University, said in an interview. “But he is a writer as much as a historian, and the picture he draws is an idealization of the time.”

Although he did extensive research for the third volume of his Polk biography, Dr. Sellers never completed it. Instead, several years ago he gave her voluminous notes to Dr Greenberg, which she used to write “Lady First: The World of First Lady Sarah Polk” (2019).


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Fiction publisher

Successful self-publishing author Colleen Hoover


Author Colleen Hoover’s book “Ends With Us” found success on TikTok’s #BookTok.

Photo: Chad Griffith, HONS / Associated Press

Colleen Hoover’s years as a published – and self-published – novelist have been a long and pleasant surprise.

The Texas-based writer broke through in 2012 when, through an program, she published “Slammed,” which became a showcase for how an author in the Internet age can be successful through luck. and to the value of the mouth. Bloggers and social media helped the book grow online, and within months, “Slammed” was on the New York Times e-book fictional list, despite the lack of organized publicity. By the end of the year, Hoover had self-released a hit sequel, “Point of No Retreat,” and signed a deal with the Simon & Schuster Atria brand.

She has since been a prolific and reliable novelist (sometimes referred to as “New Adult”) and writer of thrillers, with over 20 novels and short stories including “Maybe Someday”, “Confess” and the upcoming “Reminders of Him.” “. His work has been in particular demand this year, but not because of a new book, movie, or other topical event.

Because of TikTok.

His novel “It Ends With Us”, first published in 2016, has sold tens of thousands of copies per week and tops bestseller lists thanks in large part to its popularity on # BookTok, the TikTok niche where young readers talk about their favorite works. Hoover joins a growing list of surprise recipients of #BookTok over the past two years, including Madeline Miller for “The Song of Achilles” and Matt Haig for “The Midnight Library.” Barnes & Noble even set up special tables for #BookTok favorites.

“Colleen Hoover has been a huge driver for clients over the past few months,” said Shannon DeVito, Director of Books for Barnes & Noble. “‘It Ends With Us’ has been trending on #BookTok since June, and we sell over 10,000 copies a week.”

In a recent telephone interview from her home in Sulfur Springs, Hoover seemed both astonished at her fortune and fearful that she might put it in jeopardy. She says she and her husband still love to eat Hamburger Helper and reluctantly admits that she no longer has to worry about paying for her three sons’ education.

“We’re scared of really changing our routine or acting like the sales are going to last, or even going out and celebrating with a good dinner,” she says. “It takes time for things to permeate us.”

Born Margaret Colleen Fennell, Hoover, 41, thought of becoming a writer since she was a girl, but put it aside while at Texas A&M University-Commerce, when she married Heath Hoover and had her first child. She continues to follow an unpredictable path. Atria released “It Ends With Us”, but Hoover still enjoys releasing some of her own work, including the thriller “Verity”.

Even before #BookTok help, she helped expose her own work to new readers by donating some of it for free in 2020 as a gesture of support during the onset of the pandemic.

“Reminders of him”

By Colleen Hoover

Coming in 2022

During his interview, Hoover spoke about luck, inspiration, editing and self-publishing:


“I did social work for several years and started writing my first book at the age of 31 because I was bored; it was just a hobby. I was doing it just because I love to write. When I finished it I remember my mom got a Kindle for Christmas, so I wanted to get the book on her Kindle. I researched how to post on Amazon and came across their self-publishing platform. I loaded up the book on New Years Day and told my friends on Facebook, “Hey, I wrote this story. I didn’t even call it a book.

” It all started from there. It was a word of mouth bestseller. I had to use the Amazon tracking device to find out how it was going. Every day we were following the sales, and my husband and I were like, “Six people bought the book,” and it went up, and eventually it was hundreds. “


“I got the idea because of the relationship between my mom and dad. He and her divorced when I was 2 years old. I don’t have a lot of memories of what they went through, but I knew he was violent, and I never understood how it happened because she was such a strong and independent person. And I want to know how she got into this situation. I wanted to write the book from my mom’s perspective and how she experienced it. I always say that I write to entertain, I do not write to inform or to educate. But this book was a different beast.


“I’ve been doing this for so long. My sister is a writer and cover designer, so I have people in my family who help me with some aspects. I truly appreciate it. Also, I feel like when I publish to a publisher, the successes are theirs, but the failures are mine. It’s just something that I feel, or that I make myself feel. But with self-publishing, all successes are mine and all failures are mine. “

His advice for young writers? “A lot of people ask me, ‘What’s your secret? And my answer is, “I don’t have one.” There have just been a lot of different things that have led to this point. There is no magic answer.


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Reading and writing

SAT scores above the global average in Fairfax public schools


FAIRFAX COUNTY, VA – SAT scores for Fairfax County public schools continue to outperform national and national averages, according to College Board data for the class of 2021.

The mean score, which includes reading / writing and math but not the essay, was 1201 for the FCPS class of 2021. By comparison, the mean score for the FCPS class of 2020 was 1211.

The average FCPS score was higher than Virginia’s 1151, and the global average was 1060. In the reading and writing section, the average FCPS score was 601, compared to 584 in Virginia and 533 worldwide. The math score was 600 for FCPS, compared to 567 in Virginia and 528 globally.

Disparities persist between ethnic and racial groups. Asian FCPS students had the highest average score (1294), followed by White students (1220), multiracial students (1213), Hispanic students (1095), and black students (1054). Nonetheless, the average score for each racial or ethnic group surpassed that of its peers at the Virginia level and globally.

“As we center equitable access in our decision-making, it will be important to respond with the expansion of tailored learning experiences,” FCPS said of racial disparity. “These test data reminds us that we still have a lot to do as a system and as a community to provide the academic support all of our children need to be successful.”

Due to cancellations related to the COVID-19 pandemic and the reluctance of families to send students for in-person tests, participation in the SAT has plummeted around the world and in Virginia. According to the College Board, attendance fell 31.4% globally and 33.4% in Virginia. The decline was less pronounced at FCPS, with a participation of 4.4% less.

FCPS attributed the smaller drop to the school district that hosted the SAT school day for the first time in September 2020. The SAT school day allowed students to take the SAT free of charge at their school on a designated weekday. In total, 63 percent of the senior FCPS class have taken the SAT. The SAT School Day will once again be held for the Class of 2022 on October 13.

“We recognize that priorities have changed significantly during the pandemic. Providing convenient access to the SAT at no cost was our way of easing the burden on our families and students, ”said Superintendent Scott Brabrand. “The fact that FCPS saw such a small decrease in participation shows that this concept worked.”


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Writer market

Why is beef so expensive now?


Grocery prices go up. Meat prices are rising more than most other grocery prices. Beef prices are rising more than most other meat prices.

But these are not good times on the ranch. Even though the ground chuck costs over $ 5 a pound at Walmart, ranchers complain that they are getting less for their animals than it costs to feed them.

Rising food prices are likely depressing President Joe Biden’s approval numbers. The US economy has created nearly 5 million non-farm jobs since the day of the inauguration. Still, Biden’s approval rating fell in the mid-1940s. In a recent Fox News poll, 82% of those polled described themselves as “extremely” or “very” concerned about the cost of living. More than scenes of chaos in Afghanistan, the numbers at the supermarket checkout can weigh on Biden.

On September 8, the White House unveiled an analysis of the problem and an ambitious plan of action: $ 500 million in loan guarantees to smaller and regional beef processors.

What’s going on here is bigger than beef. It is a test of a theory on the American economy and on a philosophy of government. The theory, expressed most forcefully in a book by Thomas Philippon in 2019, The great reversalis that the US economy is in the grip of a few dominant companies. Industry after industry, according to Philippon, a few companies have gained the power to keep prices high, wages low and competitors out. The government philosophy that flows from this theory is that the government should vigorously control competition, not only through traditional antitrust enforcement, but also through a broader program of regulation and intervention. of the market.

Market regulation went out of fashion in the 1970s, a victim of its internal contradictions. As academic critics such as Robert Bork argued at the time: If, for example, a supermarket gains market share over its mom-and-pop competitors by offering a wider selection at lower prices, you can understand why mom and dad don’t like it. But how is it “pro-competition” if the government steps in to protect Mom and Pop from competitors who better meet customer needs?

This argument has prevailed for most of the last half century. The Biden administration is looking to change course – and beef is its starting point.

To understand the choices facing the Biden administration, here are the two conflicting explanations of what’s going on with the beef.

The first explanation is a classic story of supply and demand. The beef industry has been hit over the past two years by a series of supply shocks. COVID has closed many processing plants. Then, when the factories reopened, they had to work less efficiently, with workers more spaced apart. Like many other employers, meat packers struggled to hire enough labor at pre-pandemic wages, so they had to pay more, driving up their costs.

Meanwhile, American cattle herds have been ravaged by drought in the American West. The 2020 drought was bad; the drought of 2021 was worse. More than a third of American cattle grazed in drought conditions in 2021, sometimes, as in Montana and Washington state, in extreme drought conditions. The overall national herd has shrunk in numbers, and animals that entered the market weighed an average of 15 pounds less than animals weighed a year earlier, according to statistics from the United States Department of Agriculture.

The drought has also pushed the price of feed to skyrocketing levels, pushing beef prices even higher. The food crisis explains some of the woes of small farmers. Many cattle spend their first few months on a ranch eating grass and then are sent to a feedlot where they are fattened with corn and other grains. If the food costs more, the breeder earns less.

Over the past year and a half, increased demand has impacted this limited supply. Throughout the coronavirus pandemic, the federal government has injected enormous purchasing power into consumer wallets. This extra money — plus consumer cuts on other types of spending — allowed consumers to increase their spending at the grocery store; they spent $ 84 billion more in 2020 compared to 2019.

If this explanation of supply and demand is correct, then the right policy for the government is to do nothing. Higher prices will encourage ranchers to raise more cattle. Higher prices will allow meat packers to pay higher wages. Higher prices will encourage consumers to replace beef with other foods. Supply and demand will balance out, as always. And this time, high prices can also serve another function: to warn consumers of the impact on their wallets of climate change caused by drought.

But there is another story to be told, and that is the story the Biden administration tells. Meat packaging is becoming an increasingly concentrated industry. Just four companies process more than 80 percent of American beef. Even though prices fell in the early 2010s and rose again in the early 2020s, the Big Four were able to first increase, and then maintain, their level of profitability. In less concentrated food industries, especially eggs, prices did not increase as much in 2020-2021 as prices for meat, and especially beef.

Without completely denying the explanation of supply and demand, the Biden administration wants to act to increase competition in the meat packaging industry. He proposes to commit $ 500 million in loan guarantees and direct grants to support small players against the Big Four. He hopes that more competition will raise the prices packers pay ranchers and lower the prices consumers pay at the store.

It may be a desperate hope. A single large meat-packing plant can cost $ 200 million and take several months to approve and build. So $ 500 million won’t buy a lot of additional capacity. Worse, from the point of view of the Biden administration, meat packers facing increased competition have another option besides paying ranchers more or making consumers pay less: they can cut their own costs, for example. by automating job cuts.

The architects of the Biden plan are awkwardly aware that it rests on a lot of optimistic hopes, assumptions and assumptions. When urged on the likelihood that their plan will provide short-term relief to ranchers or consumers, they respond that their plan’s most fundamental goal is to improve the resilience of the American food system. Because meat packaging in general – and beef packaging in particular – is so concentrated in a few huge factories, small shocks can disrupt the country’s meat supply.

In August 2019, a fire severely damaged one of the seven largest meat packing plants in the United States, near Holcomb, Kansas. Suddenly the United States lost the capacity to process 30,000 head of cattle per week. In May 2021, a cyberattack temporarily shut down all U.S. processing operations of JBS, the world’s largest meat packer. This attack disrupted a quarter of the American beef supply.

Multiplying the number of smaller or even less efficient providers may offer some protection against such shocks in the future. It’s hope anyway, and President Biden has talked about it a lot. But how would this hope work in the real world? The Big Four have come to dominate beef packaging as they do precisely because it is an industry where larger size translates into lower costs and greater efficiency. The Biden administration is not talking about turning the Big Four into the Big Five. It’s about supporting a large number of smaller competitors. What is stopping the Big Four from undermining them and driving them out of business long before a crisis in which additional resilience might come in handy? When I posed this question to officials involved in the Biden Plan, they admit that the question worried the President as well.

The resilience project can work in only one way: if the additional capacity can somehow persuade consumers to pay higher prices. Craft breweries do not compete with Anheuser-Busch on price; they compete in taste. Small meat packers could also compete as more animal-friendly alternatives or that provide organic or grass-fed meat. But that means entering the market from the top, not the bottom. And because the main obstacles to this type of niche competition are regulatory, allowing niche competitors to develop will require deregulation A very different kind of program than what the Biden administration seems to have in mind for meat conditioning.

Instead, there is a real risk that the initial commitment of $ 500 million in aid and loan guarantees to small packers will develop into a continued intervention in the market to keep small competitors in business in the face of the increased efficiency and lower prices of large packers.

As the saying goes, there is no way to remove politics from politics. Rabies against large slaughterhouses is particularly acute among ranchers in Montana and the Dakotas. These ranchers are located far from the feedlots of the Corn Belt to the south, and they feel particularly disadvantaged by the current structure of the industry. They even have their own industry group, which largely supports the plans of the Biden administration. Montana has a Democratic senator right now; North Dakota had one from 2013 to 2019. Not surprisingly, a Democratic presidential administration listens more attentively to the views of ranchers in states that sometimes vote Democratic than those in states that do so less often.

However, it would be a mistake to interpret bovine policy as a simple expression of regional policy. What is proposed for beef is an experiment in tighter regulation of the market. If it works – or at least seems to work – for beef, it can be tried elsewhere. But what if it doesn’t work? We will return to where we were before the 1970s, when “pro-competition” often meant “a helping hand to less able competitors.” “Resilience” is an attractive slogan. But what if that translates into simpler English in higher taxes and prices?


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Fiction publisher

Sharon Pepper’s book ?? Jeremy Q. Taylor and the Cyborg in the Cellar ?? Presents the challenges of technology to humanity in the future


Miami, Florida – WEB WIRE

What distinguishes humans from cyborgs?

In a sci-fi novel interspersed with action, adventure, robots and family love, Sharon takes us to the world of ?? Jeremy Q. Taylor and the Cyborg in the basement. ??

When 16-year-old Jeremy suddenly lost his mother, he was upset and in pain. The event left Jeremy with a tired heart and the inability to cope as well as his father would have liked. Wanting to help his son, Bob Taylor, a scientist working for Human-istic Ltd., a company dedicated to creating robots for all walks of life, created a cyborg named Addison. Bob wants Addison to become Jeremy’s big brother. Addison was almost perfect. With a physical appearance that can make any girl pale and the intelligence of a supercomputer, Jeremy at first felt inferior and envious, to the point that he hated Addison. On the other hand, Addison is not just a robot. He’s also partly human and never gave up on Jeremy. The two Taylor boys have become inseparable. However, the threat of reproducing Addison for commercial gain was looming. This puts the cyborg in danger and they find themselves in dire straits.

Can the Taylors overcome the dangers of greed and lust for power and money?

Discover a love story between a family that transcends species and the power of science to heal or destroy. Join Pepper and the Taylors. Get your copy.

Buy the book at:

Jeremy Q. Taylor and the cyborg in the cellar
Author: Sharon pepper
Editor: Your online publicist
Publication date: September 2021
Type of book: Science-Fiction & Fantasy

About the Author:
Sharon grew up in Yorktown Heights, New York, with two exuberant siblings. What did she like to do as a child? ?? I absolutely loved reading ?? and always had a book in my hands. Writing is and has been fun for me, and it has been a great creative outlet. Before I start writing, I like to ask myself questions. For example, for this book, my main question that needed to be answered was: ?? What does it mean to be human? Is it just our DNA, or is there something more ????? Readers will find out eventually.

Sharon’s professional experience includes marketing, sales and administration of educational programs / services and materials.

His education includes an undergraduate degree in business administration from Florida Atlantic University in Boca Raton, Florida. Additionally, she received her MBA from Cal State East Bay, California.

(Image from press release:


 Science fiction novel
 Sharon pepper

Contact details
Amara bryant
Production director
Your online publicist

Contact by e-mail

This news content may be incorporated into any legitimate news gathering and publication effort. Linking is allowed.

Press release distribution and press release distribution services provided by WebWire.


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Reading and writing

Standardized tests are not the end of intelligence


2021 staff lariat mugs

By Aliyah Binford | Journalist

Passing tests is actually very difficult for me. For those who fully understand what I’m saying – of which I’m sure there are many – then this piece is for you. Standardized tests become more difficult as you get older; whether it is reading, writing or math, they are getting more and more difficult. I can study for a test for days and understand the material, but when it comes time to take the test, my mind goes completely blank, and it’s like I have short-term memory loss.

Between 40% and 60% of students suffer from test anxiety, and I’m part of that group. There is so much stress taking a test, and if I do poorly, teachers interpret it as if I don’t know the subject or I’m not as smart as my peers. Think about it from a student’s perspective for a second. Your teacher tells you that you need to take a test – a test you may have already taken earlier in the year – to measure your growth. Your growth determines the classes you will be placed in next year and, whether the teacher says it or not, what opportunities you will have in the future. How would you feel if you were this student?

I might be the smartest person in the room, but because I scored low on a test, I’m instantly relegated to a lower category, which makes absolutely no sense to me. I understand that we need consistent measures of student progress in math, reading, science and social studies. However, a low grade in these topics shouldn’t be the only resource teachers and schools turn to before telling me I’m slow or not smart. A lot of people are smart on the streets, not in smart books. I grew up learning the rules of the street and how to be an adult in our dog-eating dog world, so when I got to school here in Baylor I struggled tremendously, even in subjects that I did. get it right – all because schools feel the need to make things as difficult as possible for students, when in the end it scares me instead of giving me confidence in real life.

The problem is that standardized tests are not an accurate measure of a student’s quality of education or even intellect. For me, you can determine a person’s intelligence by giving them real world problems and seeing how they solve them. You can be smart and still have a hard time in school. There are a lot of famous people who didn’t make it in school and still did amazing things in life like a scientist, inventor, and founding father. Benjamin franklin, who gave up at the age of 10 to help support his family. So why do schools push kids to take tests, judge them for not doing well, and assume they are not smart? I believe everyone is smart in their own way, and schools shouldn’t put people in lower categories based on those kinds of results.

Test anxiety is a real thing. Standardized tests are not important enough to decide if you will have difficulty in life. How you will be successful in life is up to you, and I believe I will be successful easily, even if I struggle with tests that I think are unnecessary.


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Writer market

Peter Thiel, bane of Silicon Valley


FOR A MAN who wants to live forever, Peter Thiel has already done enough in his 53 years to leave mere mortals exhausted and above all frustrated. The venture capitalist, techno-utopian and scourge of the liberal left is a myriad of contradictions.

He co-founded PayPal, a payments platform that as a young libertarian hoped to undermine the global monetary system. Instead, it gave him the money to ride Silicon Valley, a place he despises. He was the first outside investor in Facebook, a tech giant he remains in, though he doesn’t care about social media. As a hedge fund manager, he bet on an economic collapse in America before the 2007-09 financial crisis, but called the market bottom too soon. He was one of the most prominent financiers supporting Donald Trump’s presidential bid in 2016. Yet his efforts to populate the Trump administration with radical-thinking acolytes have failed.

Max Chafkin, who goes through this litany of inconsistencies in a new book, “The Contrarian”, writes fluently. But he fails to find an explanation that ties the threads together. At his most charitable, he praises Mr. Thiel as the creator of immense wealth because of the tech companies he has supported (besides PayPal and Facebook, they include sharing economy giants such as Airbnb and Lyft. , as well as a host of other blitzscaling platforms). At his most damning, he describes his subject as a tax-dodging “nihilist” whose right-wing ideology is primarily aimed at increasing his wealth and power.

And yet, strangely, Mr. Chafkin, a business writer, only indirectly refers to the most intriguing business story. Between the lines, an image emerges of an erratic visionary whose work, however frightening, is not finished. Mr. Thiel applies the radicalism that inspired PayPal to cryptocurrencies and decentralized payment platforms. The “Make America Great Again” schtick that drew him to Mr. Trump has led to investments in military, surveillance and space technologies that have helped double his net worth over the past year. His desire to reclaim Silicon Valley from software-loving pacifists and return to his roots in the Cold War military-industrial complex is bearing fruit and spreading beyond California.

In short, his particular brand of libertarianism seems to have a new lease of life. On the one hand, he wants to free individuals from the government shackles by allowing them to create their own currency. With the other, he sells technology to a powerful security establishment so that it can protect them from potential enemies. Enough to hyperventilate the mix of hippies and Silicon Valley yuppies on their yoga mats.

This isn’t the first time that a man described by Mr. Chafkin as socially awkward has created a movement of like-minded people determined to shake up the tech industry. The PayPal mafia he helped muster at the turn of the century continues to thrive. Besides him, his best-known member is Elon Musk, whose rocket company SpaceX is backed by Mr Thiel’s Founders Fund, a venture capital firm (CV) solidify. Last valued at $ 74 billion, it returned the very first civilian crew from orbit on September 18. He is at the forefront of the revitalized American aerospace industry.

Others, too, have remained loyal to Mr. Thiel for decades and share his obsessions with security. Palantir, a $ 52 billion data analytics company, is used by the U.S. military, immigration authorities, and many law enforcement agencies. It was co-founded by Mr Thiel in 2003 and is run by an old friend, Alexander Karp (who served on the board of directors of The Economistthe parent company of). Ahead of its IPO last year, Karp told potential investors that the company, although born in Silicon Valley, shares few of its values. “Our software is used to target terrorists and keep soldiers safe… we have chosen our side,” he said.

Anduril, a defense startup also backed by Mr Thiel, builds unmanned drones for military surveillance. Marc Andreessen from Andreessen Horowitz, a CV (who is also a director of Facebook), wrote about the emergence of a new generation of Silicon Valley-style defense companies. “Some in our industry find serving such agencies and missions controversial. We’re not doing it, ”he wrote in 2019, announcing a co-investment with Mr. Thiel’s founders’ fund in Anduril. It was last valued at around $ 4.6 billion.

Even without Mr. Trump, Mr. Thiel continues to mix business and politics. This year, he teamed up with Narya, a venture capital fund led by JD Vance, author of “Hillbilly Elegy,” to invest in Rumble, a video platform popular among right-hangers. He supports Mr. Vance in the Republican Senate primary in Ohio. Blake Masters, co-author of Mr. Thiel on “Zero to One,” a 2014 bestseller, hopes to represent Republicans in the Arizona Senate race. The New Yorker speculated that “Rise of Thieves” could provide the Republican Party with a post-Trump ideology.


If so, it would likely involve continuing the pillory of big tech companies, especially Google, which Mr Thiel has long accused of being a monopoly. The new ideology is said to be anti-China, a country Mr Thiel describes as using artificial intelligence (AI) to centralize control of the economy. “Yes AI is communist, crypto is libertarian, ”he wrote last year. He would be favorable to cryptocurrencies and blockchains. He is a large backer of, a blockchain software company whose crypto unit, Bullish, plans to go public through a $ 9 billion reverse merger with a specialist acquisition company.

All of this is taking technology investments beyond Silicon Valley into new areas, some of them threatening to many observers. This will not worry Mr. Thiel. Palantir is named after a “stone of vision” most often used by Sauron, ruler of JRR Tolkien’s evil empire of Mordor in “The Lord of the Rings”. Obviously, Mr. Thiel, always against the grain, doesn’t view Mordor as harshly as most Tolkien fans. As he once said to a friend, “I’d rather be seen as a bad guy than an incompetent. â– 

For a more expert analysis of the biggest stories in economics, business and markets, sign up for Money Talks, our weekly newsletter.

