August 2021

Book creator

Daz 3D Welcomes Invincible Wind Sun Sky Entertainment Production Studio as First Customer of New Daz 3D Corporate Licensing Program

The partnership sets a new precedent for how companies can incorporate Daz Studio assets into their creative pipelines

SALT LAKE CITY, 25 August 2021 / PRNewswire / – Daz 3D, leader in digital 3D art and creator of the freemium 3D platform Daz Studio, has announced a formal corporate license agreement with Wind Sun Sky Entertainment (WSS). Wind Sun Sky is a creative, cross-platform content company that produces animation, live action, games, interactive content, and even merchandise. With a focus on delivering creator-focused content to audiences, Wind Sun Sky Entertainment has enjoyed tremendous success this year, most notably its adaptation of the hit Amazon Prime Original series. Invincible.

Daz 3D (PRNewsfoto / Daz 3D)

Daz 3D (PRNewsfoto / Daz 3D)

“We are delighted to welcome Wind Sun Sky as our first corporate license customer. This is a visionary company that empowers creators and artists to produce incredible content for animation, TV shows and more, ”said Jessica rizzuto, SVP of e-commerce at Daz 3D. “We are very happy to see what their amazing artists and animators are going to create.”

“We’re always on the lookout for the best tools to help us create cross-platform content. Daz 3D offers flexibility and quality in everything we do, ”said Catherine winder, CEO of Wind Sun Sky. “Being part of the new corporate licensing structure will make our workflows much more efficient and allow us to evolve and focus more on the end product. “

The new enterprise licensing structure enables creative businesses to more efficiently implement Daz 3D assets at scale with the assurance that they will continue to enjoy world-class service, simplified bundle pricing and easy access to some of the best 3D assets and content available. via the massive Daz catalog. Learn more about the available corporate license plans. here.

About Wind Sun Sky Entertainment

Wind Sun Sky Entertainment is a Canadian multimedia company run by the former executive of LucasFilm, Catherine winder (Invincible, the Angry Birds movies 1 & 2, Star Wars: The Clone Wars, that of Robert Kirkman Secret history of comics). Situated at Vancouver, Wind Sun Sky Entertainment (WSS) creates content-driven, creator-driven franchises for the global marketplace, producing across all mediums including interactive, film, television (live action and animation), podcasts, mobile apps and games. Under the umbrella of WSS is Skybound North, which offers a unique US-based partnership with Skybound Entertainment LA, one of the most innovative media studios in the industry. WSS developed and produced the hit Invincible, an 8 x 1 hour animation. dramatic adaptation of that of Robert Kirkman comic book for Amazon Prime. The company also produced the first series of live interactive animated events of its kind based on an adaptation of the hit Canadian mobile game. My Singing Monsters (115+ million players). Other projects include adapting the Instant Ships toy (Playmonster) in a universe and a web series. The company is currently in production on Camp Bonkers a game, a children’s variety show (YouTube and Toonavision) and an Audibles APP and podcast for its property Death by Unknown event and COPS psi a 26-part animated series for CORUS / Adult Swim Canada.

About Daz 3D

Daz 3D, a subsidiary of Tafi Co, is a free 3D marketplace and software suite with content that can go anywhere, so 3D artists and designers can create their own high-resolution 3D stills and animations anytime. by creating professional-quality 3D scenes. Founded in 2000, Daz 3D’s digital marketplace offers hobbyists and professionals tens of thousands of 3D products with over five million intercompatible 3D assets for Daz Studio and other 3D applications. Daz 3D has created the most artist-friendly digital marketplace, paying almost $ 100 million to its global network of contributing artists. Daz Studio users create over 20 million images and animations per year. With over 3 million downloads, Daz continues to lead efforts at the forefront of digital identity and expression.

For more than 20 years, Daz 3D has been a leader in making 3D more accessible to everyone thanks to its free Daz Studio program. With published artists contributing their own creations to our huge marketplace, Daz maintains one of the largest libraries of 3D assets in the industry. With everything you need from awe-inspiring landscapes and detailed props to incredibly lifelike human figures, you can find everything you need to create your own personalized world or enhance your team’s creative workflow using resources. customizable high quality.

To find out more visit


Kasey Thomas
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Julie stern
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Reading and writing

Liv on the Edge: “A Little Life” broke my little heart

Hello lovers. Welcome (back) to campus and welcome (back) to my “Liv on the Edge” column. It’s a safe space in which I dissect the things I love – like movies, music, books, relationships, and politics – and things I’ve been thinking about recently – like anxiety, ending of the world and aging, among other things.

This summer, I spent the majority of my time at home in Illinois, contemplating my sanity and reading books in the safety of my childhood bedroom. It’s a strange and emotional landscape, the bedroom of childhood – and, in my opinion, the best place to read Hanya Yanagihara’s heartbreaking novel “A Little Life”.

“A Little Life” is about childhood, adulthood, drug addiction, sexual abuse, love and, of course, life itself. The novel chronicles the lives of four adult men in New York City over several decades, bound to each other by their intense platonic love. It is one of the few novels I have ever come across that focuses on male friendship, and one of the few that deals with life and love in such a comprehensive form.

Released in 2015, the book first received critical acclaim and ended up as a finalist for the National Book Award. In the years that followed, however, criticism was raised about Yanagihara’s too strong obsession with difficult themes. That’s a whopping 814 pages, and each page is getting harder and harder to swallow. Recently, one of my creative writing teachers contacted me and asked me what I had read this summer. “A little life,” I told him. “Ah,” she replied. “The novel that breaks friendships. ”

Indeed, one of the reasons I bought “A Little Life” was its mixed reviews which I read online. In The New Yorker, reviewer Jon Michaud argues that these mixed reviews are the product of Yanagihara’s portrayal of graphic violence. One of the main characters, Jude, suffers from extreme depression and harms himself several times throughout the novel. Yanagihara doesn’t mention this as a fact, however – she demonstrates it on stage, and continues to demonstrate it on stage, until the end of the novel. Jude’s self-harm, Michaud writes in his 2015 article “The subversive brilliance of” A Little Life “” “is described with a frankness which might make some readers uncomfortable […] the graphic representations of abuse and physical suffering found in “A Little Life” are rare in mainstream literary fiction. ”

Sexual abuse is another violence featured in Yanagihara’s book. In order to avoid spoiling the slow, quivering character story reveal, I won’t mention which of the characters endures such abuse, but it’s written in such vivid detail that I found myself having to shut down the novel and let it go. for a moment. Not only is the abuse itself difficult to read, but it’s made even more difficult by Yanagihara’s tactic of mercilessly tearing apart a character’s carefully detailed backstory and childhood with one vile act of violence. without mercy. “What makes the treatment of abuse and suffering in this book subversive,” writes Michaud, “is that it offers no possibility of redemption and deliverance beyond these tender moments. This gives us a moral universe in which such spiritual salvation does not exist.

Since such spiritual salvation does not exist, Yanagihara seems to argue, then we can only derive meaning from our lives as we live them – from our friends, from our art and from our lovers. The main four characters are artists, and the book is steeped in otherworldly details of art and beauty. There are prominent homosexual characters as well, and the book is forged with conversations about homosexuality and love. However, these conversations do not take hold of the novel’s foreground. They are just one ingredient in the ultra-emotional soup that is “A Little Life”.

For this reason, some hailed the novel as an “amazing and ambitious chronicle of queer life in America” ​​- as Garth Greenwell did in his 2015 article on the Atlantic. A little life: The great gay novel could be here. Of the four main characters, Greenwell writes, only one “unambiguously embodies an immediately recognizable and unambiguous gay identity.” Yanagihara refuses to explicitly label the other three as one sexuality or another, which Greenwell argues justifies its position as the great gay novel of the century.

Additionally, Yanagihara refuses to define the time period in which the novel takes place – there is no reference to the current president or the political era, thus forever suspending the story and sparing characters, like the writes Greenwell, “the familiar tales of gay fiction,” such as the anxiety encountered in the aftermath of the AIDS epidemic or the lingering uncertainty / frustration in political debates over same-sex marriage and mainstream acceptance. The characters are quite simply – they live, breathe, and exist as realistically and sincerely as you and me.

“A Little Life” is extremely dark and depressing, and although it completely destroyed me, it also completely changed my outlook on life. They are the most vivid and realistic characters that I have read in a work of fiction in a long time, and, despite their little lives being painted in the immense beauty of Yanagihara’s handwriting, they are not. always only that – small lives. As we enter into this new school year, I urge you to pay attention to the aspects of your life that make it meaningful, even if they are very small.

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Fiction publisher

Pandemic fiction: fall books contain stories about the virus

NEW YORK (AP) – By the end of 2020, the pandemic had lasted long enough for author Jodi Picoult to attempt something that seemed unthinkable to early novelists – turning it into fiction.

“At the start of the pandemic, I couldn’t even read, let alone write. I didn’t have the focus, ”says Picoult, who began the novel“ Wish You Were Here ”last November. The fall outing takes place in New York and the Galapagos during the first two months of the pandemic, from March through May of last year.

“I couldn’t find myself in my own life; writing the book was therapeutic, ”she added. “I finished a draft in February, very quickly. And all the time, I was talking to friends, I was telling them, “I don’t know if this is going to work. But I had very positive responses and I feel like, unlike almost every other topic, I wrote a book about this experience that everyone on the planet has had.

From wars to plagues to the attacks of September 11, the literary response to historical tragedies has been a trauma-absorbing process – often beginning with poetry and non-fiction and, after months or years, has evolved into a trauma-absorbing process. extending to narrative fiction. The pandemic has now lasted a second fall season for publication, and a growing number of authors, including Picoult, Louise Erdrich, Gary Shteyngart and Hilma Wolitzer, have incorporated it into their final books.

Shtyengart’s “Our Country Friends” features eight friends who meet in a secluded house as the virus spreads, a storyline he took inspiration from Chekhov and other Russian writers, and the 14th century classic of Boccace “The Decameron”. Amitava Kumar’s “A Time Outside This Time” tells the story of an Indo-American author working at an artists retreat and trying to make sense of President Donald Trump, the 24-hour media and a virus just as relentless. Kumar started the book before the pandemic, but found it good – too good – in an existing wave of disinformation, “fake news,” stretching from the United States to his native India.

“The Indian Prime Minister was asking people to slam their plates and pots at a certain time; people in his Conservative party were touting the power of cow dung and cow urine, ”he says. “A Minister of Health said the sun’s rays would boost immunity. So, I was thinking, what exactly is the job that a novel can do in the days of the novel coronavirus?

“I’m telling you all of this because I had no doubts about mentioning the pandemic – I didn’t think it was preventable. “

Erdrich’s “The Sentence,” his first since Pulitzer-winning “The Night Watchman,” focuses on a 2020 Minneapolis bookstore and the city’s multiple crises, from the pandemic to the murder of George Floyd. Like Kumar, Erdrich had the original idea – a haunted bookstore – long before the virus spread.

“In the end, I realized that while we might want to forget parts of 2020, we shouldn’t forget,” she wrote in a recent email. “Obviously, we can’t forget. We must use what we have learned.

Wolitzer’s “The Great Escape” is a new story in his “Today a Woman Gone Mad at the Supermarket” collection, which includes a preface by “Olive Kitteridge” author Elizabeth Strout. “The Great Escape” is the first short work of fiction in years by Wolitzer, known for such novels as “The Doctor’s Daughter” and “An Available Man”. The 91-year-old author lost her husband to the virus and tapped into his grief by updating characters from previous stories, married couple Howard and Paulette.

“I found it cathartic,” Wolitzer says. “I wrote it in a week and I couldn’t stop writing about it. The images of what had happened to us kept coming back and I felt like I had to use them.


This fall’s fiction will also include works by Jonathan Franzen, Sally Rooney, Lauren Groff, Colm Toibin and Strout, and four of the last six Pulitzer Prize winners in fiction: Erdrich, Richard Powers, Colson Whitehead and Anthony Doerr. “Silverview” is a posthumous release by John le Carré, who passed away last year. Gayl Jones’ “Palmares” is his first novel in over 20 years, and “Chronicles from the Land of the Happiest People on Earth” by Nobel Prize winner Wole Soyinka is the Nigerian playwright’s first novel in nearly 50 years.