This article appeared in the Business section of the print edition under the title “The Midas of Mordor”


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Fiction publisher

Literacy Work Propels Press and Santa Monica Editor Jeffrey Goldman Into Young Adult Literature | New


LOS ANGELES, September 23, 2021 / PRNewswire-PRWeb / – Santa Monica Press, long known as an eclectic independent publisher with a Southern california looked at their list of high quality books, recently announced that after 25 years of publishing Adult Nonfiction, the press is launching Santa Monica Press / Teen, with Young Adult Narrative Nonfiction and Historical Fiction. A percentage of sales from the entire YA line will be donated to non-profit organizations dedicated to promoting literacy.

The initial series of books for young adults (YA), published in the winter of 2022, includes four titles, two novels and two memoirs:

  • Pork Belly Tacos with an Anxious Side: My Journey Through Depression, Bulimia, and Drug Addiction by Yvonne castaneda
  • The dressmaker’s daughter: novel by Linda boroff
  • Flowing with the Pearl River: Memory of a Girl from Red China by Amy Chan Zhou
  • Ventura and Zelzah: a novel by JG Bryan

For ten years, the publisher Jeffrey Goldman has been heavily involved in the nonprofit world, having served on the board of directors of Words Alive, a nonprofit literacy organization, both as a board member and as chairman from the administration board. The power of YA really hit Goldman while he was working as a Words Alive writing facilitator at Monarch School, which deals with children affected by homelessness.

“I knew through the education of my own children, my friendships and the support of the librarians at their school, that YA literature could have a powerful effect on a young person. But what I saw at Monarch School was how YA literature could literally change lives. Goldman wonders. “I decided it was time for Santa Monica Press to take on a new challenge that could have a profound impact on young readers, while also raising funds through the sale of titles to help support literacy organizations. nonprofit such as Living Words. “

High school students who barely cared about school turned to the carefully chosen books from Words Alive’s curriculum. “I remember a young man, brand new to school, a high school student, who had been in and out of different schools and in and out of different juvenile detention situations. And this kid was one of the students. most amazing writers I have But he didn’t think about it, because he had never had anyone at home to cheer him on, until he read the book Words Alive gave him: Jimmy Baca Santiago A place to stand. This memoir changed her life. He devoted himself to his writing. “

Regarding Santa Monica Press’s first foray into YA, Goldman says, “True to our roots, it’s a diverse mix. Pork Belly Tacos is written by a writer whose mother is Mexican and father is Cuban, and explores a subject traditionally taboo in these communities. Pearl River is the work of an author who spent much of his childhood in the China. Ventura and Zelzah is a coming-of-age novel set in a suburb Los Angeles in the 1970s, and The Dressmaker’s Daughter, which takes place in Romania, presents a new perspective on the Holocaust. “

To top it off, the next release in the Santa Monica Press / Teen line is what Goldman claims to be a book “in the great tradition of the Great American Novel, written only by a Brit!” He pauses for effect, laughs, then ends with, “I assure you we’ll always keep things eclectic here at Santa Monica Press.”

About Santa Monica Press

Santa Monica Press has published an eclectic line of non-fiction books for over 25 years. Our critically acclaimed titles are sold in chain bookstores, independent, online and college bookstores around the world, as well as in some of the most popular retail, gift and museum stores in North America. Our writers are recognized experts who are sought after by the media and receive coverage in newspapers, magazines, internet, social media, radio and television both nationally and internationally. At Santa Monica Press, we’re not afraid to cast a large editorial net. Our list of living and modern non-fiction titles includes books in categories such as pop culture, film, music, humor, biography, travel, and sports, as well as regional titles focused on California. We recently added Young Adult Fiction and Young Adult Narrative Non-Fiction to our list! Don’t forget to look for the shell!

[email protected]


Media contact

Adriana Senior, Santa Monica Press, 718-578-1130, [email protected]

SOURCE Santa Monica Press


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Reading and writing

Education: Then and Now – Lewiston Sun Journal


Bethel built elementary schools early on, in response to Massachusetts school laws and Protestant custom. Typically a room, a teacher, multigrade at the start, they teach reading, writing, arithmetic, but also punctuality and sociability. Attendance, for a few years at least, soon became the norm; illiteracy is becoming a greater handicap in an increasingly literate society. For farmers, traders and possibly factory workers, literacy was sufficient; crafts were learned at home and on the job, books and newspapers increased their reach. Gradually consolidated into fewer, larger and more sophisticated businesses, primary schools continue to look after the original bases. Part of a growing population wanted more education; local leaders founded academies and high schools; finally, the state contributed, then regulated. Gould, like many other such institutions, prepared students for academia, professions, commerce, education, and civil society (political roles for elite men, largely social roles for women). Admission to university needed Latin and maybe a little Greek; for many years, most continued their classical studies in college. As admission requirements have changed, so have high school courses.

Many lawyers, doctors, engineers, etc., have been trained by apprenticeship; secondary education provided them with the prerequisites of advanced literacy and numeracy, perhaps a little science… Business required a similar education; the MBA was far into the future. Prospective teachers could add modern language to the curriculum, as well as pedagogy; finally high school became a prerequisite for normal school, later for teachers’ college. Civility and elite status required additions such as music, dance, history, politics…

Gould has served Bethel’s educational needs for over a century. But by the end of the 20th century, a secondary education had become the universal norm, the minimum; the diploma is a necessity. Secondary education has therefore had to expand and diversify to meet the needs, interests and capacities of all young people. Gould and Bethel decided the former couldn’t do all of this; hence Telstar.

As secondary education developed, the high school diploma became, perhaps unreasonably, a certificate of intelligence and diligence, practical for employers and the public. When community college becomes free, maybe fourteen years of schooling will be the threshold of a “full” education, of a good job. But higher education is another column.

David R Jones has taught educational history to prospective teachers, administrators, et al.


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Writer market

Stacey Abrams kicks off nationwide tour ahead of 2022 mid-sessions


Stacey Abrams kicked off an ambitious national tour this week that will span months and swing many states ahead of the 2022 midterms – and potentially elevate her position within the Democratic Party in the process.

Driving the news: Abrams kicked off the tour on Tuesday in San Antonio, where she told a local reporter “unequivocally, yes” that she would like to run for president one day. She was in Milwaukee on Wednesday night and will appear in Detroit on Thursday.

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The big question: The voting rights activist and former Georgia state lawmaker, once considered for President Biden’s running mate, is gearing up for a rematch next year against Georgia Gov. Brian Kemp – or something something bigger?

  • This week, she sent a fundraising email for Democrat Terry McAuliffe in his competitive run for governor of Virginia.

  • Last week, she approved the Senate Democrats’ free voting bill, blessing Senator Joe Manchin’s (DW.Va.) compromise.

  • And while Abrams has yet to get his approval in an overcrowded Democratic primary for the U.S. Senate race in Wisconsin, his moderator for Wednesday’s event in Milwaukee is Lt. Gov. Mandela Barnes, who is running.

How it works: Abrams has scheduled 12 stops in 10 states – Texas, Wisconsin, Michigan, Arizona, Colorado, Massachusetts, New York, Florida, Tennessee and North Carolina – until November 20.

  • She announced his tour in August on Twitter, although it has received little national attention to date and modest early coverage from local journalists.

  • These are paid events, with each location determining the cost of attendance and some offering a meet-up option – although organizers have said Abrams is not taking the money. Profits go directly to the local theaters that host them and the arts organizations they support.

  • Moderators lead the conversation with Abrams around his work with voting rights, politics and social justice, as well as aspects of his personal life. The Abrams team invites local media, elected officials and artists to be moderators.

  • Country singer Trisha Yearwood will be the moderator in Nashville. Writer Melissa Harris-Perry will be moderator in North Carolina.

The backdrop: Abrams gained national recognition thanks to his tighter-than-expected 2018 governorship fight. She received kudos for challenging Kemp, a Republican, in the long-red Georgia.

  • Since then, Abrams has built an audience around his voting rights activism and participation efforts.

  • She achieved national fame and a huge rating with Biden and Senate Majority Leader Chuck Schumer (DN.Y.) when she helped Democrats topple her state and take control of the Presidency and Senate. .

  • Through her work with Fair Fight, she helped register at least 800,000 Georgian voters ahead of the 2020 presidential election.

What they say : Aaron Zimmerman, vice president of programming at the Tobin Center for the Performing Arts in San Antonio, which is orchestrating the tour, told Axios it took almost a year to establish the final schedule.

  • Tour stops include political hotbeds, as well as purple or blue areas.

  • “This is an opportunity for people to get to know Stacey in her multitudes,” said Michael Holloman, director of communications for Abrams. “We bring these disparate parts of her identity together and allow people to see her more fully.”

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Book creator

At 75, the Ojai Music Festival remains focused on the future


OJAI, Calif .– The return is a process. It is rarely linear.

The Ojai Music Festival, for example, returned September 16-19 to celebrate its 75th birthday after a long pandemic absence. But there have been setbacks among the returns. Compromises were made to accommodate her move from spring to the last days of summer. An artist has been detained in Spain by travel restrictions. Diligently enforced security measures have slightly hardened the mood of this historic event, a harsh yet relaxing haven for contemporary music nestled in an idyllic valley of deadpan mysticism and sweet Pixie tangerines.

This edition of the festival is the first under the leadership of Ara Guzelimian, back at the helm after a race in the 1990s. Each year, the person in his position organizes the programming with a new musical director; for Guzelimian’s debut, he chose composer John Adams, the paterfamilias of American classical music, who was born in the year of the first festival. Uninterested in a retrospective for this milestone anniversary, they presented their concerts as a prospective survey of young artists, which befits a festival that has long focused on the future.

But in music, the past, present and future always inform each other. Bach and Beethoven haunted new and recent works; pianist Vikingur Olafsson treated Mozart, as he likes to say, as if the ink had just dried on the sheet music. There is no future without looking back.

Guzelimian and Adams looked back as far as they could as they weaved the valley’s Indigenous history into the festival. The cover of her program was the photograph of Cindy Pitou Burton “Ghost Poppy” – the name of the flower given by the Chumash people, the first known inhabitants of this region, who after the arrival of Europeans were almost wiped out by disease. and violence, and who no longer have land in Ojai.

It’s a story that was shared, among lighter stories, by Chumash elder Julie Tumamait-Stenslie, who opened Friday’s lineup with tales about a misty field in Soule Park; that night she started a concert with a blessing.

Despite the best intentions, these were among the highlights of the festival. The predominantly white and wealthy audience responded to details of colonial brutality with a subconsciously affirming buzz, much as they later applauded. “Building a House” by Rhiannon Giddens a searing, sweeping accusation in American history – as if those listeners weren’t involved in his message.

The festival was at its best when the music spoke for itself. (Most concerts are broadcast online.) It must be said, however, that programming still had its limits; just as this review cannot cover the whole event, the three days of Ojai (and a brief prelude the night before) represented only a fragment of the field and excluded some of the more thorny and more experimental in progress.

Adams was nonetheless interested, it seems, in artists who operate as if they were free from orthodoxy and the genre – far from what he called “the bad old days” of modernism. .

Beyond the composers, this translated to the performers, a roster that included the festival orchestra (not just a pickup band with brilliant violinist Alexi Kenney as first violin); members of the Los Angeles Philharmonic New Music Group; and the Los Angeles Chamber Orchestra. And soloists like violinist – for one piece, also violist – Miranda Cuckson, who called upon the strength of a complete ensemble in Anthony Cheung’s “Studies of Character” and Dai Fujikura’s “Prism Spectra”, and followed with agility Bach’s Second Partita with “Friezes” in place of the famous Chaconne finale of the partita.

Olafsson, whose recordings demonstrated his genius as a programmer – with a keen ear for connections within the work of a single composer, or across centuries and genres – convincingly moderated a conversation between Rameau, Debussy and Philip Glass, as well as another on Mozart. and his contemporaries, with a masterful voice and enlightening clarity.

Giddens was equally at home in a range of styles, his polymathic musicality and chameleonic voice unfolding as touchingly in an Adams tune as it did in American folk. Playing with her own band (whose members include Francesco Turrisi, her partner), she was unmoved and charismatic; alongside the Attacca quartet, she simply sat in front of a microphone with a laser focused gaze, commanding the stage with only her sound.

Attacca’s appearance was only too brief, but might justify their own turn to run the festival someday. Whether in the works of Adams, Jessie Montgomery or Caroline Shaw, in the episodic “Benkei’s Standing Death” by Paul Wiancko or in the jam-like “Carrot Revolution” by Gabriella Smith, these players with open ears and open-minded people don’t seem to bring a piece to the scene until it’s engraved in their bones, so much each score is embodied.

There was an overlap of composer and performer in Timo Andres, whose works were well represented but who also served as a soloist – scintillating, patient and tender – in Ingram Marshall’s magnificent piano concerto “Flow”.

Andres then gave a cold Sunday morning recital that opened with selections from “I’m still playing” a set of miniatures written for Robert Hurwitz, the longtime and influential frontman of Nonesuch Records. It continued with one of Samuel Adams’ Impromptus, an inspired piece of keyboard writing designed to complement Schubert, with lightnings by that composer as well as warmth and subtle harmonic undertones to match. And it ended with the first live performance of Smith’s “Imaginary Pancake,” which had a respectable start online at the start of the pandemic but really roared in person.

In very Ojai fashion, there were so many living composers scheduled that Esa-Pekka Salonen was not even called a headliner. Rather, he was a known quantity that involuntarily faded amid the novelty of the other voices. Carlos Simon’s propulsive and galvanizing “Fate Now Conquers” winked at Beethoven, but on its own cheeky terms. And there are still only promises in the emergence of Inti Figgis-Vizueta, whose “To give you shape and breath”, for three percussionists, slyly distorted time in a juxtaposition of resonating and dull sounds of found objects such as wood and planters.

Much of the real estate was donated to Gabriela Ortiz, who in addition to being performed – providing a wonderfully exciting climax for the festival with an expanded version of her “La calaca” on Sunday night – stepped in as curator when an Anna Margules recital was canceled because she couldn’t travel to the United States. This concert, an investigation of Mexican composers, offered one of the great delights of the festival: percussionist Lynn Vartan in Javier Álvarez’s “Temazcal”, a work for maracas and electronics that demands a dancing performance in a revelation of acoustic possibilities. of an instrument most people treat as just a toy.

Ortiz’s chamber works revealed a knack for surprising acoustic chords, such as two harps and a steel plan in “Río de las Mariposas,” which opened a late-morning concert on Sunday. It’s a sound that had a brother in a premiere that ended this program: “Sunt Lacrimae Rerum” by Dylan Mattingly, its title taken from “The Aeneid”.

The work is also for two harps (Emily Levin and Julie Smith Phillips) – but also for two pianos which, microtonally out of tune, could sometimes be mistaken for the sound of a steel pan. There is a slight dissonance, but not unpleasant; the effect is more like memory distortion. And there was nothing unpleasant about this cry of joy. Ecstasy emanated from the open pianos, played by Joanne Pearce Martin and Vicki Ray, as they were lightly hammered at their upper registers, joined by the sparkle of the music box in the harps.

The mood became more meditative in the comparatively subdued midsection, but the carrying thrill of the opening returned at the end: first in fragments, then at full strength. “Sunt Lacrimae Rerum” was the last work of the festival, a piece that looked back on a year that was traumatic for all of us. But Mattingly met the moment with music that was teeming with provocative and unfazed hope for the future.


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Reading and writing

Obituary of JoAnn B. Crook, Canfield, Ohio


CANFIELD, Ohio (MyValleyTributes) – JoAnn B. (Sinkovich) Crook, 73, of Canfield, died unexpectedly on Saturday night, September 18, 2021.

JoAnn was born April 29, 1948 in Youngstown, daughter of the late Joseph and Jennie (DiPasqua) Sinkovich and has lived her entire life in the area.

JoAnn graduated from East High School in 1966.

She was a member of Old North Church, Canfield.

JoAnn was a proud housewife and always made her family her top priority. She loved spending time with them and was an excellent cook and pastry chef. His family will be missed by all his wonderful dishes during the holidays and especially his famous clothespin cookies. JoAnn has had many passions throughout her life. She loved to read, write and her happiest times were spent at the beach collecting sea glass and seashells, watching and feeding birds every morning.

JoAnn is survived by her 52-year-old husband and the love of her life, Lee Crook, whom she married on June 21, 1969; her two beloved children, Jami Sue Crook of Canfield and Joseph John (Leslie) Crook of Greenford; her two grandchildren, whom she called “her heart walking on legs”, Jacob and Stella; her two sisters, Catherine Frlan of Canada and Veronica (Vincent) Guerrieri of Boardman and her brother, Joseph (Linda) Sinkovich of North Lima as well as several nieces, nephews, cousins ​​and friends.

Family and friends can pay homage to JoAnn on Saturday, September 25, 2021 from 11:00 a.m. to 12:55 p.m., followed by a memorial service at 1:00 p.m., all at Old North Church, 7105 Herbert Road, Canfield, with the Dr Nick Gatzke, Senior Pastor, as officiant.

Arrangements are in the professional care of Rossi & Santucci Funeral Home, 4221 Market Street, Boardman. Family and friends can visit to sign the guestbook and to send condolences to JoAnn’s family.

To send flowers to the family or plant a tree in memory of JoAnn B. (Sinkovich) Crook, please visit our flower shop.

A TV Tribute will air on Thursday, September 23 at the following approximate times: 5:17 a.m. on WKBN, 8:39 a.m. on FOX, 5:21 p.m. on WYTV and 6:35 p.m. on MyYTV.


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Writer market

shares win as Evergrande says it will make interest payment | Economic news



Global equities and US futures rose on Wednesday after Chinese developer Evergrande announced plans to pay interest on its debt which is due on Thursday.

Shares rose in Paris, Frankfurt and Shanghai but fell in Tokyo.

Markets have been rocked by Evergrande’s struggle to cope with debt payments and uncertainty over what the Chinese government could do to limit the impact of a possible default.

Evergrande, one of China’s largest private sector conglomerates, said it will make a payment on Thursday on a 4 billion yuan ($ 620 million) bond denominated in Chinese yuan.

Political cartoons

A statement from the company did not say whether this involved a change in payment. The bond has an interest rate of 5.8%, which would make the normal amount owed at 232 million yuan ($ 36 million) for one year.

Evergrande gave no information on any future payments, including a US dollar-denominated bond in March.

“Although banks have yet to declare Evergrande in technical default, Beijing’s silence adds to market nervousness,” Mizuho Bank’s Venkateswaran Lavanya said in a comment.

The German DAX gained 0.6% to 15,444.30 and the CAC 40 in Paris gained 1.2% to 6,630.19. The FTSE 100 in London jumped 0.9% to 7,042.98. US futures were also higher, with the Dow Industrials contract rising 0.6%. The future of the S&P 500 gained 0.4%.

The 10-year Treasury yield remained stable at 1.33%, against 1.32% on Tuesday night.

In Asia, Tokyo fell, but other major regional benchmarks were mostly higher, reducing initial losses.

The Bank of Japan kept its ultra-support monetary policy unchanged, as expected.

The Tokyo Nikkei 225 Index lost 0.7% to 29,639.40, while the Shanghai Composite Index gained 0.4% to 3,628.49. The Australian S & P / ASX 200 gained 0.3% to 7,296.90. Shares fell 2% in Taiwan and also fell in Singapore. But benchmarks have increased in India, Indonesia and Malaysia.

The markets in South Korea and Hong Kong were closed for holidays.

The Federal Reserve is expected to send out its clearest signal yet this week that it will begin to curb its ultra-low interest rate policies later this year, the first step towards unwinding the extraordinary support it has provided. to the economy since the pandemic hit 18 months ago.

Wednesday’s Fed policy meeting could lay the groundwork for a November pullback announcement.

On Tuesday, nerves appeared to stabilize after a massive sell-off on Monday.

The S&P 500 was down 0.1% and the Dow Jones Industrial Average was down 0.1% as well.

The Nasdaq composite rose 0.2% and small business stocks also managed gains. The Russell 2000 Index rose 0.2%.

In other exchanges, the US benchmark crude oil gained $ 1.04 to $ 71.53 per barrel in electronic trading on the New York Mercantile Exchange. He won 35 cents to $ 70.49 on Tuesday.

Brent crude oil, the standard for international prices, added 98 cents to $ 75.34 a barrel.

The US dollar climbed to 109.42 Japanese yen from 109.23 yen on Tuesday night. The euro strengthened to $ 1.1732 from $ 1.1726.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Book creator

“You were the best of us” – Deadline


the United States White collar was conceived as a two-person story – a story of a suave thief, Neal, played by Matt Bomer, and an FBI agent, Peter, played by Tim DeKay, who form an unlikely partnership to solve crimes. But it was Neal’s genius, and paranoid, crook Mozzie’s best friend, played by Willie Garson, who regularly stole the show.

The Showbiz and Media Personalities We Lost in 2021 – Photo Gallery

Today, following news of Garson’s death at 57, his criminal partner Bomer posted a moving tribute on Instagram alongside a photo gallery of the two over the years.

“I still haven’t thought about a world without you – where I can’t call you when I need to laugh or be inspired,” Bomer wrote.

The “Sex and the City” family mourns “the incredible” Willie Garson who worked on the sequel to the series

He remembered the last time he had seen his friend.

“The last thing you did when we said goodbye was take your mask off (I hate covid), smile and wink at me,” Bomer said. He ended his message with, “Save me a seat, because you know I want to be at your table up there.” “

White collar Creator Jeff Eastin also said goodbye to Garson on Twitter, saying, “You were the best of us.”

NBCUniversal, which USA Network aired White collar, wrote: “No matter what project he was on, Willie was always a fan favorite. Nowhere was that truer than on White collar, where he took the character of Mozzie, an outcast conspiracy theorist, and made him adorable to the core. We will miss him.”


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Reading and writing

Most parents in Tennessee are optimistic about school this year, poll finds


A month after the start of the new school year, three-quarters of parents in Tennessee said school was going well for their child and 69% said their students felt safe attending classes in person, even though many districts have temporarily closed under pressure from the highly contagious delta variant of COVID.

Survey results released Tuesday also show that nearly half of parents in the state fear their students may have fallen behind academically during the pandemic, with concerns even more prevalent among suburban parents and children. parents of high school students.

The poll – commissioned by the State Collaborative on Reforming Education, also known as SCORE – offered some surprises on parents’ perceptions of the start of the third consecutive school year affected by the pandemic. The survey was conducted from September 1-5 with a representative sample of 500 registered voters and 300 parents of public school students across the state, where most of the students returned to school. school in early August.

About 77% of parents surveyed were positive about how the 2021-2022 school year was going for their children.

At the time, at least 18 of Tennessee’s 147 school systems had closed for up to a week to try to tame the virus, as illness or quarantine sidelined too many teachers to staff classrooms. class adequately. And a third of all COVID cases in Tennessee have been in children up to the age of 18. Additionally, Education Commissioner Penny Schwinn had just started granting seven-day waivers to allow some schools to temporarily switch to virtual learning as part of a new COVID response plan.

Since then, Tennessee has reported more new cases of the coronavirus than any other state, relative to its population – an average of 109 per 100,000 people, according to a New York Times Database.

Data released Monday by the state health department, shows the death toll of people under 20 has doubled to 20 since the start of the school year.

And at least 14 public school employees who contracted COVID have died this school year, based on a report on deaths confirmed by Tennessee Lookout, an online news organization. The report notes that it is not known whether an employee was exposed to COVID at school or outside of school.

SCORE officials believe parents feel good about more face-to-face learning than last school year, when districts had the general power to switch to virtual learning to respond to pushes. local viruses. A new state rule requires schools to provide in-person instruction and tap into stored days if they have to close. Even with Tennessee’s COVID numbers, Gov. Bill Lee’s administration has not backed down on that position.