Fiction is also expected from Percival Everett, Anita Kopacz, Atticus Lish and Amor Towles, and early novelists ranging from Honorée Fanonne Jeffers and Wanda M. Morris to the already famous Hillary Clinton, who teamed up with Louise Penny on the thriller “State of Terror”. . “

“There is a very comprehensive list of books to come. We’ve had a very good year in terms of sales so far and I see this will only get stronger in the fall, ”said James Daunt, CEO of Barnes & Noble.


Inaugural poet Amanda Gorman released two books this fall, the illustrated story “Change Sings” and the book of poetry “Call Us What We Carry”. Louise Glueck’s “Winter Recipes from the Collective” is her first book of poetry since winning the Nobel Prize last year, and new works are also expected from Pulitzer Prize winners Paul Muldoon, Frank Bidart and Tracy K Smith, and Kevin Young, Amanda Moore and Mai der Vang.


Muldoon also took part in one of the most anticipated fall memoirs: “The Lyrics: 1956 to the Present” by Paul McCartney, a $ 79 double volume that the Irish poet helped edit. Hillary Clinton’s longtime assistant and ex-wife of former Rep Anthony Weiner Huma Abedin wrote “Both / And” and #MeToo pioneer Tarana Burke tells her story in “Unbound “.

Others with memoirs to come include Katie Couric, Jamie Foxx, James Ivory, Steve Van Zandt, Dave Grohl, Robbie Krieger and two basketball greats Dwyane Wade and Carmelo Anthony.


The summer’s bestseller lists included Trump-related works such as “I Alone Can Fix It,” and this fall will test the continued appeal of stories about the former president, with new works coming from Bob Woodward. and Washington Post colleague Robert Costa (“Peril”), and ABC News correspondent Jon Karl (“Betrayal”).

Former national security official Fiona Hill, a key witness in Trump’s first impeachment trial, for pressuring Ukrainian leaders to investigate then-candidate Joe Biden tells her story in “There is nothing for you here”. Former New Jersey Gov. Chris Christie’s “Republican Rescue” is an attack on his party’s conspiracy theories, including that the election was stolen from Trump. Mollie Hemingway’s “Rigged” argues that “Democrats, big tech and the media built a machine to ensure that a Trump victory was impossible,” according to Regnery Publishing.

One political genre is largely absent: the books of opposition to a sitting president, a lucrative business under several previous administrations. Conservative books have a large audience; Right-wing commentator Mark R. Levin’s “American Marxism” has sold hundreds of thousands of copies this summer. But publishers and booksellers have struggled to name upcoming works that center on President Biden’s critique.

“The focus continues to be on Trump,” says Mark Laframboise, buyer for Politics & Prose bookstore in Washington, DC

Thomas Spence, editor of the conservative Regnery Publishing, said his company had benefited from books on President Bill Clinton and President Barack Obama, but didn’t even see any proposals on Biden.

“The Conservatives are not worried about him personally. They worry about the policies he’s pursuing, ”Spence says. “And it’s so different from the Clinton and Obama years when Regnery sold mountains of books criticizing these two presidents.”


The debate over the significance of the founding of the country continues with works by Pulitzer laureates Gordon Wood and Joseph Ellis, as well as 700 pages of Woody Holton’s “Liberty Is Sweet: The Hidden History of the American Revolution,” endorsed by Wood and by an author that he otherwise disagreed with the creator of the “1619 Project” Nikole Hannah-Jones.

A comprehensive edition of “Project 1619” expands on the Pulitzer Prize-winning New York Times report, which, by placing slavery at the center of the American narrative, was either celebrated as a necessary corrective to mainstream history or condemned as unpatriotic, to the point of being banned from certain schools.

Hannah-Jones quotes Holton in the book “1619 Project,” which includes essays, poems, and fiction, with Jesmyn Ward, Terry McMillan, Terrance Hayes, and Jason Reynolds among contributors. In a note to readers, One World editor Chris Jackson calls the book an exploration of the “twin lineage” of slavery and resistance, a conflict echoed in the subtitle of Ellis’ book, “The Cause: The American Revolution and Its Discontents. “

“Project 1619 was never meant to be just an academic argument or, worse, partisan politics,” writes Jackson, “but a story about what’s really at stake in how we view our history and our identity as that nation: our lives and our future. . It is a clarifying and often inspiring wrestling epic, the end of which we can all write. “

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Book creator

Mortal Kombat creator Ed Boon thinks the franchise deserves its own and what if …? Series

Mortal Kombat creator Ed Boon has revealed he’s very much on board with the long-running video game franchise getting his own What if…? style adaptation. Even if What if…? is a series entirely focused on the Marvel Universe, Boon seems to believe that the same sort of hypothetical situations could work well with Mortal Kombat used as the backdrop.

Boon publicized the idea to the masses earlier this week on social media when a fan (@ cass_cage_45) suggested the idea to him. Boon got wind of the hypothetical series and thought it would be a great way to look at the various timelines in the Mortal Kombat universe. “Great idea,” Boon said simply, sharing a picture of Mortal Kombat and What if…? logos.

As to some of the ideas that a What if…? The Mortal Kombat series could use, the fan who pitched this whole idea had a lot of thoughts. One of these ideas suggested an alternate future where Kung Lao would be the Chosen One rather than Liu Kang. Another could show what would happen if Shang Tsung won the 10th Mortal Kombat tournament, while another would examine what would happen if Sonya Blade was an actress and Johnny Cage was a Special Forces agent instead. All of these ideas seem to be great on paper, but unfortunately there’s a good chance we’ll never see something like this come to fruition. Still, it’s fun to dream and think about what might be.

So what do you think of the idea of ​​a What if…? series centered on Mortal Kombat? And what other video game franchises do you think would work well in this format? Let me know either in the comments or on Twitter at @ Mooreman12.

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Writer market

Should we prepare for a real estate crash in 2021?

pbk-pg /

Will there be a real estate crash in 2021? A majority of experts do not think so.

“People say we’re in a real estate bubble, but I don’t think the term real estate bubble is the right description, ”said Tabitha Mazzara, director of operations at mortgage lender MBanc. “A bubble is something that will burst. I see it as a phase. The market is cyclical, and there may be a slight fix, but it won’t be as bad as what we’ve seen In 2008. What is different today than what we saw in 2008 is that the people who are eligible for loans are actually qualified. They are solvent. Were in the situation we are in now because of simple supply and demand.