“The positive feelings expressed by parents about the start of this school year are a testament to the hard but essential work that teachers and school and district leaders across the state have done to support face-to-face teaching under very difficult circumstances. difficult, ”said David Mansouri, President and CEO of SCORE. said in a statement.

Teresa Wasson, spokesperson for SCORE, added that polls for the past two years show that two-thirds of parents in Tennessee believe distance learning is worse for their students than learning in person.

Beth Brown, president of the Tennessee Education Association, agreed that face-to-face learning is the best and said it’s great for parents to feel positive about the school year. But she also cited a mismatch between what the survey shows and what she hears from educators on the ground who continue to respond to the disturbances.

“People need to understand that the pandemic is wreaking havoc among educators in a state where there is already a shortage of teachers,” Brown told Chalkbeat. “Teachers are exhausted, exhausted and struggling mentally and emotionally. “

This year’s survey yielded similar results to last year regarding parents’ concerns about learning delays related to the pandemic. But this is the first pandemic year that Tennessee has benefited from the results of statewide tests, which were released a month before the last survey was conducted. In 2020, testing was canceled across the country due to the virus.

Tennessee scores showed an overall decrease in skills of 5 percentage points since 2019 as part of the Tennessee Comprehensive Assessment Program, also known as TCAP. Scores declined across all subjects and levels, with the largest drops among students who have historically followed their peers and learned longest.

The SCORE survey also looked at education issues unrelated to the pandemic.

Most respondents, including 71% of parents and 65% of voters, believe that Tennessee’s public schools are not receiving enough funding. And even larger percentages of those polled said they would support increased state funding for K-12 education.

The poll also showed strong statewide support for continuing the annual state tests, which have been used in Tennessee since 1988, to find out whether students meet education standards in reading, writing. and mathematics.

Based in Nashville, GOAL is a research and advocacy group founded in 2009 by former US Senate Majority Leader Bill Frist of Tennessee.

The group’s survey was conducted by Public Opinion Strategies and had a margin of error of just over 4% for the sample of registered voters and over 5% for parents in public schools.


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Fiction publisher

Richard Osman’s second book is one of the best-selling novels since record breaking | Books


Richard Osman’s follow-up to the Thursday Murder Club, The Man Who Died Twice, has become one of the best-selling novels since the records began.

Posted on September 16, The Man Who Died Twice continues the adventures of the gang of old detectives of Osman, Elizabeth, Joyce, Ibrahim and Ron. It sold 114,202 copies in its first three days of sales last week (including pre-orders), according to Nielsen BookScan – a performance that the Sales Monitor says made it one of the best-selling novels. since he started tracking sales in the late 1990s.

The man who died twice from Richard Osman. Photography: Penguin

Since then, only four adult hardcover novels have sold more in their first week on the shelves: Dan Brown’s The Lost Symbol (550,946 sold in its first week) and Inferno (228,961), The Casual Vacancy. by JK Rowling (124,603) and the late Harper Lee’s Go Set a Watchman (168,455).

Last week, Sally Rooney’s third novel, Beautiful World, Where Are You, topped the UK charts with sales of 46,065 copies. This week, Rooney’s novel ranks 4th overall, with 19,782 copies sold. And Away by Bob Mortimer… is behind Osman in second place, with 42,094 copies sold.

Osman also topped the paperback charts last week with The Thursday Murder Club, which sold 23,966 copies last week. The last time an author scored a No.1 double fictional board was in March 2017, when James Patterson’s 16th Seduction topped the board of hardback fiction and Never Never topped the book list. of pocket. The Thursday Murder Club has sold over a million copies since its publication in September last year and has spent 45 weeks topping the fiction bestseller lists.

Osman said he was “very pleased” with the sales. “It exceeds our wildest forecasts. My love and thanks to all the readers, all the amazing booksellers and Joyce, Elizabeth, Ibrahim and Ron, ”said author and co-host of Pointless.

“It’s wonderful to see how many people have fallen in love with Richard’s fabulous Thursday Murder Club and just can’t wait to read the next episode,” said its editor Joanna Prior, Managing Director of Penguin General. “The response to these characters and the crimes they solve from readers around the world has been overwhelming and it has been a joy to work with retailers to make Release Week such an important time for everyone at. to share.”

The Man Who Died Twice opens as the four members of the Thursday Murder Club examine “the cold case of a Hastings newsagent who murdered an intruder with a crossbow”. Elizabeth, however, is distracted: she has received a letter from an old acquaintance who needs her help, and she and her friends soon find out that the bodies are piling up. Examining it in the Guardian, Lynne Truss found that “a sense of danger is totally absent,” but added that “if you’re happy to let other pens dwell on guilt and misery, you can relax and enjoy this novel, which is superbly entertaining. ”.

Philip Stone of Nielsen Book Research said Osman was a “publishing phenomenon.” “In recent memory we have seen blockbuster titles inspiring long-term trends within detective fiction – Stieg Larsson’s success has given Nordic noir, Gone Girl and The Girl on the Train a boost. the psychological thriller market, ”Stone said. “It will be interesting to see if Osman’s success leads to a glut of comfortable criminal caper posts.”

At Waterstones, Rooney’s Beautiful World continued to top the charts, closely followed by The Man Who Died Twice. But buyer Bea Carvalho predicted that Osman’s second novel would soon overtake Rooney. “It’s pretty good to already have two fall mega bestsellers that have already arrived and are exceeding expectations – it’s a good start to fall,” she said.

For Carvalho, Osman’s appeal lies in his novels “marching so brilliantly this balance between intelligent and accessible”.

“It has such a strong appeal to true fans of the genre, but also to people who usually only buy one book a year,” she said. “Obviously his profile really helps hook these new readers, but the fact that it was so good, and such a smart and crisp storytelling in its own right, means that it actually became a bit of a buzzword. of mouth. It could easily have been a celebrity book that did what it did the first week, but the quality speaks for itself and it went on and was absolutely huge.


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Fiction publisher

Lena Waithe and Gillian Flynn to become book editors with Zando


When Gillian Flynn submitted her novel “Gone Girl” to her editor, Crown, she wasn’t sure what the executives would think of the story’s twists and turns and her crass, unreliable narrator.

“We knew it was strange, complex and risky,” said Molly Stern, who was Crown editor at the time. “We also knew it was a masterpiece.”

“Gone Girl” went on to become a blockbuster, sold in millions of copies, inspiring a film adaptation starring Ben Affleck and Rosamund Pike and creating a booming market for psychological thrillers featuring unstable women.

Now Flynn and Stern, who left Crown three years ago, are teaming up again. Flynn joins Zando, the publishing house Stern established last year – not as a writer, but as a publisher with his own stamp, Gillian Flynn Books. Flynn will acquire and publish fiction as well as narrative non-fiction and real crime. (Her next novel, which she is currently writing, will be published by Penguin Random House.)

“Industry is a harder place to enter. Everyone wants something that seems like a sure thing, ”Flynn said in an interview. “What attracted me was this ability to give people what I have, which was a lucky break in the market. So now I have the chance to defend somewhat different writers. “

With Flynn, Zando brought in writer, producer and actress Lena Waithe, who will launch a dedicated imprint of publishing “emerging and under-represented voices” including memoir, young adult titles and literary fiction. . As the company’s first founding publishing partners, Flynn and Waithe will each acquire and publish four to six books over a three-year period, and be involved in marketing and promoting the books to their own fans.

Both Flynn and Waithe have built a huge following and have proven to be versatile in different mediums. In addition to writing the screen adaptation of “Gone Girl,” Flynn was executive producer on the adaptation of her 2006 novel, “Sharp Objects” and was the creator and showrunner of the television show ” Utopia “.

Waithe is also a Hollywood powerhouse. After being acclaimed for her work as a writer and actor on “Master of None”, becoming the first black woman to win an Emmy for comedy writing, Waithe wrote and produced the film “Queen & Slim” and created the television series “The Chi” and “Twenty.”

Stern and Waithe met in 2017, when Stern asked if she wanted to work on a book.

“Molly was trying to get me to write a book, and I just didn’t want to,” Waithe said in an interview.

She was more enthusiastic about publishing other people’s books. When Stern asked her to work with Zando, Waithe developed the idea for an imprint, Hillman Grad Books, which she will direct with Rishi Rajani and Naomi Funabashi, executives of Waithe’s production company, Hillman Grad.

“Our mission is to introduce people to authors they might not have heard of otherwise,” Waithe said.

At a time of accelerating consolidation in the publishing industry, Zando, an independent company, is something of an outlier. It will likely publish less than 30 titles a year and invest heavily in marketing those books, rather than acquiring a lot more and hoping for a few to come out, as most corporate publishers do. .

“Hopefully we can have a force multiplier effect on books that would have sold modestly or were not a priority at a large publishing house,” Stern said. “Now there will be air around them.”

Like Hollywood studios, large corporate publishers increasingly rely on blockbusters for profit and have become more risk-averse when it comes to promoting new writers. These authors are struggling more than ever to find their audience in today’s algorithm-driven marketplace, which favors recognizable brands and books that are already selling.

Celebrities like Oprah Winfrey, Reese Witherspoon, Jenna Bush Hager, and Emma Watson can give their book clubs a boost, but these types of takes are the publicity equivalent of love at first sight – powerful but rare. Zando’s model tries to reverse the process by recruiting cultural influencers to select the books.

To combat what she called a discoverability “crisis”, Stern is bringing in leading publishing partners, which will include companies and brands as well as celebrities, to promote the books to their own. fans and customers. Zando’s partners will get a share of the profits, although Stern declined to say how much.

Zando received a large start-up investment from Sister, an independent global studio founded in 2019 by Media Director Elisabeth Murdoch, Film Industry Director Stacey Snider and Producer Jane Featherstone. Zando’s printed books will be distributed by Two Rivers, a distributor managed by Ingram, but Zando also plans to experiment with unconventional channels like direct-to-consumer sales.

In addition to its imprints, Zando has its own editorial team making acquisitions. Her first batch of books, due out next spring, is rich in fiction, notably “The Odyssey”, a novel by Lara Williams which tackles consumer capitalism; Steve Almond’s debut novel “All the Secrets of the World” set in the 1980s in Sacramento; and Samantha Allen’s “Patricia Wants to Cuddle”, on contestants for a TV dating show billed as a “Queer Grendel for the Instagram Age”.


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Reading and writing

What I learned from the Sealey Challenge


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Even though it started in 2017, this year was the first time I heard about the Sealey Challenge. Named after poet Nicole Sealey, it challenges participants to read a book of poetry every August day. Through social media, the entire community of poets and readers is connected via #TheSealeyChallenge.

I became a poet and poetry reader during my undergraduate studies (in my 30s) and have continued throughout my Masters of Fine Arts program and today. I have published poems and want to publish my own books. Since finishing my MFA, however, I have struggled to write poetry with any regularity. When I read about the Sealey Challenge, it seemed like a great way to jumpstart my poetic brain, post more on Instagram, and generally dig into my pile of TBR poetry.

So what did I learn from the Sealey Challenge?

This is not how I like to read poetry

I know this sounds pretty harsh, but listen to me. I slowly read poetry. Very slowly. And several times. Since I know every syllable, punctuation, and line break is a CHOICE, I try to give every bit its due. I like to read each poem aloud at least once, feel it in my mouth, and let the sounds echo. This is especially true of poets who like to play with assonance and dissonance a lot.

The Sealey Challenge forced me to read fairly quickly. Even though the books were very small (I’m not going to read Pablo Neruda’s collected poems in a day), there was simply no way to read a chapbook or collection in a day at the pace that I prefer to read from. poetry. That said, I’ve definitely dropped a few Post-It flags on poems I want to revisit and dissect.

How to be better on Instagram

Kind of. The poetry community on Instagram has been great throughout this challenge. Maybe a friend of mine who is an expert on social media helped me a bit too. A lot. Okay, it was mostly her, but #TheSealeyChallenge was a fun way to use what I learned.

I prefer poetry books with a consistent theme

Perhaps it is my experience as a fiction writer that makes me like this. Hard to say, but I’ve found that if a chapbook or collection works on a single theme or story it appeals to me much better. Many poets that I truly admire will publish a book every few years of all the poetry they have written since their last collection.

Marie Ruefle’s Dunce was an absolute joy, but with little connective tissue. Kim addonizio Tell me bore all its mark of brutal honesty, even if it contained no narrative. That’s not to say that there aren’t a few themes since poets tend to go through thematic phases when writing, but I really like big themes and general stories. This is purely a personal preference, mind you.

Republic of the Deaf Ilya Kaminsky floored me with the story of a fictional town that goes deaf after a deaf boy is shot. Leila Chatti’s struggle with her medical problems in Flood reminded me of my own intersex medical struggles. The intersection of Cameron Morse * cancer diagnosis and pending paternity in Risk of falling was like gravity to me.

Little Star Week 8 image from Fall Risk by Cameron Morse
Of Risk of falling by Cameron Morse

Reading is not the same as writing

Did I write a single poem in August? No. Maybe it’s because I added a book of poetry every day to the normal responsibilities of adults. Maybe I’m just apologizing yet.

Have I noticed a number of new poem ideas as a result of The Sealey Challenge? Absoutely. We will see what September brings.

31 pounds can be too much

I fell behind in the Sealey Challenge. What can I say other than “adulthood is sometimes difficult? »I have a full-time job. A woman, three cats, a new house for me which needed work. I’m also trying to write another novel and this little lateral flurry of Book Riot. I don’t even have human children, but it can still be a lot.

I subscribe to write and read daily. I also agree with giving us a break, not to be too hard on ourselves. For five or six days around mid-August, I found myself too tired for verses and stanzas. My wife and I took a short break which helped me recharge and get back on track. I doubled down on poetry books for a few days, but then recognized that I wouldn’t read 31 books in 31 days.

And it’s good.

I continued the challenge. I finished four books late, but still read one book every day for most of the month. I wasn’t afraid to catch up. I read and write marginalia, planted little Post-It flags, and posted on social media. The challenge had the desired effects on me, although I didn’t end up hitting that magic number.

Overall, the Sealey Challenge was a fun and, rightly so, stimulating experience. I made a dent in my poetry shelf, remembered why I adored certain poets, and discovered new voices on my shelf. Five stars. To reread.

* Full Disclosure: Cameron Morse is a friend, has survived his cancer prognosis for years, and now has a second child.


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Writer market

Asian Stocks Extend Losses As China Worries About Darkening Sentiment | Economic news


By YURI KAGEYAMA, AP Business Writer

TOKYO (AP) – Asian stocks fell on Tuesday, Tokyo down 2% as concerns over heavily indebted Chinese real estate developers weighed on sentiment.

On Monday, US stocks posted their biggest drop since May, with the highly technical Nasdaq composite slumping 2.2%.

Markets were closed Tuesday in Taiwan, Shanghai and South Korea.

In Hong Kong, the Hang Seng fell 0.5% to 23,971.73 as sales from real estate developers slowed.

Political cartoons

The Nikkei 225 lost 601.48 points to 29,898.57. The Australian S&P ASX 200 slipped 0.1% to 7,244.80.

Analysts said fears that the damage caused by a real estate crisis in China would spill over into the world were based on memories of past financial crises such as the bursting of the Japanese economic “bubble” or the crisis. subprime mortgages in 2008.

In Japan, this disaster is called the Lehman Crisis for the collapse of Lehman Brothers in 2008 which made the situation worse.

“The whisper is that this could be China’s ‘Lehman moment’. Even with the Chinese markets closing until Wednesday, we are seeing massive sales around the world, ”RaboResearch said.

The S&P 500 fell 1.7% on Monday to 4,357.73, its biggest drop since May. The S&P 500 was emerging from two weeks of losses and is on track for its first monthly decline since January.

The Dow Jones Industrial Average fell 1.8% to 33,970.47. The Nasdaq lost 2.2% to 14,713.90. The Russell 2000 fell 2.4% to 2,182.20.

Tech companies have led the market as a whole to the downside. Apple fell 2.1% and chipmaker Nvidia fell 3.6%.

Airlines were among the few bright spots. American Airlines rose 3% to dominate all S&P 500 winners. Delta Air Lines rose 1.7% and United Airlines added 1.6%.

“What has happened here is that the list of risks has finally become too long to ignore,” said Michael Arone, chief investment strategist at State Street Global Advisors. “There is just a lot of uncertainty at a difficult seasonal time for the markets.”

Concerns about Chinese real estate developers and debt have recently focused on Evergrande, one of China’s largest real estate developers, which appears to be unable to repay its debts.

These real estate companies have been major engines of China’s economy, which is the second largest in the world.

If they fail to repay their debts, the heavy losses suffered by investors who hold their bonds would raise concerns about their financial strength. These bondholders could also be forced to sell other independent investments to raise funds, which could hurt prices in seemingly independent markets.

It’s a product of how global markets have become tightly connected, and it’s a concept the financial world calls “contagion.”

Many analysts say they expect the Chinese government to prevent such a scenario, and that it doesn’t sound like a Lehman-type moment. Still, any hint of uncertainty may be enough to upend Wall Street after the S&P 500 has climbed almost uninterruptedly since October, leaving stocks looking expensive and with less margin for error.

In addition to these concerns, investors are watching to see if the Federal Reserve could ease off on its support for the economy. And heavy government spending to counter the impact of the pandemic has increased the likelihood that Congress will opt for a destructive chicken game before allowing the US Treasury to borrow more money.

The Fed is due to release its latest update on economic policy and interest rates on Wednesday.

In energy trading, benchmark US crude rose 61 cents to $ 70.90 a barrel. Brent crude, the international standard, added 57 cents to $ 74.49 a barrel.

In currency trading, the US dollar added 10 cents to 109.49 Japanese yen. The euro cost $ 1.1740, compared to $ 1.1726.

AP Business Writers Damian J. Troise, Stan Choe and Alex Veiga contributed.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Fiction publisher

Richard Osman “shocked” after police writer Joan Smith’s “vindictive attack” “felt personal” | Celebrity News | Show biz & TV


Richard Osman, 50, recently published The Man Who Died Twice, the sequel to his bestselling book, The Thursday Murder Club. But despite the resounding success of his debut novel, the Pointless creator and co-host admitted he couldn’t help but feel “overwhelmed” when he received a searing review.

Richard claimed that writer Joan Smith’s criticism of his work for The Sunday Times sounded like a “vindictive attack” on him.

Joan wrote that the book was “such a flawed novel that it’s hard to believe it would have ever been published without a celebrity’s name on the cover.”

Richard told Radio Times this week: “It shocked me.

“It was very personal, like it wasn’t really a reflection on the book, but a vindictive attack on me.

Speaking to The i Newspaper Online, he said he knew he would get a book deal if he spoke to a publisher about his book idea.

He said: “I was very worried about that thing, ‘Oh, she’s a celebrity writing a novel’, which of course is one of the worst phrases in the English language.

“I didn’t want to go to a publisher and say ‘I have an idea’, because I know how publishing works, I knew they would hire me.

“And it wouldn’t tell me if it was good or not.”

Richard also revealed how the idea behind The Thursday Murder Club came about.

He said he was inspired after visiting his mother, a former teacher, in a retirement community in Sussex.

The author explained, “It’s a very beautiful place and as soon as you get there you think, well, that would be an amazing place for a murder.

“What if there was a murder here, who would solve it?” “

Read the full interview in this week’s Radio Times – available now.


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Reading and writing

Irma Kalish, TV writer who tackled social issues, dies at 96


Irma Kalish, a TV screenwriter who addressed abortion, rape and other provocative issues in many of the biggest comedy hits of the 1960s and beyond as she helped women get into the bedroom. writer, died September 3 in Woodland Hills, California. 96.

His death, at the Motion Picture and Television Fund retirement home, was attributed to complications from pneumonia, said his son, Bruce Kalish, a television producer.

Ms. Kalish’s work in television comedy broke the mold for female writers. Women in the mid-century industry were mostly expected to write heart-wrenching dramas, but from the early 1960s on Ms. Kalish made her mark in comedy, including writing for caustic sitcoms. and socially aware of Norman Lear’s “All in the Family” and his spin-off “Maude” in the 1970s.

She wrote much of her writing in partnership with her husband, Austin Kalish. They shared offices in studios around Los Angeles, typically working at opposite desks alternating in draft scripts.

“When I first became a screenwriter, I was one of the very first female comedy writers and later producers,” Ms. Kalish said in a oral history for the Writers Guild Foundation in 2010. She added, referring to her husband by his nickname, “A producer actually thought I shouldn’t be writing – I just had to do the typing, and Rocky was doing the writing.”

To combat sexism in the industry, she said, “I just became one of the guys.”

Writing for “Maude,” Ms. Kalish and her husband, who died in 2016, worked on the controversial two-part episode “Maude’s Dilemma” (1972), in which the main character, a woman and suburban grandmother in the strong spirit in the late 1940s (played by Bea Arthur), had an abortion. When it aired, Roe v. Wade had just been argued in the United States Supreme Court and would be decided in a few months, making abortion legal across the country. Controversy over the episode grew rapidly; dozens of CBS affiliates refused to show it.

Mr. and Mrs. Kalish won a “story by” credit, and Susan Harris was credited as screenwriter; Mr Kalish said in an interview in 2012 that he and Ms Kalish came up with the idea for the episode.

Lynne Joyrich, professor in the Department of Modern Culture and Media at Brown University, called the episode a watershed moment for women’s issues on screen. “Maude’s Dilemma” and episodes like it, she said, demonstrated “how everyday life is so political.”

Kalish views on social issues also found their way into “All in the Family”. An episode centered on Edith Bunker (Jean Stapleton), the wife of fanatic Archie Bunker (Carroll O’Connor), overcoming a fear of breast cancer. Another focused on the couple’s daughter, Gloria (Sally Struthers), the victim of an attempted rape.

News scripts “lifted us up in the eyes of the company,” Mr. Kalish said in a joint interview with Ms. Kalish for the 2012 American Television Archives.

Mr. and Mrs. Kalish were executive producers of another hit 1970s sitcom, “Good Times,” about a black family in a housing project in Chicago, and have continued to write for this program and many others.

Ms. Kalish’s career spanned decades, beginning in the mid-1950s, and included writing credits for more than three dozen shows, many of which would constitute a pantheon of baby boomer favorite sitcoms, including “The Patty Duke Show, ”“ I Dream of Jeannie, ”“ My Favorite Martian, ”“ F Troop, ”“ My Three Sons, ”and“ Family Affair. ”She has also had production credits on some 16 shows, including“ The Facts of Life “and” Valerie “.

Ms. Kalish’s work paved the way for other female sitcom writers. As she said to comedian Amy Poehler in a 2013 interview for Ms. Poehler’s web series, “Smart Girls at the Party,” “You are a descendant of mine, so to speak.”

Radiant Mrs. Poehler agreed.

Irma May Ginsberg was born on October 6, 1924 in Manhattan. Her mother, Lillian (Cutler) Ginsberg, was a housewife. His father, Nathan Ginsberg, was a business investor.

Irma attended Julia Richman High School on the Upper East Side and went to Syracuse University, where she studied journalism and graduated in 1945. She married Mr. Kalish, the brother of a childhood friend, in 1948 after having corresponded with him while he was in office. in Bangor, Maine, during World War II.

After the couple moved to Los Angeles, Mr. Kalish became a comedy writer for radio and television. Ms. Kalish worked as an editor for a pulp magazine called “Western Romance” before leaving to stay home with their two children. Her first writing credit, on the drama series “The Millionaire”, came in 1955.

She joined the Writers Guild in 1964 and began to write with her husband more consistently. The Writer’s Guild Foundation, in their “The writer speaks“, called them” one of the most successful sitcom writing couples of the 20th century. “

Ms. Kalish was active in the Writers Guild of America West and Women in Film, an advocacy group, of which she was the chair.