Buy: The cost of owning a 3 bedroom house in each state
Read more: Homes in these 25 waterfront towns are a total theft

Erik Wright of New Horizon Homebuyers has a similar opinion. “Personally, I think the factors influencing our current market are very different from those in 2008,” he said. “I expect the market to start to cool, but this will be more of a plateau than a crash. However, I’m still looking for how I can be prepared in case something serious. would happen and we were experiencing a real estate crash. “

So what should you do if you are planning to move into today’s housing market? What is the answer?

“Trying to prepare for a possible real estate crash is a bit like trying to prepare for a possible house fire, ”said Clay Risher, investment professional and columnist for Nareit, a trade publication for commercial, residential and mortgage real estate investment trusts. “All you can do is tone down risk as much as possible and hope for the best.

Whether you’re looking to stay put, sell, buy (or sell and buy), here are tips from seasoned industry experts to help you avoid the negative effects of a possible real estate crash in the future.

Other options: Buying a Home Is Crazy Right Now – Consider Renting In These 10 Cities To Save Money

Advice for homeowners not looking to sell

If you’re not looking to sell your home, you might be wondering if you should consider refinancing your home to save money over the life of your mortgage. Here’s what industry experts are saying.

“If you already own a house and you don’t plan to sell, you should still refinance now for insanely low rates, allowing you to sit back tight and withstand any storm that hits the market, ”said Dawn Pfaff, president of My State MLS, a national MLS and referral network.

Peter Murray, owner of Murray Steel Buildings, a residential and commercial construction company, supports Pfaff’s opinion. “Even if you bought your house in the years, you should spend time looking at mortgage refinancing rates. The last 12 months have shown mortgage financing rates that are lower than they have ever been. Depending on your financial situation, you may be able to refinance at a rate of around 2.5% -3.5% which could save you tens of thousands of dollars if not more in a 30 year mortgage. This doesn’t hurt to shop around for refinancing quotes – I would recommend looking at least three different providers and comparing prices.

Upgraded: 8 Insider Tips to Getting Rich in Real Estate
Home value: How much homes will be worth in your state by the end of 2021

Tips for homeowners considering selling

Maybe your home has temporarily increased in value due to the current market and you are tempted to sell it now to reap the benefits that will not be available forever. Here’s what the experts are saying.

“If you are planning to sell in the next few years, now is the time; the market is hot, interest rates are low and you will get the best deal for your home, ”Pfaff said.

However, Omer Reiner, licensed real estate agent and president of Florida Cash HomeBuyers, LLC, cautions against Pfaff’s advice:

“If you are a homeowner who is considering selling his property at take advantage of high selling prices, remember that selling high too goes hand in hand with a high buy, ”Reiner said. “It’s better to secure your next life situation before you put your house on the market to avoid getting stuck.

One way to sell your home without having to buy another right away is to rent until the market calms down. In the meantime, consult with a financial advisor and tax professional to find out how best to manage the profits you make from the sale of your home.

Housing Market: 50 Housing Markets Going Wrong

Advice for future home buyers

If you are considering buying a home, Murray recommends avoiding overpaying if possible. “It goes without saying that the accommodation the market is currently extremely competitive, with many homes for sale receive 10 to 25 cash offers, ”he said. “It usually means that you will pay too much in order to remain competitive. If you look at your house dreams, maybe it’s worth paying too much to get your offer accepted, but if it’s not your forever home, paying too much be immediately in the equity hole once the market has finally equalizes.

Eric Jeanette, owner of Dream Home Financing and FHA Lenders has a similar point of view:

“If you are a home buyer, consider waiting to buy,” he said. “Rent for a year and watch the market if you want to buy a house only to see its value drop in a market correction. However, if you are buying a home that you plan to live in for the next 20 years, today’s purchase price really shouldn’t be a concern. Just buy the house you prefer to live in today.

Good to know: States with the highest property taxes

Overbought is risky, and one way to avoid overbought is to follow Pfaff’s advice. She believes that you should create a strict home-buying budget before doing your home shopping and stick to it to avoid financial exhaustion.

While this could mean that you won’t end up buying a home just yet, you still have other options, such as refinancing, leasing, or just staying in your current living situation until the market. stabilizes.

More from GOBankingTaux

Last updated: August 4, 2021

This article originally appeared on Should You Prepare for a Housing Market Slump in 2021?

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Reading and writing

PONGO POETRY: Pain is a full circle

Pongo poetry project mission is to engage young people in writing poetry to inspire healing and growth. For more than 20 years, Pongo has framed poetry with youth at the Children & Family Justice Center (CFJC), the King County juvenile detention center. Many CFJC residents are young people of color who have had traumatic experiences in the form of abuse, neglect and exposure to violence. These incidents were caused and exacerbated by community disinvestment, systemic racism and other forms of institutional oppression. Working with CFJC staff, writing Pongo poems provides CFJC youth with a vehicle for self-discovery and creative expression that inspires recovery and healing. Through this special monthly column in partnership with the South Seattle Emerald, Pongo invites readers to bear witness to the pain, resilience and creative capacity of young people whose voices and perspectives are too often relegated to the periphery. To learn more about Pongo’s work and hear directly from his young writers, register for ‘Speaking Volumes’, Pongo’s second annual fall celebration.


by a 17 year old

I want you to know what it is
when a person is in jail
Many people are no longer there
Not found
Do not answer their phones
See people’s true colors
Bad, negative

I want you to understand my pain
when i see the hurt i have caused
I feel worse about it than what I actually did
It’s deep inside you
it hurts
The consequences come back all around
of what i did
then shut yourself up
that hurt my mother
The pain is over

I want you to know how I express myself
My actions are like my worst enemy
He is thoughtless
It doesn’t reflect my true values
He comes when I’m bored
He’s the opposite of what I like to think of myself as
And who I wanna be
If I could tell her something
I would say Stay away
and don’t come back

I want you to know what I’m capable of
My strength is like my best friend
He is caring and kind
He puts others before him
I want you to know my heart

Dedicated to my mom

Raise your hands, don’t shoot

by a young, age not disclosed

I’m sick of seeing us black kids get locked up
We in these cells. Judge saying we’re a danger
to the community. only God knows
we tried to change
but this life keeps coming to us
My aunt says I’ll be the next MLK
I believe that. I try to have my people
know our history
We come from slavery –
people whip us on the back
to read a book
They are just crazy because we are learning
We are smarter than them. They hate us for that

The prosecutor wants to see us locked up
They came for the blood, but I don’t know why
I didn’t do anything to them
but i see why they fight for it
because it’s their job
But I’m confused why they try
make a young 20 year old black child pay for life
but if it was a white child
they would have probably given him a year
or probation

I want them to know our story
Black children are killed by other black children
because they don’t like them
but if we worked together
we would have the strength
to fight


by a 17 year old

I feel it in so many different ways
from the heart to the brain,
and every other place you can think of.
I feel pain as I sleep, in my chest as I breathe
move away from reality.
My pain has rubbed off on my family.
Even if I don’t show it
the pain came over me.

Pain –
it doesn’t stop.
So don’t think it will.
I learned this the hard way –
nothing can heal me, so
I started popping pills for them.
This is the real deal.
My pain could kill.
Even if I don’t show it
pain is all I feel.

After a while, I turned my pain into strength.
For me that meant jumping
or exercise every day.
It gave me courage.
It probably made me worse.
It didn’t give a fuck

but the pain did that first.

Dedicated to the street

?? Featured Image: Illustration via Ken tackett/

Before you move on to the next story …
Please consider that the article you just read was made possible by the generous financial support of donors and sponsors. The Emerald is a BIPOC-led nonprofit news outlet with the mission of offering a wider lens of our region’s most diverse, least affluent, and woefully under-reported communities. Please consider making a one-time gift or, better yet, joining our Rainmaker Family by becoming a monthly donor. Your support will help provide fair pay for our journalists and enable them to continue writing the important stories that offer relevant news, information, and analysis. 
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Writer market

The main key players in the word processing software market: Microsoft Word, WordPerfect, TextMaker, Google Docs, Kingsoft Writer, Ability Write, RagTime, etc.

Predicting the Scope of Growth: Word Processing Software Market
The Word Processing Software Market was posted at xx USD ML in 2019 and is expected to increase by xx USD ML during the forecast period. The research is used to assess the Word Processing Software market in a time-series forecast. Industry revenue figures for each geography are included in Word Processing Software Analysis Report. The Word Processing Software study also includes an industry overview of emerging innovations focused on creative business models, growth opportunities, competitive strategic backdrop, and a variety of value-added products that can drive growth. of the market. Likewise, the search presents the most recent demand estimate for the expected time period.

Competition spectrum:
Microsoft Word
Google docs
Kingsoft Writer
Writing ability

Besides evaluating the industry share in terms of production, development and evaluation, the study of word processing software assesses the industry share in terms of demand, growth and evaluation . The report also details the market status and forecast by country, application, vendor, and form. Word Processing Software research covers market share, market dynamics, challenges and opportunities, future trends, demand drivers, growth rate, barriers to entry and risks , Porter’s five forces, distribution networks and distributor analysis. Word processing software research incorporates the estimation of market volume and value. To test and quantify the total scale of the sector, top-down and bottom-up methods are used.

Find the full report and the table of contents here: @

This research review includes a separate study of key industry dynamics, regulation, and macro and microeconomic metrics used in this research analysis. Market analysis used this approach to determine the competitiveness of the key segment during the forecasting process. The Word Processing Software market research study is classified, described and profiled the market in terms of raw materials, classifications, product specifications, cost structures, descriptions, customer profiles, manufacturing process and applications. The study also examines key business factors including product benefits, demand, supply, cost, efficiency, capacity, and market growth structure.

The market is roughly divided into:

• Analysis by product type:
Linux, Macintosh OS, Microsoft Windows

• Application analysis:
Personal use, commercial use, industrial use

• Segmentation by region with details on country specific developments
North America (United States, Canada, Mexico)
Europe (UK, France, Germany, Spain, Italy, Central and Eastern Europe, CIS)
Asia Pacific (China, Japan, South Korea, ASEAN, India, rest of Asia-Pacific)
Latin America (Brazil, rest of LA)
Middle East and Africa (Turkey, CCG, Rest of Middle East)

Chapter One: Presentation of the Report
1.1 Scope of the study
1.2 Key market segments
1.3 Players covered: ranking by revenue of word processing software
1.4 Market Analysis by Type
1.4.1 Word Processing Software Market Size Growth Rate by Type: 2020 VS 2028
1.5 Market by Application
1.5.1 Word Processing Software Market Share by Application: 2020 VS 2028
1.6 Study objectives
1.7 years taken into account

Chapter Two: Growth Trends by Regions
2.1 Word Processing Software Market Outlook (2015-2028)
2.2 Word Processing Software Growth Trends by Regions
2.2.1 Word Processing Software Market Size by Regions: 2015 VS 2020 VS 2028
2.2.2 Historical Word Processing Software Market Share by Regions (2015-2020)
2.2.3 Forecasted Market Size of Word Processing Software by Regions (2021-2028)
2.3 Industry trends and growth strategy
2.3.1 Main market trends
2.3.2 Market Drivers
2.3.3 Market challenges
2.3.4 Porter’s five forces analysis
2.3.5 Word Processing Software Market Growth Strategy
2.3.6 Main interviews with the main players in word processing software (opinion leaders)

Chapter Three: Competition Landscape by Key Players
3.1 Major Word Processing Software Players by Market Size
3.1.1 Major Text Processing Software Players by Revenue (2015-2020)
3.1.2 Word Processing Software Revenue Market Share by Players (2015-2020)
3.1.3 Word Processing Software Market Share by Business Type (Level 1, Chapter Two Level: and Level 3)
3.2 Word Processing Software Market Concentration Ratio
3.2.1 Word Processing Software Market Concentration Ratio (Chapter Five: and HHI)
3.2.2 Top Chapter Ten: and Top 5 Companies by Word Processing Software Revenue in 2020
3.3 Word Processing Software Key Players Head office and Area Served
3.4 Word Processing Software Product Solution and Service of Key Players
3.5 Date of Entering the Word Processing Software Market
3.6 Mergers & Acquisitions, Expansion Plans

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Primary and secondary methodologies have been used to study the precise market sales as well as their breakdowns. Comprehensive primary research, such as polls, expert opinions, profiles and secondary ratings in trade journals, industry directories, paid outlets and others, has been included in the processing software review of text. Furthermore, the Word Processing Software market research study analyzes the data collected from a variety of industry analysts and major market players around the industry value chain to provide quantitative and qualitative insight concise. This research has been used to assess major players in the Word Processing Software market, with precise market shares estimated for primary and secondary research funding.