The couple’s last television credit dates back to 1998, for the comedy series “The Famous Jett Jackson”, produced by their son Bruce. They wrote a screenplay dealing with ageism.

With her son, she is survived by her sister and her only brother, Harriet Alef; two grandchildren; and two great-grandchildren. His daughter, Nancy Biederman, died in 2016.

In the interview with US Television Archives, Ms. Kalish expressed her desire to be known as her own person, and not just as Austin Kalish’s wife and writing partner.

“Of course, God made man before woman,” she said, “but you always do a first draft before you make a final masterpiece.”


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Writer market

Marlboro Man’s $ 8 Million Market House near the Black Forest | North Springs Edition


Marlboro Man’s $ 8 million house on the edge of the Black Forest is up for grabs.

Bob Norris, the non-smoker who portrayed the archetypal cowboy in Marlboro cigarette advertisements in the 1950s and 1960s, found his perfect location north of Colorado Springs in 1961. He had a perfect view on Pikes Peak and felt like the perfect place to build a house. and raising a family, according to listing broker Amie Streater of Engel & Völkers.

Spanning 15 acres, the 14,430 square foot home at 12795 Oak Cliff Way now features eight bedrooms, 10 bathrooms, a 5,300 square foot indoor ice rink with changing room, cinema, two heated three-car garages, tennis court and pickleball courts, a saltwater pool and a small sanctuary dedicated to Norris in the kitchen, which includes photos and an inscription of his favorite sayings.

Bob Norris, a non-smoker who portrayed the archetypal cowboy in Marlboro cigarette advertisements in the 1950s and 1960s, found his ideal location for a house north of Colorado Springs in 1961.

The list can be viewed online at

“It’s very welcoming, very comfortable,” Streater said. “There is an overwhelming sense of peace and relaxation that you don’t normally see in a home at this price point. These types of homes can be imposing and intimidating. They can feel very embarrassed and uncomfortable. It feels like home.

091521 norris 7.jpg

Bob Norris, the first Marlboro Man, built a house near the Black Forest in 1961. The last owners added an indoor ice rink, which can also be used without ice as an arena. The property is for sale for $ 8 million. Courtesy of Engel & Völkers

Norris, his wife and four children lived in the house for 10 to 12 years, after the tobacco company recruited him in 1955. In 1964, the surgeon general declared that smoking was dangerous for health, and some years later, Norris’ conscience got the better of him – he quit his job at Marlboro, claiming he thought he was setting a bad example for his children, according to a New York Times obituary. Norris was 90 when he died almost two years ago in Springs. His wife, Jane Norris, died in 2016. She was 88 years old.

091521 norris 8.jpg

Bob Norris, the first Marlboro Man, his wife and four children lived in their Black Forest home for 10 to 12 years. Since then, three other families have owned the property, including the current owners, real estate developer Rob Oldach and his wife, Denise Oldach, who bought the property in 2006 for $ 2.6 million. They spent nearly $ 6 million renovating the property, including adding the ice rink, which was used for hockey, skating, parties and charity activities. The arena, minus the ice, was also used for soccer, line hockey, pickle ball, and other sports and games. Courtesy of Engel & Völkers

After the Norrises, three other families have owned the property, including its current owners, real estate developer Rob Oldach and his wife, Denise Oldach, who bought the property in 2006 for $ 2.6 million. They spent nearly $ 6 million renovating the property, including adding the ice rink, which was used for hockey, skating, parties and charity activities. The arena, without the ice, was also used for soccer, line hockey, pickleball, and other sports and games.

091521 norris 9.jpg

Spanning 15 acres, Bob Norris’ 14,430 square foot home now features eight bedrooms, 10 bathrooms, a 5,300 square foot indoor ice rink with changing room, movie theater, two heated three-car garages, tennis courts and pickleball, saltwater pool and a little sanctuary at Norris in the kitchen, which includes photos and an inscription of his favorite sayings. The list can be viewed online at Courtesy of Engel & Völkers

The Oldachs first put the house up for sale in 2014 for $ 7.2 million. The price has fluctuated since then and was recently taken over by Engel & Völkers and relisted.

091521 norris.jpg

Bob Norris’ former home, located at 12795 Oak Cliff Way, now features eight bedrooms, 10 bathrooms, a 5,300 square foot indoor ice rink with changing room, cinema, two heated three-car garages, tennis courts and from pickleball, saltwater pool and a little sanctuary to Norris in the kitchen, which includes photos and an inscription of his favorite sayings. Courtesy of Engel & Völkers

“What impresses me is the long, winding road through the forest,” Streater said. “When you get off Hwy 83 and Shoup Road and walk down the driveway, it’s a transformation. The car stops at the automatic gates and they open and there’s this beautiful house.

Contact the author: [email protected]

Contact the author: 636-0270


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Fiction publisher

Frankenstein’s first edition sells for a record $ 1.17 million | Books


Mary Shelley was only 18 when she imagined her story of a “pale, ungodly arts student” and the “hideous fantasy of a man” he created. Now a first edition of his seminal gothic horror classic, Frankenstein; or, The Modern Prometheus, set a world record for the highest price paid for a work printed by a woman, after being auctioned for $ 1,170,000 (£ 856,000).

The first edition was one of 500 copies of the novel printed in 1818, and the first to be auctioned since 1985. Christie’s, who described it as “exceptionally rare,” initially estimated that the copy would sell for between $ 200,000 (£ 146,000) and $ 300,000 (£ 220,000). The auction house said it was a new world auction record for a print work by a woman, with bidders from around the world participating in the auction. The record for a work printed by a woman was previously held by a first edition of Emma by Jane Austen from 1816, which was sold by Bonhams in 2008 for £ 150,000. A copy of The Tales of Beedle the Bard by JK Rowling sold for £ 1.95million at Sotheby’s in November 2007, but it was handmade and illustrated, rather than printed.

A Christie’s spokesperson said: “The first edition in its original plates is incredibly fragile and therefore very rare, so an example like this, especially in good condition, is highly desirable for collectors. Overall it is a very strong market and we are seeing increased demand for fine examples of literary hotspots.

This first edition of Frankenstein was sold for $ 1,170,000 (£ 856,000) Photography: Christie’s

Shelley, the daughter of philosopher William Godwin and feminist Mary Wollstonecraft, came up with the idea for Frankenstein in the summer of 1816, while she was staying by Lake Geneva with Percy Shelley, her husband and Lord Byron. The group had read French translations of German ghost stories, and Byron challenged them to write their own. Shelley wrote in a preface to an 1831 edition of her novel that she was ” [herself] think of a story, – a story to rival those which had inspired us with this task. One that would speak of the mysterious fears of our nature, and awaken a thrilling horror – one to make the reader dread looking around, to curdle the blood and accelerate the heartbeat ”.

She had a “sharp mental sight” as she tried to sleep, she continued, of “the pale student of ungodly arts kneeling beside the thing he had assembled”, of “the hideous fantasy of ‘a man lying down, then, on the running of a powerful motor, show signs of life and stir with an anxious, half-life movement.

His story of how Victor Frankenstein creates a being from body parts and brings it to life will be published anonymously on January 1, 1818 in just 500 copies by publisher Lackington, Hughes, Harding, Mavor & Jones. The novel had been refused by John Murray, when Percy presented it to the publisher as his own; Lackington, who “mostly sold cheap books,” gave Mary a third of the bottom line, writes Miranda Seymour in her author biography. “It was not a good time for controversial works and making a creature from human parts without divine help was very controversial,” according to Seymour.

With a preface by Percy and a dedication to the then-anonymous author’s father, William Godwin, Frankenstein received mixed reviews: while Walter Scott was impressed with the author’s “original genius” and “unusual powers”. of the poetic imagination ”, the Quarterly Review asked if“ the author’s head or heart is sicker ”.

Shelley will publish a revised edition of the novel in 1831, under his own name. Her introduction sees her set out to answer the question “I’ve been asked so often -” How, when I was a young girl, did I come to think and dwell on such a horrible idea? “”

Today Frankenstein is considered one of the world’s first science fiction novels, a work of horror, invention and philosophy, which addresses key questions about what it means to be human and which inspired d ‘countless adaptations.


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Book creator

Exodus Effect Reviews – Alarming Scam Complaints? Crucial report!


The review of the Exodus Effect is based on the book’s extensive research and analysis. It is completely based on extensive research on behalf of customer reviews.

SEE: “Critical report on the effects of a new exodus – This may change your mind”

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Exodus Effect – Does this holy book contain information about the power of healing?

This is the main question many people have asked about the Exodus Effect. However, it is not easy to believe the book without additional research and analysis. In addition, the sacred Exodus Effect book includes all types of information related to content, extracts, recipes, benefits, effectiveness, etc. Before going to the conclusion, it is better to read all this knowledge inside this sacred book. So, keep reading on Exodus Effect and browse to know more about this holy book. The creator behind this sacred book formulated it to help others know the power of healing.

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All the components of Exodus Effect are of natural and organic quality. That is why; you may need to wait at least 5 days to see the exogenous effects. By reading this sacred Exodus Effect book, you can easily solve over 51 health issues. However, the weather may be different from condition to condition. In other words, the results depend on the physical and mental health of an individual.

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However, reviews of the Exodus effect are positive. Customers are happy with the book and enjoy several health benefits. If we are talking about the complaint, you should visit the official Exodus Effect website. There you can get a lot of information about reviews and complaints.

Does Exodus Effect Book work?

The Exodus Effect book is effective and popular around the world. Thousands of people heal their bodies using holy anointed oil. They get positive vibes and potency along with several health benefits.

Additionally, this book is protected and secure by Pastor Andrew. This means that users are fully eligible for a 100% money back guarantee. Plus, it’s a risk-free investment and you should try it once in your life. Moreover, one can only get this effective book from the official website.

Buy Exodus Effect only from the official website


  • What is the payment method?

To buy Exodus Effect, you need to visit the official website by clicking on the link / button just below Pastor Andrew’s video. You can choose any payment method according to your needs (debit card, credit card, PayPal, etc.)

  • Does Exodus Effect help change body shape?

By using holy anointed oil, you can burn excess body fat. This way you can get the best body shape. In addition, you will be free from several types of diseases.

  • Is there a money back guarantee?

First of all, Exodus Effect (anointed holy book) only works for those who have faith in God. But, despite everything, if you don’t get results, there is a 100% refund policy available on the official website.

  • How can we access digital copies?

After making the payment, you will be entitled to immediate access to the digital copies. However, you can also use smartphone, tablet, laptop and desktop to purchase this Exodus Effect book.


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Reading and writing

Finalists selected for 2022 Colorado Teacher of the Year


Each year, the Colorado Teacher of the Year program honors an exceptionally dedicated, knowledgeable, and qualified K-12 teacher to represent the entire profession in the state. The selected teacher then continues as Colorado’s candidate for the national teacher. Denver7 is proud to partner with the Colorado Department of Education for the Teacher of the Year program.

Colorado 2022 Teacher of the Year will be named at the end of October and will come from one of these seven finalists:

Mountain Vista Community School

Carrianna DePace is a fifth grade English teacher at Mountain Vista Community School, a Harrison School District K-8 Title I school in Colorado Springs. She has spent her entire career teaching at MVCS because she feels so passionate about her community and believes that in order to be an agent of change you need to fully engage and know your community. DePace is a first generation college graduate and became a teacher because she knew that for children like her who face chaos and trauma at home, a safe school and education has the power to equalize. She believes that in order to effectively teach students, we must know and love the child as a whole and hold students to high expectations. DePace holds a Bachelor of Arts in Elementary Education and a Masters in Curriculum and Teaching. DePace continued his studies at the University of Colorado – Colorado Springs.

SkyView Academy

After earning a Bachelor of Science in Journalism from Utah State University, Julia Ferre built a career in creating on-air and online media before finding her path to education. She was accepted into the Boettcher Teachers’ Residency Program in 2016, where she shared her skills and experiences with students at a neighborhood school in Douglas County. She obtained a Master of Arts in Education with an endorsement of culturally and linguistically diverse learners from Adams State University. After four years as a grade 5 teacher, she became a grade 8 science teacher at SkyView Academy, a charter school in Highlands Ranch. Ferre believes that the environments designed by the students and the learning demonstrations selected by the students promote the strongest intrinsic motivation.

Grand Ouest High School

Emmylou Harmon teaches CTE Science / Math / Agriculture at West Grand High School in Kremmling, where she taught 21 years of her 23-year teaching career. Harmon received a Bachelor of Arts in Mathematics from High School Teacher Education from the University of Northern Colorado and a Master of Science in Science Education from Montana State University Bozeman. She has taught algebra, geometry, remedial math, health, physical science, chemistry, biology, greenhouse / horticulture, environmental science, and food science. Harmon received 2021 Colorado State Science and Engineering Fair Teacher of the Year, an award sponsored by Lockheed Martin. She was also selected as the West Grand School District Teacher of the Year in 2021. Harmon not only works for her students to experience education, but she also plans experiences for staff at school in order to create an educational community in the hope of building a strong and stable team of teachers.

Falcon College

Ashley Lowe teaches Grade 8 English Language Arts at Falcon Middle School in Peyton. As a third year teacher, she has developed and implemented contemporary educational programs and practices to elevate learning in her classroom and authenticate student engagement. She was part of her school’s initiative of Modern Teacher, a model of teaching that creates a culture of learner-centeredness. Its personalized learning plans for students were recognized nationally at the 2021 National Conference on Digital Convergence. Lowe was recognized by her district as the 2021 Teacher of the Year for her school. Lowe believes in the power and importance of forming meaningful relationships with students to share his passion for the arts of the English language. She believes that as an English teacher she teaches more than reading, writing and communication – she also teaches empathy. Lowe received his Bachelor of Arts in Secondary English Education from Colorado State University at Pueblo and is studying for his Master of Arts in English online at Arizona State University.

Glenwood Springs College

Autumn Rivera is a sixth grade science teacher at Glenwood Springs Middle School in Glenwood Springs, as well as an assistant professor in the education department at Colorado Mountain College. For over sixteen years as an educator, she worked with students from elementary to postgraduate level. Rivera holds a Bachelor of Arts in Biology and a Master of Arts in Secondary Science Education from Colorado College; and a master’s degree in educational leadership from the University of Colorado – Colorado Springs. Rivera is the Colorado Association of Science Teachers’ Region 3 Elementary Board representative. She also volunteers with the American Association of Chemistry Teachers. She has presented a variety of professional development courses, including at the Roaring Fork EdTech Summit and the Colorado Science Conference. Rivera is also the college science officer for her school district.

Craig College

Cristina Vanzo teaches STEM education from grades 6 to 8 at Craig Middle School in Craig. She holds a Bachelor of Arts in Interdisciplinary Studies and a Master of Science in Learning and Technology from Western Governors University. She has been teaching in the Moffat County School District since 2012, the start of her education career. After being a fifth-grade teacher for two years, Vanzo decided to take on a new challenge, moving to middle school, where she taught math and science to sixth-graders. It was around this time that she worked with her school leaders to develop a STEM program for students. Working in a rural district, she identified the need for STEM education and worked with stakeholders in the district to create an elective engineering course. Its program has been recognized at the state level by the Colorado Association of School Boards through the Student Achievement Program Award. Vanzo is always up for challenges and comes to school with enthusiasm every day to learn alongside her students.

Classic Academy Ascension

After spending many years in the oil and gas industry as a scientist and business development analyst, Paula Wilderman began her second career as a teacher to show students the importance and beauty of mathematics. Born and raised in the Midwest, she received a Bachelor of Science in Biology from Southern Indiana University. Wilderman went on to obtain a doctorate in microbiology and molecular biology from the University of Miami. She moved to Colorado for a postdoctoral fellowship at the University of Colorado School of Medicine before pursuing a career in industry. Over the years, she has been both a tutor and coordinator of several programs in the Denver area. In 2018, Wilderman began teaching math and science to middle and high school students at Ascent Classical Academy in Douglas County in Lone Tree. There, Wilderman is involved in school activities and the establishment of school culture. She constantly demonstrates the wonder of learning and can be heard encouraging her students to say, “I don’t know that… yet. She created the Ruby Society which helps girls develop their virtue, character and gratitude. Wilderman has established and heads the local chapters of the Junior and National Honor Societies and is the co-leader of the House of Leonidas, one of the six houses of the school’s house system.

This Colorado Teacher of the Year cover brought to you by Canvas credit union. Find out how Canvas celebrates our community and helps Coloradans afford life to


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Writer market

E-Commerce Writer – Pedestrian Group


Group of pedestrians (Winner – Publisher of the Year, Mumbrella Publish Awards 2021) is seeking a young Firearms Writer to join our growing team of Affiliates. This E-Commerce Writer position will be responsible for the production and optimization of e-commerce content on our seven award-winning websites: PEDESTRIAN.TV, VICE Australia, Business Insider Australia, Lifehacker Australia, Gizmodo Australia, Kotaku Australia and the upcoming Refinery29 Australia launch.

Reporting directly to the Chief Editor – Native and E-Commerce, our dream candidate is a skilled copywriter who knows how to tailor his tone to different brand voices and audience interests, and has extensive knowledge of brands, retailers and some products. You don’t have to be an expert in every category (i.e. tech, style, home, health), but you have to be passionate about some and ready to research and research. learn more about others on a daily basis.

Success in this role is measured by the ability to generate revenue through commercial content that is as comfortable on our sites as unbranded content, and by effectively prioritizing and executing everything from job postings and from product summaries to how-to guides and reviews.

This role is a permanent part-time contract for three consecutive days per week (we can be flexible on days).

The E-Commerce editor should:

  • Write business content – including gift guides, offer summaries, and interesting product reviews – across all of the Pedestrian Group sites
  • Work in conjunction with our affiliate partners including Amazon, Whistleout and Skimlinks to deliver great and exclusive offers to our readers
  • Work in collaboration with our site editors to ensure that all commercial content reflects the overall editorial strategy and its different audiences
  • Optimize new and existing content based on market trends, SEO and analytical insights from Amazon Associates,, Google Analytics, etc.
  • Track posts in affiliate and audience analytics and apply the learnings to future content production efforts
  • Use SEO and keyword trends to help design a content strategy to support key shopping times throughout the year e.g. Black Friday, Cyber ​​Monday, Click Frenzy
  • Search the internet for the best deals and the coolest products in a variety of categories

The position requires a person with:

  • Experience or strong interest in e-commerce or product writing
  • A deep love for shopping, brands, retailers and products
  • An appreciation of the importance of quality native content as a service to the reader
  • The ability to tailor the tone of writing to suit different audiences across pillars, including technology, culture, lifestyle, and business
  • Strong interest or experience in audience growth, conversion and analytics
  • Willingness to work weekends and / or evenings as needed, particularly during major business events like Black Friday
  • Knowledge of SEO best practices, Yoast and SEMRush preferred

If you would like to join us, send us the following:

  • A written cover letter explaining why you would be the right fit for the job (feel free to be creative).
  • Your CV

We can’t wait to meet you!

About the Pedestrian Group

Pedestrian Group is Australia’s leading youth-focused publisher, reaching a unique audience of over 4.16 million Aussies per month and over 18-39 years of age than any other publisher. It is home to PEDESTRIAN.TV, VICE Australia, Refinery29 Australia, Business Insider Australia, Lifehacker Australia, Gizmodo Australia and Kotaku Australia, as well as outdoor cinemas. It is 100% owned by Nine, Australia’s largest and most diverse media company.


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Fiction publisher

Gamasutra – Press Releases – Free League Wins Eight ENNIE Awards, Including Fan Favorite Editor


[This unedited press release is made available courtesy of Gamasutra and its partnership with notable game PR-related resource Games Press.]
It was a hell of a night for Free League Publishing at the ENNIE Awards! Vaesen – Nordic Horror RPG received three gold medals including Best Art Interior and Cover art, ALIEN RPG: Destroyer of Worlds won three Ennies, including gold for best production values ​​and WORSHIP OF MÖRK BORG: Feretory received gold for best supplement. Free League Publishing was also named a Fan Favorite Publisher – for the second year in a row!

The ENNIE Awards are an annual celebration of excellence by fans in tabletop role-playing. ENNIES give game designers, writers and artists the recognition they deserve. This is a public prize, and the final winners are voted on online by the player public.

Here is the full list of awards given to Free League Publishing:


Vaesen – Nordic Horror RPG – GOLD

Vaesen – Nordic Horror RPG – GOLD

Vaesen – Nordic Horror RPG – GOLD


ALIEN RPG Destroyer of Worlds – GOLD

ALIEN RPG Destroyer of Worlds – MONEY

ALIEN RPG Destroyer of Worlds – SILVER

Free League Edition

And a big congratulations to Stockholm Kartell & Ockult Örtmästare Games, creators of MÖRK BORG, for their awards:



In the shadows, something is moving. Strange beings. Twisted creatures lurking on the edge of the vision. Watching. Wait. Invisible to most, but not to you. You see them for what they really are. Vaesen.

Welcome to the Mythic North. A land where myths are real. A cold expanse covered with vast forests, its few lonely cities beacons of industry and enlightenment – a new dawning civilization. But in the countryside, old habits still hold true. There, people know what is hiding in the dark. They know how to be afraid of it. Vaesen.

Vaesen – Nordic Horror RPG is based on the works of famous artist and author Johan Egerkrans and features a dark Gothic setting steeped in Nordic folklore.

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ALIEN The official role-playing game

The space is vast, dark, and your friend is not. This is the multi-award winning official ALIEN – The role play. A universe of bodily horror and entrepreneurship, where synthetic people play god while space truckers and marines welcome ghoulish newborn creatures. It is a harsh and ruthless universe, and you are nothing but replaceable. Stay alive if you can.

The official EXTRATERRESTRIAL The Role-Playing Basic Rulebook was published in 2019 by Free League Publishing in partnership with 20th Century Studios. The game immediately sold its first draw and quickly entered the Top 5 best-selling tabletop role-playing games in fall 2019. It won the ENNIE award for best game 2020 and the audience award for best RPG at UK. Game Fair. The game is currently translated into seven languages.

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A doom metal album from a game. A sharp scourge in the face. Light on the rules, heavy on everything else. MÖRK BORG is a dark apocalyptic fantasy RPG about lost souls and fools seeking redemption, forgiveness, or the last remaining riches in a dark, dying world. Face off against energy-guzzling necromancers, stealthy skeletal warriors, and backstabbing matchheads. But leave hope behind – the cruel fate of the world is sealed, and all your heroic vain efforts are destined to end in death and dismay. Where are they?

The multiple rewards MÖRK BORG RPG is created by Pelle Nilsson (Ockult Örtmästare Games) and Johan Nohr (Stockholm Kartell) and published by Free League under the Free League Workshop sub-label for independently designed games.

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Free League Publishing is a Swedish game creator and publisher dedicated to speculative fiction. We’ve released a wide range of award-winning tabletop role-playing games and acclaimed art books set in weird and wonderful worlds.

Our game portfolio includes upcoming games: Twilight: 2000, Tales From the Loop – The Board Game and The One Ring â„¢ RPG.

Games released include the official Alien RPG (Gold ENNIE for the best game 2020), the gothic Vaesen – Nordic Horror RPG (Best RPG – People´s Choice at UKGE 2021), the black fantasy RPG MÖRK BORG(winner of four ENNIE Awards 2020), the alternative of the 80s Tales of the Loop, (winner of five ENNIE Awards 2017, including best game) and the 90s alternatives Things of the Flood, the retro-fantasy Forbidden lands (winner of four ENNIE Awards 2019), the post-apocalyptic Mutant: Year Zero (Silver ENNIE for Best Rules 2015), the science fiction game Coriolis – The third horizon (Judge’s Spotlight Award 2017) and the dark fantasy game Symbaroume.

We have also published the art books Tales from the Loop, Things from the Flood, The Electric State and The labyrinth by internationally renowned visual artist Simon St̴lenhag, as well as the illustrated edition of Lovecraft classics In the mountains of madness Рvolume 1 and Call of Cthulhu by the famous artist Fran̤ois Baranger.


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Reading and writing

Rick Bragg to receive Fitzgerald Museum literary prize


Winning awards is nothing new for Rick Bragg, a prolific author and journalist from Alabama de Pelham who even won a Pulitzer Prize.

But this new one is a little more special. After all, it’s named after Bragg’s favorite author, F. Scott Fitzgerald.

“People have always asked me what Fitzgerald meant to me as a writer,” said Bragg, who frequently visits Montgomery but has never seen the Scott & Zelda Fitzgerald Museum in town before.

“It’s always been easy to answer because, you know, I grew up on the pulpwood roads. I grew up among the cotton fields. I’m not trying to be rustic. This is just how I grew up. My first job was collecting and shoveling, collecting hay, digging ditches. I worked on a farm, ”said Bragg. “Reading Fitzgerald opened up a different world to me. Especially “The Great Gatsby”. I know they called it the Jazz Age, but for me it was kind of that golden age of parties and big cars and old money, new money.

On September 24, Bragg, a longtime journalist and author of 11 books, said he was eager to be part of Fitzgerald’s legacy as the sixth recipient of the Fitzgerald Museum Literary Prize for Excellence in Writing.

“We have worked very hard to design a fun, safe and interactive evening for Rick and his fans that takes advantage of the beautiful outdoor space of the museum’s lawns to allow for distancing and fresh air,” said the museum’s general manager, the Dr. Alaina Doten. “With all the stress right now, the comfort and joy Rick delivers through his words is the type of medicine that many of us really need to lift our spirits.”

Guests can obtain autographed copies of Bragg’s new book, “Spotted Beauty: A Dog and His People, Lost and Found”. This is the story of his canine companion Speck, who will not be present. If you read the book, you will understand why.

“In the book, you tend to hit the most interesting places,” Bragg said of his actual misadventures with Speck. “The things that don’t make the book were just as bad. They just weren’t that interesting.

Bragg has the honor of being the only person Speck has bitten since his rescue, though the dog chases after every delivery man or worker who approaches him. “He nailed me a few good times, but never anyone else,” Bragg said.

While there is a lot of humor in Bragg’s new novel, it also touches on sadness. Bragg’s brother, Sam, who was a major figure in the book. died near the end of his writing from pancreatic cancer.

“He got sick towards the end of the book, and I wasn’t going to write about my brother’s death in a book about dogs. I just wasn’t going to do it, ”Bragg said. “But it had to be fixed because he was such a big role, with his interactions with Speck. He didn’t like Speck at first. I discovered towards the end of the book that I could say certain things about my brother that I always wanted to say … Towards the end, they came to like each other.

In addition to the award ceremony, the event serves as a celebration of Fitzgerald’s 125th birthday.

“Well, someone older than me,” Bragg said.

The ceremony takes place from 6 p.m. to 9 p.m. in a tent in the museum’s outdoor area, 919 Felder Ave., Montgomery. Tickets for the event, which also celebrates Fitzgerald’s 125th birthday, are available between $ 55 and $ 75 at

Previous literary award winners have been Equal Justice Initiative Founder Bryan Stevenson (2020), Alabama Alabama Writers Frye Gaillard (2019), Wayne Flynt (2018), Katherine Clark (2017) and Kim Cross (2016).

Bragg took the time to answer a few questions about his life, his dog, and his writing:

Q: Have you ever been to Montgomery before?

A: “I have been coming and going from Montgomery since I was five years old. We always got lost in Montgomery on our way to Pensacola. . . We always stopped at Montgomery and had lunch. We stopped at those old concrete picnic tables on the 21st. That always meant fried chicken and getting lost. We would manage to get lost at least once.

Q: Did you write a lot when you were very young?

A: “No. When I was little, I grew up with great storytellers. I mean the best storytellers on the planet. But they were talkers, not writers. They could make you hear the change clicking in the pocket of the member who is chasing you down a dirt road. My Uncle James and Uncle Bill and my other uncles were just big talkers.

“I would never have started writing without the high school newspaper. I skipped drawing lessons in business school because I couldn’t do math. I always wanted to be an architect, but I couldn’t do the math. I just didn’t have it in me. I would watch a long division and lose my mind. A friend of mine told me that if I was doing journalism I wouldn’t have to do math. I joined the school newspaper and started writing stories. I finally discovered that you could tell a story with the color, the images and the details of how my uncles told a story.

He said journalism was also beating manual jobs. “You’re not going to fall off the roof of a house writing a story,” Bragg said.

Q: Have you always been a fan of dogs?

A: “I’ve always liked dogs, and I’ve always liked the idea of ​​dogs. I grew up with dogs. I had a Weimaraner puppy with one eye, a basset and a hundred mongrels … I had dogs until I started working for newspapers, before going to work at Birmingham News. Then all of a sudden I was working 18 hours and on the road, living in apartments. I just didn’t have the heart to put a dog in a small apartment. I haven’t had another dog for 30 years. Maybe longer.

Q: So tell us about Speck.

A: “I found Speck starving on a ridge line behind the Calhoun County house, behind my mother’s cabin. He had been there for about two or three days, just waiting to die. He had been torn apart, and we believe he fled by the stray dogs he was roaming with. He was looking just down, up the ridge about a hundred yards, just watching the house. After a few days, I couldn’t take it anymore, so I went to get him. It probably wasn’t the best decision I’ve ever made. He was a good dog as he regained his strength. But as soon as he regained his strength, he tore everything apart for two miles. He terrorized cats, trampled donkeys and fought other dogs … He managed to wallow in all forms of manure that can be found on a farm.

Q: As a longtime journalist, have you ever felt this style of writing with The Associated Press rules creeping into your work?

A: “Oh, everyday. Oh yes. I still have editors at Knoph whose first thing is to change my manuscript to AP style. They use the Chicago style more. I don’t really know how to write otherwise. Now I am so confused that I would probably fail an AP style test.

Q: As a writer, has the year and a half spent in pandemic conditions been a time to work on new projects?

A: “It is not, and I will tell the truth about it. It might have given me more time, but it’s a terrible, terrible time. There is something about fear and worry. I’m not talking about a single person who gets sick. I’m talking about every person in your family. I took my mom across counties to get her COVID shot because we could get it a bit quicker there. Worrying about being with people, I don’t think that’s all good for writing. I didn’t answer it very well.

Q: Something I have wondered over the years is, will writers ever retire? Do you ever see yourself not writing?

A: “It would be a little shameful to quit a job as easily as this one. Again, I did some shovel and picking work. I once remember having to carry concrete blocks up a ladder … and I remember thinking, man, whatever I do with my life, it’s gonna be easier than that. Write to me, even though it’s hard, and even though you can sweat it really doesn’t compare to what most people do … I guess I’ll write as long as I have something to say, and then maybe one day I’ll wake up and decide I have nothing to say. Then I’m going to get myself a lawn chair and a Zebco 202 fishing rod, and maybe a good dog. Maybe Speck will last that long. Maybe he and me will come down and pretend to fish.


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Book creator

How Delicious Louisville Pies Spread Kindness and Hope


Dawn Urrutia has been serving sweet potato pies, cookies, cupcakes and other goodies to the Louisville community since 2016. But her business, Georgia Sweet Potato Pie Company, it’s more than delicious desserts. Dawn started her bakery business with the goal of starting a non-profit organization – and that dream is fast becoming a reality. Meet our inspiring new FACE from Louisville, Dawn Urrutia!

Meet Dawn Urrutia, our new FACE from Louisville! Image: Dawn Urrutia

How was Georgia’s Sweet Potato Pie Co. born?

I wanted to start a non-profit organization, so I set up a meeting with people I respected a lot. We were trying to figure out how we could financially support a nonprofit organization – but after about an hour we hadn’t found a solution. At the end of the meeting, I served them tea and part of my pie. After that, my niece suggested selling pies to support my non-profit organization. It was something I had never considered. Back then, I was only making pies for family and friends. I wasn’t really a baker; it was just a product that I was good at making.

What happened next ?

The following weekend I sold 11 or 12 pies to my family, friends, and people on social media. It made me think maybe we had something. It was in 2016 when we offered our first pie at the flea market. The community was very welcoming and really embraced us. That’s when we decided to formalize it; we have gathered our papers and approved our commissary.

RELATED: Caroline Paulus Blazes Louisville Bourbon Trail

Where does the name of the company come from?

What I really wanted to do was give back and help the kids, and my grandmother was generous. When we started looking for a name, I think it was my niece or sister who suggested giving her my grandmother’s name – her name was Georgia. It was perfect. This is how Georgia’s Sweet Potato Pie Company was born.

Dawn and his grandmother's painting

Dawn named Georgia’s Sweet Potato Pie Co. in honor of her grandmother, depicted in this painting.

Pie and coffee

The idea for Georgia’s Sweet Potato Pie Co. originated when Dawn served a pie and coffee at the end of a nonprofit brainstorming meeting.

Tell us about your current donation program of providing books to children.

I am an early childhood educator by trade, and in 2018, social injustices and social unrest began to weigh heavily on me. I felt like I had to do something, but I knew I wasn’t the type to protest in the streets or post all kinds of things on social media. However, I understood the importance of having an impact on children when they are young – that’s where the books came from. I started to donate books on love, diversity, inclusion and acceptance. I really feel like if I can plant a seed in a kid when he’s young, it might make a difference when he grows up.

I think it’s hard to kill what you can relate to. If I see you as a human being and see that we have something in common – if I look at you and identify with you, even though I may be outside of my community and my area. comfort – i’m less likely to take your life. I’m more likely to find a way to defuse the situation instead. There have been studies that show that if you place a police officer in his own community, he is less likely to shoot first; they will try to defuse the situation.

I feel like if I can give these books on love, diversity, inclusion and acceptance, it will show the children that we are all from the same creator; underneath it all, we’re all the same. They can learn about people who are unlike them, who don’t attend the same church as them, or who have a different sexual orientation, and they can find books they can relate to. Either way, they can learn through these stories and they could grow into adults with a little more compassion and empathy.

Georgia's Sweet Potato Pie Company Pies

Georgia’s Sweet Potato Pie Co. has a variety of products including mini pies!

Can a child buy a free book?

Yes! In the beginning, we used the profits from Georgia’s Sweet Potato Pie Company to buy books, and we took them to farmers’ markets and other community events to donate. But when COVID hit people stopped coming out and I started getting messages asking for books. We started sending them free to people across the country. We paid the postage, and we put small statements in each book. Now people can also visit our brick and mortar store, which we just opened on National Pie Day! – to choose free books in person.

RELATED: She Spreads Christmas Joy All Year Round: Meet Michelle Williams

What’s the next step for you?

We are currently in the process of completing paperwork to start our non-profit organization, which will be called Pies with Purpose; it will be funded by Georgia’s Sweet Potato Pie Company. My mission is to help families set up various home libraries, because even though I know they have access to books at school and can go to the free public library, eventually those books need to be returned. I understand the importance for children to be surrounded by books in which they can see themselves, so we are planting these seeds in the children and in the parents and siblings of the younger ones, who must read the books to their fullest. -small.

When children are exposed to a lot of books in their home, their socio-economic level is higher; they suffer from fewer diseases; they are less likely to be incarcerated; they eat healthier foods and are more likely to exercise civic responsibility.

Three mini pies

Georgia’s Sweet Potato Pie Co. offers more than just a traditional sweet potato pie. Other popular flavors include Sweet Potato Cheesecake and Pecan Sweet Potato.

What’s the best advice you’ve ever given or received?

Let things be what they’re going to be. I have a Type A personality and was afraid of the little things that I couldn’t control. Now, I’m at the point in my life where I know that whatever is going to be is going to be – and it’s going to be good, and perfect, and fair. If you’ve done your best, that’s all you can do; drop the cards where they can. If you haven’t done your best, you need to go back and reassess. But if it does, then what’s supposed to happen will happen. If you can accept this, much of your stress will go away.

Apart from faith, family, and friends, what are the three things you cannot live without?

I love to eat, so food would be first, then fun and rest are neck and neck. My husband and I are co-owners of Georgia’s and we work hard so I appreciate when we can spend a weekend. We’re going to take a stay and order room service, and we don’t have to worry about a thing. I’m just in a cozy room, taking care of myself – it’s fun, but I’m resting too.

Thank you, Aurore! All the photographs of Jess amburgey unless otherwise stated.


Meet more inspiring women from Louisville and the South by visiting our archives.


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Writer market

A look at US and EU pork exports and Chinese pork demand • Farm Policy News


American pork exports

In his monthly Outlook for Livestock, Dairy and Poultry USDA’s Economic Research Service (ERS) report last week said that “Pork exports in July were £ 508 million, 8.5% less than a year ago.

Increased exports to most major markets could not compensate for significantly lower shipments to China / Hong Kong.

Canada was the alone another major market to which shipments have been lowest in july. “

Livestock, Dairy, and Poultry Outlook, LDP-M-327, United States Department of Agriculture, Economic Research Service, September 16, 2021.

The ERS report noted that “exports have been 1.8 percent below one year ago until the end of July, and down 46% for China. “

Last week’s update added that “second half pork exports are reduced to reflect expectations of continued decline in shipments to China Hong Kong. “

Total exports for 2021 are expected to rise to £ 7.334 billion, or nearly 1% more than exports in 2020,” the Outlook report said.

USDA Global agricultural supply and demand estimates report earlier this month said that “the pork export forecast for 2021 is reduced on recent trade data and forecasts slower growth in demand in Asia; no changes are made to the 2022 forecast.”

Global Agricultural Supply and Demand Estimates Report of September 10, 2021. Secretary’s Briefing – Interagency Committee Forecasts on Commodity Estimates.

Specifically, Bloomberg writers Michael Hirtzer and Dominic Carey reported last week that “the mass slaughter of pigs in the Dominican Republic after the onset of a deadly swine disease drove the country fill up on American pork.

“US Pork Exports Spike With Swine Pever in Dominican Republic”, by Michael Hirtzer and Dominic Carey. Bloomberg News (September 16, 2021).

“Exporters sold last week a record amount from meat to the island nation, data from the US Department of Agriculture showed Thursday. This was after African swine fever was detected in pigs there in late July, during the first outbreak in the Americas in four decades. “

EU pork exports

Regarding European Union pork exports, the USDA’s Foreign Agricultural Service (FAS) stated in a recent report (“European Union: Breeding and Annual Products“) that,” During the first half from 2021, EU pork exports increased by fourteen percent – with an increase in exports to China (+173,000 MT CWE), the Philippines (+82,000), Vietnam (+35,000) and Chile (+28,000).

However, the report noted that “the forecasts of FAS / Beijing Chinese pork imports to decline by 528,000 MT CWE in 2021 compared to 2020. “

European Union: Breeding and Annual Products. USDA – Foreign Agricultural Service. Report number: E42021-0066 (September 9, 2021).

FAS pointed out that, “About sixty percent of Chinese pork imports are of European origin, which could imply a reduction of more than 300,000 MT CWE in pork exports from the EU. Another expansion exports to not chinese destinations, mainly the Philippines and Vietnam, and a recovery in exports to the United Kingdom is expected to largely compensate for reduced exports to China. “

More generally, FAS has indicated that, “Since 2013, the EU was the largest pork exporter in the world, but he faces increased competition from Brazil and the United States. Until recently, the EU pig sector, especially the Spanish sector, was able to compete with other suppliers due to its reliability and flexibility in responding to market demands. TO reduce dependence on the Chinese market, the EU pig sector is looking for alternative markets.

However, the FAS added that “A alternative market for the total volume of pork shipped to shipped in China, however, is Currently unavailable, which creates a challenge for EU pork exporters. “

Meanwhile, Reuters News reported last week that “another case of African swine fever (ASF) was confirmed in a Boar in the region of Uckermark, in the Land of Brandenburg, in eastern Germany, the Ministry of Health of the Land of Brandenburg announced on Thursday.

“This is the second case of ASF in a wild boar in the Uckermark region, which is far from other parts of Brandenburg where ASF has been found in large numbers of wild boars.”

Another Reuters News article reported earlier this month that “talks with China over lifting its ban on German pork imports after discovery of African swine fever (ASF) in Germany remain difficultGerman Agriculture Minister Uwe Feiler said on Friday.

“China and a series of other pork buyers prohibited imports of German pork in September 2020 after the first ASF case in Germany.

“Germany asks China to accept the ‘regionalization concept‘which stops pork imports only from the region from a country where swine fever has been found instead of a blanket ban on sales across the country.

Chinese pork demand

Financial Times writer Hudson Lockett reported earlier this month that “officials said that China had fully recovered the impact of African swine fever, which first arrived in the country in August 2018. Outbreaks of the disease continued to disrupt farms nationwide, analysts said, but supplies have increased dramatically after halving the size of China’s pig herd in 2019.

“Chinese pig stocks lost $ 75 billion after swine fever resumed and ‘peak pork’,” by Hudson Lockett. The Financial Times (September 1, 2021).

“Wholesale pork prices have fallen about 54% to 20.17 Rmb ($ 3.12) per kilogram, roughly where they were before the swine fever pandemic hit China.

But reports from local markets indicated that demand has not returned to previous levels, suggesting that many Chinese consumers have permanently switched to other proteins.

The FT article stated, “’We have entered a period of structurally weaker demand. We had years when [pork] the prices were high and the people switched with beef, chicken or fish, ”said Darin Friedrichs, analyst at Shanghai-based StoneX. ‘It looks like we have reached the peak of pork consumption in China.. ‘”


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Fiction publisher

Does Salman Rushdie’s decision to publish on Substack signal a threat to book publishing?


Email newsletters can be associated with the ghost towns of old personal email addresses for many: endlessly accumulating unopened updates from organizations, stores and services subscribed and forgotten in the distant past. But in recent years, they’ve seen a revival, with a growing number of writers supplementing their incomes with paid newsletter subscriptions.

More recently, Salman Rushdie’s decision to use the Substack newsletter subscription service to distribute his latest book sparked a conversation around this platform and its impact on the publishing world.

What is Substack?

Launched in 2017, Substack allows editors to create newsletters and set up paid subscription levels for them, giving readers a mix of free and paid content in each issue.

Substack has thus encroached on the traditional territories of newspapers, magazines, the blogosphere – and now professional publishing. However, it should be noted that so far it has been adopted with more enthusiasm by journalists than by authors.

Rather than monetizing the service through advertising, Substack’s profits come from a percentage of paid subscriptions. The founders of Substack see the platform as a way to break away from the “attention economy” promoted by social media, allowing space for more thoughtful and substantive writing that is funded directly by readers.

Not a radical break

Rushdie’s decision to publish through Substack signals a surprising foray into one of the areas associated with commercial publishing – literary fiction – and is certainly welcome news. He is the first major literary novelist to publish a substantial work of fiction via the platform and Rushdie himself jokes about helping kill the printed book with this move.

However, the news that Rushdie intends to serialize will almost certainly be available in a more conventional format at some point in the future, as all of the authors of Substack retain all rights to their intellectual property.

Other digital self-publishing experiences by prominent fiction writers, like the Stephen King short story Ride the ball (first published independently as an eBook), and fiction first generated on Twitter by writers like David Mitchell and Neil Gaiman, has made its way into mainstream publishers.

While this move provides excellent publicity for Rushdie and the Substack service, it is perhaps best understood as a limited-time platform exclusivity deal rather than a radical disruption to the literary publishing ecosystem.

Potentially more interesting is what Substack’s “acquisition” of Rushdie illustrates about their operation as a digital service. Throughout its history, Substack has offered advances to promising writers to support them as they cultivate a subscriber base.

This practice has now been formalized as Substack Pro, where select writers, like Rushdie himself, receive a substantial upfront fee to produce content, which Substack recovers by taking a higher percentage of their subscription fees for. their first year of writing.

The exact amounts paid vary from writer to writer, but they are reminiscent of a traditional royalty advance. When combined with some of the other services available to writers with paid subscriptions – like legal fund and financial support for newsletter editing, design and production – Substack can be seen as operating in a gray area. between the publisher and the platform.

They seek promising and high profile writers, generate income and provide services parallel to the operations of commercial publishers, but do not claim any rights or responsibilities regarding the content produced.

While Substack does not see themselves as sponsor writers, it could be argued that they play an editorial role in curating content on their platform through not very transparent Substack Pro offers and incentives.

The evolution of Substack

Recently, trans critic and novelist Jude Doyle left the platform. They note the irony of how the profits generated by the often marginalized or subcultural writers who built paid subscriber bases in the early days of Substack are now being used to fund the much more lucrative deals offered to right-wing writers. high level, who in some cases have exploited Substack’s weak moderation policy to spread anti-trans rhetoric and encourage harassment.

One could argue that Substack Pro is moving towards a reversal of the traditional (albeit somewhat idealized) publishing model, where a small number of profitable authors would subsidize the emergence of new writers. Instead, on Substack, the profits generated by the work of a large number of scrambling writers are used to attract more established voices to the platform.

The founders of Substack made no apologies for their policies, considering the “unsubscribe” button to be the ultimate moderation tool for their users. They recognize, however, that Substack’s free market approach may not appeal to everyone and anticipate competition from the alternatives.

Ghost already exists as a nonprofit newsletter platform with a more active moderation approach, and Facebook’s Bulletin provides a newsletter service that is carefully curated by commissioned editors.

At this stage, the use of newsletters for literary fiction is an experiment, and it remains to be seen whether it will be sustainable. As Rushdie puts it, “It’ll either be something wonderful and enjoyable or it won’t be.”

Julian Novitz is Lecturer, Writing, School of Media and Communication, Swinburne University of Technology.

This article first appeared on The Conversation.


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Book creator

How Michaela Coel toppled the “Misfit” Label


“Ex-boyfriends have accused me of giving them away, universities have accused me of never dating them, but my relationship with that word has a renaissance,” writes Michaela Coel of the word ‘lecture’ in Misfits: a personal manifesto, its first publication.

The book is the origin of the Edinburgh International Television Festival MacTaggart lecture she gave in 2018. It’s a candid chronicle and a galvanizing cry, flanked by an introduction and epilogue.

Coel is the creator – actress, screenwriter, director – of two series: Chewing gum (2015-2017, in which the main character is most eager to lose her virginity) and I can destroy you (2020, in which the main character recreates an evening in which her drink was spiked and she was sexually assaulted, struggling to put herself back together afterwards). This last series is at the same time raw, confrontational and funny; he has won his BAFTAs and is currently nominated for nine Primetime Emmy Awards, while Time The magazine named Coel, 33, one of the “100 most influential people” last year. Both series are based on his own experiences.

She begins the MacTaggart lecture with a poem by John Keats, “Ode on Melancholy”, in which the English romantic implores readers to “stick your sorrow”. Coel respects this saying. “Like any other experience that I have found traumatic, it has been therapeutic to write about it and actively transform a story of pain into a story of hope, and even humor,” she says, capitalizing on what she describes as “my habit … of telling the horror with a smile. Ultimately, she says,” I think transparency helps.