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Book creator

Michaela Coel Puts Up In ‘Misfits’

The city of Edinburgh was the epicenter of a powerful pulse of energy on August 22, 2018 – not one that precise scientific equipment can detect, but one whose ripples would be felt by sensitive human instruments within weeks and the months that followed.

That evening, Michaela Coel, a rising star of British television, was invited to address her colleagues at the prestigious Edinburgh International Television Festival. Speaking to a few thousand industry peers in a boardroom and countless other viewers watching her online, she shared stories of her rise, a tale that is both comically and devastating.

Coel spoke of growing up as a member of one of four black families in a public housing complex in East London. She described her time in drama school, where a teacher called her a racial insult during an acting practice. She spoke of her surprise, after achieving some professional success, to receive a gift bag containing “dry shampoo, tanning lotion and foundation that even Kim Kardashian was too dark for.” She recounted how she went out for a drink one night and later found out that she had been drugged and sexually assaulted.

She spoke of the resilience gained over a lifetime of “having to climb ladders with no stable ground beneath you” and she classified herself as maladjusted, defined in part as someone who “does not climb a mountain. aim of security or profit, she climbs telling stories.

Three years later, Coel – now 33 and acclaimed creator and star of the HBO comedy-drama “I May Destroy You” – views the speech as a satisfying moment of personal relief.

As she said in a video interview a few weeks ago, “We work with people and we never really know who they are, and no one ever really knows who you are. liberating just to let everyone know.

With its explicit calls for greater transparency, Coel’s speech (officially known as the James MacTaggart Memorial Lecture) resonated in the entertainment industry and provided a narrative and thematic basis for “I May Destroy You”. Next month the speech will be published by Henry Holt & Co. as a book titled “Misfits: A Personal Manifesto”.

To an audience still new to Coel, her life, and her work, “Misfits” may seem like an artifact preserving the moment its author became the fullest version of herself.

But for Coel, it represents a particularly validating episode in a career where she has always felt empowered to say what she thinks.

“I’ve always annoyed people about these things,” she said with a laugh. “I don’t know where I got the nerve to be like this. But from the start, there has always been a story where Michaela would insist and say, “There is something wrong here.

To this day, Coel is relentlessly outspoken about the choices that go into her work, even when it comes to the decision to call “Misfits” a “manifesto,” which she says was forced upon her by her editors. .

As she explained, “I was like, ‘But it’s so small, it’s not really a book.’ They said, “A book is a binding of papers. OK, okay, can we call it a test book? “Mmm, no. “

She was more circumspect when discussing where she was on the planet during our video chat. Despite a report in Variety that Coel had joined the cast of the Marvel superhero sequel “Black Panther: Wakanda Forever,” she said, “I’m in America. I don’t know why I’m here. I have a feeling that I’m not supposed to say it. (A Marvel spokesperson declined to comment.)

Actor Paapa Essiedu, co-star of “I May Destroy You” and longtime friend of Coel, said that since their time together as students at the Guildhall School of Music and Drama in London, he has known that Coel was a brave, outspoken person.

“Her voice was always very clear,” Essiedu said. “She always felt like she wasn’t fazed by what was expected of her, and she was able to think and speak independently.”

Even so, Essiedu said, “Remember she’s just a normal person,” who talks trash with her friends, ”and can be funny and can be really boring. Her everyday life isn’t about marrying the way to make the world a better place. ”

In the speech, Coel described the frustrations she endured with her groundbreaking comedy series, “Chewing Gum,” which airs on E4 in Britain and Netflix in America. She spoke of crying in a pair of pantyhose not purchased at a drugstore following a phone call where it was suggested that she should hire co-writers to help her on the show.

She also spoke about turning down an offer to make “I May Destroy You” with Netflix when the streaming service refused to allow her to retain ownership rights to the series. (In the lecture, she told this story with allegorical flair, imagining it as a negotiation with a fictional mother-in-law she called “No-Face Netanya.”)

Amy Gravitt, executive vice president of HBO who oversees its original comedy programming, said she was moved by Coel’s lecture when she watched it online.

“There was so much she said in that speech that resonated as a woman working in this industry,” said Gravitt, who first met Coel in 2017 after the success of “Chewing Gum” .

“When she spoke about her desire to see another person’s point of view represented on screen, it resonated deeply with me as a programmer,” Gravitt said.

Far from feeling reluctant to work with someone so outspoken, Gravitt said, “I feel like I just want to work with people who feel comfortable saying what they think. “

Coel eventually ended up doing “I May Destroy You” for HBO and the BBC. When I asked her if Netflix had to cry to fall asleep every night for missing the show, she replied, “Well, melatonin works a charm.”

A Netflix press representative said in a statement: “Michaela is an incredibly talented artist who we have been delighted to work with on ‘Black mirror’ and ‘Black Earth Rising’ among others, and with whom we hope to work again in the future.

Coel said she never hesitated to tell her audience that she had been sexually assaulted. “I never had this thing where I kept it to myself and I was afraid to say it because of what people were thinking,” she said. “And because I never had that incubation period of shame and guilt to make a home inside of me, it never did.”

Talking about the assault now was like “looking at a scar,” she said.

“I look at the scar, and it’s like, whoa, it happened,” Coel said. “But now I’m alive to look at that scar, which means I’ve come through the turning point. “

By the time she gave the talk, Coel was already writing what would become “I May Destroy You,” in which her character, a young writer named Arabella, was served an enriched drink and sexually assaulted.

To this day, Coel said, she meets fans of the show but doesn’t realize it’s based on her experience. Other viewers approach him, on social media and in person, to talk to him about their own traumas. “I cried with strangers on the street,” she says.

“I May Destroy You” became a staple of the pandemic era when it aired in the spring and last summer, and it has inspired fans in other ways.

In February, the series received no Golden Globe nominations, sparking public outcry. Deborah Copaken, author and memorialist (“Ladyparts”) who was screenwriter for the first season of Netflix’s hazy comedy “Emily in Paris,” wrote in an essay for The Guardian that the snub “isn’t just wrong, it’s what’s wrong with everything”.

In an interview, Copaken praised Coel for putting “people on screen that you’ve never seen on TV, except as extras or whatever,” in a series that encompassed topics such as sexual consent. and the assimilation of immigrants.

“That doesn’t make people who aren’t white and Western role models of virtue,” Copaken said. “They are interesting people with a messy life. At every turn, it challenges viewers’ assumptions.

Coel herself said she was too thrilled with the wider reaction to her series to be concerned about the Golden Globes controversy. “I was on that cloud of gratitude,” she said, “and I could hear that something was going on. I was like, guys, I don’t know how to get out of the cloud and handle this. Last month, “I May Destroy You” was nominated for nine Emmy Awards, including limited and anthology series. Coel and Essiedu both received nominations as actors, and Coel was also nominated for as director and screenwriter of the series.

Now, Coel faces the happy challenge of finding a sequel to “I May Destroy You,” and she insists the series is over.

“For me it’s very clearly over, isn’t it?” she said. “Imagine if there was a season 2? I just think guys, come on, it’s done. Unless someone has this amazing idea for Season 2 that doesn’t destroy Season 1, for me it’s closed and done.

Coel said she was under no external pressure to complete her next project. “HBO and BBC were very nice,” she said. “They said, ‘Hey, Michaela, you’ve done a great thing for us. You can just relax, take the time you need. Corn I am not like this.”

She quickly pointed her camera at a whiteboard on which she had started to draw a new story arc, but turned the camera to herself before the words were readable. She wouldn’t say anything more about the new series except that the BBC had committed to doing it.

(Gravitt, the HBO executive, said her network was “in the early stages of discussing with Michaela and the BBC and various artists who are all on the” I May Destroy You “crew, and enthusiastic about the idea of ​​having this new project to work on together. ”)

Essiedu said that Coel hasn’t changed much in reaching a new level of fame and that she remains an artist motivated more by work than by fame.

“She deserves the credit and the applause,” he said. “She’s not going to shy away from it, which we Brits are very good at doing. She might be a little more like you Americans in this approach.

But after twice experiencing the satisfaction of feeling that her viewers really and fully received what she was saying – with her MacTaggart talk and with “I May Destroy You” – Coel said she could hardly ask for more. .

“As a writer I am sometimes overwhelmed, I am exhausted,” she said. “I try to be clear, piece by piece, and the audience liked me and listened to me.”

With a mixture of relief and joy, she exclaimed, “The way people listen to me in this life! All I have learned is to be heard.

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Reading and writing

Bedside table: readers’ choice of books

Cover courtesy of Penguin Random House

“The writing in which I have been immersed for a few weeks is that of the French author Annie Ernaux. On my bedside table, I have a stack of his autobiographical books. Some that I own and read years ago, but others that I was able to borrow. I have been a staunch patron of the Patten Free Library here in Bath for years, but it was only after the deprivations of the pandemic that I looted an even deeper treasure, the Maine Cat System, which readers to order books from libraries. throughout the state, including those in universities.

“Ernaux, now 80, has undermined the phases of her life in more than 20 slender and beautifully polished volumes since the 1970s. Her prolific work, well known in Europe, is distinguished by the fact that her writing will describe often an incident or a period of time with exquisite detail as if it had happened yesterday; for example, in the book ‘A Girl’s Story’, her first sexual experience. A few paragraphs later, she takes a step back to reflect, this time in the person of an older, more experienced woman – herself as she writes.

“These short autobiographies have become an impromptu tutorial as I mull over my own dissertation project that spans a series of years that began in the 1970s and ended two decades later. Although oblique on first reading, the closing lines of “A Girl’s Story” provided me with powerful clarity – a way to think about and reimagine my personal story:

“Among my papers, I found a kind of intent note:
Explore the chasm between the staggering reality of things that happen, to
at the time they occur, and, years later, the strange unreality in which
things that happened are wrapped up.

“Reading Ernaux’s series of memoirs and the ‘strange unreality’ of the sense of stop-start time in which we currently live have become for me good companions, a fertile ground for ideas and language. I can’t wait to find out what is germinating… ”- SUSAN T. LANDRY, Bath-based writer, memorialist and poet

Mainers, please drop us a line to tell us about the book on your nightstand right now. In a few sentences, describe the book and don’t forget to tell us what attracted you to it. With the pandemic’s path uncertain again, we especially want to hear what you read in these turbulent times and why. Send your selection to [email protected], and we can use it as a future bedside table.

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Fiction publisher

Longlist Booker 2021 Reader’s Guide

PUBLISHED on August 22, 2021


The long list of the Booker Prize is one of the highly anticipated literary events of the year. The thirteen titles nominated for the coveted prize, called Booker Dozen, were chosen from 158 novels, all published in the UK or Ireland between October 1, 2020 and September 30, 2021. The Booker Prize for Fiction is open to works by ‘writers of any nationality, written in English and published in the UK or Ireland.

This year’s jury was made up of president Maya Jasanoff, the historian; writer and editor Horatia Harrod; actor Natascha McElhone; novelist and professor Chigozie Obioma and writer and former Archbishop Rowan Williams.

Maya Jasanoff, president of the 2021 judges, said this about the novels on the long list:

“Many of them consider how people grapple with the past – whether it is personal experiences of mourning or dislocation or the historical legacy of slavery, apartheid and war. Many examine the strained intimate relationships and, through them, meditate on ideas of freedom and obligation, or what makes us human. It is especially striking during the pandemic that all of these books have important things to say about the nature of the community, from the smallest and most isolated to the immeasurable expanse of cyberspace. ”

Five novelists have already been awarded the prize: Damon Galgut, Kazuo Ishiguro, Mary Lawson, Richard Powers and Sunjeev Sahota.

Following the Booker’s decision in 2014 to include American authors among the nominees eligible for the award, the long list each year revives the debate as to whether this will lead to more inclusiveness or consistency in the edition. This year’s list consists of five British authors alongside four Americans and writers from Canada and South Africa.

The list of six finalists will be announced on September 14 of this year, and the winner, who will take home £ 50,000, will be announced on November 2.

So what can you expect from this year’s long list? Keep reading to find out.

A passage to the north – Anuk Arudpragasam

After his critically acclaimed debut, The story of a brief marriage, the Sri Lankan Tamil writer is back with another politically astute novel. His latest work of fiction is a dark discursive meditation on the collective amnesia of a nation. The story revolves around Krishan who sets out on a trip from Colombo to the war-torn Northern Province for the funeral of the caregiver of his grandmother, a woman who never recovered psychologically after having lost her two sons in the bloody civil war that lasted thirty years. . A breathtaking work of fiction about the generational trauma of war.