The lecture – and therefore the book – is a mixture of memory (“Once, I passed my main tyrant in the corridor, one of the oldest who would lock me in the music room”), the indignation of the ‘entertainment industry (“How many other potential artists with stories we want and need have we lost for the sake of financial gain”), comedy (“sleep … something you haven’t done deeply, or every night, just a few nights, like anal “), process notes (“What I write does not change, but How? ‘Or’ What I write that it changes radically “) and banality (“I like TV, I like to burritos and I like my friends”). All these elements lead to his reinforced vow: “Death to the habit of compartmentalizing pain and avoiding emotions, death to be faced so successfully that I put my ability to manage life and to mourn into it.” danger. “

Raised in a social housing estate built in 1970s London, out of sight amid modern corporate skyscrapers and the headquarters of international banks, her trajectory to cultural recognition and widespread celebration was not obvious. She was raised by a single mother from Ghana who “I discovered that a theater would allow children from low-income families to participate in their youth workshops for free. Free was cheaper than childcare. Young Coel was the only black child, but she loved it. She attended a Catholic school “where student prostitution was not a shock, but wonderful gossip to spread” and calls her classmates “the twelve year old generation with the Nokia 3310s”. She notes that she was ignoring references to British pillars, such as Fawlty towers or the Edinburgh Fringe Festival; rather she quotes Moesha and Buffy as influences instead. A period of evangelical religiosity transformed into a wider love of storytelling (“I still love the character of Jesus”, she notes insolently.).

The term “misfits”, which gives the title to the book, “takes on a double meaning,” notes Coel. A misfit may look at life differently, but a misfit can just as easily be someone who is looked at differently: someone who does not come from being inherently different but from being seen as such. In Western pop culture, the misfit is often misused as an outlier. In Coel’s estimation, a misfit is an exceptional person, in the best sense of the word. She describes her own circle, the people who shaped her, as “a huge gang of handsome, commercially unattractive misfits who found the mainstream world unattractive.” She became the first black girl her London drama school had selected in five years and had to overcome the isolating discomforts of being both a racial and social minority.

She nonetheless embraced her own story without conformity or compromise, which has always served her creatively and transformed her into an activist fighting for her own validity. “Lately, chains, production companies and online streaming services have found themselves looking for misfits… realizing that they could be very profitable,” notes Coel. This apprehension of perspectives hitherto ignored, which, suddenly! “We were told at [drama] school, if we were to pursue this we would have to be ‘yes’ people and expect to be poor for the rest of our lives, ”she recalls.

“Without a healthy editorial team and a great story, what do you have onscreen to inspire the fringe? Oh, ‘Love Island.’“

– Michaela coel

Coel refused to capitulate to a system that excluded him. Representation and authenticity are important to her not in a “waking speech” way, but in a “this is my truth” way that she carries both casually and categorically. “I wondered why, if 95% of us didn’t match something, we would encourage each other to aspire to it, to emulate it? Instead, she implores, “As they light you up, with TV stories you can’t film or write without them, light them up.” Because the alternative, she stresses, is grim. “Without a healthy editorial team and a great story, what do you have onscreen to inspire the fringe? Oh, Island of love. “She cites several major American series canceled by networks that have in recent years been championed by fans actively enough to be relaunched: Brooklyn nine-nine, Sens8, Development stopped. “This confirms that a media outside of television is starting to take control,” she said eagerly.

When asked to give this prestigious talk, Coel reflected, “Having the opportunity to speak, to be heard without interruption during that time (about an hour), has certainly changed me as a person. It is a privilege; who can go that long without the threat of a challenge or a retaliation? The same can be said of creating a series honoring an individual’s vision. Unsuitable, which is slender text and a quick read, may seem a bit thin to existing fans of the UK multi-hyphen, but it still clarifies Coel as a bold figure who has paved and will continue to lead the way for others and to add to what success can look like on its own terms. This is no small feat in an industry that desperately continues to catch up on diversity, idiosyncrasy and inclusion.


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Reading and writing

How accounting giants craft favorable tax rules inside government


This year, Mr. Harter returned to PwC.

“I have fully complied with the Treasury Department’s conflict rules by not meeting with PwC officials” during a two-year ‘cooling off’ period that prevents government officials from meeting their former employers, said Mr. Harter. Although he participated in the construction of the offshore tax relief and met with corporate lobbyists, Mr Harter said he did not recall meeting Ms Olson or other PwC officials on the matter.

Ms Olson referred the questions to PwC.

The 2017 tax overhaul included a provision allowing certain people to benefit from a 20% tax deduction on certain types of business income. But the law … known as section 199A – largely excluded an undefined category of “brokerage services”. In 2018, lobbyists from several industries, including real estate and insurance, went to the Treasury to try to persuade officials that the broker ban should not apply to them.

On August 1, records show Ms Ellis met with her former PwC colleague, Mr Feuerstein, and three other lobbyists for her client, the National Association of Realtors. They wanted real estate brokers to be entitled to the 20% deduction.

The meeting took place even before the first draft of the proposed rules were made public, which meant that from the start Ms Ellis’ former PwC colleague and her client had a privileged lead.

When the Treasury released its first version of the rules proposed a week later, real estate brokers were eligible. The national association of real estate agents took the credit for the victory on its website. (The final rules only applied to brokers in stocks and other securities.)

Ms Ellis’ meeting with Mr Feuerstein appeared to violate a federal ethical rule that prevents government officials from meeting with their former colleagues in the private sector, said Don Fox, acting director of the Office of Government Ethics under the Obama administration and, prior to that, a lawyer in the Republican and Democratic administrations.

Mr. Fox called the meeting improper. “It will definitely call into question the way this regulation was drafted,” he said. “There’s no way to undo the taint that’s going to be attached to it now.”


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Book creator

JoJo’s bizarre adventure creator reveals Godzilla influence


JoJo’s bizarre adventure may have decades of history under its belt, with the anime franchise created by Hirohiko Araki starting in the 1980s, but it certainly doesn’t have as much history as the King of the Monsters himself, Godzilla. . Recently, after JoJolion’s conclusion, Araki had the opportunity to talk about how the Lizard King and the monster fighting monster known as Ultraman had an effect on JoJo’s bizarre adventure and the work he has done throughout his career as a manga artist and telling stories of heroes battling villains.

In volume 27 of JoJo’s Bizarre Adventure: JoJolion, Araki had this to say about how kaiju helped influence his career as an artist and weave stories in which Stand battles were a regular occurrence in the lives of his characters:

“Who’s stronger, Godzilla or Ultraman? It’s been on my mind ever since I fantasized about it as a kid. Even writing JoJo, this type of subject isn’t something I can avoid. Who is the strongest villain? What is strength and What is spike in fortune? I have decided that the most powerful and terrifying opponent we can face is called “calamity.” Calamity attacks irrationally, but it actually has some logic and will encroach on everyone in the same way. It’s too powerful and too trying. Overcoming it in and of itself might. to be beyond all hope. That’s JoJolion’s conclusion. “

JoJolion was the oldest part of the JoJo’s bizarre adventure series, ending its story after ten years of retelling Josuke Higashikata’s story. Fortunately for Joestar fans, the series is far from over as it will receive a miniseries revisiting the older members of the franchise, as well as a new story in the ninth part of the franchise at JoJo Lands.

The future of Godzilla is much cloudier than that of JoJo with a new movie not confirmed either west or east for The Lizard King, following Legendary Pictures’ titanic crossover that has it. seen fighting against the ruler of Skull Island in Godzilla Vs. Kong.

What do you think of the influence Godzilla has had on JoJo’s bizarre adventure? Please let us know in the comments or hit me up directly on Twitter @EVComedy to talk all things comics, cartoons and the world of Joestars.

Via JoJo Wiki


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Writer market

Founders Day 2021: a thriving community


In celebrating Founders Day this year, it is also worth congratulating many local organizations that have been steadfast in these many months during the COVID-19 lockdown, quietly raising funds for much-needed local scholarships and projects.

Historically, these kinds of citizen organizations have always created the foundation that kept Georgetown alive. Since it is Founders Day, the community should recognize the continued dedication of Georgetown Divide Rotary which is the sponsor of Founders Day. Rotary members are entrepreneurs and locals who give generously. After a hard day’s work, members can often be found dedicating their time fixing the wiring at the IOOF or cleaning the Old Kelsey School property for the Kelsey Community Association. Many of the community’s improvements on the Divide can be attributed to Rotary. Rotary also hosts annual events, including the Parade of Lights to celebrate the opening of Christmas on the Fracture.

The Needle Nellies and Georgetown Divide Healthcare Auxiliaries continue to support the community and the fire services by providing much needed funds. Both groups were honored with a sticker on a Georgetown Fire Department engine.

KFOK volunteers dedicate hundreds of hours to keeping community radio alive on The Divide. KFOK is one of the few community radio stations to exist for over 18 years.

Foreign War Veterans Post 9241 and the Growlersburg Auxiliaries support veterans and their families. Members also took the time to renovate the VFW room and the downstairs bar, now open to the public.

Divide Food Ministries has not been missing a beat for many months and continues to provide much-needed food and other resources to local individuals and families.

When discussing food resources, it is important to remember the People’s Mountain Market. Principal Karen McHatton (with her husband Tom) volunteers many hours to navigate all the laws and requirements to provide the community with this wonderful resource. The market not only allows producers to sell local produce allowing residents to buy locally, the market provides a place for nonprofits to share their message, for local musicians to be entertained in beautiful surroundings and a place to community members can get together for a cup of coffee. and sometimes a hug.

The Divide Fire Safe Council, which is needed more than ever in this time of threatening forest fires, offers resources and advice regarding fire resistance and landscaping.

The Georgetown Library was available when they were able to safely remove their books during the lockdown. Librarian Angela Bernoudy and her staff happily provided hours of much-needed reading resources during the many months other businesses were stranded. Each month, locals can count on the Georgetown Library to provide a refuge for the Knitting and Crochet Group, the Writers’ Group, as well as many programs for children and families.

The Georgetown Divide Recreation District offers activities, classes and venues for many events. One of them is the Garden Valley Park which serves the popular mountain market and is the location of the wading pool.

The 1859 IOOF Hall is one of the oldest buildings in Georgetown. Over the years, the hall has fallen into disrepair. In 2019, a dedicated group, led by member and director Larry Morgan, undertook a monumental hall renovation project. Members of IOOF # 37, community members, Georgetown Rotary, Native Sons and others organized and improved the structure of the hall and improved its appearance.

Divide’s Chamber of Commerce provides a resource for local businesses that host monthly meetups, grand opening events, and events like Christmas in Cool, and more.

Divide for the Kids raises funds used for the most pressing issues facing Divide. They organized the Duckie Ditch Races fundraiser. The funds raised during this event for 2020 were used to feed the families of The Divide.

Divide Recreation Association oversees the adult softball leagues in Georgetown. This provides a framework for families to enjoy the events and the camaraderie, cheering on their favorite teams.

Divide Women’s Club works diligently each year to secure funds for scholarships for local graduates.

The Marshall Grange hosts events and fundraisers to benefit the community, often hosting potlucks, talent shows, live music events and more.

Native Sons of the Golden West Parlor No. 91 is dedicated to historic preservation, documenting state historic structures and places, placing historic plaques, and other charitable functions in California. Much of what is seen on The Divide can be attributed to local band Native Sons. Without the work of Native Sons, much of Divide’s history would be lost.

The Olde Coloma Theater and its dedicated volunteers continue to provide a venue to represent and preserve the art of melodrama. It is one of the last melodrama theaters in the United States.

After acknowledging these organizations, it’s also worth mentioning that the community has some very dedicated volunteers who clean up the Georgetown Pioneer Cemetery and those whose names are inscribed on the Adopt-a-Highway signs lining Route 193 from Garden Valley to Cool.

In closing, there is one resource that is often overlooked. These days there are a lot of complaints about the internet and social media. However, what would the community do without the What’s Happening on the Divide Facebook group? This group has nearly 10,000 members and the directors are Matthew Sampson, Dennis Webster and Hannah Giboney. It’s the first place many check in when they smell smoke, have a power outage, or seek help for those in need.


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Fiction publisher

Star-Times Sunday News Contest Boosted By More Prizes And New Categories


Author Kirsten McDougall won the Sunday Star-Times News Contest last year.


Author Kirsten McDougall won the Sunday Star-Times News Contest last year.

Entries are now open for New Zealand’s richest news contest, the Sunday Star-Times news price.

Sunday Star-Times Editor-in-chief Tracy Watkins said the awards, now in their fourth decade, are set to showcase some of New Zealand’s most exciting new writing talents, with a prize pool of $ 9,000 made possible thanks to the support of a new sponsor, the Milford Foundation.

“Membership of the Milford Foundation, alongside our longtime partner, Penguin Random House New Zealand, has helped re-energize the awards by expanding the categories to include top emerging Maori writers and emerging Pasifika,” said Watkins.

* The Festival of Words brings famous authors to Taranaki
* Writer’s “Artistic” Wins First Prize in Star-Times Sunday News Contest
* Winning the Sunday Star-Times News Contest “Launched My Career”
* Young winner of the Sunday Star-Times Short Story Awards “one to watch”

The winners in these categories, both sponsored by the Milford Foundation, will each win $ 1,000, and they are also eligible to win the $ 6,000 prize for the best overall news.

The foundation also sponsors the $ 1,000 award for best writer under 25.

Penguin Random House New Zealand fiction publisher Harriet Allan said the publisher has been involved in the competition since 2005.

“We are proud to have published some of the best news writers in the country, such as Owen Marshall, Fiona Kidman, Witi Ihimaera and Patricia Grace.

“A number of new writers who won or were finalists in the competition have gone on to become established writers, including Carl Nixon, Sarah Laing and Eileen Merriman. “

A feature of the competition is that it has always been anonymous, so the judges do not know who wrote the plays.

Sarah Norrie, administrator of the Milford Foundation


Sarah Norrie, administrator of the Milford Foundation

Milford Foundation administrator Sarah Norrie said she was delighted to support the competition.

“New Zealand’s essential workers are rightly in the spotlight right now for the vital work they do for all of us. We believe our writers and storytellers are essential in their own way – imagine life without them! It is all to the credit of Sunday Star-Times that his competition has already helped launch the careers of many admired writers. The short story is a difficult form, but proves that something deep and lasting can be said in relatively few words. “

Norrie said the Milford Foundation has a clear goal: to invest in the future of Aotearoa in New Zealand and create opportunities for generations to come.

“We think our goal fits well with our support for the youth, Maori and Pasifika categories of the Sunday Star-Times news contest.

Watkins said last year’s awards attracted nearly 700 entries and she expected it to be surpassed this year, thanks to the new categories, which would encourage new writers to take their chances.

“We’re also thrilled with the caliber of the judges and expect that to be another asset for aspiring writers,” Watkins said.

Award-winning author Patricia Grace to judge emerging Maori category


Award-winning author Patricia Grace to judge emerging Maori category

Renowned author Patricia Grace will judge the emerging Maori category, and award-winning author Amy McDaid will judge the emerging category Pasifika.

Rosetta Allan, who was recently the first New Zealander to occupy the St. Petersburg Art Residence in Russia, where she spent time researching her second novel, Unreliable people, will judge the category open.

Tinderbox author Megan Dunn will judge the Under 25 category.


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Reading and writing

Anthony Doerr: “Rather than writing what I know, I write what I want to know” | Anthony doerr


AAnthony Doerr, 47, is the author of six books, including All the light that we can’t see, which won the Pulitzer Prize for fiction in 2015. The story of a blind Frenchwoman and an orphaned German boy during the Second World War, this is the best-selling title in the history of its British publisher , Fourth Estate, home of Jonathan Franzen. and Hilary Mantel. His new novel, Cuckoo Earth Cloud, spans medieval Constantinople, a 22nd century spaceship and public library under siege by a teenage environmentalist in America today. Doerr, who grew up in Cleveland, Ohio, spoke to me from his home in Boise, Idaho.

you described Cuckoo Earth Cloud as a “literary-science-fiction-mystery-young-adult-historical-morality novel”. Where did it start?
When I got a scholarship at the American Academy in Rome [in 2004], it was the first time that I had met classical scholars, who taught me how few ancient texts actually survive. I guess I always had the terror of erasure, when I was 12 or 13 watching Alzheimer’s disease devour my grandmother’s sense of self, and I found myself wanting to tell a story. story about the beauty of the sustainability of culture. I had researched the history of defensive walls to write All the light that we can’t see, especially Hitler’s Trump-like dream of a wall from Sweden to Portugal, and everything I read mentions Constantinople, whose walls have withstood 23 sieges over 1,100 years. Was I like, Constantinople? We didn’t learn it for a second at school. But rather than write down what I know, I write down what I want to know, that’s how those walls protected the Byzantine book culture.

The novel takes place in part on February 20, 2020. Did the pandemic end up worrying you too?
For sure. I sent the book to my publisher on March 31 of last year, but I had tried to imagine what kind of future I might present to the reader and knew pandemics could be part of it. In 2016, I read David Quammen’s book Overflow, which explained that the more we encroach on natural habitats, the more likely it is that animal viruses will enter the human population. I had also read how, in 1453, so many people inside the walls of Constantinople truly believed it was the end of the world, an idea that has always interested me. book, American culture fed these dystopian tales to my twin sons, aged 10 to 17; every time I went down there was an Earth exploding on TV or a city disintegrating as Iron Man circled around it. I thought, what does it do to us? Why are we so obsessed with the end of things? And can I counter this even if I play with it?

A common thread involves an elderly war veteran trying to protect Seymour’s children, a young backpack bomber radicalized by climate change
Environmentalists ask, what kind of ancestor am I? My wife’s dad, for example, is an incredibly good person in every definition. I don’t think he lied in his whole life. He’s so kind and so morally sound, and yet in business he flew on planes all the time. How will our great-grandchildren measure good behavior? Maybe it’s just the number of resources we’ve used. I am still a meat eater. I try to eat a lot, a lot less, but maybe that is the only thing that will judge me badly – like, it doesn’t matter if you went to an Earth Day walk, because when you drove there, you drank from a plastic water bottle, you know? Seymour’s sensitivity makes him, I think, a new kind of hero, but I understand that his behavior turns off a lot of readers because he’s violent.

Imaginative storytelling is sometimes described as outdated or even ethically suspect amid rising self-fiction and concerns about cultural appropriation. Do you feel like you are defending its virtues?
I don’t live in New York; I live in Idaho, where a lot of us are really brilliant readers and people, but just aren’t in the literary fashion and so don’t deal with those anxieties. I took up reading to leave my own life – not to escape my own being, but to multiply it by exploring other experiences. That’s not to say that I don’t like a writer like Rachel Cusk, who is so exciting and good with sentences and comparisons, but in my own work I am drawn to experiences different from mine, and how I do. can do the same. learn as much as possible about them.

How involved are you in the upcoming Netflix adaptation of All the light that we can’t see?
Steven knight [of Peaky Blinders] writing; although I like to read drafts, I am not interested in writing something that I have already written. It’s fun to listen to, but it’s a reminder that as prose writers our materials are so democratic. Not once while writing All the light did I think about how much it costs to blow up a building; my budget was just the cost of a sandwich every day.

Listen to an excerpt from Anthony Cummins' new novel, Cloud Cuckoo Land - audio
Listen to an excerpt from Anthony Cummins’ new novel, Cloud Cuckoo Land – audio

What have you read lately?
by Oliver Burkeman Four thousand weeks. It reframe our limited time on Earth: accept that you’ll never get everything you want to do, and maybe you’ll be more comfortable with death, something I’m still struggling with. And Sweetgrass braiding, these fantastic plant essays from Robin Wall Kimmerer, a scientist from the Potawatomi Nation. She approaches the subject from native wisdom as well as the latest science – it’s fascinating, and such a balm before bed.

What did you read as a child?

I have two older brothers and my mother read all of the Narnia books to us. I would ask, how did they do this? And she would say, he’s just a person, and he’s dead. I was like what? So I remember facing mortality in a way, at eight years old, when my mother was reading us Chronicles of Narnia, and I was thinking, wow, by participating in this thing called language, you can build another world that outlives you.

Cuckoo Earth Cloud is published by Fourth Estate (£ 20) on September 28. To support the Guardian and Observer order your copy on Delivery charges may apply


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Writer market

5 COVID vaccine stocks with late-stage candidates you’ll want to watch out for


More COVID-19 vaccines could be on the way. While hundreds of millions of people around the world have received injections of already approved or licensed vaccines, several other vaccine candidates are currently in advanced testing. In this Motley Fool Live video, recorded on September 8Fool contributors Keith Speights and Brian Orelli discuss five stocks to watch that could be winning if these late-stage clinical trials are successful.

Keith Speights: Well, most of the attention right now is on COVID-19 vaccines, especially those that are licensed or approved. We are of course talking about the PfizerBioNTech vaccine, Modernathe vaccine, and Johnson & johnsonthe vaccine of. But there are several vaccine candidates that are in the advanced testing phase as we speak.

Brian, are there any corporate actions with some of these vaccines in phase 3 testing that investors might particularly want to watch out for?

Brian Orelli: Of course Novavax (NASDAQ: NVAX), I am a shareholder. We have already seen the data from phase 3, so we know that the vaccine works quite well. The problem is not efficiency or safety, but manufacturing. They need to fix this in order to get clearances and approvals globally, so that’s what investors and I are specifically looking for from the Novavax vaccine. The sooner the better, as far as I’m concerned.

Sanofi (NASDAQ: SNY) and GlaxoSmithKline (NYSE: GSK). Sanofi’s ticker is SNY and GlaxoSmithKline is GSK. They really struggled, but now they seem to have a vaccine that works. Sanofi has the protein vaccine part, then Glaxo adds the adjuvant, which stimulates the immune system to react to the protein, it’s a viral protein, not the whole virus, just a part of the protein, but it seems working at least in phase 2, so that’s something to watch out for. It is more of a traditional vaccine than mRNA and adenovirus vaccines, which are new to this pandemic.

And then I’m still rooted for Inovio (NASDAQ: INO). The ticker is INO, then the drug name is INO-4800. It’s a DNA vaccine, and they use a device to get DNA into your cells. He’s working with another company called Advaccine, I guess, ADVACCINE, and they’re having a phase 3 clinical trial in Brazil, so I can’t wait to see that data for Inovio.

Speights: These were also good things for investors to watch out for.

I’m going to throw out one more, Brian, and it’s not a stockpile of COVID-19 vaccine per se, but Dynavax Technologies (NASDAQ: DVAX), the ticker is DVAX. Dynavax has an adjuvant called CpG 1018, I believe that’s the name, and this adjuvant is used in Dynavax’s hepatitis B vaccine, HEPLISAV-B, but the company has several partners who use this adjuvant in their vaccines. COVID-19.

I think Dynavax might be a stock to watch as it has several potential avenues of success with these partners as well as it has its own hepatitis B vaccine which is already on the market. It’s a little bit of biotechnology that you might also want to watch out for.

This article represents the opinion of the author, who may disagree with the “official” recommendation position of a premium Motley Fool consulting service. We are heterogeneous! Challenging an investment thesis – even one of our own – helps us all to think critically about investing and make decisions that help us become smarter, happier, and richer.


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Fiction publisher

Tenderness by Alison MacLeod review – The Triumph of Lady Chatterley | fiction


FFrom the perspective of the present moment, the life and work of DH Lawrence resembles an earthquake that disturbed and reorganized the consciousness of readers; this disturbance regenerated the soil that artists have since plowed. It is a testament to the magnitude of this earthquake that whenever aftershocks occur they always have a strange ability to move the ground. Peter Gill’s productions of Lawrence’s plays at the Royal Court in the 1960s, which are drastically underestimated as founding moments in the development of post-war British theater; Geoff dyer Pure rage, a wild work riffing on the equally wild Lawrence Thomas Hardy Study; Rachel Cusk’s daring novel Second place, currently on Booker’s long list, drawing on Lawrence’s reminiscences.

Then there is the most important line of all – “the end of the Chatterley ban”, credited by Philip Larkin with inaugurating sexual freedom. In 1960, following a change in UK censorship laws, Allen Lane, publisher of Penguin books, decided to publish a full edition of Lawrence’s latest novel, Lady Chatterley’s Lover, previously a banned book due to its sexually explicit nature. The resulting lawsuit and acquittal of Penguin and Allen Lane marked a turning point in the history of free speech.