Klara and the sun – Kazuo Ishiguro

Having won the Booker Prize in 1989 with the famous The leftovers of the day which has also been adapted into an award-winning film starring Anthony Hopkins and Emma Thompson, this is the fourth time Ishiguro has been nominated for the award. Klara and the sun takes place in a world where parents buy androids called artificial friends to provide companionship for their children. Klara, one of these “friends” is brought home to Josie, a chronically ill girl. The plot and tone of this book most closely resemble the writer’s seminal work, Never let Me Go. With the same ingenious combination of naivety paired with artful observations on human fragility, both books push the boundaries of the sci-fi genre.

The promise – Damon Galgut

Previously shortlisted for In a strange room the South African writer marks his return to Booker’s long list with his most political work to date.The promise revolves around a fanatical South African family who renegs on their promise to make their black servant a legal owner of the house in which they live. This provocative, multigenerational family saga begins in the 1980s and ends in 2018, skillfully tracing the legacy of apartheid.

Second place – Rachel Cusk

In the wake of his critically acclaimed trilogy Contour who pushed the boundaries of fiction, Cusk marks his return with this domestic novel. Author’s Note Credits Lorenzo in Taos, Mabel Dodge Luhan’s 1932 memoir of DH Lawrence’s stay at his artist colony in Taos, New Mexico, as a source of inspiration. This fictional memoir deals with the strained relationship between a woman and the famous artist whom she invited to use her guesthouse in the remote coastal landscape where she lives with her family. While the story is weighed down by overly stylized and dense prose, this thin short story ultimately talks about the boredom of midlife and the double-edged sword of fame in the creative realm.

The softness of the water – Nathan Harris

One of the landmark debuts of the year, this propulsive novel takes place during the twilight years of the Civil War era. With keen insight, Harris paints a vivid and nuanced portrait of rural Georgia in the southern United States at a time of great political upheaval. The plot centers on two brothers recently released by the Emancipation Proclamation and their families. The novel features a cast of well-etched characters and a sensitive portrayal of complex interpersonal relationships.

An island – Karen Jennings

Dark horse of the long list, this novel by a South African writer struggled to find a publisher, eventually finding a home in a small independent publishing house with a circulation of only 500 copies. It is the story of a young refugee who is stranded unconscious on the beach of a small island inhabited by none other than Samuel, an old lighthouse keeper who is exiled from a cruel world. Their interactions revive memories of Samuel’s troubled past and the suffering he witnessed. An island ofdelivers a living and stimulating history that reflects racism, colonialism and its reverberations across generations. The book is already collecting comparisons with the works of another great South African literary, JM Coetzee.

A town called Consolation – Mary Lawson

The Canadian author was previously on the list of The other side of the bridge. The story of this novel revolves around three characters, each facing loss in their own way. Echoing the works of Anne Tyler and Elizabeth Strout, this novel deals with small town life, incorporating themes of family love, loss and togetherness.

Nobody talks about it – Patricia Lockwood

One of this year’s most high-profile debut novels, it captures the Internet’s zeitgeist in all its chaotic glory. Described as a Twitter novel and an autofiction, the book follows a social media celebrity who is “extremely online” and struggles to cope with her offline struggles with real life issues and her online fame. As sketchy prose polarizes, ironic, scorching humor and insightful observations on the vapidity of social media make this novel stand out.

Men of fortune – Nadifa Mohamed

Mahmood Mattan, a young Somali sailor living in Cardiff, was the father of three children and a petty thief. Since his Welsh wife left him he has been in trouble, but when a shopkeeper is brutally killed in Tiger Bay in Cardiff in 1952, he doesn’t expect to be charged with the crime. He was wrongly convicted and executed for a murder he did not commit in a horrific case of racial profiling. The British and Somali author’s fictionalized account of the real-life story of Mahmood Mattan is a mind-boggling literary feat. Overflowing with soul and grace, this book depicts the deplorable history of racism and bigotry.

Perplexity -Richard Powers

This novel marks the third entry on Booker’s Long List for the Pulitzer Prize-winning American writer. Astrobiologist Theo Byrne, 45, searches for life in space while his 9-year-old son Robin is determined to protect endangered animals on Earth. Recently bereaved, the father-son duo face the loss of Robin’s mother in an accident. As the grieving son’s behavior becomes problematic, in an attempt to keep him away from psychoactive drugs, Theo agrees to put his son on experimental neurological therapy. Meanwhile, ecological and political disasters are raging in the outside world. Perplexity is a poignant and timely reflection on how to protect ourselves and our loved ones from the perils of the outside world and our own minds.

China room – Sunjeev Sahota

No stranger to the Booker, Sahota was shortlisted in 2015 for The year of the fugitives.

The double story of China room follows Mehar, a young bride in rural Punjab during the lead-up to the score who spends most of her time sequestered in the “porcelain room” with her two sisters-in-law and her great-grandson who returned from London in 1999 in the Punjab to fight his heroin addiction on an isolated farm, where Mehar resided. Sahota masterfully evokes the sense of place and time in lush prose in this multigenerational novel that explores individual action, oppression and liberation.

Large Circle – Maggie Shipstead

Doorstop to a book of over 600 pages, this glorious feminist epic spans a century. Marian was a daredevil aviator in the mid-90s who embarked on her dream journey of flying around the world, over the North and South Poles. On the last leg of her journey, Marian and her navigator disappeared. A century later, the disillusioned actress Hadley Baxter agrees to try out the role of Marian in a film centered on Marian’s disappearance in Antarctica. From aviation to Hollywood, the worlds created by Shipstead are meticulously researched and vividly evoked. It’s an exhilarating novel about two women, separated by a century but united in their quest to find their own place in a society that demands submission.

Perpetual light – Francois Spufford

On November 25, 1944, a crowded Woolworths branch in New Cross was struck by a German V2 rocket, which exploded and destroyed the store and the immediate area, killing 168 people, including 15 children under the age of 11. Inspired by this real life incident, it is the story of five 20th century lives – the lives five London children could have had had they not been killed. We follow the lives of these five “children” at 15-year intervals and gain insight into the transformative years of post-war London history in this book on Redemption and Hope.

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