In his novel Tenderness, Alison MacLeod trace Lady Chatterley’s sources in the thickets of Lawrence’s own biography, then follows his tortured progress towards the light through the indecency trial. In doing so, she offers two visions of what a novelist can be: the novelist alchemist, transforming the straw of his life into gold and without counting the price, and the novelist historian of ideas. His gaze moves elegantly, imagining Lawrence nourishing ideas in sequences rich in poetic memory, then recounting the trial with journalistic rigor. Here she is mindful of the point of view from where she is writing – when EM Forster enters, “he nods at us as he walks through the threshold of the courthouse, the only person yet to notice.” He is a novelist of rank, and he smacks of the eyes of posterity. The novel ends with a deeply moving imagined sequence, an afterlife of happiness for Constance and Mellors that is beautiful and unexpected. These changes seem effortless because MacLeod’s subject matter sits above them all, uniting the threads – the story of how a story made its way into the world. It’s a brilliant idea to build a novel on, all of us knowing the book will triumph and wanting it over us. It’s a propulsive, addictive and joyful read.

The only questionable leap is MacLeod’s decision to balance the story of Lady Chatterley with a story about Jacqueline Kennedy during her husband’s presidential campaign, and the tribulations of the FBI agent who secretly photographs her attending a “Chatterley trial ”in the United States. This footage, it should be noted, is masterfully crafted, chronicling FBI Director J Edgar Hoover’s efforts to keep the book out of the world, and full of deep resonances with the story unfolding across the Atlantic. . But it never really impacts the trip of Lady Chatterley’s lover, and somehow seems separate, useful for rhythmic variation but distinct from the rest. MacLeod may have researched the echo effect of Hours, the novel by Michael Cunningham about Virginia Woolf Mrs. Dalloway, but there is something anti-Lawrentian about choosing one of the most important women in the world as a counterpoint. Laurent wrote in A Friday evening of necklace “There is as much going on for you as for me” – his work is one of the sources of artistic humanism of the twentieth century. Evoking the great and the good doesn’t necessarily rhyme with its poetics, even if the story is well told, and Harding, the FBI agent, is a beautifully shaped character reminiscent of the Stasi officer in The lives of others.

There’s a lot to love about this novel, because MacLeod loves what she put in it so much. First of all, she loves Lawrence, whose work is spectrally threaded with quotes and echoes throughout, giving the novel a seductive sense of bringing together. There is also a sustained love song in Sussex, where MacLeod lives. This enduring theme, and MacLeod’s descriptions of the stories forming in Lawrence’s mind, recall Matthew Hollis ‘study of Edward Thomas’ later years, Now all roads lead to France, and Endless world, memoirs of his widow Helen Thomas.

The triumphant emergence of Lady Chatterley’s Lover here receives an appropriate tribute; it reminds us that times like Chatterley lawsuits are precious and must be cherished and defended, for progress is never inevitable. The victories for freedom must be sung from the rooftops. That’s what MacLeod did.

Alison MacLeod’s Tenderness is published by Bloomsbury (£ 18.99). To support the Guardian and Observer, purchase a copy at Delivery charges may apply.


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Book creator

Sci-Fi Author’s Book Explores Artificial Intelligence


At the end of June, author Hugh Miller, 51, published his sci-fi book Interview with Things.

It focuses on artificial intelligence and the future dilemma it might pose.

The author of Ellandshaven has been a graphic designer and web developer at his agency, HM Studio, since 2011. He was born in Welkom in the Free State in 1970 and moved to Johannesburg in 1992.

His book seeks to prove that humans seek purpose, free will, meaning in life, faith, and freedom, and that a conscious and conscious machine might desire the same things in the future.

Miller’s book has a subject that is not new, but an approach and a plot that is.

Love for writing

His desire to write started in school, where he wrote three science fiction books on a typewriter, but that’s where they stayed.

“It was also almost impossible to publish science fiction in South Africa at that time, but today the whole world is available. When I started my career in graphic design and advertising writing fell behind schedule and it wasn’t until my 50th birthday that I suddenly realized that I had forgotten to write, ”said Miller.

His love for writing and the important voice inside him started to scream. He felt a strong conviction to take up writing, 30 years later, and to pursue his passion for being an author.

“Interview with things”

The cover of the book. Photography: Supplied.

With the strong desire to write, he felt that the book needed a strong message and to combine it with his love for science fiction.

“The unique angle of this book is that most of the science fiction and robot themed novels come from atheistic evolutionary perspectives. The alternative may seem narrow-minded, but on the contrary, it has more evidence for it than against. It takes more faith to believe in anything like the saying goes, ”he said.

He said it would argue for a creator, right down to why AI even exists.

“From the impossible luck that a human cell would appear out of thin air to more scientists discovering the obvious DNA design and even age errors in dating fossils. God created Adam, Adam created the IA. We’re made like a creator. Androids are or will be made in ours, “Miller said.

The book argues these points through a sci-fi adventure with strong plot and action.

This raises human questions such as why is there something rather than nothing and what does it mean to be human, creator, or evolution?

“We live in a world where AI and robotic design are evolving very quickly and science fiction will soon become a fact. The goal for a Christian is to embrace a very plausible future and see evidence of a creator in everything, down to the complexity of music, ”he said.

To learn more about the book or to purchase online, visit or


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Writer market

Holyoke to cut mayors to two on Tuesday


HOLYOKE – Election season has arrived in Holyoke and voters will select their favorite mayoral candidates on Tuesday in a preliminary seven-a-side race that will decide which two go to the November general election.

Early voting is already underway at City Hall ahead of the September 21 preliminary elections. The race will narrow the field to two candidates, who will compete on Nov. 2 to be sworn in immediately as successor to Alex Morse, who spent nine years as mayor before leaving in March to become general manager of Provincetown.

For many in Holyoke, change is in the air. This is how Carmen Ocasio, president of the South Holyoke Neighborhood Association, feels. She said the election is important to her and everyone in the city.

“We have to have change here at Holyoke and not just have someone there for a title,” Ocasio said. “Someone who’s really going to get the job done and really clean up Holyoke.” You have to start by solving the problems that have been constant for so many years and are getting worse, and try to make them better. “

The seven candidates who made it to the ballot for Tuesday’s preliminary municipal election are: academic and activist Gloria Caballero Roca; Joshua Garcia, City Manager of Blandford; writer William Glidden, who was an assistant to the walrus; businessman Christopher Kosinski; member of the Devin Sheehan school committee; and city councilors in general Rebecca Lisi and Michael Sullivan.

The preliminary election comes less than two months before the general election, when voters will decide not only a new mayor, but at least five new city council members. This is the number of incumbents who refused to stand for municipal elections. And there are contested races for the six general seats of the city council and five of the city’s seven wards.

“This is definitely a time of transformation,” said Matt Szafranski, editor of the Western Massachusetts Politics & Insight blog and a longtime follower of Holyoke politics.

Szafranski said that many Morse opponents over the years have rallied behind Sullivan, but not entirely. Those who have supported Morse over the years seem to be drawn to the other candidates, he said. Some people will choose the municipal or administrative experience of Sullivan, Lisi, Garcia or Sheehan, while others will be drawn to the philosophy of bringing together the people Glidden and Caballero Roca married during the election campaign, he said. .

Candidates on issues

In campaign materials, Glidden said he intends to stand up for the city’s schools, work with the Police Department to build on their ‘exemplary’ community policing, and work with Holyoke Gas & Electric. to keep the city away from fossil fuels. He said he wanted to promote Holyoke’s assets to make the town a prime location for business and provide affordable and market-priced housing in part by rehabilitating the existing housing stock.

Lisi highlighted her 14 years on city council, as her work to revitalize the city’s urban core by bringing in new businesses, including the cannabis industry. She advocated for a municipal broadband internet network, planning to take back control of the city over its schools from the state, and working to implement “budget-conscious, evidence-based approaches to reduce crime ”while limiting the costs of overtime in the police department and empowering a citizens’ commission to ensure transparency and accountability.

Garcia shed light on his experience in managing municipal finances as an administrator for the City of Blandford. He said his priority would be to improve city hall operations to protect public funds and local assets. He said he would tackle the city’s deficits and increase free cash balances, develop sound financial policies, establish a capital improvement program and increase the city’s stabilization accounts.

Sullivan touted his economic development plans, promising to support industries such as cannabis manufacturing, hydroponics and robotics seeking to move downtown, as well as to rehabilitate buildings and build new ones there. infrastructure. He said he would work to end a moratorium on natural gas in the city, improve hydropower capacity and implement more active monitoring of commercial properties in the city.

In a candidate forum earlier this month, Kosinski spoke about his background in marketing, sales and negotiation. He said he intends to focus on education and tackling crime, which will help attract businesses to the city. He also said he wants to improve the way city departments communicate and work together, and is committed to getting public feedback from city residents.

Caballero Roca often spoke of investing in the people of the city. Its platform includes investments in housing across the city, preserving and expanding green spaces, improving transport, and prioritizing green energy and food sustainability in the context of climate change. As an academic and educator, she vowed to fight for local control of the city’s schools and the expansion of educational opportunities.

Sheehan made his central campaign plots renewing the city’s commitment to city infrastructure, economic development and community building. He said he would fully assess the city’s properties and create an advisory committee on capital improvements, and work with city council and the Office of Planning and Economic Development to streamline ordinances and commercialize the city. city ​​in order to attract new businesses.

Campaign financing

Some mayoral candidates have already raised and spent significant sums as Tuesday approaches.

In August – the most recent month for which data is available for all applicants – Glidden raised by far the most money with $ 11,122. Lisi raised $ 4,335 in August, Sheehan $ 2,725, Caballero Roca $ 1,625 and Sullivan $ 1,115, according to data from the state’s Office of Campaign and Political Finance.

Some candidates, however, have filed more up-to-date campaign finance data with the state, also covering receipts for September. Glidden raised $ 3,213, Lisi $ 2,459 and Caballero Roca $ 275 in September.

Available state campaign finance data shows that Sullivan raised the most money this year: $ 59,317, of which $ 20,000 was transferred from his previous campaign account. Glidden raised $ 49,501, Lisi $ 41,276 including $ 7,916 from a previous account, Sheehan $ 26,664 including $ 8,044 from a previous account, Garcia $ 8,260 and Caballero Roca $ 5,444.

Kosinski did not raise any money and did not launch any official campaign.

Of the $ 196,411 that has been raised in total so far in the race, $ 150,257 has been donated by donors who have identified their profession. Of that $ 150,257, about 40% was donated by retirees, business owners and managers, developers and lawyers.

As the preliminary elections approached, candidates spent substantial amounts of campaign money.

As of August 31, Sullivan had spent $ 40,442 – the highest amount of any candidate. Much of that money was spent on video ads and advertisements, including $ 20,500 spent with the Northampton campaign advertising company Horgan Associates and $ 5,000 on Facebook advertising.

During this period, Lisi spent $ 31,777, including $ 4,505 on billboards, $ 3,600 on political consultation with the firm Almquist and Associates and $ 2,782 on lawn posters and stickers from the union printing company The Blue. Deal.

Glidden’s $ 27,007 expenses included $ 8,750 paid to campaign manager John Dolan of Northampton, $ 3,475 on signage for a Texas-based company, $ 2,754 on direct mail and $ 2,500 on campaign launch video.

Sheehan spent $ 11,562 through August, including $ 2,938 on direct mail, $ 2,300 on advertising and $ 828 on garden signs. Garcia spent $ 9,303, including $ 2,683 at LGR Production, for video advertising and Facebook advertising services. And Caballero Roca spent $ 3,705, including $ 800 for campaign consultant Juan Sanchez, $ 505 on road signs and $ 459 on flyers.

Some candidates have gone public with the approvals they have received and local groups have shown support for their preferred candidates.

The A Better Holyoke for All group – formerly the Keep Holyoke Affordable for All committee, which successfully opposed a 2019 tax exemption vote issue to fund the construction of two new colleges – approved Sullivan. He is part of a list of candidates that the group has supported.

Lisi, meanwhile, has gained approval from a handful of city officials and unions, including the Massachusetts Nurses Association and the Western Mass Area Labor Federation, as well as the only two Latinas who currently sit on city council: Councilor. long-time resident of 1 Gladys Lebrón district. -Martinez and Libby Hernandez from Room 4.

Garcia received the endorsement of State Senator Adam Gomez, D-Springfield, the first Puerto Rican to ever serve in the state Senate.

Dusty Christensen can be contacted at [email protected]


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Fiction publisher

New Wagamesian book would make deceased author very happy, agent says


Four and a half years after his death, a new collection of shorts by award-winning Ojibway journalist and author Richard Wagamese will be released in real and virtual bookstores on Saturday.

Richard Wagamese Selected: What Comes From Spirit which comes from the publishing house Douglas & McIntrye (D&M), is a collection of his unpublished manuscripts, social media accounts, his Word Press blog “World of Wonders” and his columns of newspapers with the Calgary Herald.

“This is an accumulation of Richard’s wisdom and really of his teachings, of his core beliefs that he had never quite gathered in one place before,” said John Pearce, who has worked with Wagamese for over 25 years, first as a publisher, then as an agent. .

“I have always considered his works to be poetic and I find that by selecting them the way Douglas McIntrye presents them, by conceiving them as Douglas McIntrye did, many of these statements become poetry. So that’s something I like about this book as well.

Wagamese was not as well known for his poems and non-fiction as he was for his fiction.

Wagamese passed away in March 2017 in Kamloops, British Columbia. It belonged to the independent Wabaseemoong nations of northwestern Ontario.

The decision to go ahead with the posthumous collection with D&M, which published the majority of Wagamese’s work, came “organically,” Pearce said.

What Comes From Spirit follows five years after Wagamese Embers’ latest collection: One Ojibway’s Meditations.

“Unfortunately, he passed away just as (Embers) was coming to the stores, so he never got to see how well received he had been. His literary field wanted us to publish the sequel right away because there were so many short pieces that they were hoping we would do a second book. I was just concerned at the time that there wasn’t enough for a full treatment, ”said D&M editor Anna Comfort O’Keeffe.

This was not the case. The work was collated from previously published and unpublished sources ranging from 1989 to 2015. It included essays printed in the Calgary Herald during the days of the Meech Lake Accord and the Oka Crisis that Wagamese had. gathered in the book The Terrible Summer (published in 1996 to now the now defunct Warwick Publishing), and also some thirty pages which he wrote for Nine Volt Heart, which he planned to be a book about music, but that he never finished.

Once all of the material was put together, says O’Keeffe, there was enough work to complete a second collection.

And more than that, says Pearce, the collection is the pride of Wagamese.

“This collection is certainly our initiative, but we think he would have been very happy about it,” he said.

The introduction to the collection is written by Drew Hayden Taylor, another award-winning Indigenous author.

“(Wagamese’s prolific outpouring of quality narrative and his unfortunate death cemented him pretty firmly in what I call (and to my knowledge no one else) contemporary Indigenous Literary Renaissance. Novels, poetry, non-fiction. . . he was the master of all. If his name was attached to it, you knew there was substance behind it. He was an extraordinary writer, and more importantly, an extraordinary man. His smile was as bright as his craft, ”writes Taylor.

Building on Wagamese’s legacy, D&M pledged 50 cents from the sale of each copy of the first 10,000 books and $ 1 thereafter to the Ontario Arts Foundation to support Indigenous peoples. Voices Awards.

“He was a big supporter of Native writers, any writer. We decided that it was really important that the partial proceeds from the book go to something that would support and benefit the community itself, ”said O’Keeffe.

“I think he would have been delighted with that,” Pearce said. “Richard always spoke to me and others about helping Indigenous writers claim their right in this country and have their voices heard when they haven’t always been. ”

Wagamese is probably best known for his novel Indian Horse (2012) which was a CBC Canada Reads finalist, winner of the inaugural Burt Award for First Nations, Métis and Inuit Literature, and adapted into a feature film in 2017.

O’Keeffe came to D&M in 2013, around the same time Indian Horse became a finalist for the CBC Canada Reads Award.

“It worked really well, along with a lot of other books by native writers. It is something that is of national interest. This is part of our mandate, so we continue to solicit submissions from Indigenous authors. They or their agents submit a book to us and… when we have the chance to get them, we are really happy to publish native authors because we know this is something that Canadian readers want and it is important ”, O’Keeffe said.

This continues to be the case with the work of Wagamese. O’Keeffe notes that Embers continues to sell well.

“There is a thirst for Richard’s words that did not end with his life. They inspire endlessly. Richard has always had a great relationship with his readers, ”said Chris Casuccio, who joined Pearce as Wagamese’s agent later in the writer’s career.

“Richard worked hard to formalize his inner feelings when writing novels. He believed the spirit had passed through him. His job was to keep the fire alight and focused in one place. This book breaks with this formal formatting, and all that remains is his reflections, his observations, his inspiration. The core from which he built his fire; which comes from the mind, ”said Casuccio.

While there is no plan for another collection of Wagamese works, Pearce said, “We have to feel that he would be happy and that could be all there is now. We just don’t know.


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Book creator

El Shaddai Creator hires programmer for switch port


Sawaki Takeyasu, the creator of El Shaddai: Ascension of the Metatron, is currently looking for a programmer who can help port the recently released PC version of the game to the Nintendo Switch. He expressed his desire to hire a programmer in his own Twitter account.

We have translated Sawaki Takeyasu’s tweets as follows:

“By the way, it might be nice if there was a good programmer who could port to Nintendo Switch. If there is anyone who can claim it, please contact me.

“I’m talking about [porting] El Shaddai from the Steam version to the Switch version.

El Shaddai is a third-person action-adventure game whose story is inspired by the Book of Enoch. The game gained cult popularity status in Japan after conversations about Enoch’s armor from the reveal trailer became a meme in the country.

In 2017, Sawaki Takeyasu worked with Kadokawa Games to release The lost child, a modern RPG with links to El Shaddai. NIS America localized the game for the West in 2018.

El Shaddai: Ascension of the Metatron Originally appeared on PlayStation 3 and Xbox 360 in 2011. Sawaki Takeyasu’s company Crim recently released the PC version to Steam worldwide on September 1, 2021. With this announcement, Takeyasu also expressed interest to bring El Shaddai to Nintendo Switch.


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Reading and writing

Union City author tries to parallel real life with dystopian novel


Author Laura Hernandez says she grew up seeing the world from the bottom of the food chain, working since the age of 14 in the service industry. And this is the point of view of the main character of his novel, “Braintown”, who looks at the world from the bottom up and tries to fight and survive against more powerful forces.

“When you don’t grow up in a powerful position and you have to work for every little thing, I think that makes us one of the strongest people in the world,” Hernandez said. “We have to endure so much and have thick skin because we are the ones taking it.”

“Braintown” was never meant to be a satire, but that’s how it came out. She said she started working on it in 2014.

In the novel, protagonist Alice Garcia was born in Braintown, and this is the only life she knows. She and her friends go to school where they are taught that they cannot speak and that they are controlled by machines run by a dictator through the use of music in rooms known as ” romantic cabins ”. The “booths” change the physical appearance of girls with dangerous plastic surgery machines. Alice tries to survive her journey to a world that tries to program her into the woman the city wants her to be: submissive to man.

Currently residing in Edgewater, Hernandez grew up in a townhouse on Roosevelt Street in Union City. She didn’t have a great moment where she said “I want to be a writer.” She had a lot of teachers at Roosevelt Elementary School who encouraged her to write, and she was always the only student in the class who read their books aloud. Then she would go home to write short, scariest stories.

“When I was younger I always thought I was going to do something like Steven King where I wrote books like Carrie,” she says. “I went in a different direction as I got older, but from the start I was running home and writing scary stories with cool titles like ‘The Tulip Curse’, but I didn’t really pursue the desire to be writer until I was an adult.

Dystopian fiction is generally meant to be creepy, and “Braintown” was originally designed to be just that.

“I had this horror past when I was younger and when I presented it to people it usually became something scary,” she says. “It was presented as a world in which we don’t want to live. But by the time I was writing it, it became satire. It’s supposed to deal with a serious subject, but sometimes it’s very funny. The book itself is far from dark with its pink cover.

Hernandez wrote the first few pages of Braintown during his hiatus while working at the National September 11 Memorial Museum. She followed up by taking writing classes trying to decide where she wanted the book to go.

Over the years she spent working there, Hernandez found herself stranded at times. When she started to read some of the parts again, she realized in which direction she was heading.

“I was like, ‘Did I just write satire? Because it was something I never imagined myself doing. Once I figured this out, I knew where to go from there.

While there is always the thought or fear that humanity is destined for the sadness and unhappiness that is presented in science fiction or dystopian stories, Hernandez still has faith in humanity.

“Although ‘Braintown’ is dystopian, it has a message of hope,” she says. “I think we’ll find answers to a lot of the problems we’re having right now if we could just talk about it and listen. No one grows up the same. Everyone has a different point of view and you should respect that. Instead of attacking them for it, just listen.

While a follow-up to “Braintown” isn’t in the works at the moment, it’s something Hernandez is thinking about, but she says unless she feels she has something else to say. , it is better to leave her alone.

“Whatever story I do in the future, I want to have the same passion I had for Braintown,” she says.

“Braintown” has caught the attention of outlets such as PBS, NBCMiami and People. The book is available on,, and wherever books are sold.


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Writer market

Pamplin Media Group – 2021 Bronco: A serious new off-road competitor


Ford is also offering a smaller Bronco Sport which won an award at Mudfest 2021.

Ford re-launched the legendary Bronco nameplate in 2021 with not one but two all-new vehicles – the compact Bronco Sport and the mid-size Bronco. Unlike most other new SUVs, both are off-road capable but will appeal to different consumers.

The Bronco Sport is a compact crossover based on the Ford Escape but with improved off-road components and technologies. The mid-size Bronco is a traditional chassis-link SUV based on the Ford Ranger pickup, but also improved for serious off-road driving.

Both have great retro styling based on the original Bronco introduced in 1996. They get a lot of attention everywhere they go. But more importantly, they’re designed and built to directly compete with off-road capable SUVs like the Jeep Wrangler and Land Rover Defender.

This isn’t the first time Ford has produced a smaller and larger Bronco, it’s just the first time they’ve been offered together. The original Bronco was arguably the first SUV after the Jeep developed for WWII. It was small and sturdy, with a standard four-wheel drive system that appealed to hunters and outdoor enthusiasts alike. The larger replacement introduced in 1978 was based on the full-size, more family-oriented Ford F-150 pickup, but still capable of serious off-road travel. The last previous Bronco introduced in 1982 was scaled down to an original Ford Ranger compact pickup frame for better mileage after soaring gasoline prices. He didn’t find many followers, although some are still on the road today.

COURTESY PHOTO: FORD MOTOR CO.  - Among other features, the 2021 Ford Bronco comes with a removable roof and doors for off-road open-top driving.

The first three Broncos were all two-door hatchbacks. Depending on the year, they were powered by a variety of four V6 and V8 engines. Their four-wheel drive systems were simple but effective. Each of the two new models can be ordered as a two- or four-door hatchback. The Bronco Sport is powered by a turbocharged 1.5-liter four-cylinder. The Bronco is powered by a 2.3 turbo four or a 2.7 turbo V6. Two 4×4 systems will be offered on all Bronco models, a basic configuration and an advanced 4×4. The base system uses an on-the-fly two-speed electronic transfer case, while the optional advanced system includes an electromechanical two-speed transfer case that adds an automatic mode for on-demand engagement to select. between 2H and 4H.

Coincidentally, I was able to test both at the same time but under different circumstances. Each worked well, although I couldn’t make a direct comparison. But I think Ford has achieved both of the goals it was aiming for.

COURTESY PHOTO: FORD MOTRO CO.  - The 2021 Ford Bronco can be equipped with virtually any advanced automotive technology available.

I took delivery of a 2021 Bronco with a 2.3 turbo and a six-speed manual transmission just before driving from Portland to the Olympia area for Mudfest, the annual outdoor activity vehicle test sponsored by the Northwest Automotive Writers Association. Once there I was able to test a 2021 Bronco Sport with an eight-speed automatic transmission on a race track and a specially designed off-road course. Ford didn’t clear the larger Bronco for Mudfest testing, but I was able to spend some time in the countryside around Portland after returning home.

While I didn’t spend that much time in the Bronco Sport, I found it to be an energetic, well-handling crossover with sufficient ground clearance and traction for serious off-road riding. Ford engineers have done a remarkable job transforming the city-oriented Escape into a vehicle capable of tackling small Jeeps. The other Mudfest automotive editors agreed and we gave it second place in the Extreme Ability category.

COURTESY PHOTO: GORD MOTRO CO.  - The interior of the 2021 Ford Bronco is large enough for five adults to comfortably ride.  Show here with the removable roof.

A previous Pamplin Media Group review of the Bronco Sport by automotive writer Jeff Zurschmeide can be found here.

The bigger 2021 Bronco is even more off-road capable. The 2.3 turbo produces a healthy 270 horsepower and 310 pound-feet of torque. But the optional 2.7 turbo generates 310 horsepower and 400 pound-feet of torque, which is enough to inspire confidence in all circumstances.

Additionally, a segment-first seven-speed manual transmission can be paired with an advanced 4×4 system. And a segment-first 10-speed automatic transmission option makes driving on and off-road easier, while delivering a maximum crawl ratio of 67.8: 1 with the optional advanced 4×4 transfer case. Optional equipment includes a Terrain Management System, marketed as “GOAT Modes” (All Terrain Pass), which calibrates throttle response, four-wheel drive, traction control and gear changes to maximize traction for off-road driving. Up to seven modes are available with this system: Normal, Eco, Sport, Slippery and Sand, as well as Baja, Mud and Ruts and Rock Crawl.

COURTESY PHOTO: FORD MOTOR CO.  - The Ford Bronco 2021 is one of the few vehicles of any type that can be ordered with a manual transmission.  The large dial on the console controls the riding modes.

The Bronco also features 11.6-inch ground clearance, a maximum crossover angle of 29 degrees, and a departure angle of 37.2 degrees, as well as a ford-up capability. ‘at 33.5 inches. Off-road capabilities are further enhanced by exposed tow hooks front and rear and available heavy-duty modular steel bumpers with integrated Ford Performance accessory winch mount.

In addition to its off-road capabilities, the new Bronco is also equipped with advanced technologies. The latest Ford Sync 4 in-dash software powers the 8.0 or 12.0 inch touchscreen built into the middle of the dash. It allows live updates and can connect wirelessly to the cloud and the user’s smartphone. The infotainment system also supports a host of modern infotainment features, including Apple CarPlay, Android Auto, and a subscription Wi-Fi hotspot. Driver assistance features include automatic high beams and parking sensors to aid in low-speed exploration and trail riding. Key safety features include available forward collision warning and automated emergency braking, available lane departure warning and lane keep assist, as well as blind spot monitoring and traffic alert rear transverse available.

DOUG BERGER / NWAPA - The compact 2021 Ford Bronco Sport took second place in the Extreme Capacity category at Mudfest 2021.

I was initially intrigued by the interior materials. Most surfaces are hard plastic, even in the $ 42,124 Black Diamond trim level that was shipped to me. But then I remembered that all versions have removable roofs and doors, which means the interiors have to be resistant to dust, dirt, mud, and rain. Hard plastic is much easier to clean than most other materials.

It’s no secret that Ford was not happy with the fit of the early versions of the removable roofs, which were produced by an outside contractor. The company replaces them free of charge for anyone who has already made a purchase. Interested customers should either ensure that the work has been done or determine when it will take place.

Unsurprisingly, because the Bronco is based on the Ranger, in a week of testing I found it drove like a truck instead of a crossover. The 2.3 turbo provided sufficient power and highway speeds could be reached in fourth gear, allowing a jump into sixth for cruising. The seventh gear is actually the first, Crawl for extremely slow off-road driving.

DOUG BERGER / NWAPA - The 2021 Ford Bronco Sport demonstrating its off-rod capabilities at Mudfest 2021.

Although both versions of the Bronco have retro styling, the Bronco Sport looks like an original Bronco while the larger Bronco looks like an old Land Rover Defender. This is only natural since Ford has never produced a first-generation four-door Bronco. Everyone at Mudfest loved the look and are hoping we can put one to the test at next year’s event. I guess that would bring home some prizes.

Ford Bronco 2021

Base price: $ 28,500 (2 doors)

Price tested: $ 42,124 (4-door Black Diamond)

Type: Mid-size SUV

Motor: 2.3-liter turbocharged four-cylinder (270 hp, 310 lb-ft – as tested); 2.7-liter turbocharged V6 (310 hp, 400 lb-ft)

Transmissions: 7-speed manual (as tested); 10-speed automatic

Modes: Normal, Eco, Sport, Slippery, Sand, Baja, Mud & Ruts and Crawl

EPA Estimated Mileage: 20/22 (as tested)

Total length: 189 inch

Unloaded weight : 4319 pounds

The final assembly: Wayne, Michigan

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Fiction publisher

“Best Sellers” Review: An Intermediate Page Turner at Best


It’s always a bit disappointing to see a personal dedication at the end of a movie that isn’t particularly great, as it indicates that there is a lot more personal truth to its easy-to-observe flaws than made-up fiction. . Bestsellers looks like the hundredth version of her story, a film about a young publisher with a lot to prove and the cantankerous author who stands between her and success, drawing on themes of parents and children, inherited and forged legacies, choices regretted and unfortunately not made. While director Lina Roessler’s feature debut is made with the kind of sensibility and tenderness that suggests a connection to material that is more than superficial, it still lacks the precision to extract greater substance from its assemblage of familiar tropes. .

Aubrey Plaza plays Lucy Stanbridge, the daughter of a famous publisher whose company fell into decline under his leadership. With the creditors calling and an offer to sell from Jack (Scott Speedman), a wealthy former lover, Lucy plans to part with the business and enjoy the comforts of her trust fund. But when his assistant Rachel (Ellen Wong) discovers a handwritten contract that says legendary author Harris Shaw (Michael Caine) owes the company a second novel after releasing his debut decades earlier.

Although she finds out that Shaw does indeed have a follow-up ready to go, he has become a cranky old drunkard and refuses to cooperate with her efforts to promote the book. As the two of them embark on a cross-country tour in her vintage Jaguar, she wonders with growing desperation if it is worth putting up with her antics in order to protect her father’s legacy. Meanwhile, Shaw slowly begins to realize that Lucy’s intentions are good, even if they contradict each of her own impulses. Soon the two strike a tough deal on this latest promotional road trip, leaning over his abrasive and crass performance to label him iconoclastic while boosting sales for the book.

Roessler, a Canadian actor-turned-director, works from a screenplay by Anthony Grieco to draw parallel lines between the life of a young woman feverishly trying to protect her father’s legacy and that of an old man indifferent to the his unexpectedly. Lucy is privileged but she is also well educated, thoughtful, and hardworking, and if her initial efforts to bring Harris back into public view were driven by financial necessity, she quickly discovers that driving her octogenarian counterpart across the country is much different than shepherd. its work in the hands of readers. Conversely, Harris’ calcified shell has been hardened by years of loneliness and loneliness after his wife’s death, and although the book’s publication provides him with a much needed infusion of money, it will not meet the needs. holes that remain in his life.

A film like the extraordinary by Marielle Heller Can you ever forgive me? offers a case study on how to tell a story like this – not quite the same, of course, and inspired by real events; but by comparison, the Chicken Soup For the Soul Entertainment production card in front Bestsellers tells you more than anything about what to expect, before it even starts. Lucy is brave and Harris is acerbic, but the only thing they seem to end up sharing is screen time, which isn’t enough for her to start cooperating with her on the book tour, let alone. develop an almost paternalistic devotion to her as their mutual success finally begins to grow. We eventually learn that his reluctance to participate in any promotional activities is driven by something other than, well, being a drunken old jerk, but this revelation tries to connect the dots between two characters who have already created an intriguing connection without him. supplement, artificial drama.

While Plaza and Caine are both compelling as characters, Roessler doesn’t seem to particularly draw them into anything in their performances that is unique. If Wong hasn’t found enough roles that use the star-eyed charm she displayed in Scott Pilgrim vs the world, she successfully gives Lucy de Plaza a quid pro quo to deal with the ramifications and ongoing updates of her and Harris’ tour. Meanwhile, Scott Speedman never seems to decide whether his character genuinely wishes to help Lucy protect her father’s business or negotiate a deal out of self-interest. And Cary Elwes makes an appearance as a critic at the Truman Capote whose approval, according to the film, is critical to the book’s success, but which wears off after just one scene.

Even without knowing the inner workings of the publishing industry, Roessler seems to ignore what appear to be obvious truths about promoting an iconic author’s book, or the iconic authors themselves; there are too many brilliant, fickle, egocentric, self-destructive writers in the annals of literary history (even recently) for “rambling chapters on camera” to be the inventive marketing tactic the film suggests. ‘It is. In which case, Bestsellers is a forgettable but pleasantly entertaining read at best, a book that you buy on a whim before a long flight but don’t mind if you leave it on board because you’ve figured out how it’s going to end. Roessler may indeed have a future as a filmmaker, and there is certainly a lot of room – and need – in Hollywood for another female director in the making; but in the future, she would benefit from maximizing any personal connections she might have with her material in the story itself rather than just a dedication at the end.


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Book creator

Why Covid shattered parents’ sense of risk


Dr Slovic came up with a hypothetical situation to illustrate how our feelings don’t always match the onslaught of modern facts: We will probably be very upset if we hear about two cases of Covid at our child’s school, but we don’t. Probably won’t be doubly upset if we hear that there are four cases. As Daniel Kahneman explained in his book “Thinking, Fast and Slow”, “the degree of concern is not sufficiently sensitive to the likelihood of harm”.

Since we have been battling the virus for 18 months, we may no longer react as we usually do when we hear more bad news. In these scenarios, some parents will overestimate the risk to their children, Dr Peters said. But others will experience a phenomenon called “psychic numbnessWhich Delia O’Hara of the American Psychological Association described as “the indifference that sets in when we are faced with a crushing catastrophe.” Psychic numbness sounds a lot more poetic than “dead inside” and I appreciate that I’m not the only one feeling this, as I no longer trust my emotions to guide me properly.

As parents rush into fall, unsure of when a vaccine might be available for our youngest children, how do we deal with the uncertainty and overcome our numbness? There is no magic bullet that will solve our feeling of unease – we are still in a pandemic, it is normal to feel uncomfortable. But at least having some control over the choices we make is essential, Dr Slovic said. One way to regain that control is “to listen to the experts who you think are really knowledgeable and whom you can trust, whether local or national,” he said. “You should take their advice and hope for the best.” In our case, that means sending our children back to school with their masks on and crossing their fingers.

Another way to regain some control over the risk in your life is to try to think ahead about your values ​​and eliminate the times when multiple values ​​might clash, Dr Peters said. The example she gave was a family reunion: You might deeply appreciate your children seeing extended family members, but you also don’t want your unvaccinated children exposed to Covid. Thinking about those tradeoffs early “may seem more of an emotional and cognitive burden, and it is, but you’ll be more stable in the long run if you think about it ahead of time,” she said.

Something that I personally find soothing is reminding myself that I cannot eliminate danger to my children in all situations. Part of maturing is learning to assess risk, and while it may be painful to see your child venturing into a dangerous world, this is the only way for them to grow.

After some discussion, my husband and I allowed our oldest daughter to go play with this new friend this summer. We felt comfortable with the Covid risk at this point, and our daughter was more than happy to go to her friend’s house. About 10 minutes after the game started, we got a call from the father of the house. The kids had jumped off the top bunk and my daughter cut her head off with a ceiling fan.

Even though she was bleeding profusely, she was finally fine, and she learned the hard way that jumping off the top bunk is such a silly idea. While we cautioned her about the safety of Covid, we didn’t think about talking to her about throwing her body from a great height. She had to live this risk alone.


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Reading and writing

Afghanistan result confirms warning: beware of the blob


First there was the withdrawal of the Biden administration from Afghanistan. Then there was the chorus of disapproval. And then, as is so often the case in American foreign policy, there was the Blob.

“‘The Blob’ turns on Jake”, Alex Thompson and Tina Sfondeles written in Politico, referring to President Biden’s National Security Advisor Jake Sullivan. And then, “I have to say hats off to the Blob for this whole Afghanistan thing,” commentator Matthew Yglesias said sarcastically on Twitter. “They couldn’t achieve any of their declared war goals, but they’ve proven they can absolutely destroy you politically.”

What is this Blob they are talking about? What does this have to do with the Taliban takeover of Afghanistan and whether they can actually rule? And why, like the nebulous malicious organism in the 1958 horror film with whom he shares a name, does he roam perpetually, sucking everything in his path?

The term “blob” is generally understood to describe members of the traditional foreign policy establishment – government officials, academics, Council on Foreign Relations panelists, television spokespersons, and others – who share a collective belief in the obligation of the United States to pursue an aggressive interventionist policy in the post-September 11 world. The wars in Iraq and Afghanistan are seen in this context as endorsed by Blob.

This foreign policy philosophy has its origins in the post-World War II view of American exceptionalism, embodied by officials like Dean G. Acheson, that American military intervention in foreign conflicts was vital to upholding American interests. and generally did more good than harm. As far as the Blob shares this view, the withdrawal from Afghanistan was a defeat for its position. For Blob’s critics, it was more about discussing why the Blob is doing things so badly.

“Getting out of Afghanistan was a rebuke or swansong of the neoconservative approach, which reached its peak during the Iraq war,” said Vali R. Nasr, professor of Middle East studies and international affairs at the Johns Hopkins School. advanced international studies. “After the First Iraq War, the United States developed a sense that it could fundamentally engage in warfare and help shape outcomes internationally, at little or no cost. “

Former President George W. Bush has positioned “a motley group of terrorists as America’s great strategic rival and an existential threat to the United States,” Nasr continued. “Even though the effort was initially unsuccessful, it continued unimpeded and became fundamental to the Blob’s thinking after 9/11.”

The term was coined in 2016 by Benjamin J. Rhodes, who was then Deputy National Security Advisor to President Barack Obama. It wasn’t a compliment. Rather, it was a criticism of foreign policy pundits with an “unrealistic set of assumptions about what America might do in the world,” Rhodes, who is now co-host of the “Pod Save The World, ”said in an interview.

“It’s not that people get a card with their name on it that identifies them as part of the Blob,” he said. But in 2016, he singled out “Hillary Clinton, Robert Gates and other promoters of the Iraq war from both sides,” who he said had a nasty tendency to “endlessly complain about the collapse of the American security order ”.

As a simple exercise in branding – accusing one’s enemies of practicing hegemonic group thinking and getting bogged down in a sclerotic and outdated view of American power – it was an evil masterstroke.

But for the foreign policy establishment, it was a provocation.

“A lot of people who are proud to be part of the foreign policy community would oppose this sentence,” said Hal Brands, Henry A. Kissinger distinguished professor of global affairs at the Johns Hopkins School of Advanced International Studies. He opposed it last year, writing an essay with Peter D. Feaver and William C. Inboden for Foreign Affairs which had a headline intended to tease: “In Defense of the Blob: America’s Foreign Policy Establishment is the solution, not the problem.”

“What I find troubling about the idea of ​​the Blob is that it taps into this old conspiracy mentality about what produces US foreign policy,” Brands said. “It gives the impression that American foreign policy has been so disastrous and stupid that it must have been forced upon the American people by an elite that does not have their best interests at heart.”

Even Mr. Rhodes realizes that, like the gelatinous alien mass in the movie “The Blob,” his creature has gotten out of hand.

“Since then everyone has sought to define it for their own purposes, including those who want to make it a badge of honor and those who want to hang it on their opponents,” Rhodes said.

Maybe, and maybe not.

“Ben Rhodes had a very precise definition, and his definition was’ people who disagree with me ‘or’ people who disagree with me and Obama,” Mr. Feaver said, professor of political science at Duke University.

“And he added a layer of false populism to that, like in ‘Woe to me, I’m just a poor assistant to the president trying to tell all those big, well-established cats the truth.’ could not be more inside the system than the president’s speechwriter. ”

Mr Feaver added: “Everyone has borrowed exactly the same vanity. You’ll see Harvard professors complaining about the Blob.

At the American Enterprise Institute, Kori N. Schake, director of foreign and defense policy studies, said “Blob” was a reductive and obscuring term used to distract attention.

“The reason they are rampaging and scolding the Blob is that their positions are so contrary to the widespread belief in the effective use of American power internationally,” she said. “The criticism of the so-called foreign policy Blob is one way of saying, ‘I have been ineffective in persuading people that the policies I am advocating are the right ones. “”

Gideon Rose, former editor of Foreign Affairs magazine and a member of the Council on Foreign Relations, said Mr Biden “had to bypass Blobbish factions, deep states and permanent government within his own administration” in order to proceed with its withdrawal from Afghanistan.

It is potentially confusing. On the one hand, who could be more Blobbier than Mr. Sullivan, the National Security Advisor, or Secretary of State Antony J. Blinken, both veterans of establishment foreign policy? (“The Blob is Back,” American Conservative magazine said in December, referring to the foreign policy team of the Biden administration.)

People who claim there is some sort of unified blob-dom theory aren’t thinking clearly, said Thomas Wright, a senior researcher at the Brookings Institution. On the one hand, he said, even within Brookings there is a wide range of opinions about Afghanistan. He supported the withdrawal, for example – which would seem to make him a traitor to the Blob, even though he is, by definition, in the Blob itself.

I feel like the people who talk about the Blob haven’t read or asked what people in think tanks actually said on the subject, ”he said. “They don’t know what they’re talking about. But, he said, “if they mean Biden is doing something that Richard Haass doesn’t agree with, then it’s true, he is.”

It is also true that any discussion on this subject inevitably leads to Mr Haass, the chairman of the Council on Foreign Relations, who has been named “Pape of the Blob” by writer Andrew Sullivan in 2019. For the record, Mr. Haass’ point of view on Afghanistan is that America should have maintained its presence by leaving behind a small number of troops and not withdrawing completely.

In an interview, Mr Haass said he was happy to be seen as part of the foreign policy establishment, but not happy that the foreign policy establishment is called the Blob.

“It’s a lazy term,” he said. “It is a derogatory and imprecise way of dismissing those who disagree with you, and it does not advance the conversation on foreign policy.”

“Let’s have a serious conversation about what the lessons of Afghanistan should be, or America’s role in the world,” Haass continued. “But just describing some people who disagree with you as the Blob is unnecessary. And that’s a generous way of putting it.


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Fiction publisher

Books on bestseller lists filled with races last year. The editors took note.


Some titles have experienced explosive growth. “So You Want To Talk About Race,” first published in 2018, sold around 34,000 copies in the 12 months leading up to Floyd’s death. In the year that followed, he sold more than 10 times that amount.

Editors are wondering who will be the winners and the losers in an increasingly crowded field. However, many publishers, including Chris Jackson, publisher and editor-in-chief of Random House’s One World, reject the idea that the market will reach some kind of saturation point.

“The story of editing is that when something works, people try to make the derivative version,” Mr. Jackson said. “So absolutely you’re going to get books that are really not that good, that are probably derivative or repetitive or redundant from things that are already out there. It’s inevitable.

But the books on race and racism should not be lumped together, he continued. “What we are talking about is not the category of ‘black books’ or ‘racism’, we are talking about the category of ‘books on the American experience’,” he said. “Because that’s what these books are. They talk about different aspects of it.

Take two books from One World, he said: “Four Hundred Souls,” edited by Ibram X. Kendi and Keisha N. Blain and published in February, and “The 1619 Project,” which will be released in November. “You might say, ‘Well, you’ve just published a book that’s about 400 years of black history,’ but they’re completely different books,” Mr. Jackson said. One is a festive narrative story, he added, while the other is a series of essays examining contemporary American life. “They are no more competitive with each other than any other book on political economy competes with a history book.”

Books that see the race through a conservative lens are also starting to take off – including titles from authors like Candace Owens and Mark R. Levin – and there are more to come this fall aimed at the same audience. These books have been bolstered by aggressive coverage of critical race theory by outlets like Fox News and the Republican Party’s plan to run on cultural war issues in next year’s midterm elections.

Many publishers have bristled at the idea that the market can only absorb a limited number of books on anti-black racism and the experiences of black Americans. Ms Habib, the literary agent, said that for many years publishing operated on a “scarcity model”, rooted in the idea that there can only be one bestselling book on life. blacks, for example, every season.


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Writer market

Twitter Super Follows only generated around $ 6,000 + in its first two weeks – TechCrunch


The platform of the creators of Twitter Super follow-up got off to a bleak start, contributing around $ 6,000 in iOS revenue in the United States in the first two weeks of the feature going live, according to app intelligence data provided by Sensor Tower. And it’s only made about $ 600 in Canada. A small portion of this income can be attributed to Paid spaces, Twitter other in-app purchase offered in the United States – but there is no way for this part to be calculated by an outside company.

Twitter first announced plans to launch Super Follows at its Analyst Day event in February, where the company detailed many of its upcoming initiatives to generate new revenue streams.

Today, Twitter’s business relies heavily on advertising, and Super Follows is one of the few ways it aims to branch out. The company is also now offering creators a way to charge for access to their live events with Ticketed Spaces, and outside of the US, Twitter has started testing a premium product for power users called Blue twitter.

Image credits: Twitter

But Super Follows, which targets creators, is the effort most likely to attract mainstream users.

It is also a company that strives to capitalize on the growing creator economy, where content creators build an following and then generate income directly through subscriptions, thereby reducing their own reliance on advertisements or offerings. Mark. The platforms they use for this business are taking the upper hand to help them fund the development of creative tools. (In the case of Twitter, it only takes a 3% reduction.)

The feature would make sense for Twitter, a platform that already allows prominent personalities and regular people to meet in the same timeline and have conversations. Super Follows that provides access by allowing fans to get even closer to their favorite creators, whether they are musicians, artists, comedians, influencers, writers, gamers or other experts, for example. These creators can set a monthly subscription price of $ 2.99, $ 4.99, or $ 9.99 to provide fans with access to bonus “behind-the-scenes” content of their choice. These usually come in the form of additional tweets, Q&A, and other interactions with followers.

Image credits: Twitter

At launch, Twitter opened Super Follows for a handful of designersincluding beauty and skincare focused account @MakeupforWOC; astrology account @TarotByBronx; sport oriented @ RoiJosiah54; writer @myeshachou; Internet personality and podcaster @MichaelaOkla; spiritual healer @kemimarie; tweet music charts @chartdata; Twitch streamers @FaZeMew, @VelvetIsCake, @ MackWood1, @GabeJRuiz and @Saulsrevenge; YouTubers @DoubleH_YT, @LxckTV and @PowerGotNow; and crypto traders @itsALLrisky and @ moon_shine15; among others. Twitter says there are less than 100 creators in total who have access to Super Follows.

While access on the creative side is limited, the ability to subscribe to creators is not. Any iOS Twitter user in the US or Canada can “super follow” any number of supported creator accounts. In the United States, Twitter has 169 million daily active users monetizable on average in the second quarter of 2021. Of course, only certain subsets of them will be iOS users.

Still, Twitter could easily have millions upon millions of “potential” customers for its Super Follow platform at launch. Its current earnings indicate that, perhaps, only thousands of consumers have done so, given that many of the major in-app purchases are for creators offering content at lower prices.